Mies van der rohe

105
MIES van der Rohe 1886-1969

Transcript of Mies van der rohe

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MIESvan der Rohe1886-1969

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Born on March 27, 1886in Aachen, Germany

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A a c h e nGERMANY

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became both architect and educator in Berlin1905-37

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Trained in Bruno Paul Office (Architect & Furniture Design)1905-07

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As employee in Peter Behrens office1908-11

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As Director of Bauhaus School of Design1930-33

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“… I believe that architecture has little or nothing to do with

True architecture is always objective and is the expression

the invention of interesting of forms or with personal inclinations.

of the inner structure of our time,from which it stems.”

interesting of formspersonal inclinations

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GLASSSkyscraper On a Prismatic Plan

Competition Project, 1919Glass high-rise on a prismatic plan,charcoal drawingAt Friedrichstrasse Railway Station in Berlin

Office skyscraper / a 20-storey steel skeletonEncased in glass

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GLASSSkyscraper On a Polygonal Plan

Project, 1920-21

Studies of light reflectionsExploit the potential of materials + technology

“My ideas guide my hand, and my hand shows whether my idea is any good.”

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REINFORCEDCONCRETEOffice Building

Project, 1922

Cantilevered concrete slabs Leaving the interior free and uncluttered

4 m. 4 m.

Flexibility in the layout of the offices

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Country HouseCONCRETE

Project, 1924

As if it had been cast in a single mould. The play of forms between the house, the garden and the natural setting.

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Country HouseBRICK

The bearing walls Connect the interior and exterior

Flow of space from one room to the next No corridors

Basic unit of the brick

Project, 1923

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B R I C KWORK

We do not know form.We know only problems of structure.

Form is not the objective, it is the result of our work.

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for Karl LiebknechtMONUMENTand Rosa Luxemburg

Berlin, 1926

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Guben, 1925-1926WOLF HOUSE

“We do not know form - we know only problems of structure Form is not the objective; it is the result of our work...

Form as a goal is Formalism, and that is something we reject…”

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Guben, 1925-1926WOLF HOUSE

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Krefeld, 1928LANGE&ESTERSHOUSE

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The World Exhibition

GERMANBarcelona, 1928-29Pavilion Flexible Plan

The need for light + air + verdure

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The World Exhibition

GERMANBarcelona, 1928-29Pavilion

B a u k u n s tB a u - Building - the static & law-conforming element

Strict intellectual orderK u n s t - Art - the free & creative element

Operate within a clear structure

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The World Exhibition

GERMANBarcelona, 1928-29Pavilion

Mies first developed non-bearing walls

pool

pool

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The World Exhibition

GERMANBarcelona, 1928-29Pavilion

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The World Exhibition

GERMANBarcelona, 1928-29Pavilion

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The World Exhibition

GERMANBarcelona, 1928-29Pavilion

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1983-86reconstructionPavilionClear & Visible Structure

Matched to the purpose of the building and the nature of materials

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1983-86reconstructionPavilion

1x1 m. module

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1983-86reconstructionPavilionHoney-colored golden onyx

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1983-86reconstructionPavilion

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1983-86reconstructionPavilionAntigue-green Tinian MarbleFrosted glass

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1983-86reconstructionPavilionA figure of a dancer by Georg Kolbe

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1983-86reconstructionPavilion

Chromium Plated Covers

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1983-86reconstructionPavilionMaterial + Structure + Space --> Transcendent Unity

Everything was subordinated to the whole

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Brno, Czechoslovakia

TUGENDHATHOUSE1928-30

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Brno, 1928-30TUGENDHATHOUSE

Freely Floating Space

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Brno, 1928-30TUGENDHATHOUSE

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Brno, 1928-30TUGENDHATHOUSE

Reconstruction 1983-85

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Brno, 1928-30TUGENDHATHOUSE

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Brno, 1928-30TUGENDHATHOUSE

Furniture for Tugendhat House 1930

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Brno, 1928-30TUGENDHATHOUSE

1938 Mr.&Mrs.Tugendhat left the house1939 Was taken over - design studio1944 Was damaged by the bomb1945 Red Army Soldiers moved in1960s the issues of reconstruction

