Menander in Antiquity (The Contexts of Reception) ||

Cambridge Books Onlinehttp://ebooks.cambridge.org/

Menander in Antiquity

The Contexts of Reception

Sebastiana Nervegna

Book DOI: http://dx.doi.org/10.1017/CBO9780511783623

Online ISBN: 9780511783623

Hardback ISBN: 9781107004221

Chapter

References pp. 280-305

Chapter DOI: http://dx.doi.org/10.1017/CBO9780511783623.011

Cambridge University Press

References

Abadie-Reynal, C., J.-P. Darmon and A.-M. Manire-Lvque (2003) La maison et

la mosaque des Synaristsai (Les femmes au djeuner de Mnandre), in

Zeugma: Interim Reports, eds. R. Early et al. Portsmouth: 7999.

Aldrete, G. S. (1999) Gestures and Acclamations in Ancient Rome. Baltimore and

London.

Allan, W. (2008) Euripides: Helen. Cambridge.

(2000) The Andromache and Euripidean Tragedy. Oxford.

Amato, E. and G. Ventrella (2005) Lthope dans la pratique scolaire et littraire.

Rpertoire complet, in ETHOPOIIA, eds. E. Amato and J. Schamp. Salerno:

21331.

Anderson, G. (1997) Alciphrons miniatures, ANRW 2.34.3: 2188206.

Andrieu, J. (1954) Le dialogue antique. Paris.

Aneziri, S. (2009) World travellers: the associations of Artists of Dionysus, in

Wandering Poets in Ancient Greek Culture, eds. R. Hunter and I. Rutherford.

Cambridge: 21736.

(2003) Die Vereine der Dionysischen Techniten im Kontext der hellenistischen

Gesellschaft. Historia Einzelschriften, 163. Munich.

(1997) Les synagonistes du thtre grec aux poques hllenistique et romaine:

une question de terminologie et de fonction, in De la scne aux gradins, ed.

B. Le Guen. Pallas 47: 5171.

Arnott, W.G. (2000) Menander, III. Cambridge, Mass.

(1997a)Menander, I. Reprinted with corrections; 1st edn 1979. Cambridge, Mass.

(1997b) Humour in Menander, in Laughter Down the Centuries 3, eds. S. Jaekel

et al. Turku: 6579.

(1996a) Alexis: The Fragments. Cambridge.

(1996b) Menander, II. Cambridge, Mass.

(1988) New evidence for the opening of Menanders Perikeiromene?, ZPE 71:

1115.

(1975) Menander, Plautus, Terence. Oxford.

(1963) The end of Terences Adelphoe: a postscript, GaR 10: 1404.

Arrighetti, G. (1984) Cameleonte, la mimesis e la critica letteraria della grecit, in

Filologia e critica letteraria della grecit, ed. G. Arrighetti. Pisa: 1131.

Ashmole, B. (1973) Menander: an inscribed bust, AJA 77: 61.

Astorga, J. A. (1990) The art of Diphilus: a study of verbal humour in New Comedy.

Ph.D. dissertation, University of California at Berkeley.280

Downloaded from Cambridge Books Online by IP 130.209.6.50 on Thu May 09 23:36:35 WEST 2013.http://dx.doi.org/10.1017/CBO9780511783623.011

Cambridge Books Online Cambridge University Press, 2013

Austin, C. (2004) Le papyrus de Genve du Campagnard, inMenandro: cent anni

di papiri, eds. G. Bastianini and A. Casanova. Florence: 7994.

Bacchielli, L. (2002) La Tomba dei Ludi a Cirene: dai viaggiatori dellOttocento

alla riscoperta, QAL 16: 285312.

Bakola, E. (2010) Cratinus and the Art of Comedy. Oxford.

(2005) Old Comedy disguised as satyr play: a new reading of Cratinus

Dionysalexandros (P.Oxy. 663), ZPE 154: 4658.

Barbet, A. and C. Allag (1972) Techniques de prparation des parois dans la peinture

murale romaine, MEFR 84: 9351069.

Barbieri, A. (2003) La circolazione dei testi menandrei nei secoli ferrei di Bisanzio:

la testimonianza dellepistolario di Teolatto Simocatta, MEG 3: 4351.

Barigazzi, A. (1965) La formazione spirituale di Menandro. Turin.

Barns, J. (19501) A new gnomologium with some remarks on gnomic anthol-

ogies, CQ 44: 12637; CQ ns 1: 119.

Barns, J. andR.A.Coles (1965) Fragments of dramatic hypotheses fromOxyrhynchus,

CQ 15: 527.

Barrett, W. S. (1964) Euripides: Hippolytos. Oxford.

Basore, J.W. (1908) The Scholia on Hypokrisis in the Commentary of Donatus.

Baltimore.

Bassett, S. E. (2008) The late antique image of Menander, GRBS 48: 20125.

(2004) The Urban Image of Late Antique Constantinople. Cambridge.

Beacham, R. (1999) Spectacle Entertainments of Early Imperial Rome. New Haven.

Beard, M. (2007) The Roman Triumph. Cambridge, Mass.

(1993) Looking (harder) for Roman myth: Dumzil, declamation and the prob-

lems of denition, in Mythos in mythenloser Gesellschaft: das Paradigma

Roms, ed. F. Graf. Stuttgart: 4464.

Beare, W. (1964) The Roman Stage. London.

(1959) Contaminatio, CR ns 9: 711.

Belardinelli, A.M. (1994) Menandro: Sicioni. Bari.

Blis, A. (1999) Les musiciens dans lantiquit. Paris.

(1988) Interprtation du Pap.Oxy. 3705, ZPE 72: 5363.

Bender, W. (1904) De graecae comoediae titulis duplicibus. Ph.D. dissertation,

University of Marburg.

Bernab-Brea, L. (1981) Menandro e il teatro greco nelle terracotte liparesi. Genoa.

Bers, V. (1997) Speech in Speech: Studies in Incorporated Oratio Recta in Attic

Drama and Oratory. Lanham.

Bieber, M. and G. Rodenwaldt (1911) Die Mosaiken des Dioskurides von Samos,

JdI 26: 122.

Biles, Z. (2011) Aristophanes and the Poetics of Competition. Cambridge.

(2006/7) Aeschylus afterlife: reperformance by decree in 5th-C. Athens?, ICS

312: 20642.

Blanchard, A. (2009) Mnandre: Les Sicyoniens. Paris.

(1997) Destins de Mnandre, Ktema 22: 21325.

References 281



(1991) Sur le milieu dorigine du papyrus Bodmer de Mnandre, Chrg 66: 21120.

(1989) Choix antiques et codex, in Les dbuts du codex, ed. A. Blanchard.

Turnhout: 18190.

Blzquez, J.M. (1981) Mosaicos romanos de Crdoba, Jan y Mlaga. Madrid.

Bloomer, W.M. (2007) Roman declamation: the Elder Seneca and Quintilian, in A

Companion to Roman Rhetoric, eds. W. Dominik and J. Hall. Malden: 297306.

(1997) Schooling in persona: imagination and subordination in Roman educa-

tion, ClAnt 16: 5778.

Blum, R. (1991)Kallimachos: The Alexandrian Library and the Origins of Bibliography.

Translated by H.H. Wellisch. Madison.

Bodei Giglioni, G. (1984) Menandro o la politica della convivenza. Como.

Bonner, S. F. (1977) Education in Ancient Rome. Berkeley.

(1949) Roman Declamation in the Late Republic and Early Empire. Liverpool.

Bowie, E. (1970) The Greeks and their past in the Second Sophistic, PastPres 46: 341.

Bradley, K. (1994) Slavery and Society at Rome. Cambridge.

(1984) Slaves and Masters in the Roman Empire: A Study in Social Control.

Brussels.

Bragantini, I. and M. de Vos (1982) Museo Nazionale Romano. Le pitture II, 1: le

decorazioni della villa romana della Farnesina. Rome.

Brashear, W. (1985) Gnomology, YCS 28: 912.

Bremmer, J. (1997) Jokes, jokers and jokebooks in ancient Greek culture, inACultural

History of Humour, eds. J. Bremmer and H. Roodenburg. Malden: 128.

Brink, K.O. (1946) Callimachus and Aristotle: an inquiry into Callimachus PO

PAIANEN, CQ 40: 1126.

Briscoe, J. (2008) A Commentary on Livy, Books 3840. Oxford.

Brock, R. (1990) Plato and comedy, inOwls to Athens, ed. E.M. Craik. Oxford: 3949.

Brueckner, A. (1931) Mitteilungen aus dem Kerameikos, AM 56: 132.

Bruneau, P. (1981) Tendances de la mosaque en Grce lpoque impriale,

ANRW 2.12.2: 32046.

Bruneau, P. et al. (1970) Llot de la Maison des comdiens. Exploration

archologique de Dlos, XXVII. Paris.

Bruno, V. J. (1985) Hellenistic Painting Techniques: The Evidence of the Delos

Fragments. Leiden.

Burkert, W. (2000) Stumm wie ein Menander-Chor: Ein zustzliches

Testimonium, ZPE 131: 234.

Cadell, H. (1962) Un fragment sur papyrus de lHippolyte dEuripide (v. 1103),

RechPap 2: 2536.

Caldelli, M. L. (1993) LAgon Capitolinus: storia e protagonisti dallistituzione domi-

zianea al IV secolo. Rome.

Calvet, M. and P. Roesch (1966) Les Sarapieia de Tanagra, RA (1966): 297332.

Capps, E. (1900) Chronological studies in the Greek tragic and comic poets, AJP

21: 3861.

Caroli, M. (2007) Il titolo iniziale nel rotolo librario greco-egizio. Bari.

282 References



Carrara, P. (2009) Il testo di Euripide nell antichit: ricerche sulla tradizione testuale

euripidea antica (sec. IV a.C.sec. VIII d.C.). Florence.

Ceccarelli, P. (2010) Changing contexts: tragedy in the civic and cultural life of

Hellenistic city-states, in Beyond the Fifth Century: Interactions with Greek

Tragedy from the Fourth Century bce to the Middle Ages, eds. I. Gildenhard

and M. Revermann. Berlin and New York: 99150.

elik, . (2009) Yukar Harbiye Mozaik Kurtarma Kazs (Perikeiromene,

Philadelphoi, Synaristosai, Theophorosmene), in 17. Mze alimalari ve

Kurtarma Kazilari Sempozyumu. Ankara: 4152.

