Melody · Maker

'The least Yoko and .--- --1 can do is hog the

headlines and ~ .. · make people laugh'

JOHN LENNON in the ~ most revealing ll:_ .. _ interview in ~ ~

years on page 1 7 .?If.~ ;

. .

ALSO IN YOUR 32-PAGE MM ... • ORGANS- ✓ ,

~ FOUR .;~ It PAGE ,r:•

~ ,_; SPECIAL

POLL WINNERS ON PAR.ADE pages ,E page 18 " page 16

Winwood, Baker have been asked to appear at this year's Newport Jazz Festival.

The biggest event in the music calendar, and for years, the showcase or American jau. talent, New­port has already gone over­board for British Progres­sive groups.

Ten Years After, Jethro Tull, John Mayall and Led Zeppelin have already been signed to appear.

PRICE Now the organisers are

awaiting a decision by the Robert Stigwood Organisa­tion whether Eric Clapton, Stevie Winwood and Ginger Baker can appear.

The new group makes its world debut at a free con­cert in London's Hyde Park on June 7, They fol ­low this with a tour of Scandinavia and are due to start an American tour on July II.

MM's American corres-

pondent Ren Grevatt re­ports from New York: "The asking price per concert for their tour is reported to be twenty thousand dol1ars against percentages of each gate. .. This could be a multi-million dollar tour, and the first to feature a true supergroup."

Baker, Winwood, Clapton have also been asked to ap­pear on the British National Jazz and Blues Festival at Sunbury in August.

Negotiations are still being carried out but· it is

expected that the trio will appear on August 10, the last night of the Festival.

No contracts have been signed to date, but Ten Years After and Jethro Tull are likely to be flown back from America to ap. pear.

The Nice are another group who will return from the States to appear.

Other groups expected to appear include Terry Reid, Mick Abraham's Blodwyn Pig, Taste, Spirit of Jon Morgan, Yes and Clouda.

DUKE-IT'S NOVEMBER DUKE ELLINGTON'S long­

delayed tour of this coun­try is now definitely on After two postponements, the European tour has liNlly been set •nd Elling­ton •nd the band will play in Brit,1in after working on tt\e Continent during NOYember.

lobe,t P.1terson, who has been tryin1 to arrance this wisit

for several months, says that Ellington will come to this country at the end of his European tour and work here between Nowember 24 and 30. We were very much hopinc he could play a Festival Hall concert on December 1 , " uid Paterson ... lut, un­fortunately for us, he has to be back in Detroit for a

sacred concert on December 2 and doesn't feel that it is possible to do both in tile time.''

Ellincton, who celebrates his 70th birthday on April 29, is to be honoured at th• l • rlin Ju• Festini tloio year. The • ntire f•th,al lo plann• d as I Nriee of " Hemac• To ...,._ " ,....,aa...w.

DESMOND DEKKER FOR STATES TOUR SUDDENLY the whole

world wanh Desmond Dekker, whose " Is­raelites.. is poised below only Manrin Caye's " I Heard It Throuch The Crape­vi•e " at the top of tlae Pop 30.

o.ker's qNh..,. .....,_

•ti• tlais -- .... ....... cerut--..C..t ,_,_ ... __ _,.,._ __ _ .._ ...,... i• ..... ....... -.. .. ......., ......... c..-____ ... ---.. _ .. lo ----------· ............. -. ... -.... ---- - ........ __ ., ... ,_ ... !..":..":..6t= ____ .... ---­__ ...... __ ___ ., .... .....__.., ..... ..... -..­.. ...

E GRAPEVINE M.1rv,n Gay , T iimlcl Motown

2 I Ii ISRAELITES . . D smond Dekker , Pyramid 3 (}) GENTLE ON MY MINO Dean Morton. Repme 4 (~I BOOM BANC A-BANC .. . Lulu. Columbia 5 (i) SORRY SUZANNE . Hollies, Parlophone ~ (',) IN THE BAO OLD DAYS . Foundations, Pye

(6) GAMES PEOPLE PLAY .. foe South , C.,p,tol 8 (If,) GOODBYE . . . . . . . . . . . Mary Hopkin , Apple 9 ( ll) WINDMILLS OF YOUR MINO Noel Harrison, Reprise

10 (17) PINBALL WIZARD .. . .. Who, Track 11 (RI MONSIEUR DUPONT Sandoe Shaw, Pye 12 ( 14) I CAN HEAR MUSIC . .......... Beach Beys, C.,p,tol 13 (9) CET READY .. .. Temptat,ons, Tamla Motown 14 ( I 3) GOOD TIMES (BETTER TIMES) . Cliff Richard, Columbia 15 (I'.,) FIRST OF MAY . . . . . ..... Bee Gees, Polydor 16 ( 10) WHERE 00 YOU CO TO . .. . P,rer Sarstedt. United Artists 17 I 11) SURROUND YOURSELF WITH SORROW

18 (JI) 19 (}6) 20 (18) 21 122) 22 (}4) 23 (} 1)

HARLEM SHUFFLE CUPID . IF I CAN DREAM . HELLO WORLD .. . .. . I DON'T KNOW WHY PASSING STRANGERS

Cilia Black , Parlophone . . . Bob and Earle, Island /ohnny Nash. Major Minor . . . .. Elvis Presley, RCA

.. .................... Tremeloes, CBS .... St~vie Wonder. Tamla Motown

24 (19) 25 (}'.,) 26 (}0)

Sarah Vaughan and Billy Eeks.tine, Mercury WICHITA LINEMAN .. . ........ Glen C.,mpbell, Ember ONE ROAD . . . . . . . . .. . . . . . .. . . .. .. .. . . .. Love Affair . CBS YOU 'VE LOST THAT LOVIN ' FEELIN'

27 (29) 28 (-) 29 (}~) 30 ( )

Righteous Brothers, London ROAD RUNNER ... /nr Walker and the All Stars, Tamla Motown MICHAEL ANO THE SLIPPER TREE ......... Equals, Presiden t THE WAY IT USED TO BE ..... Engelbert Humperdinck, Decca COME BACK ANO SHAKE ME . . . . Clocfogh Rodgers , RCA

POP 30 PUBLISHERS 1 , ,ho I• '( o,hn, J ,vortu. l A.ull R~, -1 rt ... ll'l"tl , \•hr~\lt, 6 'khrOl"(Wr/Welb\-<k, 1 l _., rt ( hn1,i,t"II, 11 Nmlht'm Song ~ Uri,!fd All• h, HJ fnt)l.ll,,.J\ , 11 Corhn, 11 L1.t>e• •1,,U:!"f , It Jntvtf'1(orhn, 11 fmnc-;1 Doy ood H~tr, I At>.,.111. 1, Mo111mrr , ll P•t••

u.s. top ten 4 I I, 1 le 1•,t•IO"IOrd"

I 11 AOUAIIUS. LU TH( SUHSHIM( IN I ,ll•o D•mt-nt•°"· )Qui C•tv

J l l'OU'VI MAD[ Mf SO VUY HAPPY 8klt><1. ·,w, ,,I lf'll1 Tear C :,,lurnb10

J Ir) IT"S you• THING I k·'I' 8n)l~n T N«k

-1 I I OMU THI STRONG s u•v1vc

~~~.~•~e]() 8 co~fi~~2~ 1 ~~ i~j~,~~c!i:~ Ji Fronc11 Dov ond Hunter; 2• Corhn, 2S Olck )cme1,, 'lb Scr.-n GetTis, 21 Jobl"IC"/Corl ,.-., 28 GLH ; 19 Mo11b,,n, 30 Aprol.

top twenty albums ' (I) GOODIYI Cr.am, Pulydor L I BUT OF THE 5UKCJU

~f'kc-n, Colvmb10 J I l lHr $0UHO OF MUSIC

~ l rO(.k. RCA 'I I H DIAMA. ltOJS AND THC SUPHMH

JOI M THI TIMPTA.TIOHS O,or10 Ron un,J Sl,,o1..rif"1 ond r..-.wtot1~. Tomlo

Mol own $ I ) SCOTT , ~OIi Wolker, Phtho,

; I .i~: ~t1':tll l ondon ~~(K:o•,t~ I ft/ CHCif:llUT

£t,,Q•·ltw11 t-lu~1d1nck, Decca t ft,/ 111.0CK MA.CHIN( I LOVl YOU

10 11 JJ 10/20 ~~°h' e~!'.'tc'op~:!~

11 (15) G[MTLIE ON MY MIND Dean Morton, Rep,i~

12 t 1 t) YOU CAN AU, JOIN IM Vorious A,h~h. lslor,,d

1J 191 POSTCA• O . Mory Hoplun, Appl~ 14 (18) nu WOltlO OF VAL DOOHICAN

Vol Ooonic011, Oecco IS (12) WORLD STA'll FESTIVAL

Various Art1sh, Phihp~ 16 (181 FA.MILT £MTERTAIHMEMT

Fom,ly, Rc,prosc

:: f=I ~E~~E';:f~rAMS ls'8u~~1r"·MAJ~~C'"

Andy Wtlhoms, CBS 19 (l•J THE • EAl\.ES {Double AlbuM)

Beatles, Ac,ple 20 1-1 WORLD OF MAHT'OVAHI

Monfovoru, D«c0

1\ lbum ~~~~~ of the week ~J..k~ Rush release by demand

of fans

'Elvis' Original Soundtrack of the NBC-TV Special RD 8011 (mono only)

RCA

FLU HITS ENGELBERT -MISSES FIVE DATES

FIFTH COLUMN PLUS TWO

A;_.a.-.v .. ~t'f~~~r- h. l ~i~;t ;~a tit ~~ l!ffll ~•. TNflrded Ina. :!':.~rur SCorr ~ ,! • ~:-'

1! •r;; t ,:caa ni-AN ATTACK of in­fl uenza prevented s inger Engelbert Humperdinck from appearing on the last five dates of his nation.wide tour with Mary Hopkin .

Three or the dates-at Coric, Manchester and Golden Green, London -were: cancelled. But Ameri• can si nger Roy Orbisoo 5lepped in for Humperdinck in Dubbn and Belfast.

En,elMrt new off to America on Monday, tbouih not fuJly recovered from his 1llnesa

Ht' opens tomorrow (Friday) •t the Riviera, Lu Vegu, for • monlh and follows with en• P&Cments at the Sherman House in Chlc.10 and the O'Keefe Centre, Toronto, Canada

There ar-e no plans at pre­a.tnt for • follow-up single to " The Way Jc Uaed To Be."

MAMA'S AND PAPA'S THE MAMA'S and Papa's -John and Michelle Phillips and Denny Doherty - have completed • deal in the States with Dunhill Records which 1els up • new recordm1t company, Warlock Records, which will release all future records by the group.

The deal was si1ned •Her months of neaotiation with Dunh,11, who will distribute Warlock Records . The label will also release a ll product produced by the Mamas 1nd Papas Lou Adler is to

BLUEBEAT HOT 10

, <->WORK IT

1 m FOR ONCE IN MY LIFE 5,1.,, S.,ih UNITY-SC.

• 1•1SEVEN LITTERS 0.nd Mo.(fDfl CIA• I

• 111PRIVAn NUMBER

s 1-1WHO YOU GONNA RUN TO TI. T.:hn,q1,1e1 CAM.fl -·10

• t•1FIRST TASTE Of LOVE 0.,-,dMofva,, CltAl11

, 1-11 ,000 TONS 0 MEGATON

• 1•1 YOU LOST YOUR DAn

, 1101 SUFFERIN' STILL lou,91 lutl911 NU IEAT QlS

o <•>CHOO CHOO TRAIN 1 ... Soukoh. CAS. IC,,

NIWltll.lASU

RIDE YOUR PONY T},. Moftowb ,AMA -151 RUN GIRL RUN

G G GrCKW!I CfAl-10

ENGELBERT flew to Ame,ic:•

continue pt'Oduc.in1 the Mamas· records.

The new !• be.I will find and promote new talent m the perfonning:. composm1 and

~~~::io:a1dfieJSi! ~~iup Jo,~~ tended to set up • new recording: studKJ in Holly• wood

CASH ON GRANADA TV GRANADA TV are to screen the filmed concttt aiven by Johnny Cash 1n San Q\Jent1n jail, California, which pro­duced an album.

The programme, Lilied Johnny Cas h 1n San Quentin, deals with the con~rt and also lire inside the prison

It will be scnened 1n most regions on April 19 at I 0.40 pm, and in London on April 20 at 10.20 pm

NICE RE-BOOKED NEW YORK. Tuesday. - Th~ Nice: )lave acceptNI an ,nst• nc tt-- book lnl at l~ Rockptll Club, Ton>Pto . at thrtt Um.-: the money they sot for the,r debut there.. The &fOUP re­cetved • standing ovation al m.ch of tbeu- s:bows at the­club las:t week

Ni« a.re also retumin1 to the bi& Grande Ballroom, Detroit, for another three days this week

Their manaaer, Tony Sttal• ton Smith is_ workin& out detaJl.s of • swine to the Weal Coast 10 May. Dunn& the Coast trip they may appear on • Jimi Hendrix TV special to be t•~ 1n San Francuco

KEEFS SECOND LP KEEF HARTLEY. back from • tour of Denmark, this week started work on his second album wh,ch 1s due for releue 111 July

In add1t10n to the regular Hartley line•up il will re~ture

~en'lro~w~~~-~~pt~0~1n8d:~ Barbara Thompson (nute)

Yesterday (Wednesday) the sroup wu due to le.ve for a tour of Sw1uerland which w,11 be interrupted for • TV date in Paris. Also on the tour will be Jo--Ann Kelly and the John Dummer Blues Band.

Keef returns to London on Apnl 27 and starts • series of one•ni&,hters with a date at 1he Speakeasy, London, on Apnl 29

• rran1 n lad • Mftd 911 th,,

~~M~I\N~:J ~ ~~~l ""'1:J RA~IS an f• bulou and ~ RAY'S first LP 90methint to lli'rtt., home about The whr,lc LP ""'

;::1o:: := ~--: the ,ound ,s rNII:, COll\pltt, up-to-date Hen's tJM, titles-..:.

li:EN~~- OF o~i7 •o~ NIGHT WHEN WI. wtu YOUNG, YOU1l GONNA ffEAt FROM ME, SOMEONE To

~~.~o:l.~~ can see if's not th• iuuaJ o&d stuff-it's an LP 11teH w ,r,i, 1 place 1n your collectMlll

On the- M£.RCURY lide 111 Apnl we have OlTf'e lovely J.U.-i:

LPs start1n1 wrth CANNON. BALL ADDERLEY and an album caiJJNI .. CANNONBALL SHARP. SHOOTERS" (SMWL 21121). Tins LP has the sm• .1h1na; l1n~­up of NAT ADDEltLEY trt1111 pet, J UNIOR MANCE p11no. SAM JONES bass, JIMMY COBB drums, and, of course, CANNONBALL un alto. 11H! are doin& titles like oua 0£. LIGHT, STRAIGHT ~J

CHASER an d JUlllLATION. This 11 real vintage CANNON. BALL---the best th1n1 for fbN to do ls.-get the. LP

A collector's itelJI on MD­CURY IS caned .. BEBOP .. (SMWL 21018) a nd 1ndu6t-1 1roups like RED RODNEY. DAVE LAMBERT and BUDDY STEWART, and LENNIE TRIS•

from genesis to ttbelation

TANO, who. in turn, fealutt people hke. AL HAIG, CURLEY RUSS£U., ALLEN EAGEA, SERGE CHALOF'F, CHUBBY JACKSON and BILLY BAUER

The third MERCURY LP r .. , April is "YOU 'N ME" (SMW1. 2 1030) by Al Cohn and Zt..-,c Sims, wh~to s.ay the leu1-are pretty pooular in thrs C1llln try, and anybody who would hke a nice 1ouven1r nf t~•on• two &reat tenor player.s ,h1R1Jd buy this splendid album

On the " folky" 11de for April we have two-well really three--albums fro111

rtUrL1t1on IS M1r giUmg of knoUJlrbgr to lll.lll grnrs1s cs Mir soum of nrUJ knoUJlrbgr

JOAN BAEZ. I UY three bf,.

cause we have a sampler LP at l-4/6d and a double album. Frrstly, the sampler is callf'd •• JOAN BAEZ ON VAN• GUARD " (SVXL 100). The LP II DE CC A II

ONE STOP AHEAD AGAIN

"Lmt lxit" Trtrltic 37/5

" Threaholcl of • Dream" Moody Bluel 37 /6

"So"1P From a loom" L.onofd Cohen 37 /6

40 5,.,...,. M.it.11 5,.,._., W I

l "'- ~""- • l ictunwull ,..,,,...,

13 G<rtw,wey Mo-• "4cc • d,II-, j

consists of all tr1d1tional song., includin1 ALL MY TRIALS, TifE QUUN Of HEARTS, PLAJSIR D'A.MOUa and SILVER DAGGER, and aa o ne of the best samplers Oft

D the market today The oth~

ERRICK JOAN BAEZ goody fur ~ ll a double album colled • ANY DAY NOW/SONGS Of 808

MORGAN DYLAN" (SVlU. tN11ill VANGUARD. These twu aJl,ana1 1ndude 16 Dylan sonp--oew

touring U.K. ~om and old - includm1 an II

May 16 ~~~t ~~•i:;;_t' ~~= Few dotes ~voiloble -'OAN recorded tb11 dnuble 11ft

Contod: tn Nashvdl~. October tu1 yNr PAMA RECORDS LTD wh•n .,. mived " ,..., "'

Ol •965 2267 /l/9 • record one alh\lRI and 1M or Agents : INTERCITY ARTIS,S finished ~p record1nJ tftOUII

11~~~~~~=-=,;,;.-.-::=:-:--::------_-_-___ o:_2:_1:_--1_n:_:_79:_:n:_:_:_:::~I ~°; : ~::;-•;:;' ;:. "':: i. •nr:ithcr which will be aramt4

latec The mu11c"'n1 ased OIi

lhe bacluoe, are led by GaADY

St•tten App,-oach M• n cheoe,

MARTIN and Lhe arra•...-ab al't" e.rth•r 1n. tbe rui11sy 111 or n~n bordenn& on <. 6 W nu, 11 a rHlly arHt ,n: _. hou.Jd ht nne f tht IN t papD""

Jar ol all Mr albu , n-JOAN•f ow ----

MEI.ODY MAKFR, April I~ 1960--Paa• 3

Count Basie opens new British tour in Wakefield

BLUESMAN B. B. KING DUE IN ON TUESDAY

e COUN T AMERICAN BLUES stars B. B. King, Sonny Terry and Brownie McGhee are expected to arrive in London next Tuesday (22), the day they open their tour with Fleetwood Mac and Duster Bennett at the Royal Albert Hall

Barry Ryan leaves clinic staylnJt with his mother, !>ingcr Marion Ryan

Melody Maker

161 Fleet St loodon EC4 Telephone 01-3S3 -S011 EDITOR

J~dl, Hutton ASSISTANT EDITOR

Bob Houston FEATURES EDITOR

Bob Oawbarn NEWS EOITOR

Alan Walsh STAFFMEN

Max Jones Laurie Henshaw

Chris Hayes Cfvr5 Welch Bill Walker

Tony Wilson Royston Eldr.di;c

AOVER11S[MEN1 MANAGER

Rest of the tour d~tes are: Newcastle City Hall (23), ABC Regal, Cam­bridge (24), Portsmouth City Hall (25), Sophia Gardens, Cardiff (26), Colston Hall, Bristol (27), Birmingham Town Hall (28) and Free Trade Hall, Manchester (29).

Blue Honzcn are plan• nmg a _whole series of al?ums titled " The B. 8.. King StorJ " and the first two "ill be released early m May. The albums will, however. be available on the tour.

Two new Fleetwood Mack albums, recorded by Chess m America, wiJI be released '" June These will also be p~sold on the tour.

JAZZ COURSE

BA RRY conv~lncing

course will be Peter Dodd Chief Assistant of the BBC Musk Programme, who worked on the BBC's current Ja.zz In Perspective Series with Charles Fox who will be among the speakers at Wans­fell

The Ind1an Music course will be directed by Nazir Ah Ja1rubhoy, Lecturer m Indian Musrc at the School or Oriental and African Studies

HENDRIX RECORDS NEW YORK, Tuesday. - Jimi Hendn_x spenl lasl week recording before opening his m1UJon-dollar America tour in Philadelphia. The tour lasts mto June

On some dates, Jimi will be backt-d by Noel Rt-dding's group, Fat Mattress, on the rest of the dates he will be backt-d by the Buddy Miles E1tpress and the Ike and Tin1 Turner Band

JUDITH DURHAM BACK Peter W,1,. u •-. 0 11

,1 ROVINCIAl NtW!:,

EDITOR

WANSFELL COLLEGE, They- JUDITH DU_RHAM arrived

~i:n1n8:~· re!d~~xt,ial ~.hJtu :~ f~g a~d ti~aho~~t la~:~u=l Jerry D .i w s.011

2 •4 Oxford Ao.ad M.inches ter 1

Telephone Centr.il 3232

Perspective" course from to her bed with flu June 13 to 15, is also running Judith is due · to start

~u1';'2r;e.;g t;d1an music on f~~e~~~airs:o:r~;rstw da<rt~:yi

--;;;~;;-:-:---:=:-:=-==-=:------.'.:C::'.o::'.u"::•:..::•u:1,:::o,:._::1o:,~•h::,•_;':"'.'.',.. solo artist since the end or the Seekers, a three-week

PHll S PE CT cabaret season at London's

She then goes to the Fiesta Club, Stockton for a week DR ~•~oy Hotol, open,ng on Ap,;J

Returns to Conquer with a

NEW SINGLE

AMS 747 ' ' lOVf IS All I HAVf TO GIVf

CW NEVER SHOULD HAVE LIED

l'foduced by PbJI Spector IIKo,dH by A & M PIIVtd by YDII

Phil Spector', second NEW single on A & M :ou/•;•· You Saw, You Conquued (AMS 748) y t • oneltls lntu11ng Veronica

Relnse d1t1 25th April 1969

CLUB NEWS THE PLACE, Hanley

. celebrates its slxih anniversary on April 28 with t~o weeks of speclal attrac::­t1ons lnc::ludlng the Savoy Brown Blues Band (29) and Bandwagon (JO). Long John AA:~~d~!?s the club tonight

Sounds Incorporated spend the wt"ek starting May 11 nt Tito',;, Cardiff, followed by Lupy Lee (I 8), Long John Baldry (25) and Kenny Ball'!!. Jazzmen (Junt' J)

John Peel lntr0duces blues night at Mothers, Birm•

~i~~~n~' th~o:~~rt:ittoi:a;J~ Blues ~•nd and Blodwyn Pig.

ihhe~r ~"o~w:;I a;;:;~nc~a~~

~~~he~~hnto~J;;~~n's(Fc~~:;: (f~t returning on Saturday

Br:~:r i:i1~:5v,~~d ~rar:~;ii:~

:~~~tp~~~~do1!~z at~~~h c~i:

smc" several Sunday flops

J~;/~s~·oc &:e~t:;ce'!!:{h a ~h! J~~nny Cntch1n<11on Tno and I'Slts by. Tubby Haves and c':n51~:;;;tt are now being

Bndacnd's Kee Cluh pre­~'".15 Mi~hty Baby this Sa1ur• /'i (19 followed by the

rt'tty T in1s (26) S..ilena Jones ha~ signed for the twu Cleopatra Clubs, at Newport and Easter Compton near Bristol, for late June '

Amt'rican blues slar Cham­Pllln Jack Dupree visits Wol-

:<~~~;::;pto~~u;s1~:y)_Laf8a~~~~ attractions include Black C 1 gune". (24), Sonny Te rry a~~ O~~~w~~sh ~~tht~w:fi1% 1,~~ 05) and Howhng Wolf (22}

The Les Emmett Tr io w·ith :~r 1(pnoJ, Johnny .Stav~rd1lt'

rs and Sad Bt'nnison (bass)

~:.Ois~;; ri1~;:;~t cahtuh~~; thr Rand\' Colv11le Qu in

lt'I I (eatured On Thur dl)'S a~ the C.ountry Lutury ('lub

;t~~1t~~- < ~~::.ck~,{~un~ounl};

Avant IMdt r,up and j 1 light 'lhU'AI l1/m1 and ha a t., In&• take plact> tvery rrr:; it I h• Pt"t"I Holt I t"4f {~~;'d!. lb Jan Dull oe

BARRY RYAN, badly burned in an explosion last month in Munich, left the­London Clinic on Monday. He is to convalesce for several months and wi ll not make any appearances b~fore the end of June.

At the end of May, he will

~0E2°~1n

8er~rti~1il

0~het~e h~e~

FIFTH DIMENSION TOUR FIFTH DIMENSION, whoso! current American number one, "Aquarius," has now been released in Britain, are to tour Britain In September.

"We are supposed to be there for around six weeks" tht' group's Ron Towson toid the MM on the phone from the States this week . " We will be doing concerts and expect 10 have _ our regular

rh;~ht s;;i~o; w~h u:u;rentl finishing a new album whlcr, includes songs by Jim Webb

"Next week we leave on ·• new tour of colleges" added Ron . "And m May wC open at the Americana in New York .

~i1l1~,s~hbese:i;~rnirit?ar~se

Rome and Germany." '

SPENCER DAVIS TOUR NEW YORK, Tuesday - The Spencer Davis Group·$ current tour of the states is being extended, probably until the end of the May.

Par1 of the reason, aside for

~ 6n e8;.o,;;f ~ 1 n :°n :!~~~~fon goo1~

the fact that Colu'mbla Records is to release Spen-

Barry's agf'nt, Harold Davison flew to Munich last week to meet Je1al M!prtsent­utives of the German maga­zine Bravo. It is understood that he is clalmlni clamaaes and compen~tion for the accident of up to £100,000

(See pa2e I -4).

cer·s firsl sin1le for that label within the next week or so.

MARBLES WITHDRAWN l1HE MARBLES have had to withdraw from the Montreux Festival in which they were i~~eduled to appear on Apri l

They will now be recording

fo:1~~g:~"Tt.S !~i;i~~~c~/;~

be networked through France. The duo S1ar1 recording on

Apri_l 25 and will also be making two ma1or radio broadcasts. Their current single "The Walls Fe ll Down " has been released on the continent.

FILLMORE WEST SOLD SAN FRANCISCO'S famous Fillmore West Auditorium has been .sold i!1 a property deal by m11Ilona1re Irish busine-ss­man 8111 Fuller. Fillmore was one of a chain of ballrooms throughout Cnnada and the United States owned by Mr Fuller.

The fate or the Fillmore seems undecided at this stage although a new venue for it ~ay . be found. The present s ite ,s to be redeveloped as a hotel and office complex.

MORRISON unlawful fl iaht

DOOR'S JIM MORRISON ON BAIL HOLLYWOOD, Tuesday.­Jim Morrison, 25-year-old lead singer of the Doors. was freed on bail of 5,000 dollars last week after sur· render ing to the FBI on cha rges of lewd and lascivi­ous conduct, public intoxi­cation, public profanity , in· decent exposure and u nlaw­ful flight to avoid arrest.

The offence,s alleg~ly took place ~hen the Doors ap• peared m Miami, Florida. on March I

The Doon have been s1ened for a one-hour TV show on the NET network which will be taped in New York on April 28 and 29 The ~roup will play for about 25 minute, as well as bein.c. interviewed

KENNY FOR SUSSEX CRA"?'LEY COUNCIL, Sussex, give Jazzmen six dates in this

Quu~!':i~;•s g~~~~:mmbeanfdo:ta~de

~~~;fey Ba~~s ~~~en50~~08~

(May 25) and are followed next day by the local New City Jazz.men

ap~~:ri:h~~y J~r;tl!~o\~d b~~~ New City have th ree more Sunday dates on June 15 Jul\. 20 nnd August 17. 'AlsO booked are Liverpool's Spin­ne rs on August 31

~---........... ----------1----~- --- --~~:~:~~-~~;;;;;;~===~.:--::::-==.-

l'llll t- • Ml\ lllJ\ MA.Kl N, Aprll 11) IIHl'l

Manfred forms new group M \NIH.I I) MANN ha-.

~l;~1•,~1tr~\1 ,t M~k; 1f,~~~p ~~\~ 1w\, 1,1roup, known 11,; I m,inon 11\\ nt1 11 111 hock, ,, .1rd, m11k1• the u lln,l ruhht 11111'1·,trunC't' ill I on 11:t'" M.uqu1•t• duh on MA)'

I h.- ,•,1,11nit M"nfr.-u Mnnn ,i 1, ,up '-11k1•, M,rnfrt•tl, Tom M1(1111nt<,,_ kl11u, \'11ornum uut Miht D'Ah11 - an- ln r. ll u l l l'! IPt,'t lht·r 111 mllkl' rt< lt>Hh

t ;.-rr, Uwn. lhc, rruun·• m11nH~1•1. """" UIIRhh• In rom m,·111 "" 1hr n,-,1 Jtluup ftS ht• "" ' " • v.11\ 1n ,\nwru·n Th.-111h,•. nwm!.l"r, 111 I m11n1111 11r1• ,tt1I 11n!..,u,...,n

in brief ... '\'' I., .::::r !~~~ l~;k~u!~ "t ftr J ani~ J op lln a t hl'r London RO)al A lbt•fl Ha ll ,:oncl'rt ('In Aprll 21. A Wt''-'k l.1tN, \ «''> !(O to llw Gold l'n R0\1• 1 V t- r.ulvi l nt Mon­trHu, , 'h1IUll'fland. l ht1)' an• tUHt'ntl) Hnhhlnx thrlr flut album.

._""' 111 • nr\li ~rrws l•I Pur rr ,,m ll1"lt'r\ al lhl• Ro,.11 1\H,l'rl H,111 ,,111 he c,n Junll' . .l!I "'ht·n I d 7 t•ppt>ll n, LIYll'rpool St't>"• and Hl odwvn Pl,: will arptar

Th• lf t>rd's nl"\\ !\ln,1!t-rrlt•awd ,111 April 2~. 1~ "1 he (l,1m1, "'nt 1.-n hy Hl'n tlndcn .int.I Prter Sht.-111•)', Thi' ll1p ,1dr 1,; " llt'ALIIY QUl't'M " h, .\rnQld I 111 b)'.

h<'klr 1 rrn1 anti Tony H•tch m.ikt• thr,r I ondnn

JOHNNY McLAUGHLIN RECORDS WITH MILES l.llllllSH GUil AlllSl John Md.,1ughlin, who wt•nt to the States to rrcord with drummer I ony W il liams, hai. also rrcon.lc-d with Miles D,tvis

lh• tr)ld lht· MM th11 wt•<•k , " Wf''vc t.lone some

;1~·1:;•~1; 1:titi~:n~t~~k 0;~:~

1·1t'1..tric plnnm,. Davt Hril •

~•,\~~). (1111,!~~ ~~rif,~m!h{~~~) und Milt',; I fllso plAyt"d ,1

ton, crt with them which w;1s n beautiru1 expt.•rienC(',"

rl'~~~ri?':,~•n Nt•~• Yo~ort.1,~~

Wllhnm, hnd ori;t1ni111 Larry Youn1,t

•• Al] I tun ID)' is that l'vp h•nrned mun• 1n lhP p11S1 six \\,t't'k!i thun I have m the pllll 111" n1nnth11." John told the MM •. 11'11 flCl-i$lbtc th11t I'll bP recordlnA 11nmt> trilck1 with ( hick Corea. probably wllh Dave liollantl and Ja<'k De Johnt•ttc u•~ nlso poulhlc

~~nr~p,~ w7t1~1 L~~ry '~~~n'to~i

to mt1k1• a conlt'rl lOur loter lh1 .. \"Cl'lr '•

IKE AND TINA TOUR IKF AND Tina Turncr'i. Revue, thr C'nostN!i, Arthur C'onlry and l et' Dnrsf'y arc

lll-hut 8!1 h llDJ;tt' duo Bl the

~~;~o; /:~~:id~~~ ,.:'a~~~ ~1~h Mu Dygr:w t.t on May 5

Drummer-h1111dleader J oe Don ieh lost two Carlton tom• toms, 11n Aju i;idc drum, hnnMOS, an AmNican romeo ht-hot and ,Ix Z1ldj1an nmhal• from hi, car \a,t "'"eek Anyont with inform• 1110n can conu1c1 Joe at 01 ~)O I 4643

The !~Gil Uroms11 rnv1• r-cs\1 val, from Apr JI I !'.I lO Ma)' I 0, include\ I concert by lhl' Jo hnn y Patr ick J az.z f. nsemble, lc;1turing Ro n11 ld S teph enson (pno), Ann G rlffl th , (harp) and Bre nda Scott {vclit). The Pa t­ri ck DI~ Ha nd p lays the festl• val on Apri l 26 and the J oh nstons tiive a fo lk concert on Moy 1

MILES DAV IS

~1:.':? n/ht~ri~=~t•lhy'uc;~nrt~1/:.

Art1Sl ll Tht lkl'nt y 's Kf' lth Rn11,1IN

!I IRnl'd a hnsl of na mf' t In t week m New York F1rs 1 IO l'llrrlvl' ht-r t> will h1· the C..01, . ten who atart a lwo week tour on May I

1k t and Tina Turner havt hcen , e1 for twn wreks from Novf'mhf'r ~ and Arthur Conley, Lee Dorsey. the Dnfltn, Patti L11 Hf'II~ and 1h11' Dlul'bcll, , Irma f'ranklln, Etlwin Stn rr and the Sh1rellcs Ut' al1u hCmR neRotlatf.'d for 1wo week club and ballroom vis1t1 throuahout the summer

In addition. agl':nt Pett'r Wal•h IJ ne1tolla1ln~ a further Bnt1~h tour for hlull'!I aln~cr John l.ct' Hnokf'f

TUBBY REVIVES BAND POL 1.-WJNN ING tenons! Tuhhy ll a'yes has re-formed his 1J1x Band l l 11 rehenrsing this week and playll 1U fi r1t dale of 1969 II the Bull's Head, Barnes. on Monday

Sort Mac hin e fly to Swit7er• lnnd on Saturday (19) for a wrck of TV and person11I apporances. On May 3 1 they appear on a charity show al the Roundhouse wi th J ohnny Dnnkworth, Cleo La in«- and Dudley Moore.

Je thro Tull's next smxle is .. LIVmR In The Past " ond ·• Driving Song" recorded 1n America and dut fo r relcasl! on April 25 Both were wrillcn hy th.- group'I flull• playt>r Jan Ande rson.

S ta tus Quo's new smglt', rde11!led April 25, IS "Are You GrowinJ( Tired Of My Love," fentur1n1e Rick Pa rfitt &!! lt>ad slnfj;er Rick and Mike RoH I are writing the wle song for 1 new British film thriller. There Was A Little Man

{11) On Wcdn l'tdly (2J), th l" hund broadcU l!i un BHC Ja11 < luh, and fi n Ma y K ap~••r• 11 !ht' Torrington , H1,:h

Rr,Tih~t\~:f/ the MM on Mondny " It', nile to iitl 11 h1R hand lfJl(l'lhf'r ag11Jn I' m lm1klnJ1. f(Jrward lo thl' flr!II l(i,IS This Ill • romplcti•ly nf''-'" llnrup with four trumpel s, lhrl't' trombonr11, threr· 111,m­phonr,i he-snit-!\ my!u•lf and a rh)'thm !U'llf0n of JI.Ull8r , ha n Ind drum~."

RUSSIAN TOUR THI:. TRl:.Mf.l O~.S . Marm11 ladt- •nd th,, Muvc arr In Im<' fnr a tCJmbm1·d packagf' lflUr of Runt •

All lhrtt' 1troup1 IHI' appt>ar 1na 1h11 year 1n Poland and 11 p(lU1blc tour of Suvit'I Ruu1a l!I currently hemR ne11ollatcd

:)'m~la1~ b:~~!~t Pent~r i~1;h1

H finahsed, the tour would comprise a numhf'r or concf'rt datrs in m1J11r c ities or the USSR

In Ortohrr, thf' Tremeloc~ appear for twn week• 1n Poland followed by dates 1n tucho1\ovak1a The Marma• lade play Poland in Scptcmbt'r and the Movl' m Au,:utl The proposal ,s for lhe 1hrte ,1roups to rtturn togr1her in Novernhe r

HAVENS FOR BRITAIN NEW YORK, Monday -R1ch1f' Havens Is expetted to tour Britain next month The trlp is 1--emA hooked hy John Martin of Marquef'•Mart1n Arl1SI~ m New York this week

Thf' MM undf'rstands that the t r ip will probabl)' include at leut one major l.nndon concert appcornnce

MGM on• to release a double alhum nf Havens nPXl month- of their Forecut lahel T1tll': is ·• Richard B Havens 1983 ..

IAN HAGUE INJURED DRUMMER Ian HaRUt', of J J Jackson•~ Greatest Little Soul Band In Thf' Land, WI!> injured on Sunday when the hond coach WflS blown off the Ml molOrwny

811! Eyden 1s deppmg with lht' hand unlll Hri,:uc 15 d1!1chargcd rrnm hospital

Beatles get back to the roots I

. and George and Ringo bring you up to date on latest Beatie thinking. Why doesn't Ringo miss being a Beatie any more? Does George think their image has been hit? And what do YOU think of John and Yoko's antics?

It's in Britain's best-selling colour pop weekly.

GET

DISC and MUSIC ECHO

OUT NOW

GLEN CAMPBELL, wh_ose rollow-up to "Wichita,. Linc• mirn" ii ·• Galvaston re• lcas •d iomorrow (Friday), 1hu week filmed an 1nser1 for BBC-TV's Top Of The Pops ,n

Hi~~~~ Records' Jeff Krug~r

~~rf:;r~f11

ho~~1~~:l~~err~~a~ Campbell TV spectaculars to be screened ,n Bnta,n from June. BBC·TV producer Stan• Jey Dorrman has alo;o asked for Campbell to come to Britain for his own TV show, a guest appearance '.)n the new Bobhlc Genlry series and his own International Cabaret Show from the Talk Of The Town

Camphetl has agreed, but the exact date, cannot be set yet because of his film com• mitmenU. He will , h9wever, v1s1t Britain some ume In

:;~· ~~ :;~e~;:n~!;s of radio Campbell ha, JUSt finished

a film for Paramount called True Grit, m which he CO· stars with John Wayne At the end or May ht' starts another. t itled Norwood, m whu.!'I he co-stars with Naocy Sm11r1 A third film. m which he will appear with Bob Hope, is he1n~ lined up for September

Emhcr release a new Camp• bell LP, ·• Turn Around And Look nl Me," on May 16

CHAMBERS RETURN THE CHAMBERS Brothers are to return 1n September ior a IO day tour or Britain and appearances in Francf', Ger• many, Scandmav1a, Holland, Belgium and Austria

Their Bntish dates will be with two other Amenc:an groups, as yet unsignl"d, and wil l comprise concerts m ma1or c ities. The group is also expected to undcrtnke a numher of TV apptarances

ROY TAKEN ILL ROY WOOD was rushed to hospital with a stomach complaint wh ile appearing at ~aderborn, Germany, last Friday (1 I)

toJrh~,t~r~~~k ~~1~~1:U:i~ch~~=

from hoss to lead guitar and 8 dep hass guitarist from a Ge r man group

Or, Sunday (13) m Kohlenz fans who objected to thC group appearing without Roy sta rted o fracas m whith two

Goodman to play in Britain this year

CAMPBELL new si n g le out

of 1he audience were 1n1ured and taken to hospital

Roy reLurned with the rest of the group 10 Br itain on Monday. The)' start a Scottish tou r on Saturday (17) at Dunfermline, followmg with the Place, Edinburgh (18J. Bathgate ( 19) and Ayr (20)

MOODY BLUES LABEL THE MOODY Blues are to launch thr1r own record lobe'., lilied Circle- Recor ds

The label will release records produced by the g roup and 1he1r own producer TQny Clark Their first relense has not been scheduled but will he a RTOUp 1.allt>d KinJt Cnmson The launch or the new compnny will not affett the aroup's contract with Decca Records

The group'!> latest album .. On The Threshhold Of A Dream " u rf"leased tomorrow (fndoy)

CLODA ROGERS LP (;LODA ROGERS, who 1h1~ week entered thr Pop 30 wi th "C..ome Back And Shake Me" IS currently work1ng on an alhum The alhum LS ht!1ng pr~tluted h) American son((­wnter Kenny Ynuni whc wrote her currl"nt hit

Kenn) 's own first Ari l1si1 "'"&le, as a sLnRe r , has het>n pul hack for a week and w ill now he releued nn Apr,\ 25

NANA'S TOUR DATES GREEK SINGER Nana Mous• knuri starh her first Brit ish tou r al t h t' Fairfield Hall Croydnn tomorrow !Friday). ·

Na n a will be accompa n ied by _the Athen1ani; for the tou r which continue-. at F ree Trade Ha ll , Man che!'ller on Sa1u rday (1 !'.I) C h ff Pav d nm, Southe nd (2 I ) TQw n Ha ll , 81 rmmgha m f25 1 Gra n d Theatre, W a iver hampton (2fi) a nd Winter Gardens, Bourn emou th (27 ).

KNOKKE TEAM NAMED

M i. ~ et op:i'1~.~1:h~~1~!

h e has wrllt en under an Art.i. Council burs.al") , will ltt premie red on May 18 at 1..oti. don"• Me rmaid Theatrt. For the occasion th t Westbrook Concert Band will bt aui m ~rtted t o 17 piir~~. The John Surma n Quartet will share lht bill.

BB~eJ • ~ itlubo!;:renc;rd~::

'\1a lco lm Griffith, Quuttls , 1 th e 100 Club o n April 21 11 part of a n ll'w serl~s of wu kl) broadc asts titled Jau. Work• s h op . 100 Club rtaulars In' as:k ed to tu.m ur earl) !or 1hr occasion . The proaramm, ,nll be 111 red on ,\prll 26.

SA~~r~ :!~~~:n : ~: =•~ g u est s t ars a t the llungariao J azz ft:st ival ,H Szelo.ed erbu. nea r Bud.apes!, on Ma)' 17 1.-..ach will be backed by Brian Le m on (pno), Ron Matth t-,uon (bass) a nd Sp ike Wcllti (dr, )

f Ha~ " ~~a:::ce~o! ~le~~n~•: Purce ll Room o n ,pril 2' Bassist Guham will fnuit Harold Bec kett, Hen') ln•• th e r 11 nd Dnr Hold\,..orth ( tr, ts), Nick b a ns, Joftlll Mumfo rd :1nd Ocrf'k 'A •d"' wo rth (tmbs), Karl Jrnluu (o bo e, ba ri, pno). John Surman (b:i.ri, so p), St:i n ~ubmaM (a lt o. tnr), tranl.. R..icoll (vibes) and Jo hn Manhall (drs ).

l ,Oo~1~ e~R~~r~n;~h

1:u':'~

Hos:pil a l bul his &Jtf'nt .... ma n a ge r Joe Glanr 1, 110• und e r Inte nsive care at tlw sam ir hospita l ll nd rP~rt~t, In a poo r condition aftrr I ; 1roke.

0 0;11~ \~~s~c~~: :;:"~"! British film, Mnon Lero r.• c urrently bemtr, shot at f.lslfN' It m ay le.ad 10 an album Bo bb) Breen i,tut~h w-1th Jobft ~urnia n a t th, Pompacto.r C luh, St He hcr, Jenr) , "9 \prll 23.

fH~la)~~~;r :~:0~:. •(':.,

at th t- Cornier Ho u,,, k.d1wvt o n April 20 follmud b) Ctw Cht- ,;te rman •o; Band (27) -th• BIii Le S aa• Trk>. wllfl Bill (pno, vib• ,. eltctrk pno),. (iplke Heatle~ (ban. cello) ancl 1 OIi)' Carr (dn) re1um 10 tbt Rull',; Head, Ba rnn, tornornt• (Frida)').

BA::~s~~(7n1t1: \~~: ~

monthly jau: contert1. OI A prll 23 they prinent tbt K• Turner Bia Band followed. 11 Ma)' 24, bt the Alan U-­and Monty Sunshlnt .....

A B!~~!,~!d N~~w:~: ~ ~~~:!•~:i~•~x:~• ~;.::. r::;~o~la .. hntd .::~ .. •-= lnttmatlonal Juz futldl,.:

~:~i~1;1~t ~o ~•:,:i• S.

T"~u~'~l':49:e := Hamm,nmtlh loed. :=::: ~;:-.;: ::-Qo•lff.! -

April II lnllo- 111 1-• "'° Parker Qutirt•t (II) _, ,au Rn• lotl CMar ll.

Purcell Room (South Bpn )

MONDAY: '2i;i" APRIL ALCHEMY

THIRDEARIAN

NINA'S THE

MEDIUM FOR THE

MESSAGE

MELODY MAKER, April 19. l 9flg.......pa,e 5

NINA SIMONE, the art ist , is the High Prieste.s of Soul , the blues singer and the jns pianist. Nina Simone, the person, is compelling, formid­able , and totally involved in life and living.

She was in London last week reaching a much wider audience than usua l-thanks to a song from Hair end one from the Bee Gees- but worrying because her latest single " Revolution " is not being played

" I'm sensitive about all my reco rds but I'm concerned berause­this one isn't sell ing. I'd like the fans to find out why it's not being played, I want to know what they think

"'Revolution' means what's going on in the world " If you listen to the lyrics of the song you will see thou,Rli

it does mention the racial problem, there are numerous others­the young against the old, the black against the white, the poor against the rich, the new breed against the old establishment

Same Emotions " I think the young people would like it especially " I try to say through my music what thousands of peoplt­

thi nk and feel, but aren't able to say. I'm JUSt a m.td1um Milhons of people go through the same emotions m their own lives

"The music that you put out should be very close to what you reel. I'm very happy that I've had the hits - it's thrilling, a bonus, it's the supreme compliment but J'm not going to change what I do and put out something that doesn't please me

"I like to please the public but not at my own expense " I want to sing the best music in life - the best that I can

find . "Yes, the message is more important to me but I don't think

it can be separated from the music. For me, the message is more important. The message

L-0-V-E. Love, baby, and care - people don't care about one another."

The state of the British charts inter ested Nina , especially the current upsurge of enthusiasm for Tamla-Motown

"Coloured artists are leading the trend of music in the pop chart and this is what should be. It should have happened years before.

"There are many reasons - we could talk all day about it - but the world is getting smaller

"Coloured artists are accepted in ways they could never have been before-they don't have to take back seats any more.

