Methodologies-Kevin Finch

speculationsThe latest samples of work by Kevin Finch, BSLA

558 East Cypress Street #32Covina, CA [email protected](626)484-8126

//who?

KEVINFINCH

EDUCATION

SKILLS INTERESTS

WANTED FOR ATTEMPTED SHIFT IN STATUS QUO. KNOWN TO SPARK REVOLUTION IN THE HEARTS OF FELLOW DESIGNERS. HIS AMBITIONS ARE NOTHING LESS THAN WORLD DOMINATION; APROACH WITH AN OPEN MIND!

2009-2013:CAL POLY POMONABACHELOR OF SCIENCELANDSCAPE ARCHITECTUREGPA: 3.4

photography, drawing, photo editing

presentation layoutgraphics/posters

video editing

video production

website designnurbs modeling

site animationtechnical drawing

site massing

character animationarchitectural design

painting, music, writing, poetry, adventuring, exploring, acquisition of non-essential knowledge, foreign landguages, animation, psychology, philosophy, anthropology, fine wine, folklore, cinematography

ADDITIONAL CRIMES INCLUDE: dean’s list [2010-2012]

IF FOUND, PLEASE CONTACT:

president’s list [2012]galarza travel scholarship [2012]dangermond traveling scholarship [2012]scasla 3rd year class representative [2011-2012]asla student member [2009-present]kevin finch//[email protected] e. cypress #32//covina, ca// 91723(626)484-8126

WANTEDFOR SERVICES RENDERED

Kevin Finch

I am/a/an I am not/a/anHuman. Thinker. Eccentric. Inquisitor. Poet. Student. Individual. Flawed. Sarcastic. Seeker. Patient. Disciple. Artist. Lover. Son. Aspirational. Learner. Fighter. Leader. Designer.

Skill set. Number. Statistic. Minority. Majority. Follower. Discouraged. Lamb. Perfect. Cynical. Pessimistic. Finished. Receptacle. Satisfied. Done.

Two roads diverged in a wood, and I,I took the one less traveled by,And that has made all the difference

-Robert Frost

what if?

design process

KEVINFINCH

EDUCATION

SKILLS INTERESTS





video editing

video production



site massing







Kevin

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An important aspect of design that I feel is often overlooked is the process that leads us to our final designs. Due to my ability to perform very well in both analog drawing and digital means of production, I can quickly draw an idea then transfer produced media into the computer. I take pride in the way in which my drawings begin as speculative, instinctive movements that ultimately drive the form and function of my designs. These diagrams show experiments in expression of movement throughout the urban environment. These drawings led to the development of a mat—a concept of urban movement as told by Stan Allen in “Thick 2D.”

Expressive Drawing

KEVIN FINCH

EDUCATION

SKILLSINTERESTS





video editing

video production



site massing







Kevin Finch_CPP_design process

A collection of diagrammatic drawings during the master planning phase of Dodger Stadium.

KEVINFINCH

EDUCATION

SKILLS INTERESTS





video editing

video production



site massing







Kevin

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The accumulation of drawings on the pin-up wall allows me to trace my process and reference ideas that were made at the beginning of the design process. A wall is much easier to access than an archive of files.

Physical Files

physical models

KEVINFINCH

EDUCATION

SKILLS INTERESTS





video editing

video production



site massing







Kevin

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Through my modeling processes, I have learned much about spatial relationships, material properties, and how to be careful with modeling glue. I like to look at model building like miniature set design—setting the stage for design interventions. I have also learned much about what doesn’t work when building a model. For example, a 3D digital file can exist in a program without supports, a physical model of the exact file cannot. These modeling and crafting skills can also be applied elsewhere; a land art installation, for example. I created an ephemeral spider web out of thread that was tied to a Walnut Tree. The execution of this spider web consisted of a series of carefully tied knots and measured distances. What I value most about modeling, and all areas of design, are the mistakes I make and how I can readily apply those lessons to my next design iteration.