Charitonidis, S., L. Kahil and R. Ginouvs (1970) Les mosaques de la Maison du

Mnandre Mytilne. AntK-BH, VI. Bern.

Clark, D. L. (1957) Rhetoric in Greco-Roman Education. New York.

Coarelli, F. (1996) Revixit ars. Rome.

(1975) Guida archeologica di Roma. Verona.

Cocchiaro, A. (2002) Brindisi, Taras 22.12: 729.

Cockle, W. E. H. (1975) The odes of Epagathus the choral autist: some documen-

tary evidence for dramatic representation in Roman Egypt, in Proceedings of

the XIVth International Congress of Papyrologists. London: 5965.

Collard, C. (2005) Colloquial language in tragedy: a supplement to the work of

P. T. Stevens, CQ 55: 35086.

Conca, F. (1973) Ricerche sulle gnomai di Filemone, Acme 26: 12966.

Connolly, J. (2001a) Reclaiming the theatrical in the Second Sophistic, Helios 28:

7596.

(2001b) Problems of the past in imperial Greek education, in Education in Greek

and Roman Antiquity, ed. Y. L. Too. Leiden: 33973.

(1998) Mastering corruption: constructions of identity in Roman oratory, in

Women and Slaves in Greco-Roman Culture: Dierential Equations, eds.

S. R. Joshel and S. Murnaghan. New York and London: 13051.

Corbato, C. (1974) Note a papiri comici, in Akten des XIII Internationalen

Papyrologenkongresses. Munich: 918.

(1968) Da Menandro a Caritone. Studi sulla genesi del romanzo greco e i suoi

rapporti con la Commedia Nuova, I,Quaderni Triestini sul Teatro Antico 1: 544.

(1959) Note sulla poetica menandrea. Universit degli Studi di Trieste. Istituto di

Filologia Classica, 6. Trieste.

Corbeill, A. (2007) Rhetorical education and social reproduction in the Republic

and Early Empire, in A Companion to Roman Rhetoric, eds. W. Dominik and

J. Hall. Malden: 6982.

(2004) Nature Embodied. Princeton.

Courcelle, P. (1969) Late Latin Writers and their Greek Sources. Translated by

H. E. Wedeck. Cambridge, Mass.

Cribiore, R. (2007) The School of Libanius in Late Antique Antioch. Princeton.

(2001a) Gymnastics of the Mind. Princeton.

References 283



(2001b) The grammarians choice: the popularity of Euripides Phoenissae in

Hellenistic and Roman education, in Education in Greek and Roman

Antiquity, ed. Y. L. Too. Leiden: 24159.

(1999) Greek and Coptic education in late antique Egypt, in gypten und

Nubien in sptantiker und christlicher Zeit. Akten des 6. Internationalen

Koptologenkongresses, 2, eds. S. Emmel et al. Wiesbaden: 27986.

(1996) Writing, Teachers and Students in Graeco-Roman Egypt. Atlanta.

(1992) The happy farmer: a students composition fromRoman Egypt,GRBS 33:

24763.

Crismani, D. (1997) Il teatro nel romanzo ellenistico damore e di avventure.

Turin.

Cropp, M. J. (1995) Telephus, in Euripides: Selected Fragmentary Plays, eds.

C. Collard, M. J. Cropp and K.H. Lee. Warminster: 1752.

Csapo, E. (2010) Actors and Icons of the Ancient Theatre. Malden.

(2000) From Aristophanes to Menander? Genre transformation in Greek com-

edy, in Matrices of Genre. Authors, Canons and Society, eds. M. Depew and

D. Obbink. Boston: 11534.

(1999) Performance and iconographic tradition in the illustrations of

Menander, Syllecta Classica 10: 15488.

(1986) A note on the Wrzburg bell-crater H5697 (Telephus Travestitus),

Phoenix 40: 37992.

Csapo, E. and P. J. Wilson (forthcoming) Historical Documents for the Greek

Theatre to 300 bc. 2 vols. Cambridge.

Cunningham, I. C. (1987) Herodae Mimiambi cum Appendice Fragmentorum

Mimorum Papyraceorum. Leipzig.

DAiuto, F. (2003) Graeca in codici orientali della Biblioteca Vaticana (con i resti di

un manoscritto tardoantico delle commedie di Menandro), in Tra Oriente e

Occidente: scritture e libri greci fra le regioni orientali di Bisanzio e lItalia, ed.

L. Perria. Rome: 22796.

Dalby, A. (2000) Lynceus and the anecdotists, in Athenaeus and His World:

Reading Greek Culture in the Roman Empire, eds. D. Braund and J. Wilkins.

Exeter: 37294.

Daniel, R.W. (1996) Epicharmus in Trier: a note on the Monnus-mosaic, ZPE 114:

306.

DArms, J. H. (1999) Performing culture: Roman spectacle and the banquets of the

powerful, in The Art of Ancient Spectacle, eds. B. Bergmann and C. Kondoleon.

Washington: 30114.

Daviault, A. (1981) Comoedia Togata. Paris.

Davies, J. K. (19778) Athenian citizenship: the descent group and the alternatives,

CJ 73: 10521.

Davis, G. (1978) Ovid Metamorphoses 3.442f. and the prologue to Menanders

Misoumenos, Phoenix 32: 33942.

De Franciscis, A. (1971) Il Menandro di Ercolano, Cronache Ercolanesi 1: 11315.

284 References



De Marcellus, H. (1996) IG XIV 1184 and the ephebic service of Menander, ZPE

110: 6976.

Denniston, J. D. (1927) Technical terms in Aristophanes, CQ 21: 11321.

Dexter, C. E. (1975) The Casa di L. Cecilio Giocondo in Pompeii. Ph.D. disserta-

tion, Duke University.

Dickey, E. (2007) Ancient Greek Scholarship: A Guide to Finding, Reading and

Understanding Scholia, Commentaries, Lexica and Grammatical Treatises,

from their Beginning to the Byzantine Period. Oxford.

Dickie, M. (1994) Which Posidippus?, GRBS 35: 37383.

Diggle, J. (2008) Did Euripides plagiarize the Medea of Neophron?, in Phileuripids:

mlanges oerts Franois Jouan, eds. D. Auger and J. Peigney. Paris: 40513.

(2004) Theophrastus: Characters. Cambridge.

Dillon, S. (2006) Ancient Greek Portrait Sculpture. Cambridge.

Dilts, M. R. and G. A. Kennedy (1997) Two Greek Rhetorical Treatises from the

Roman Empire. Leiden.

Dobbins, J. J. (2000) The houses at Antioch, in Antioch: The Lost Ancient City, ed.

C. Kondoleon. Princeton: 5162.

Dobrov, G. (2010) Comedy and her critics, in Brills Companion to the Study of

Greek Comedy, ed. G. Dobrov. Leiden: 333.

Dodwell, C. R. (2000) Anglo-Saxon Gestures and the Roman Stage. Cambridge.

Donderer, M. (2008) Antike Musterbcher und (k)ein Ende: ein neuer Papyrus

und die Aussage der Mosaiken, Musiva et Sectilia 23 [2005/2006]: 81113.

(1986) Die Chronologie der rmischen Mosaiken in Venetien und Istrien bis zur

Zeit der Antonine. Berlin.

Dover, K. J. 1968. Aristophanes Clouds. Oxford.

Duckworth, G. E. (1952) The Nature of Roman Comedy: A Study in Popular

Entertainment. Princeton.

Dunbabin, K.M. D. (2010) The prize table: crowns, wreaths and moneybags in

Roman art, in Largent dans les concours du monde grec, ed. B. Le Guen. Saint-

Denis: 30145.

(2008) Nec grave nec infacetum: the imagery of convivial entertainment, in Das

rmische Bankett im Spiegel der Altertumswissenschaften, ed. K. Vssing.

Stuttgart: 1326.

(2006) A theatrical device on the late Roman stage: the relief of Flavius

Valerianus, JRA 19: 191212.

(2003) The Roman Banquet. Cambridge.

(1999) Mosaics of the Greek and Roman World. Cambridge.

(1996) Convivial spaces: dining and entertainment in the Roman villa, JRA 9: 6680.

(1986) Sic erimus cuncti: the skeleton in Graeco-Roman art, JdI 101: 185255.

(1982) The victorious charioteer onmosaics and relatedmonuments,AJA 86: 6589.

(1978) The Mosaics of Roman North Africa. Oxford.

Dutsch, D. (2007) Gestures in the manuscripts of Terence and late revivals of

literary drama, Gesture 7.1: 3971.

References 285



Duval, N. (1984) Les concours sur les mosaques de Piazza Armerina: prix et tirage

au sort. Linuence de lagonistique grecque, in La villa romana del casale di

Piazza Armerina, ed. G. Rizza. Catania: 15769.

Easterling, P. (2005) Agamemnon for the ancients, in Agamemnon in Performance

458 bc to ad 2004, eds. F. Macintosh, P. Michelakis, E. Hall and O. Taplin.

Oxford: 2346.

(1997) From repertoire to canon, in The Cambridge Companion to Greek

Tragedy, ed. P. Easterling. Cambridge: 21127.

(1995) Menander: loss and survival, in Stage Directions, ed. A. Griths. London:

15360.

Easterling, P. and R. Miles (1999) Dramatic identities: tragedy in Late Antiquity, in

Constructing Identities in Late Antiquity, ed. R. Miles. London and New York:

95111.

Edwards, C. (1993) The Politics of Immorality in Ancient Rome. Cambridge.

Erasmo, M. (2004) Roman Tragedy: Theatre to Theatricality. Austin.

Erdemgil, S. et al. (1989) The Terrace Houses in Ephesus. Istanbul.

Esposito, M. and P. Miniero (2000) I mosaici delle Terme di Baia, in Atti del VI

colloquio dell associazione italiana per lo studio e la conservazione del mosaico.

Ravenna: 25366.

Ewald, B. C. (2004) Men, muscle and myth: Attic sarcophagi in the cultural context

of the Second Sophistic, in Paideia: The World of the Second Sophistic, ed.

B. E. Borg. Berlin and New York: 22975.

Fabbri, M. and A. Trotta (1989) Una scuola-collegio det augustea. Rome.

Fairweather, J. (1981) Seneca the Elder. Cambridge.