AMONG THE ACCUSERS, AMONG THE FINGER­POINTERS OF OUR TIME, ONE STANDS OUT CLEARLY: LENNY BRUCE. AS HE SAID ONE NIGHT, IN A FAMED ASIDE. ''l'M SORRY IF l'M NOT VERY FUNNY TONIGHT, BUT l'M NOT A COMEDIAN. l'M LENNY BRUCE" PROFOUNDL y SO; AND SINCE HIS DEATH THE ONCOMING WAVE OF YOUTH HAS PICKED UP ON HIM.

NOW THE MYTH, THE MARTYR, SPEAK OUT STILL THROUGH A HERITAGE OF TAPED LIVE PERFORMANCES. FROM THESE, FRANK ZAPPA CHOSE THE BERKELEY CONCERT, AVAIL­ABLE AROUND MID-APRIL ON TRANSATLANTIC TRA 1950. THIS IS THE FIRST LENNY BRUCE FULL CONCERT PROGRAMME ISSUED WITH­O UT ANY EDITING WHATSOEVER . TWO

LPS 71s 3d.

Transatlantic WHERE TRENDS BEGIN

The medium is very big now - there's TV, radio and travel."

"First of all, I regard myself as a coloured woman who is very sensitive about this thing .

Mark " I always want to reflect

my people. Young people. black or white, come second.

" l am a spakeswoman for young people, but first of all J'm a coloured woman.

"The thing l most want to do is take a year off, or however long it takes, and do an awful lot of reflect• ing about life and mus ic.

"You have to see what you've done and you have to take time to do that.

" When I die I want to have left some particula r mark of my own. I'm carv­ing my own little niche in this world now."

ROYSTON ELDRIDGE

P.a~r 6-MFLOOY MAKFR . Apn l 19, 196!:I

Swing at Antibes HOW WOULO you like to dig the bril ­tiance of trumpeter Miles Davis and revel in the excitement of Aretha Franklin or Ray Charles?

You would? Then why not come with the MM to this year's Antibes Jazz Festival in July - a sunshine superholiday in this

:~;:~pen P:::;e;a cl:~~

holiday offering bed and breakfast accom­modation at a modern hotel like the Pacific, used by many satis­fied readers last year, for only 33 gns.

This hotel , like all used for the trip , is only a few hundred yards from the sea and the festival site and is right in the heart of swinging Juan. les. Pins.

The festival this year is held between July 26-30. The MM's Sunshine Super­holiday starts on July 23 and lasts until August 1.

sort. For Miles , the Marion Williams Cos­pel Singers, the Buddy Tate Quartet and Aretha or Ray Charles W:ith their respective b,g bands are the first of a host of inter­national jaz-z and R&B names to be announ­ced for this famous festival.

The trip leaves from Victoria Coach Sta ­tion. The route is via Dover-Ostend , where a luxurious coach with reclining seats will journey t h r o u g h France, stopping for sightseeing in Paris, and then on to the Mediterranean.

CAUGHT IN THE ACT This will be the

third year that the MM has organised a holiday for its readers at the festival. In the previous two years, almost 200 music en­thusiasts have enjoyed a swinging holiday in Juan- les-Pins , part of Antibes where the fes­tival is held.

It's a gay, young re­sort, packed with nightlife of all sorts­bars, clubs, restaur­ants, a casino, etc -midway between Nice an.i Cannes. It has huge beaches and some of the most beautiful weather in Europe.

The MM will take you by coach to Antibes for a I 0-day

The journey home starts on July 31, arri­ving back in London in the evening of August I.

The V form amount for the holiday is £ 13, leaving £37 out of the £50 allowance. Travel­lers can also take up

to ft 5 in sterling, making a total of £52 spending money -more than enough for a really great holiday Juan-les-Pins. All for 33 gns.

Fill in the coupon NOW. And swing with us.

-P~A-;E~:;F~L~ o:T:I: ~F ~H~ :M~s:u:s:,:;E-. SUPERHOLIOAY AT THE 1969 ANTIBES JAZZ I

FESTIVAL I

p1Nk FLOYD' S Fesliv.al Hall concert on Monday w.as

artiSlry In pop technology. Using the .auditorium as a v.ast canvas ror ,1 stunning sound pltturit, they cre.ated .an LP on staga for the memory to pl.I)' back In e.ar-fl.

they combined bulc group instrument• tlon with a $Uperb sound 1ystem or electrt1nic itlfecb th.at rolled .around th e h.all in it• hllar.allng stereo.

Two pieces wire performed , " The M.an ·• .and " The Jour• ney." Burbling bird calls twit· ttred overhead depicting d• y­br11k , a mood broken by the group h.ammering and uwlng up amplified I011s, symbolising the day's work , followed by s leep , nlghtm.aru and .a return to d• ybre.ak ,

In the second piece , the Floyd took us on a journty through a pink jungle to the temples or light , buel by cre.aturcs of the dll!tp . A creaturt made ii 9uest .appearance .among the a ud1tnce .at one point, but f.alled to .arouse any t• rrt1r In the heart or th1 sephlst,cated Floydlans.

A str11m of eva nts held our .attention In paru th, p.ace nagged a nd It sumed the machh1n were in danger or playing the group. As str.aight pt.ayers, they have enough tech­nique .and more enlhusl,um.

In gener.al, FIO)'d mun be congr.atul.ated :>n .a novel con• cept , brlll1.antly executed . CHRIS WELCH

JAZZ WORKSHOP

N.m. •• JAZZ b~~gR~!~1~~:n:r ~~\~~r;;;

to the most Interesting events of

I ~~511 c1!

1~sd o~n d}~!re~~nt~no~nnt~

Addreu I ll"!~bucr~refJ~:z se~e:::~t byH!~:

I ~=;~~'':&chgt~r 10tt:~er b~1;gl~:

I sever.al compositions .and ar•

POST TO: Antibet. Trip, Page .and Moy Ltd ., 221-223 I ;~~g',,j9e:~· 0 /[~~ou~hMrrehde~~~

Belgrne Cate, Leicester. I :~1;, ~" .. "Ji/e;!~:~:u~; "w\t~• in~ •_-::..:-::...:-:..:-:.:-:..-::..:-::...:-:..:-:.:-:.:-:..-;:.;-;;..;•..,;;-;;...•_-_______ -, vlted .audience .

.... --------------------------• 11 .an~er:lb~~tlerN.a~::r~:!rJol~=:~

HAROLD DA VJSON PRESENTS

TONY BENNETT TOGETHER WITH

COUNT BASIE AND HIS ORCHESTRA

HAMMERSMITH· ODEON SAT., 19 APRIL, 6.50 & 9.15 p.m.

6.50 conce,t: Tickets 10/-, 13/ 6 , 16/ 6 , 21 /- left 9 IS concer t: Only I 0 / • seoh left

SUN., 20 APRIL, 6.0 & 8.45 p.m. SUN., 27 APRIL, 6.0 & 8.45 p.m.

Tickeh, 10/-, IJ / 6 , 16/ 6, 21 /-, 25/. left Theatre Box Office Tel. RIV .C081

VICTORIA · NEW VICTORIA THEATRE FRIDAY, 25 APRIL, 6.45 p.m.

T1d-ets 16/ 6 , 21/-, 25/-, JQ/. left

TUESDAY, 29 APRIL, 6.45 p.m. lickeh 10/- 13/6, 16/6, 21/-, 25/ .. left

Thec,fre Box Office Tel VIC 5732

Tickets available from Harold Oc,v1son ltd , 235-241 Regent Strut, London, W 1 (stomped addressed envelope wilh postal oppl1co11ons) From Theotie Box Offices and all usuaf ti<;ket ogenh

supposed to be top stars of this combln.atlon, but the Finnish pl.anlst Ee:ro Ojanen with ~ cultlv.au:d and Imaginative rru w.ay of h.andllng the keyboud .and alto pl.ayer Eero Kolvisto1 • nen , c.ap.able of bold but very nuent .and Inventive melodlt lines soon s hook off their shyness .and brought proof th at Finl.and , the leut known of Sc.andln• vi.111 countriH, pro• duces a very Jmpreulve crop or j.au:men.

For the next Jau Workshops. British Jaumen promlu to take Hamburg by storm : John Surman, Mike Osborne. Ronnie Scott, A.I.an Skidmore, Kenny Wheeler, Malcolm Crllfiths, H.arry MIiler and A.Ian Jackson ,1ppctar on the Ust of the Invited . Funny lO think th.at some or them h.ave to go to Hamburg to pl.ay together! LUBOMIR DORUZKA

JULIE FELIX JULIE FELIX was ntl'YOUS It

1eems, from past ••· perience th.at the morr nervous sh• is, th• more .anlm.attd she becomes, a"d the h.arder she worki ror her audiences Tht1'li

!~ w.a:,.!t/::Y Rot!~o~:su:.wt ~:~~ c.a~:~'1/'ho~::sor:r m.aterlal showed

:On;~•~, :~~~ ~~hsthe.an:r•i~s~ Oyla" St.Ind-out son11s were, " on A Windy Morning."• t1ery

~;:~~r r::: w':~:~h m!~! a ~r~~ slngl• rtlHH) , Ochs' . The Flower L.ady,'' Dylan's Wl!c-n Tht Ship Comes In," P.• xlon', ' 100 Mtn w,nt To W.ar ."

which rflCUwtd sqlll'.ll 'l or ilP precl.at1on • lonQ w,th th e .ap· plaus• .and MecC111', · Duty Old T•wn :• which 1111!.ls r• quffltd - pr1dicWbly

Her IUC(eH with lO" IQ hl't. <lludh,nce w.a, rill du<t I• hct t1 noln1 vo,u and p.-ob•bh .,.,

f ~· -:_

I.'

r .

I

I ,)_ -. ~

JULIE FELIX

to her choice of m.aterlal , bul to th1 enthusiasm and fl!ollng she put Into her perlorm• nCI , in spll111 or her nervH - ROBERT ELLIS .

HERMAN ]'HE latest pop p.ack.age w.as

duly disp.atched from Newuslla City H.all on Sund.ay night ror ,1 week of on••nlght st.ands. And ir I uy It could be one of the IHl exclusively beat tours, It Is ,1 forecast based on the best authority - th • t of promoter Barrington Sa11nd1rs.

Only vocalist Dave Berry broke the two•hour beat 9roup monopoly. And fr.ankly he was a let down. His song 1electlon lacked bounce and his perform• ance wH devoid or punch .

He~~an"•: •~~~~fts shr:ed n:~~ walled The:, have .always .added their own lustre to wh.at wlll almost cert.alnly go down .as the golden deude or pop,

Love Afr.a ir, also added to the cvenlnq .and th.at le.an, live-­limbed young m.an St1v1 Ellis contlnuu to lncreHt In enter• talnm,nl '5llture - CLIVE CRICK MER .

PHIL WOODS LIKE: MA.NY of his generation, .altoist Phi! woods hH ruched a crouroads In his artistic care, r .and seems hHl'llant to commU himself to .an)' fixed path for th e futurr .

Ounng his uason at London 's Ronn1t Scott Club, Woods h.as produced many enjoyable sets swinging nrst one w.a, then .an• Olher whlle his Europe.an Rhythm Machine - Geol'91 GrunU (pro), Henri Texler (bass) .and Daniel Humair {drs) w.• tch nrelully for hints H to the de,tin.at,on

Woods 1s an imm.acul.ate muslcl.an vlrtu.all:, unbt.alllbht as a post-P.arker slyll,t and wh1n he stays In this b.ag the J11u I, w.arm, eloquent and Im-pressive Wh en glimpses or another, more ,ndlvldua.1 musician burs_t through ,poradt• cally Iha tnJoyment, for me , doubles . In thl' main , Woods .and hi1 colle.agucs preunt ur• bane, •ccomphshed m11s/c which ,s never dull .and more often th.an not. v,r:, sati5fy1ng.-BOB HOUSTON

()EflNITELV WliAT! EfUAN AUOEfi & Tl1E TfilNITY A OOO()L\' l.Ll SPRE AD SY POL vom

TH~~m~:~~s a ;r~c:!y ~x~ pensive - as Chicken Shack's Stan W ebb dis­covered al Wolverhampton's Stipendiary Court last week

lt all started at WoJver • hampton Civic Hall way back on December 13 when Stan's equipment went _on the blink Two police officers on dut y in the hall blushed to the tips of their size fifteens al the words Stan addressed to his guitar.

Accordini 111 the nfhce r ll amounted to msult,n,11: words JikPly to cause a hre 1ch or 1hc peace. St:an was forced to agree, pleaded ~ui lty and wao;; fined £10

Bruish invasion uf New York's Fillmore F.ac;t this week with the Nice, Ten Years After and the Family on sta~e and such lum1nariec, as An­d~w Oldham, Terry Slate.r. John Martin , Spencer Oa,•is, Tony Calder. Harold Pendle­ton, Tony Stratton•Smith. Noel Redding, Mitch Mitchell and Kdburn's m os t famous export, I.an Dove, in the aud1tnce

Ken Howard iond Alan 81.aik ­ley have writlcn a song for Mark Edwards tilled ·• Alcock And Brown " - to tie 1n with the Dail)' MRil Air Race, of course . B. P. Fallon can be heard mterviewine; John Lennon at l I. 15 pm toda} {l hur-.day) on Radio Firean

Emperor Rosko lurned up at Hanle)' on Tuesda)' for Radio One C luh - a month too early . . A round of applause for Dorochy Squires the Motonst's Heroine '

Quote Quole. from Dave Davies

asked to. re- record a number " Go!?d Job I m not a super star • , Hampstead Countr)' Club putting on a hen, .. fit for ~helter today lThur~da\) ~ith

8 we.II known fair:haired moustachioed folk sinJ:N •• ·

Alw, Walsh a proud dad _ again . This one ;~ called Richard · '1M darts tum play ,the 100 Cluh in the Capri. corns leagu_e next 1 ue'lday Hope. they 1f!1p rove lJO their showing agamst the Ca pn• corn King Crlm-.on a ra \·e at t~e SpPaktasy. Which ~i:~~ t menn w~ actual!)' liked

Desmond Dekker h.td his

~~~h hi:n~~n~ ;tf1e s~r~~~h~~ ~.et on. stage at the Cam~ Club, Cnck lewOOd E h Ri.:cords ha:. signed conl':!c~~ ~or the world•\'Jds> d~tr1hut inn

ritam apart. c,f Don.1ld Peers• Plt-<ht' [)(-,n't Gn ,. And Dt.'1•

Expert advice

in act ion TH&iu~~N~~~nl~'te~> J~~

N• t lon ~l v out~k~":! c:~f:g ~l)l tlr~~u:: ~ks g l~ for Phil

W oods, '::r '1~ 15 s;;:!ssf:~

i ~! tdhl; colncl~ ent~on~i;

~~~~;"g~b ~~ ~Jleowed him t~ loo kaf!~~;:n •~• ~:h:::!!~

~ eraen he 1:~~~e~lefl)o.:'i~~

f,:e::.~~r a nd MM ~ollwinner Oon Rendell put11ng some of the youngsters through their P.,Cf'S ,

From Easter Monday until the rollowlng S.alu~ay some 70 students, 1nclud1ng five girls agu ranging from l l ~Z l , a'ttended the third such series of rehearsa.ls, lectures and speclaHsed in ­strumental clinks to be held In London.

Regular tutors for the week were Don Rendell, Neil Ardl~y. J ohnn y Burch, uurle Morgan, Trevor Tomkins Dave Gelly, Stan Robi nson, Dick Wa lte.r and

Stan's moody proves to be

• • •

Fa\rer's WEEKLY TONIC

rather costly mond Dekker's " lsraehtes "

Jethro Tull :ind Ten Years After Jamming at New York's Sce:nl' Club la-;1 week ful\'s Ian Anderson i.ays he 1s willing to hove his hair cut if he ever gets o n Top or The Pops

led Zeppelin had 1he hor­.-ors last week when an engine on their Jet caught Ore en route from Germany to LJndnn Apologies to A)an Breu~ fo r inadvertently leav­in g lum ou1 of MM's tribut e tn the late Billy Cotton.

Parts of MM be ing printed ,n hra•lle for Trend, a new mn~nzme for hhnd :eenagers

. Manfred Mann and Mike Hugg are to extend their Du• lux TV comme:rcln l into a full length song to he r~corded b) M1ke Leunde.r for MCA

Beaky of you know who h,11s won two cup!'. for the b1g­~est flsh caught at Salisbury fhe fish were a 31-lb trout and • 14-oz Dace th e Freelanden; deny rum,1urs th:11 tht!y are to JOin up with e,. Seeker Keith Potier.

Commemorat iv l' coins :art bemg minted for 1h1s )ear'~ N•:\lo Or)nns lnt~r-i::alional Jan Fe'.'!l1v.:il m June. Count Basie- .... 111 he on the first and

W1~•01s:1~onir~~ll ~=~~~re tt!1~ <1IM'lul Tubb) .H•}es en c ne ,f th' ne\l,' decimal come;">

ROtl'r 1::..asterb)' H\, hf actuall')- k.nc,,.,~ a '11s!r. Thm~ ~nJ ~he 0 hi~cts to ;>e:<iple- talk mi.: ahoui dr:ung lhot1r than

Br1t1\llh Is Be,;;t .. T'tt-dom'i ~ Ra)'e1 bou,:h1 4 LI• , r h""'":: ~~l~~t ti, ~~~dl ' t th

MUSICLAND 44 BERWICK STREEI', YI 1 734561'

Happy - Sad - Tim Buckley New Improved-Blue Cheer Creedence Clearwater ·--•

Ultim 59 6 Nld.,

Clolfi Vlw.n

THIRD DIMENSION THE FUTURE

1969 1s a criti­cal year for Scott Walker in as much as he must prove to his severest critic - him­s e If - that what he is do­ing is worth while.

APART

Bas1ca lly he wants to establish himself on the Contmt:nt bu t _..,en more 1mpor• .ant, to gam some tang1b)P recogm­uon for his work a, composer. He threatens a dras­tic solution if he :annot prove h1m­seH

" Some people have decided to lump me in that category which

'I'd like to get Presley

includes. Engel-

~~~~s ~n~lth~og~ ,n a studio with a string orchestra. He could do much

I have- never th()ught of com­peting m that league.

"The one thmg which places me apart 1s my com pos1 n~ I work harder on that than anything tlse and }et it h,s rece,ved little r ogmt1on If I

so better'

c.annot prove myself this vear, I will quit."

Does Scott feel that he might do better m future to shake off tht> lugubrious and 11Lghtly PJrano1d image he has been given m the past J

"I was n()t aware or hav· in& deltberattl) projected any image - J am what 1 am Jt drpends upon what )OU surround yourseH with to a areal extent "

In 1p1t.- or his relallvely nnu'> a pf"C'l, Scott has

flnh of ,e,-numt good hu• m,,ur and will relate ane1;• d11IE-, n,ncernmg his road n ilOl~l'r With glt'f"

FUNNY

L1k1 !hi' time he lllaVtc.l

hirn If and le-ft Sc11U ll.1 lh mtr<y 11( the fan1 aftt·r lh Loml a rf' • .al Cht~ 1,-rf Id t n lhe l.111 tuur I h11mi,mu :-.v,tt Walker

~I "'•J.lf' !if•"1"lhin,i: Wt!

w,11 h at mt,rt· M th11 ytar • I ),in • I find funn) m(l~t l , r ,,pit- 1 n<,I, adm11

II lHr;t.n• Ind tht'

Rowan and Martin Laugh-in TV show funny - I find it terribly bormg and diaboli­cal to the extent I can't watch it

HORROR

·• Because l am the way I am, J was ternhly prone to practical jokes on tour and J have a horror of them. I had people throw water over me while J was hold mg a hve electric mike in my hand on stage-not funny!"

Does Scott ever see him­self returning to his home­land - America?

"No." Do the riots in America

an<l thi: aspt'cts of colCJur prtJUdtCf' l111 him with any em,,t,on about hi!. countrv• mtn'

" ?II) 1$ c.,nf': emrJt 1nn -

p1ly for tht human rare And for my~tlf - I'm nCJt putlm~ my.lelf on a pedcs t.a,d I fi: I thti.t.~ things .irt

1n Jtable - I pee.I lh<'m ro happf•n

Has the possibility of a reunion concert with the Walker Brothers - say in Japan - ever occurred to him?

BURIED

"What a dreadful thought My God - regression. The Walkers are dead and buried and better for it.

Will his fear or flying cu rtail his appearances abroad and why is he fnghtened anyway?

" No - if necessary I travel by tram. I suppose if necessary I will have to gel on a plane again to play Japan but it will mean a full trained nurse travelling with me and pumping me full or tranquilisers. Not even a bottle of Scotch could get me on a plane now.

" Death does not frighten me because I am a fatalist. I hate wars and the people who make films of war and glorify those involved as heroes - that's swinish."

GLAMOUR

" I'd like to produce Pres­ley," said Scott unshamedy. "He could do so much bet­ter for himself He keeps all those cronies who have been with h1m for years, lake the Jordanaires, and denies himself the ta lents or a great arranger or good material.

" He still does these ter• nble old 12 bar blues things I'd like to get him in a studio with a good string orchestra and make him sing some of the material like the old Walker Brothers used to do. Songs like 'Make It Easy on Yourself' - he could do thing5 like that so well "

"We've lost the glamour of pop - I don't see it re­turning," Scott concluded. "Underground music will become more popular - un­fortunately and perhaps solo singt:rs will overwhelm the groups

"Well, like I said I want to cm"ri:e a~ a writer, do some films - direct not act m them - broaden my knowh~·dic and of course t'.mergt as a TV pcrson­t1llty." And ht• laughed and lau~hed and lftt1Jdu:-d

KEITH AL THAM

MELODY MAKFR_ April rn. l!Wi'l-Paaf' 7

This is RANCBBBD

Here's another chick who sons the men from the boys Cool as they come. Such tone!

And that lovely flat belly. Ay-yi-yi ! Easy action, peg bridge, mahogany top.

You coo~d pay 30 guineas for something like her. £ 18.14.0 for this lovely. (Model 3133, we mean!)

12-string version Model 3134 £ 25,14_0• * ( recornmmdtd rtta ,l pn·ce.s)

EKD GUITARS

1101-.,• ,,,.,.,.;,..

Write for EKO 1aia Rose, Morris & Co. Ltd., p/34 Gordon HOVleltNd

MELODY MAKER JAZZ POLL WINNERS CONCERT

British THF MELODY MAKER Pollwmners Concert at the Royal Festival Hall on Saturday proved two things quite conclusively that the best British jazz musicians compare with the finest anywhere in the world; and that a Pollwinners concert doe 'i not have to be an organisational and musical disaster.

and prou,t. , .. ~:;;~;:::,:~i intervals ;: ~ a rkable range, a

: l~~e ri ea r and a faultless sense

Most encouraging of all, how­ever, was thf' large and appre­l 1a l1vc audience which under­lmed the fact that the British 1au rena1c;sance has not gone unnoticed An almost full house for a bill which featured no A mi:ncan Jazzmen would have hl'cn unthinkable a few years <1 )-;0

H1ghli~hts of the conce r t were th•_• su1wrb playing of altoist Peter Krnt!, the polished, profes­sional !WI hy Cleo Laine with thl' Johnny Dankworth band, and th e colourful!)- C'xuberant hnah· h) the Mike Westb rook Concl'rt Band , In additron, the " S traight No Chaser" jam session led by Stan Tracey d~monstrated how rich the con­lemp<irary ja7z scene is m ac­complished soloists

The concert opened with two numbers from the No. I sma ll group , the Don Rende ll -fan Carr Quint et which we re notable fo r some extremely

CLEO LAINE: superb ear jOHN SURMAN : seeth;ng soprano

articulate flugel horn and trumpet work by Car r and for a fi ne, fat-

Guest Critic : MIKE HENNESSEY, European Editor, Billboard

toned bass solo from D11ve Green This is a tight-knit and h,ghl) musical band which makes intelligent use of dyna-

mies and tempo changes. The Dankworth band fo l­

lowed, open ing wi t h Kenny Wheele r' s " Don the Dreamer "

and foll ow ing with an a ppea ling a rra ngement of " Ja Oa" w ith t he two trombones ca rryi ng th·t t heme against a coun ter melody

JOAN BAEZ ON VANGUARD LP SAMPLER

ATONLY

14/6 All my trials· The Queen of hearts

Geordie. Hush little baby Plaisir d'amour-The house carpenter

Silver dagger• Mary Hamilton Kumbaya

SVXL 100

ALSO ON VANGUARD

from three flutes and vibes. This featu red good tenor solos from Tony Roberts and Tony Coe.

After the r ichly chorded Dave Lmdup arrangement of " Baby ft's Cold Outside," Cleo Laine joined the band for "Riding High " and went on to p rove wha t a fi ne musicianly singe r

JOAN BAEZ SVRL 19014; JOAN BAEZ Vol. 2 SVRL 19015; JOAN BAEZ IN CONCERT SVRL

of .. tim e. Be Good, .. take n at a Lad)' . te mpo spot ·

s_low, bou;ci:~curacy of her hghted I h bac kground of s inging a gainst a nu\e and vibes, mut~d tr~'.~.:tsGonna Sit Right and on W ·te Myself a Lel· Do wn fi

nd ri clever mtricale

ter .. she. ~ng ;ankworlh. The du et ' Wll Scott-Caryl beautiful Johnny · T lk • Brahms ballad "Woman a showcased Cleo's superb phra\ ing and she chm~xcd her b~~t with "Please Don t T?,lk A • Me When I'm Gone, an ar rangement rich in dynamics m which she phrased superbly with

th~h~an:~nnie Scott Band, en­riched with nourishing John Surman opened the second half with , "Macumba," which featured solos by all members of the group . Outstanding were the: .:ontributions from Gordon Beck, Kenny Wheeler( surely among the top three men in the world on his instruments), Ron Matthewson and Tony Oxley.

Smit !her: introduced Georgie Fame who presented a special arrangement by himself and Harry South of "These are my People" which included a bril­liant interlude by altoist Peter Kmg playing Charlie Parker 's "Confirmation.°' Though natural­ly strongly Parker-derivative, King's playing is superb in every department and he was one of the few soloists who really had a chance to st retch out. He ac­cepted 1t with both highly nimhle hands .

Fame followed with 1 in waltz t1mf' then cam.- '°'1t m1gh1 have heen the c.at.-c~~

1

of the evenmg - an alt. ,, 1am session Smet Jam se n are right out of favour " 1~

current crop of musitiam "' prehcns1on . wa~ rife &

1 iii

proved un1us11fied. No l!

hogged the li-meli~ht and Ont rhythm 1eam or Oxley, M;m~ son and Tracey ~ne Power, support to S~ndy Brown, HaroJ~ McNa1r (bnlhant on flute), c1;.._ Pyne, Ian Carr, Joe Harriotl lr,d Tubby Hayes. Matthewson foz. lowed with a fine solo and ll"if Oxley proved wh3 he wcin u,; No. I drummer award

Mike Wcsthrook's band 1, 1 Ion~. suite which includf-d 1 hilarious vocal parody h) lhf, leader on "I'm Old Fao;hiontQ a sequence of "_Tht Folks Vrtwi Live On The H111 •• led by orie of the trombones, and Sl'of'¥

seething soprano from ~unn, and culminated m unuhlOliM rhythm and blues, prn,idtd .Ii memorable climax of Clrt'ful dis order.

The music. sometimts b1u11,.,. sometimes orthodox but •h••~s exciting, drew wild appli,USf from an _audience sl.tgt;U_y diminished either. b:,. the nttd to catch last t ra ins or the error of takmg the Westbrook vcu' style too ser ious ly.

The one ma1or flaw m the p resentation was that Tubb Hayes, the Musician of th~ Year, was not featu red in ~rs own r ight. It was quite mdefen. sible to accord hi m only u1, mise r ly exposu re of a few choruses i n t he jam seuion srt

• JOAN BAEZ IN CONCERT Vol. 2 SVRL 19017; FAREWELL ANGELINA SVRL 19018; PORTRAIT OF JOAN slff16:

JOAN SVRL 19027; JOAN BAEZ Vol. 5 SVRL 19034; BAPTISM- A journey through our tim SVPl SVRL 19025; ANY DAY NOW Songs of Bob Dylan SVRL 19037/8 e n 19000; ti VANGUARD

{New releos" this month)

MH(JDY MAKf R. A!'nl \ i;i, 1969--Palf' I

The Beatles as nature intended.

"Get Back" is the Beatles new single. It 's the first Beatles record which is as live as can be, in this electronic age.

There's no electronic watchamacallit. "Get Back" is a pure spring-time rock

number.

On the other side there's an equally live number called "Don't let me down''.

Paul's got this to say about Get Back ... "we were sitting in the studio and we made it up out of thin air ... we started to write words there and then ... when we finished it, we recorded it at Apple Studios and made it into a song to roller­coast by''.

P.S. John adds, It's John playing the fab live guitar solo.

And now John on Don't let me down. John says don't let me down about "Don't let me down".

In "Get Back" and "Don't let me down" , you 'll find the Beatles, as nature intended. Get Back/Don't let me down (Parlophone 5777)

1141'111I/Apple Records

DUSTER BENNETT: ' deejays should real;se they are brain washing people '

-;::::=_-==-TO-==-Pro-~-uc!-,-0~-ffa- !-o~-thH--=-----,-- Duster and the A young man whosi<> success tn the music world has been

phenomeno 1 11. Pye Recording Manager Tony Hatch. Compost:i conductor, arranger and art,ste Tony Hatch. V1.t10 Joined Pye R~cords 1n l 960 has had a string of hit rt>cords 1hat \I\Ould make many J veteran of the pop musIi.: scene envious

PctulJ Cl,,•"-· Tt,e Searchers. Ja<:k1e Trent Benny Hill and Lonnif' Donegan a,e but a fe..,.. of the many star names wtlvm t t: r.as ~uccessfully ,ecorded

T nv Hat h was horn 1r1 Pinner M1ddleso. and v-.as edu•~art-d t Tt1l" London Chotr School. Bexley Kent Ori lea .. , g s(. r,ol h 1omed a mu~1c publ1stitnQ firm where

'k 1 as a song plugg<>i ar--rJ b,. gan wr1tmg songs 1n ms pare t1mo;?

Ii 1 )~9 J r•· ed 1 o~ R nl< RPcords as an A & R assistant j I !hs t1rpe wr ,t,• h1s first h1t - "look For A Star 1 • c 1orr, d Py1,: Records as a Recording Manage1

During the e-.1,ly part of his career v..l\h the company t,e vas po~s1ble for hits by Emile Ford The Broo1e:

t vrs Lonnie Donegan. Petula Clari< and The \ 1SC::lunl!- In 1 960 he fcrml"d the Tony Hatch Orchestra

F nr 1h,ec years T any 'A-as a music ian with the Coldstream Gua1ds F,c,m the vast amount of Tony shits two of his ov.n ompos111ons were pa1t1cu1arlv outstanding - the smasl ;,,,orld-w1de success of "'Downtown' by the 1 ,v Iv Petula Ctart- which soa,ed h,gh in the Bnt1sh cha1ts and topped the Stateside best -selling hsts ,n 1965. 11,d W~ere Are You ~ow-- sung and co-wnt!Pn by J,i.i.1u T1Pnt. .,....h,ct1 h,t the Number One spot 1n England 1n the sprmoJ of tnat same yea,

a kit. Tr~nt and Tony we,e marrred in August. 1967 They nO\',,• have a gorgeous baby daughter Michelle Yvonne

The Tony Hatch Orchestra - --,

decadent BBC " BBC One is the

worst, most dec­adent thing in the whole country."

Fighting talk from bluesman Ouster Ben­nett in response from a little stirring from me as to why blues in general, and he in particular, gdt com­paratively little ex• posure on radio or TV.

"The BBC ls the Civil Service - and that's the biggest insult I can think of," he warmed to his subject. " Radio One plays into factories and homes and people listen to what those silly people say. After a while they begin to believe it and then to think like it. Those deejays should realise they a re brain­washing people.

"The BBC is a closed shop - you either make BBC­type records or you don't get played, They are not providing a real enter• tainment service, merely playing what they think is good for people. Nobody there takes any interest In what is really good - or even what is actually happening at the moment. I don't even like to be connected with it all, but then there ls no other sound medium for us in this count ry."

Duster seems to hold strong views on most mulliical matters . For example. he feels It is time there was some new blood on the Britis.h blues scene.

BY BOB DAWBARN ·• You hear of the same old

people all the time," he said. " It's time we had some new faces and there arc ~ome very good ones - among the best arc Top Topham, a guitarist from Kingston; Lloyd Watson, a singer from Peterhoroughi and a bass player called Kenny Clarke.''

I ventured to suggest that, as a general rule, the instrumentalists were far more convincing than the singers on the current British blues scene.

"Let me shake you by the hand," he said by way or warm agreement. "The trouble is they are not singing about what It is really like to be alive today. It's still • Woke up this mornln ' reelin' bad.' which isn't the truth. Half of them are still trying to be old 78s.

"In a way, we must blame the record companies for not releasing the sort of material that is released in the States. Let's hear some Bobby Bland, the greatest ever! And 1 pray that B. B. King will get a proper listen on his tour. But 1 suppose people will Just go to see how fast he can play the i:,ultar."

Duster Is on the King tour, with Fleetwood Mac and Sonny Terry and Brownie McGhee, which opens on April 22. He will also

BLUES ON LP

soon be in a position to do something con­structive for new blues artists.

"J shall be producing records and talent spolt• ing for Blue Horizon," he explained. " 1 reel particu­larly strongly about finding new talent. A blues label halli to put out blues to a formula that the public will reco~nise as blue~. The Blue Hori­zon sound has become stylised enough for people to recognise it. Now ls the time to bring them up to a more immediate and relevant s tate and start breaking the rules a little, Intro­ducing fresh Ideas. Mlke Vernon is fully behind me on all this and we are going to produce some fresh ideas and make records which we hope will say more to both the person in the street and the blues fan."

With so many blues groups believing that you have to hit the audiences with sledgehammer volume I wondered how Duster made out as a solo artist

" I think impact can be achie\•ed in other ways than volume," he ex­plained. "And anyway 11 O watts or Duster Bennett blasting in your carhole is enough for anybody. Sometimes in Ja~ge places, or places with bad acoustics, I come off better than a loud band because they jusc boom round the hall.

"Occasionally, though when I have to fight ro; my life against a good band on the same bill I'm glad to have the power if I want ic."

JOHr:c!"r~~ng~o:rK~h~ SU~~; t~:. i:e w':~~I~ ~~e~~~nlt•~rJ11~n:o~~~ ~~~:!~:uclos~o!! .~ ls :p 'fi[t~ !~e:Y cah"a::"~:r • t~~t ~~:!1s~y, P:~~ !~~~~le so•~d tw~o lril~t~~m~!;! ~~co;~~nf::,'!'nt h~:~so~oio g11~t:r

~:_!~~s~1c~::1 ~ot::mpr~zic't'~ ~~~. 0ln'dne~: S~l~~m~u~t':aerd o.~ ~~::-1:u;ia;fno~l•~e•••b•tl ~

1os~

solld swing . TRAYELIN' (JOY and blow, along with WHh• h " h b r HS 1211}. one of rour or lhes~ bo•rd, washtub bass, bones and ,,,:!,no~ .~,u~o

1hL0 ~w9 °" •,,',',•,I~, w•I••••

.1tb,1m~ roltascd on the JO\ wh•t I_ believe tho 1cu/on J11tcd 1 ..,

~:~~a co~::;.~ . , .. ~taSnh'l~e,s•;r:•e! !!,:~:~ng o~an~,,~~~s fo~.mce:ul!r~ tha~ e:"o.,~reod pl~y~n-~la~o ":::

;:~:~~•~ ,., " RII:-! s:i~d, ~./~:I'er,~ =~!~~d "'.~~ch M;"c11.!'ec dj~egs r~n~ :li1dn/9:~~- l~~t ,;~: ~~~ ~'h/:1~

" ou,ty Ro•d." ·· I'll Know To• pl•ys cleanly and with good .~~:ntf~ 11~hf,0~"g•~•,•••i",'•"','r ••,•,•,· night" 11nd thrH more rrom swing and spirit on ·• Operator.

~~r,..~':~~ :~th ,~~rh:, ilCt:~y ~~".! .. n~~Sl~~~l!~;~k;~ I ::~~n ~ ~:::" h:~n:o_m:1~lng ~d~-:~=~~

THEDUJt • PA.Gt

It's old

just the stuff played

nicely rather "BUT what's

he doing new?" This is the reaction in some quarters to the first wave of en­thusiasm f o r

Ta~:"~~ has

~~e;y h:i~eldt i :~ groups and ar• uses, the Rollif!g Stones and Eric Clapton among them, as an lm-p or tan t new vo ice on the blues s c en e, others seem a hit baffled

The an .. wer i!'i the 26 year o ld American blue!'! guita rist and ~Inger JSN'l doing anything particularly new. But he's doing some• thing old rather nicely.

During a time of much screaming neurosis and general bad temper, Mr. Mahal h;, wry rather . than livid and groovy rather than grating.

Best He ls at his best with a

small band backing cm medium tempo blues, rather than the Stax type brass he was given on a couple of tracks on his last CBS Direction album "Natch'l Blues."

Says Eric Clapton: "Taj Mahal's first album was the best. On the second one they watered him down a lot. Al Kooper had a lot to do with that because his scene is more in arranging than Jusl blowing.' '

" Some people need ar• rangements but with artists like Taj it can cover up his nat~ral abi1ity. He nl"eds basic improvisation. Those tracks with brass covered him up.1

•

f'm pretty open about mu~\i, The bras~ sectir,n on ttt Jast album wa!t ffl} ldn.

"I don't want to f(tt l<f far from the roots bul )OIi can still experlmtnt 10 rea.ch a wider audlencr. On,

~io~t tt~"~fu~s, r~:1 t;::~l needs a lot or tru1h tn dlt music, and I'm arraW Ihm is a lot or bluts btlna &~;'~d u:!~h~~t a~nb!i:: music-from blue arm to J:izz."'

Feels "Among m}' lnft0eoCN, I

would nam.e Robert J• son. Yeah, he had I lot tt do with the way I pla)', I do it m)' way-but kttpinl to tradition."

Taj said he wanh to CON here soon and fMls fntl­trated at the moment wttll what he calls .. p&asdc scenes."

MAX JONES'

THE MEN Judge -

• of11•1 I

.. · WHO MAKq

THE BLUES i 'I ' I 'I SERIES :

CONTINUES Batu. Jimmy Turner, Sylvester and " Col No Loving Baby," .,;1u~o ro~~~ •:: ~ ~dJd ut but

Hickman . It ;1lso has a good r--;;;~~;~;;;-;-;~:~~:-:=-~":----.:::.2:!ii~C:=;~]~~!!!!!!!!! rolksy HIO tr;rick ,. I Can't Believe." on which he sings hums .ind taos hit foot. A real lhre11tener, thll. 1n r•rly John Lee style I don't rate

------------~

~oi~avt~:· •~o!t,~',qh cJ:y •·11~1) or " • urnin· ·· (124} . b1,1t U 11 t r llh1g "&8 1n the Hooker m.an­nor ror thos, who like this par• ocular Ye e Jay v1nto1gt' M J

Brownl• McChee ,s II 1>auy11nt and orderly blue~ 11ngC"r and .;an 11dm1rable gu1tar11t For long ht hH bun h1ard moitly •n company with Sonny Tt'rry, so ,, Is somt-th,ng of • nov11ty to havt him 11ngmg on his own Th• LI', BROWNIE McGHEE (Xtra 1021), ,, ,. mi,nom1r '" th1 HnH u,,,.t w, only • lntle mo,.. lh•n h•lf McGhe• And ,uch lnform,.llon a, 11,. cover •Hord, 11 • bit ml1lodlng 1111

... ho

°" u tn

0 I I

po TARDAWE near Swansea Town has a

population of 8,000 souls, numerous dogs, cats and assorted anjmals, and one beautiful • and angelic ex­port to the wide world across the ocean wherever people turn on the electric wireless.

Her name is Mary , And she has the perfect smtle. oval and interestln& in the cheekbones in a Celtk way. And the perfect manners, Just the sort you'd ~pect rrom any God-tearing )'OUnJt &irl emerg ing" out of sweet schoollna from the com­fortable backaround or the m.Jddle class.

And the perfectly innocent eyes and sort gestures which brush strands of fair wisps away

~e hfi~:~:J !r1ie~•:~r u~ ~rn':e~ps. A7 chord with firm

Aod Mary Hopkin h, Only ln­tetts:ted In singing buutifol sonas and making beautiful musk.

~•ry Hopkin had e nded her firs t mllJOr provincial tour In a bl& pack­age ~how ~ ilh Engelbert topping the bill. This WU the las t night, In Dublin, a nd she s•id, " I {eel miser. able that it's all finishing:•

off~tl~r t~:t s!:.iit~ ':~1~cefre:ed d:!~

was her ,.oice. " I'm afraid 10 chat

t~ ~ all~&·;!u~:a;!~f/~~:eto11: minutes with her, hair an hour later .the Press. dlscret>tly edged away into a corridor from a friend ­ly, si ncere tttnage.r who admitted that perhaps she was ~till some­what naive about people generally.

She talked about her begin­nln11:s as a sincer or folk songs, P.iiul McCartney, Joan Baez, the Welsh l•nguage, nerves, fanz.lne in. ter-vie'°"s, going home lo W ales, beautiful son&s and hel" guitar.

In many respects shf' sef'med all too perfe<t to be a realit.) In pop"s tight-fisted and pven bi~-hearted world. But perh:ips It's a planned pollc.) of management thal s he, a symbol or pure young British girl­hood, be led with gent le hand~ through 1he miasma and phantas­maaork 1laze-haze that has turned sound huds and solid hep)s.

Mary, the princess of Pontardawe, wins those Irish hearts

BY JOE KENNEDY With Celtic self-as'iuredness and

a s harp lntellig,ence she parried one zeatou~ Interviewer with such quiet hon esty that soon three people wert> having a friendly n tlll'T about the music world and a man who came to take pictures just stayed and listened.

" I'm surprised you thought I

~:;;!,e,:g ~~eM/~fe' fo~!1":r ~: fine songs In her set). Joan Baez, I thin!.. , was the blagest Influence, If you could call It that, at first, I hud heard her slnt1lng so beau1.l­fully and just plA)•lng a guitar. I sa ng In Swansea folk club but I was not really part of the folk re­vival. I ju.st liked some of the songs because the) were so heaullful.

" I am not at a ll a fraid or big crowds. I'm not overawed. Girls In aud~nce-s have bf'en very kind really .•. glrls my own age. I jus.t want to be natural. I don•t like to talk a lot on stage and I don't want to rf'hearse things to say ,ind a ll that.

" l.s that lonely woman really me? No. Not at all," she laughed. "It's quite pleasant to be on such a show u this. I mean everybody is so kind. The)' are grut people. I am only concerned about my voke. Appearing twice a nlgltt 1.s hard on your ,·olct". I'm trying to conserve it as much as possible..

"Paul, or course, has had a lot of influenct" on me, on the type or SORA I sing. But he doesn 't make

me do anything I don't want to do. He doesn't tell me what to sing. He found • Tho.sf' Were The Days ' for me and now hH written •Goodbye• for me and I si ng them because I think they're love ly songs.''

She picked up a simple acoustic guitar for a pleture. " I just love my ,tuitar. II s tartf'd off like that for me. I'd never ao on without it .•. If you care about si nging and the lyrle1 or a song you ca.nnot treat It harshly. Singing comes from the hearL"

Mary Hopkin with her Wei.sh-red ank le-length J<Own says s he l.s not a polltkally Involved person. She doesn 't admit to being quite bl­lingual though she has made Welsh-language r ecordin,.s, " I Jun like singing In Welsh, that's all. Politics has nothing lo do with It," She Wlls amused when it was sug­ge..o;ted that hf" r dress was A patrl· otic gesture.

" I don't mind not being top of the bill. After all Englebert's a star (Roy Orbison .stepped In for the ailing Humperdlnk on the Dublin and Belfast concerts; "your show was fabulous ," stw told him when th

~l'~os.~t ~o~:oi;c!~':/i on stage but there are tlmt''i whe n I ha~ enjoyed a show very much and when there Is 11n obvious reaction from the audience I get e motion­ally nervou s when It's over. Other• wise 1 think Pm a very rr laxed person.

" I'm a year left school now -I got O leve ls In mu.sic - a nd I'm

:':1~~ei~=- •:it ~n9:~.~1;Z:; ~';.~ Uons about food, boys, clothes 1nd all that stuff ·that's dished out to 1he kids In some ma1ulnes.

•• This tour ha" meant hard work

::j :i::ll~!s~ln~t a oror:r~p.le: But I'm not a pop alnge r or pop s tar as such. And I don't think ru ever he. I really don't want to know anything about the bu.slness end of pop. And I don't think I'll ever change my oplnk>ns."

" I'd Jove to have the sort of presence that Joan Baez or Dono­van hav~. I saw Joan Baez on her own with a auitar and s he was beautirul and Donovan on stage for two and a half hours on his own just sfttlng there sin&lni,t .and re­citing poet,y. I like working with a hand now but there', something very beautiful about the tunes in roJk.

Mary left Dublin for London la.st week and then home to WaJes" to see some of my real friends. I've a week off and then I'm goln1 to America ror TV. It wlll be a change to get home. Although rve been the only girl on 1his tour everybody's been re:tlly aeat to me."

I'm mre they had a warm wel­C()me for their Welsh pr1neess In Pontudawe. In lrelMd she was the fr~hest breeze to have blown through the dusty corridors of Irish oop since Joan Baez held two and a ha.If thousand people In awed reverence In a boi:lng st11dlum four yt"ars ago.

~ scr@Icr ~r@@oci1W@ i@ms®~~@~s -----~ ----- -----~----- ----- - -&!lN&9-------

TRAFFIC SPOOKY FREE TOOTH

~

P~ODUCED BY JIMMY MILLER PRODUCED BY JIMMY MILLER PRODUCED BY GUY STEVENS ILPS 9097 ILPS 9098 ll.PS9089

'------~~---- --- -- ------- -- ---

l',,.i .. I / M H onv MAKFR, April 19, 1969

Ill \i\1ALKS .1 little sofLer now, relaxes a Jillie more, h111 on rlw b,1ndstand the old elan is unabated. He has bt·t·n through it all : Lhe bus breakdowns and out-of-tune p1,rnr .. ,, ~rnd tenor sax players who hocked their horns.

I h, r;11n1·d out ontt night stands, the 9 am disc Jockey inter­,,, w• thl' hotel IO ·thtalre-to-airport cycle.

And nut roo many years ago, the hassles with hotels that 11"1u,td fn <'(ept J;1dcmt"n who wHe black; the junkies who were nu ,ho"", or n<>dd<·d on the Job: the promoters who paid off on halt ,1 htlu,, wh•·n husiness was close to capacity

BETTER SHAPE Almoi.t all those proh\ems are behind him now and Woody

Ht rm.in l!'I in ht>ller !',hape - organisationally, mus,cally and in ~1,1r11 - th n at dTIY lime m the past ten years.

Ar tht Honi:i; KonJi! Bar the other day, the old dry humour mfor ,•rwcl h1, introduction· "I'd like you to meet the fellers in the hand. nnd I'm Father Time."

But Wood,ow Charles Herman, four months you nger than WOODY HERMAN :

;;~1.\ti~li~I;;~~~;;CouTntBasihe'sjuneior,carricHshisogeeas rd w·1th the new sound 0<1pul,11<.• his band are

~;~'.h,'i:.~h~~;•rs ni~II:~;~:; Ihm in ,iune, along wilh Tony

on • muluAlly ~.-alifying line lo lhem, ,o a ,,..,_ o, (WO played b•i· ~·•~,:;:,•r.•:,~:.~: ••;~::~- '"' 01he< <00\0nS fo, venturt• ago I got some good 1azz ar• ~~~o~~~s d!~p into that whol~ contentmen t. Th~ "C(?n~~to

TALK 111 l~t5 . Wood',· Herman

...,,, 1cmit A in the world of h,~ hand jan Fledging be­t,, PP"r'- had mflltrQICd his iank,. Neal Hefti, 5hc.rty ROt,:t'r,;, Conte Candoll lent h.ls trumpl't 'i~ctlon -1 D1n.y G1l­le!.plt- -ln,Mut1pl"',; ch.lracter

I n J9bC,, lhl' tAlk r<'VOIVC!I around Hernurn•s succet1sful lncoqwtutmn of a s<1und that is a,; mut·h a pa• t of Now a,; hop wa~ of Tht."fl. "LiKhl

My Fire." "I Say A Little Prayer" .lnd "\ofacArthur Park " are th~ " Northwest Pa,sage ·• and "Apple Honey" counterparts m his present re­pertoire

It is Sunday afternoon, his day off . Woody Herman ~nd his Charlotte 1,;lt ~wappmg music and family talk in the living room of their home In

BY LEONARD FEATHER ~~n:~~•ttowi;,~:~\!c~~~c t~he:i ~~~e~r~!~io:~-1

:rnJ's~u;~ for HeTd" LP, written tor him

they wrote sounded too much albums on Cadet. includmg the bnyom"·,'n"a,H,oonl~o;h:obna~d~A::x~

the Hollywood hills, the old

~h~RhW'oody 8~~~hl. i~

0 ~h~ early autumn of 1946, 111st be• fore their tenth weddin~ anniversary

"I've given a lot or thought," he says, "!O ~he prob l!'m of communicating with young audiences Cu rrent songs obviously are the direct

hke a satirical put-down. · A I 50

.~1f ~~~tr~~~d just the right it~rbe l~~~·er~;

0::~

0:.ilh~~t

GROUND " So next I went to an ar•

ranger who was m the rock bag. He wrote well, b~t couldn't hnd th e true, big sound of our band.

" Finally I got together with Richard Evans in Chicago. He has a jazz background he

common meeting grou_nd. Our · h f a name first Cadet LP is ge~tlng m1;>re ;~~ge~e~t~~ 11 ,; a;~s~ hi~ bands

~~~~n in t~~~r/nrfo~"~e ~ea~= rei~it• ~::;~;rs months n~w hooklngs set in the Fillmores, Herman h:is had an ag.gress_1ve East and West, plus 15 coi:i· new manrtger, :i mus1c1an h_im-certs with Dionne Warwick m self. who understands Just th

~. iii~- older crowd digs it what this band is about. Wh ile tNJ. Caese r'!. Palace in Vegas problems ar~ being 11;-one~ out, w.is a ball. We're booked back bookings are swarming m .