Rose Hills Cemetery//Social Crypt Rose Hills Cemetery//Scattering Forest Downey Rec Center//emergent architecture

F.E.A.R.//Winter 2010

Iterative Assessment

KEVIN FINCH

EDUCATION

SKILLSINTERESTS





video editing

video production



site massing







Kevin Finch_CPP_physical models

I have also used laser cutting to produce traditional site and context models. This allows for a greater precision of production and I feel I learn more about the size and scale of site during this process. I personally like to take this process to the next level by finding an appropriate environment in which to photograph my models and, by using macro photography, put the viewer into the things I create. There is something to be appreciated about a well-executed site model that makes the viewer, and even me, want to exist within the model.

Homeboy Industries Site Model




Refined Modeling

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concrete casting plaster casting//niche exploration

plaster casting//niche exploration plaster casting//niche exploration

Sculpting, casting, modling, breaking, and reforming were the process for creating these concrete and plaster forms on the opposite page. By applying the voids and hollows necessary for the habitation of specific species, in this case an American Goldfinch, new forms can be discovered within currently existing shapes.

Adaptive Reformation

Technology is something that allows me as a designer to constantly push the limits of form and production. While researching habitat requirements for the American Goldfinch, I modeled the species and used a laser cutter to create a precision model. After discovering what the Goldfinch prefers for habitat, these dimensions and accommodations were applied to a concrete masonry unit and modeled in Rhino. This process was taken one step further by producing a 3D print of the CMU. I believe that 3D printing is the design medium of the future and I am eager to push my design representations in this direction.

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wooden species model

[CHU] 3D print

KEVIN FINCH

EDUCATION

SKILLSINTERESTS





video editing

video production



site massing







Kevin Finch_CPP_physical models

KEVINFINCH

EDUCATION

SKILLS INTERESTS





video editing

video production



site massing







Kevin

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P_ph

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wooden topography//speculative photography

acryllic topography//speculative photography

wooden topography//speculative photography

plaster topography//speculative photography

pool construct

pool construct

One method of graphic representation I particularly enjoy in design is the creation of physical models. It reminds me of playing with Legos as a child; one of my main reasons for pursuing a career in design. Throughout my undergraduate education, I have experimented in traditional chipboard/foamcore/cardboard/wooden models, plaster and concrete sculptures, and even 3D printing. These images also take into account methods of speculative photography. It’s one thing to create an interesting and appropriate model, but it requires another level of engagement to photograph a model in the best lighting, proper distance, and perhaps colorization or manipulation.

Speculative Experimentation

analog//computer aided graphics

site massing//chavez ravineKevin

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Grasshopper script

These towers were modeled using Grasshopper, a parametric plugin for Rhino. These four towers are generated by the same script, but differ slightly depending on what numerical parameters are inserted into the script.

KEVIN FINCH

EDUCATION

SKILLSINTERESTS





video editing

video production



site massing







Kevin Finch_CPP_analog//computer aided graphics

Parametric Modeling

KEVINFINCH

EDUCATION

SKILLS INTERESTS





video editing

video production



site massing







Kevin

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This series of models was created to adapt a modular building unit [CMU] and modify its structure to accommodate a species to inhabit the unit. The forms were modeled in Rhino, and then rendered in Vray using a concrete texture displacement map.

This technique is helpful in exploring the materiality of built form. When a texture or a color can be immediately updated in a model, quick concepts can be generated to drive design production.

[CMU]

[CHU]

[CHU] wall

bike rack//seating

3D Rendering

KEVIN FINCH

EDUCATION

SKILLSINTERESTS





video editing

video production



site massing








Diagrams are a designer’s best tool to represent the processes in complex systems. Whether it is a simple massing diagram, or something as dense as phenology mapping, I have become comfortable with the development, creation, and presentation of graphic diagrams. By taking simple 3-dimensional graphics and applying color in either Illustrator or Photoshop, I find my diagrams to be simple and effective.