Falkner, T. (2002) Scholars versus actors: text and performance in the Greek tragic

scholia, inGreek and Roman Actors, eds. P. Easterling and E. Hall. Cambridge:

34261.

Fantham, E. (2009) Telephos at Rome, in The Play of Texts and Fragments: Essays in

Honour of Martin Cropp, eds. J. R.C. Cousland and J. R. Hume. Leiden: 42132.

(2002) Orator and/et actor, in Greek and Roman Actors, eds. P. Easterling and

E. Hall. Cambridge: 36276.

(1989) Mime: the missing link in Roman literary history, CW 82: 15363.

(1984) Roman experience of Menander in the Late Republic and Early Empire,

TAPA 114: 299309.

(1982) Quintilian on performance: traditional and personal elements in

Institutio 11.3, Phoenix 36: 24363.

(1977) Adaptation and survival: a genre study of Roman comedy in relation to its

Greek sources, in Versions of Medieval Comedy, ed. P. G. Ruggiers. Norman:

1950.

Fantuzzi, M. (2007) Epigram and the theatre, in Brills Companion to Hellenistic

Epigram, eds. P. Bing and J. Steen Bruss. Leiden: 47795.

Fassino, M. (1999) Revisione di P. Stras. W.G. 304307, ZPE 127: 146.

286 References



Ferrari, F. (2004) Papiri e mosaici: tradizione testuale e iconograa in alcune scene

di Menandro, in Menandro: cent anni di papiri, eds. G. Bastianini and

A. Casanova. Florence: 12749.

(2001) Menandro e la Commedia Nuova. Turin.

Ferrari, G. (2002) Figures of Speech: Men and Maidens in Ancient Greece. Chicago.

Feyel, M. (1942) Contribution lpigraphie botienne. Le Puy.

Fittschen, K. (1992) Zur Rekonstruktion griechischer Dichterstatuen. 2. Teil: Die

Statuen des Posidippus und des Ps.-Menander, AM 107: 22971.

(1991) Zur Rekonstruktion griechischer Dichterstatuen. 1. Teil: Die Statue des

Menander, AM 106: 24379.

(1977) Katalog der antiken Skulpturen in Schloss Erbach. Berlin.

Floriani Squarciapino, M. (1954) Forme ostiensi, ArchCl 6: 8399.

Flower, H. (1996) Ancestor Masks and Aristocratic Power in Roman Culture.

Oxford.

(1995) Fabulae praetextae in context: when were plays on contemporary subjects

performed in Republican Rome?, CQ 45: 17090.

Fontaine, M. (2010) Funny Words in Plautine Comedy. Oxford.

Fora, M. (1992) Ummidia Quadratilla ed il restauro del teatro di Cassino, ZPE 94:

26973.

Fortenbaugh, W. (1985) Theophrastus on delivery, Rutgers University Studies in

Classical Humanities 2: 26988.

(1974) Menanders Perikeiromene: misfortune, vehemence, and Polemon,

Phoenix 28: 43043.

Fournet, J.-L. (1999) Hellnisme dans lgypte du Vie sicle. Cairo.

(1992) Une thope de Can dans le Codex des Visions de la Fondation Bodmer,

ZPE 92: 25366.

Frasier, P.M. (1972) Ptolemaic Alexandria. Oxford.

Frederiksen, R. (2002) The Greek theater: a typical building in the urban center of

the polis?, in Even More Studies in the Ancient Greek Polis, ed. T. H. Nielsen.

Stuttgart: 65124.

Friedlnder, L. (1922) Darstellungen aus der Sittengeschichte Roms. 10th edn, 4 vols.

Leipzig.

Friend, A.M. (1941) Menander and Glykera in the mosaics of Antioch, inAntioch-

on-the-Orontes, III, ed. R. Stillwell. Princeton: 24851.

Funaioli, M. P. (2004) Linceo di Samo, in Samo: storia, letteratura, scienza, ed.

E. Cavallini. Rome: 197208.

Furley, W.D. (2009) Menander: Epitrepontes. BICS Supp. 106. London.

Gaiser, K. (1967) Menander und die Peripatos, A&A 13: 840.

Gamberale, L. (1969) La traduzione in Gellio. Rome.

Gammacurta, T. (2006) Papyrologica scaenica. Alessandria.

Garton, C. (1982) A revised register of Augustan actors, ANRW 2.30.1: 580609.

(1972) Personal Aspects of the Roman Theatre. Toronto.

References 287



Garzya, A. (1981) Sulla questione delle interpolazioni degli attori nei testi tragici, in

Studi salernitani in memoria di Raaele Cantarella, ed. I. Gallo. Salerno: 5375.

Geer, M.G. (1935) The Greek Games at Naples, TAPA 66: 20821.

Gentili, B. (1979) Theatrical Performances in the Ancient World. Amsterdam.

Ghiron-Bistagne, P. (1976) Recherches sur les acteurs dans la Grce antique. Paris.

Giancotti, F. (1967)Mimo e gnome: studi su Decimo Laberio e Publilio Siro. Messina.

Gibert, J. (1997) Euripides Hippolytus plays: which came rst?, CQ ns 47: 8597.

Gibson, C. (2008) Libanius Progymnasmata: Model Exercises in Greek Prose

Composition and Rhetoric. Atlanta.

(1999) The agenda of Libanius hypotheses to Demosthenes, GRBS 40: 171202.

Gildenhard, I. and M. Revermann (eds.) (2010) Beyond the Fifth Century:

Interactions with Greek Tragedy from the Fourth Century bce to the Middle

Ages. Berlin and New York.

Gilula, D. (1989a) Greek drama in Rome: some aspects of cultural transposition, in

The Play out of Context, eds. H. Scolnicov and P. Holland. Cambridge: 99109.

(1989b) The rst realistic roles in European theatre: Terences prologues,QUCC

62: 95106.

(1987) Menanders comedies best with dessert and wine (Plut. Mor. 712e),

Athenaeum 65: 51116.

Gleason, M. (1995) Making Men. Princeton.

Goette, H. R. (forthcoming) The archaeology of the Rural Dionysia, in Greek

Theatre in the Fourth Century bc, eds. E. Csapo, H. R. Goette, J. R. Green and

P. J. Wilson.

(2011) Arsinoe Philopator und Menander. Zwei griechische Portraits in Norfolk

(Virginia), in Sailing to Classical Greece, eds. O. Palagia and H. R. Goette.

Oxford: 5661.

(1999) Die Basis des Astydamas im sogennanten lykurgischen Dionysos-Theater

zu Athen, AntK 42: 215.

(1990) Studien zu rmischen Togadarstellungen. Mainz.

Goldberg, S.M. (2005) Constructing Literature in the Roman Republic. Cambridge.

(1981) Scholarship on Terence and the fragments of Roman comedy, 1959

1980, CW 75: 77115.

Gomme, A.W. and F.H. Sandbach (1973) Menander: A Commentary. Oxford.

Grler, W. (1963) Menandrou Gnomai. Berlin.

Gow, A. S. F. (1965) Machon: The Fragments. Cambridge.

Gow, A. S. F. and D. L. Page (1968) The Greek Anthology: The Garland of Philip. 2

vols. Cambridge.

(1965) The Greek Anthology: Hellenistic Epigrams. 2 vols. Cambridge.

Grant, J. N. (1973) and the miniatures of Terence, CQ 23: 88103.

Grant, R.M. (1965) Early Christianity and Greek comic poetry, CP 60: 15763.

Gratwick, A. S. (1979) Sundials, parasites and girls from Boeotia, CQ 29: 30823.

Graziosi, B. (2002) Inventing Homer: The Early Reception of Epic. Cambridge.

Green, J. R. (forthcoming) A scene from comedy in Brindisi, Prometheus.

288 References



(2010) The material evidence, in Brills Companion to the Study of Greek

Comedy, ed. G.W. Dobrov. Leiden: 71102.

(2009) The Logie Collection: A Catalogue of the James Logie Memorial Collection of

Classical Antiquities at the University of Canterbury, Christchurch. Christchurch.

(2008) Theatre production: 19962006, Lustrum 50: 1390.

(1994) Theatre in Ancient Greek Society. London and New York.

(1985) Drunk again: a study in the iconography of the comic theatre, AJA 89:

46572.

Green, P. (1990) Alexander to Actium. London.

Grith, M. (2008) Greek middlebrow drama (something to do with Aphrodite?),

in Performance, Iconography, Reception, eds. M. Revermann and P. J. Wilson.

Oxford: 5987.

Grimal, P. (1982) Considrations sur les Adelphes de Trence, CRAI: 3847.

Gruber, H.W. (2010) Enduring stereotypes: rhetorical education and the prob-

lem of marriage, Journal of Late Antiquity 3.2: 28699.

Gruen, E. (1992) Culture and National Identity in Republican Rome. Ithaca, N.Y.

Guastella, G. (2006) Le rinascite della tragedia: origini classiche e tradizioni europee.

Rome.

Guillemin, A.-M. (ed.) (192747) Pline le Jeune: Lettres. Paris.

Gunderson, E. (2003) Declamation, Paternity and Roman Identity: Authority and

the Rhetorical Self. Cambridge.

Gnther, T. (1990a) Lykophron, in Das Griechische Satyrspiel, eds. R. Krumeich

et al. Darmstadt: 61723.

(1990b) Sositheos, in Das Griechische Satyrspiel, eds. R. Krumeich et al.

Darmstadt: 60216.

Gutzwiller, K. (2000) The tragic mask of comedy: metatheatricality in Menander,

ClAnt 19: 10237.

Gutzwiller, K. and . elik (2012) NewMenander mosaics from Antioch, AJA 116:

573623.

Habicht, C. (1997) Athens from Alexander to Antony. Cambridge, Mass.

(1994) Athen in hellenistischer Zeit: gesammelte Aufstze. Munich.

(1993) The comic poet Archedikos, Hesperia 62: 2536.

(1979) Untersuchungen zur politischen Geschichte Athens im 3. Jahrhundert v.

Chr. Munich.

Haegemans, K. 2001. Character-drawing inMenandersDyskolos: misanthropy and

philanthropy, Mnemosyne 54: 67596.

Hales, S. (2003) The Roman House and Social Identity. Cambridge.

Hall, E. (2007) Introduction: Aristophanic laughter across the centuries, in

Aristophanes in Performance 421 bcad 2007: Peace, Birds and Frogs, eds.