Clargsalis presents

Getting to grips with. the facts

MAX JOiis

JETHRO TULL

AND TEN

YEARS AFTER

IN CONCERT

with their friends

(-

,~ r )

CLOUDS

Tuesday, 6th May, MANCHESTER, Free Trade Hall at 7 .30 p.m. Tuesday, 13th May, PORTSMOUTH, Gul1clhall 81 7

.30 p.111•

Thursday, 8th May, LONDON, Royal Albert Hall at 7 .30 p.m. Wednesday, 14th May, NEWCASTU, City Ital II 7.30 p.111•

Friday, 9th May, BRISTOL, Colston Hall at 7.30 p.m. Thursday, 15th Mayf BIRMINGIIQt Jownflalat1.30ft The artistes will be introduced to the audiences by PQE PIU

.. :,. .. t". ~ .. "'· .'

You may well be one of the two winners of the 'Fly to Las Vegas' competition organised. by Atlantic/Atco. Right now your record store has 30 brand new Atlantic/Atco albums (A;etha Franklin, Otis Redding, Wilson Pickett, to drop but a few names). In each is an entry form. It's easy.

Place your passport picture here

Two winners will fly by first­class Japan Airlines to New York and San Francisco, then to Las Vegas. There you will stay at the most exclusive hotel and see all of the best in world entertainment on the famous strip. After Las Vegas you will be flown to New York and be the guests of Atlantic/Atco at

their recording studios, and fly home breathless. 20 runners-up will receive 5 Atlantic/Atco albums of their choice.

-·0 ATLANTIC ~

Have you got your passport picture ready r You may win!

P.1k1 l •- MF LOOY MAKER, April HI, 1969

'This whole thing has

given me a completely life. It's new outlook on

made me appreciate so many small things'

k r o f hil records with YOU ARE a young ma e have the girls scream­the sort of good looks ~h~t office. Then the world, ing all the way to the ~ our face. quite literally, explodes h in ~ht n the bandage~ co!"e

You must wonder w h et e r , . , monslrr A d1sturb1ng 8 · b k off, you will look like Fran;aet"s:a.•:ir: Ryan has_ just gone

-_'_'_' r_• _"_1 •-•-•- •_c __ i "_L_on_d_o_n_w_i_th_h_i,_m_o_t_he_,_• n_d_b_,o,:_t_h_e_, _P_:•..:" .. I ... _:·_:·_• .. t,_h::• .. b::•:.:."::d::•:g•::•:....m::•::d,:•_;,i:_t '"lo::o:.:,k:__w_;,o_rs_:•_• _ _::•::;xp:::•.:.d.::•.:."ce:,:__-_•_nd_ 0_n_e_ t

1 throu,1th when h 1s f ac~ and

ht han d were severe!} ~

1!med whe n a publicity

stunt wen t w ron~ m Ger• manv over Easte r.

Ht- s eemed rem.irkabl)' cheerful ahout it a ll when I

cf.n~: /ii s h::ec:,t b~~e aJ;~~;d 11 had all been terriry1ng

.. You ca n 't ima):.me what It was like," he sa id ·· When some th ing likt· th at hap~ns things race through you r mind tha~ }OJ ca n't descrihe 11 was ahwlu te horror"

''',

.',,•••'/ pe~;'~ ~~y '~:d •~~1i~e~Je~a~f

a s tun t under the title of · Barry Ryen On The Ho t

~~.,,_.,.,,.,,,,.,.,.,,,,,,,,.,=0/-,,:~~ ,P'_:~::'""'"°""°"=~=, Line•" expl11l ned Barry. " I w~nl !o the ofhce of the Ger• man magaz.me, Bravo, and peoplt- wl!:re 10 phone me from all over Germany They were filming it fnr German TV They wan ted thl" phont! tn smoulder and then In burn Some 1d101 started pouring petrol on it and 11 burl'l mto !lames, spraying me "

Barry arrived at lnndnn Airport swat hed 1n ~o many bandages ne looked llk t> the In vis ibl e Man

"That made it loo k worse," he lau1,:he.1 "The bandages were ma mly a protection against in rec lfnn

"l"m much heller now thi,u,ch my fare is lookin ~ a hit scahby. My w ric;t is s till a hr t of a mess The hand isn't heahn1,: as 1t was hoped

"In fart my hand, "l! rs and neck are a hn o r a mess But the mam thin~ is that then• will nol he any plastic surgery needed ~xcept pos, ihly on the h and, and I'm ass ured my face

w~~~e~':& pe;m:;i~ntte~~•r;~:t means a Int to me. I wouldn ' t do too Y.ell without a fare in the pop husmel>s.

"You can imagine the s hoc k It all Jtave lo my mutht•r and Paul Thry were in England when it happened and new ~~!1:~.t to Munich to hnnJt m1•

I wondered ir th ere WO.!> an\· ~ei~~en~ction followin~ the

"The German ntwspaper sy ndica te htive agreed 10 pav

~a~;~v1,!~;g!t'~um uf m1,ncy ,;,

BARRY RYAN talks about how his recent accident has changed him

The acc.ide.nt couldn't ho happe ned at I worst um, I Barry w1th his ne.w album 1u t released and rt'c0rd1nic w, SIOns se.t for ~ IS ntll:I '111\i,:l,

'' Unfortunate!}. ,0•1 r1n·1 pl::in an oc-c1dent... .1gr,.,d Barry _ "I WIS )u.!>l 1'11Hllnt an ~xte nsive tour , f Furupr because • Elo1'lt' • had hPCn such a h1A hit evtr}"Y.l'i r" I was goini lo dn a wh.,le. 11 1k of 1V show, and , unrt"rts lnstmg two month~

" Still, 11 se.cmt I !h:m t k o ff ro r as long as they ,11 hr 1 thought I shall M 11ut , I hrtf' in five or six day, .111d "",11 then rest at home for I coup! of weeks Then, I think I might go for a cru1~ f r • co uple ol wct>ks and f1•rw-t a I about 1t I hope to le bid­at work in about ei&hl " k,

.. Inciden tal ly, I'd Ilk~ t thank evcrybod)' !(,r •tfld111 • me so man, greJ t ielll'r'I

" It's s iran,te., but th1 whole th in$! has J l\<'"n mr , complete ly new ou tl 11olr. life. I see thin~~ I d1dn'l st befo re I rea li 'II!' I 11 k • '. t for g ranted

" I now rl!'a l1se h<,..., 1~, 11.) I am-and !hat I cnu ld d\ll) hav1;: been kilk cl It make ll aprrecialt- sn nian} •" ;ii t h in~i.. "- BOH DAWM,R~

HOW DEAN'S TOP FAN HELPED

It's all hapP.ening­denson style.

h v1, <lf' lf"JI/ '/ new onPs from Denson A ll set to take a foo thold lhis season 1 Featherweight Suede Zip boot. Desrgned to be light and comfort

dl:JI, A cool, s1n-iplc style ~•.rth thP- longl1fc sole In Olive and Sand suede Style ~33

7 A bold casual 1n the vP.ry latest chunky s t y le Antique brown 0Jdd the f,nat touch Style 816

3 These Oxfords really are the latest. In new. beautifully soft Glace K1rJ L19htwP.1qht, comfortable daaltrs 1n a unique Loam colour, also tn softr.-e black and brown Style 804

~ Suede Chukka boot for -.un chasing or dolly chasing or Just plain la,v day, A very comfortable, styl,sh loafer ,n Olive suede Style 820

5 A nother bold casual 1n antique brown This one with a discreet ~,n1n11? ,rn.!dall1on dP.corat,on Style 819

r--------For the name and address of your nearest Denson

f Stockist JUSt write to Denson Footwear.42-44 Kingsland Road,Lonc•on E2.

I Name

Address

Th., D~m,.on ranqr of fashion shoP.s 1s tn town now A gre:i t range of I f,1t tJlc•·J', 'tyl1~ at prtc.t•') from as l1t1le a~ 49/11 10 79/11 MMI

denson FASHION SHOES FOR MEN

~ CHART COMEBACK

I I

lij'~.

', . ~ ~. ·,

t -~ -~ .~.-.. . . . !

. · .. ~ ..... : ., . . ...... .. . ' . . . . ·.

~ULU DECIDES TO TAKE THINGS A LITTLE EASIER AS MRS. GIBB L UL~;; :.~t;l~P":s w~s!i": ;::1nedua.:'~'-, Just before leavln,1 for her delayed honeymoon with Bee Gee husband Maurice Gibb in Mexico.

"I've been looking rorw• .rd so much to this holiday," she bubbled. "'l can•t believe It's happening. We're stoppi.: off ill New York before we &et to Acapulco. Barry is com1n& alona too. The boys have some buslnrss k> do ln New Yoric:.

.. I've ne, r been to Acapulco before." added Lulu. Reminded that Ekis Presley had made a film the.~ she said: "Yes. I know. But l"ve Sttn only about two of bis films. And they we-re early ones. ..

Lulu"s interest in Aa.puloo stemmed solely from the fact that she had made a 1V commercial about a year a,eo - and the location had been Acapulco. But she hadn't needed to ao there, havine. sune. behind the film or the picturesque scenery.

Certainly It ls a refreshin& change from Lulu's last trip abroad - to Madrid for the Eurovlsion Song Contest.

For she frankly admits she found the atmosphere there a bit " draggy.•

"SWl, U '4'115 all vtty exCltinc. I must confess I was ncn·ous befott J went on. But that soon went as e-verybody became involved fn the event."

Apart from this minor criticism - understandable from a 20-year--old with enough zing lo drive the QE2 across the Atlantic - Lulu has no complaints.

For, \\.iuil~ver has been said about the Eurovi.sion event. Oler-e's aru.otutely no doubt th.at a win such as Lulu's carries tremendous prestige and monetary

~~ only to look at the placing or her winning song "Boom Ban& A Ban& " In the chart. " It can onJy • do he.r a power of aood." says ma.nae er Marian Masse-y ... It's given a tremendous boost to record sa.Jes on the continent. She is also in tremendous demand there. And, of course, she can command a lot more money. Don't fora-et. 250 mlllion saw her on TV.

" When she returns from her honeymoon at ~e end of April, she'll be makin& a quick tnp for TY 1n America, thrn she's goin1 lo Sweden. That w1U

robably be followed by a European t~1.u. • p But ow that Lu.tu Is married, she "111 definitely cut do;n on her brmthtakin1: Itinerary. I r Um .. Understandably, she wants ~? spend a ot O v e with Maurice," says Marian. •• So we shall be ff')'

~~~e~a:'n:1cf!~~~~: The bubbly Lulu will be boom-ban&~-banging on the vocal scene for a long

while to come. b ted a career that That Eurovlsion win has . furtherh oos h-.t into the

I lned impetus smce s e sntas C'-1 ;::t P~s;.:d:~Yith ~•Shout , • .lt the tender aae or 15.

!A gentle dig at the record producers TALK to a Jamaican about " Blue Beat "

and he'll look at you as though you're

cr~J. ~:nBritain, "Blue Beat" is the generic (dr'm :for the type of records that ,have made Kingston-born Desmond Dekker a top-seller m his own country. There, he's had 40 No I hits on the trot and has not been out of the Top Ten for

o~eoi.ab~~~innl i!hr~p~it three years. mg that success in Britain, where " Israelites " has smashed its way into No. 2 in the chart and already sold over 110,000 copies.

Copies "We can't get copies

~r:e~ ~!;.J1°':,f \~,!i~~~ Records, who has already produced Desmond's follow­up hit. ·• We never antici­pated such a tremendous demand. As a small inde­pendent, we have problems like the printing of labels, too. We can't order three million, like the Beatles did for Mary Hopkin. We have to think in terms of tens or thousands."

BY LAURIE HENSHAW

reticent about himself he makes the average pop star sound hke Doctor Goebbels on the rampage.

But slowly the facts emerged that he has two sisters and one brother. He first sang in church choirs, but his work consisted of engineering and, for a time, pie-mal(ing.

Desmond is no stranger to the British chart At the end or 1967. he had a hit with " 007 " - and made a brief visit to promote it. Now he's here again, and will be playing ballrooms and clubs until July .

Started DESMOND DEKKER: forty No. 1 hin in Jamaica

Choice His itiner-ary will pro­

bably be tougher here than at home, for there Desmond - of choice - works only three days a week. At

'weekends. "Most or the time J spend writing," he says with disarming sim­plicity.

Desmond, in fact, is so

"Then my friends thought J could make good as a singer," says Desmond. " So I recorded a song cal led 'Honour Your Mother And Father.' It was my first record and it became a big hit for me."

The records Desmond now started to tum out in growing quantities were known RS Ska. Then Rock Steady and Reggae. Each type of music was a little

more sophisticated than its predecessor.

Desmond's latest disc -made in Britain a couple of weeks ago - wiJI not be issued until " Israelites " has had its full successful run.

Driving But the disc in the can

takes the music a step further. A driving brass section has been added, and

Foundations go back to the people, and prove their point

Desmond's voice has been double-tracked. " It all gives the record more body," explains Grafflle Goodall

But meanwhile, " Israel• ites " continues to climb. And how did th.is Ja1N11ica• recorded song get its odd title? There's a religious sect out there ca.tied the Rastararians. And their term for a persecuted person is "an Israelite."

Cracks Graeme Goodall: "Galling the record • The

Israelites· wu a sort of run thi.ng dreamed up on the spot. It v.-as just a gmtle­dig at th05C' record pro­ducers and agents who ' persecute • recording artists."

Smile At that, the .. per-

secuted " Desmond. gave the happy smile of a man "'ho can afford to laugh

TII ISTI ---------------------71 f'IV\ecor~':hlfn J!::"mt!':!~!

monlhs h•'t't Ht•blld1td _ the Foundations as International st.a.rs - but commercial succus has brought problems •• well illS fam• Co U,e mulli -n1dal band

more," said Tim. "Therit arit so many 1een1ts over I.her• - the Mnde,..rownd Is very big there allho11gh we'r• really In lhit pop scene - bwt I.hit best thl119 abo11t the St.ates 11 that the peoplit com• alon1 to '" what else )'1)11 can do besldH nur records. Wit'II Pntbably un som• numbers from th1 alb-um and some freak:,-type numbers which •• towld11'l really play In En9land

ELECTRONIC ORGAN for YOU at less than £100

drummersl Great news I here's the best catalogue you've ever seen about the best equipment you'll ever play 8.ggei- thlln eve.- before full colour too Packed full of n outf11s 1he supe,b ,2000 r,1nge, new Lokfast torra-1om holders snare drum s1ands. etc. e1c A 1 rnus1 f~ everv drurnmef Send fo, .:=~!!.-----:, r,--------.,-._ It, - Wll .... , 1• _._ - c. ,.._ end I

I PINN rush me the grN1 new Prem .. , catalogue 1 081 I I 2 / ,n stamps fa<~ • nd padung

IN-I A.,r•u

I ,...,. I t.!'.!.::-.:~..:·--~-------· ·-..J

• l111est problem ror the tNup 1s the npuu,lJon Oley 9alntd when they wer• an unpolished supptJrl band suddenly expecltd

~•,..:~.::r:it~•k: :~!~~, 50tui10~ a, drMmmer Tim Harris inr­plaln•d :

• We could It••• m•de lltn:e '""•s a1, much doln9 011e--nl9ht stands than by do1n1 Ula Stevie Wonder loMr bill we had lo_ 1et ou~lves ste.n by a much wider aMdltllCt than )'OU •• , Ill tl'le ballroom1, "fort we leave for \ho SU.let.

• It waJ. ill chanc1 to be! setn

~~e'~:;•.:d:o:',1:-:r~~.-~I~:~ • Nd ··••h' we llad lert H's t.11ko11 a font t1ma b11t tho •-cker'I hawe had •• uop -• - wa pt h'9UIStlC r1tcepU011s at all th• concerts

•· wo may have lest f;11anc1al­ly bMt we·•• 1•ln1td a kit u far ... tt,o public k COIICltfllitd . II ............ , .,. •••• ,. -t esoc11, • ••I ,,. .. P ,.., •• .. t o IAOl ~UOII Whid1 PAVU ••olltl"• ..

T.,_ a•tl U.o Alt M Iii• F~OUMI• wfft renonh ... Ma ,er .. 1 ,... IIN1r ,.... alltw"' .. ....... Tito F•1111tleU.111.'" KtlHttlNI r.r Na1 "'-... ................ _

...... T• cttedrN an or-

~ -- -----... ~ .......... .....,.. .... ...... Nd.------••·T-,­.._...., ... _...... ..... e

FOUNDATIONS lost f,uncially

mal•rMII for l.h• alb1,1,.., prafHd the lf'Olfp

"Thne fellas have C.nte • P VUJ ••II ,...., fnl ,.,. their fflUIIC a .. l WIO,O Iha• "'aftJ ,,...,. •• • lffl •&rlllts " • ·•• Old DaJI ' lo "'all.a It a :· :!·•~.:..::-•~-==llr.: Tllo Feuadat•11s ,-an, ,.._ ..-tiat u.., ..,.. ........... .. ··~""' ............ ...... ... ., .... U.."

-:-..!:7~.\..-= ;.:~:-- .... .... .... " ........... ...

" •••r• In Ut• studios u111II Wit .. , te tho Stal•s a1 w• hav• to ftnilh the album. •• litl morit ti'"• to ••pitrl,nant -. but thue's; lols; of u,11111 wo'd II•• lo try.

I'd Ith ti! ... a11 O"IWINled concert at lhit AIHrt Hall usl111 a band It's Hmethllll ••'-v• always thou1ht of dolftl - not lo 1•t • recordl1119 Hu11d as we ge.t that Oft 1ta1• ... ,.., - bul SO Uta\ wo can ..... ••r lr• o mu11cal abillly HPKlally Pat a"d arlc Who COfl N .... si,eb

"CMn,le,111.1111 It's•• .. ,.. .... ffllCal pnt,ot;IUH .. use •• always IMst wo•d h•e la • k SOlhalw•~-,..." NPhhtketatl stutl' - • ,ort ., Fou11tlatktftt, In C...Cert ,~ .... U.lrr1

•• All~ I It ... C.11• -.W I._ .. ..._ • ._nu • .., ... .._..,. ........... ..,.. ......... " n ... Y9..,..IIIIMI .... .. ... , ..... ., ....... --

~-=.!':'a::-..:-,: -··-­........ , ...... -~-::~~ ;.: 'Mt. "t ":Iii

[

mUSlt Pijwtr OUtp\11 tnc,ugh I• tht: YOlum• UIMert Sltlighl

1)(1'18011 !tlul fur tbt Ult ct!Mtn pwty

"" '"'"'' " ... --

__ ,.,_ --.... ._..,_,....,., ._. ___ __ .... ........... ,.,. __ ,.. __ .. ___ _ -·-----... ,.._

"WHEN the Revolution w l!;lad 1ha1 in tht end 11 really com~s m England, the first h th w h depend, on the record .

would be M,ck Ja,se,, the ~~~/~n •~~,,.~;"'~~:;., •~; l<1 ~et his head cut off y e O "We did ' Doks , a

nd

seconc.J woulc.J bl! John Len• to releau a certain number non anti the th1rll would be or records. We just had to Yoko Ono. Tom Jones have some records out for con-wouhJ he made Prime · tractual reuons

M•~:P;l:~my pruphen of a aren't 'pop' W;~!rd1ld:~ul~ln~ 'tnij~; reau,onar\ revolulion . as op- especially as_ il'5 an up· pO'led !O thl· usual dreum of tempo 1winj!:1n1?, rockaboo)?le m~u nt o;ociahsm. comes from about ·a deaf, dumb and blind Pele Town!l hend, a pop star person ."

And sa\_S Pete· " In lwu Although some deejays have ' "itr ~• timf' the police m Ent• called the hit "sick." it is, land will be armed... anymore in fact, a se rious sonJt from This ma.,. a ll <;ound hke un· the Who's next album and, nert'ssa ry oe.ss1m1sm After say11 Pele "We have ~'?ne all . 1 no t F..n l?, h 'ih order, free- everythmR to stop 21vm2 dom and to le rance a byword offence or causing trouble ~~; ~)id~hou1 th ,e uncivilised It's not sick"

But 1t must ht- rememhered other democracy freaks would ing the show with a certain The Who have been workinJt Why have the Who decided - Pete Townsht:nd is a pop be the first to go. amount of leaplnJt and holh!r• e)(tremely hard in recent on a double a lbum? Doesn't 'iU r. the lmo, eS I caste or The Who, highly pleased ing, one or two lon2 faces week,, completing their new this generally mean padding ~oc 1f' 1, He could be refu n d with the success or "Pinball were noted among the Men double album, and are now and poor produclion? :.1~rv1le 1n a 1-1ub refused a Wiuird" after a couple of At The Top, takin2 a well-earned holiday . "We hate double albums hotl'l room, barred from a ra,1ures with songs like "Fun-that's what it's all Bui before they fled from arter so many hair-hearted tnuntry hound ed by police ·· Maitic Bus" were exercls• about. fun," complained Keith Top Of The Pops, Pete ones havf' been released. You nr nt w.,, pd P(' rme11 • inJ: their individuality at BBC to me later in the bar. chatted about Pinball Wizard usually get two or three Jl!nod

Or. a-. in Pet e Townshend's TV's Top Or The Pops studio .. Everybody thinks J'm laugh. and other presslnR topics. tracks and the resl are , ai.e. he could hi1\'f' a bull et tut week with a merry after- ing at them, but I want them " It's sold much more than terrible. But we had a lot of hr•·d a t h" he:.d hv a po lice· noon and evenmg of japini; to laugh with me." 'Magic Bus' already," he re- 200d stuff rhat needed expand-ma n a t Point blank ra nJ.! E.' and hrgh Jinks. Whereupon he hroke into veals. "I knew that would be IOJI!

Thu ,; he :-t.>~i tht- worldwide Not all Top Of The Poppers hearty laughter and flicked a bomber, despite all the pro- .. I reel anli-pop now I ,;;w lnl' to vio len ce. into lerance, were willin~ to join in with drink in the direction of Ian motion we did with the bus don't call our mmiic •pop• ·IL. m uncomrnnahle prox1- the s piril of the occasion. McLat::an, or the Small Faces, tourinK Fleet Street. anymore. ll would he nice to

mH ~- He 1-c. fairl\ Clinvinced however, and when Keith who had dropped in to see .. This hat bel!n a hit with- be in a pop industry where ,_,._• _d•-'"-' ,_,.,_,_" _· _'"_d,_,._• _• •-••- •-• -d _ M_oo_n _c_••-••- d_ •_ ••_,._,_.,_on- du_, ___ h_;,_o_ld_m_"_"_;"_'_'_tio_n ___ "_"_' _•_•_v -•-"'_m_o_u_o"-•-•-•-•_1_·m_, ~~~ic h;~~~n;e~~ infa,Sej~~• ~h!

DEDICATED BLUES cANCIER MIKE RAVEN HAS LOVINGLY

ASSEMBLED AN ESSENTIAL SAMPLER OF UNUSUAL

TRACKS BY THE LIKES OF LEADBaL Y. DR ROSS, GARY

DAVIS, MEMPHIS SLIM, LIGHTNIN' HOPKINS. BLIND

W ILLIE McTELL AND MANY MORE. IT'S ALL ON TRA SAMS AT A CHEERFUL ISs. Sd.

Transatlantic \4/-IE Rf rRf NJ. fl 'N

best scene in .England are the colteKel, where 1hey listen to music."

The Who are R0inA lO America soon for another tour and the conversation fell to comparin~ EnJi,land and America, vmlencf' and pacifism

" En2land is on the down ­ward pa1h and will be like America soon," Pete main­tained "Still, it should help the music. There's nothin~ like a Rood depres:,;ion to make the J327. swing.

"The. mods are coming back to Britain. To think I was like that once. The only reason they wear short hair is be­cause you Rel kicked ou1 of thl" puhs quicker U you've J::Ol long hair !l's rriJthtenin~ . :· }he good th1n1: ahoui Jom1n~ armies is the thinx about _discipline . Everybody needs d1sc1phne - this ,troup couldn't work without it

"That's the only good thing

~~~t. l~hesu~::y·a1ri~~'br!'~~

:Z~!h;"is th

:~e g°;t~ai~~~ i~~~ ~!d A:;/ drop•out and join

"We've never had much trouble~ ith _police. but I think the ~hce m Germany and A.menca must he the most :~o~~n~.e~~ev

0;11 want lo cut

w~~!hert~eis ~:~! a b:e:o~~ ~iolent, in America or Jreland

-~~ ~~=Pi~I~~~ ~Pl;indlts~

( "The Enl(lish polict< are dif-

1;!;~f~:f %u:;1i hhi~:ey are like the re1,t in a cou l,:uns

~~:~!e ~:~c :i~~:e ROl ~ ~u~~ te~~le~t N~7 ~ri~e 8

s:~rm ~ash. my gu itar on _sta,u: ~! to:.i,e ~~~o aour dres~m2 room, my head Rr~~n. ••med 1t at

~! sk~II 'a nd sa,:~r i,n~~~~e~ h~ .. ,!~~t1~r b~1;hem;ech:_~ ~Jf b He C0\lld have kliled .

lout h~: ~,~:•h!~ wenl ~;

thou«ht nothtn• :bo!~•kl ~nd

CHRIS WElCII

PART TWO

IN AUGUST 1966 the Beatles played

f v~st audience of forgottt:n

be ore a . I • d ·

11 San Francisco. t w3s the thousan s • . .

final gig of 3 gruelling American tour,

h f . al gig of a tour that had be­and t e in un many years przviousl,y, a tour th~t

td embr~ced H.imburg s Star Club, . I' Cavern and onwards. Liverpoo s

ENVIRONMENT

Since then, no Jive Beatie~. Th~ quanet • for so long appeared as a backm_g group

who •c screamers continue their mus1-to orgas;.~·on but now via the more con• cal _expe ~/ro~ment of the recording studio. duc1ve en hve show" was the messagt that

"Beatles to dhristmas Plans were triumphantly, appeared

11a st ;nounced venues were suggtsted,

if vague Y, a toed more plans were revealed veTh:~. ~r~~,;~ sadiy, disintegration set in and the

whi1!: i8::tl~~u~lrr~e. Will they? Won't they'

:: No," .. said t~~t~ s~:~~on. ,. res, sa:f:g we probably will do a l_1ve show, ?r . h 50 I'll have to work on Ringo or he II

llv~ks ~~w~e and may the best m~n win . w~. 1 n't be anything fantast1cally different -· 'II ~e jist shows. We'll probably take a few tapes ~r electronic things with us, or maybe a few ext ra horns, depen~ing o~ wh~! we wanted. But all 1 need is me guitar. y know

STILL ROCK

B.P.: "It won't be a sort of · Twist 'n' Shout'

thi;:h::

11 .. ~r;;,i~i~in;t:~• J'm still twistin' 'n' shoutm',

only now we call it something else It's still rock 'n'

ro)! ·who have I seen live recently? I haven't seen anybody for about a year or so . The las~ persoi:-i f saw was Jimi Hendrix when he was still playin(Z. the clubs and I watched him make !ove to his amplifier and his guitar and I thought 1t was very effective.

" Oh, and Dylan, last time he was in Britain. I haven't seen anybody since then, I don't think."

B.P.! "What about your songwritmg with Paul? Now even more so, you can usually distinguish who wrotP the numbers, hut I wouldn't have sussed that you wrote ' GoodnighL - "

John: " Wh en I wrute 1t, it was just :1kc a child's lullaby . I just picked it on guitar, though 1t doesn't sound any • thmg hke that now.

"If I'd recorded it I would have_ done ll straight, With JUSI picking anrt smging and noth · in11; else. But !hen I 1hought it'd be good ror Ringo . Ringu sings in that style when he sings a ballad and hadn't re­curdet1 a ballad before, S<i I Just said to Georjle Mortm ' Arrange 1t Just like Holly wood.' Yeah, corny

"I jus t told him about two things to do in it . And George

Martin's J!:real at that - Just · whcosh · and !hat waa 11"

Even 1r number!. ar,e ~noed mdividu.1lly by Jnhn M Paul, the roy3lllc!> frnm all offlc1-­ally-11t led Lennon-Mc{.'an.ntv < omposit1ons :ire 11111 split l'4ually.

" I cop~d mont', for fam,h· W&)', the film music thal Paul wrulc while I was out ,,r tht c1,untry m:1k1ng • How I w,,n The War."" Lennon remem• hers. lau,i:hmg

EARLY

" I said tci Paul 'you'd better ke~p tha1 · anti he soi · don't he soft' It"' 1ht cun cept - we in:,pired uch ofh.-r so much 1n the e;uly d&)'• We writp how we wrllt' r,ow Pt­l&U'le or f'8C'h nthN

BLIND DATE

P; ,. ' ... , WttPn -·· Ir we,

l1gl a llap -hlru•t· It the a feJ· pinna< •a, I!

I ....-yt

-"' IMf l,r Bn'

I , Viol' ... " nae.I~ • t,

p11nac

JOHN PEI

od u l ,

I n 1 ..

Iv ul

h•

"P1ul W,h thf' r l fo r fivr o r ttn }'Hrs and I wnu ld n 't .... r ( hkr I Wtll<" n('IW if it Wf'rfn' t for Pau l, Rn d hr wn ldn't I.HJte hkr he don 1f 11 • -e~n·t fo r me"

R111\1 now, John l t"nnnn 1s • h;,ppY man A Vf' r '< happy ma H t U)"I he"s n!vcr t-ttn ho ,

Bui isn't thl"re, even ,r nnh Ill the \'fry back ur h ,s mind I f · 1h11 th1 .. mirht hf: t hP" pin dt'1 Thal nov. th~ on!.) WI II dl'lv.n'>

• 1 thought that , • .,,ut "" ylhm: l1kf', a •1umhe r ,,n 11r1 1 pmnad, 1w11 num­t> r rin,·1 ,.., • 01nn•cl~, 1np or llritam v.a, a p1nn;aclr, w p

f Am1m,.a JI', mf1n lte, \i'kr w I brl .. ve 1n 1nfinll} and tternal wh,ttvt'r Thr p in ­nae r i, GnJ, nr whut1. t• r )"flU hll t 1 tall Him rhere·, th pil"IJIICll' ;ind 1h11', I lnni WI)

Off" yt" I " Surt:, I be ltrve 1mpl1citly

in God , b u t my ""rsion of Go d migh tn't he the same as yours I think of God as • po wrr . lik t: electric ity, thal 's ne ither 11tood no r bad , y 'know H !' JlUl 1S

.. And 'A-hal use we ma kp of 1h is e lectndty or nuclear powe r 1s up 10 us . Thal's what the) me-an when tht'y say ' God ,s within yo u, tht' king­do m ot Heaven is within you , t' lCt' tera, elceltra '

BLAME

.. I lhink God IS People bbm~ Gori ror starv .. t1 .)n and wa r, but they've no right tn blamf' God God is . Ht's ne ither o n<! thin,: nor thf' r> lhrr He rs f'very thin11:, so

B EATLES: (App le).

••Gel Back"

Alwa ys the same reaction to a new Beatles record. When 1t r 11mes out you are a. btt d11-11ppo1nted, then after five _ play s you realise how ,1t()(KI 1t is

I never reall:,, Hked " Lady M.id,•nna." but that wa1 tht­only nne When I hrs! ht"ard

WaJru, " I played n for a wt"ek without stopp1n,1t

Thi~ 1s very simple with • (. hu<"k Berrv ,11:tHtar riff 1tmnt chk. thk, chk Try and WrttC lh•t down'

I w11,h l knew wha1 rhe Btallt!1 wt-re thinkln,e John L nnon 11 probably thP r,,t'r.'lnn I'd most hkl!' l'l knnw In thP last ',ellr acC"ordrnir to Lhr ar1,<.:1 .. in thf' MM, he:';, reallv l<•l down to hUlC' think1n,: It appun1 1Jlo,:1cal fur ht" and Y•lku to uay 1n Wd for peace 11 1•,u·nt~ pound, a dav, hul on thl!' (•lhf'r hand 11 his m•dt' mnrl' ~,pit" think of pea..:e than a bunlh pf war criminals d1,. cuuin11: the ahape of • tahle

J hul)(' that after lhe Vietnam wu thf'te: will bt- a NurcmN'r,t u1al ~.-vcral month, w rt! spent drwua .. ,n~ the shaPf' of a flt'.l(t:

,ufrrrnc-r 1ahle al Pans h'w' tht J»'"lfll who ontNI our dl"'III I ru.- I lJ ,C:,oOf'f ~ dltC'Ctt'd h'I' J >hn I ("nn •11

A Li~,~~~ ;:;u F~:;~ A re" (CB",)

1 tha\ n tntry f r n xt ., r r1,. ,,.. 11 n ( n111t ,.,

WILL THE REAL JOHN LENNON PLEASE STAND UP ? t,," 1..•n lht, t}I.Jn, 1'1m· II i,

p1.·1111lt_-"' ,.-11th fqr 'A-hat ha1•JWn "

8 P.- • \\-uuld \l•u ,,•nd 111•ur 1 hrldr n t, , • •lh(>O I a '(h1 w•I :,, 'A-1· kn<,w 1r' y,;h II 11houl Julrar," ·

J ohn : ·· I wa, 1 rv 1nJ: not tn. h111 no"' ht'-~ ,~ , m m, rnn trnl I durt'I 1ru-.i ;iny Ot lht" uhofJI~ I wou ldn'1 ~rt vent him lt'arnin11 th .. lhref" R's. 'rns ht• 0

1 Rflin1• tn nt,;>d 1t any­way brfor1· thf" Wh<•lt." !'!)''l"tern's rhan,tPd

" I h•d hnpt"s of 5lartin,: ur a ~ch1,nl - I m1i:h1 sl111 do It , 1f I can ~f'l the hre•d together •· (John parOO,i:s thf' voice of sumt- h1,.:h-hww fin•n­uer) " · A :.chonl 1~ not -=:c,,m,micalh v iahle.' That's w ha t the) ken• !t-llrn,: me, •w 11 JU,l mean i:ivmg II away

" Ther e mur-1 ht' -.ome wa)' ol havmi a ,choo l t ha t you lln affo rd to run , li ke wherf' pefl ple who u n 11 /furd to pa) P•). a nd tht' o nes who can ·1 ntt o rd 1t . do n' t

CHANGE

" I Just don ' t tru st 'em 1 mu n, they Ju,t fill th"'ir minds full of crop s ince th-ey' re horn Yeah , bramwoshin~

" I c11n't do it for Julian bul mavbe if Yo ko and I have one, by thl' lime that comes , maybf' we might be •hie to gel ~ meth1ng togeth er But it's a hard scene trym,: to c-hange­tht' educational sv,t t-m Yo u can' t do it o n your v~n I even thought when th ey came homii I'd tell 'em • Forget 1t · That 's the bes t I could do.

" Rubbish, they teach 'em, al>0ut NaPoleon and Welhng­ton , 11 nd nnthin ,i: about what's going o n now ··

Lenno n make\ .i n t·xplora­to ry pok.,. al tl'i l' bro wn rice ~~at ha s Jus t hf'en brought

" No, I'm :'IOI complr:tely mac rob iot ic. I eat a lol of rubb1Sh , then I s tart ,,ff again You should tr )' ea tini just brown rice for ten days It de.us yo ur system , cleans your mrnd

VIOLENT

" Yeah, yo u do J!i:e:t kinda stoned well not stoned, but hkf" 11fter you've taken a cid, y'know? " Thal'!> why the Viet Con& are winn1n,: -t he Americans flll themselves up with ice:<rHms and cake, and crap"

Pohlic.'I continue, with or witho ut • capital ' P.' Lenno n is • poten t ca talyst m the breakin~ down of E,.ubhsh• mt:nt no n -th1nkin &, and his views are forceful ,-ven if sometimes s u,tared hy 1;.eneral­isat1ons and attractive. pos­sibly deliberate pubhc naive ty

" The world 11 tn a JanJ!i:er­OU'I state becausf' it's swmg­inJ to th t: Right. That's d•ngMOUS It's getting lOO violent , too mtellectual, too

I do n't like 11 all that much I'm th1nkin51 or writin,: a soni

for next year'• conies! I HOR the fir,t two lin e~ o n NiJ!.ht Ride . The th1n11, ' , •ot to have a " Borim Ban~ A Ban,t " touch SCI I thouRhl of " Wilh A Ding And A Doni And A Billy BonR -1 hat's How My Babv Says Shi!' Lovet Me•· A -.iron~ chal ­le:nier. don't you think?

Wh1r was tha1? Al Kooper seems to be enormously over­rated and he over-rates himself Judiin1t hy the hnd conversa ­tion I had with him I listened to his " I Stand Alon~ " and wasn't 1mpre,•ed That's very hod

L'v~:O~~ ~-c~~~~ "J,~~ tor).

Oh-Liverpool Scene, I rl!'CO.lt· n11e- the s creams This ha, a lovr-ly rock and roll style by Andv Rohf'rll

They are rccord1nx another LP at lht moment, which J am :1uppo1ed to ~ producinA, but thev have omitted 10 tell me whrrp thty are

I like lhe1r enthusia,m and the way 1hev show t'nJoyment to audltn<"tl So ma.,y a,roups stand there bored and fed up I 1Jltn - M1kr f.yan aound1n,1t /Ike Rud, Pump1ll1

If Chere IS anv Ju~t1ce thl'I v. 111 bt- numher Ont', hut nf ,,1ur thf'rf' 1,n·t any Justice.

0•1~:Rt~;~;, ~7,~ ~Ii:. Inc Jn Sh1me:" (TamJ1 Motown )

I hi~ 1'1 th Supr.:m..., It·• 1h11' Mm tune " th ar ••111 ,nt 11l ,v11,u,1 thev •rt 1nt1 11,r111 I

\ n1 .. ""W h •u lhf'V

•• The least Yoko

and I can do is

hog the headlines

and make people

laugh. I'd sooner

see our faces in

a bed in the

papers than

another politician

smiling at the

people ••

serious. Don't forget about peaceful protest - It 's gone by the wind

"Okay, • all ycu need is lo ve' and • II the addheads­where have they all sone? It's a ll got back to · L.et'a have the Re volution now' and 'Let's smash the scen e down.' Nn l:ody bothers with the non• violent thing, and that's what I'm for.

COST

"The Establlahmtnt know how to use violence - it's their game. They know it damn well. They've been ploy ­ing it for years.

"And what good iare we against violence? They've gOt all the power and all the money, ,o even lo aet the power and the money ttnd the ,:un.s off them In a violent way

have SlOpl)td wearing wlu Now it's more fashionable to be black than white .

Not my cup or lea. Their la1l on_t wu about ilte1itim1cy and th15 one. could well be about two people of opposite sexes sharing livin,: accommodation under the Hme roof without be· 1ni legally married. which, as we all know, cause, baldneH and fallen archea

I'm sure this will leap to the top of the chart, and Top Of The Popi will be fea turing four• Yl!at-old PICS of lhe Supremes c ul from the musical press and ~at ,:1r1J In silver shorts pranc­ing about on sta,1te.

STEAM H A MM ER: " Juniors Walling" (CBS).

I know that aou nd - oh, Steam Hammer. A mixtu re or John M11yal l and Ian Anderson.

I heard an acetate of their LP which tendW to ,:n on • hit, but It WH p retty ._ood Good, but It's all been done be.fort The whole British blues th1n_.R JS fal li ng in to itself The audiences tend to be a h1t In • discriminate

CHICKEN SHACK: " I'd Rather Go Bind " (Blue

Horizon).

Is ,:oing to cost more. Then it's going to take thousands of years building it illl up, getting back on our feet again"

TIME

JOKE

t ln~.P~_."i~~•:~ 111~~1~

t ual : W N the utual way ill whkh )"XI n a ca:t thf' Amater­da.m prr,lut tona ~• in-clleek? •-

Jobn : .. Th.f' s inct"nty ol the pna th,n ,. dechntina • week of ou r hnhday,, t.bal wits JOO pe.,- unt Knous. But the-re Wet'f' ,C,mt' r.,,od jok .. UI It too, ltke the front pa11t had­linea everywhert- • Tht.re art IWO ~ In bed l", n I.Mir honeymoon• That'• a &O')d ,ok,

"Anet Yoko call• her work • concept art.' Take the 'c.rpt' o ff and you' ve &Ol '(.'Oft art' and y ou ' re setlln& near the point We're here to &ive­people l•urh• u well ...

And he •mlled hi.a m1~t.Jc smile at innoce~ and wi• dom, of John Lennr.n pUt , J)l"ese-nt and who knows?