Photo montages are also a cornerstone of a designer’s skillset, and I strive to develop my visual aesthetic with every image I create. By combining photo constructs and diagramming methods, the “Y control” image on the following page represents a possible future of Los Angeles based on a set of predetermined values. To evoke a certain emotion or experience within a design, I accentuate colors or textures that are important to a particular design narrative.

Urban Agriculture. Homeboy Style.

grocery store

post office

hospital

church

fire station

police station

city hall

library

private school

high school

middle school

elementary school

resortCivic Strategies

Initial Base Structures Intermediate Attachment

Tidal Densification Connective Growth

Urban Core

Fringe Development

Magnetic Conglomeration

Fringe Collection

grocery store

post office

hospital

church

fire station

police station

city hall

library

private school

high school

middle school

elementary school

resort

housing

retail

river-linked park spaceLow-Income Strategies

housing

biofiltrationMid-Income Strategies

Dodger Parking-Circulation

Pedestrian

Vehicular

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americangoldfinch

[Carduelis tristis]

winter year-round summer

3.75”

4.30”

clutch lends to acrobatic perching habits

clutch size: 2-7 eggs/egg size: 0.5” x 0.7”

typical conical beak is indicative of finches

beak shape lends towards foliage gleaning eating habits

vibrant yellow striping makes this finch easy to indentify

colors in males during the winter, and females year-round, are muted and more dull

house sparrow americangold�nch

american robin

eveninggrosbeak

american crow

nest in the finch’s preferred habitat

eggs in a nest

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make your own feeder!

4.5”

3”

Kevin FinchLA 303/Wilcox + PullmanSpring 2012

Density

LodgingFilm and Television Transportation Attractions

Manufacturing

Perceptual BoundariesEmployment

DevelopmentTypologies

Dodger Stadium

CONNECTIONS

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Density

Key to Lines

Key to Transit Zones123

EconomyHousingTourism

PerceptionEmployment

Development TypologyManufacturing

Attractionhttp://www.afn.org/~alplatt/tubemap.gif

Destinations

Available Jobs

Work/Housing Ratio

Products Ports

Expansion

Job Agencies

Writers

Technology

Transit Corridors

Population

Factories Industry

MaterialsType of Work

Return Visits

Tourism

Localization Monoculture

Participation

Extended StaysWork Commute Tra�c

Conectivity

Fun Factor

Distance from Home

Freeways

Buses

Rail

urban agriculture

“epicenter” plaza

modular unit structures

2D Imagery

Animation and Editing

Y control

Dilapidated pedestrian walks remain in a state of disrepair. An eventual overtaking of uneven surfaces lends to activities such as urban hiking.

Automobiles are now a relic of an ancient past. Some are left abandoned, most provide plant and animal refuge.

With an increased need for land and resources, suburban developments become quarries.

Once street paving eventually disappears, alternade modes of transportation become more common.

Decreases in suburban sprawl creates opportunity for high speed rail and other rapid mass-transit systems.

status quo-unintelligent use of land

suburban sprawl

maximized impervious surfaces

intermediary-loss of fringe development

densification of urban cores

increase of multi-modal transport

goal-hyper dense urban cores

elimination of suburban development

maximization of resources and land use

As highways become obsolete, it is not uncommon to find groups of people making pilgrimages from one city to another.

Abandoned intermediary land can now be used for grazing and other agricultural uses.

The decline of traditional suburban development leads to mass infill projects throughout Los Angeles. These hyper dense developments will be linked by high-speed mass transit.

Los Angeles

Long Beach

Where the Wild Things Go

[re]densification

Covina

Pasadena

Santa Monica

Kevin FinchPhuong VoLA 303/Wilcox/Pullman

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abstraction of form-20x40 oil on paper

mural of the future-40x60 multi-media on canvas


KEVINFINCH

EDUCATION

SKILLS INTERESTS





video editing

video production



site massing







Kevin

Finc

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hybridized site experience

Venice, Italy Assisi, Italy

KEVIN FINCH

EDUCATION

SKILLSINTERESTS





video editing

video production



site massing








I have always been comfortable with drawing and painting, but landscape architecture really taught me how to make these skills useful for me. My semester in Italy also taught me different methods of illustration as well as how to really communicate what I see. I am by no means a fine artist, but I feel that my skills are directly applicable to design. Presented here are a few images from my personal sketchbook, watercolor and oil color paintings, and hybridized imagery where digital and analog methods were employed to create a final image.