E. Hall and A. Wrigley. London: 129.

(2004) Towards a theory of performance reception, Arion 12.1: 5189.

(2002) The singing actors of antiquity, in Greek and Roman Actors, eds.

P. Easterling and E. Hall. Cambridge: 338.

References 289



Hall, E., F. Macintosh and O. Taplin (eds.) (2000) Medea in Performance 1500

2000. Oxford.

Hall, E., F. Macintosh and A.Wrigley (eds.) (2004)Dionysus since 69: Greek Tragedy

at the Dawn of the Third Millennium. Oxford.

Hall, J. (2007) Oratorical delivery and the emotions: theory and practice, in A

Companion to Roman Rhetoric, eds. W. Dominik and J. Hall. Malden: 21834.

Halliwell, S. (2008) Greek Laughter. Cambridge.

(1991) Comic satire and freedom of speech in classical Athens, JHS 111: 4870.

Hamilton, R. (1974) Objective evidence for actors interpolations in Greek tragedy,

GRBS 15: 387402.

Handley, E. (2011a) The date of Menanders Epitrepontes, ZPE 178. 513.

(2011b) The rediscovery of Menander, in Culture in Pieces: Essays on Ancient Texts

in Honour of Peter Parsons, eds. D. Obbink and R. Rutherford. Oxford: 13859.

(2002) Acting, action and words in New Comedy, in Greek and Roman Actors,

eds. P. Easterling and E. Hall. Cambridge: 16588.

(1997) Some thoughts on New Comedy and its public, inDe la scne aux gradins

(Pallas 47), ed. B. Le Guen. Toulouse: 185200.

(1981) PTurner 5, in Papyri Greek and Egyptian Edited by Various Hands in

Honour of E.G. Turner, eds. P. J. Parsons and J. R. Rea. London: 2530.

(1968) Menander and Plautus: A Study in Comparison. London.

(1965) The Dyskolos of Menander. Cambridge, Mass.

Hanink, J. (2008) Literary politics and the Euripidean vita, CCJ 54. 11535.

Hansen, M.H. (1982) Demographic reections on the number of Athenian citi-

zens, 451309 bc, AJAH 7: 17289.

Harder, A. (1985) Euripides Kresphontes and Archelaos. Leiden.

Hardwick, L. (2003) Reception Studies. Oxford.

Harrison, G.W. M. (2000) Semper ego auditor tantum? Performance and physical

setting of Senecas plays, in Seneca in Performance, ed. G.W.M. Harrison.

Swansea: 13749.

Harvey, D. (2000) Phrynichos and his muses, in The Rivals of Aristophanes, eds.

D. Harvey and J. Willinks. London: 91134.

Hasegawa, K. (2005) The Familia Urbana during the Early Empire: A Study of

Columbaria Inscriptions. Oxford.

Heath, M. (2004) Menander: A Rhetor in Context. Oxford.

(20023) Theon and the history of the progymnasmata, GRBS 43: 12960.

(1990) Aristophanes and his rivals, GaR 37: 14358.

Held, F. G. (1984) and teleology in the Poetics, TAPA 114: 15976.

Hellenkemper Salies, G. (1986) Rmische Mosaiken in Griechenland, BJb 186:

24184.

Henderson, J. (2001) Telling Tales on Caesar: Roman Stories from Phaedrus. Oxford.

Henrichs, A. (1993) Response, in Images and Ideologies: Self-Denition in the

Hellenistic World, eds. A. Bulloch, E. S. Gruen, A. A. Long and A. Stewart.

Berkeley: 17195.

290 References



Herington, J. (1985) Poetry into Drama. Berkeley.

Hoddinott, R. F. (1975) Bulgaria in Antiquity. London.

Hodkinson, O. (2007) Better than speech: some advantages of the letter in the Second

Sophistic, in Ancient Letters: Classical and Late Antique Epistolography, eds.

R. Morello and A.D. Morrison. Oxford: 283300.

Hoepfner, W. (1976) Das Pompeion und seine Nachfolgerbauten. Berlin.

Holford-Strevens, L. (2003)Aulus Gellius: AnAntonine Scholar and his Achievements.

Oxford.

Honigman, S. (2003) The Septuagint and Homeric Scholarship in Alexandria. London.

Hordern, J. H. (2004) Sophrons Mimes. Oxford.

Houston, G.W. (2009) Papyrological evidence for book collections and libraries in

the Roman Empire, in Ancient Literacies: The Culture of Reading in Greece

and Rome, eds. W. A. Johnson and H.N. Parker. Oxford: 23367.

Howlett, J. (1981) Some classical saints in the Russian tradition, in Byzantium and

the Classical Tradition, eds. M. Mullet and R. Scott. Birmingham: 1728.

Hunink, V. (2001) Apuleius of Madauros: Florida. Amsterdam.

Hunter, R. (forthcoming) Old Comedy in the rhetorical and moralizing tradition, in

The Cambridge Companion to Greek Comedy, ed. M. Revermann. Cambridge.

(2011) The letter of Aristeas, in Creating a Hellenistic World, eds. A. Erskine and

L. Llewellyn-Jones. Swansea. 4760.

(2009) Critical Moments. Cambridge.

(1985) The New Comedy of Greece and Rome. Cambridge.

(1983) Eubulus: The Fragments. Cambridge.

(1979) The comic chorus in the fourth century, ZPE 36: 2338.

Hunter, R. and I. Rutherford (eds.) (2009) Wandering Poets in Ancient Greek

Culture. Cambridge.

Hurley, D. (2001) Suetonius: Divus Claudius. Cambridge.

Huskinson, J. (2002/3) Theater, performance and theatricality in some mosaic

pavements from Antioch, BICS 46: 13165.

Hutchinson, G. O. (1985) Aeschylus: Seven against Thebes. Oxford.

Huys, M. (1993) P.Oxy. LIII 3705: a line from Menanders Periceiromene with

musical notation, ZPE 99: 302.

Imber, M. (2001) Practised speech: oral and written conventions in Roman decla-

mation, in Speaking Volumes, ed. J. Watson. Leiden: 199216.

Imperio, O. (2004) Parabasi di Aristofane: Acarnesi, Cavalieri, Vespe, Uccelli. Bari.

Inan, J. and E. Rosenbaum (1966) Roman and Early Byzantine Portrait Sculpture in

Asia Minor. London.

Innes, D. andM.Winterbottom (1988) Sopatros the Rhetor: Studies in the Text of the

Diairesis Zetematon. London.

Isler, H.-P. (2007) Eretria, XVIII. Das Theater: Grabungen 1997 und 1998. Lausanne.

Ivanov, T. (1954) Une mosaque romaine de Ulpia Oescus. Sophia.

Iversen, P. A. (2011) Menanders Thas: hac primum iuvenum lascivos lusit amores,

CQ 61: 18691.

References 291



Jacquemard-Le Saos, C. (1994) Querolus (Aulularia). Paris.

Jaekel, S. (1964) Menandri Sententiae. Leipzig.

Jakobi, R. (1996) Die Kunst der Exegese im Terenzkommentar des Donat. Berlin and

New York.

Janakievski, T. (1988) 114. Kopf des Menander (Fragment), in Antike Portrts aus

Jugoslawien, ed. N. Cambi. Frankfurt: 114.

Janko, R. (1984) Aristotle on Comedy: Towards a Reconstruction of Poetics II.

Berkeley.

Jocelyn, H.D. (1969) Imperator histricus, YCS 21: 97123.

(1967) The Tragedies of Ennius. Cambridge.

Jones, C. P. (1993) Greek drama in the Roman Empire, in Theatre and Society in

the Classical World, ed. R. Scodel. Ann Arbor: 3952.

(1991) Dinner theatre, in Dining in a Classical Context, ed. W. J. Slater. Ann

Arbor: 18598.

(1987) Sophron the comoedos, CQ 37: 20812.

(1986) Culture and Society in Lucian. Cambridge, Mass.

(1971) Plutarch and Rome. Oxford.

Jones, L.W. and C. R. Morey (1931) The Miniatures of the Manuscripts of Terence.

2 vols. Princeton.

Jones, N. F. (2004) Rural Athens under the Democracy. Philadelphia.

Jory, E. J. (1963) Algebraic notation in dramatic texts, BICS 10: 6578.

Jouan, F. (1983) Rexions sur le rle du protagoniste tragique, in Thtre et

spectacles dans lantiquit. Actes du Colloque de Strasbourg, 57 novembre

1981. Leiden: 6380.

Jout-Pastr, E. (2005) Le rire dans la comdie des Lois de Platon, Pallas 67: 4753.

Kalbeisch, K. (1928) Menandrou gnomai, Hermes 63: 1003.

Kaldellis, A. (2007) Christodoros on the statues of the Zeuxippos Baths: a new

reading of the Ekphrasis, GRBS 47: 36183.

Kassel, R. (1974) rger mit dem Koch (Com. Gr. Fr. 219 Austin), ZPE 14: 1217.

(1973) Kritische und exegetische Kleinigkeiten, RhM 116: 97112.

Kaster, R. A. (2001) Controlling reason: declamation in rhetorical education at

Rome, in Education in Greek and Roman Antiquity, ed. Y. L. Too. Leiden:

31737.

(1995) C. Suetonius Tranquillus: De grammaticis et rhetoribus. Oxford.

(1988) Guardians of Language: The Grammarian and Society in Late Antiquity.

Berkeley.

Katsouris, A. G. (1975) Tragic Patterns in Menander. Athens.

Kennedy, G. A. (2003) Progymnasmata: Greek Textbooks of Prose Composition and

Rhetoric. Atlanta.

(1974) The sophists as declaimers, in Approaches to the Second Sophistic, ed.

G. Bowersock. University Park: 1722.

Kenyon, F. G. (1937) The Chester Beatty Biblical Papyri. Fasciculus VII: Ezekiel,

Daniel, Esther. London.

292 References



Knoblauch, A.-M. (1994) 32. Relief of a seated poet (Menander) with masks of New

Comedy, in Greek Sculpture in the Art Museum Princeton University, ed.

B. S. Ridgway. Princeton: 1006.

Koerte, A. (1941) Literarische (papyrologische) Texte mit Ausschluss der christli-

chen, ArcPF 14: 10350.