MM EXCLUSIVE BY 8. P. FALLON

John

Lennon

sums up

his

current

attitudes

It's Getting Better Col _JC",~, a D88567

JAMES & BOBBY PURln let Lowe C:O... 8etwN11 Us

Bell BLL10li0 It's (.; h r11une Pe rfec t I rtally

hke hf' r •• a penon a nd a sin1e r J don·t know what she 1s ,t1J101 t,:, do now sht- ha, 1.-tt !h~ 1roup

mi:h~"~ :~!"~~;t~ :~r~e I wr,nd er ,t t hey will"

Wt-· 11 bt playln1 lhb on Sun d1y - or r1th1tr •• w lll M vt pt.Ytl'd this on Sund1yl y..,_ ahe't 10\ nk• l•at. l l'Nff

JOHN STEWART July, Y••,. A W-­

Capitof cu._

h 'Pl' lh • Mhft

l '• lf' 1""-MFI .OD Y MAKER April 19, 1969

How and why it works THE SUBJF-CT of e leclronu: o r~ans has become an ex­tremely soph1sllcated tech· nolo,:y To fully understand its function, one has to devote a considerable

., amount of time to its study. All mu ,c.11 tones ori11nale

from the t"'elve tone cenera-

tors, a musu:al interval of one octave correspondin& to a frequency ratio of 2:1 nus means, for instance, lh• t 1f the middle A on a piano has •40 vibrations per second, the

DRAWINGS BY COURTESY Of RANK AUDIO VISUAL

A one octave below has exactly 220 vibrations, whilst the A one octave above middle A has exactly 880 vibrations per second,

Instead of speaking or

. "' . ~ , ._L,_-.flJ!}!~:c-... ~~ fitters

"v,b,otooa," pe, ,econd, ,t" reverb-{4drr{ 40-~ -·"' ""'"'~' ...... t ~\ ~ to speak of "cycles per kers foot second,'' abb,ev,ated .. ml spea .--==::::si pedals "cps," or rderred to as cycles. The number of cycles I __} per second is referred to H '

rre~e:~e~0~ 1dth:a;a~~a~o:~: _ -_____£i · J l¥--= E frequencies of the same notes /. 7 :::u1~::t:sen~r ~~;:u1:,~e:v:~ $Wal pedal --power amP-----....:.:..-each otheT. 1 pass to the configuralion used 11 th•

As there are twelve cuits to accommodate lhf' the s 1gna s h Each key complementary symmelry different chromatic tones in appropriate number of lower keyt>oard sw1tc :;- switch (in drive and outpul sta&e. no one octave (A, e, c. o, E, F octaves on a particular organ actuates a gaug ) •h Sft and out put transformer as required and G, alone with A sharp, c This function is applied to this case 3 sauseh 'key is and the output impNjan~ i.'I sharp, E sharp, F sharp ind all twelve generator boards lfift. ~en th: e generator low, 2 ohms • ohms and &

~en:::li~ ~~~I ~wr:~~~e t~;: :~:pa;;n ot°vJ,~ ~:!tr:;~;::_ ::r;:~e are fed into three ohf~e ~:!a~61a°uhd~~ker must fundamental frequencies for keyboard . buSMlrs not onJy have adf'quate wat• the highest octave. The buffer•stage is as the For those who are . not ta.ge rating but must have a

The standard organ manual name indicates. The runction familiar with organ terminolo- good frequency response keyboard is the c to C 5 of this stage is to act 85 a JtY, •ft, Sh and 16ft ~efers to down to 20 cycles per second. octave 61 note venion. but buffer between the master· the pipe len1th .a nd pitch of: to enable 11 to handle low

!!'ea:a~~1:~ :~d n~~~k~1:i~~ ~~r~1i~~~r Thaentu~~-s{:!~;~i f:te~ti~.n~~JS:~~ 0~rg:::m,i pe~~ not~vercome inter • for portable oraans. vides the output of the master pitch , 16 foot is an oct::: modulation distortion , ,t i~

Havin1 generated the fun• oscillator with a constant load lower, 4 foot an oct desirable to separale the bass

~~;::a~~:~e:,~1~0!:\~~: s\ it '\ ~~t . aff=~~eddiv::f hi~er outputs from the output into its own speaker,

~~ri:~i~f th

d~vi'~ty~~~ ~ir~ f:i::~:~~; :::: 1enerato~ ~i.n gr:i:s r::r~::d fooit~ :;~\11~:ing:s us n:: t::w::: ___________________________ ....,;.;... ____________________ .,.. aa;top switches select the ~!;e 1~~ 0,!=C P~:: .. Sd~~:~~-

::;:~:nd s;:::!s th::~o t~: the secondary of the transfor-

Don't play flat Normally organs are designed to be played sitting.

With the excitement of today's music, so many artists get canied away they can't keep $tated.

So we built "The Professional" with a tilting keyboard, so you can stand up to play.

The sound "The Professional" produces is of the greatest range and quality.

There's a suies of distinctive 1ireal" voices.

Pure flutes. Mixtures of subtle shade and

combination. Five percussion stops for all

voices, or just miitures only. Vibrato in four settings. And slide controls for

fast, easy operation.

And, so you can ~t the full benefit of this instrument, Farfisa have an amplification system that matches "The Professional". The ABL 73 system. ABL 73's

amplifying unit, extension speaker and Sound Sphere (Leslie) cabinet can be

placed at random for wide diffusion, or in column fashion for high sound

concentration. But even though "The Professional" is lightweight, compact and portable, and

even though you can stand up to play, it wiU add so much dimension and excitement

to your group's sound that from now on it won't be just one-night stands.

It'll be standing ovations. See and bear the Farfisa "Professional"

at your nearest dealer.

desired tone forming filters . mer feeds a b1-pMlse or bndge This enables a number of rectifie-r c1rcu1t using a zener harmonious blends of the diode as a basic method (If different voict"s to be com- stabilisat10n bmed The more expensive model•

The tone forming filter use a high performance stab1, circuits mainly consist or lised supply to provide thf' "low pass" or "high pass" D.C. voltage throu11:hout the passive networks organ

After the combined s ignals hive passed through a series of filters In the tone rorming neiwork , they are attenuated to such an extent that it IS

necessary to amplify them to re,tore the signal strength.

At this stage or arter the pre ... mplifer, the swell pedal is connected and controls the volume of the entire instru­ment

It consists effectively or • Light Dependant Resistor (LD.R.) and a lamp, posi• lloned ,n such a manner that as the pedal moves the amount of light on the L.D.R. 1s varied, causmg this element to change ,ts resistan~ ac• cordmgly

A majority or domestic organs now include a rever• beration umt, the most C'Ommon type being the "spring line reverb." This unit consists of two pie11:<, electric e lements, betwttn wh,ch is placed a sys tem 01 co iled springs

The driver element or the rever~ unit transduces the electrical voltage vanatmns at pre-a mplifier stage into mechanical movement which, ;;;o:i~nn. seu the springs into

A, some time passes before the transdu<'ed snund wavt-s have travelled their way through the springs (due tn the mechanical inertia of thf' latter) the s1gnalit arrive at the rece1v1n~ e lC"ment w,rt­runs1dernble time delay

The recf' ,v1ng ell"ment transduces th" mechaniral movements nr the springs into f~;r1:c•I voltag"'s (in I stmi , ay •s wi1h A nnrmal phone pickup) which are fed

:~~k 1ntn the Prf'-atnp)tfipr upon 11n1phhca11on an:

~~~el~s7/~~:~: tNal output of

l he tCll.111 Sl&nal from lhf' pr.- an1phfltr now pass 10 l~ Rf')lt link 1n lht- c-haln kf~

~ho~wp~peo.:!~~ft.,.;- the A11«Uo

111•• •mpUfte.r dur.,.. shahtly from thl' .. nnhonal h1-ft a,nplnlff a.c.-., of 1M

f::" :=,:-·--=-.:: = ... ~=-: ..... ................ i:: ~ ........ --::. ..... -=.-

Do-it­yourself the Lynes way ORGANISTS tend to be­come the1r own mechanrcs - altering, improving and adding to their instruments - to get the sound and performance they want

Roy L}'nes, merhan,cal wizard and oraan ,-.t w11h Statu~ Quo, hn add,t,d lhree refint'ments to h1!. V(lx organ "to make th•nai. ea,;,1er and 10 save spa~ on stap:e"

"l found that SClmetrmtt the wah•wah J)f!dal wouldn't 10 off which made thmp awkward f•n stag ... • said Rf'ly

"So I've mov~d 1he ''°"·11ch on to the tnp of th• or&• n whteh means I can o~ratt- 11 by hand 1nitPad (11 by f<lOt

" I've al,-o madt- It euw-r to adJUSt thf" C>r,tan·• VthUIQf speeds.

•• The ap~f'd II ad1uslt>d b)' screw < ontrf)I mMdt" th• rab,net, norm.11lly but I'•• madf' e:iitt'n!lk,n rod• to th• l crev. l • introls

"By dr1llln1 two hole5 ,n th.. ••raan c•b1net you ,.n brmg the nte-nd•d l'Ontrolt <in 10 lht- top of t~ ora;an 11 that no,. I can ad• Uw 111bratur •PN'd& without taktna 1 hf' top ofr Ut• nbMtf't

Ro) UM• an •ltdrtC •• as weU •• .,. orpn on uaet hu.t found ffltlt U. 1 :=umen19 took •• too ._.

Now he"a ._It 1M __ , ... _ ..;..'=...:--.._'YIN ___ -= - ...... :;- -

f • K ANYONE whose 11ltl ~ll',li r on t,,;CJUU !l; nCS!\

, ti l'lrhc~ no /,urth~r b,ll' k th .tn tnoO, 1t !-i hJrd 10 1m,1g inc ,1 w_orld \\ ttho u t Junm y S mith

In 1ho11 dt•H·n )' t 'ilU,

J,nll' (}<.lar Sm,1 h from Niirn,tov. n. rh1 1t1elf' lph1a h , d1!>!,t' ll ll lllitt'J an inllut nn· ,. 1.~ h1 i organ p)J\· in1,1 tha t touches mttn} llllrt'> or ,an and pop anti hi~ het•n nwardt"d fht'

11u1mak alcolade - h~ 1!1

11 1,.l n Im Jl, r.ln tt'f.1 In lht vea rs hefore Smllh

bu.-SI upon tht• world with ht~ Hammond Oti,tl\n, lhe ,nsirumr nt was rarely more than a fiJtllrP or fun It t>x isted either in Sand)' M:lcPherson's Chapel In Th<' Vall e,,. or the wonder• ful world or thl' m1ghty Wurl itn• r emanating (rom cinema pit~ Occasmnally, a

1.,unan such ns Count f\&Mf', Oscar Peterson or Fal'i W:i,ll('r might toy with

Strange as 11 may seem. 1f J1mm) Smith had decidt'd to ~tick l O piano with Don Gardner and his Sonlones, Procol Harum might never have made " Whiter Shade or Pale,'' Brian Auger m11Zht s1111 he a jaz.z pianist and 1he outline of curren1 Jazz and pop would he radically different

To be such a catalyst surely requires a musician with very special attributes, and Smith certainly comes into this category.

Pt>rsonal confrontation ...,1th Smith's music came at the 1962 Antibes Jaz.z Fe~t1val On his opening mght, a mesmerised and s y mp at h e t I c audience shuffled its feet as Smith pla)ed ballad after turgid hallad They applauded po­lnely, hut no more .

The ne:.:t mght was a transformation . Smith, with that wonderful drummer Donald Railey following his

BY BOB HOUSTON

every breath, surged through a programme of blues which turned the entire place upside down.

There and then I was converted, and despite musical rebuffs and disillu­sionment, I still consider Smith the greatest jazz organist and a wonderful musician whose contribu• tion is totally unique

So hrs last dozen LPs have been a bit or a drag, so he opened the floodgates to a plethora of second, third and fourth -rale imita ­tors who assault the ear everywhere from the

---Panthe r 1 00 :

Speakeasy to the local palais. So what?

In his early yea rs, and when the wonderrul com­bination with arranger Oliver Nelson was fresh, Smith produced LP after LP which proclaimed that here was a uniquely powerful and individual musician and after you·d heard Jimmy Smith, things would never be the same again

Apart from the purely technical feats which Smith had to achieve to tum the organ into a viable jazz proposition. he is a wonder• ful blues player, a deter­mined swinger capable of producing more excitement than every one of his imitators put together.

In his thirteen years of recording, he has produced an incredible volume of work . Anyone spending so much time in the s1ud1os cannot avoid turning out

I --- Recommended Price 130 gns.

-----~ ---------

MFI oOY MAKER. April 19 l lW,t,-.Pa,:" l tt

the odd dud, and Smith 1s no exceplion.

The early years with Blue Note found him working mainly in the trio format, for me his most congenial habitat, with the addition of occasional guest.5 for an informal Jam session atmos ­phere

"Jimmy Smith's Greatest H I ts . . (Blue Note BST8990l) creams off some or the best of this period

rncludmg thf world-beating eight -and -a-half minute- ver • sion or "The Champ " which on its own is enough lo ensure him VIP treat • ment if he'd quil and walked out of music there and then

The exuberance and swing which amazed musi ­cian and layman alike made Smith a successful com• mercial commodity quite early on, and in the ramdiar atmosphere or the Blue Note establishment he con­tmut.'d to make a stre.am or albums which were good, reliable stuff.

Then he left for the Verve-MGM label. The reasons he gave me for the move were summed up in

one word " Dis• tribution ."

Smith has always shown an astute grasp of the business side or his career, and although he maintains he was happy with Blue Noll:, he was nol slow to

realise thal whal was then n small independent la~l could not nffer the same facilities as a major com• pany

In his new surroundm~s. another aspect or his musi cal character was unfolded when he was teamed with a bi~ band under Oliver Nelson. From this partner­ship came ground-breakin~ stuff like ., Walk On The Wild Side," "Who's Afraid Of Vnginia Woolf'' and many others which set a pattern for any organist who sat down in front of a big band.

At this distance, 1l's easy to write Smith off as one of the great music.al bores Having accomplished so much so quickly, it's unde­niable that as the quantity or his output increased. its quality diminished

He's also had to carry the burden or being one of the most imitated musicians in popular music histor) We

don't JIJSI S'°t Smith cl1ches on his own records, we keep running into them on almost e"cry organ album mad, (spf'<'1al d,s pen,a110n to the refres.hm Larry YounM,, an Or'taniil who ha"i mn.naged to esca~ from under the Colossus's shadow nnd can hr heard 10 go o d :1dv1ntagfl' on ·• Unity," Blue- No•t-ST84221)

Talk to an} or,i:an1st. JaZL or pop. about Smith and 1he same top1ls coming up -whv doesn't he use the bas~ pedal~ any more. he's played out, and have you heard so-and-so?

He's so taken for granted. the battles fough1 and won so Ion~ ago, that 1t"s llke trying to 1m.agme a world without electricity.

Bui next time you fill in the Organ section m thl' Melody Maker Poll. Just remember that but for Jimmy Smith 1t wouldn't bf" there

RECOMMENDED RECORDS LI _____ A_ c_u_rDE_ T_o _oR_GA_N...c..JA_z_z _

JIMMY SMITH'S GREATEST HITS (Bbe NO'te SST89901). Twu-LP set with some of Smith's finest Blue Notf' work. Trio and small jtroup seuinss.

PLAYS FATS WALLER (Blue Note 4100). RH I rained and tremendou,;ly effectlv~ Smith In a muslc3t lrlbute to the late pianist-organist.

LIVIN' IT UP {Verve SVLP· 9227). LatHl album teaming

Smith with strinas for the flru time. Not entirely succeHfut, but it's • change at least.

THE INCREDIBLE JIMMY SMITH (Music For Pleasu rr MFP1292). Most recent " llve., recordlna made In Hamburg. Leu verbose than most or his later work a.nd excellent value.

JIMMY SMITH'S GREATEST HITS (Verve VLP9164). In•

.. ond the fabulous

LESLIE SO wah Amplitler and

Reverberation Tremendo us performance I

Self-contained, self-power~, ~1gh output Le11ie, incorporot. 1ng Selmer Amplifier with Re-. • Speake, 1pecially mounted to • produce the best sound per•

e ludes " W alk On The Wild Side," "Hobo Flats," "Vlr• glnia Woolf" and good stlecdons o r lalrr ama ll group work. DisCTimlnatlng anthology.

Rl:.SPE,CT (Verve VLP9182), Heav)' R. and 8. overtones -never very far awav w ith such a fine bluesman any• way-come lo the fore on this.

BLUE BASH (Verve VLP9058). Excellent small grnup work with Kenn}' Bur~II"• guil.ar matching a very much In• form Smith.

PlTER AND T HE WOLF (Verve SVLP9 159). Oliver Ne lson's humourous and

~:~~~!~~ !~:r:•ti~rn:! po~~ some fine powerful pla)-lng from Smith.

mbuat;an, ,pedal 18,n ~

formance and distribution.

• mer WOOU'ACK~ . ~

• • • • • • • •••••

P1i1,:1 lU-MFI OIJV MAKFR, Ap ril 19. 196'-l

SJ NC l- tht· f'lec l ro n K o rgan

IS lj Ult f' " nt",.\COmt• r to lht·

ht·hJ of m us 1tnl 1n1o tr umt· nts.

...,, nu.:h1 tu luok itf thf' PI P',• t• r.,:o1n hr'il. t h 11o h.is il h t!>

tor , !-(l •in~ bil ( k Ln the 1h1rd

1 t nlun B {. w h c-n the

" l h d 1,nllu !,

tkntt'

,._, 11 , n 1111111 1n1p l11:i;,, th1 1, nul pr 1·,,urt' "' a, l,! l' nt·rated b1 1 \ l1mh: r pum j1 !11 •nd r .. d 111t • .a do mc, ,ha pt·d resl' rv111 r 11.h11h ro dt' 1n

W H AT'S the fulure or the o rg11n in pop? " I

d u nnu--1 c.an ' t gt>t al lO~e thl' r roy!>l" lf :,t t,

malt'' .. s;i y s poll ,...inner l:h1an A u ~w r

But . U>'- Bn an , 1~•d1 t of ih,· Trimt )' a11d Juh~

()r1sc11II LCl •!>Wr •• I think tht I Hllf' ha, ((Ulll' whr

tht· nrj?a n h..t'- t·1•m• 111111 !ls nwn .. S1nt l' "' c l~BJ)l o ff a~ an o ri,t•n l rm th t' tt: h• vt"

hrtn quilt' 3 fl'" or ~an t r tt"' 1nd ud1 n)! l ht N i t~·

nnv. t hl'y have- ,;wallowed tht' 1r Ku1tnn,t Thl' rl',

qu itr a movt.'ment towa rds oq:;!l n lrmi;

.. I thmk th e o rgan c.a n hr as po pula r an m s.tru ' men! ai. th e AU1t 11 r II wa~ s ur prl llUJ ~a ~::~t•ml~ rt~~ nu tc tha t in !h t' MM Po ll I ca m" m AU1tPr pl aye rs

Keeping

the . ' 'monster

.~:•·;" .. ,. ... , .. , Two thousand years 1 ht' l) f("Ul ur,..d

;[~·.i::);.t~:.~~i

" I think lh.:it lh l' (!r):<ln can JUSI k l! un fon- vt:r - there IS ,; () mu ch <;CUPl'

I do n 't fct> I I havt' explored !ht' o r~a n a t a lt

" J ha v1: g unt' riff ,n m) parti c ular

under

control kn ,. Jltho u,R. h \'e r, f d I t .., ldt kt·} , o pt:r& U':d

h~i

hl' h'il !oo "'t're O eve opmen lt · H · l1, p1·d q u It l'

:~t:: :,t;ra\~;r~ .rnd h~ 1:t J!i t"' o set s o f keys tors allachcd w tht hnse o f ;m1<nua l'i ) il nd ii pedal hnanl ea ch

hdd appeared BY J w T ROOPE He a rranged lhe nott:s pro-Tht·,t· ln!>trumii-nts had many • • • duced to give from one to

u, mplt'lt• \ t"t ~ n f pipes (ranks -------------- nine in the harmoni c series or <;top<; ) whi<'h wen• con• and hy mean s c,f a keyboard tru lle-d h) knoh~ 81 the s1dt' A1.1thor of Th e Developm e nt Of The Ele~ tronic was ab le to syntht-si7t: various ,11 lht· kcyhclflrd 11nd these O,.g,1n, ;,nd .l member of the ma in M1,1siu l lnstru - qualilles of mu~1cal tones •.ink~ "'t•re uf different pl!<:hes St::~~:~7~~~~~ ... :i:~.s 1.1b - com mittee of the British In 1897 th11, idea wa a de• ,urh u l'1j:!ht foot g1vrn~ lht: veloped by Professor Thad -,ti mt· pilt.h as 1he piano, four deus Cahill who used a rotary luv t , oct11vc h1Kher, 1wo foot the centuries with improve- many of our cathedrals and electro-magnetic system. He duuhlt" oc1.:ivc.-, the "footage" ments m acuon and const rue• churches also provided for hnrm(in1 c

~ dl.'riolln i: the length of the lion and often having very Actions were at first rods mixing Pli'" i,:1vmK th" bottom note large and beautiful cases and leveri. (known today as These early methods suf•

Sn thl" orgnn i:rev. through which are sti ll treasured in tracker ac:lion), then pneu- fered from the lack of power ---------------------. mauc:, and later electnc-pncu• available and Jt was no l until

mat1c and these las! enabled lhe electronic: valve was in •

m ..... , .. -0All1' O"N Ail DAY SA1:

BALDWIN ORGANS 20-21 ST. GILES HIGH STREET

CHARING CROSS ROAD LONDON, W.C.2

Tel, 01 - 836 1000

J. & T. MARSHALL ( MUSICAL INSTRUMENTS)

LTD. THE SHOP THAT GIVES SERVICE

Stockists of: LOWREY. FARFISA. GEMINI, DULCET, SELMER and other makes of portable and

borne organs

7 6 UXBRIDGE ROAD HANWELL

LONDON,W.7 TEL. 567-0792

146-148 QUEENSWAY

BLETCHLEY, BUCKS. TEL.BLE5487

Look out for our NEW LONDO N SHOP Opening Soon

the console, which contains vented, that amphfiutum of the keyboards, pedalboard lhl' small signals wu pos~1hle and stop control, lO be placed at a dist::ince from the pipe• v.ork

Tonally the organ develop­ed from the diapason pipe (an " ordinary " o rgan pipe) and add11ional ranks were added to give the harmonic: senes (the octave, double O<'· tave, fiflh and third, etc.), thus by drawing nll these one key could produce a common chord or sounds

BULK

Other stops such as flutes and rerds and string tones, were added but all the time a total tonal result wu aimed at JUSI as the orchestra is comprised or strings, wood­wind, brass and percussion but all combining in the full orchestral tone

A departure from this Jong trad1t1on came with the cinema organ which was de­signed for en tertainment and nnt for leading the singing, and the bulk or elect ronic: or­gans have followed this later read allhnugh th t:re are models which do follow the o ri ginal tonal ideas and we shall see mor~ In due course.

VIBRATION

Prohabl)' 1he firs1 to pro­duce steady tones from etec.­tncal means was Helmholtz, a great German scientist who drd much work m music.al acou'it1cs, nearly a hundred years ago He mamtamed tun­ing forks in vibrat1nn by means of electro•magnets and the sound was made more aud1hlt> hy means of resnna

FRONT

The next advance was when Laurens Hammond produced his toothed wheel generator rotatmg in front of bar ma~­nets, the c:hang1n): nrn_gnetic field mduced i.;urren ts m coi ls around the ma):nets ot the frequency of the number of " teeth " passing the maRnets each second

Once a_gam the 1une ronlrol w:is by addmJt harmonic'i un­ul the desired sound qua\lty was ohtamed

Other rotary systems fol, lowed One by the Compton organ Company con~isted of discs engraved with areas of meu11 so shaped that when • scanning disc was revolved at a small distant.e in rront of these, the area " looked al " by the scanner varied at a frequency determined by the number of areas and the speed of the scanner

FIELD A h1):h voltage WllS applied

to these plates and thus tht· electrit field varied at the same frequency; this was am­plified and again tone colour­mg was by addition of har­monics

Parallel with the rtSC m populnnty of these last two systems came the method whereby the movemenl5 ol electrons bet"' ecn an lnduclor and capadtor he ma1nta1ned by a 1herm1onic valve leltrng pulses of current at the exact ume required to keep the oscillation going, a nd from that developed the pra<'lke or using an octave of these tuned

c1rc: u1ts to supply pulses to the octave belo w, whic h had mull, vihrator circuits

Ordinarily mulliv1brators wo uld not keep m tune, but they can be re li able 1f syn· chron1sed and two puli.cs of the ··master" triggers one of the divider; two pulses from this octave synchronise the octave he:low and so on

TONES

The output waveform has m,1ny harmonics and these are left in to produce trumpet and string tones but the up• per ones are removed by elec­trical filters so that only the first one or two are ldt for flute toneis

With the advent of thr transistor the whole 1nstru• men! has been made physical­ly smaller and consumes far less power and it has been possible to incorporate many more circuits to give percus­sive effects which, in its broadest sense, includes imi­tation of st ruck and plucked strinis, as well as drums, cym­bals, el<'

YIELD

Passing the signal down a IOO!lt! spiral spring produces reverberatmn effects and there are more new sounds to come, but I am glad to say th•t cultured, musically-mind­ed designers are doing good research work at the moment 11nd these should yield artistic results

d1rt'CIIOn and to explur~ the po t e n• t1ul in full ynu would nct'd ah<•ut c1J,tht ho ur s' prac. • t1c:e a day wh1t.h I haven'l ROl Um\.' for The numbN of d t r e C l i n n S lHI'

hmltll'SS '' " For "ac:h sty le

you should try Dn<l get your own sound Therl''lf a blut:s or Jal.1 sound or the !mlo pop style and acc:om­panimcnl pop style, for l'XDmple Junior Walker and the All· Stars where they usr or_gan for a stabb,ni! fat sound as a rhythm instru­ment

'I play the oq~an 1n a per c:uss1on style occ.i s1onally, althou1,:h 11 doesn't do 1he keys much gond

!:\~o;~"c~~;'~~t~ AUCER : ' not iust a noise note.~ c;pllt

"I have an eni::mt-er stand• mg by lo look afte r my urgan Jt gets more serv 1cmg than my car In fact, It gets looked alter heller than mt'!

" I'm not rl'ally satisfied w11h most nri::an playmi:: 1n groups The orJ:an 1~ really a very amazmJ!. machine - a very bad piano player can become a reuonahle organist s1rnply because yuu can sus­tam a note on orj.!an " You need impect'ahle 11me to play piano because you have to strike the note properly"

" I haven't heard any new organ players in thl' States since Jimmy Sm1th that really surprise me" P1nsunally, I

like Kellh Emer!IIOn With tht.? Nice. He approaches !he organ mo re from the classical i. ide while I have come rrom !ht· Jazz side

"J immy Smnh has heen 1n the same ba~ for so long I don't even hsten 10 h1:-1 alh11m~ anymore

"People might say I'm Just bashing the organ an<l that what 1 do 1s more vu,u.at than musical

" But Wllh what I'm dointt, the music is the most im­portant rac:tor It's not Just a noise

"The thmg is, the oq:an can get nut of hand It can be a monster! "

Incomparable I

ALAN PRICE and his NEW

X-66 HAMMOND OR&AN • .. the ultimate organ with the most advanced features ever offered

•

ALAN PRICE

BLIND DATE: ORGAN SPECIAL ~I rt \\ ho IS 1t? Mt1rt18l !.il"'l 1"' l know the nanw hul 1 don't know his work

\"rf) J,!l")(l(J player hut just ~n·1 ph\y flraan

TERR, SMITH with • Bob Stuckey (organ):

Early Morning Groove '' from tht> album ° Fall Out" (Phillps SB7871).

.. ounds like Wes Mont ~OOlf'f)-not lhe org-:m1st, the gmtu1:-t

r,· re11 Uy no idea who It IS

Bob Stutkey? I know his name:- from somewhere. I'm not over imprttsed. Fu-st or all, he didn't have a lot to play on that track.

It's very difficult to assess • player wh,m you hear just one solo

R IC~~&,ES,GR~ri.~ houd •• from the album ._ Soul Message " (Trans­aUaotlc PR 7435).

Not much organ 1s there? Don't like it. Sounds as though you've tumed the first a lbum over

He's using the same tone all the wa) through Don't hke it much. I don't think this i.s ,,.e.ry good II doesn't hold the interest

JM1ES BROWN: "D lb.ing ' ' from the

album u James Brown Plays The Real Thing "

(Philips BL7823). l'ry squeaky or~an play­

mg James Brown is it? I wouldn't buy this. It's not all that good Really noth ­m~ as the organ goes.

l _ (t.et very brouEtht down by 11 as it goes on.

L o~~nk" ,,::1:~

album u Think " (BluC' Note 84290).

This 1s Lonnie Smith Pretty good nctu&lly. On this 1..P there's a good guitarist. I've heard this somewhere before. Sounds a bit like J immy Smith.

Ir you not ice, most .Jf them get stuck on the same tone. l was watching Jimmy Sm1th once and he uses all the draw bars. ls this track ty pica l of the whole alb:..im. I"d like to know if it's be.en made on pop lines or jazz lines. The organ is restricted in a way more than most other instruments. It's not where you play it, but how.

There's hardly anyone on these albums we've heard that hasn't had a guitar. It can be very boring to listen all the time. It's very dis• passionate

B1f~s~,~~u~s A:.~ JI " featuring Dick Hal­Ugan on organ from " Blood, Sweat and Tears" (CBS63504).

This is very nice. Beaufr

ful sound , very churchy. Well recorded, they've got right into it

Difference between this and Jimmy Smilh is that Smith is Just jazz, this is improvisation. See how they tnke the volume up and down and get light and shade.

This is so well recorded, so crisp.

It's better played with fugue things, doomy. Blood Sweat and Tears a re into something different. You can tell by the recording, it's oil coming together and they're doing someth ing new

J1~1~! Got t~::~?,; from the album II I've Got A Woman " (Solid State USS7012).

1 know the tune. It's " I've Got A Woman." J immy Mc• Griff'. He's got a great, harsh, raw sound. He doesn't vary his tones as much as Jimmy Smith.

Very aggressive. Nice

~itr~u~ ~=;~ :g;~~~d t~! tone was exactly th'! same. This is like a jam.

Blood Sweat and Tear,; have got more to lilnen to .

H~tt~~>N, .. :.::. ary ., (Bo Hansson-organ) from the album O Monu­ment " (Polydor LPHM-

Every note a rhapsody!

with the GEM

IMPERIAL DUO

It's a fact! Its rongc is so fantastic that the world's finest musicians

- Pop and Classical - arc proud to piny il. The Gem Imperial bas all the voices,

all the tones, all the sounds ... percussion , . , effects.

\\'ith it ,·ou can literally play anything

-a Bach cbor~lc or the hca,icst beat numbers. \\'e guarantee that once you'\'C heard this sound,

the Gem lri1pcrial Duo is the organ l'OU will want.

GE.'U J.HPERIAL DCO ORGA.\" (illrutrat•dJ Ruomru~d•d r•tail pn·c4! £463.0.0.

B ose-Mo:r:r1a SPONSORED INSTRUMENT

46260). ls it Alan Haven I don't

really like this It shows how a recorded sound makes a difference . Tt,is is a good recording but thf:­playing is not spectacula,·

Blood Sweat and Tea rs have been the best so far fo r recording and playing. This sounds like tht-atre organ playing.

BRJ>~r }t;t o!Vf;.; from the album " Live! At The Jazz Workshop " (Transatlantic PR7286).

I've got no idea who it is. Very tinny . Sounds like McGriff. Semi - distorted, very toppy. It's a thin sound with the top drawer bars and hardly any bass

Good player. I think of him the same way as Jimmy McGriff, although McDuff' is more jazzy.

WY~~: H~~s:R~; Jack Built " (written by Alan Price) from the album "Out Of The Fry­ing Pan" (Island ILPS 9082).

That's not ·• The House That Jack Built " is it? Nice guitar. The only one I think who would have the humour to do that is Mike Carr.

Wynder K. Frog, he's a very good player. It's strange listening to it. It's got a lot of attack .

MELODY MAKER. Aprll 19, IH9-P11e 2 1

Now it's the semi detached organ r::oE~S lnb~~: o~g!~eTn•dn:.~~; ove,. lh , p.s;t five yeal"'II. Not only • re gn>UPli uSing tlHm to produa ill vari•t.1 ot ton• co!OUl"'ll--both on Jttg• • nd In the recording Jtudlos: th•Y • r, also nndlng • p•rmanent pl• c• In semi-detached suburb;m homes.

And thili growing market for 01111ans Is undoubt,dly cloHIY coupled with th• development or th e transistor. Not only does thh1 apply in the tec.hnlc• I 11tnse, but It fl also llnked to the economic production of these devices and the 11ltlm• te cost of • commodity th• t must contain well over a hunrlrod or them .

Unllke most production pn,­ces.su aimed • t the consumer m• r1tet, lhe price or m• nur• c· turing electronic components tends to reduce with tJme .

It ,eems, nevertholeu, th• t m• nut• ctur,rs prefer to UH this lncrt• lied profit margin lo pro• duce more advanced models rather ttui.-r1 to reduce the prices of existing ones.

In Hven, I ways. oltctronlc oraan development, proceed along slmllar lines to that of computers, 1lnce some of the requlr•d functions m• ke use or th1 um, type or circuit dnlgn. As a consequence, 01111an com• ponants • re becoming smaller, llght1r and more nllable­speclally desirablfl factors In tho design of portable Instruments .

As has been tho ease ln America for some time, the electronic organ Is fast b•· coming a domastic Instrument In r1plac•ment of the piano. It often t• kH up lus space within the smaller room, of modern ho,nes, and Its versa-

tlllty olfilrs mo,.. •PP••· to lhMe early d• ys of mu~lc •11P•rl1nced by the younger 9c-n• rillllon

With 1uch an ex• mpl• .-

:'n0:1!!.n !~ct;::~0,~st

11~ati; :.°: what kind of MrYIU and main • tenance can we e•pect7 Whe r • can •• nnd an organ •ng1n11r and what qua1,nc.1t!on1 1hould h i pOSHH7

In answ1r to thu• qu 11tlon1. • number of reputtlble organ service firms ••Isl and oper• ll within the lnduJlr)', But ll 11 unfortun• i..ly true that 1h1r1 is • urlous ,hortage •' 1p1clallst 1nglneers

The • l1ctronlc Organ Con• :.tructors Socl1ty Is th1 l• rg11t bod)' catering ror 1nthus1• .111. whll1 ror th• young man wish Ing to mak1 his c• rHr In th1 Industry, the 1nn1r London l'!ducatlon Authority off1r a two• ye•r rull-tlme courH In • lee tronlc MuJlcal lnstrum1nt Technology.

C:ov1rnm•nl granh are avail• abl1 ror this cou,-,•, which l•ad1 to th , College Dlplom• and lhl C:raduatHhlp of the lnltllut• of Mu,lc• I lnstrum1nt T•ch nology,

Studenh may apply for sWdent membership or lh1 In sUtut• on enrolment for th• course, full m1mber-shlp of which nl!qulr•s at least Hvtn yea,.. with a r• sponi.lbl1 po,1-tion In the lndultry.

Th1 prlnclpal lactur1r to tho faculty Is C:1rry van f.!pps, who will b1 known to m•ny.

Further Information about thll courso can b1 obtained from Mr. c. C:llbey, the London College of Furnltun, Shor•dltch Tec.hniul Col\1!91. Pltneld Streit, London , Nl (phone SHO 4454)

YOUR ORGAN SPECIALIST SCOTLAND

LEN FROBISHER

27-29 LOREBURN STRHT DUMFRIES TEL 5603

Agents for WURLITZER YAMAHA and FARFISA ORGANS

Speedy repair service

Ad vice on teachers

BRUCE MILLER'S 26 Queensgate Arcade

Inverness Tel. 33374

Agents for HAMMOND, LOWREY,

FARFISA, etc. Come rn ard see David

Dean for advice and a d emonstration

Models for home. club & group

We have a comprehensive After-Sales Service

RAE, MACKINTOSH & CO. LTD.

Edinburgh's leading

electronic organ speciahsts

Stockists for

HAMMOND COMPTON WYVERN YAMAHA

Tuman arranged i]y appointment

After Sales Service

HP and part exchange

For further deta,ls

Write, phone or call 39 George Stree t

Edinburgh. 2

Tel. 031-225 1171

NORTHERN ENGLAND

J. P. DIAS LIMITED

NORTHERN ENGLAND Cofthftucd

J. P. CORNELL Hull's leading Electronic

Organ Specialists

Sole agents for

LOWREY WURLITZER

RI-HA COMPTON BALDWIN ORGANS

V1s1t our three-d1mens1onal showrooms and see and

hear these wonderful instruments

Also many secondhand bargoins, part-exchnnges

Hire purchase

3 1 Spri ng Bank HULL. Tel. 2 15335

JONES MUSIC SHOP LTD.

98 Old Street Ashton unde r Lyne

Lanes. T el . 2383

We spec1ahse 1n Ph1!1corda organs

From 189 gns.

Also one of the most comprehensive record

stocks m the area

POLLARDS 20-22 Standish Street

Burnley, l anes

T el. 25829

Main agents for BALDWIN FARFISA and

YAMAHA

We run a comprehensive

Alter Sates Service

RENO'S Manchester's leading

musical dealers for 38 years

Main agents and stockists for the world 's leading

Electronic Organ manufacturers

AU Musical Instruments and Accessories

Organs. Guitars. Drums, etc

149-153 Botchergate HP and Part Exchange CARLISLE Tel 22369 Self Financed

Main Agents for After-Sales Service

HAMMOND All rep•"' and service for and Mus1c1ans by Mus1c1ans

PHILICORDA Wnte phone or call Group Teaching 64 Oxford Street

Manchester 1

NORTHERN ENGLAND Coft tit1~d

WIGGS LTD. (Est. 1875)

Electronic Organ Specialists

North East's leading agents for

HAMMOND LOWREY

WURLITZER , etc Tuition arranged

After-Sales Service

For further details wnte. phone or call

Sca la House Ocean Road

South Sh ie lds Co. Durham

Tel. ,South Shie ld, 33 13

MIDLANDS

C. FOULDS & SON (DERBY LTD.) Main agents for

Hammond Lowrey Farfisa Phi11corda

Thomas Tuition arranged

For further details write, phone or call 40 lrongat e, Derby Tel. Derby 44842

BRATTONS PIANOS Limited

23 Dogpole SHREWSBURY

Salop Tel Shrewsbury 2133

Main agents for Philicorda * Yamaha

and all the Gemini range Repairs on all makes

and models Tu1t1on by appointment

W ri te. phone or call

iMIDLANDS eo.,1....,

H UDSON 'S THE MUSIC CENTRE

82 Saltergate A lso

3 Market Hall Buildings CHESTERF IELD

North Derbyshire's Main

Agents for HAMMOND WURLITZER PHILIPS THOMAS

Wnte, phone or call Tel. Chesterfield 2957

THE MIDLAND MUSIC

CENTRE 6 Cowpe r Street

(off Keltering Road) Northampton Tel. 36832

Mam Agents for LOWREY WURLITZER

VOX FARFlSA and GEMINI ORGANS

Expert advice

Home demonstra t ions without obligation

Easy hire purchase and expert serv1cmg

JAMES STANTON & SONS LTD.

10 CASTLE STREET DUDLEY. WORCS. Tel. Dudley 53674

Mam agents for * LOWREY * THOMAS * PHILICOROA * SELMER CAPRI * GEMINI * WURLITZER. etc.

Free demonstrations in home. c lub, bar or church

Free expert advice from our organ sales manager

Greame Hawkins

Guaranteed After Sales Service

~=================~~=================~ H. CRANE LTD. COVENTRY'S PREMIER

MUSIC STORE

FARFISA AND

SELMER ORGANS

AND AMPLIFIERS

127 Far Gosford St. Coventry 2 3414

and

90 Barkers Butts Lane Coventry 28200

WORCESTER MUSIC CENTRE

Color-Gto Thomas Organs LOWREY. VOX. etc.

and now a Minia ture e lectron ic

orga n at 8 i gns. Stylophone !featured

by Rolf Hams) SPECIAL NEW ORGAN

OFFER LOWR[Y BERStllRE H 750 qn,

{C159 off)

LOWREY Hll roN w11h l•!'>I•• 1nrt Rhythm un,t .ti 399 ,;in~

((63 on)

Low.r Ground Floor

RUSSELL & DORRELL H19h Strett

WorcHtttr T1I 33219 IA~:J\iil!!l6f Tel 061-CEN 6273 _______ ,. '.:=======:: '-.----_ -_-_ -_-_ -_ -_ -_-_ -_ -_ -_ ~7 ~------~

HAMMOND ORGANS IIEN WATKINSON LTD

fl llfr

fhA~II. H£5SV LlO fl l I , Sl•••I l1v••poor 1

061 Jlfl 1<4ll tl 11 n)

YORK PIANO SERVICE

8 Tower Street. York

Tel 55,36

LOWREY SPECIALISTS

Sr,rv1c1ng anJ Rep,rn1

um~ c,ut

Al10 tu1t1on

The best organ trom

SMALLWOODS THE MUSIC HOUSE

82 Smallbrook Ringw.1y

Birmingham , 5

Tel. 021 -643 7791

!or .111

For your next GEM BIRD VOX

TORNADO EKO WEM TEISCO

New or secondhand organ

visit

CROYDON MUSIC STUDIOS

40 Station Road

WEST CROYDON Tel. 01-6B8 0628

BRAINTREE'S MUSIC

CENTRE

LARGE GROUPS! SMA LL GROIJPS I DANCE BANDS I and fOLK SINGERS t

Then we have the equipment you need and are spec111hsts in all types of sound systems

El VIC ElfCTRONICS 7 FAIIFIELD ROAD, BRAINTREE, ESSEX

Ttl, BroinhN 1439

HAMMOND'S OF WATFORD Mam Agents for

HAMMOND LOWREY FARFISA PHILICORDA and BALDWIN ORGANS

60 Queen· s Road W ATFORD. Herts.

Tel. 27187

HODGES & JOHNSON LTD. 37 / 43 Broadway W est

Leigh-on-Sea Southend-on-Sea. Essex

Tel. Southend 72227 Al,o b11nchu llt

209/211 Nonh StrHI, Romlord Tel 6&403

126 Hamiel Court Ro1d Wastcllfl-on•Sn Tel 42840

V1cloria Circus Southend-on•SH T1l 68329

37 St Botolph's Slrut Cotchtsler T•t n46J

ESSEX S MAIN AGENTS FOR HAMMOND ORGANS

All Oth1:r mites stock,:d mclud,riq

Lowrey Wurlitzer Phil! corda. Yamaha. Gemm 1

IT'S HERE THE ROLF HARRIS

STYLOPHONE MINIATURE

ELECTRIC ORGAN

Price £8. 18.6

HOME COUN TIES Contmw.d

lor

HAMMOND and

PHILICORDA ORGANS

~~:i1~~ PIANOS etc

Northern Home Count1e~ Spec1al1sts

STOCKERS of t,

1~olywell ST. ALBANS

LONDON

IMMEDIATE AMPLIFIER

AND

ORGAN REPAIRS

by the spec1ahsts

H!ni:&i@@j SOUNDS 181 South Ealing Road Ealing. London, W .5 01 -560 0520

4 SELECTION FROM OUR EXTENSIVE STOCK OF ELECTRONIC ORGANS

Vex Double Manual Vax Single Manual Vox Mini R1v1era Farl,sa Professional Farhsa Compact T1esco Wern Panther Duo Ph1hcorda Duo Bird Thunderbird Trans1cord Hammond. etc Come ,n •nd HY 1hem yourselfl H,11 Purch1s11 * P1'1 E1<ch• ng1

FREEDMANS MUSICAL INSTRUMENTS LTD

534 H 19h Road Leytonstone. E.11 Tel 01 -LEY 02BB

Closed ell day Th1.1r1d1y ~-------• GET ORGANISED

. ,·_-:----- .. . -­-,-... , __ _

LONDON

BLANKS MUSIC STORES 281 High Road London,,N.W,6 Tel. MA1 1260

David Blank will advise you on all organ matters

10 ' deposit terms with 3 years to pay

All makes stocked. ser­viced and repa ,red

Information on tU1t1on upon request

SOUTH EASTERN ORGAN AND PIANO STUDIO

LOWREY OJIGANS Ser1c1ton of 1acondh1"1d

LOWREY H~~f~A~ de lu11• (AOC . 6 Lu) (430

LOWREY HOLIDAY £310 LOWREY TEMPEST (Gl1d• 6

Lu) £395 LOWREY STARLIT £265 PARIE PR .• new. 020 FARFISA LEADER. Good cond

£200 Rang• of new LOWREY ORGANS m stock Also sel.c1,on of new and s•condhand porllblu, 1 • V0X, WEM. HARMONICS. FAR· FISA I HOHNER LESLIE ub1n11s ind ELECTRIC PIANO~ New ind ucondhlnd MINI P IANOS If\ ,rock Par! e11cb•nge and 1•rm1 1rr.1ng•d 1tso In· sons for th• b1g,nn11r or ad vanced pley•r For lunher on• form.i,on con11t1 1h• ules managtr of our s1ud,o Mr

Alan Pnsley al 391 L1w11h1m High SUH! London, S E 13 or phot1• 01-190

3600

SOUTHERN ENGIMD

BENNETTS OF PORTSMOUTH ORGAN SPECIALISTS

All organs from smiJII portables 10 the migh ty

Hammonds

Easy terms Part exchanges 117/ 149 New Road

PORTSMOUTH Tel 62308

H. S. BIRD Thi M u sic Shop

58 Saclw 1U Road, Bu.hill-on-Su, Susan T,1 405

S1ock1s11 lo• Yam1ha. Bud, Thom••· l1v1ng,ton•. G,m,ni.

Hohner S•rv1c,ng R•p=~~, Acc1s1ori..s,

COL!RTNEY AND WALKER LTD. 261 Commercial Road Ports m outh Tel. 22036

LOWREY PHILICOROA and SOLLINA

organs 1n s tock Serv1cm9 and repa,r

fac,1,t,es HP and part t-xchang

Organ:,. for h11e T eaching staff on prem,ses

:=====:-:::==·-LYON & HALL

LIMITED

92 W H tern Road BRIGHTON Suuu Tel Br,ghton 27991

Sole •r•• •1•11h for HAMMOND

•nd main •&.,.h fo. PHIL I CORDA

[ _ ~ALES

[ CHURCHILLS of 66 Pork Str et

BRISTOL Tel. 23S8'i or 20916

Ltadinp: .1genh for

HAMMOND I LOWREY I WURLITZER

THOMAS EXPERT ADVICE By Chris Hayes

"'":.\ LA:ia~fs1~!r:an~s7_ery Hfion:

FARFISA HOHNER

BALDWIN PHILICORDA

After sales service 1s our speciali ty Group teachmg

arrdnged

did be. start bis car«r' _ p Kinsella, Coventry. · ·

Alan ~,ean. h1 .!' musical ca reer at six, Just tinklin& at odd rnomf'nls on thf' piano Gnidually he developed and became a great admirN or Je rry Lee Lewis. Hf' startl'd in earnest when ht! was IG forming his own band whil~ still working as an inco'me tax official in his n11tive New­castle . _Then he- turned up with Enc lJurdon 10 form the Animals, whe-n he went over to organ, mainly hecau~l' c luh pianos were so atrociouit. When lhf" Animals brokl' up in 1965 h" formed the Alan Price Set, whuse first rl'c.ord i"~ hit was " J Pul a Spell Un You"

Alan started on DUCK. SON & PINKER LTD.

BATH Tel 5675 Also at

piano at SIX l 1 Umon Street. Swansea

Tel 55337 and

13-19 Milford Street Swindon Tel 22018

A~ents for Lo ...... rey Thomas. Compton and

h d1co,d.1

J HA~~ j~:; h~:~:a~ re::;: Organisation on our radio and It would ~ lnc~dlble lo kno~ their names and Lhe places where they play, -lennart Slmon,;son, O!i.ter-sund, s~Nten.

W HO p•ys th" organ with the I.As Reed Orchestra

on Donald Peers' hit record, "Please Don"y Go '1' Which model WU h" usln&? - Bill WakeHeld, Stepney.

The org111n1!>1 was Tt>d

I l'nfortunatt"I) Graham

:~!~'l'c:nt" h!~d dl~-.a~~l~=~~~ '~~ ::========~- t.:>111~d.kintt11!1t~u~;,1) ,,:~~~:

WALES

Taylor, whu plays a Lowrey Heritaae De Luxe wilh a Le.r,ht- 1•5 Tone Cabinet and 11 special percuu1on effect fitted b)· William Dunn and Co. Ted docs all I.l's Re-ed',; record· inas, mcluhn11, th" bac-kmg for Tom JHn(·'io and Englehert HoinpNdinck l>f'C8USt' Lf'S l1kc!I. lhf" sound nf the Lowre)' r.md !\pe-ci:ill-., writes for it Ted also pl.3H thf' instrument nn h1" currl'nt Oavjc-n (DJ 1005), "In A M1dni,:ht M(l('ld With The Ted 1 aylor Four."

CRANE & SONS LTD.,

HAMMOND MAIN AGENT

I 3 ,J 5 Baneswell Road Newport, Mon

Tel 58043 LOWREY ORGANS plus a fine selection ol PIANOS by STEINWAY BECH ­SlEIN WELMAR. CHAL·

LEN. BROADWOOD KNIGHT etc

Organ tu1t1on from begmners to c1dvanced

Also at Castle Arcade Cardiff Tel. 20859

From Manchester . . .

for

almost a century .. .

VINCENT ,WAGSTAFF

LIMITED 12 Voughan Street

LLANDUDNO North Wales

rully kno\.\-~ 11 he is slill pla), mg Cerl~inly ht' d,11 sn't 11ppe,1r to ha, r a hand at pre!>ent

MUSIC FOR ELECTRIC ORGAN AN INTRODUCTION TO COUNTER

MELODIES FOR THE ELECTRIC ORGAN by William Davie s

DANNY BOY ORGAN ALBUM, arr. Nord-SI-

man & Bentz 12/6 FAMOUS RHYTHM CLASSICS, arr. William

Davies MIGHTY LIKE A ROSE, by Ethelbert Nevin,

arr. Eddie toyton ORGANISTS ON THE MARCH, arr. William

Davies Visit our showroom:

71-

41-

7/6

Hours: Weekdays 9 om-5 pm Sots. 9 om• 1 pm

BOOSEY & HAWKES 295 REGENT STREET, LONDON, WlA lBR

GOLOEN ORGAN SOOK. No. 4. Arranged for oU Ofgon, -fh,clron,, P,pe Prnet Spinet. etc. Conlo•m over 120 numbers together with Special SO poge Svpplemeol 'lrnprov,og )"O'-'r Organ Ploying' £1.1.0

ETHEL SMITH'S NOVllTY ORGAN SOI.OS FOR ALL ORGANS F,we wondord fo..ountft 01 o,ronged ond fe.otured by Elhe l Sm,th 16/·

HIT-FEST FOR ALL ORGANS. Arranged by Mori loub 12/6 ALBUM Of (SO) POPULAR TUNES. Arranged for ,o ond 60

Bou Cho<d Orgo.,, (...,.,tt, ...,.ords) by Jock Moore 10/ 6

BOND disappe.ued

wH:n~ue::cvs" :~en Br::~ Auger and what art his ret'Ommendatlons for success~ - JlJn Rurbeck, Dundee ,

I slarted m y musical career on the piano with one hand when I was thrt:e

We had a pian ola and I used to stand on the pedals with my chin just about reaching tht' keyboard! By the time I was 11 I could play hoogie-woogie and rag,s on piano It required an ama7in~ kind or technique which I don't have now• My pianist brother Jimmy was a great jau. fan and played me records by Muggsy, Louis. Leadbelly and S~earing . I started to slnR, 1mprov1s1ng the blues, but I couldn't play them on the- piano. 11-14 was a frustrating period. Eventu­all~· 1 becamt interested in Kenton, the first Jan Me!i!ien ­gers and Horace Silver, who was my greatt"s l influence. At I• I got up a trio .111 school

!is~ grrd~!~y s~llf8~1~;j~~prhoy

TUTORS I N~'!tooDR~cT1g:cAH T~~ ;e~~ Bolt.on , Robbir1s-/ FDH, 'h .d

DICTIONARY OF Pl,-f ORCAN STOPS by Stev .. r1:i; lrwlr1 , Chap• P"II, lOti

ear, with a Jot of wrong chords. I could play any tune nut only in three o r four

~:ms~ r~:~~u~~t hi:i~ o't~: and I was hOoked with a trio for JR months at the Collage Club. It was a ~real scene with lo l ,; of jaz7. everything happening, st::ir mu_sicians sit• tinJ: m, and it did me the ~orld o f good. It gavl" me- the l"Xpt>rience and confidence to fo rm my own sirnup and r.o on fh6 road BRIAN AUGtR.

W HO Is the organist with S)'d Dean"s Band at

Brighton's Top Rank Suite and which Instrument dou he play? - Bert Williamson, Port,lade.

The organ is a single• manuol Rank Farfisa with Selmer amplification, and it belongs to Syd, who uses il as part of his big-band sound His organist is Jimmy Stuart, who doubles on piano and writes some of the arrsnge­ments. He joined Syd about rour years ago after playing for star bands and leading his own group on the boats

HOW does one det"Kle which organ to buy, depend•

Ing on personal requirements, when most dealers 5peclalfse in onl)' one mah? - Carlton Browne, Dorking.

G"t a copy of an inform· at1ve little booklet quite

~'~Wih:~t1:t ~~ft;5an:h~~o\~

Ltd, 6-to Lansdowne Road, South Woodford, London, E.18 and costs 3s plus 6d postage. Jt describes or illus­trates most of the organs currently on the market and glVl'S an indication or prices.

(Primer), ls fHi t'ach (Books-1·1)

THOMAS ORCAH PROGRAMME by Lilwre"ce Welk, ThOfflH Musinl Instruments Ltd .EU 12, .

MEl.1JDY MA.KFP April l!I I~ -P•,:e 2.l

Do-It-Yourself LESLIE UNIT

GENUINE LESLIE SPEAKER inserts-motor ( 115 volts) paddle and speaker

Reduced to 25 GNS.

VOX GYRATONE •1 1peaker, coblneh wfth enclosed rotatfng units .

Reduced ta 55 GNS.

RADIO MICROPHONE Transmitter . c ose and mlC· compiete

Cost 125 gns. _ Reduced to 55 GNS.

NEW RANGE OF 'SOLA SOUND' AMPLIFIERS so watt BoH & Trtblt SO gm -

JOO watt Ltad or lass 90 gm 100 wartP / A . 11Sgns 4 x 12 (AIINETS 120 WI. 90 gns p / A Sptoktr Cab1ntts 240 wt •• 190 gns.

P/ A4,: 10Cobinels80wt 69gns

••••• [ ••••• .... j ····· ..

SOLA SOUND PEDAL UNITS WOW-FUZZ SWELL-WOW TONE BENOER MK. 111

TONE PEDDLER SWELL-P£DALS

All at,-

/,[ Jllacari ,-s %d 111usical, e~hange

FULL TONE ORGANS COMPTON ORGANS LIMITED

M,n e r v• Wo rk • Chdsl! Fl o•CI L ondon NW 10 T e l o phone a, 9 ti5 &666 T eleg r • m a Or g•n• L on,Jon N W 1 0

BERRY PIANOS Over o Cenlury's Experience of Keyboard lnstrumenb

Agenh for,

PHILLIPS, THOMAS, SELMIR DALLAS, HOHNER, TEISCO GEMINI, ETC.

Coll phone or write see London phoM book for branches), and 277 London Rood Wesfc\rff '.0702) "6lM9

N. BERRY & SONS LIMITm 14 CITT ROAD, E.C,1

Est 1866 01-606 178<

HERMITAGE ORGAN CENTRE Hens lead,ng Organ Spec,ahsts

Main dealers for LOWREY. WURLITZER, FARFISA PHILICORDA. VOX and SELMER

H P terms 10% deposit. up to 5 years for repayments all repairs and mod,r1cat1ons

35-36 Hemutage Road, Hitchtn. Herts Tel 4537 Tel. Llandudno 76649

Le.Jd,nt,: a,,ents for

WURLITZER

LOWREY

GULBRANSEN

FARFISA

K .P .M. 21 Denmark SlrHI, London. W C2 HAMMOHO ORGl'H COURSE

by Palmer Hughes, Mill,, • ook, l ••• "a11:h )ls- HOW TO PLAY COMBO Oil• l====================-...J ~~~ by l"•lmer Hughes, Mills,

and mc1ny of the

hOrld s leading m.1kes L of Organs ---~

[ N. IRELAND r--

M. CRYMBLE LTD. Elt ,r,,n, ·,,(l 1n

Sp Ii t

L~,11:j no 11gent1 for

fARF ISA BALDW IN vox

PH/LI CORDA

r:ii'FJ The finest organ music l ~ on record

AD-RHYTHM RECORDS

AD-RHYTHM, 14a Broadwalk, Pinner Rd. L_N~_Harro!'r M~ddx. Tel: 01-863 1841

CITY ELECTRONICS LTD.

ORGANS MAIN AGENT~ FOR -

• HAMMOND • LOWRlT • FAltFISA • THOMAS

;;11 Tu,! ,n ev.1 •Jt,le ·-~·•'• , ... ,"-<> ... ~d-i- ,....,. ..,, ~1 2•i,.,,-,,..,oo"........,.

Hf' • nrl f't,rt Ex t hdo 1 ,.,, •· 1 ;11t ttf' o•" .~,. "'"" 1·•,.c;,r ,.....,_, "'' .. .,,_.

>IJ, I• J•hon ,, rall TMI ~7:~~r;~.~::;S ~:~ITI sa WELLINGTON PLACE l • OADWALI(, ... NA• IIOW, ........

L _ BELFAST ~el 3299..2_ J L~::::::•:.!".;.' !!".:.' !!'":!.'...:";::~1::.•.::-=~-~•;;;"':;.·;;;-;.;;o •= ••~ 1••;.;.1 ;;;°";.;.';.;.'-.;;....1

TH E AMATEUR ORGANIST by Her1ry Col.,mar1, O:dord Ur1ivt'r slly PnH, 12, .d

l'ORTABLE ORGAN COURSE by J. H . 5t'ldor1 , KPN, Us.

WURLITZl!R HOBIY LESSON COURSE, Wurlllnr Lid, .£11 lls.

THE CAUflYE ORCAHI ST by H1r1, von Hofw ede, A1htey. Flcld,, FIVI! books, H IC:h 141 l,cf

• ELWYN ORGAN COURSli {l) P11r10-0rgar1 (2} Pop Organ Leed,, Preparalory and Book,; 1-4, Heh JOI '-d

MILDRED ALEXANOIUt Oil• CAN Ml£THOO Hanun. Ss

FOR All ORGANISTS:

r,.., ' .......... ,, ,, •• ' ' •• ,. la• 0. •~t ..... ,, 11• ,(Tr"II ) 11/•

r :.r .. ~-••11 ~111 •I .,., \ j\,.

OAYIO CARR CLOVER Oil­GAN COURSE ror (l} • aid•'" (2} H;immond Sp1r11t ()) Lowrey

I:> ,,.V:t::i~•~~'1, 5l!"!~ch "(;:!~; 1-4)

HAMMOND ORAW8ARS MADE EASY by Lor1lti1, Ashley-F1eld1, ....

LEAllN YOUR CHOROS AHO HOW TO USE THEM by David Carr Clov"r, Ha"1u1, • oolcs J.). 5s 11.~ch

EASY METHOD FOlt •LIC• TlllC ORGAN , l'Hlon , 12a W.

AN ELECTRONIC oaGAN FOR THIE HON• CONSTRUCTOa by Alan OeuglH, Ptbrl•11. ZOI.

A• C1 of liL• CTIIONIC ••• CANS Illy • .,fflaft N Cnwhunl, Ftl11IIN,n, 1k

ORGAN •UILDING ANO DII-SIGN Illy , ... 1..c;ertaar• A"'•r-Mft, .......... u ..... ..

Fa•ou• NCY DIYIDU -­GANI FOR THI CONITa:UCT .. IIIJ Al.aw ....... P--••• a.

in.acn•••c NUIICAL ... =~:.=.: - AIN

••.aa.; \ H \1 fl o rn MAKfR. Apri l 19, 19fi'-4

Just a nice bit of rock and roll for the people B E A T L ES : " Get

Back " (Apple). OkJy, so this is what we all wanted - the return of the old Beatles.

The, hJven 't donned Mersey beat wigs, but at least they have tried to please us with some helpless musi­cal innocence. Just a nice bit of rock and roll for the people.

Paul singing with feel­ing, the guitars and drums pounding a Chuck Berry-type riff and an echo like the Liverpool Cavern. No naughty freak-outs, no weird lyrics, just good clean fun. Fine stuff and a hit me­thinks.

So over to top national journalist E r n es t Smite for his reason­ed comments and re­action : "Get Back? Yes, that's wot I sez. Git back to where you come from you long­haired scouse gits!" Thank you Ernest.

GLASS MENAGERIE: " Have You Forgotten Who You Are" (Poly­dor) . A Chas Chandler production and a warm sound that lays back on the beat and reatures an , m a g I n a t i v e accom­panrment to emotional vocals

F.ffective use 1s made of piano and organ, and one cannot help but tip this for the top

rnlli~~~ Wrn~rnlli , POP SINGLES

PAUL McCARTNEY : singing with feeling

RAY STEVENS: " Gita r-un •· (Monument). If there is one type of record the public can 't

stand it's " funny r eco rd s.'' Espec ially funn y records, that are more droll than hilarious.

If you bother to listen to the wo rds, drowned in heavy production, then you might raise a smile , Most will scowl or spit I fear.

I know their ways y'see .

SLIM WHITMAN: " My Happiness" (Liberty). Over to my country export Big Jim Cowpoke for his ve rd ict. Quit poking t hem cows Jim, and get over hyar

"Well Sir, m y hea rt is just bursting with pride on

t~~e oc~;~~n. 'a thi~~gt~~ pretty tune sung by good old Slim at his howdy-hoe best."

"Throw anothe r cowpoke on the fire Zeke,"

IKE & TINA TURNER: "I'm Gonna Do All I Can (To Do Right By My Man)" (Mlnlt). The phrase: " Slow paced rockaballad" sp rings all too easily to mino .

Better to say Miss Tina Turner sings with beauty and strength. One of the finest performances of the pop age

Play it loud and play it proud.

MELVll'I DAVIS: "Save It (Never Too Late) " (Action). Over to sou I expert Irving " Finger-

po p " O'Yeah " W e ll bl ess muh soul Put your hands toge the r at this t ime and try a littl e tenderness. W e ll J feel ALL right! "

From this garbled a ccount we can d educe this is exceptionally ry thmic and ideal for rather clumsy men with white shirts and unsuitabl e hipsters to frug to in ungainly fas.h­ion with vacuous girl friends in their local borotheque.

MERRILL MOORE: "Sweet Mama Tree Top Hall "

~tC):, :~~fe .~a~~~i~: has lo ng been shoutin g from the tree tops the virtues of Mr. Moore's boogie piano.

And by jove he's right. The man is a genrus of the ivories!

GLEN CAMPBELL: "Gal­veston" (Ember). A light hiccup o r hicough in his throat, tends to have m t reaching for imaginary six-shooters. Hit herto J have remained silent on the subject of Glen

;;~rd~~II itFe;~~• o~utth; more unhealthy aspects of Our Times .

1 reel sure if Peter The Great, Tsar Of All The Russias, were still alive, he would behead this chortling cowboy with his bare hands and place the seve red bonce m a pick ­ling jar and leave it at the feet of his mistress· bed

RAY BARRETTO: " Acid " (London). Screaming hot trumpet on one or the best instrumentals m some time.

Violent timbales, sexy scra------------------------------------------, pers and judicial shouting

from a nameless shouter lead mto Mr. Barretto's conga drum solo

An all out gas.

LEVIATHAN: "Remember The Times " (Elektra). Once known as the Span, this revamped group pre­sent us with two singles as examples of the ir work. This is most read• ily commercial of four s ides.

Although I commilted myself to dismissing it as a total flop o n my TV Spectacular due ror screening in October o n BBC 2 (" Brmg that screening date nea re r• ·· yells Wendy Potts), after several pla ys, I now realise the e rro r or my ways and suggest it could well lurch chart high

NEW POP LPs

Strange atmostphere . on this souvenir

of a dead group

TRAFFIC: "Last Exil" (Isla nd) '. A s trange atm o~­

ph r re preva ils nn this souve­mr of a dead group Thi:' two moc;t int erest tnR tracks ar f:' the " liv~" recordings . made

t:~:r~ca the,.rhe la~!rga~1p a;d drum s a re recorded a~ full

;~~~:~ a;l~n c ~r~: ~~ ~ o~i; wah 8('rOS!I lO th!' m1Cr(?• phone wh en the . wtnd is 1n th e rrithl d1rec! 1<?n .': ~li n~ Man" tht' remamtng live track lut s seven min~tes with Jim Capaldi thrashing and Stevt- in fine voice generally Side one has all studio tracks - "Just For You," "Shang­h111 Noodle Fartory," "Some• things Got A Hold Of My Toe "Withering Tree " and " MCdicated Goo." A patchy hut interest ing set

THE MANTOVANI SCENE (Decca). Another supe rbly re­corded alhum from the mae­stro - sounds great in stereo Numhers include "Delilah," "Those Were The Days " " By Th e Time I Get To p'hoen1x." "Love I! Blue•· and " Les Bicye'lettes de Bel· si1e ."

COLOUR ME INSTRU-MENTAL (Morgan), This two package alhum of varmus in­strumental sounds does not pack a 101 of excitement . and frankly we wonder who 11 is aimed a t In th e line up are " Hey Jude," "The Long Night," "Those Were The Days," "Gone Now," "Dea r Heart," "A utumn Leaves" and " None Rut The Lonely Heart."

DEAN MARTIN:" Only For• ever .. (Music For Pleasure). Some or the good old 'uns from the lazy voiced Mr Martin who always sounds as though ht- wa, recording on the 18t h fairway. Pleasant accompaniments from the Gus Levene orche,t ra on songs like "I Can't Give You Any• thing But Love," "Sleepy Time Ga l," "I Don't Know Why," and "The Object Of My AffectionU

THIS IS DESMOND DEK-

~: Rspe1i~:J•;J- De:k!~ o~h~~! alhum though 1hc handout and everyone else spe1ls it De-kker Desmond will be pleased' However, here·s a good buy for fo llowe rs of the man cu rrently riding high m the cha rt with " Israel11es "

r;~cl~~ atnu ~;t:rs H i~~lu\j:~: "007,'• " Beau11ful And Dan­,ternus,'' "Wise Man,'' "Music Like 01rl 1" and "Mother's Young Girl " lndmed to iet monotonous and lacking in Rre but tht-re i! a "sunny C.a n bhtan '' amhience about the alhum

NOEL HARRISON: "The Great Electric Experiment ts ~>ver " (Reprise). A mos1 en­JO)'ahle alhum from 1hc: in• offensive Harrison He has one or thf'st' naive voices that appeals lo child ren and when tht' song 1s s,·mpallco hl:' can cast an mnoct'ni little spell On th1!ii all)um he sur­rounds h1mst'lf with excellent mus1('1ans fl1ke guita rist Ht-rh Ell1'i) and plt•asantly loes

~ir•nt8d'nn~~~nu: .. h ~nn(~~u~:~~

• r.r.

STEVIE WINWOOD

Boy Again," "Poor Cow,'' "Blue Is la nd,'' " I'll Be Your Baby Ton,~hl"

TitE EXCURSION "Nishi Tr.a In" (Morgan). Anulhrr of

~~:!~. ar~~~h~0~

5nd •~~~~! ;~

numbers like "Green Onions:· "Shake It,'' "C.hatt.anooga Choo Choo." Some quite ex· citing moments and a good drummer.

THE TYMES: "People•• (Dire<:llon). The Tymes. re• cenrly in the chart wuh " Peop le,'' owe • lot to Rich ard Rome who arranges the songs here He has • con• temporary feel ahout his writing which gives a vital quality to the five-man xroup Over a whole a lbum the Ty mes grow on you. They are clean and neat w,th littl e left to chance Bui they do achieve a deeper approach than many groups lndudei. " The Look Of Love ·• " Alfie ·· "For Once In Mv Lire'.-·

.. ~~R~vw;ueTi~k: l:?~fi:· Soul Goes On,. (Mercury). Yes. quite a lot or exc1temen1 nn this album. Forcdul arrange­ments an~ Jerry slog!> awa) with feel mg on "S1trm' On The Dock Of The Bay, "Ain't Thal News," .and ~~~~~ .. Been Lovin,: You Too

THE EXOTIC GUITARS: •• Those Were The Days " (London). Pleasantly playl'd guitar versions or ,;;on~,. like "Those Were The Days,'" "A Taste or Honey,"' "Lnvt Is Blue," "Spanish E\e!I,'" "Stra ngi:r On The Shore.~

PETULA CLARK: •• The Best Of Petula Clark " (Pye). Petula does not hit tht' chart u often a'i s:he> used to hut she can be relied on 10 pro­duce profc:ss1nnal, compt'lt'nt womanly pop Hert' arc:- ,wmr of her mnst Wt'II known songs mcludin,: "0011·1 S11 t p In The Suhwa'y ·· and · I ~~~l .. To Sm& Wllh Your

A GALAXY OF 5TARS: (P)'e). All proht !rum th~ sales ~Ot'S In th•· Ahhe:,hdd SO<'.let), v.n1c-h pr"Vldt-s hom for loncl)' f" ld f"rlv pPnpl~ Several n·cnrd lahl!'ls h1v given perm1.,~1or1 for 1h u of their art1!.ts and tr.h k ,n elude s«njts h} ( htt R11:hard Sandie Sh.tw. VJI D I an l!ndah Ruiers An,t.s ffarr1s C)nl Staplt-1<1n. G It Famt'. Lovl' Affair, Spt-clrum Foundat1 n<1 Tr"m"1 ) h Driscoll, Hri n -\ujl; r and 1h Tr1n1I}

OHIO EXPRESS: "Mercy" (Buddah). Do you like foul music? You do? Then

l~t 's bop the underpants r~:::~~~:.:.:.:.:.:.:.-:..-:..-:..-:..-:..-:..-:.-:.-:.-:.-:.-:.~~-=-=-=-=-=-=-=-=-=-=-=-=_J boogie , a new dance craLe sweeping Anguill~ .

No":"' for this week's ex­citing In-Depth feature

~°h:~c ;~~ J.?~f:1·10 h~ am speaking to you now from msidt- l om Jones· s tomach. He has Just enJoyc-d a good supp1.:r. and by the clouds of

~~:it, !~0~n ~~,~~t:

flood or brandy c:ascadmg on us al any mom('nl ..

'208' introduce their new ,nu1ic pultli1hi119

co,npany

LOUVIGNY MUSIC·

REVIEWERS:

Mfl 011Y MAKf R, April IP J•Ji.,9--f'a Z5

Enjoyment with

no gimmicks from

Clarke-Boland

Get this and reaffi rm you~ faith in Ella Bob Dawbam, Bob Houston, Jack Hutton, Max Jones

FOR THOSE:. o( us ro r t unatt' e-nouJ?h to be at this frsti val in \9fi6, these s1d~s conJure up dtl1cious memories of balmy nights on thf! Cote d"Arnr mingled wi th fan tastK' rumps as l·. lla , eAAt'd on by tht FllinRton mus1 oan,. sailed through num btr after number

Ell• hid had tn ca nt d her 1pptannct ta riler m tht fr~uv•I t<.. Oy hc,mt tn Am,nCI fr,r her J1!!1ler's funnal Wht>n , ht returned In Juan•ltt•Pins, tht Elhn glon• urn, df'termined to chet!-r her up And th"y did to a man

Sht hit peak form on each (If tht nights reco rded he n · ,i;nd rtfUIU ar,: elect rifying She 11 featu red wilh vary ing cr,mb1n1111nn, f, om 1he full E.llrnaton band, lncludln & Duk, and guesu R1y Nanu: and Ben Webste r, to her own 1crompanyin,; t rio led hy puin11t J im my Jones with J,mm} Hughart on bass an-1 drummt-r Grady Tat e

Evtn old sta ndards lik e · "\-tack The Knife " t a k e on a n"v, sheen As Ell a. in her full maJuly, breeus alone, wh1p• p1na: nff u tonillhinJ:. vocal run~ and 1ca11ermg away hk c some lnilrumtntal virtuoso. If you've got to h ave "ca t sing• 1n2, have Ella or LA,uis. And, '>n " Mack Tht. Knife " she dnn hoth1

Thrse supe rb sess ions were h,iptd 1mmcai;u rably by tht!­Hlln1ton mus1c1an, and by (,rad)' Tate, • drummu nl dt p lntelhgtnce And Duh, v.hat a p11mo playt r And the hand. ~hltt ilnriOUll riff " And

II you·v~ hct.n ,tettm~ a hi: t, ,rtd h.Y somt of Elta ".'I .1lhum1, (Jf late. try 1hi,-, It v.11] rtaft1rn, your fa uh -HI

I EJ11 a nd Loul, fan, who m1uod ELLA LOUIS the first t11t1t round will fond It on Music fo, 'lusurt MFP U'96 u·, full •I 1lo rlo U1 momenls of fun and t•mn with Lou is' bubbhnl) fTll1chie f burs ting through all OYtr the pl ace. Ella's singing Is, '' 11 lw1y,, near ptrftctlon and With Osur PETERSON ,tom • .,,,, llWly behld them with his cohoru w hit ntOfl can )'OU a,k"l' Ap11r1 f rom a n odd " Autumn In Mew York" whkh s.ounds too high lor Lou h' voice, • very Irick Is I winner. Tht lint up 15

Oon't a o That Way, " "Mallin' Whoop e o , • • " They All

La~:t~ted-;,~ 1~•.,c•,':"::_ntp~no•vo~t The S1vtiy," " 1 won't Danct," ;:\.~,u~!o_• ~bJ Ain't I Get0d

Dill6TPIAaTOBUY AND HW JAZZ AND BLUES RICORDS

IS

MOWBRAYS 14 IJTTUPORTIANDST. and

28 MAl!GAJUTST., W.1 (jv,t off Oxton! Circus)

01-'80 2112 PAYU!A VISIT-SOON!!

If YOU n .. d a tonic book

SASPERELLA OSTO 3736

ELLA FITZGERALD : even old standards take on a new sheen

ART HODES

ART HOOU · •• Plain Old Blun," Wo1-hboord Blues. How Lono. How Long Bluel , Mister 811.M!'t , Tht Ch,mc-J Slut'\ , Pmctop's Blues. By A And T. Coll To Attc-n ltor, . Ronclolph Stre eT Shuffle. Bo1,n S1,..-1 Bl~. Snowy Morn,ng B lu<'-. Royol Gordc.-n Blue.-\ Bt,>ctdy Bolden' Bl~, tMercurr SMWL21029).

Hodu (pno t. Truck Parham lboS\) Dolr uncerto,n 196<h

) T'S H~,~•t t. ~h;.,o! l~';, ~~a~;; 1h C hicag,1 p1.1n,._t, actuall} 111H n 1n R11"i"i1a m J 905, has hcen .iway fr'1W rl!cords for •11.111t- a tim

Hert· hi' 1~ pr~s.-,1ll'd as a •w in performer. with a lilmple. str-ad) sunahh:· accompan1· Rll'Ol h, ba"ilolSl Parham, work,n,t m h1, fovounll.• \/tin, tha• d hlu ~s and harro?lhouse

ldl"f~trythinp: on thl" record yr. hlu,.'i ,1r hh.1tr-•<1leep('d mu.sac. 1ho1.1Jlh <HhN aspe:· 1,;; ,,f tra• d,11r,nJI p1 mn J37l are mur-h 1n f'VJdt>nu. Part1c.ularly thl" 111ylt ,: rtrre<,entt·d h> Morton. Jimmy Jnhnson , Hin:is and rhc , nt1re h11rr.-lh< u~ •chool from Yanr-t>,, to Jahbn Williams In a ,,., 3), Hndt-1\ lets the tunes

•P~il,:k i:h::1~~mF,~!v:~)"'I on 1he S)f-f"Vt. "Arr Hc-dt>,; ,$ proh•