Siena, Italy

San Francisco, Ca Site cinematic sketches

Paris, France

San Gimignano, Italy Seeing is Forgetting

KEVINFINCH

EDUCATION

SKILLS INTERESTS





video editing

video production



site massing







Kevin

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h_CP

P_an

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aided

grap

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TO MAIN LINE/WATER SUPPLYTO DETENTION BASIN

TO WATER MAINTO DETENTION BASIN

POOL FITTING

UV FILTER

BALL VALVE

FEATURE PUMP

DIRECTION OF WATER FLOW

REMOTE CONTROL VALVE ASSEMBLY

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TITANIUMPOOL FACE

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WATER FOUNTAIN POOL DETAILSCALE: 1/2"=1'-0"C

9'-5" 1'-1"1'-1"

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WATER FEATURE NOTES:1. Installer is responsible for purchasing water feature components, as well as providing labor and materials required effecting installation of the operational systems as detailed in plans and specifications.

2. The prime water feature installer shall furnish the fountain electrical components to the electrical installer for installation and connection.

3. A single manufacturer shall supply electrical and mechanical feature components in order to ensure the integrity of the water feature design.

4. Upon completion of the project, installer shall provide three copies of owners’ operation and maintenance manuals. Manuals shall be provided as digital copies with all portions in a printable format, and shall include operations and maintenance procedures along with manufacturers’ data sheets and system drawings.

Although I choose to focus on the design aspect of my education, I also possess skills related to traditional landscape architecture. Too many times have I heard, “In the real world, you will be doing a lot of CAD work.” As if the world in which

I exist is one of fantasy. I understand how typical entry level positions work, but I feel that CAD is a relatively simple skill to learn. The ability to solve problems, think critically, and unite art and utility are skills that are not so easily learned and should be of the utmost importance to professional offices.

Technical Drawing

KEVIN FINCH

EDUCATION

SKILLSINTERESTS





video editing

video production



site massing








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GENERAL NOTES:

SCOPE OF WORK:THE SUPPLY AND INSTALLATION OF A 12 VOLT LANDSCAPE LIGHTING SYSTEM WHICH INCLUDES THE FIXTURES SPECIFIED ON LIGHTING LEGEND AS WELL AS THEINSTALLATION OF LOW VOLTAGE TRANSFORMERS AND DIRECT BURIAL CABLE NECESSARY TO COMPLETE LAYOUT AS SHOWN. THIS LIGHTING PLAN IS DIAGRAMMATICAND IS INTENDED TO SHOW GENERAL FIXTURE LOCATIONS AND UTILITIES. CONTRACTOR IS RESPONSIBLE FOR NECESSARY LINE (120V) AND LOW VOLTAGE (12V)WORK TO COMPLETE THE LIGHTING DESIGN AS SHOWN.

STANDARDS:ALL WORK PERFORMED IS TO COMPLY WITH THE UNIFORM BUILDING CODE, CALIFORNIA ELECTRICAL CODE TITLE 8, AND ALL LOCAL CODES AND ORDINANCES.CONTRACTOR SHALL POSSES ALL NECESSARY LICENSES TO COMPLETE DESCRIBED WORK AND SHALL CARRY GENERAL LIABILITY AND WORKMEN'S COMPENSATIONINSURANCE. CONTRACTOR IS TO OBTAIN ALL NECESSARY PERMITS TO COMPLETE WORK DESCRIBED. CONTRACTOR IS TO VERIFY SITE MEASUREMENTS, GRADES,EXISTING CHASE LINE SLEEVES, EXISTING PLANT LOCATIONS, AND EXISTING UTILITIES, EQUIPMENT AND SWITCHING CONTROLS. CONTRACTOR IS TO PROVE ALLNECESSARY COMPONENTS AND ACCESSORIES TO COMPLETE INSTALLATION AS SPECIFIED.