(1936) Homer und Menander, Hermes 71: 2212.

Koller, H. (1973) Zur Apotheose auf zwei rmischen Mosaiken, Zeitschrift fr die

Schweizerische Archologie und Kunstgeschichte 30: 6175.

Kondoleon, C. (2000a) 40. Mosaic of Menander, Glykera and Comedy, in Antioch:

The Lost Ancient City, ed. C. Kondoleon. Princeton: 156.

(2000b) Mosaics of Antioch, in Antioch: The Lost Ancient City, ed.

C. Kondoleon. Princeton. 6377.

Koning, H.H. (2010). Hesiod: The Other Poet. Ancient Reception of a Cultural Icon.

Mnemosyne Supp. 325. Leiden and Boston.

Konrad, C. F. (1994) Plutarchs Sertorius: A Historical Commentary. Chapel Hill.

Kostantakos, I.M. (2008) Rara coronato plausere theatra Menandro? Menanders

success in his lifetime, QUCC 88: 79106.

(2000) Notes on the chronology and career of Antiphanes, Eikasmos 11: 17396.

Kragelund, P. (2012) Evidence for performances of Republican comedy in fourth-

century Rome, CQ 62: 41522.

Kujore, O. (1974) A note on contaminatio in Terence, CP 69: 3942.

Lada-Richards, I. (2002) The subjectivity of Greek performance, in Greek and

Roman Actors, eds. P. Easterling and E. Hall. Cambridge: 395418.

Lai, A. (1997) La circolazione delle tragedie eschilee in ambito simposiale, Lexis 15:

1438.

Lamagna, M. (1998) La donna di Samo: testo critico, introduzione, traduzione e

commentario. Naples.

(1994) La fanciulla tosata: testo critico, introduzione, traduzione e commentario.

Naples.

Lambert, S. (2008) Polis and theatre in Lykourgan Athens: the honoric decrees, in

: Michael H. Jameson, eds. A. P. Matthaiou

and I. Polinskaya. Athens: 5385.

Lancha, J. (1997) Mosaque et culture dans lOccident romain (IerIVe s). Rome.

Lape, S. (2004) Reproducing Athens. Princeton.

Latte, K. (1954) Zur Geschichte der griechischen Tragdie in der Kaiserzeit, Eranos

52: 1257.

Laugier, L. (2002) De lgypte Pompi: le cabinet dantiques du Duc dAumale.

Paris.

Lefebvre, G. (1907) Fragments dun manuscrit de Mnandre. Cairo.

Lefkowitz, M. R. (1981) The Lives of the Greek Poets. London.

Le Guen, B. (forthcoming) Theatre, religion and politics at Alexanders travelling

royal court, in Greek Theatre in the Fourth Century bc, eds. E. Csapo,

H. R. Goette, J. R. Green and P. J. Wilson.

References 293



(2007) Le palmars de lacteur-athlte: retour sur Syll.3 1080 (Tge), ZPE 160:

97107.

(2004) Le statut professionnel des acteurs grecs lpoque hellnistique, in Le

statut de lacteur dans lantiquit grecque et romaine, eds. C. Hugoniot,

F. Hurlet and S. Milanezi. Tours: 77106.

(2001a) Les Associations de Technites dionysiaques l poque hellnistique. tudes

darchologie classique, XIXII. 2 vols. Nancy.

(2001b) Lactivit dramatique dans les les grecques lpoque hellnistique,

RA 103.12: 26198.

(1995) Thtre et cits lpoque hellnistique: morte de la cit mort du

thtre?, RG 108: 5990.

Lennartz, K. (1994) Non verba sed vim: Kritisch-exegetische Untersuchungen zu den

Fragmenten archaeischer roemischer Tragiker. Stuttgart.

Leo, F. (1901) Die griechisch-rmische Biographie nach ihrer literarischen Form.

Leipzig.

(1883) Die berlieferungsgeschichte der terenzischen Komdien und der

Commentar des Donatus, RhM 38: 31747.

Leppin, H. (1992) Histrionen. Bonn.

Leslie Shear, T. (1978) Kallias of Sphettos and the Revolt of Athens in 286 bc.

Hesperia Supp. 17. Princeton.

Levi, D. (1947) Antioch Mosaic Pavements. Princeton.

Leyerle, B. (2001) Theatrical Shows and Ascetic Lives. Berkeley.

Liapis, V. (2008) Sententiae Menandri [Maxims of Menander], in The Literary

Encyclopedia. First published 16 December 2008. www.litencyc.com/php/

stopics.php?rec=true&UID=5763, accessed 8 August 2012.

(2006) How to make a monostichos: strategies of variation in the Sententiae

Menandri, HSCP 103: 26198.

(2002) Menandrou gnomai monostichoi: eisagoge, metaphrase, scholia. Athens.

Lightfoot, J. L. (2002) Nothing to do with the technitai of Dionysus?, in Greek and

Roman Actors, eds. P. Easterling and E. Hall. Cambridge: 20924.

Linderski, J. (2007) The Menander inscription from Pompei and the expression

primus scripsit, ZPE 159: 4555.

(2003) The paintress Calypso and other painters in Pliny, ZPE 145: 8396.

Ling, R. (1997) The Insula of theMenander at Pompeii. Vol. 1: The Structures. Oxford.

Ling, R. and L. Ling (2005) The Insula of the Menander at Pompeii. Vol. 2: The

Decorations. Oxford.

Lorenz, T. (1965) Galerien von griechischen Philosophen- und Dichterbildnissen bei

den Rmern. Mainz.

Lowe, J. C. B. (2003) The lot-drawing scene of Plautus Casina, CQ 53: 17583.

(1997) Terences four-speaker scenes, Phoenix 51: 15269.

(1983) The Eunuchus: Terence and Menander, CQ 33: 42844.

Lucarini, C.M. (2003) Publilio Siro e la tradizione gnomologica, in Aspetti di

letteratura gnomica nel mondo antico, ed. M. S. Funghi. Florence: 22539.

294 References



Luppe, W. (1969) Zu einer Choregeninschrift aus AIONAI (IG II/III2 3091),

ArchPF 19: 14751.

(1966) Die Hypothesis zu Kratinos Dionysalexandros, Philologus 110: 16993.

Lynch, J. P. (1972) Aristotles School. Berkeley.

Ma, J. (forthcoming). Statues and Cities: The Honoric Statue Habit in the

Hellenistic World. Oxford.

Macintosh, F., P. Michelakis, E. Hall and O. Taplin (eds.) (2005) Agamemnon in

Performance 458 bc to ad 2004. Oxford.

Maiuri, A. (1933) La Casa del Menandro e il suo tesoro di argenteria. 2 vols. Rome.

Major, W. E. (1997) Menander in a Macedonian world, GRBS 38: 4173.

Malosse, P.-L. (2005) thope et ction pistolaire, in ETHOPOIIA, eds. E. Amato

and J. Schamp. Salerno: 6178.

Manieri, A. (2009) Agoni poetico-musicali nella Grecia antica. 1: Beozia (Testi e

commenti 25; Certamina musica graeca 1). Pisa and Rome.

Manuwald, G. (2011) Roman Republican Theatre. Cambridge.

Mario Snchez-Elvira, R.M. and F. Garca Romero (1999) Proverbios griegos:

Menandro Sentencias. Madrid.

Markoulaki, S., G. Christoudoulakos and C. Phragkonikolaki (2004) H archaia

Kisamos kai h poleodomike des organose, in Creta romana e protobizantina,

eds. M. Liviadiotti and I. Simiakaki. Padua: 35573.

(1990) Phedidota Oikias Dionysou sto Mouseio Xanion, in Pepragmena tou

diethnous kretologikou Synedriou. Chania: 44963.

Marrou, H. I. (1948) Histoire de lducation dans lantiquit. Paris.

Marshall, C.W. (2006) The Stagecraft and Performance of Roman Comedy. Cambridge.

(2004) Alcestis and the ancient rehearsal process (P.Oxy. 4546), Arion 11.3: 2745.

Marti, H. (1974) Zeugnisse zur Nachwirkung des Dichters Terenz im Altertum, in

Musa Iocosa, eds. K. H. Chelius et al. Hildesheim: 15878.

Martin, R. H. (1976) Terence: Adelphoe. Cambridge.

Martina, A. (1997) Menandri Epitrepontes. Rome.

Masera, A. (1991) Querolus sive Aulularia. Florence.

Mastromarco, G. (2006) La paratragodia, il libro, la memoria, in Kmidotragidia:

intersezioni del tragico e del comico nel teatro del V secolo a.C, eds. E. Medda,

M. S. Mirto and M.P. Pattoni. Pisa: 13791.

Mastronarde, D. J. (2002) Euripides: Medea. Cambridge.

Mastroroberto, M. (1997) 60. Musici ambulanti, in Pompeii Picta Fragmenta, ed.

P. G. Guzzo. Turin: 1078.

Mattusch, C. (2005) The Villa dei Papiri at Herculaneum. Los Angeles.

Maxwell, R. (1993) The documentary evidence for ancient mime. Ph.D. disserta-

tion, University of Toronto.

May, R. (2007) Apuleius and Drama: The Ass on Stage. Oxford.

McGushin, P. (1992) Sallust: The Histories, 1. Oxford.

McIlwaine, I. C. (1988) Herculaneum: A Guide to Printed Sources, 2. Naples.

McNamee, K. (2007) Annotations in Greek and Latin Texts from Egypt. Oxford.

References 295



McNelis, C. (2007) Grammarians and rhetoricians, in A Companion to Roman

Rhetoric, eds. W. Dominik and J. Hall. Malden: 28596.

Meineke, A. (1839). Historia Critica Comicorum Graecorum. Berlin.

Mensching, E. (1964) Zur Produktivitt der alten Komdie, MusHel 21: 1549.

Merkelbach, R. and J. Stauber (2002) Steinepigramme aus dem griechischen Osten, 4.

Munich and Leipzig.

(1998) Steinepigramme aus dem griechischen Osten, 1. Stuttgart and Leipzig.

Miranda, E. (1990) Iscrizioni greche dItalia: Napoli, I. Rome.

Mollard-Besques, S. (1963) Catalogue raisonn des gurines et reliefs en terre cuite

grecs et romains. II: Myrina. Paris.

Momigliano, A. (1975) Alien Wisdom: The Limits of Hellenization. Cambridge.