~~~~-,; 1;1~0!~~:1 <~I' l~c al:~1;~

dtltrmlnt>J ill ,:1·: lo lhe he3rt lf II compm,,tmn Fur t.11tample. he untovers tht" fra~1lrty, tht la,·, r c,I r!t?tHne, lhat II prr·

~~"~,-~:id~f/:n~~·; r~1~;:~?."" s · Thi,; rather haun1mi 16•her

th~me wa,; Jt .... a)s a H1,d•!/i favnuntf" {II w;i.,: tht a.«-cond ,,J,, rt-c-ord ol hi I t'Vtr

nwnf"<J. thi ftrlll b.:-1n,c "Ro~ 111vt-rn li1M"1jit ") .ind h fet'IS 11 out 1n hl" own wav, lt-av1nr, th~· c.h.n,~rtl r mt:tct hul hrln,.. tni:. tn rl rollmst bnnJ!lf !l!yl 19nli,. front hi" (. h1u1,1:1, up•

hrmi1:tdolph S1rt~t.'' a Hudes

t,tuc:5, in melamholy mood .n heel ... in pl~r~& his adm1ral1C1n for J1mm)' Yancr-y as d•> " H()"" LonJ · and ·• Mi ter ·· Hut ()l~wr t nt•fl.. innu nrt'

at .. ~n~. Huddv Ur,ld.-n's · 11nd , l,;1 ...,hfr1• 1H ht11r efh• •• of Jt.llv R1,ll'J d•< r.1t1~, Nt1w u1 leans •flpr ch t,ul o ,1h1nJ:

p.1 ll(h , t v, n • r•mcto;i·~ ltlu •

)''"Is a,,.,•v lrnm !he- c.,ri 1n•l-1h1 m.iiik, ii '>(Iv. I< Alhrrl o\rnm n•' "~ l,Hlll!\ I ,:,II IIS 1t1, , n P'I• r 111 ~ 1tllh ,:h

Hodes· interpretation (like s<, many_} lacks th e lii;htness and peculiar lift of Sm1lh's excep­tional!}' lucid " Blues" and " Boogie Wooile" cut in 1928

One other title ,tands out " Call To Attention " by HQdes. This is a stomped blues whose gutbucke1 phrases, un• usually exuberant for . this p1amst show Art's famihanty with the bright, rough South• ern bar-rOC'm techniques as practiced by Jabbci Williams and 91milar obscur~ entrr• t..a.iners

In a period when few new relOrds l.f th .;>ughtful tra• dltinna1 j&Z7 piano c.om~s from the c.ompanies, this ~et ,s a hit of an oao;is.-M.J.

W ITH org•n records so thick on the ground 1t 1s, at the

very loast, a bit of a chango to encounter one on which th o org anist workl in ill small•b1rid grouping of trumpet, tenor-and• nute, 11u1t;ir and a total of lour ptrcunlon11ts. Lonnie Smith's THINK ! (Blue N11I• M~) Hts him among Le, Morg;in, David Ntwnt an, Melvin Sparlo, dnim• m•r Marlor, • ooker plus tim • NIH and two conqa "''"· Tht programme., wrll enough v1r1ed as these. things go, takts In a 50119 by Arotha Franklin (!he title tune.), two Lonnie Smith orlgin1ls, Hu9h Maskola 's "Son Of Ice • •q •· •nd a r,urly In• genlous trea tment of " Three Blind Miu." All the r1rtlcl• pants play well. tho multlplr drum'I pro.J,tct pl•nl)' of cxoUc rhythffl1C thtmH, and the pt.r• tormances offer • lew mod11h ensefflble statemcnh which move ;along easily anti txp,,.lly. Much or th• music 1xplo/ls tho MUI ,.ound or Latln•Amerlc1n Idioms, and thcrr are t1mts •hen tht play!"g SHfflS lo bt exlendod beyond lhr point

RADIO JAZZ • rll1th Stand•rd Time

FIUDAY (11) 410 am J: All That Jau: (Fri. Mon •ThurS) . 5.)0 pm • 3 Jau: In P'enp,cttv1 {Charle1 Fox). ,.3'1 T : As ror 11 30 daily e1uepl Sund1y 110 Hl , J•n Rondo IO If. Jau Workshop (Fl11h• point) I 2) A) : R and I (Fri Sat Mo"-Thurt) •.50 U : Jot. s,mon 10,0 HZ. Dave • rubock quartet, Mel Torm• . 11 JO T Anlha Franklin U O T · Ornctt• Colemat1. 12.$ Im • l and 2 lau At Night {John Ounn) 12.u I c (1) Arettt1 f"ninltl1" (2) MJQ ()} Hm•m Makeba

SATURDAY (H) J s affl J Jar, Unltnt1tod III s J Fll'ltfi • al'ldwa .. " U.O noon •) Jiu Record floquuu (Stev• ••u) 2 4S pm Hl lhdio Jau Ma1&11ne lO I Al: Pop • ..,d Jan ,..,11: ltolottcf Kiri!, Ch•rlH LIO)'d . Jolt" HattdJ 10 JO 9, (1)

::r ~t~·~: .. ~''.!!1, ~, i.::: Jaa:net 1111 AZ. Leo ••••ti. U JO T, •••• Lawsa11,.N Nat• r.~r L~~: ,!'u' :.;., Tllad JWtff.

whero the muslcian'I ha•e any•

~~~n~hl,"v1':!~~s1~!t r:!m ~ric: Bag" and 'CIII or The Wild, " allraclive performancH In the ntaln whkh IHt 11 and more. than 12 mlnutu r"'flectlve.ly. Smith himself 11 a good crisp organ player on thl, !ih-lng .

Me can be unobtrusive, can swing vlgon,usly without over• •helming the listener, and com­plemrnl lh1 band without drowning n. I ' d HY the •lbum would be lntertsllng to those who tspoclall)' admln this kind of pruent•day LP lpp~ach; very much Ins so to ptople who hkt ide1s ex pren.ed in a more compact torm.-N.J.

DINAH WASHINGTON

DINAH WASHINGTON " The Originol Soul $Ider." Look To The- Ro,nbow, Ill W,rid, Cottooe for Sole, All Ot Mc, More Thon Yau Know; Goodbye; Willow Weep for Mc. Make M• A P,esenl 01 You, Smokt Gets ln You, Ey", I Could Hove Told You l fontono Sprc:lol SfL1J07J)

We1hlngton tvocl with orchc~lro d,rccltd by Nol Moonr,, ond ftotuung Herb Gellrr (olto), George Au~

tt;;!•ttr -::,~~0 7bo~~,~~d }fm":1; C•bb !daJ M•d 19'.;,0s

QINAOl~e w:,sH:~eGT~:!o~~= Indy champ11ms: a vacal rarity whose style and magnetism ,nobled her to moke much of h1tle and somethin~ of lasting value fmm B h1~h-quality

SUNDAY (20}

12.S pm J . Finch aa.nd••••n. 1 0 •1 : Miko Rnrn•1 • and • Show. 1211 Q : SI Zonhter, • •Nt and Quincey Jonu Bani.ls Mills • ros. I JO • l: Jan on' one. '9.30 E'. Eric Dolphy 9uarht 1115 J . Jau. 11S •m a1 and 2: • nt of Jin on Ronrds (Huntph)

MONDAY (21)

'45 pm Hl Dlw1etln,e. JO.JO •: Kurt IEdelh•II"' Or11 JO.JI U: Shorty ltodtert. 11.t AJ: FPN Jan. 11.)0 T, Pop anti Juz

~~!!.:.!,. 'i;.~l ~~II-~..,= llecerd1 US ""' M · Jan Co,11er

TUHDAY (12) 5.1 UII J . .... , TNllp IMw S• ptt1 NI • ....... •-L •• aJ , Jna: TN•r hi ..,...

!Cllerln F") I.Al tu. ..... IH Y• Ha c ....... 11.Ja ·•

JanJ...,..._11,u •tt= U ,a NJ Jua ll.11 T =~•..,._a,.,

THATt'~ emore r!'t~eer iL' a~t1cr

~f!t°;~~ntt , ~:t 11~~1m r;~::s~:

much heller 1dc:a of tht capahillt1es (l f th1\ magnificent hand

Therr are sn man) ,: ,d things. Soloists likt Bt>nn} Bailey, Sulif'man, Deuchar . Persson, Scolt, Griffin Sh1ha t­and Roland, with Coe fr;1ct1 0-nally taking tht honours fnr has gorgeous " Ginn a,·• grea1 Boland arrangemrnt1 which take regard of all tht old· Jashioned virtues l1k,. 1wing and melody without r-vrr sounding outdated that supt'rb sax se.ct1on featurf' on •• You Sttpped,'' " Get nut Of Town " and "Lover;" lht remarkable rhylhm uctmn with Clark and Clarr per suading you that no hand should have \ts1 lhnn rwn drummer~

SPORADIC This IS 4 band that M.1

song. Her record!! are che• comes to the fore on obviously enjoys iU 1porad1c rished by connoisseurs of jazz 'Chanpes,' done at a slow aet-togethers and manages lo singing tempo." It 11 • pity lo Jose it, convey lh•t enJoyment even

This album - one or and especially so because this on record . FonU1n1's Special Stereo reissue plugs the blues angle The recording is ucellenl, Series and priced at only 14s with its "Soul Sister" litle too, with stNeo u,ed in• 6d - contains enough of the and "Queen Of The Blues" telhgently 10 produce the vital essence on "All Of Me" subtitle fullest possible sound and no ~~\~~ c:~!fe e~~~t~~l\;a~:s~ In fact, 1t was made as a 1 ,mmicks.

to repay this modeJl outlay. ~~~ul~~:0

~fe a:~~ !~,~mr:a8~ al~~ea~i1:hs~r:rshef;B ti-:.~

When you throw in her just a blues artist. But who didn't make it to Ronnie bluei!!lh rendering or "Willow whatever you call 11 the Scott's cluh during their slay, Weep," with nice touches of music is genuine, unco

0

mpro- to understand why this hand ~!~!r; Tof:Cla~i:~y ;n~oul: ~~i:~icf:''~-fi~~~ Washing- broke all the club's ~O'< c>tfirr

i"<.en~~~. ofat;•a~ko:J T::n dn!~ ri::.:.:::.:.::.:.:.:.::.:,:,;:,:,:,:'°:.c:o-'.,.d:.•:.-;:.:,"-·,.D;.:.:,;:,:,:,:,:, Din1h could do it, you offer value plus. HAROLD DAVISON PRESENTS

Geller steps forward on AN EV< NING W "All Of Me" and "More," -.. !TH and Auld's tenor has inter- CO u NT BA lodes on " P.-.,ent " and '" Ill s I E gI~.J;cfji:1:;~;;:ff.~~ AND HIS ORCH"-STRA generally well done.

Dinah, os you can see from

~~ dg~s rh~h~ h~d,nan ,n;~ ballad-mood numbers -" Rainbow,'' "Smoke" and so on - get a strings-and• trombones backing, but with the Queen in control nothing

t;~;;~o~~d ~~r:e:.,~~;i~~r1~· st.utable songs, however

7:his brings me to the e11tcisions, end manner of presentation. Originally, on EmArcy, the set held a dozen

~r~c:ss- th[hs~x~e~~u:ac~i~i~~ "Ch1nges Made·· and "Accent On Youth," and the former at least should have been retained

Reviewing th e set first time

~~o~~d .. ''¾,~n~~:· b~~~ I :~~•i1;

WEDNHDAY (23) a.u Pffl • 1 : Jan Cl11b ,._ T11bb)' H&)'fl 111 aand, Keith Tippett, Group, Phil SNmo11 Pow Kina, Lennie lost Jn:i: From lurop•). 10.JI o.' 011110 l:llln11on. u .n Nl· ••d• .Jan M .. 111... 11.)t T: ••• efttl Jen. u., T. P•11I • I~ U 11 a,n I; a111,-

TMUltSDAY (21) 7.0 PM •J: JH1 In Pus,-.u-n (Charles Fow). 11.41 G: Jue c ... M9111M, Maria hp, Jl.Jt T : ~= ,:_w~~ .. c:9_:~-~• Ork P-P .. rafflMN MlltjHt le Ck ...

K•Y TO nATINI ANa WAY• L•NGTMI IN -~ ...

AtlffPrAll~DlliiiilJ"

ef~". ~:,,: PT~~

CROYDON : FAIRFIELD HALL

THURS., 24th APRIL: 6.45 & 9 p.m TICK.ETS 8/-, 10/6, 13/6 16/6 21,. Avc.1loble from Box Office (CRO 929 1)

VANDORENe THE REEDS WITH MUSIC IN THE GRAIN

/'--------, ~~ I TheH-efMllllc. ...... TMOWII ........ &C.I S.ndlhlac- lo,lhe-.,1Nc....,1a, ....... .....

I ~ ..... ofy_,_._., _,Me_...,_Miol,j -- s i. .... ....._ ...................

1-

•r M l \ ODY MA. 10 ~. April 1r1 1%4.J

FOLK FORUM

161 166 fl eet Street , Lon• do" , E.C ,4. 01 - 353- 5011 ,

ht . 171 a nd 176

THURSDAY AT DOGHOU SI , Grry huund

P'u ll1, m 1·~1. , , , Mu+rJ o .,, 1nr,: to ll ln, rh, , , ru, u,- nnl .1p fh ,, 111 .- lri• I• d

TIM & MADDY p m

At FOX . ISLINGTON GRN , Nl

THE GRlHAN SISTERS Nl!X T WEEK NIG EL DENYER

• LA CK , 211

BULL .

THE SETTLERS THE FOLK COURIER.SIi

DENNI S I, VANES SA! I

FOLK Cl!:NTIIIE, HAMMERSMITH

MURF & SHAGGIS , ou r tr, •I l uhn 1"1mp .. n y Ou<1,1

{1i'!v,' ~-1r \r1 n~:'n,, , s~~r::.1t .11 ~~; Jt ,.,d ? ,n m JI a ... , ,u.cnu rt Pa rk ruh,

ICCITH NELSON AND CEO THOIIIOS E S ELIC IRK HOTEL . SELkUtK IIIOAD TOOTING , Btl:OAOWAV .

WHITE lll!AR , i..: , n~ • I• ·¥ Ro 11 d tl uun I,,,,.

GERRY LOCKRAN

CHAS UPTON, STRAWBS

FRIDAY

AT COUNTRY CLUB, 2JOA fh \,r l utk Hill . 100 y,,rd, No rth

1l1• !, IH 'J11b1 MURRAY KASH m 1r,, (1 1i,,·-.

MALCOLM PRICE plu, .:u,·, 1, , -pm . hc,nttd b.ir l<I W1 d lltJrthl

AT COUSINS , 4' c.,u:ik Str<'el , 1 llf 11

SATURDAY' cont. TH E LCS pr.- llh THE

S INCEH ( LUI . IIIAE F IS HE! tt . JACK WARSHAW & IIUFF ROSEN • THAL. • O• BLAIR , UNION TA\I EIIIN , ~z Ul1)d Bir1kf1 'i1rc.-1 J .. nd,,n. WC I 7 0 pm

THE PEELERS . K1n1 1ort' \l. 1d,,: I• ,1 , -1 nft Middl• 1 \ In·•~- ri• ,r l.l\tfJI' •I tro I ,1 .. 11 ,111

THE JOHNSTONS wnh JOE PA LMER. Mlkt D,a~•n .. n<J Pl • i,.I a,; U( h

TIIOUBAOOUlt . 10 ,o 2n Old l!rump1,, n Rna d

BRENDA W OOTTON AND

fOHN THE FISH WHITE HART , COLLIER ROW

DEREK BRIMSTONE NIC JONES

S UNC'AY

BOUNDS GREEN FOLK CLUB, Spr1n 1 ht1d P:.rll: T a vnn Bou nds Gr u·n Ru ,1d N I I !ht FOLK COUtl:IEIIS WIil 1nlrflduce

TIM HOLLIER rn nn , uf hi• r ar., folk club 11pµ, ·a raneM r , ,m, t arl )- for U·• h

BROMLEY , STAR ANO GARTER , JOHN f"EARSE .

NAGS HEAD, :m s Yu rk Roa d u ., ttl•n,-., \! .:my th.ink , 1u

RON SIMMONDS fu r 1 ~p ll-nd 1d (•\ c· n,01· ..- t rill r t 11 1n m1·nl l.i • l lH·t,k THIS WEEK

DEREK SARGEANT TRIO ll m•I Jtofln T1mp :a n y S1nJl' r wr1( ,1 n11 44 bu , frum L1111d on Brld l l'

RAILWAY HOTEL, DARTFORD TIM HART AND MADDY PRIOR

Rt>~id L• nt ..- CRAYFOLK.

SA\IE THE LAST GHERKIN FOR ME.

THE ALBERT HOTEL, Kin gs ton Hill l'"<'r p ,.rkh11/

THI: ENTERPRISE, Ha mp&tl':ad • RENDA WOOTON & JOHN FISH Re ~ld ent.li. T he Fol k En t ... r p r l~C & Tl·rry Could Oppu, ltr Ch a lk ~· .. r m Sta t um 7 30 pm

ANDY FERNBACH MARK BRIERLEY TOWER HOTEL, u pp vM IL' W1tl· Ad ;t~ inn~ _ _ ~~:;~~111" c ~nlr,11 ~11,\inn . \fo r

FRANKIE ARMSTRONG DAVE & TONI ARTHUR F11h11n ~ 'lll k ~ L. ond ,,n Ro:id Kln&Jton TROUBADOUR 11.30

GENEtl:AL HAYERLOCK , ILFORD

JOHN RENBOURN AND fACQUI McSHEE

OLD Tll.l!:R S HEAO, Ll'l Grl'l"O DAYE COOPER

RON SIMMONDS RESIDENT : PETE CLARK

PEDRO WILLIAM IVlh . l.l•y lun THE SETTLERS

SATURDAY " ANGLERS ," TEDDINC:TON ,

Proft· "ioHN LEWIS ,i 1 tt,. h,r 11·i.

AS 'NINTEA: FAoED ..,1t h

,tlCHAttD DIGANCE MICHAEL .-ORTEtt

tl:OGER MOSS DAVID CAIN

Cl"neu1 11 .. \l' t lOl'k . Jlford

eLUl!:SCEN~Wl(kf'nhil m IAN ANDERSONS

COUNTRY BLUES BAND

CEILIDH AT THE HOUSE WITH NOEL MURPHY THE fOURNEYMEN

M.C. TONY FOXWORTHY

• AR 7 30 - 11 30 p .m ( 1·111 Sh,, r p ll<IU , , 2 Rl.'ll:l"Oh JJ .. rk R<1 ,1 d I hlldlln. NW l

COi.MINS ~1•k ._ , n •t"l . 10 11

DAVY GRAHAM l' lu"' Gu n 1 \II nl~hl H nlon 12•7

''"MIKE CHAPMAN KEITH CHRISTMAS

HERGA CEILIDH , Robltl 6 Barry Uno . lh Id Blu r Mou n t .,,,11 B.1 nd Bun ,Hd C""ha lk _. lh r a a Fo lk , ),; h n · P11¥1lu1n <.;rr r n l. anc­OXht"y. w .. 11 .. rd fCa.rpe n dt"rl Puk tat uml 8.11 r :x:tt"ll ~lon '

PEANUTS, i..:1111,: Arm \, .!II

i, .. htfH'e' TRAVELLERS

ROY HARPER THE EGG

DJ JERRY FLOYD 1e, 11'1 f1~hlY' •flit• r ~ Arni·,

.fo;'d Gr :1 __ _

SAVE THE LAST GHERKIN ~o• Ml.

THI G~ THl!:ATU FOLK CLU•

Th, f,l r,u, • . r t1.1r1,.: 1i1· i11 1 .. m N.- l k , ft l)

( tFFDIIID WEOC.• UIIIY STIVllN CHARLES

H p rn

GERRY LOCKRAN

MONDAY

AT CATFORO RISING SUN THE YETTIES

AT HANGINCLAMP, Tilt• Vin._. . \ .trd . Rlf'hmn ncl . II pm

RALPH McTELL ENFIELD FOLK CLUB

Tiu · Hop•POk ll. Bak<'r St, En ti <' ld

SIL VO & MOSES THE FOLK COURIERS FOLK CENTRE, HAMMERSMITH

fOHN FOREMAN You r h OSl ROD HAMILTON, DODO , ANDY ANDERSON , MIKE STIMPSON . St-<' Thu rsd~ y

CEORCEROBELJev..,n SlstcrJ Ro a d >'111,bury Park Sta tio n

JIM McCANN! I ll u"I DENNIS O' BRIEN

HAMPSTE~ Clull Rrd lull '-In d n tr Alb:rn,· Sl rl'd, NW I

DON SHEPHERD s 1.1n Dun n«.r,::l' K• •v111 .~hf· II ~

TIM HART k MAU DY PRIOH II E IU ;A R11ya l OJ k , W<'aJd.;ton l"

TUESDAY

CLIFF AUNGIER preloc nl 'i

BRENDA W OOTTON and

fOHN THE FISH • t lh c Dun j.' l'Ull Club , Th <' ("nppN. T11 1n•r 8rJdjil' 1!11.- d SEI

COYENFO~M). R:t m W.i n d~w11r th

REDD SULLIVAN and BILL BOAZMAN THREE HORSESHOES FOLK

CLU• , lfllm p,k ad. ll r11t h Str,'<'I Nr Tub<' p r ~srnt

DIZ DISLEY a n d ~1•ur ho, tif . THE EXILES

WEDNESDAY

HOLY GNOUHD. · •• Ill l f fl• 11.tt R• y 1,W;t\N MIKE All.SA LOM INTRODUCES

THE TINKERS JIM , RONN~

ST C.EORGE"S DAY. ~Ufllrl" aut ~l a od h a i,p, nln 1 W1 11. f'O d T11mn"l1 t,lt(,.rth Trd

t r:a nklln

WEDNESDAY cont. SUR• ITON , A t, mhh X n,

DEREK SARJEANT FOLK TIIIIO , JOHN FRASER STE.YE BENBOW

TERRY MASTER SON 1 1n lfl•n •Hh R.t U oil th, Yor k and Alhan !',11r1l1ruy C;arnd1 n T<>•o

TUDO• LODGE "' thl Load or 11.n Vll\lan R, "d lit.bridl<"

Melanie's looking for a bag of her very o~n

PERSONAL 1/4 per word

BEATLES FANS ! llnr .)'O U .Ill) 1, f ,ou r n•n dr;a .,.,111 &$ or t h,· Hral Jl't' If ~o ~ r would 11 11:P lo nt \h t m fo r pon1bl , r r p rodu c• lion in 3 b vuk - l'l raH contact 24A L1tc hft r ld SI London WC2. r, r p hon i 01 UIJ '1364

YOU can't be neutral about Melanie. She's one of those people who comes along and

creates new dividing lines in the scene, set-ting people at each other's throats who normally see eye to eye on good and bad. At first hearing everyone feels they have to stand up and be counted. . fka

DATELINE COMPUTER DATING - THE NEW WAY TO MAKE NEW FRIENDS - tlf<:1\m)!: d :at, for t \ c r )'Ull(' ,_. H· rr- h c rt - FREE

1~:;to~~~ ~~INw~ lh ~•r,~p rbt,1/1101~ So I'll own up here and now. I think Melanie Sa is going to be a star, even though she has not yet achieved consistenc~- H~r ~rs~ album for Buddha has some nice things m 1t, hke the song

Slr .ilford Roo1d Lo ndon , W li. T r i 01 937 0102

EU ROPEAN FRIENDSH IP SOCI• ETY' BURN LEY . Pc n (rh: nd /ii any J I I.' , a ll cou nt rk ~. SC! n d s.a c fo r fr l'l" clc:l,•l1•

FOR FR EE LIST OF P EN PALS , rn d a a1a mpt.'d 11ddrrne d r nvr lop t- 10 Wor ld WJdr F r1r nds h1p Club . 41 Crm e tery Roa.d Dr nton Manch e-Ile r M34 !ER 1Sta t r

.1 g:R1EE ! PAH.-HLET ANO BRO-

CHURE FOR THE LONELY s A.E - J , 11 11 iju•·t·n Stree t, Eir lrr

FRENCH p enrrlcndll, :i. 11 a s:es, rrom 12·21, S<'nd S.11.l' . fo r fr <'C details . - Ans lo Fr('nch Co rres• pond<' n Cc Club , •'a li:-0 11 IIOUIC a urnh!Y,

INTRODUCTIONS to n ew fr iend§ o f th(' OJIPO~lk ' Ill'" a r ra.ngeo b} p oM M<•mbl'r/li .i1t1•d 111 upwa rd ~ 1.'Vl'r)'WhNe, Wnlc fo r d et allJi . o; t a tl o g agr . Ma yro1r lntrodu cllon.1 ( Departmen t 53). so Nra l StrrN, Londun. w r2

INTRODUCTIONS ANO FRIEND­SHIP . A 'l illct"rt' ~t•f\ ill" - WrtH' to MARY IARTON , OOGPOLE HOUSE , SHRl!WS• URY . SAE pleas'"

JANE SCOTT fo r i::enulnl' fr l<'nds, lntroduc llons opposlt<' 1ex w ith sl nee rlty a nd tho ui;:htful­n eJ!I'. Dc ta ll , free. 5d s tamp to J;ine Scott 50/11• Atacldox Stree t , London W.1.

MOROCCO . Yo unr,: m ixed Kr oup s on 21-d ay overl and <'amp m g trek .; from May. - Tra il!>·

Tr;~;.l:fu!'~~'.1"~"1r: B~~ a'm Hoav:d abroad uta k a,I.') - De ta ils S AE . t· rt e nd ~ for All O IM ), 195 Cha t5wo rth Road . Lo ndo n . N W.2

PEN PALS ( Britain , Europ<'. o,·cn <' IIS) 11\u "i: lral<'d brochure frc <' -H<'rml'll . Berlin 11 , Bo• 17/ m , Germ a n y

ROMANCE OR PENFRIENDS