1983-85 Reconstruction

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sittingFURNITUREF O R

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sittingFURNITUREF O R

Cantilever Chair, 1927

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sittingFURNITUREF O R

Barcelona Chair, 1929Furniture for the Barcelona pavilion

High-Quality flat bars of spring steel

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sittingFURNITUREF O R

MR Armchair1932 onwards

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sittingFURNITUREF O R

Shell Chair of Plastic, 1946

“I did not try to make a structure in a mass.”

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Verner Panton1926-98

Stacking Chair, 1960

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Moved to the U.S1937

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HOUSEFARNSWORTH

a single roomglass housePlano, Illinois, 1945-50

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HOUSEFARNSWORTH Not the past, not the future

Only the present can be subjected to form.

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HOUSEFARNSWORTH

… I had never known till then what splendid colours nature can display ...

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HOUSEFARNSWORTH

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HOUSEFARNSWORTH

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HOUSEFARNSWORTH

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HOUSEFARNSWORTH

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1938 As director of School of Architectureat the Armour Institute (AIT)

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Illinois Institute of Technology (IIT)Initial Design for the Campus Project

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Architecture & DesignCROWN HALLBuilding, IIT1952-56

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Architecture & DesignCROWN HALLBuilding, IIT1952-56

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Architecture & DesignCROWN HALLBuilding, IIT

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Architecture & DesignCROWN HALLBuilding, IIT

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Architecture & DesignCROWN HALLBuilding, IIT

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Architecture & DesignCROWN HALLBuilding, IIT

Post & Beam carry the roof

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Architecture & DesignCROWN HALLBuilding, IITFree of internal column

Flexibility of arrangementin the interior

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Architecture & DesignCROWN HALLBuilding, IIT

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APARTMENTSPROMONTORYChicago, 1946-49

Steel-and-Glass VersionReinforced Concrete Version

22-storey framed apartment tower

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APARTMENTSPROMONTORYChicago, 1946-4922-storey framed apartment tower

Reinforced concrete columns are stepped backprogressively towards the upper storeys

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APARTMENTS860 LAKE SHORE DRIVE

Chicago, 1948-51

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APARTMENTS860 LAKE SHORE DRIVE

Chicago, 1948-51

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APARTMENTS860 LAKE SHORE DRIVE

Chicago, 1948-511 9 6 3 1 9 8 3

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APARTMENTS860 LAKE SHORE DRIVE

Chicago, 1948-51

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APARTMENTS860 LAKE SHORE DRIVE

Chicago, 1948-51

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APARTMENTS860 LAKE SHORE DRIVE

Chicago, 1948-51

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APARTMENTS860 LAKE SHORE DRIVE

Chicago, 1948-51

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BUILDINGSEAGRAMNew York, 1954-58

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BUILDINGSEAGRAMNew York, 1954-58

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BUILDINGSEAGRAMNew York, 1954-58

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BUILDINGSEAGRAMNew York, 1954-58

Rough sketch of the open space

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BUILDINGSEAGRAMNew York, 1954-58

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BUILDINGSEAGRAMNew York, 1954-58

The more a building was pared to its essential structural and functional elements

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BUILDINGSEAGRAMNew York, 1954-58

The more a building was pared to its essential structural and functional elements

The less superfluous imagery is usedThe more a building expresses its structure and formis

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BUILDINGSEAGRAMNew York, 1954-58

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BUILDINGSEAGRAMNew York, 1954-58

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BUILDINGSEAGRAMNew York, 1954-58

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BUILDINGSEAGRAMNew York, 1954-58

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BUILDINGBACARDISantiago de Cuba, 1957-59

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GALLERYBerlin, 1962-68NATIONAL

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GALLERYBerlin, 1962-68NATIONAL

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GALLERYBerlin, 1962-68NATIONAL

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GALLERYBerlin, 1962-68NATIONAL

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MIES van derRohe1886-1969