1. DIRECT BURIAL CABLE:CABLING SHOWN ON PLAN IS FOR FIXTURE GROUPING ONLY. CABLE IS TO BE CIRCUITED AND SIZED TO PROVIDE A MINIMUM OF 10 VOLTS AND A MAXIMUM OF 15VOLTS TO ALL LIGHTING FIXTURES. REFER TO FX LUMINARE'S 'CIRCUITING GUIDELINES' INCLUDED WITH THE TRANSFORMER. MINIMUM UNDERGROUND LOW VOLTAGECABLE SIZE IS 12-GUAGE MULTI-STRAND DIRECT BURIAL. INSTALL CABLE ALONG THE EDGE OF HARDSCAPE AND MOWSTRIPS WHENEVER POSSIBLE. MINIMUM CABLEDEPTH IS 8". CONTRACTOR IS TO INSTALL 1" PVC CHASE LINE SLEEVES WITH SWEEP CORNERS FOR ANY CABLE RUN UNDER HARDSCAPE OR DIFFICULT TO ACCESSAREAS SUCH AS AT GRADE DECKS AND HIGH IMPACT AREAS SUCH AS COLOR PLANTERS THAT RECEIVE SEASONAL COLOR CHANGES. LEAVE 24' LOOPS AT ALLFIXTURES LOCATIONS FOR FINAL ADJUSTMENTS ALL WIRE JUNCTIONS SHALL BE WATERPROOFED WITH FX LUMINARE LITESSPLICE+C102 CONNECTORS ORAPPROVED EQUAL. ONLY FULLY ENCAPSULATE WATER PROOF CONNECTORS RATED FOR DIRECT BURIAL WILL BE ACCEPTED. BLACK-TAPE CONNECTIONS WILL BEREJECTED.

2. FIXTURE LOCATIONS:VERIFY EXACT LOCATION WITH LANDSCAPE ARCHITECT OR OWNER'S AGENT BEFORE COMMENCING INSTALLATION. ALL FIXTURES SHALL BE IN A NEW, UNUSEDCONDITION. EQUIPMENT SHALL BE THE TYPE SPECIFIED. THERE WILL BE NO SUBSTITUTIONS WITHOUT PRIOR APPROVAL FROM LANDSCAPE ARCHITECT OR OWNER'SAGENT. INSTALL ALL EQUIPMENT AS PER MANUFACTURER'S SPECIFICATIONS AND DETAILS.

3. TRANSFORMERS:ALL TRANSFORMERS SHALL BE FX LUMINARE STAINLESS STEEL LX TRANSFORMER. TRANSFORMERS TO BE INSTALLED INCONSPICUOUSLY USING PLANT MATERIAL ORSITE FEATURES TO OBSCURE A DIRECT VIEW OF THEIR LOCATIONS. AVOID LOCATIONS THAT ARE EASILY ACCESSIBLE TO CHILDREN OR THAT ARE IN A DIRECT PATHOF IRRIGATION WATER. INSTALL TRANSFORMERS 12" OFF FINISHED GRADE AND LEVEL. ALL WIRES LEADING TO OR FROM TRANSFORMER SHALL BE IN CONDUITSLEEVE THAT IS FIRMLY AFFIXED TO MOUNTING SURFACE. ALL JUNCTION BOXES AND OTHER EQUIPMENT SHALL BE UL APPROVED FOR WET LOCATIONS. PAINTTRANSFORMERS AND ANY NECESSARY JUNCTION BOXES OR CONDUIT TO MATCH THE SURFACE N WHICH THEY ARE MOUNTED. INSTALL TRANSFORMERS ACCORDINGTO MANUFACTURER'S SPECIFICATIONS AND LOCAL CODES. ALL EXPOSED METAL PARTS INCLUDING TRANSFORMERS SHALL BE PERMANENTLY GROUNDED INACCORDANCE WITH THE NATIONAL ELECTRICAL CODE.