~~~t~~fl -/ ~ro~~la 1T:.ousan,2~rfJ Friends hip Ente rprises, ME74, Amhurst Pa rk. N .16,

UN DER ll? Pc np• ls anywhere . - Oct.ills fre l' . Teenage Club, Fa lcon Rous e , Burnley.

UNUSUAL PEN•FRIEN OSI Ea:­cillng ly different . Internationa l membe rship, all ages . Send s .a .e -Dept. M). Bureau Britannia. 13 Sycamore Grove. Rui:by_ War-

.,~~ALDWIDE CONTACTS! Fre<' d e tails pJu,; photo1 6 x 7. Contact Arrangeme nt, Munchen J B. Box :124, Germany.

MADDOX PEN CLUB . Th e V<' r Y best. Hrlng excltem<'nt . new •n · te r c!, l lo your \lh• . Sd stamp for rree d e tails -YR. 50 Maddox St , London . WI.

RECORDS FOR SALE 1/ · per word

DO YOU ilV l' In SWEDEN, NORWAY, FI NLAND, DENMARK, GERMANY, HOLLAND. YUGl;t­SLAVIA etc.:~ Then try TANDY s l:lmoui. '1111111 n rdt•r cx pi•rl !>l' n ' lt· c and ~l' t a ll your records qulck1 ~­nnd chea ply - 01'\;,II S a nd frr<' lis ts or n c w rel e :J se s fn,m . -TANDY'S IM ), 20 WolvNhllmplon Rm1.d , Wa rley. Worccstcrs hlr<'

SEND ls a nd lll r j l" Sat• for 35. p.-g... li ll l o f 1956,'Stl 45s. LPS M;i n y r a n · d r lc Hon l! a v a lla bk -Moo re. 1:i Mill Road , Lrlahton

th<y made a single of, "Bo Bo's Party." some of them, like her arch interpreta­tion of A. A. Milne's "Christopher Robin " made me want to up­chuck.

I've heard her be brilliant in London. She slJcnced a crowded room of tough record executives at last year•s Mldem. But by all accounts her reception in Paris last month was rather less than luke­warm.

I can bleleve U. Quite apart from the fact that the Olympia is probably the second toughest gig in the world (the absolute toughest being Harlem's Apollo) the audience that goes for Gilbert Becaud as top ot the bill isn't exactly ready for what Melanie has to say to them, and I could imagine her getting up­tight with them, very badly, on a bad rdgti•.

Not that I have ever heard her sing bad ly. I have seen her come out on a stage and tr1umi'.-h over a sound system that howled feedback at her as soon as she opened her throat and sang. I have seen her SlnJ!; one line of a son~ and get slugged on the back or the head by a piece of stage scenery that came adrift and fell on her - she staggered, shook her head, sett led herself down and started over.

She finished to cheers, and it wasn't merely approval for the continuance or the old "show must go on " tradition.

She is certainly a pro, every inch of this rather hung.up, slightly over­weight New York girl of Ukrainian parents, but she is not hyped on the old trouper, showbiz is showbiz nonsense. I watched her recording one cut for her forthcom­ing album at a London studio. The first take

knocked me out, but it didn't satisfy Melanie. In fact, as I left a couple of hours later she was discussing a completely new approach with MD John Cameron.

M ELAN IE: cert a in ly a professional

This Is the sort of attitude never wllJ, but Judging by that can tum record~ some of the materia l on producers white over- her forthcoming album, night, 1 know, but such she's going to document pcrlectlonism is all too what happens to her rare in this business. pretty completely, and

This isn't the core of her pretty honestly, too, I'd star quality, however - say. though it is the sort of She has a song about her application that should new life, about the people put her prt:tty quickly at around he r, the way s he the lop of whatever tree used to sing just for fun, ii Is that she is climbing. i.nd the people behind the

I don't really know what curtain now hoping she'll sort or tree it is, and I be a star, telling ht!r to suspect that she doesn't sell but selling'!!. not her either. At present, she is game. easily classifiable a!!. one They're going to have to of those urban American wait, says the song, kids who are ex• because she's tuning her ternalising their adoles- guilar. cence, in the semi.fo lk This is what will really semi- rock bai along with make her into a star, as - who shall we say? - she moves from the little Paul Simon, perhaps? gi rl lost posture to the Some of her harsher tough defiance or the girl American critic!!, have who may not be thC' pointed out that she's a world's most raving

not be anything fancy on a stick, her guitar may indeed need tuning, but she has her own song to sing, her own lifestyle to work out.

In the crossing-categories game that is becoming pop criticism's ti redest cliche (Is Bert Scroggins rock-and-roll's Yehudi Menuhin? Is Fred Nerk the John Hanson of the working men's clubs? Is Rolling Stone the Pol· smoker's War Cry?) they are no doubt working out bags to put Melanie In. I can foresee comparisons with Barbra Streisand. Edith Piaf. Janis Joplin - o r ir you prerer, Judy Garland.

They'll all be wrong. Melanie's bag is going to be her own.

KARL DALLAS little old, at 22, to come beauty, her voice may

:;e~i:m~n:0t:r~sr1:s ~.i~h r-r- -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_-_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ ---,

a brutal and cynical world.

Nevertheless the world is like that, and she has not yet grown the hard shell to protect her innocence from the most brutal, most cynical part of It all, the world of show business. Perhaps she

Roy Guest and Vtc Lewis present in a ssocia t ion w it h Joe Lustig

Direct from trit,,mp:lant U.S. Tou r f

THE 8

•~:~r: , 1: .l•d: lus l a r ge s a.e fo r 11,; I (I f p u t U S 451 hi ts. C&W R& B e tc: plu s d\."1 11. ll.~ ar nt'W u S. LPs ' ;ti u ·Hon.1blt' pnCt'.. -\l oorr. 7l Mill R nad . l .r,gh ion

nu;ful ~ Bc~~LLECTORS u sl'd r l'co'rd -. In sluck. Folk , blUl'\• JUZ, counlr) , t'l c C.t 11 t•r~ o~I) n u lls l11 C101cd Tt1u r1da y1, N<'a r Bla l'k JI OrSl' Roa d !Ubl• !i l i\ UOfl Mouom . 2011 Fo rut Roa d Londo n E 17

FOLK NEWS PENT ANGLE '

MIK~ls ~?1~p~0Runt;:ei;~:~ single for Pyr last week, His album, "Oh Really,'" was released recently, also on Pye,

RECORDS WANTED ~"n~r:So1~.lnt .!~~!" "'i~~er~:d

1/ - per word ~~~t;; h:~ b:he:,r re~:~~~i!! ALL YOUR unw.1ntt!d 4:ss series label.

boug ht S<"nd drtalls for Mike appears with Ameri-E~f;11 10 ~1re;0_./Y Luis~~~rr l-;1i;:1

6 can bluesman T• J Mahal on

ton Buna rd , Re d , Ma y 9 at High Wycombe and ANY UNWANT ED rt!enrds then goes on to Cornwall.

~ ~ g ~~-1a~~/ "C~~n1itrt~or;J ~~~tre, stoi~~ H:;~c~~sJerSwa~:~]fn8~ Portmncloc. fal'rn1 folk clubs are now bemg run

wa~~:d ~::~~cl~ ~~;~~ 1~~[ au~~ b y a Jo int committee who s A E for off<'r - R No-ton . 8 will book for all four clubs Dl n Kl l' Road Clay h a na:er , Bro11on · East Meon and Waterlooville hlll . w a1 a ll . s 111fh are interested in completmg a ·=-'---'-------1 six-club Hampshire circuit

RECOROING STUDIOS 1/4 per word

ABANDON A• SOLUTELY your 1t- ;ar1,.•h for ,1 belier sound. ll('rvkt and prlre. Scully •-tra<'k .- the Int• Tuny Plkt' MU .. IC' I,ld , Homt' 'lf ·rhe 1·epre rc-t'ord labL'I t., ·ni t-I~ PUT 411211

ALLAN-GORDON MuclU>\ RIiiie f•H lnform <1 llo n a nd brochur<' . -01 ·520 3708 . Ol S~7 522ti .

FOR THE S,)UOd , ,( th t:' Se H•nt1~1. cn m t If> l h1 :,. tud\n whu,., wh ,, l, · aim II lu plcl1,(' )" OU "lflth cxn \k nl ru.,1fdllllr" 1ir1d fA~l t.:>p, I" d1,c 1•n 1(,· - ,1 nd ...... !,U, (. • 'd - Eden '- ludl" ~- JI Ed,,n Slr t: , I k.1m:1.t,m s urr.- ~ Ol -~411 s~n

SOUND Otl:GANISATI ON P"uur tr.1,k. AKlt •n 1h.1nntl 1qutpml'nl - 01 644 , ~211

ST UDIO SOU ND (HITCHIN), Rr1·,1rdm& Studio 01:mo" Ad •• ru,in• Pr.-idudlu11, Tap~ to

dll<' - 0H2 -C!J37

First guest under this new scheme was John Isherwood, who played Hook and Swaythling clubs, on Frida~

:,:~1/a~~~~hes~~~ht~e~i?~~ Wednesda y and 8as1n1stoke on Thur&da:i,

Among the guests lined up fnr rhe Four Folk Club a1 Salford • re· the Eidles, Drrek Brimstone, Jeremy Taylor and Rosemary Hudman, The Four Folk, res1de-n1 al lhf' cluh v.ere rec:ently heard nn 1 prop:r .. mme t4llrd Gala-..) nn R1d10 OnP and Tv.o

Amerit ;an C'CIUntry SlllJPr\ Wllllr Nl'l~on • .lo h nn) Darn,11 and Nat Stuekey, tPlt'lhe-r wuh Phil Bra d y and the Jl•nc.hen, Ja•j• Gu••• and

the Boleros and the Tumble­weeds will play at a series or cvf'nln1,ts t o celebrate Opr:i, maxann e ' s. first birthday The, , lake place at Bellevue Manchester, on May 22, Dublm Stadium (_24), Gay

JANSCH - RENBOURNE - McSHEE COX - THOMPSON

Fairfield, Croydon, April 25th at 7.45 Royal Festival Hall, May 24th at 8.00

Tower Ballroom, B1rm1ngham

g~t ac~mt~re~y~~rbeLo;~~~ t----------"T"----------Chalkt!r and David Allan.

Kn~~~es !~r;it~astn~aki~:ge! WANTED After str 1cl •1al oherotion

;l~~·c1:~: .. ;h':,/~1~~~"0~0~~'. FOLK1

SiNGERS TUDOR LODGE ~ -lbe~~,t~ok

0;:~t :~t~ome~~~ ::

0 0h~:: ::~~:•:;:•, ~~ :;;:~:d fol k duo returns. loolong,.

Smiley's recent album record- wo•• 1h11 iommer 57 Pitts Lane, Earley ~~,!~!sio~ fo~x!!~~ele',~J~~.. leodlne, l e rklhir• 5°t-~e Boggery folk club, ru~ ,., ___ ._..,..,...,_ __ ,l'---'h.;.°":.;;,:".;,R;,;M.;:.;:d';,;;",:l,;:6:;:2::,546.::,.,J

~{ ~h!p'o1if•~~!eii~n~1oRi;&~ i----------.L..----------Ciub, Solihull, has lhe G• leS appearing on Apr,I 21, .leremy Taylor (2K) and the Unidf'r s (May 5). On April 2fi, .loh nnt Sllvo he11.dhT1es a toncl"rt at thf' dub

Ralph M~Tell guested lht week at the nt'vd:i, opened Downham folk duh. Brom! )" Kf'nt. "herr the re 1d"nt 11 J im ~m1lh . .lot St•ad appears Lhr,r l•n April 30

Vera J o h neon plays a ch1r ty t ncert in 11d of Shelter April ll • t Cainbtid .. , th

:r:r::~,.!J '~\> c~:::O.. J:& lub Llnca1hirt an4

f..'"•~r:r-

for crepon o nd atretch 1Mrtt.

Shetland knllwHr fqlallic 000 trou1en 011.1' olh fr .-~ dust•• .. ••••••r w, • fer cetoJaeuoto

. --- ------ ---SEND YOUR 'SMALL' ADVERTISEMENTS

TO

CLASSIFl£D ADVERTISEMENT DEPT.

'MELODY MAKER' 16 1 1(6 HEET STREET , LO NDON , E.C.4

Tel · FLEe1 St,ce1 5011. ht. 171/176/ 234

PUBLIC NOTICtS J 4 per word

lpl~,o,:Y l~ AT~~.~~c11•n t~~d 1t, i:f"a n 1'1roui:-h , I ll a mm l' nmuh

"- l1Ct'n<'t In rarr y nn .a n trriPlf'\111t: GI aat nC\ 1,,r ptrs " n~

11 UH' lnltrlammr n t 1ndu ~1r). a t

~11111Mr 1 «. 1_ Royal l' .i rad1t u,,•o R, .1d. S \\ Ii ~uch afl'n q

1, bf tnc>•n .1• Im p act t: n 1,r1.im •tntt "ll obJ('('11on a nd th, · ,round • thtrl!'f"rf" m un bir sub

1,11urd 111 111rmn1: 10 th t• To111n (ltrk To111n Hall H.a mltl f' r1;m1th v. • w1Jh1n fo u rttttn d ay, 1ro 111 lhP dilt of publlut iun ,,f this 1dYtTll1<'ffll'n l

I. J ULIA EVELYN MORLEY , kn•••n a< J EM MANAGEME NT , U'ILrnd lo a pply In l ht· w ..... , fflJDstrr l°ll) Cou nci l fu r a llct m·r to nrrJ on :rn l· mpln1·mt'n l 1ctnc.1 hu pc·nu nc. in th1• tnl••r 1•111mt11t mduury at No 122 1,~cnt Stn_.,,1 W I ~u t·h a i;:t: n Q · L•• l>f known . , J ,E. M. MANAGE­MENT. ALL Ol!LJECTIOHS a nd lhl' i;Tl-'und• lh"rdur l'. mu'i t ~ !!\lb·

111 111.-d m 111 n11n1 1,1 1h1· To\\ n fltrk. w,,tnH Mlt· r I'l l} Hall. \ ,tU>Tlol Slf1•ct. S W I Ill ltlllr: f..urtten d.a)I frn m 1h t• d.ih' o f pytlhCl\h•O of 1h15 l lh l' rlJ,,•mrnl

NOTICE IS hl'r"b) ~1vtn lh11t 111111 Arthur Ra) nt- r . )ltcha , 1 l ,hn ('1> .nlltld .mc:t Ga r, Chn<;I • phtr Colhl'r o f 5~ Al but St r N•t

.i.,:,·\bur,. IJUck,. a nd t:.irr~HlJL( " b1.1~mr,, undirr th• n .- m,• o f R r r t:nttrp r l!II • mtt"nd to

,µph lu !ht- Bu d ;~ Cvunt~ r 1,mOI ft>r rttlstu tMn unc:t f' r lht· rt atrn.:.al F.n1plu)t: fl Art 102 :i ., ,d,11t'd 111\n Ap ri l. 1'169J THEATRICAL EMPLOYERS

II EGISTRATION ACTS 1'25 AN D 1'21 NOT 1CE IS HENEBY GIVE N THAT ROIERT ANTHONY JACK­~ON 1t\1d m1t al LO'A't· r ~\,11 Brun We lzon. Tr t1,• 1r 11,r Ll a ng ul\t n [ltnb11h•h1re and Cll rT) 1n1 t, n bu"n~,, undrr th t' n a nw o f rtm,,i: Vallty M.i n a i,;enH•nt 1nt1"nd~ 10 IPPI.\' t ..i lht' Cu unh ( .. until rur th t, Adr,11nrs t u\Jv1• C YI\!) 11r Dtn b 11 h fvr Tl' j,; l~l TJ·

n un:ler l he a bovv Acti:. D.ited 1,•h \1Jrc!1 19811

WE JOE FA GAN , PETE R DALY , BIII AN BLA HO .a nd LEH McCABI: lltnd tn ur n on b u~ines., unde r

!h namt of DARLINGTON E THEATIIICA L AC.ENCY .i; n c:t 11ttnd h, :ippl) tu th t, Da rllnlt'1'•n

11~h Ccouncll fu r n •«1~1r:i111,n

SPECIAL NOTICES I 4 per word

ACKNOWLEDCiED iU the best• IYOR MAIRANTS' P OSTA L COURES fo r PLECTRUM a nd FlNCERSTY LE GUITAR . La r jl'l> I ~le-i;tion of gu ll•r.r; m i;tnc-k -Pnl1eul~t1 IVOR MAIAAN TS C~n~•.~

11EN1.,.R

1EPil a Ra t hM n ,· f'l ntc

EX,ERIENCED NAME DR UM• MEIi , rtgular l t l l' Vlll•.n. r.adu,.

Ni; id'a's~•~~ ml;~r s;:;;;, n n ~ u~~=

MUSICAL SERVICES 1/ 4 per word

Advertisement-. untlrr UJ\s h1;id1n.i;: _ arc NOT BCCCplc d

'11'1\h BOX NO'S,

AMATEUR SONGWRITERS . Sirnd Ur ,,,ni:1 Ot lyrics . .,-1th ~ A E

:'ollddltsu MUSIC _ JA R)'f••"

BANDS 11· Per word

¥ t~ i, :-b~~E _ ~~o~% l:o1 h e d ba nd

_ A:; ;r,"''"!ir~:undance Oilllal)h' Qu.ir l t,15 av ;ulabl Gruu ps. Trio, ,

&. f " ~t·N7J O 1444 ('~r76tff~{ Gu y

t;r;~~r Emn:r~~f' Ae::,~~•m~

~~~~~'JanJ ~O 11~~~1•d f:1~~:~ avaa~ i .tblr p rl~:~tl ilO)lfl'ht'tC' Reason

~S~1 ~\~i\ ; 1.~~•:::>t:n ¢ft~t~ 01 A~:M92~E NT Trm. Yt'f~ll lll l' -

nt:~ .. ~nnsBA~DlMr 75p\r uu p~ a ll

, ·n~ ,1 1~ o ~~;u ,~:.' •~~~m! ~·'!.or~ui.~ Phonl' D<"w '> bury 4613

"' ~~~ ull <"8~~~:~s o?.;;t:4s3iRA ,

C l~~~ ~ I Nr~gN -S~~~iPli _ :.sjd~· Dist· J ock .:o,·:s. C o1ba n -t __ 01 0 7 IJ9~4.,,i-:~c~1i1E ll ;;1ANt~E5 J'i:i~1:lE~·

r1~~ P!~}~l ng;j~l~c hit ;:L~~~ J •~~~ .. d.in n·li. Ok - r , I tl l l JJ -1 11·>2

M E q ~m~(' t1

.. :Xtl' I H ~-~~\~lll l' q~~r~ PA sy,t ..- m - 01 iH 3 j956 '

H OWAR D BAKER li ,mtU c-,i. b.1; r r .. an )111·h e r..- - 89 Glenwood G.1 r dcns llf ll rd 01·550 40U

JAMM AC. E NCY 01·253 SS&o LOU P REAGER'S PRtaSEkrA•

TI O NS . Ba nd s a nd Ca b 11 rt1,-n ~Jr;wood Cdn!'ii , Ilford 01-550

LOWREY ORCiA N (OR) TRI O. -D.in1l' J;:iu po p - Tt• I 534 311:\5.

MACKAY· MONS ON Prnm n lion , fur ~rnup,. ~o ul. ha r 1nnn \· _ fo lk. p ruJ.-r<•.,~ l \ t •. , t ll nd .ird po p · - 0 1 1,<1'1 2667 01 .43; i; :110

ORGAN / DRUMS, du11, 1n11 mu "i l' l .il m - fll- titill 203 1

ORGA N TRI O lqu..rt t' I - Gltld i.lu n r 69 r,,O

PE OPLE LIKE US , nll .a bk ' JV Id h .1rmo 11y pop l(rllUp - n, 11511 511 '\ i

PRO SW ING INCi Ha mmnnd duo 0 11,·11 to nff..-r" C:rn nugnwnt -l ' h ,>nt 111 ·205 2 kl l

QUARTET - Td 76<1 21133 Q UARTET.-77~ -993R STE EL BA ND S, J; roup~ _ H :a wa1

1~n -.\11 ~1111, Vru du<• , ,n A l(f'nq, Il l J -lb j 9 ,.,4

STEEL GU ITA R drum , - 01 57h 54fl0

T RIO. - Td i 6~ ~~:!l TA URUS FA NTAS IA . Pop , folk

bl Ut'~ lno r .:oqu 1r e Cllb.ltt'I . club a nd unnt•r, 11) \\ o r);. - 01 -6 11 "' · .-1 510 'fr J a m es

T OP CLASS HA MMOND ORGA N, DRU MS. DUO WITH GIRL VOCA L· 1ST ( EX-T .V. RA DIO. RECORD· I NG, ETC.} SEEKS RE SIDENC Y - DART FORD 2•449 OR 01·202 5308.

INSTRUMENT REPAIRS 1/ 4 per word

A BEAUTIFUL JOB , O\·crhauls, Rt•l:ll'QUt:till),! 5.7 days by •P pomtment. Saxophones / wood \\ rnd~ brnss - KEN TOOTELL , LESLIE EVANS , 275 Colncy Hntch t,;cnt', London, N.11 Entcrprls1• 4137

ACCORDION REPAIRS c.arnt·d uut b) ('>,pt'rl crafl5m"n Thur· l•UJh 0111•rh.1u\ and complt'll' lunrni:::, a 5pt"Cl.illl) Estlmilltl' fr l" l' - Btll Musir.ll lnstrumt'nti. Ltd Ll'.i<.idc Norlh. Aycllfft' Tr.id

ri!,·h~~ill;~I n,::~1ir?t.a~~~;ton, Cn

TUITION 1 4 per word

\l ~ roi •t\~!~ "r ' 11f~;~nJ r:::~:~

,,, u f ,, r pruh ~, ln n a l wo rL on n r c("Ord ' • nd l·IU b'I' M.iny formrr l Udf' lll nuw t .an o n T \' a n d

Tl'lt> Td \ PrnfrS\ lo n .1 1 ,i o r k 11'-'UT ofd for a ll fully lr:ur, ('d

,~!~,d~~hH~.~It~~~~ v;~:l.~1:ra; nlr,

ABOUT lh,· LONDON SCHOOL

~~ •. Mo: r~~.~ .-! 1N ~:,~ G ~;X~'oJ~~ 5~ -~~~ B~r\c;o~~~n l"L· .i bJ;:;-1·1;~.'~i . nlqt1('~ S p, t lol l t·J;a ~(' , l t r l' duu d frt•~ for 1t•1•n a,.,•n 1tu d l!' nt ~ " nd hn 11 ~1·w n e~ - · Wr 1tl: n o 11. lu r frtt· br1KhUr. tu Thi• Pr1r1c ip ,1 t Robnt l\nlhon v 14

~~,~~~t' rl\ -~~~t t·:,, !·""dun \\ 0

1. !I T

A BRAND NEW LUii .ir 11ua1 ...

~~~,1eo:ie11o r

1':i~~~~:~ .n ;iJrn ~11 ~~~6

d ally - Mndt:rn Sound , 12Fi f,~;nnK Cro~~ Rnad, V.T l_ ('0\'

ACKNOWLEDGED BRITAIN 'S bn l h-lll'hl'f SAXOPHONE/

~~~AINa~~ .!'rt~;~ll'A~~W:'~\ ~';f~~ Sdt• t· t INSTRUMENTS , Alsu po1,la\ c•1unu allio phon..- - Lt:SLIE

~r~N:ffi.'.~p~i~n:ratll lt h Win l'.

ALL 5TYLES POP SINCilNCi MAURICE BUR14A N SCH OOL. Per liOn111J u r p oata l 1u1 t1 on bcx: nnl·J en cou ra~cd -137 B1t·k,.'n hall 111m

~~g~C ~~-~@6 ~~~~l' l . J,nn don W I

AUBREY FRANK SAX OPH ONE

foLAa~IV~l~~ed~U~I?~· T!:i l~~~~: II OU5l! N W.l ~us 1200 , UI 1112.

FLtL:~R't~rion,/ b e~~:n~~r o:d~ar!. coa . Jan hnprovlutlnn . - Te l Wln 1oton. l nara m , 01 -459 2543 ln ~trum1•nt :o1 t.uppllc d

COM PLETELY OV ERCOM E A LL DRUMM ING P RO BLEM S AT ROG E R KERR'S D RUM STUDI O. - POL 8324

DRU M T UI YIO N \Ulhuut mU \ll

~~a~a~u~f l~:nt~h R~~! n G~~a 3 002.

ELECTRONIC ORCiAN lusonli fru m U 1 Prl vat<" / g r ou p s, R&B m od u rn orca n , pla n o. O r~an

W~adt' N i'eFr:u:lla - 29 Ardl•n

ERIC GI LDER SCH OOL OF MUSIC for a ll H,l'al a ri,J 111s tru III C' n ta l 1uttlo n Wl'Sl•End Studios;,

t i 4~•,i'f8e·;Ji. Trirr~~ad '=re1C r~1:

Ci UI TAR, BANJ O, BASS, 11U ~l )' h .'~ 0.U! 19:t3. J 4 lnd1v ld ) -•·r ed Gr.rn n . Cl l ·iH !1127. ·

G UITAR BECilN NEAS .i.d va ncc d Prug rc-.S I\" !:" blu rs. fo lk - 4U H.12

MA NCHESTER DAU M T UITIO N. - C, t•o ff Ril e). 0611162 2071

MI CKY GREEVE. Specialhit Jrum tuition . - 7119 2702

PETER IND Inches jau 1mpro Vl \.& llon . 11 1\ m,trumt•nts - U:c ­brldjj:, · 3-.:75<;

T H E SCH OOL of Uroadeu lmg a rt· rl"" tnr olh n l( S\ Ud l'n t'I fu r lhrlr ne\l r ours ..- l' o r pro· fl'~\ tvnal D1u -Jot·kc-v tr .1;1n1ng WrHl' for our br<l thu fl•. - School o' Broad c;i U 1ng. Donln gton HOU5t:. 30 Nor fo lk S tr t'd S tra nd W C 2 T ,-1 836 0361(

TOMM Y WHITTLE for pl' tsJn al t t n or IU,: IUIII On - BUS 3352

TR UMPET/ TROMBONE T UITION -Tl'lrr,h,mt· 01-0:l %5.&!I. lnia ru

,1H•nls ,uppl1 l'd

NOW OPEN :

NEW GUITAR STUDIO

Professiona l l o tion, clouicol o r mod ern

Aho s tring bou and boss guitar

Doily from 10 o m .-6 p .m .

MODERN SOUND 121 Choring Cron Rood

London , W.C. 2 Tel. 01-240 1167

SOUND EQUIPMENT 1 - per word

ALL CiOOD QU~ll l )" .. un d 111u 1p m r 11t purchHrd for u"h will 1·all - Or ,011,i::t·, 01 , 1, OJH

ALL NAKkS 1,f n·ru11d1 l 1111\t'd <.uund <"qUIJ'lllltn! • ,1,1 ~find)' f t:PillT <.L·l\lt< - J1· nnl n&\. 117 I HI DJrlfl,rd R,1ad. Oitn fo r d. Kcrll 1 1 I l) ,rltur d N:.!<1 1 .:nd 2)2!17

AMP LI FICAT ION SYSTEM , St'lm t r ~ I Shurr h• .a d ~. , 11nd,. tll' .is tl ('W Cht•a p - 1 <'1 01-9.17 btlOJ

AMPLI FI ER REPAIR S, ! u h .i n lj:! <.p ,·11 kt r q•n·1u•. ur )(.i n n•p a 1rs -01 " ~" 2712

OON ' T BE 1, ,1 dow n b) ;i mplltltr trou blt. 11:'l l a n · Ampl tll 11 · outfit a nd b 1, prt: p 1 n ·d fu r a n y t•mn 1n •nq· Prer d1·111lh - R W W11 hh . 67 Gn· t:n i.p r inJ~. C' r ond .i ll f ~ r n hit nl. Surrt')

FENDER TELECAST ER, su n bur <, t ll1w JLl lllO ,11d: [ WO o. n o - 624 0644. Room •

HOM E MADE Lu l cy t yp l!' l'll h l n t l . UIU~td 1, nl y n trd.1 poHs hln i 1011 '11'11 11 u p o11 r lly At co.I of m:i1 r r1.11, 1ml) ( 1>5 - MAYfur 14111

MARSHAL AMPLIFIER and , p,•• k<- rs wa ntt'd pr1 v111 1:Jy fn r ruh Will rnll r ct - ~TE 2$SI' l l'\' t'nlng•>

MARSHALL FENDER , am p .. und PAS w.int l'd Will COllt'CI - 1Da y1 FU L 41130 1Evcn 1n gl REN 45116

MEAZZI AMPLIFIER, fahulOU \

~~17~• Sh:":,~·c ml~~:il\;l\t,, cotr::r~~~ sp1•11kt"r<.. only fl25 - Phone flh'.i7 ~ 19:ill

SELMER TWIN 30 INl d ampl1flrr . (25 - Af ll' r 1rvrn . 1142 l :i52

STAA MAKER 50·W& tl PA 1111 t:1r a n1p hflrr Tw in 121n H D SJ)l'Jkf'U. bnnd nt' W, f llO - 1107 960J

TOP 100 LP record~ c~n b r t l'Cord t•d an d 1clrctrd au1omalll' · 11 ll y or, Sch 11uh,l .ort• n1 Mu , lc Cirnllt• R11d1nii:ra m , T11p (' R.:-cord "'· rosL, ( 275 . 11cc1·pt fJ OO Nl'W In l',ir tun -Tt"' 01·4•5 21i15

60W CiUITAR ampllllcr, ns -01 tlfill ,l!IA2

100-WATT trl"b lc o1nd ban .lmpllflrf' '4% 100 w-,11 PA"I, £4 · four bj lwt"hl' UblrH'll. ( j!i If .)'OU thm l lh1, pr ltl'I ~ound li~h) Ju, t cu m " ;a nd ~t'l'. Afttr a n , you h a't't nu rctal' p rofll• to pay• A;! u 1u 1p m cn l nt' \11' and ,ruann11·..-d 11111· rr,,r Nt'whu r y, 83.i !'ark)' Rtt.td. J,1>nc!nn SE& 01-1111'1 •701 Tu1·,d4\· Wrdn\•sday Thur11t.ay :1 111- rnonn, untl' .J Ullt" - tlu·n i'myt1m " Sr,• you fo lk~••• c u ~tvm N1u 1pm trll .i; l~o

100 WT l mPll'I .imp . 30 w t \'o:i,. ampl1lil' f \.\ 111 5l'l\ scpkrll.lt l) tl OO - RLn o: br!Wt•cn r, pm ·1 pm siu Ilk"

100 WATT WEM I' A ~y~l ••m 1mm acul ah' Off l'f1 around £1 20 - Td 1.on gr rn:o1~ 4 211

100 W SEL MER PA a m p ( 55 \'ux 4X l 2 co lumns Cl!5 - 53 Th <" Rock Rarm1tapl l' D..-vo n

50 WATT 111 mph1il'r a nd ~Pf'il k l'T. Ju•L o~erha ulc d . £45. - 9 119 !1 71 2

ORGANS 11- per word

ALL GOOD quality organ, pur d 1as..-d fnr cas h . WI!! c:in -Ora n ac, nJ -1\36 OJ74.

HA MMOND, LOWREY AND PH ILAC ORDA ORGA NS AU m nd l'i '> Ne\\ a nd sirconrlh1nd P a rt eJ1.ch .1n 1tei. f. 11:S)' pa rml'nt5 Try u s fl n t In d l'als w t are Old ~quaru - S HARON O IICiAN S LI MIT ED, -1 ~2 Bromlt')' Ro.id Dn\\nh a m . Bromle y , Ken1 T l'h- · ph onl' 01 11118 OVU ' II

s,LIT HAMMOND L 100. ,•xtel ll•nl tondlllon . 1-.•llh t 'O\'tT1io and k1•\' bnard CO vl'r U50 O n 0 .-B011: -..o l:, J 05

VOX BIRD , Watkins, Farflln or !'iilmilnr o r p;nns wanted for cash - REG 7654

DRUMS 1/- pe r word

I\LL DRUMS nnd aCCC'1snrll'S purchuscd - Ol ·22h 4813

~<·:c~~orl~:o~ur~~:~!IJ r~~u~:./ WJ'.\ call. - Ornn1c, 01·836 037~

A RE YOU looklnK for 8 b111r· g 11 m - Pho11t 01·22!1 4'fl3 1mmc· dl.tlf'I )' Pa rt CJ:l'hlnfl'I, .icccpted

b1;;!.,H~ ,~ ~n gd~ n . 11~~dt~~~n , r,t

AIIRA NCI HCi : " POPS"

ALL GUITAR Rl'JUIIT'.'>. refrct 1111,: nl'-w ncrk•,, fingt'rbuard., -

; ~f"~~~":~fgp~ll~~J:~'h;l~l'~t11 U) Gl• fflOl',an lducothm C• mmltt.e

ARE YOU looklnK fur - Oml'thlni;­dlfft•t (' ll\. Prrm1tr do ubk ba~-. drum kH, Uln JC. 81n. 141n J: IOln 161n x 161n. IOITI·lOm~. ,nart­drum . pcd.,I~. cymb., 11 , l('Cl'S ,nrll's etc·. lmmaculalc cond1tio11 Woul<I . II C('f'PI part l'llithilTlll', pht•nc an y ltnll' OJ-BAT 41113

~d •~d~u ~111ri";:';n a na b~~:? L" n

o, rr~ N lrf'l ,. nd Rru,1k h .1 l1

EAIIN MONEY SONGWRITI NG 'Iii fh•.- hook l " II' ho\\ -

Ill-i t Dr vd 1·n Cham I It OJ: ford Sl rl' l" I Lond on

RfGt•nt 3751 , Gl• morti- Sllffl- Sch• ol, lorr, PHIL PARKER LTO , nr11.a1n

hr.1 ••· t .\pf'rl11 adHt·c on all bn,.•

r:~11~:;~' Als?iuy;~,~d c·!~t1

~:~:~

~~:~ru::;1•~~!1 bt;;°f,~lns;;. T,tl~l 4;,r wardr,ur S1nt'I

CARS FOR SALE AUSTIN MINI, 1965

One owrwr ford "1v• r

Hydrolast,c Ne• Eade ba t ,.,,1 rod,ol, 1- co...-en. • bait, 011d w,m,rron

C240e.11.o. 237 5112

JAZZ MUSIC COURSE 21th Jufy lo IHI Augu1t, ltt.9

The on!r a,urM al ~• k,nd "' 1,,,or, All .,,,..,.,..n1ah1t1 -lt.0med wl,~thc,r

DRUM KIT S, all prlct~ Bl'fore dl'CldlnK phone 01·221 4'ill ,tnv• time ·

DAUM KITS, clraranc<" prJCl'~. 11~0 cymbill ,, oil make~. IICCCS· ~orit~, l'l\\l'li , etc, alw111ys In stock

·1ozz o, U<o'9h!

Tutoni P'o! Evon1. John 111reh to" Carr li•rm,-e,chnngcs. - Vic 0'81 lt:11 Q,-ohom Coll•• Jot>,, Mouholl. Don i:() N

8elrll Oxford Strel'I. WC l. 01

,.ndell EXCELLENT F IV E drum Prem -

fur!h .. data,11 from ~l;;·o ll~•c;:r~:i2~ Cast:s. Yl"Ur old

Cavnty ,urtt.r Etlucatlen Offic• r GRETSC H KIT, 4 l\\'C•dii. further 16uc• tlon Offk H 1·ymhali.. t·.1~l'~. ~1and1 . new

(• INN'J• H• u1• , Wyndh11.., H f'll et [2!'i0 O n 11 - Tt•I 01-803 4-111~ 1rw.-n11, Glomor,-n LUDWICi S UPER Sl'USltll\'t'

~ ="'-."'~,'"c•"'A"""A•'"o--,,-.o-N_Tf.,;M•,•---.-,.• .l l sn~~ D: 1~~ . -;;, Ill- ~~Jm•,u~ liA'l ,,.. .....,.. ..,.. , .-1~1'\ P.irt ..-1:ch.an~t- ;\l'<'t'pted

A••ANGINO TtCHNIQUES PREMIER, I.UdlldJ or lihntlat ~:.'::!~:;::::::-;~~=:,~ drum kit \\'ilnlll'd for CHh. -~~~,;:;,T,,:.~::;:.:::,;::_ ~6i11177~~ayJ R IV 2ee1. (l!venlnr

TKh""I.,., ,,. S,glu-,ead,no ,, .. 101 PR E MIER LUDWIG al!n1l.ir k!h Jlll.,..., • .,.~,p Alto .,lbu"'I o~d r•<o•di on ·,i .anlt•d WIii C•1llrct - I 01\ 1 .. ,,.....,_ w, ... .,,. .. P'~ to fl'L ~8'\0 ,r.,,ntn1,;1 RE~ -4•,,i~ •

s C.A I . SI ............ " le<!"- N l SELECTION Jr ,n,1r(· drum ,_ .,

0,. ,.,.,, .~, ........ ~, .,~, ,.,_ '°""• frum [) \\ ,nsr, t.and- l, ,..."' • .,._ .. ..,,~ drum I.in nd p,dal

- -- ·-1 JAZZ PIANO TUITION bv,.o wng quol!fie d t.a. che,

o rch•1t,ol a nd p 10n o

AfUI A N G EMfNTS MADE

l1n1 NTH SANDEi 01 . 459 · 1711

PRINTING J 4 r,11r word

I

, mt, , ,o,t · ,11d .,n ,t nd hJrlll !,! , ·'" ,, h ra..il•I 1·~11 )Ill h.,, I 21 h.tflll\h low-n H.c, 1d t,Lil 1>uo•

20 jn. A YEOIS. n ._ lU, ",H'lh'1 rr,,r,,it 141n • !Un l•:ri~' 1111 - RH•II Ba 111,-: I k

MOBILE DISCOTHEQUES 114 p er w o rd

A BETTER SYSTEM tor lho l

•hn I k<' b~ llfT mu It HEAVY SOUNDS fr,,m GREAT CIRCLE - T HE M 1h1h- !1 1~r•1lhtqur- -"'"'k t hrn MA RQUEE · MARTIN AG ENCY , 01 i34 74&4 L\t n1n,;:, n1 .• ; 1r,211 p s II you dt,n t ht·hnt· u~. 111lr. 1ht m at FAR X!

ACTION OI SCDTHE Q UES - Ill· UO 04 U

ARE YOU A FUN PE RSON ? Jr \'OU lift• .vu u ·11 hk t' th 1· C HA NN EL O NE SO UN D MACHINE You C;t Tl b t' , uTl n{ I UCl't',\ Wh t·n )'OU boo k u s fo r yr,ur p urt_r or c! 11 nl'1· - 01 4•0 471 !'., M' l'nm ,c,

CA RRI NCiTON-SHARP ASSO· Cl AT ES LT D DJ ·, fu r a ll !>ocla l run t 11011.~ 01 07 09511 0~~5 (10 I m . IO !'i p TO J

EAS Y MON EY? JntrndU ct' bu , 1 n t~s for our m o bile" d1~c r,t h " que U Tllll land .. ... pro11 1d e a ll olll l'T pu1 ,· 1rrvlrts u 11.·l'll I b y actm e a• •itnl,. a nd l'UII ,tOOd c<ommll· I LVTI - 0 , 111111 1 fr om The P le ;I 1url' l\l .ach1n t. JS:! We. tb co urn e C, n , ,·u . Ulnd nn. W 11 Ol 2211 U 09

F R EE W H E E L I N O I S· COTHEQUES, t t' l!Jbl .- mQbill' sn111r l' tor a ll fun ction, - 01 -:li'O 41173 l("Vt' llll\g J. ) . 01427 73111

LICiHTSHOWS, - 01 ~6~ 074:1 M.A. DI SCOTHEQUE , Bl'd ford

~.ol:!S3 MOBILE DISCOTHEQUES for al

social occasion s - 01·1<00 l 6S4 r vcn lnrt•

MOBILE DISCOTHEQUES 1u ll ;,I,](' fo r .:all OCCilJIOO~ for hlrt'-, w ith o r wll hou l D. J - 01·:l73 2077

PAY LESS and h:i,· l' t h e bt•\I " TRANSPORT." MOBILE DIS• COTHEQUE with t h eir M {Olll.S h · In.IC VISUAL PHENOMENA hMhl · s how - !i54 4717

ROCiER CEARNS trave'.l m t:: D L~

MELOD Y MAKFR, Aprtl lq l'.¥,q- P•cr 1

CITY STUDENT '69 PRESENTS In Aid of Sheller

on Sunday, M ay 41h . al Sadlers Wells Rosebery Ave ., E C. 1 -e-Angel A1 3 p m

JULIAN CHAGRIN Bnlllantly funny wit rind mime

THE LIVERPOOL SCENE Pop and Poetry

Tickets 5 /·, 7 / 6, 10/·, 12/6 S.A E. to Box Office

JAZZ AND FOLK On Tuesday April 29th

THE DON RENDELL/ IAN CARR QUINTET

On Thursday May 1 sl

THE TINKERS ALEX CAMPBELL JOHN MARTYN

cot: <~q1:;e e R v•; ~3~

11 Re 01s- In the Sunken Garden , Bunhdl Row, E.C 1

~~~~r~~!JE~~r ;~: M:r~1~tl'::u~:~ -6-Moorgate. 8-11 pm Adm1ss1on 5 / -»~:~tc:~iai>'';:~::. : 11 T t : u : ~. ~ -L -_ -_ -_ -_ -_ -_ -_ .:._ .__ -_ -_ -_ -_ -_ -_ -_ .__ -_ -~--_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ -_ ..J-

t1nnc - 01-085 3620 TAAK MOBILE DI SCOTHEQUE

Tt"Ufll\ablf' r alc!I Ll1h u n g f'ff l'l'l!o - Phon e 30-1 Ulll•

PLEASE NOTE COPY SHOULD ARRIVE

NOT LATER THAN FRI DAY BEFORE THE WEEK OF

PUBLICATION

POSTAL ORDERS AND CHEQUES

1h o uld b t' m .a d c payable to

MELODY MAKER CLASSIFIED ADS. DEPT.