Morani, M. (2003) La versione slava delle Gnomai di Menandro, in Aspetti di

letteratura gnomica nel mondo antico, ed. M. S. Funghi. Florence: 10520.

(1996) La traduzione slava delle Gnomai di Menandro. Alessandria.

Morgan, T. (2007) Popular Morality in the Early Roman Empire. Cambridge.

(2003) Tragedy in the papyri: an experiment in extracting cultural history from

the Leuven Database, Chrg 78: 187210.

(1998) Literate Education in the Hellenistic and Roman Worlds. Cambridge.

Most, G.W. (2003) Euripide , in Aspetti di letteratura

gnomica nel mondo antico, ed. M. S. Funghi. Florence: 14166.

Munteanu, D. (2002) Types of anagnorisis: Aristotle andMenander. A self-dening

comedy, WS 115: 11126.

Murray, O. (ed.) (1990) Sympotica: A Symposium on the Symposion. Oxford.

Nachtergael, G. (1977) Les Galates en Grce et les Stria de Delphes. Acadmie

Royale de Belgique, Mmoires de la Classe des Lettres, 63, fasc. 1. Brussels.

Nervegna, S. (forthcoming, a) Performing classics: the tragic canon in the fourth

century and beyond, in Greek Theatre in the Fourth Century bc, eds. E. Csapo,

H. R. Goette, J. R. Green and P. Wilson.

(forthcoming, b) Contexts of reception in antiquity, in The Cambridge Companion

to Greek Comedy, ed. M. Revermann. Cambridge.

(2010) Menanders Theophoroumene between Greece and Rome, AJP 131: 2368.

(2007) Staging scenes or plays? Theatrical revivals of old Greek drama in

antiquity, ZPE 162: 1442.

Nesselrath, H.-G. (2011) Menander and his rivals: new light from the comic

adespota?, in Culture in Pieces: Essays on Ancient Texts in Honour of Peter

Parsons, eds. D. Obbink and R. Rutherford. Oxford: 11937.

(2010) Comic fragments: transmission and textual criticism, in Brills

Companion to the Study of Greek Comedy, ed. G. Dobrov. Leiden: 42353.

(1990) Die attische Mittlere Komdie. Berlin.

Neudecker, R. (1988) Die Skulpturenausstattung rmischer Villen in Italien. Mainz.

Newlands, C. E. (2002) Statius Silvae and the Poetics of the Empire. Cambridge.

Norman, A. F. (1992) Libanius: Autobiography and Selected Letters. Cambridge.

296 References



Novello, M. (2003) I cubicoli, in Amplissimae atque ornatissimae domus, eds.

S. Bullo and F. Ghedini. Rome: 13551.

Nnlist, R. (2009) The Ancient Critic at Work: Terms and Concepts of Literary

Criticism in Greek Scholia. Cambridge.

(2002) Speech within speech in Menander, in The Language of Greek Comedy,

ed. A. Willi. Oxford: 21960.

(1999) Zu den Notae Personarum in P.Oxy. 4022 (Menander), ZPE 126: 756.

Ober, J. (1989) Mass and Elite in Democratic Athens: Rhetoric, Ideology, and the

Power of the People. Princeton.

OConnor, J. B. (1908) Chapters in the History of Actors and Acting in Ancient

Greece. Chicago.

Oellacher, H. et al. (1939) Mitteilungen aus der Papyrus-Sammlung der

Nationalbibliothek in Wien. Papyri Erzherzog Rainer, III: Griechische literari-

sche Papyri. Baden.

Olson, S. D. (2007) Broken Laughter. Oxford.

(1988) The love-duet in Aristophanes Ecclesiazusae, CQ 38: 32830.

Oost, S. I. (1977) Two notes on Aristophon of Azenia, CP 72: 23842.

Osborne, M. J. (1983) Naturalization in Athens, 34. Brussels.

(1982) Naturalization in Athens, 2. Brussels.

OSullivan, L. (2009) History from comic hypotheses: Stratocles, Lachares and P.

Oxy. 1235, GRBS 49: 5379.

Otranto, R. (2000) Antiche liste di libri su papiro. Rome.

Owens, W.M. (2011) The political topicality of Menanders Dyskolos, AJP 132:

34978.

Page, D. L. (1942) Greek Literary Papyri. Cambridge, Mass.

(1934) Actors Interpolations in Greek Tragedy. Oxford.

Palagia, O. (2005) A new interpretation of Menanders image by Kephisodotos II

and Timarchos, ASAtene 83: 28796.

Palazzo, P. (2010) Il complesso archeologico sottostante il Palazzo Nervegna a

Brindisi, in Arqueologa, patrimonio y desarrollo urbano. Actas del Seminario

de Girona, 3 de Julio de 2009. Girona: 16880.

Panagiotakes, K. (1998) Popliliou Syrou Gnomai. Athens.

Papastamati-von Moock, C. (2007) Menander und die Tragikergruppe: neue

Forschungen zu den Ehrenmonumenten im Dionysostheater von Athen,

AM 122: 273327.

Parlasca, K. (1970) Die rmischen Mosaiken in Deutschland. Berlin.

Parrish, D. (1995) The architectural design and interior dcor of Apartment I in

Insula 2 at Ephesus, in Fifth International Colloquium on Ancient Mosaics, 2.

JRA Supp. 9, ed. R. Ling. Ann Arbor: 14358.

Patillon, M. and G. Bolognesi (1997) Aelius Thon Progymnasmata. Paris.

Penella, R. J. (2000) The Private Orations of Themistius. Berkeley, Los Angeles and

London.

References 297



Peppas-Delmousou, D. (1984) Le thtre attique dans le monde hellnistique, in

H NEPIOY EHNIKH KAI ATINIKH

IPAIKE. Athens: 628.

(1978) Zu den Urkunden dramatischer Auhrungen, II, AM 93: 10918.

Pernerstorfer, M. J. (2009) Menanders Kolax: ein Beitrag zu Rekonstruktion und

Interpretation der Komdie. Berlin and New York.

Pernigotti, C. (2008) Menandri Sententiae. Florence.

(2007a) Antologie gnomologiche su papiro: materiali per una nuova analisi del

problema, in Akten des 23. Internationalen Papyrologen-Kongresses, ed.

B. Palme. Vienna: 5359.

(2007b) Morfologie testuali drammatiche antiche: Menandro e i suoi lettori, in

Proceedings of the 24th International Congress of Papyrology, 2, eds. J. Frsn,

T. Purola and E. Salmenkivi. Helsinki: 899908.

(2005) Menandro a simposio? P.Oxy. III 409 + XXXIII 2655 e P.Oxy. LIII 3705

riconsiderati, ZPE 154: 6978.

(2003a) La redazione copta dei Monostici e il suo ambiente culturale, in Aspetti

di letteratura gnomica nel mondo antico, ed. M. S. Funghi. Florence: 7181.

(2003b) La tradizione manoscritta delle Menandri Sententiae: linee generali,

in Aspetti di letteratura gnomica nel mondo antico, ed. M. S. Funghi. Florence:

12137.

(2000) Raccolte e variet redazionali nei papiri dei Monostici di Menandro, in

Papiri Filosoci: Miscellanea di Studi, 3. Florence: 171228.

Perry, E. (2005) The Aesthetics of Emulation in the Visual Arts of Ancient Rome.

Cambridge.

Perusino, F. (1995) Menandro e il simposio: nota al P.Oxy. 3705, in Atti del V

Seminario di Papirologia, ed. M. Capasso. Lecce: 1537.

Petrides, A. K. (2009) Verbalizing/visualizing: theatrical masks and the Greek epi-

gram, CQ 59: 494504.

Petrone, G. (2004) La parola agitata: teatricalit della retorica latina. Palermo.

Petzl, G. (2004) Serviteurs dArs serviteurs des Muses: sur la coexistence de deux

mondes spars, in LHellnisme dpoque romaine, ed. S. Follet. Paris: 2905.

(2002) Neue Inschriften aus Lydien. 4: Kulturbeissenes Nordostlydien, EpigAnat

34: 93102.

Pfeier, R. (1968) History of Classical Scholarship from the Beginnings to the End of

the Hellenistic Age. Oxford.

Philipp, G. (1973) Philippides, ein politischer Komiker in hellenistischer Zeit,

Gymnasium 80: 492509.

Piccione, M.R. (2003) Le raccolte di Stobeo e Orione: fonti, modelli, architetture, in

Aspetti di letteratura gnomica nel mondo antico, ed. M. S. Funghi. Florence:

24161.

Podlecki, A. J. (1969) The Peripatetics as literary critics, Phoenix 23: 11437.

Phlmann, E. and M. West (2001) Documents of Ancient Greek Music. Oxford.

Post, L. A. (1938) Aristotle and Menander, TAPA 69: 142.

298 References



Potter, D. (1987) Telesphoros, cousin of Demetrius: a note on the trial of

Menander, Historia 36: 4915.

Prato, C. (1972) Ricerche sul trimetro euripideo, QUCC 14: 73113.

Prauscello, L. (2006) Singing Alexandria: Music between Practice and Textual

Transmission. Leiden.

Puppini, P. (1999) Allusioni menandree in Coricio, in Per Carlo Corbato: scritti di

lologia greca e latina, eds. B. Gentili, A. Grilli and F. Perusino. Pisa: 10927.

(1983) Menandro in Donato, Quaderni di Filologia Classica dell Universit di

Trieste 4: 5975.

Purcell, N. (1983) The apparitores: a study in social mobility, PBSR 51: 12573.

Quinn, T. (2001) Aristotle, comedy and Menander, CB 77: 318.

Rawson, E. (1985) Theatrical life in Republican Rome and Italy, PBSR 53: 97113.

Reeve, M.D. (1983) Terence, in Texts and Transmission, ed. L. D. Reynolds.

Oxford: 41220.

Revermann, M. (2008) Reception studies of Greek drama, JHS 128: 1758.

(2006) Comic Business. Oxford.

(1999/2000) Euripides, tragedy and Macedon: some conditions of reception, in

Euripides and Tragic Theatre in the Late Fifth Century. ICS, 24/25, eds.

M. J. Cropp, K.H. Lee and D. Sansone. Champaign, Ill.: 45167.

Reynolds, L. D. and N. G. Wilson (1991) Scribes and Scholars. 3rd edn. Oxford.