4. TREE LIGHTING:VERIFY FINAL FIXTURE LOCATION PRIOR TO INSTALLATIION. TREE CABLE SHALL BE 10-12 GAUGE BROWN OR BLACK LOW VOLTAGETWO-CONDUCTOR. RUN 10 GAUGECABLE ONLY IF 12 GAUGE WILL NOT PROVIDE FIXTURES WITH THE 10 VOLT MINIMUM. INSTALL CABLE ON THE SIDE OPPOSITE PRIMARY VIEW WITH NYLON C-CLIPS ANDA SINGLE STAINLESS SCREW. DO NOT USE STAPLES, AS THE TREE WILL EXPAND, CUTTING INTO CABLE. LEAVE A SLIGHT SLACK IN TREE CABLE TO ALLOW FOREXPANSION OF THE TREE. MAKE CONNECTIONS IN FX MINI J-BOXES USING THE INCLUDED YELLOW WIRENUTS. IF NO MINI J-BOX IS USED, MOUNT THE CONNECTION SOTHAT THE WIRE NUTS ARE POINTED UP, PREVENTING ANY WATER FROM COLLECTING IN THEM. LIGHTLY SPRAY PAINT WIRE AND CONNECTION TO MATCH TREECOLOR- TYPICALL KRYLON PRIMER GRAY OR FLAT BLACK.

5. TESTING:CONTRACTOR IS TO COORDINATE A CONVINIENT TIME IN THE EVENING TO TEST AND AIM ALL EQUIPMENT TO THE SATISFACTION OF THE LANDSCAPE ARCHITECT OROWNER'S AGENT.

6. GUARANTEE:UPON COMPLETION AND ACCEPTANCE OF THE DESCRIBED WORK, THE CONTRACTOR SHALL PROVIDE A GUARANTEE FOR ALL WORKMANSHIP AND EQUIPMENT FORTHE PERIOD OF ONE YEAR FROM THE DATE OF ACCEPTANCE. ALL WARRANTY SERVICE WORK SHALL BE PERFORMED AT NO COST TO OWNER AND BE DONE ON SITEWHEN POSSIBLE.

7. AS BUILT:BEFORE FINAL PAYMENT IS RELEASED, CONTRACTOR WILL PROVIDE OWNER, AT A PREDETERMINED COST, WITH A COMPLETE AND REPRODUCIBLE DRAWING OF THESYSTEM LAYOUT AS IT WAS ACTUALLY INSTALLED. THIS DRAWING SHOULD INCLUDE THE LOCATION OF UNDERGROUND CABLE. CHASE LINE SLEEVES, AND ALLFIXTURES AND EQUIPMENT.

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CIRCUIT WATTAGE DISTANCE WIRE CONSTANT VOLTAGE DROPT-1 52 92.33 11920 0.4A-1T-2 42 69.83 7500 0.39A-2T-2 30 97 11920 0.24B-2T-3 34 58 7500 0.26A-3T-3 32 185.58 18960 0.31B-3T-3 42 79.83 11920 0.28C-3T-3 14 47.08 7500 0.08D-3

VOLTAGE DROP CALCULATIONS

KEVINFINCH

EDUCATION

SKILLS INTERESTS





video editing

video production



site massing







Kevin

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grap

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11.5" 9.5

21" 6.33

31" 7.02

41" 8.6

51.5" 11.86

61" 6.21

71" 8.18

81" 0.77

91" 0.8

101" 1.63

113/4" 20

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Live as if you were to die tomorrow. Learn as if you were to live forever.

-Mahatma Gandhi

558 East Cypress Street #32Covina, CA [email protected](626)484-8126

Kevin Finch, BSLACal Poly Pomona

Methodologies-Kevin Finch

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