MELODY MAKER 161 - 166 Flee t Street

London E.C.4

!t":.~.1~!o!~~,~ET SU[ OE l EATHU. I~ •le~ dot1 h r b,own, with HA ND-CUT ,• , , l'lalnunan - trp• · I I Mngu S,dep«• · "' hh ond lnllO. oohtypodet. 34 44,~ tlJ .196, ,us,6 · or 60/. OEP & ''" "'thlr pyh .& 21$

~C;; ~•~P;•• ~ ,.~ ~• u , ... ,,

"ho WUiENDE- No 4S1 11, ........ b,,i

:.:::."''"" .. ~;;;;;;;" • 911 AulkM ""'"lean , tyl~ ............. ........

•n•~ s,,.,:;u.., to 44 1ft

'""'""' tl~IO

Ml / De,. and 6 .,..,n,hlr p:.~••;r;.:;. /C, p•ic. t 14 111 0 ) AIM IANOD,,­,,._ Si"'~a, to obo••• blll"" $u.4a ...,,1 liMe, tll .196. ra, ,,., o,_,_ .. ~;~ f;~: _.,1, l>'flt JIil !Cr ,-..

AYBIGUI IOOTS Ne 771 1.-,IH "" lh• .......

,. ...... i. ....... . ......... .. .nW.C-.llodoo, .... ..... ~., ...... , ........... e-4,.. Ol<ep1 fef Gd\eR , ie.6,1 -·-~,- .......... 1ri, ... ,,°"""...,_ , •• S 6 .. _, t., H,- •-. • ... , ..... , .. .. 1,,10 IC• ,... n,o.

Two sing les re le a sed si multa neously out now - on Elektra

REMEMBER THE TIMES C/ W SECOND PRODUCTION

WAR MACHINE C/ WTIME

DAVE ROBSON AGENCY, 01-437 6666

SPIRIT OF JOHN MORGAN created a sensation in front of a pocke d ho use at lhe MARQUEE o n Easter Monday . If you missed them , come along lo the MARQUEE lhi s Thursda y, 17th, to see t hem begin their resi­dency, and discover what everyon e is raving about.

DAVE ROBSON AGENCY - 01-437 6666

EAST OF EDEN Agency: J. P. SCHOFIELD, D1-B36 2199

TUESDAY, APRIL 22 and 29th The Roebuck, 10Ba Tottenham Court Rd W 1

Admission 4/-. Start 7.30 p.m. ·• ·

SWINDON LOCARNO -THIS THURSDAY 8 p.m. - IO I- - wHh THE£00

CHICKEN SHACK This w eek ' 1 ticket sovaa 2 / 6 for

NEXT THURSDAY, 24th APRIL 8-11 p.m. - 101· -(7/ 6 with li<koto,at,o,.. 11

THETASTE S ,pportod by THI IAITH

Pae~ ::!S-MELODY MAKER, April 19, 1969

SATURDAY APRIL 19th, 7 .30- ll.30 all.lTtlH RA IL, IOUTNAU

0 0~~~@fo)_ oo ~~ ~ ~ ~g~ ~ ~;

~g] M cdmjft 4flouJcE ~ ~ cH 1ci<' itJ°'sRlcK ~ AT THE LYCEUM, STRAND ~ e ••••• ,ou••• ,aoM ou., c11cu , ..... 1 .. ... , ou••" '

FARX THI N01fH(Ofl ,UMS N0UH(Otl AYINUI O" SOUTHAU H OADWA'I' tUll llU> C. l IOADJ SOUTHAU 111111,ouux

IUHI, 2n 120 201 IDS oa 195

BLODWYN PIG featuring Mick Abrahams

~~ LONDON, W .C.2 t@ • "'•ooms,•1•10w0L1~•• "'ow

C 12.30 til l Dawn ~ . 0 ' I I J (Closed Fndav. Apnl 18th) )C Every f ursday

>o; REOPENS FRIDAY, 25th APRIL 10~ Opening 24th April, 7.30 p.m., with

( AL STEW ART S JUNIORS EYES + FEET t CARAVAN o ~ Free membership on th is nig ht

:6 ,9ttp!r.F f§1!4 r~ 'If' EDGAR BROUGHTON BAND ~ r.J'C Plus Special Guests JC o l' llGHTS • FLESH • REFRESHMENTS 'i0

MUSIC EVERY NIGHT a nd Sunday l unchti me, 12-2 p m

Adm111lon fr•• •u•pl So lurdoy ot Adm n1on fr•• oll Hnoonl ol

THE KENSINGTON THE TALLY HO! RUSSEll GARDEN!>, HOUANO ROAD f-ORTESS ROAD K[NTISH iOWN

KENSINGTON W 1' N W l llv1H 27, 73,31 9 (01ymp,al " llun1 03 13' IJ7,21Ao,

ll•nt,1h Town Tubf' !oh ~

"- Adm,ss,on 15/ - >' ~ Ad\lance tickets ava ilable from · Gra nd Central Posters ~ /"(/.._ 100 Charing Cross Rd London WC 2, and Lyceum ~~

0 c;;,._;) • '" 1>1..,.., .,"'\j 0113-1 ~~ 0

~o .... e@c-2, ~ o~A~O ""•··;T.:,.1~;E;;;QUARTIT Thvudoy, 8, 1\ pm

BRIAN GREEN JAZZ IA.ND f ,.do ~ 81 1 pm

TED WOOD JAZIBANa I Sotvrdoy, ll llpm _ _ _ .. ,,I The Polytechnic Enh . Committee presents

SPOOKY TOOTH DAVY JONES

S""Cla1 l vrid , t.ma 12•2 I>"'

Bill Nllf'S GOODTIME BAND AND Sun,;loY n,gh!, 8• Ip 30 p m

FAT JOHN COX BOSSA 4

Fndoy/ Sa1urJoy, 8 11 p.m

BRIAN LEMON TRIO S..r,doy lun.; ht.,na, 12-2 p m ond Sunday N,ght, 8-10 JO pm

TALLY HO! BIG BANP Mondor, 8 11 pm

JOHNNIE RICHARDSON DIXIELAND BAND

Tut11doy, 8 · 1 Ip m

CLIMAX CHICAGO BLUES BAND

SMILEY 6 '6 adva nce 8/ 6 at door

LONDON COLLEGE Of PRINTING ELEPHANT & CASTLE, S.E. 1

0 1 -73S 6871

Cu1Nntfy oppeorirtg h, - w fllm. BABY LOVE

ketdi-22 .Al .. ,..,.. rKM""' .,.,.., Ot/T Of MY lift, c/w .... , l OVI:- fONTANA Tl' JDC)j

Sol.rep., JOHN EDWAaD INT. AGENCY, 01 -106 4645/ 6494

City Student 69 presents Thursday, April 24th

FA IRPORT CONVENTION LIVERPOOL SCENE f..,, .,, ,ng Vornl .. 1 JUDY Hill

Mon lluH 8 • 11 om

JOHN WILLIAMS TRIO DENNY OGDEN 'S ocm

& HIGH TENSION The Polytechnic, Little Titchfield Street, W.1 (Oxford Circus Tube), Saturday, 19th April

7.30 to 11 .30 - Licensed Bar Tickets in advance 7 / 6 ; at door 10/ -

W.:1 . Judd Pl:OCTOI. (Gti,10,j 811AN LlMON (~iono). KENNY NAPNI (llan) , PHIL SEAMEN !Dru"")

8-11 pm

TOAST

Wedna1doy, 8- I l p"'

ALAN LITTLUOHN/ TONY MIUINER SEPnT

City of London College Students Union Lont;lon Wall, Moorgate, E.C.2 -&Moorgote

7/.6 In advance 10/- on door

BACK FROM HOLIDAY 11 Thursday, April 17th ALEX DISCO., SALISBURY Friday, April 18th ALIEMARlE Y.C., ROMrORD Saturday, April 19th CLIFF HOU.L. HARWICH Sunday, April 20th THE SHIP HOTEL. WOLVERHAMPTON Monday, April 21 it RIPUY MINERS' WllfARE, DERIYSHIRE Tut11dc:1y, April 22nd DAY Off Wednesday, April 23rd PRIVAff PARTY, LONDON

BOOKINGS: JOHN EDWARD ENTERTAINMENT AGENCY 01-806 4645/6494

CITY STUDENT '69 PRESENTS FROM THE UNITED STATES OF AMERICA OPEN EVERY NIGHT

In Aid of Shelter

on Sunday. Apnl 27th

at Sad ler s Wells Rosebe,y Ave , E.C. 1 -0 Angel 1

At 3 p m :-• :t ;~;

' VIBRATIONS

TOURl 9 June-13 July

BOB&EARL

WHISKY t,; GO GO PRESENTS

: :~:;~:h COOL COMBINATION : I ~;~~~~h GINGERMAN I

~&.UB

JA "·••o ,nu,. l'ADIIIIOTON w 2 fll l'AD 1274

COUNT SUCKLE SOUND SYSTEM

WllM IAND

Jritl• y, Aprll 11th

THE SOUL EXPLOSION Saturdoy, AP"II 19th

JACKIE EDWARDS SHOW

Sundoy, Apr41 20th

THE GRENAQE SHOW ·· ···· ·· ·· ···· ··········· ··

lv•rr Suntloy, Tu• ,tloy, Thu,Mlo-, LADIES' nu NIGHT

h•,-, W"n•Ml•y G[NT 'S f,UE NIGHT

•••• ~I~~ .•r.r: .~ ~~N·. ~ .-.-:'.k •• •• JJl• •M opply for -mlNo.hlp

·········u~~.:.;.·i~;· ······ f(lf'thcomlng Anr~tlom;:

Apl. 25 THE COOL COMIINATION hi. 26 SOUL EX,,115S SHOW

un , Apl 17 TIT.A I fn , Apl 111 IOMf T.,.,, Ap1 22 AlflYSTWYTH

UNlvtlSITY Thun , Apl 2-4 KLOOKS KLEU 41-M AJN-le Sb-NI l ..... WI

MAYf.,., 1'3'

EPPING AITS & rNTHTAINMENTS COUNCIL PIUINTS

JAZI. AT EPPING HAU feotvf"'G

T.,_ DAYE 5Hfl"HUD QUINTET & TH£ DON MITCHlU QU1Nffl

S• hirdoy, 26th #.ril, Eppl,nt H• I

St. John'• 1-4, [pr!,._ '"•• T,d:alo 7 6 ond 51· fro.., "'The Gold., Ir,~· H,gh S- 1 £119~ . ..- tele:f>l'-­

Epp11t9 J.llS ..- 1116 ,.,, ot ,..._ d-

JOHN WALDEN WORKSHOP HEAD MUSIC+

GREAT BLUES Telephone 346 7319 NOW

P.5.: We Love Collea• Olg1 MOODY BLUES + JOE HARRIOTT'S INDO-JAZZ FUSIONS ~n~

(HorlemShuffle )

1 May-1OJune I ·!;1i0f0th BUNKERS BRAIN I : :·;1~.d SILENCE : .... -F -~~-:--A=-R:::E_AFTE--=-R--... L33-37 WARDOUR STREET, W.1 01-437 7676 ..J :-::Ea~~~ :~~RS

Compere David Symonds T1cke1s 5 / -. 10 / 6 . 15 / -. 20 / · . 25 /-

A1 7 30 p .m.

PENTANGLE + EAST OF EDEN

The above artistes booked through College Enter1a1nments Ltd . GER 4000

Tickets5 /-, 10/ 6 , 15 /-. 20 / -. 25 / · S A E to Box Office Sadlers Wells

Box Off tee opens March 3 1st Telephone 83 7 16 72. 10 a m .-8 pm

on Fnday. May 2nd al Lyceum Ballroom. S1rand. W C. 2

AJ l-rnghter . 1 2 00-6 a m

ALAN BOWN! SPOOKY TOOTH JON HISEMAN'S COLOSSEUM

HERBIE GOINS & THE NITETIMERS PORTRAIT

Radio 1 D.J. JOHNNY FARLOWE Tickets 18 / · in ad vL.1nce

SA E City Universi ty Students ' Union St Johns Street. E.C 1. or S,r John Cass College

Union. 85 M mones, E C 3

The City Un1vers1ty and S,r John Cass and City of London C:>lleges w ould ilke to thank The Sat­urday Agenc y (01 -486 4551) for arranging and bookmg the above dance

BANDWAGON \few Doys left in June)

All Enquiries:

CLAYMAN AGENCY LIMITED Phone 01-247 S531

. . . .. (of Fishmongers Arms, Wood Green)

fim«t:B~ na~ Plus FEET 7/6

Nut Fridc.iy: SPOOKY TOOTH D.J.: Jerry Floyd

Music from Mvsidond, Berwick Slreet

SHY LIMBS 0202 n3s4

HEAVEN (SPARK)

PHONE GOSPORT 81867 /85385

BROKEN WHEEL SaNE RETFORD NOns. , ,-~,. " MINI" SOUL FESTIVAL - SUNDAY, APIIL 20th

lr•m u .s A. J.J. JACKSON & Th• GreatNt Llttfe letlll In the L-.1

GARNET MIMMS & THI SINSAnONs NELSON nETCHEI -ti: llLIION'S HOG-LINI

C:. .... r•i OAYt CIOW'NS Adm. 12/6 al.._ O..., .,._ 1 p,.

•1 ( ,.,.,.c.-,,.._

~

t\~·· ~J~~ : ~t;;,)~ i\ \ I~ fri 25th Ap,il

sat 26thApril PLYMOUTH. M•., D•••• -

Idle Raw Dustcr8emu11 1ERRY RHO

_'FREE Eamouth Ao-,::1 , ... 51:12L au, Mik• W•atbn,-._ i e, .. -n.., "•••

CHANNEL HOP-ALL NIGHT CRUISE ON THE CHANNEL, PLUS FULL DAY IN FRANCE

Leov,n11 May 10th 6 . 15 p.m., lrorn Vktorio, 9 p rn . from folke,tone . Return ing 9 p .m , MG., 11th. PRICE £3 5 .0 indu,ive-

LIVE G~OUPS ·CABARET· BAR, DUTY FREEi BUFFET Ticket, from U.LI.LS.A, C• ntrol Oftk•, Mole! St., W.C.1 . 636 1195

CONSORTIU

SMOKEY R.ICE

..., NOWIOOKING

MAY, JUNE, JULY PRINCES RISBOROUGH 3549 (08-444 3549)

PETER JOHNSON ENTS. JASON CREST (Philips)

KIPPING TON LODGE (In My life - Porlophone)

Lamberh1.nst 019271--516 Reached 22 in the Charts with

"ALL THE LOVE IN THE WORLD" -~~~ J~H~ ~~~tt~E~~~ AG~~-4645 ~ 6494_ r----------.

-·- Just bock hom Europ,9; NOW BOOKING - PAGE ONE RECORDING IANDS THE MARSHALL HAMMOND

NITE I GLOBE Chm Cla~:':;~~-~y w.-PEOPLE SHOW IELAIR PROMOTIONS

S•lsey 3663 AVENUE ARTISTS LTD. - SOUTHAMPTON 27077

THE DRAMA AND FRl.,SAT.,SUN.,APll 11-20,I.OOl'JIL

at STUDIO TIIEATll OYA!. 110U11

T.S: D1-7J527H~~'l.o.-.1r••­A f,,1111;,nof "'vH~--... ••IWObOfld--­

Pf'- I/, fStuilio T-1<• .....,_ l/6J

THEJOHN-DUMMER BLUES BAND So'n R.,p P(H·..iL C1 ..,r; 'M r ci,c.,

7 Kr,n,rn11tn, (hL' h t , 1 ,, ..

P n,1 i "'r' H.., 1 1 , • 1 1 , ~

John Schoheld

01-1362199

STUDIO 51 KEN COL YER CLUB

10/ 11 GT. NIWPOIT STIIHT HfAlt UICUTH SQUA.U

1,a!wNy, April 1....,_ 7...11 0 p • .,.,.

KEN COLVER'S JAZZMEN

llN AND!RSON'S COUNTRY BLUES .... , . Afor11 20th,.7.30 ... fft,

KEN COl YER'l JAZZMEN

THAMES HOTEL He 111plon Courl, M,tf,fleH•

SPENCER'S WASHBOARD KINGS

ERIClll.K & HIS SOUTHERN JAZZBAND

ondci1 ~~ lO! h

LEN BALDWIN 'S DAUPHIN STRIET SIX

WOOD G EEN !ll1hmon .. , ' I SuMor -""'•I

ALAN ELSDON'S

1..J_~ZZBAND ! !

THE CHICKEN SHACK ! !

CROMIT LICHT SHOW

TORRINGTON

PIED BULL 1 L1v1trpool Roo1d

ANGEL ISLINGTON EASTERN

PHILHARMONIC THREE TUNS , Bnk, nhJm

LONDON JAZZ FOUR

" WHITTINGTON ," PINNER ALE X WELSH

FRIDAY A S GARD , Ra1\v.,t) Tw\'t'rn

An 1:l'I L\11\' Slr,11r11rll

JODY GRIND .ind i,:r11rn1l hi,:ht~ \'Jl .. rlll' 1:"Ud ,v., ·lpt•l'•Upp.-r n·qu,n·d Appl~ ;,.I dour fnr 1111t·n 1, 'A

8h1 ts Lofl. H igh Wycombe CH A M P IO N JACK

DUPR EE PLUS S HAKEY VI CK

CRU MBLEfiJA ZZ ~ ff••d L1<1n Un·ntfurd

EARL OF SANDW ICH (;Ul'\I band

SATURDAY cont.

SUNDAY

AT THE CLER l< EHWELL ~ ~t'i,RN, I PM. JOHN SU RM AN

H i~!~LEY ~K;;- Black Prm ct<

TIME BOX

COL I N SYMO NS JAZZ CLUB CORNER HOUSE, EDCWARE, 8pm

COLIN SY MONDS BAND

N EXT WEEK : CHEZ CHESTER• MAH

COOKS-:-CHINGFORD Roy;al ForC'SI llulcl

UP TH E AUlY MOUNTAIN FR OC ISLAND JAZZ BAND

DEN N IS ~ lunchtlmt• G r l'<'ll Man. Plum~h·,u.l •

ELM PARK HOTEL Nt''I' Er• Ja11.b11nd Lunt·htun<'

JOm )<'~!>lun

OOWNHA ~ TABARIN Downh,m wa, •

jOE STEAD CAAVESEND TER MINUS

RAY WARLEICH

JAZZ AT THE

TORRINGTON High RB"R,A't:t1sMFr~

With lht· Ed Faullll'" Tnn

KIO MAIIIITYN k a ~ltml' !land "'' lhc SU.lVl' Cambridge Hold, ('am• bcrl,)· 11tso,. Jau for l1sh'nlng and dlnrmi: In oldt .,..orldt 1n11m1llt 11tm,,~phrrr, ll pm

MIKE DANIEL S, Lurd r..apwr Thurnton HC';tlh

PIED BULL l L iv e rpoo l Roo1 d

ANGEL , ISLINGTON

EASTERN PHILHARMONIC

SMOK EY BLUES THE PIED BUL L , ISLI NGT ON lYtf'f ~11ndO)". 12·2 pm

ST ALIA.HS, Goal Inn, Sop'Al'll t.a nl'. 12 noon D:avr Jon"~ Qu a r LC l p l UB g u ntli.

MONDAY

ALEXIS KORNER ROYSTOH , MER I DIA N Y C GA M ES IIIIO OM CLUB

WHITE H AIIIIT , SOUTHALL

,-'"'T,..HE_K_E_N_S_IN_G_T_O_N __ I MOD~?HN~z~ E::.~~TET AT PL OU GH,STOCl(WELL , SW 9

DANNY MOSS I USSEU GAIOEN S, W 1-4

l u1t1 49, 9, 13

i>"i·vv JONES

CALIFORNIA BALLROOM WN ........ o 1...i Dun1i.Wo •2104

SA,TUIDAT, A.,all 19th

LONG JOHN BALDRY

C• ,.,.. ,,.,-,in• 0.-~ l o • • •'"

COUNTRY CLUB 210. HAVflSTOCK Hi l l . N .W .l

hlsiso Pot'li Odo on r11u,sci:., . A.pn\ t 71h ~, lkinet,1

JUDY GRIND GORDON SMITH + "-V flllT'IOUs folk 1,nger ITY•s LIGHT SHOW

s~., ,\pr,I 20th

EIRE APPARENT

,._,.::;:; :~-;.d:l.:moN ~ u .~ ...., ..

.... ...._._ 1,wwW,111.

GIN CLUB co~XFORD ST

L O AD HA PIEIIII , I ti11rnton Jlrath BIii SIA)f~ Jiu ml'II AIUJ

Sunday h ill~

MIDNIGHT SUN c,• nt r.i l ~VI' l'fl d

NEW ERA jAZZBAND Elni P,i r~rnchurd1

·ciifi,f aARBER Jn !L·rvil l , TtH ~cl

BEX L EY.~ack Prine,· fl otl'i Alan Ell'dOn

cool<SFERRY 1NN A NGEL RO ., NORTH CIR CULAR

BAKERLOO LINE ERI C S IL~"· H atflcl d

GOTHIC JAZIDND' E11rl of Sa nd WICII

READIN~P, " COLLIE

MAX

flECOflDING STAR Sy\vl ;i McNelll o1nd Thi' Trlcy d u Gu Go 01nc1n1 - a n C':tCl! ll l' lll nl a h t OU! _ e very Mond ay a nd Tu u d,l~ a l the Thu ma " ,. Beck t' l , Old Kl' lll

ROYAL OAK , M ,J S C lub, Rol d s t:1 ___ _

~~~:.~ N . ~ t~ ~ ' 'iu EN~: LL .,::~; THE 0111G1NAL EAST SIDE S HANNON,-REG PITTIT, STOMPIEIIS , Gr et·n M,tn 111 ,i: h

Ruad. L..-} ~

SATURDAY

• IEACONS Fl•LD II F C

COLIN SYMONDS BAND

THE RESURRECTION • LACK • ULL , WHETSTONE N20.

HARD MEAT

TUESDAY

jOHNLSURMAN W NAMMl• I MITH RD , W 11

AT TN•~ JLFOIID 8RIAN IV'IRINGTON OUINTn, PLUI 9UOIIUN

DENNIS FIELD ,_._ llllllY L•Y . l lm P.rk Hut•J

Hurne hunh

TUE5DAY cont

FAMOUS JUG BAND RED COW, CAMBRIDCE

FRANK • RO OKER QUINTET, Th,• ll opb1n..- . £a~ , J.a n,·, W,· m b i n

REHEARSAL ROOMS 1/ 4 per word

SAND REH EARSA L 11udlo

~~~~~br't ·-1t1~~

1t~

5~.c.1t 11 ,Ji

fll 71) CH EA P REHEARSAL p n ·mi 'l•­

a1111 1/a blf', Wt·,l F.nd - Tl'I Il l 44 5 422!

MO IIII O EN : CY ~l;ILt R~~"un:~~~:~~S7 3;'/~ 111·

PI ED • ULL l LI VE R P OOL ROAD A NGE L ISLI N GT O N

Blu e~ by

THE WORK S UR BITON , BOB BARTER Or

chntr • with Ron Mathc-w ~on , Pi.- 1c-r Kina. 1.1t1n\' Mo nk a n d Stan. A~~,•mbly Ro1, m , b' pm

WEDNESDAY Blup1 L oft, High w ycombP

BLODWYN PIC DIC T HE PIG!!

" CR ICKETERS,"

REH EA RSA L R OOM S ;at Gt'o ri; P IV. Br 1:t lon HIii 674 211411

T H E CA B IN. The &: r e al e \l Tf" h 1• a r ll .11 J p a d 1 r o und RC'CfO Td \l('nfft'l'/ ra ,: 1,, - SHE 0117

FOR SALE J/. per word

MOB IL E DI SCOTH E 9U E .ind d U,lolh t!qu r .i,,y~h-m , lrum 25W In 200w r l":1dy b uill . or m ;id t" , ., ordi-r - 01-7li<t k7:',3 • fll'T 7 p rn

TWI N DECKS. - Roxrr C: t•:HrO' - 1146 5381

U-HA UL I an 1n,1t r [l(f Au, tm Wl~l mln,tt· r U 6J, J:3 %0 Offt•t , c, r tXC h il ll llt' Tr o1 ns 1t S ln uJi: h 241i~ I

HOTELS FELTHAM, H1 1th S rn•t·l

CHRIS BARBER 1/4 per word BED / BREA KFAST , 211

GOTHI C JAZZ BAN D, E:1rl or nii,:hl - Tel 674 li588 Si:lnd'A llh STONEHALL HOUSE HOTEL C20

m inutes WcJt End) Flr1t•closs HIGHWAYMA N, CAMBER LE Y : room and breakfast hotel Trrrns

RENDELL-CAR R QUINTET from 221 8d dally. Hot and cnld, rully centr;ally huted all rooms

NEW S EDALIA , llnll o"'ay CasllC' Showen/ bath Inclusive. TV/ Radio lnppM ilt• Hnl\ow11v Pn~on) ~~u~gilc~!1~A~a~~c~~:;.~ni1~c;:

TOBY JUC, Tolworth surrey hoatll. London. SE3 01-858 U"5.

Mc KE NNA MEN DELSON MAINL IN E

FAN CLUBS 1/ 4 per wo rd

CARAVAN S OCIET Y, CO C:iro l. 54 Ei,klt•y Gardi.-n\, Soulh Oi.-kel'I· dun. El>\t'X 1J.l e o1b,·r5hlp :SI)

CASUALS OfficlAI 1-·an Club. S.:1 e . Joi;rphlne 1'11y1w, g Ta llcs Hill. Ewell, Surrt.-v

rlc~ :.N~Y S~a~!:t.,oA~~f~~~0

~a~~--d1·r~. 18 Carll~!" /Hrt't'I, W.1

FOR HIRE 1/. per word

THE IIEST MOBILE DIS-COTHEQUE EQUIPMENT for h!r(' or purch111~1• from NEWHAM AUDIO , - :S34-40U

TRANSPORT 1/4 per word

FREELANCE TRAN SPORT. TRAN SI TS & DRIVERS . W S 2$743 - !Wal4hnm Cro~~,

CROUP TRANSIT TRANS PORT IIIIOADIE . - 01489 39U:

MINIBU SES nount! Suulh, F'r;inef' Ali.u anytlm,:, l11rf' . -723 33H

TRAN SFLOW MOTIVATION . Group lran,pntl. ;,n)'~htr(', :my t1m1· d .11 nr ml,'hl - 01 HCI 11128

1 4-29 s,·ah'r ClldCh fur hlr\· BAL 7272'

TRANS-HIRE !Elf-DRIVE VAN RINTAI UNLIM ITED MILEAG E

25 SOUTH MOLTO N ST., W.1

629 6 39 1 / 2

OFFICES TO LET 1/4 per word

S M A L L O F F I C E lo ll'I Shdfll•~l}ury AYl'OUl•, 1260 per unnum - Dt't;.1111< MAC 225 1

ACCOMMODATION 1/4 per wo rd

URGENT. Fourth 11ruo11 doll\ lo sh,ltl' flat - llarhan Arthur 636 i013. l"<I 37

• ronn1e scott's

p, .. 1n11

Unttl A,nl IM

PHILWOODS EUROPEAN,..RHYTHM

MACHINE '-tvrin1

DANIEL HUMAIR .,w ELAINE DELMAR

THEOORDON BECK TRIO

C• --.:1"1 A,.. 2ht

QEOLAINE ........ DANKWORTH

IIGBAND .... AUN HAVEN TRIO UHTAIU-....... .......,

MIKE LENNOX --·--ARRIVAL --­.......... ---. 47 Frith -• W.f ........ 4711/41H

• T f . 3 I u I

L ' H L T I 0 y A . T

L . . ' A . 7 C H . • I T H

' 3 ' . L I ' f . ' 0 C . C 0

u H I ' Q

u

CAT CLUB W hite Hort, ACTON

Fri, Ap,11 11 WAY IN Sat Ap,il 19 STAR l(E'fS S..,n ~,I 20 DISCOTHEQUE

AH ....,,.ben .,..'" 11. Smarl d, .. ,

NOW THAT

YOU KNOW

STRAY PHONE, 01-743 1771

' .. W..i-Ml• r , April 23"1

MARTIN JOSEPH QUINTET

featuring lobby We!llns and Harold leclcett

Adtn111,o,, U- Stvdaroh 11 Tobool,0 1..t.1e, ; 4't 1100

MELODY M AKER, Apr d 19. 1969-P•,:r 2!'J

TUUOAY APl: IL 22ntl Atlrn. 6 / 6

ALL INQ, 01-~I 2923

SAVOY ( w'.,~:;~'/,'o, ) (ATfORD SATURDAY, APRIL 19th

THE GLOBE SHOW EVERY SUNDAY THE

STEVE MAXTED SHOW BURTON'S· UXBRIDGE :::iL COLOURED 19

"' RAISINS IVHY FIIDAT

THE STEVE MAXTED SHOW

KING'S HALL ROMFORD MARKET

M..._r , AJNtl 2ht

MIKE ABRAHAMS

H IDAY, A,l.ll llt h

LIVERPOOL SCENE

SATUI DAY, A~l.lL 19Th

JON HISEMAN'S COLOSSEUM

COUNTRY CLUB 50 yo,d , leh~• P'or\ T..t.e. NW l

DISCOTHEQUE PHILJAY

YOUR RADIO ONE D.J. ,,,..., ,...,.._,.

SAT., AP•IL 26th

AMBOY DUKES ROUNDHO USE

LODGE AVE, DAGENHAM

s.tl.,nl• y Apnl ltth

TASTE iiii 0i·ifi

THE MIDLANDS HOME OF GOOD SOUNDS

SUN DAY, APRIL 20tt1

JOHN PEEL in troduce,

MICK ABRAHAMS BLODWYNPIG

ol,o

DOC K'S BLUES BAND

* RAllWAY * WlAlDSTONI* lhlt S,.inday -

BLACK VELVET!!

Mny 4th-J J JACKSON!' f"day-1.A.AON l. .A.l' SOUND

---K LOO KS K LEEK

INUUN'I' ....... INI

AMBOY DUKES -----

nalllllY, .,._l!W

YANDENAA GINIIATOA --------

f"aJ.I!' u1-- ~,ff l ODY M°'KER Apfll 19 , 19b'~

a1LL

Lewington l I 1,u 1" I' O

AlTOSIIXOf'ttONfS

S8M(IIM• ~ N­---11\MPMCVI•-• 11 A.ft ,llfYH ._,.._ DU.tMAN . ....... ,,,... ............

"" mo

""" ... ""

S&."'"M.11 ~-- '11 4 YAMAHA._....,.... £1 .. H\Jlll.RMlt YI.--• tl"JO Sf\NID SUPlt ACTION ~ tll0 -.unN. n-aa..t t1'0

~= O~.v.BNkAmT -•••~ £107 Gll'31. - CU MOOlli,91 . S,-l,OI A .... _ Dl AtMmONG ,._.._ I.,__._.• tuO

,oaMl'MS'lnMt ... ltff..._,. H GINAl O lrR.l --.-., .. ..__......., ----........... _.,._.. s..,,.,,, ..........

cuao«n U\MH SlltU 10, letHt •-' .. HOK.fl",-• IUffnA..MG. • u ...... saJrUt CONIOU.- - • • __.,... Noalfl IAU., -• ~ •

nuMKn Ol.DS ncOttllHG ... - --MA YN.t.110 PaGUSON. -I & H SUSIOMAIU. uc1141-S~UUl 'Aa.5 ___... SfLMU STRUNG Sl.lf'ffl ... -

noM.aown CONN UH,-•·_,. ... YAMAHA.--~ SUNDY, uc.n.,.1 TOIU•.~ UGH.ITONI. -•- -~•

m o ... ... "' 003

coo un ... uo

"' t n4

"' .. , uo u,

ENCACEME.IITS WANTED M per word

M tn tmum 2/Rd A A• LE .;a, , •m (ll•• ht'd ,l('1,1r(I

•n •I - '71 UU ,,,. A• LE .. , t ,un p ll, h r d ru:,nh l

- j.;,. 4541 A C C O M II' L I S H E D ll'RO·

FESSIO NAL CUITAIIIST VOCAL , k • n . •d•n'-' ,, r i •ii: 1mm•

d t,, tth - PAD 1.,_. ,, r 4<.• tllSff ACCORDIONIST A Mll'LIFIEO -

,,..4 .Wd ACCORDIONIST 'ip,·u" h1) Bur

fl.•II H - B<i l k2!11 ALTO CLAII / • AR I t o

l"un·d ) . c•uml)l' fl Y<Jl l l 1 bi11t y, tn1 ba nd l"XP\. fl t'O\.t' Pru ll ll" t' r !I" o nl, - Box 14

A LTO , JOtn SP b 11nd, rl'hl·.an,i· r f'• d nnh N t..c,ndun - Bo lt l<l?f

AL TO/ T ENOR .a, 11111 bit - MAC ,.,. ALTO / TENOR tl.armd - CL!

4"11 AMPLI FI ED VIOL I N - PUT

5146. AVAILA8LE ll' RO drummu

trio '!'. band" s-t-a5'ln, rf'• d , bu !o k - Rn n• ld M.in,h 162 F11:h D.am Lan, Ba rnsley

AVAILA9LE REH EARS A LS. Au­d1tmn11 dirp ·, .aflrr 11 p m -Pf'ln S Rob1nu•n 223 26SJ

A YOUNT TRUMPET .and trom­bono: rt'qUlh' good prOj;:tf'!'!'iYt' loO ul bluir1 group - Pro or sl.'mi pro - II03 2.265

• ANDLEAOUt PUY S tem,r sax • nd 5,1nc• ,ir('kJ. ftr..t-cl• .. lnungt­•nrt - Bn1 IUUi

• ASS, bil"" rult.ar, UUfflpt'l R"'"1denc-y 11.1:., - Pho11c 0l ,lt48 9Sl6

BASS / • ASS GUITAR. ,.-r,.i t,k 11ci. - IUS-Ot.1.5

8AS S ( DOUBLE), av,.11.ihh: for -.·urk humt· or at,rmad, land nr SU - Phone 01-ltl 17~3

BASS ( OOUBL E), ('XPt'rll"nC-l'd rud busk - 644 il~II

8 ASS, 1'11.-Pl•)'bov Cluh - Bill P<l .. nall •15 Bi1i

• A S S , GIGS, v,·~.tllh: C1bs ,n Jllarlh• II - Trn• 472 UH

'::---========='1,h!~fS s~~~~All~:.~lt~ .. ~~~~•lr :,~;;

SITUATIONS VACANT I • per word

A811 0 A O. '-u,,.auon• ••nm, t r I II. nd~ f ,:r .. ...ip, 'olot'•l Inda.an

f', t"f>un1r•. •nd "'~"lc-rn In• l'r• f bl) ft'm.al Juli.. f'Pllll nr• 11nro,r, .. nd Go·G, d~c.·r f.\1 • lh nl m fl ) All t·J:pt'n~M p 1d - RII, ~-,•

ASST P RESS on,(N ritqulrc-d I ,r pr,-,.re• n, m;1n<11:rn1enl and

rd t1>mp.,ny J,1urn,.Jh.1a , •P•,. · r>,;:-t .and .. n,,wkd.:t ol ~u 1 ,,, n~ r• nl••I - S.111

AWAY f••r ,umm,r ,.-.son ,,r I H,r.,. l\, ·r, bmluni:: lor rnu~1• 11.in~ l••<.ill•h. •rlt•II whu w.1101 I• kc, p tn t,,udl With boo .. t:r'! by i'''".: our 1,·lrph1,1u- ffi('<i'l,.O)tl' lo, T,·11,., W'- t•n k••• p t"n,:illgemenl d,.r .. , - ll• I' ll1nd, ra 2, Gr k '-Ht·l ,... J -'17 -lllJ"

OISC J OCK EYS lull-l!mt·. re qu,rt'd prt·p•rrd \n travel 0.-1,uh lo Drt· J•r [.nl.<'rpnu,, DIF tolh..-11urs ~ Tturlmert' Bo• d. 1 ... ,nd"n ~ W 16 Phun, 769 .l(t•} 11o1t,11 huur

FREELA NC E • OOK ER S n• q1Jlro·d rur ,Ill,,'.• nt\ w11h ~1>ud art t, 1 k (J hv pubfl< 11) .11nd pro• "',11 ., r. • •d (,,mm• -1110 - Boz

1nnut'm."t'd •nrkln& )l'.f<IUP - STE 255'- 1e,cmng\l

8ASS GUITAR IST, Manh .. 11 <·u,;i .. m 1tear '!t,t'ks pru or work

~"r~ .. ~er.~J/~~ir~::P K;7tei:~h. 54

• ASS G UI T AR IST PRO -FESSI ON AL, o.-n tran'lport. q•l't• • .,rk hurnc., or •broad - D H,·al4',. 25 R1vo:n1dr Au• Pt'n• IH(• !\;ewqu.ay, Cornwall

IIASS GUITARIST, PROFES-SIONAL URGENTLY SEEKS G OO O WORK ING GROUP. LONDON , ANYWHERE, A• ROAO - GLENN , DARTFORD 2)619 ( KEN T) EVEN I NGS .

• ASS GUITARI ST \oc.ils. pro !Ftndo:r,)l.ar'!hAJI) kt-ks to;curd In,;; .itroup with luturit -Tt'I. 01· ~:?7 "653

BASS GUITARI ST, 21, PRO . ) YEAR S, S EEK S INTELLIGENT ESTABLISHED, TOP NAME GROUP . - 01--422 5191.

BASSIST & DRUMMER , lugdhU or sepautc., P,111sporti. - 4R5 ~11'1

• / GTR/ BA SS/GIGS - 01-4•1 ,221

• LUE(;RASS BANJOI ST snk~ lfTC>UP ·,u1larl"1 -8011. >,JOO

8LUES GUITARIST . - R1rhard. GLA fllflO. allt-r 7 pm

BLUES GU ITARIST .,e,•k<I" !l'.f'ml pr., group - i.!1 1111~1

BL UES HARII' St"ek5,. ,..urkmi; band - D BIi{~~- REL 1'""9H

MA K E THE SCENE . I), nk our • LUES / J A ZZ drumm<'r, ~-oun,i:-.. rt1 1 11, )"Ur ,.,,.,. and l.trn •1111 lnn~pnrt - 6S7 OS06 aflt-r I

l .. mr111,-i,,t1 - Dt·t,11\• ll"A illJ4 p ~ ONGOS / CONGA drum!. -VAN ,nd r•••dl• .anh·d lor ?-42 'ii'!-SS

1,1 ,. h ,nd - llt<1 4in; CALYP SO / FOLK "mg,·r

BOOKER WANTED for .. progressive· agency

Good s,torting ,olary against

comminion and directorship

offered to right opplicant.

Addreu enquiriH IO;

Tony HodSil •s RONDO PROMOTIONS

7 Kensi ngton Church Court W,8, Tel. 01-9371555

a:u 1t.ir. returanl Jouni:e - n1 7~ Q7011

COM P ETENT T ENOR OR PIANO Pt" d,mcc t..,ndard, J.an \olJih ~~a,.on rt-sidt·ncy -t·rl!'ddn 'Ii Tn iJIU<:k Tl'rtar<­l.tandon. N.1'1

DISC JOCK EY WIii t·ntrrta1n .al ••ddrn1~. p .. rtic . dub or pub -Pit I e ph•me 54Q 11192

DI SC JOCK EY (20). ellpt-rl enH-<I ,e<-k, )l~dtltrr•llCOHl ll;f',111

,un Blue· Soul. Pr,,a-rt',1lun Own rec.:c,rd• - Bolt" tll04

DRUMMER , IIJ[t'd 3"1 Top ,rnrk 01-Mij %OJI

D•UMM ER, ii.II tl)l"I G1r11 -Mite TAT 1472

DRUMMER , ,;_1,nam, te('(lrdin~ TV ,r-rnup, u k tup orofei;;111nn:al • r,rkm,c ~roup 1.udv11a:. good 1m• Jt• p11~sp,1rt - Ph•mc 1121 .11.1 11101 ========== / rrfdRU1~ !':~~:,rfX~~~!~:cl!~- iZr •"rk In Ulnd•m II , n"I nften '"ll l\nd .,, .. ,d on,:-, abouf - 1117 23.47 u u11lh .aht•r I pm

ffiMU MIISICAl INUtUM'NfS lTO 11•0-..,.c.....t..,.,i........,wc.2

MANAGER J..- .... 1<><9e,,.,~,,1111,.,,..1i.o11.,E..._ r., .. , ••• b• 11•~••• , '""" • .,,1, op-po--,,! _,_ . ...,...,.._ ~_. ......... _ ....,,.,_.,,_...,,.,,._,....,__, W""• .., ............ n.,c-...-

DR UMME R EXP,ER IENCEO -~n7 277>1

DRU MME R, frtr <; • t<Jrdav, re l1.1bli Own Tr,1n•pi:•rl - Oo,nk 2"b lll"O

DRU MM ER I/I

DRUMMER. 11

lnun,i, -

!:::::::::::::::::':!, I ,:~oi~~~l~~,AL~~?~11rS H . ll!e:e

1;

ORGAN SA USMAN • ,, "" ,, "' ~ ,,., - "" DEMONSTRATOR REQUIRED

FOR LEADING WEST END MUSICAL INSTRUMENT

SHOWROOM ,.,_ on'"'••••' .. 9 ottd r•wo,drfl,g ~1 .... fo, o,, .... ~ ·-•"' 0!'9°"' "'0~ lo p,o..,ot•. d•,.on1lro1e ol'd , ... n

f1,,..., ,,.,o.,...· t'le<l<or,c Ol'fC"'t

H•e 1ucr•nfJI oppt•~•n• ••II be•• pecl•d lo de•elop 0,9011 sole, 1-,,~, on h,1 •w" ,,. t.01,~• He ,ho d alto be w "9 to beco .... o • ...., ... ,..b..- of..._ vene,ol m,wcol I '' --P,I tof .. leo"'

/l'leo1• .,,,. ",.,., 0~11,,.. of.,.,._,, , .. ,-rodr.-..1

~Hf MANIIGfl. I J HANNAFOfrD

ROSE- MORA IS SHO WROOMS

ti U SH.AHf5!•JlrY Al/£NUt LONDON, WI

TAPE RECORDINGS I I I>fH \Onl .,

t\ If I ,,

DRU MM ER. !IIUI pr11 - IJAY

" DRUMM ER WANTS , m1-pru ur or, i:r,,ur• l.ud ,, kll - 72J

"' DRUMMER YO U NG 1,r, rlP!idli'r - \'-lur11 , r- 1n OJ nos

DRUMMER. 2'. 1t ,.,on ba .... vi.in• "' ,r,1•n .tnd •ut1•r J;,u

nd1rd m, D"(' "'.-i l,,rnd• I. wJ .. n .. n ·1tll 47111 Ilau·

O"UM MER. - Ol·IU Sl22 ENCA(;ENENTS r11 •·tltd for "' '"I' .ill•c•,l•,ur,·d h,,nd ~ re,

,r , - r• tdrnC'~ ,.,c _.. EXCELLENT DUO,

drum rt·.,d l.•ltn I , d ,t p,i, r••·, .IT, r• 1(1, ,,

f't•-r 1·,,1,. ,,,. 4111' EX P E R I E N C E D CONG A

"LAYER c:;1c:;s - Y.11"t1m StH.

EXll'ERIENCE O tllllfTI

HARM ON Y lr1d rrn1/11n

r .. op .1,1 Jf;tl

GROUPS Oo you requ••• G GUITA1t1Sl DIIUo\rllMU oi O,rC,,\N1Sl, elc, .... n COlllCl<t u• - w• •~•• lolldo111'1 la.od ­'119 Offlploy r,1 anl 0"•111 cy for m i,91-

c,on, 910 65 17 OIAND MUSICAL l NTflfll1US

Ote1td l111tld,ng1. l rofo l9or S111_.