Reynolds, R.W. (1943) Criticism of individuals in Roman popular comedy, CQ 37:

3745.

Ribbeck, O. (18978) Scaenicae Romanorum Poesis Fragmenta. 3rd edn. Leipzig.

(1875) Die Rmische Tragdie im Zeitalter der Republik. Leipzig.

Rice, E. E. (1983) The Grand Procession of Ptolemy Philadelphus. Oxford.

Richlin, A. (1997) Gender and rhetoric: producing manhood in the schools, in

Roman Eloquence: Rhetoric in Society and Literature, ed. W. Dominik. New

York and London: 90110.

Richter, G.M. (1984) The Portraits of the Greeks. Abridged and revised by

R. R. R. Smith. Oxford.

(1965) The Portraits of the Greeks. 3 vols. London.

Riginos, A. S. (1976) Platonica: The Anecdotes Concerning the Life and Writings of

Plato. Leiden.

Ritti, T. (1985)Hierapolis. Scavi e ricerche 1: fonti letterarie ed epigrache. Archeologica,

53. Rome.

Robinson, E. G. D. (2004/6) Reception of comic theatre amongst the indigenous

South Italians, MeditArch 17: 193212.

Rmer, C. (2008) Zwei Wiener Komdienpapyri: keine szenischen Bemerkungen und

keine Randscholien, aber ein neuer Vers der Alten (?) Komdie, ZPE 167: 13.

Romizzi, l. (2006) Programmi decorativi di III e IV stile a Pompei. Naples.

Rosati, G. (1993) Antecedenti latini: la letteratura a cena, in Passare il tempo: la

letteratura del gioco e dellintrattenimento dal XII al XVI secolo, 1. Salerno: 2950.

References 299



Roselli, D. K. (2005) Vegetable hawking mom and fortunate son: Euripides, tragic

style and reception, Phoenix 59: 149.

Rosen, R. (1995) Plato Comicus and the evolution of Greek comedy, in Beyond

Aristophanes: Transition and Diversity in Greek Comedy, ed. G.W. Dobrov.

Atlanta: 11937.

Rosenmeyer, P. A. (2001) Ancient Epistolary Fictions. Cambridge.

Rossi, M. (1994) Menandro. Aspis. Milan.

Rostovtze, M. I. and C. Bradford Welles (1952) The palace of the dux ripae: the

inscriptions, in The Excavations at Dura-Europos, Part III: The Palace of the

Dux Ripae and the Dolichenum, eds. M. Rostovtze et al. New Haven: 2757.

Rouech, C. (1993) Performers and Partisans at Aphrodisias. London.

Rudd, N. (1989) Horace: Epistles. Book II and the Epistle to the Pisones. Cambridge.

Ruell, I. (2002) A total write-o: Aristophanes, Cratinus, and the rhetoric of comic

competition, CQ 52: 13863.

Russell, D. A. (1996) Libanius: Imaginary Speeches. London.

(1983) Greek Declamation. Cambridge.

Rusten, J. (2006) Thucydides and comedy, in Brills Companion to Thucydides, eds.

A. Rengakos and A. Tsakmakis. Leiden: 54758.

Rutherford, I. (2001) Pindars Paeans. Oxford.

(1998) Canons of Style in the Antonine Age. Oxford.

(1997) For the Aeginetans to Aiakos a prosodion: an unnoticed title at Pindar,

Paean 6, 123 and its signicance for the poem, ZPE 118: 121.

Rutherford, W.G. (1905) A Chapter in the History of Annotation. Scholia

Aristophanica, 3. New York.

Sandbach, F. H. (1970) Menanders manipulation of language for dramatic pur-

poses, inMnandre: sept exposs suivis de discussions. Entretiens Hardt, 16, ed.

E. Turner. Geneva: 11143.

Scafuro, A. C. (2003) When a gesture was misinterpreted: in

Menanders Samia, in Gestures: Essays in Ancient History, Literature and

Philosophy, eds. G.W. Bakewell and J. P. Sickinger. Oxford: 11335.

(1997) The Forensic Stage: Settling Disputes in Graeco-Roman New Comedy.

Cambridge.

Schachter, A. (1986) Cults of Boiotia, II: Herakles to Poseidon. London.

Schefold, K. (1997) Die Bildnisse der antiken Dichter, Redner und Denker. 2nd edn.

Basle.

(1972) La peinture pompienne. Brussels.

(1957) Die Wnde Pompejis. Berlin.

Schouler, B. (2005) Lthope chez Libanios ou lvasion esthtique, in ETHOPOIIA,

eds. E. Amato and J. Schamp. Salerno: 7992.

(1984) La tradition hellnique chez Libanios. Lille.

Schrder, S. (1996) Die Lebensdaten Menanders, ZPE 113: 3548.

Schultz, P. (2003) Kephisodotos the Younger, in The Macedonians in Athens

322229 bc, eds. O. Palagia and S. V. Tracy. Oxford: 18693.

300 References



Scullion, S. (1994) Three Studies in Athenian Dramaturgy. Stuttgart and Leipzig.

Seaford, R. (1996) Euripides: Bacchae. Warminster.

Sear, F. (2006) Roman Theatres: An Architectural Study. Oxford.

Seidensticker, B. (1995) Dichtung und Gesellschaft im 4. Jahrhundert: Versuch

eines berblicks, in Die athenische Demokratie im 4. Jahrhundert v. Chr, ed.

W. Eder. Stuttgart: 17598.

Seiler, F. (1992) Casa degli Amorini Dorati. Huser in Pompeji, 5. Munich.

Sgubini Moretti, A.M. (1998a) La villa in et repubblicana, in Fastosa rusticatio: la

villa dei Volusii a Lucus Feroniae, ed. A.M. Sgubini Moretti. Rome: 204.

(1998b) La ristrutturazione di et augustea, in Fastosa rusticatio: la villa dei

Volusii a Lucus Feroniae, ed. A.M. Sgubini Moretti. Rome: 248.

Sherwin-White, A. N. (1966) The Letters of Pliny. Oxford.

Sick, D.H. (1999) Ummidia Quadratilla: cagey businesswoman or lazy pantomime

watcher?, ClAnt 18: 33048.

Sidwell, K. (2009) Aristophanes the Democrat: The Politics of Satirical Comedy

during the Peloponnesian War. Cambridge.

(2000a) From Old to Middle to New? Aristotles Poetics and the history of

Athenian comedy, in The Rivals of Aristophanes, eds. D. Harvey and

J. Wilkins. London: 24758.

(2000b) Athenaeus, Lucian and fth-century comedy, inAthenaeus andHisWorld:

Reading Greek Culture in the Roman Empire, eds. D. Braund and J. Wilkins.

Exeter: 13652.

Sifakis, G.M. (1995) The one-actor rule in Greek tragedy, in Stage Directions, ed.

A. Griths. London: 1324.

(1967) Studies in the History of Hellenistic Drama. London.

Slater, N.W. (1999). Making the Aristophanic audience, AJP 120: 35168.

(1995) The fabrication of comic illusion, in Beyond Aristophanes, ed.

G.W. Dobrov. Atlanta: 2945.

Slater, W. J. (2010) Paying the pipers, in Largent dans les concours du monde grec,

ed. B. Le Guen. Saint-Denis: 24981.

(1994) Actors and their status in the Roman theatre in the West, JRA 7: 3648.

(1993) Three problems in the history of drama, Phoenix 47: 189212.

(1991a) Making crowns for the Sarapieia, RA: 27780.

(ed.) (1991b) Dining in a Classical Context. Ann Arbor.

Slater, W. J. and D. Summa (2006) Crowns at Magnesia, GRBS 46: 27599.

Slavazzi, F. (1999) Menandro in villa: di una nuova copia del ritratto e delluso delle

repliche, in Koin: miscellanea di studi archeologici in onore di Piero

Orlandini, ed. M. Castaldi. Milan: 44150.

Smith, R. R. R. (1999) Review of P. Zanker, Die Maske des Sokrates: das Bild des

Intellektuellen in der antiken Kunst, Gnomon 71: 44857.

Sommerstein, A.H. (2009) Talking about Laughter and Other Studies in Greek

Comedy. Oxford.

References 301



(2004) Harassing the satirist: the alleged attempts to prosecute Aristophanes, in

Free Speech in Classical Antiquity, eds. I. Sluiter and R. Rosen. Leiden: 14574.

(2002) The titles of Greek dramas, SemRom 5: 116.

(1992) Old Comedians on Old Comedy, in Antike Dramentheorien und ihre

Rezeption, ed. B. Zimmermann. Stuttgart: 1433.

Sonnino, M. (1998) Laccusa di plagio nella commedia attica antica, in Furto e

plagio nella letteratura del classicismo, ed. R. Gigliucci. Rome: 1951.

Starr, R. (1990/1) Reading aloud: lectores and Roman reading, CJ 86: 33743.

Stefani, G. (2000) Mosaici sconosciuti dallarea vesuviana, in Atti del VI colloquio

dellassociazione italiana per lo studio e la conservazione del mosaico. Ravenna:

27990.

Steinmetz, P. (1964) Gattungen und Epochen der Griechischen Literatur in der

Sicht Quintilians, Hermes 92: 45466.

Stephanis, I. E. (1988) Dionysiakoi Technitai. Heraklion.

Stevens, P. T. (1976) Colloquial Expressions in Euripides. Wiesbaden.

Stewart, P. (2004) Roman Art. Oxford.

Storey, I. (2003) Eupolis: Poet of Old Comedy. Oxford.

Stowers, S. K. (1986) Letter Writing in Greco-Roman Antiquity. Philadelphia.

Strasser, J.-Y. (2006) Lpreuve artistique IA ANTN, Historia 55.3: 298327.

Strocka, V. (1977) Die Wandmalerei der Hanghuser in Ephesos. FiE, VIIII.i.

Vienna.

Studniczka, F. (1918) Das Bildnis Menanders, Neue Jahrbcher fr das Klassische

Altertum, Geschichte und Deutsche Literatur 21: 131. Reprinted in K. Fittschen

(ed.) (1988) Griechische Portrts. Darmstadt: 185219.

Sumi, G. S. (2002) Impersonating the dead: mimes at Roman funerals, AJP 123:

55985.

Summa, D. (2008) Un concours de drames anciens Athnes, RG 121: 47996.

Sutton, D. F. (1987) Theatrical families of Athens, AJP 108: 926.

(1980) The Greek Satyr-Play. Meisenheim.

Swain, S. (1996) Hellenism and the Empire. Oxford.

Syme, R. (2002) The Roman Revolution. 1st edn 1939. Oxford.

Tansey, P. (2001) New light on the Roman stage, RhM 144: 2243.

Taplin, O. (2007) Pots and Plays: Interactions between Tragedy and Greek Vase-

Painting of the Fourth Century bc. Los Angeles.

(2003) Greek Tragedy in Action. 2nd edn. 1st edn 1978. London.

(1999) Spreading the word through performance, in Performance Culture and

Athenian Democracy, eds. S. Goldhill and R. Osborne. Cambridge: 3357.

(1993) Comic Angels and Other Approaches to Greek Drama Through Vase-

Paintings. Oxford.

(1975) The title of Prometheus Desmotes, JHS 95: 1846.

Tedeschi, G. (2002) Lo spettacolo in et imperiale e tardo antica nella documenta-

zione epigraca e papirologica, Papyrologica Lupiensia 11: 87187.

Theodoridis, C. (1978) Der Menander-Kommentator Harmatios, ZPE 28: 1656.

302 References



Thomas, R. (1984) Menander and Catullus 8, RhM 127: 30816.

Thyresson, I. L. (1964) Quatre lettres de Claude lien inspires par le Dyscolos de

Mnandre, Eranos 62: 735.

Torrance, I. (2011) In the footprints of Aeschylus: recognition, allusion, and

metapoetics in Euripides, AJP 132: 177204.

Tracy, S. V. (2009) Dating by lettering in Greek epigraphy: general styles and

individual hands, in Estudios de Epigrafa Griega. Serie investigacin, 1, ed.

. Martnez Fernndez. La Laguna: 10510.

(1995) Athenian Democracy in Transition: Attic Letter-Cutters of 340 to 290 bc.

Berkeley.

Traill, A. (2008) Women and the Comic Plot in Menander. Cambridge.

Traill, J. S. (1986) Demos and Trittys: Epigraphical and Topographical Studies in the

Organization of Attica. Toronto.

Treggiari, S. (1976) Jobs for women, AJAH 1: 76104.

(1975) Jobs in the household of Livia, PBSR 43: 4877.

(1969) Roman Freedmen during the Late Republic. Oxford.

Trevett, J. C. (1996) Aristotles knowledge of Athenian oratory, CQ 46: 3719.

Turner, A. (2010) Unnoticed Latin hypotheses to two plays mentioned by Terence:

the Phasma of Menander and the Thesaurus, Hermes 138: 3847.

Turner, E. G. (1978) The terms recto and verso: the anatomy of the papyrus roll, in

Actes du XVe Congrs International de Papyrologie, 1. Papyrologica

Bruxellensia, 16, eds. J. Bingen and G. Nachtergael. Brussels: 171.

(1973) The Papyrologist at Work. Durham.

(1963) Dramatic representations in Graeco-Roman Egypt: how long do they con-

tinue?, AntCl 32: 1208.

Ullmann, M. (19656) Bemerkungen zu den arabischen bersetzungen der

Menandersentenzen, Der Islam 42: 7988.

(1961) Die arabische berlieferung der sogenannten Menandersentenzen.

Wiesbaden.

Vanaria, M.G. (2001) Il gruppo ttile dello scavo XXXIId, in Meliguns-Lipra

XI.2: gli scavi nella necropoli greca e romana di Lipari nellarea del terreno

vescovile, eds. L. Bernab Brea, M. Cavalier and F. Villard. Palermo: 75961.

van der Horst, P.W. (1990) Is wittiness unchristian? A note on eutrapelia in Eph.

V.4, in Studies on the Hellenistic Background of the New Testament, eds.

P.W. van der Horst and G. Mussies. Utrecht: 22337.

Vandoni, M. (1964) Feste pubbliche e private nei documenti greci. Milan.

van Minnen, P. (1998) Boorish or bookish? Literature in Egyptian villages in the

Fayum in the Graeco-Roman period, JJurP 28: 99184.

van Rossum-Steenbeek, M. (1998) Greek Readers Digests? Studies on a Selection of

Subliterary Papyri. Leiden.

van Steen, G. (forthcoming) Modern reception, in The Cambridge Companion to

Greek Comedy, ed. M. Revermann. Cambridge.

References 303



Vendries, C. (1999) Instruments cordes et musiciens dans lEmpire romain. Paris.

Ventrella, I.G. (2005) Letopea nella denizione degli antichi retori, in ETHOPOIIA,

eds. E. Amato and J. Schamp. Salerno: 179212.

Vermeule, C. (1965) A Greek theme and its survivals: the rulers shield (tondo

image) in tomb and temple, PAPhS 109: 36197.

Veyne, P. (1989) IAKEYAI: le thtre grec sous lEmpire (Dion de Pruse, XXXII,

94), RG 102: 33945.

Villa, C. (1984) La Lectura Terentii. Padua.

Volk, K. (2009) Manilius and His Intellectual Background. Oxford.

Wallace-Hadrill, A. (2008) Romes Cultural Revolution. Cambridge.

(1988) The social structure of the Roman house, PBSR 56: 4397.

Warmington, E. H. (19356) Remains of Old Latin. Vol. 1: Ennius and Caecilius;

Vol. II: Livius Andronicus, Naevius, Pacuvius, Accius. Cambridge, Mass.

Waywell, S. E. (1979) Roman mosaics in Greece, AJA 83: 293321.

Webb, R. (2008) Demons and Dancers. Cambridge, Mass.

(2001) The progymnasmata as practice, in Education in Greek and Roman

Antiquity, ed. Y. L. Too. Leiden: 289316.

Webster, T. B. L. (1974) An Introduction to Menander. Manchester.

(1953) Studies in Later Greek Comedy. Manchester.

Werner, K. E. (1998) Die Sammlung antiker Mosaiken in den Vatikanischen Museen.

Vatican City.

West, M. (2007) A new musical papyrus: Carcinus, Medea, ZPE 161: 110.

(1992) Ancient Greek Music. Oxford.

(1979) The Prometheus trilogy, JHS 99: 13048.

Westermann, W. L. (1932) Entertainment in the villages of Graeco-Roman Egypt,

JEA 18: 1627.

(1924) The castanet dancers of Arsinoe, JEA 10: 13444.

Whitehead, D. (1986a) The Demes of Attica. Princeton.

(1986b) The political career of Aristophon, CP 81: 31319.

(1977) The Ideology of the Athenian Metic. Cambridge.

Wiles, D. (1984) MenandersDyskolos and Demetrios of Phalerons dilemma, GaR

31. 17080.

Wilhelm, A. (1897) Parische Marmorchronik, AM 22: 190217.

Willi, A. (2002) The language of Greek comedy: introduction and bibliographical

sketch, in The Language of Greek Comedy, ed. A. Willi. Oxford: 132.

Willink, C.W. (1986) Euripides: Orestes. Oxford.

Wilson, N. G. (forthcoming) The transmission of comic texts, in The Cambridge

Companion to Greek Comedy, ed. M. Revermann. Cambridge.

(2007) Aristophanea: Studies on the Text of Aristophanes. Oxford.

Wilson, P. J. (2010) How did the Athenian demes fund their theatre?, in Largent

dans les concours du monde grec, ed. B. Le Guen. Saint-Denis: 3782.

(2007) Sicilian choruses, in The Greek Theatre and Festivals: Documentary

Studies, ed. P. J. Wilson. Oxford: 35177.

304 References



(2000) The Athenian Institution of the Khoregia: The Chorus, the City and the

Stage. Cambridge.

(1997) Amymon of Sikyon: a rst victory in Athens and a rst tragic choregic

dedication in the city? (SEG 23. 103b), ZPE 118: 1748.

(1996) Tragic rhetoric: the use of tragedy and the tragic in the fourth century, in

Tragedy and the Tragic: Greek Theatre and Beyond, ed. M. Silk. Oxford: 31031.

Wilson, P. J. and E. Csapo (2009) The end of the khoregia in Athens: a forgotten

document, in Lamusa dimenticata: aspetti dellesperienzamusicale greca in et

ellenistica, ed. M. C. Martinelli. Pisa: 4774.

Winterbottom, M. (1983) Declamation, Greek and Latin, in Ars Rhetorica, ed.

A. Ceresa-Gastaldo. Genoa: 5776.

(1982) Schoolroom and courtroom, in Rhetoric Revalued, ed. B. Vickers.

Binghamton: 5970.

(ed.) (1970) Institutionis oratoriae libri duodecim. Oxford.

Woolf, G. (1994) Becoming Roman, staying Greek: culture, identity and the

civilizing process in the Roman East, PCPS 40: 11643.

Worman, N. (2008) Abusive Mouths in Classical Athens. Cambridge.

Worp, K. A. and A. Rijksbaron (1997). The Kellis Isocrates Codex. Oxford.

Wrrle, M. (1988) Stadt und Fest im kaiserzeitlichen Kleinasien. Munich.

Wright, D.H. (2006) The Lost Late Antique Illustrated Terence. Vatican City.

Wright, J. (1974) Dancing in Chains: The Stylistic Unity of the Comoedia Palliata.

Rome.

Wright, M. (2009) Literary prizes and literary criticism in antiquity, ClAnt 28: 13877.

Zanker, P. (1998) Pompeii: Public and Private Life. Cambridge.

(1995) The Mask of Socrates. Translated by A. Shapiro. Berkeley.

Zeitlin, F. (1990) Thebes: theater of self and society in Athenian drama, in Nothing

to Do with Dionysus? Athenian Drama in its Social Context, eds. J. Winkler and

F. Zeitlin. Princeton: 13067.

Zevi, F. (1998) Il programma decorativo della villa: una testimonianza di dimora

nobiliare, in Fastosa rusticatio: la villa dei Volusii a Lucus Feroniae, ed.

A.M. Sgubini Moretti. Rome: 5461.

Zuntz, G. (1955) The Political Plays of Euripides. Manchester.

Zwierlein, O. (1966) Die Rezitationsdramen Senecas. Meisenheim.

References 305



Menander in Antiquity (The Contexts of Reception) ||

Documents

Transcript of Menander in Antiquity (The Contexts of Reception) ||