SEND YOUR 'SMALL' ADVERTISEMENTS

TO

CLASSIFIED ADVERTISEMENT DEPT,

'MELODY MAKER' 161 - 166 FLEET STREET , LONDON . E , C,4

Tel. : FLEet Street 5011, Ext, 171/176/ 234

EIICAGEMENTS WANTED EIIGAGEMENTS WANTED lcontinu•d l (ce• ti11Hcl)

co.co GIRLS r,qu tr ... w u rk - VERSATILE GUITARI ST RE-Londo n l r('I or ,:oud a gency - QUIRES WORK. - TEL . 807 1'54 L1:r. Chandler , 22 Park Lane, YOUNG DRUMMER ll'ekt, ilg/! Slough or p e rm 11 n a n1 wo rk with cro up

GU ITARI ST, ABOVE avl•r11c - Ludw ta: kit - T,1 902 12111 t H 8003 bt'\Wt•, n l .lm -S 30pm

GUI T AR IST, t.'Z•n • mt' , ~ei.• lu YOUNG EXPERIENCED a llo wort1ng band - REL 11990 a nd b an. both aJc:d U, rf'quire

CUITARIST, pl• \· a nythlnJC. l"'K' work - 7&3 1401 only .- ,\1.in . PUT :-ilU YOUN(; P,RO OIIUMM ER, elt ·

GUITAIIIST rt'quireJj worlr.ln K r e cordln,:- g r oup , p1 u pnrt. all !.t'ml-pro b.ind, Jan t'J1.pt•r1ene4' . o tf,rs t'Onl idercd - ~lel"Y 674 but ,1nyth1ng C"Unaldi-red -Juhn , 1757 85114597 YOUN(; TENOR/ nute

HAMMOND ORGAN AND HAIRY Cobham (Surrey) 221111 OWNElt SEEK GOOO WORKING YOUN(; (26) HIP, 8EARDEO , PRO (;IIOUI" . No rubbish please DOUBLE BAS SIST IIEQUIRES - Tri 01-854 11314 LONG SUMMER SEASON OR

JAZZ/ DANCE GUITARIST - OF FERS from pro-folk •ct or (;LA )722. slmllar - Tel 1.arry , 0111 740

JAZZ FIDOLE /ll'nor, pro - 1174 11971 65E-6 ,::_:_ ______ _

LEAD CUITARIST AND ORUM•

TMl~o,\.ul,R ":~:'M l::\~9Atr~~S H

Do ,·p Purpk lypL• J,:roup - Plt•J!>l' nna L1nl'a1ter Hotl

LEAD (;UJTARI ST and drum­mer, ex-namt• J:roup,. requlrt· progrc:1i,1\l' pru acroup - FOR 2'37

LEAD GUITAR IST, F .. n(lcr gt.'ar, i.t-dr:5 wurkmg harmony group Own lran,;port - •411 2506

LEAD (;UITARIST, pro, gond j{ear r-xper,it'ncc-d, nr111n.il 1dea1. 'l~ekS working group - ~6 751M

LEA.O GUITAR IST, Rickl.'O· b;u::ter. lil'eh 1ntell11c-nt, ambl­uou~ rt-cording 1roup only. -2tl8 0097 • fler 7 p m

LOWRAY ORGA N ( OR ) TRIO SL•e Bands

LUTHER MORGAN

AVAILAIU NOW TUNBRIDGE WELLS 21955

"~ YVONNE BARNm A..tlN.l• ~eT-,r-ltO.­

Pt.W..U..W. 11,,adM • hatl,-d,

-'NSWU-1

"'"'• writa: 62 Stalnb111m Orivo Hon-ovatw •-"• i..M,, 17

VOCALISTS WANTED 1/· per word

A M B I T I O U S , POWERFUL , 1magtn1lt\"t' xlngcr wantl"d for Londo11 H•m1-prorruinn1J group. with eontr,icl.s, to r('t'Otd • !bum, turn prures.i.1on.;al. whl'n rt'ady -Bl-505 1651

AVAILABLE GIRL voca11,1, for re,idcnUl'!> Alru mah• 1rll\ll -Norton York A11ency. fill Turnham Gr1·l.'n Terrace, W 4 Ill 11'14 ,1i,.95

• LUES IHFLUENCED YO<:all~l rur "em1-prn prorreUl\"t' gruup, Woodford Own ,i:f'ar es1rnt1al -Ring 50~ 0274. 1-llpm

EXPERIENCED VOCALIST for ,,.ork1ng semi-pro group 5 E London - 01-1152 2493

GIRL VOCALI ST / GUITARIST REQUIRED FOR TOP LONDON RESIDENCY . - 969 66"4.

l'M LOOKIN(; for GIIIL SINGER, YOUN(; and c:;oODLOOKING , for u s CLUBS , GERMANY and Sll'AIN , from NAY l , 196', EVER­GREEN , P,OP, SOUL, for my 11lround b•nd Lelters with pie­lure to. - Bep He r mary, post l11gerend B.abenhlU!>Cf Ct'I Asso;haffl.'nbu r g-, W Germany

MALE SINGER requ,red With u:perienu, able to travel and Join our l1al1an group, state age and • ddrus - Pl<'ase wrne 8011" 8307

PltOFESSIONAL (;ROUP requlro.' c1rl 11nan Work walling - ;;11 4105 between 1 3 p m

ltECORDINC P,RODUCER seeks talent Sal' - Box 5032

SINGER REQUIRED f('muh ,mgN songwrl1er scl.'ks psrtner

:==N=,=G=E=R=,A=,=G=H=A=N=A=::: I ~:r:~gm ~"t~;~~2R~Sl~o€E~3t rt· V O C A L I S T for 7-pll.'(.'('

Tami• J.au Rccordmg Group m

TEDDY OSEI ~~1;.,1~ 1~~an~~hu~

00£1mt:!11 ~~~~

Showbo"d w,th GOGO Do"un ...ek promoten for o Tou, of WEST Af XA.

E"quiri•• to Monot•m•nt 01 · 102 2997

ORGANIST, Hammund Leslie. n•qu\r('!. glg;i; in Kent .:irea Weetnlghu only - Tt>I 01 IMP 1111111 t'Ycning!.

ORGAN TRIO , prOfl'UIO(),I\ In duding vo<:als, pops and st:an d.irds, require re\ldt'nt")' - Ill 1n •1830

o -,~ANI ST (I/OX ), cxpt·r1tnt'l'd AYo1ll1blc 2 we('tJ K('nl ('Oast during summt r Regular ,,..et•kl'nd work c-ons1derl'd - Cordon Mrc, 41 lliddlet<on Road Riek m • ns,,..orth. lier\,;.

PIANIST AND GIRL DRUMMER . - U9 1634.

PIANIST DOUBLING ,,.,nodwmd, ,·ntal~ Prorcs!IIOnR I - SWI 5016

PIANIST free Saturd11y~.-stan Susman, 940 3711, 6-8 p ni

ll'IANIST, g1g .. , re~ldt•nt')' - Il l 5;11 4208

PIANO/ ORCAN - Hart'fMd 1514 O.t1dd,i:)

rlANIST, ll'RO.-STR 1614 PIANIST, ltEAO , busk a(tllml)

- Bill l,l.1y. i1S2-IIO!o PIANIST, reqdenq «1c• -

';31121117 PIANIST / OR(;AN ,ocal~. all

~I) lt'. Ft1 !>I Cid" - ii04 '4J'17 PIANI ST , •ol-l llo1nc ,,ccump;m

1•1-IIY7611l P, IANO , 0.1\ld f"ul\1 n - hi 6!1~

72N P IANO / OR(;AN pr.i .(h

p, rm. ,•arm - n1 Hz 1111

PRO. BASS GUITARIST w1&hH 1010m le• dmg Pro Group or Group w11h gOOd l1Jlure Mus-1 P'aY' hard rod- or 1au: b,al'ld blues Ded1c...a1ed to 1h,s mus,c Foncler 2 • 100 Wlllt M,11,h•U Cabs

Voll AC 100 Amp 01-670 3692 or 8011"8312

C/o Melocly M11k..- 181-166 Flee1 StreE<t London E C 4

Q UINTE T AVAILABLE L:atm

~~1: · w~:;:~d.~

0tunt

1~~-. ·i ~s~~f

fU \_ 6•9] ,ir BR! ,, Iii STEE L (; U ITAltlST , ,trnn~' It ad

Ou, - 01 s;~ MOO TE N FL T CLAR <;i- .. ~nn

JE RSEY - lll 5,.9 :lll TEN O R/C LARINET - \\"Y.M

f',1~~ TENOII . d"ul,lmr llult 1,:u1t:;,r

1,a :.tn. p.~~,p .. rl - iu,, iUH!i T ENOfl S AX ·I,, """rk •1th

p,ni.n .v, 1,;enJ ,,, bu .. --Mr Ju ,ph ~ t .·tf.~ld }1<1,U'I. J1111dun

"' TE NOR / VOCAL S , k hr•t , I, I •un.r,· -,,11rl 1St1, i. ,,.

T ENOR / VO CALS "\On 1,,.n~p~11 ,mo (ptlpm, nt , ,-pr• '"'

,. pr '"UI '7 11,

,,1~ R~M P'-tET •!1 I~,,•:• ~~l~:•,nc;~ I' h JI 10 rwt• r,) I rl<'.1,t, II IIIH

r.:~t~~;;, L~~~f, ::1 .~~~~(,_.y :r:6d WILD, UNHIBITED, mad, beau

t1ful J.inl~ Joplin type ,;;lnicr Gr~••1 oppurtunily )lust h11.\'t' powerful 'o'Ol("t·. - &SQ 61177

VOCALISTS l / - per word

ATTRACTIVE FEMALE voc.11151 w11hr~ to Jnln pru~resJ.we soul , pop group - Ot-538 8Ul8

(;IRL SIN(;ER , elfhll'Cn. <;n•k'! good manairr - 8011 829'

HAPPY FOLKSINGER . Lx-pcrtcnc,d Ram bl mt Bntam • &aln June-Au1u'!I LnokinK for .,.ork in Folk Clubs - )llek Wevt-r Plet1t-nhcrg:n111r 59;4 Hl.'nt'hrld, Germ.any

YOUNG FEMALE \Otallll w,,01~ to Join pnp group, !.Cmi-pro -T-•I 8911 0794 afll'r 7 p m

YOUNG GIRL VOCALIST rt· QIHrl'~ wurk In l<ilr nf Min - Ill ti!III 5511S

ARTISTS WANTED 1/- per wo rd

c:;o-Go DAN C ERS n·r1u1r1•fl for wor" h,,m,- ,md .ibrn.id Fur 111d 1tmn~ r1n'1 ,·,rnlni;i• J611-:ifllll

INDEPENDENT pr1,dll("\lt1n cump,n) serks talrnt - St"nl.l t,~u~;·sfh,,I< , .. ph~ and l4fll'~ li,

MODELS WANTED , p.,rl tun, ..t F', for r.i,hlon '1)111.,.,. phuto ~r.iphk, T\' C'(•mm1•n1.-.1, Ex pt•rh lllL· nut ,..,,,..nt111\ - App ly Bobbi , } 1lm A~•·nt')' _ 4 I t·11.1rm11 l'ru , Ro;,d, WC 2 T• I i 4 h.163

WANTED FOR Jloll\d11y \·\JI i(t r 1d1 nl summtr •• 11,,.n drum n r muu be • bit- 1 .. drouhlr ,,n ~porh or .1n1~• I - f'le.,u· con tall A Oliver , Jlutland G,ud,·n• HARRINGA Y, 1 nrid"n.

" WANTED

ARTISTS A,.,D

FOLK SINGERS who ho•• ••peuenc• 111 ""' ••la,n ,ng o 11¥• o .. d1enc• for well-po,d wo,k !h" h<rft"'H

lei RAYNHAM AGENCY 01 -940 175'

PUBLICITY l - pi:t \.\.'Ord

L ITHO P HOTO S 1f• In~~ hd ,1u,·ul11tl I •111 .. ,1

~41~ )hp1 Al,lhl• .,.,.,,,, •l M-11)1 ,11,, I I ,.,,t.1.,11 \\l . "

TRACGERMATH P,ltODUCTIONS I "' l'uhl ,t .. u, t,u,1

l • ,., • t • ,, l'h I,, r 1ph1, Art I• LI• l' ,,,.,, n1 1,, l11rlh,, 111 r • 11 ,,,

MUSICIANS WANTED 1/- per word A SANO, ,1 ('.i,,. lry Blllld . Tht' OR (;A NI STS w,tnll·d u rit t'll lh -

ff,111d nf lh,• 9th.'121h Roy11I l.u n - 93~:~::N/ VD CAL S. l( u ll,tr v~u, I , !:1~~ h:1~,y~~~•moltl~~-r'o ~n : 11:u:~~~t pro groUJ'I - 0 1 S'14 l ~I ~ l 1tnll •

~~•~~:~~n•~k:,11 p~~•~·l;t 1·~

01t nt.~~: n C' ~ : i 'N~ t¥k DOUBLIN G urJ.: ,1n u nd

m.a~frr . lllh / 12th Ro y• I l ,am·r r •. ;~~~~in:!\'~ ~11~:l,.11~h~••~r1 ~t rrif~

f".1~~-~1~ k [~J'ER~ ,or~; y11u ,wed 8~~,1~'N1 sTS, ouos, t ri fl ,md .i ll mu,11 '"n' wrih- 1u MU"I hu11 of f 111,. 1 , ,. re • ur

~~]},~t1UrvM~t r~;t , ~.oi~~;_e~t~ 1~7 o~~~~v 1~:~~lr~d ~{. r i:;1r ~m'!kal

BANJO PLAYER n·q uirt.' d by j~gfYo;g: "1~·~ ... ~~ohu .. ~:rn;' ~ll' ~~!-~

~."l:~: .. ~~.r\;1l:::~i 1~.t11~~~~ ~ U~ 1 Flt11 ~jf,.'!lh~u .. l!t;j~l'I w~~~d ~~Illy rlr~

~u~;:rt~:N .. ~

1

: )~AXL~t~ r . a:::~1c~~:f 12~ .~ ~ ~s i"11~~ J. : ~ r; i~:;r pia n o /

:~sr~:·~~r fu~r;1~~·; .1 b~·" ~~y li:ttl' t · :,~~i ve~UC·on~~~m~~~1t•IS('d£~~n 1> n; P•~~,..;;; CmJ ~~~/ht·;1 t~~••ft•r• bly L~: jf5 ~

1l~!5\5 P!~'~:~~~fu(~.\o"c'~:

rt•it d er». • l~o g,md voc• Jls t fo r !ill~~~t' ;;5SI~ ; 1xi~m~:~~e h~;;

;;:,~:~ ~.1,.. c; 1}i(~z ~nu ~,i~~-~ "t1~~;3 i~t~m:1Dn~t•~~th~,1~•i., e15, Cn1i~i~

ll7~SS GUITARIST, prn ff',sinn a l Cornwa ll

rl'q ulrc d ln r o r x a n trio. - 01 •777 w:~~~~'1!u~:: ::~TH1~:-::,~: ::;o~!s ~~!;:gR,..IST ~~~r~/~~~g1~ - ... ~~~;{•·sfl:rr 5:~,_~•f~1s

g rn up , 1non 111 turn pro. - 272 ~r:~~:II ~,:.•r.in ,;~rllc,fee~tll"; 111

::'As S GUITAR, rud. 1mmedlal<"· All 1r11a1. Ne w , lnc re11ed Ull' I Jy - Tt•I 102 0S211 - G larman•,, Bl&hOptga t o 5SJ1

BASS GUITAR / vucu l for pro (dlJl. harmony band now forming PIANIST/ VOCALIST, rt•a (le r fo r Be<lford 11hlre area - Ti"I Dun- Lon<lon r e&ld e n ey, H a mm(lnd 111

~~;5 6-i~ ~ ITARISTS wanlt'd ur- ~~::n available if rt'QUi t t' d - 226

1' ~~\s C u ~~~: ~J iJvocal, for top PROGRESSIVE ORGANIST / south Ent London harmony vocall. profession• ! - 01-546 ,:-roup , harmony up cliSt'nt11l - 3281 852 44118 ,.:.:.---------,

BASS nr blliS gullanllt want('d for D1x1el:rnd / maln!ltn•am bund Enlhus 111sm and w11llngnl'S'- to rchcJr~c l'Uentrnl - Tt•I fll •80,1

7111111 BASS rt•qulrcd for r\'IW11t~lll b 1g

band m1•ct1ng Fr1d11v~ - DEC 44117

BA SS & LEAD VH<:llt!lt 120·23), Crntm, Richmnnd - Mr Dick, 94fl ll?J'i

BASS and ur11:;111i,1 fur quar-tet, wnrk WaillnK - fll-11114 2607

BLUES HARP for blues band - 670 6307

BLUES INFLUENCED II-ad to; qu1rtd to Joln 1w11 lrad ,eml-pro progn•~Sl\l' group W11odfnrcl -R1n2 50S-0274, S-9 pm

CLARINET PLAYERS r.-qulred

:~:~ yto~l'~g iul'0tr~~n

5c~~'r

01 :;~:l~a, carter - Details from RAMC Stllff B•nd. Ash Vale. Aldershol

CLIFF BENNETT urgl"nlly re quires Hammund 11rg11n1~1 w ith o"'n \'Q,Ulpml.'nl - PhonC' 112'+ 9121 l'XI 120 Mis~ Ch•pman

DARLINGTON AREA - ORUM• MER rirqulrcd for n•-.ptctablC' 1l'm1 pru group C1th•r1ck Camp 230.&

DRUMMER fnr blu,·, band 969 4957

DRUMMER PROFESSIONAL, ~·::~:,~yd ~~!~"n"1~!r -:;~unng. T~~~~I. purl - 01-235 2H3 uftirr 7 pm_

DRUMMER REFOltNING t r ad - J Gru•n SH 051. dll)'

DRUMMER VOCALIST fur • RAD­FORD Luc• rno, under 30. b;UJadi.. pop'>, ~t11nd,1rdi.. ('IC Pl'nnani•nt i,:uud mun••Y- - Wr ltl' or phnn,.. 808 FITZPATR ICK L1•t·arno, Dt-rlJ)'

DRUl4MER / VOCALS for rl·SI· do:nty 10 Nl.'WldSlk - Wnk Box "315

DRUMMER WANTED lor Conti­nent. mile or lt'm;1l1•. young. t':tpet1enn•d all rh)'lhmli Pll'll'il' send dt•t:a11' with .lJt:C and photo

Required for

THE GREATEST SHOW ON EARTH TOP-CLASS MALE PRO.

SINGER Guaranteed top basic salary Dnd re c ording contract.

Mu,t be versatile and com­plete 1howmon. All enq ui ries 10: l•• Allen ,

Capitol Artiste! 101 )-836 3831

SECOND ALTO/ba n tone, long s e 11 11 on Buth n's Mlncht'ad Theatr e18allrno m Groric Bi r ch, Ru1sllp 3868!1

SOUL SAXOPHONIST requi r ed Mu1l rehenne - 902 !i3 I R a ftt'r S pm

TENOR nut , o r AL TO / bu riL ftutc GUITAR, VOCil lS a n anet . BASS, p ref . bDH• i,:U1la r wanted for lon g r es\d e n t'y A m e n can C lub. Lo ndo n , i1 ta rtm1 MJd

!1x~ii1eJf Pr u ~ ~~. 1 ~!?\u':tuesrt5 ~ BOll 8321

TENOR reQUITl''I: sommo: r .i.e• !>on Reside ncy - Pe tl.' r R1eh ard~on, Tel 800 3SOJ

TOP ORGANIST-PIANIST, tpu~ s 1b ly vocali~I). not nv~• r 35 rl.'qulred ru r eon tlnental gruup. mu~t be abll' 10 r ead :md h.1\·t· some ex p , rl l.'n<e o f L.1Un :md c,1nu n e11t,1 l musk Top wa1,t•s and bli oppor tu ni ties, residency In London a r ra - P h on l' 397 68'25 bl.'tWel.'n 11 a m.-2 pm

~\ii~~t:ft .. 'i~f-bl7r Buu:;~,::;:· l.---,Y"""o"'u""N.,.,G_L_A_D_Y_.....,

- F:~At5J1

MUSICIANS Tt'(j111tl'd VOCALIST/GUITARIST/ b,md lllrm1mr - Sm; 1'2!1$ ENTERTAINER

GIRL VOCALI ST / GUITARIST REQUIRED FOR TOP LONDON RESIDENCY . - 96' U64

GOOD GUITARIST / h11t1non} voe for Seek,..n st)lc grt.up Also dnuble hass. - Rox Ull6

r•quir•d o~ ho1teu fo r "ood-dou WHI End ••1touronl . long co<tlrod E:occeUe nt 10!0,y.

Phone: HAYDEN 136 5311 IRISH BASS pl.i)'l'r for lr lsh l._ _________ ,.I

Shu~ b.md, re,1dt•n l So u lh Lnn. dun. doubling voco1h (slni,:le). gnoJ tnt•n1•, r1ghl man - Rini;: 6i3 01114

IIIISH SHOWBAND fnrm1ni,: ~·:lo P<'rtC'nc.:cd mus11:1an, nnl, Must bt• ,,.11\lnll tu rt'lw,,rq• work wa111n~ - 01 4SS OJHI ,1 r1n 6 pm

JAZZ/ BLUES OR(;ANIST & DASS GUITARIST rn r prn5:ro;~~•n 11.'n pil'c,• i:roup - 11111 22fi'>

LEAO / AL TO / d,1rlnet for 8r1t111,h Legion ttand }Qllllll" t':lo St'tYLcem11n prderrt"d - 01 6,44 IJ5112

LEAO and ba~'! fur U'llll-pru J'IOP 1ruup Must bl' amh11tous ,md 1ulhng tu ro;heJr~1 - l'hunl' llnmp~lt'lt.l ~293

LEAD GUITAR ,·uc .. 1111 read hu'>k. JIIIJ)~ ~!.a n daids Fnr lounJt:o; r1·,1d,·nn Wnrt 11,utm,: l1rgenl

\'19 1Ri1 LEAO G UITARI ST ,.,,.,11~, re

(JUln•d fur w .. rkm~- (.'1Hll\1TV ;and wt•\l~•rn t} p, 1;:roup - ,1111 '.!:ton

', Ii 111pml LEAO GUITARI ST S 11 ~nlo d ur

't'll1 I~ 'I 11) f;'.,11 N EW OIILEAN 5 trumfHl•·r ti

11mn•d for r1l.tb\1~ht·d (111.'llnKfor<I b;:ind ,nth t-llll".ll!t·m, 111~ - HlnJl' T1ptrr1· 11~11~

ORG ANI ST for wurkmJ,: ttm· prn re, ,,rdln,: rou1,. T1'11d.enh•m h.1 , ~ - ~1,,ui,:t, :tHwJ

OR(; ANI ST lnr ,-,.11111. v,·r~dlh d Ol, b.ond cnu11I II,· 11•.nd '""k r ·, xular d.1h wa11111J.l -ld It, ,um., 01 'l',t .. ,,u , .,1<111 n1 .. r,· 'lllldt I

ORCANIST ""'" II ,nim,,nct i., ·,ll1 l~RI" bJllr,,vn, l 'l11n lullll ., q-.,rl, r - 'ii I ,q IC

OR CANI ST 1P\ANI ST ll d1nl•·l'l , .,.,1u11 ,.an 1h1n• r fur r ,,·1 pr .. 11• I r,,,ord1• 1mm 01 h lt :4t uh lrl n" ori:h1 ~-4f

OR GANI ST REQUIRED fnr \\••'kin~ hlu,' ,. h Hd II 11<, ... 2;4117

OR(;,\NIST ' I/OCALS I• r .,.,,rl,, 1n , Ill! p 1.: ,q, ~ I ••11d"r1

Il l ,-.~ .H•

ORGANIST """'1~ • g '>Cl ~ k•ng Y • <JIV9nll't •m-qu,11l'O ,.,, ,mmeGlfll'• wol'l With n '"' 'l'(il•.>llp M11,...anant Agent:,, Fo, th( )fthttg l P Good t.,, .... r,,1,,. ••• , .. COt\llCIM..-o .........

01 -831 3113 1

Y O U N C TENOlt Banton( Trump,t. Trombone. for Pop, J.iu. rust<>n type band . Lnndnn Res1 dency - Box 8302

WANTED . Bass1gu 11 anst rhy 1hm ·gull11n!l'.l and d r u mml'r -Phone No rm a n WIM :i432

WANTED for i.u mmc r ,wa~on Jl.'l'H'Y Drum mer vo ca ll ii;t .a n d bas~ g uit a r is t . full p n ruc u hni. IIJ(l' l'lc . to - No r man Crum blt· 2li Ch t111.'hurii;t R.natt, Orpin)tt11n. Ken!. Orpmt:to n 25113 1

WANTED fo r , u mmt: r lil',l<l"Ull Sou\h Coast With ~lllll' ba n d Trumpet. voe,1 h st ' 1u1la r1 ,1. b, s

b.t~" t:Ullarl<;I l1u~t b1· \'OU O):

~ftd. ~,;rn _ F~~~nri;rt1Q~~~rr~t• a~~~ Chl,lt•hur,\l Ru.i d Orp ln i;!

0

!on K,•nt Orpt n i,:tnn ?!ihl

SITUATIONS WANTED 1/ . per wo rd

DJ . - J1m. JI< ll-1111 f)TII· ·r, ~,in• ~uund~ - 111 l.lnc,1ln Ru,1d Wurt:t'\le r P:irk ~urr,·1

ROADIE SEEKS ..:-1uup - .tll•ii:14 6"1111

TWO ATT.ACTIVE FINNISH 1t1r\• 1~ ,.,,nt .i n v km d o l e1 \ I ,ti fru,·, lhl h~·1rin1>111,,; ,r Jun~ l' d ,nc ar d IOJ.: All .i n ~•irr ,, - llt rJ, Kunuu Id ... A<1ll,,, I i::lnlll :in '•W Hrl 11\lq 411 J tn l•nd

YOUN(; "AM. Ill r <JUlrl'II )Uh 1n · 1•• " r tl1 n )! ur 1l1r1 1n du , 1r f>f• I' 11,d f,.t luni; h,-ur~ Anti hard .,. •rk 8u1; k11 \

AfflNTION AU DRU-ING INTHUSIA5TS

JOIN NOW --.c"• NMet,-vw,..,..

111EN111!11-AS10GA111111 ...... _ .. -­:-:..::.:- .... _ .............

TERRY WALSH & IOHY KEVIN LTD.

LIJDWIGSu,- c1 .. o1c UIS lUDW10 S..,-, Cleuk 02.5 Pt t MIH G•l4GU"., tlOO ,HMlfl ll u• , • .,1 1100 SONOI tH TIIXON US

N•w-EMlll1 i• t1•d1 N•w ••4 5H • 11.th• "" tllOJlANS

n, .. ZllDJ1ANS, ... l"'•H) ns JlNDll J.11-.... ttS f!NDII Sir•! UO t N,ttONI c..,,.. ti 10 ffi,ttONE C.11• 1.--wo,) UO COlUMSIANC• l'-f"• - 1 UI GIIMSHAWGSJO till tUIINS \lt1I • S.nln fte111 £40 UI/INS~,.,o.t ,etA

5 W l7 ,,

l lllllS Jll K 160 f[Jlu(I nu,owru. S/M llWl ffD " ISOII ll71ASS llfW tm EN'1104lf WIIIO •If Jm Gimo, n MllfOOII IIEW us, HOfllH S£llUO~ IMS t2S IIAO&UHU£. .UrTU5 S/tff.OM [U

Sfl..M(IJlllWW S/ M DS YOX AODs, ROM tsl UAD Ot LISS AMPS S/ll FtOII U,

IWSHAU IODAllP &W • 11- 041 SHMU SOW IU.SSCAI £M WU~IIIS ECHO\. S/N fl0¥. £29 SU lfC£1:LU D UT COfllll!J[. 4S 1UW o .. litETSOllitAPUUJ llfW t.ru l'IUIIO IWIOG.l.ll r IITS S/H flOII W (OMn.m IIT1.S/ N flOJI Di COIIGA DWM l'A.S ftotl t'8

12 .. CNUICMfllLO IOAD ACTON, W.3 "1 7S24

BANOS WANTED 1/· per wo rd

ALL CROUP,5 for \H•ekd•) ut• c-u1l. On:•n1vu1al un111> ~umm,r n·Mdt•m·h· .-Nurlun York At:l'nCJ 86 Tu r nh,tm Cn·t·n Tt·rr,1,·,; W 4 01 '194 ..... ,5

ALL TYPES grnup1>, b,md1. p.a r ­ucu larly wit h gir l m embN~ o r

:~~1fA~m~:,..~~~ r~~~~~~~1· ('~~~ n~ Inn . Al1 11 rt•q111 r ed 11rl voc,1!15\ !

~l~~k cl;tf~~~=d. l ~ nlts rc (t'S[~;~~~ 1alnnwn11 Lid, 11 7 We!t ftt'ld La ne.

~\~7:fl t"li•11 ~~1\1!rs !t1,!~~~:=~d

A •EALLY .nr lng m i; 5:r11u p ,, r ba n d wa n1 t•d Prt'f rt>,1tur1 n 11 auls or ,ll itl - Rm g D~., 404i

FIVE-PIECE • AND (MUSICIANS TO DOUBLE) •EVUI.I.D FD• SUNSHINE CRUISES, Sl!nE'"• E• 1969 In MAY 1'70, Exer ll t-ol cond1tton 1 .ind ular) - A p p l ~ with d4'hLIJ m 111·rl\1 n g unly \u Mlt . H . OFFEltDAL , F•ED OLSEN LINES , 2111 R t1tt'nt !-tr"C'l Londntt WI R iAr

GROUll'S, DUOS, l t1•••· .,nd }JUI.> t·ntl' r lal n l"f•. 'llo.l n h•d for :0.urtl'I Lond,>n p u b r, ,1d1 n1·1t·11 Ap p \Y. ¥1"ni:; do·UII• t,, flu, IIJl3

LONDON AGENCY uri;,111\t r.-4 111 n·~ itnnd t:ruup, .,nd ,.,, ,111\\5,. - 01--1"6 HM

LONDON COMPANY ,,._" h,1 h hr,,r from a m b 1lmu• lot·.1 \ ~ruup• Art1"u nr m .i n ;ago,a lnh'rut, tl In ,,,curing u n• t·u rt.lm g t on l r~,t ,Jlld /ur l up aJn•no J tf\llJll">fl -Holl l-!3 10

ROCK 'N ' ROLL • ANOS WANTED - hi HOlJ :·,;u

SOUL • ANDS , pr" - 7 t, Ila C 11'-11-'

WANTED SHOW BANDS

COUNTRY & WESTERN

BANDS

Gl~L C&W & SOUL

SINGERS

GOGO DANCERS ,u oppea• ...,,th So.., ltond 1 l a, U \ 1101*1 '" fu,ape W,. • .,.. ,h ph · 01 ond dtt o,11, I<>

FAl- DANE PRODUCTIONS 43 t.lllemarl• St.

London, W. l hi. . 01-629 3422

r WE SELL

freJttier DRUMS

ond boc: ovr 1ole1 with the finest ofter-soie, ,erVtCt'. All colour, ond Mzei and fullest range

of accenories stO'.(ked

MOVE 28th APRIL, 1969 lo

17 GOLDEN SQ., W.1

BRASS, SAXES, WOODWIND GUil ARS & BASSES

...... ,-... ,- ........... , CHAS. E. FOOTE LTD.

20 DENMAN STREET, W.1. 01-437 1111

1,,t, '"' it !

INSURANCE 1 4 pl', word

FREDIERICk S INSURANCE krnlt, r Cir. \ 1, ln,lrumt'nh '11:ortc.itt• th \II 1i16 1h 1 1 lll IUl1 l J4 ~?IT rmm, Jl:d ~orth Jf:arr~• ll1dd.a

MOTOR INSURANCE l·um P 11111 , r •h ru Pai 1 r,,:, r lutu111.. ., flU•' t Ir ANYONE dr1i,1 n 11 ANYTHING . - An tnu·, lnRltlUl•" Br,, .. rr M4 llo l<,w,1, R_n.-.d '.'t 1• II m •~1. or ll2 ( nl dh , rhn•Jr t 1n, .._Wt or 25i Rtp p !, H,,~d. 8<1rl110,

Stlmtr Musical

Instruments ~ Ltd ~

I , ... .....,_a.n_, .,,-a..-. .w.- • s----8k.,_ .... DO L.w..M,0..- u, • ..,._. ....... ,:.,_....t. A• .. Dd • • V,lewM....._ ... fl-Ct"' .... ·•- f.llO s.a-.rs..-• o-- 60... f-NND-"""' tJ2 s.i.-Pwh U Tptt ,d,o,c,o .,f 2 61..- •....••tlh4 ..... D..-l,t, ...a-

lNSTRUMENTS FOR SAL£ =:_~,.::-' 11= "::,-.... ~ _..., ~ ...._1810T......_ U1 ...__ .. tM.oofwwr•iti,r;>..t......iU7

L-perword Kiaa•t ........ , i.c.i n .. t.e,,t,o.._..o.-t., "'-' r.,c

b~t.':n!!ca- DEA,,.L,•. ••, OHF~!_•.: =~s.. 471: ~-=-_,,. ~:;: • . -· ·- ....... c.........~ ~ ......... 1,,..,1a..,.... udo I! IIC'1~r. ~~n. ll~::i..:~~asf:' ~~•"""',h- UO. ••:=,:;~-::,1 .. s.&,fG~l'9 .... Horru-r Comm,tln- Sa" m ....,_.s............,r... ~ ,--c---o-t-.--r:~bclllh~~,,Ult~~r tutt1!w. /ra~ ~:~...._ ~.,_.,. ~~! ,.:~~:.:.,-r;,,,.-,.:!,,_, l.C'Vln Jum bo. 140 8urrJ 'iplll ..,.,_SM.tkw#uGooite>F UO CMe [M 11oound 141 Elct·tnc Gu1u n c_....._. ._ us Alllltw 2 ,.,,. S.114 O..it., _..., - tt7

~;~1~!0· :~::r !~~lt.~~JC'f~nfJ:r :::w~ .. :;·:: .. :- lf.l~~ ==---~'!:c--- .Om :~~~:~~•lro:IIS :;: S~~:!~t V•ltW. Ste,-,_ U.!1 ......... 4J60T,_.;_.....,,...,

5Pf':tli f" n1 , ru uth Amp,; from --..o.a.65 UO feet U.!I U Olympic •h!lc . ('f)mplct~. 14?. ~ S..... 2SQ .-. Jel- freW. ·•• .._ ,oo ._, r.10

g~~ICr:ra r ; , !~ll0:!~.P1~l::.= :;:.!:"'c.... ~~ =--~Pec., lPI-, :a•:. .iny11t1n1 (rl'<.'ord pl11yf'rs , tllpe fe""'-r 'Str.t' 110.., o.a-u • . A-,. 1: 1,

MtlODY MAKfk, Apnl J') Jtt,9-P .sl

PA AU GOOD INSUUMEHTS WANTlll FOR CASI!

SflSOMl7,•-• UHMC-.._.,~ f.110 ~,,,.._.,_,, &.1,0 ,..,..~_...,,....,...no w,pMOHIC-,.-,-"' f.110 ~~ ...... 11• MdfJN4IOll,aHec_..._ UH Qd\Of'III.U ,,........ f.1JO at&SOH......, ...... J,.t• UI P1f'HONI~,_•....., CIJO eunot a-we ,_,,__., ue oan0t...._,__,.........,uu f'IND[lC--,t_.,._ __ r.11• nNDllf ........ .....___ tlll

HNDCI T~, w.-4. --- I.HI l'fNO(I ,.,__ • ....._ _...

............ •- (lU ,e«JIIT ......... """ ...... ,-tMtl'l1S M.UMl)l,IYI~•-••...., ,,_..,_ ... ,,. us MAIMONY H77 ,1., diary,.,, '6J 011S0H 17S9. ~ f.17S o•rncH.....,...,,,OMt.,.,_ n" lu• NS ll•rlt ..._ .._....'-9 US •!CffNaACICH J .. /•.._....... qo YOX ,..__,._..VI.--· £2J

• .....,CftO ......... 11:---. tu ... ., ......... _..,._ U4

... ...,Aft ...._,....,..._ f.JlJ NOMtl:C_......_......,. U1 -10ttl91. -wy ........... tllJ ,...,_........_........,. f1a ........ ., IUUISMwPAI.,.._.. ......... tllD .... a..., ............ IAO M.A• loMAU.I..,._ ~PA .. bs VOJl:T60.,_,-4,....•C ...... O'S voxs.w:,__..,_.._.,.,. uo vcas.a,,...,_.._ •....,.171 WO)l:AC.JI ........ • ...... Ut 'fO'l:,__..._C--.-..,_,.. YOXT60C...-...,._. al VOS,._,_._~_....._,,, UI ~...,_....,._,,...._.u>S

OIGANI a Jlft:CUIMON JA•ftSA(.....-,tO,.,.,.•- f.145 vo• ...-. _.. 1:1• HOH ... s,...,._.c >10 ....

11,--'0.- DIS ~,,_..., • ......,-""""uo P•:IMID..,.. __ ...._........ U.!1

NEW IMPACT 60w. P.A. Sy,tem, complete ful . -49 :,cars f\'l'Otdt'r phnlo,ll"raph,r equip S......C--'0-...W- £41 .....,._ti"'-'-0-,_ 1u..-.

--------- - ----------lmt'nl, flldlO!I. h1ft. t'IC .) In paTI ,.,....,c..,.._.o.,.-.Md f.140 ....._ ........ s..- u ..

,-1.~i~~ii~~iillffiilll e:11:ch.;rn1f' C"rPdll faC1IUIH avail• u • ., .. ,_ • ._.. Sp{MI o..-,, ., .... ,.1e1i:e,•.,_,,g,......,T.- J29 ablt' - Alpat lna\t'n . 21 Plum ~leM,.,...k .. .,._ "°... .,_kMfecUt,ar,"- f.1IO

with leads and covers £ 147 11.0 $IUCTION011s--A-',...,..__,o,.- ...... ,...

MAil OIDR I KIil P'UIOtASf .. MT D04AMGl5

COMPAHTI«Sl~II

..,.S..WAffl 7'G-- _.•IJC.... ..... ll#,IU-WAffl lOG- ••llC....U ... SIM.IU-WAffl \00-,.. fl A. C..._, ,..,.. " .. il .. S.WAffl lOO-w L-,:! Aap,, 15.-. S:MMI-- Wolffl 100-• .... A..., IS .. 511111111--WAITT l OO--"' PA .......,_,o.._

SfVUIT H SOh~A .... .-,_,. U.-.,C.6.!I .....

Sft,1.UI SO-• Galoelh CelK., ~-.I - ~ - ..... S(LIIUI 1•• fl A Cel•-• ,-.

.,_,._ UG-;,11" 120.., SllM!l • •1 1 100-.,.. C•'"-- io.-4 -....

,aPlt)fl ... -., ..... --, -- t7'0 GIEnCMO. A._l_•

.,.. •eel..., l:11S UYIM~b.et.fl.lr__,,, U0 f\ll\l ... ,M A •,.....,_,ed bl>e ...,_ u• l!OftfflS._ ...._ c...,_"- 1:16 MOfM£1!l11• l...tO..._, ,.... t20 'IOXC--.iiS.,.. """'-' US JUMl'Tw..i.tt...~ J, - <AS lifCllONIC USUf A.,,,I lo• · US

~~~d Road ~KIM Tri 01-!!S4 1t•n.~:.::~,:.~:-;;,;--'- a • o ~.'::=:::;-;:o":';;::."::::. U

A LTO MK VI, almn.st new COS1 C..... S.... U.!1 ...... 6•10 .. ... d 2.1r, .....

!~!~1n':ll tti'I IIOl! - IH 24i nu I-Jlilllll.l..l':::'"::-==-----":!..1:::...~~~--:;..----------"'--1 1-r---_-_-_-_-_-_-_-_-_-_-_-_-~-------------ALTO SAX/B b clJr1n,t (simple 'U:PAIRS AND OVERHAULS A SPEOAufv. fttST,CLASS WOl.KSHbl's

\VHC'm l"'tlVC'rCd hole I ca.sn and siJllED ClAFTSMEN. ' HllE ,URCH.I.SE - PAIT EXCHANGES N G 202 KING STREET, HAMMERSMITH, W.6 •nt.l"ill' ,t;;ond .t<tJ nno - 01-SJ.4 d C 2 TEM 32 Kl -10011 1 14-116 Charing Cro H Roa , W . . . 54

DALMAIN upn~hl p1:'"o· !SO Op.n 9.30--6 w .. 1u1a-p. AJI .,. Sot.. (Tt.un oft.r l p ... • •h16 , _,.. 11 no - Tt'I 01-727 451!< 1_,..in - d ~-ti enly)

n,-~~•c,',!'..':,~~~,.~~.c•~~' •:it~l '-=:===============~ I clc.aranct• ;it 25 p('r ct'nl discount 1-­-Wrllt- for •~t. CAPE ELECTRO­f"HONICS LTD., 43/ S Shirley ~~1:,A

1/tn-..:t, Soulhampt11n. Tt'I

letev..., •he <er,,et Ir- le••,...-" "'-"' U .... .,.,. • .,,.. D,_,,.,, l•"•

K(NNY NICHOLLS - IIVen <le l .. 1

ST. MUSIC STORE

ELECTRIC P'IANO, ;ilmObl new, plus 50 wait ainp li li<'"r and spt•akcr tllO - 981 871:!

EPIPHONE IU VOLI b;ass guitar. real b1re11ln. v&c. t 8S - Phont' Burgh Huth 56151 (Surrey)

EX C HANGE M11lon 1500 TC ,;;cm1-acoust1c ,:ultar, cherry. lovely ac-l1on lOnf' plu"i nf'"W Y1nnll.1 CX zn,nm Super ~ mo•1e camc-n for M•rlln DU Ctbson J 190"'1 or "ilmllar Jumbo - Wn\e 1M Ashlr:, Str!!ct 8 1b1no. Starrs

FENDER JACUAR , r:r.ch.1n, .. urc:.n 1u1l•r or M1i:c.afrrr1 -F,rguson. Pnnll11nd·, CrC"srt"nt Hnham. Northumberland

FENOER STRATOC"-STER fur ~ale Offl•rs - 01-!IJ:;: 7Mfl (Y\dl 11)

I FLUTE Rudlt' Cart.: Rommy Sluden1 Unw;aOlt'd i,:111. co,t 1"40 •Ill acept 1:25 - OH,.J6 Ill!

C.l•S ON E• O bus . ,., ptrfect nC"'II'. ?N·-iulllul uuar. plu1 actt!I. '-Ont UOO or rc:ason.ibl" otr,•r - 01•».l Slit D11by

Cl• SON U aroud1c. 2 years uld u-all:, uperb rond111on J\Ul 1.auo UlS onu TUllor 0-t7t

* IVOR NIA/RANTS* Brita,ns Lead,n Guitar Expert __ ...., ....... ,.. ..

THE WORLD'S BEST STANDEL SOLID STATE AMPS. IMl"D.lAL l.!l ...... b 7S-lfl - - 150 _... CUSTOM 1$1_. ,, __ - 2:IO.-.

.!llUDIO 20 •--b .. - ..._ - 140 ... STUDIO 12 ..,_t, "5- - - lU.,... -------------........... n ta:• • i. ..... ....t. • • ...ii.,_,w.__. 122.-. f'lNDU ....,_...,. 15.,._

SECONDHANOBARGAINS~~ed -VOJ: AOO ,U ... AIU90 r-Wlt<lef .., ... VO J: AClO 2.!I .-. MAAMONT 1G6 :U ..._ YOJ: AU U .-. Cello,-lo,t..iti..w..1•• 11·11a MAlll,tll''TS MllSll 'E !\ ·TaE ~ IAIMaoNE ,u,a, lONOON. w.- IM ru.Ol-616 UII 0.... •INJ'S- MI.INflllSO'fKI. IINnltT•J.....,._Ctlll

..., ... ,..OIi. ,.__, ~- • - r.110 ..,.._.~.-,..- HO

PINCJl• T.........,, --- f.100

~ 1--- ...... , .... ..... , ,.. _.,. U 5

VOJ: S-1•- IOOo.,•..f !ap _,. 1,7.!1 ,.,... ...__ .... "° TMI, _,,_. f.9S

• AU OUtlMS GI.NW...,._ .... __ _, &l •o -JON t.a.2. -, - r.110 ........,..., .._ .__.._ uo

IINOIII ._ ..... -,. ...... __, H8 Ol&SON ~S. 0-7. _,.,.,, f.llO Of&SON.,__ ~,.,..,. f.16S atCQ ..... CkU, d,o,cal'2t1.._.,._ l10 GUILD ,---n- 05 -• ITKH ,_ .... "° .....,..c-- •o-----' uoe

IIAUHAU 1:.::::11'..A.. _. S..... AJAJl .:= _,, __ &I IO

• • 12 Celt.._,. .. .,. f.190 ....... -- ..._.,..... .... YOJt ,__,._..._, _,.... I..» ,_.. ~ __, •-

YOX S..,..- t...tt. 1--, C.- Ol:OANS ._. 195 ¥OX ~ -, ..... 1125

sa-•. so~ a, rn·•so. vo:11: c........_ - 11so ...,.__.,._ JAUIU.C-,..c:t,_,..ped 11.15

AU. INSffUMINTl • OUGHT f0a S~T CASH ......_ OtlDO Hl• I PUICHASI. GOOD SHVIC! PA.fl lXCKANGU

SAXOflMC>ta, CLAI.INIT, AMIURH RIPAIH ON PUMISIS

---------------------! Cl• SON SB Speu.il .1nd hard c.a«- ltnmu111,1c 1uod1luin. !140 u .. h OJ1 n - 1J4 !Cill E.lll 411 ~,lr.. Mr J CJm11hn1t. bC(W<'CO ll ;,,nd 12 •5 p m plc;ise

Play safe you get the REAL BARGAINS,,t

KITCHENS

T W MUSIC 400 LILLIE RD., S. W.6

Cl• SON SC ~pcc1a1. lfflffl.lC"Ulall'

~~~d ~~~rtd~~c ~~1,1,l~~-tun~i~;ar~ 12 1pt·akcr cabinC't ,1 Marshall [4S - Dt'Vlin '47 !U47

Gl• SON SC ,tandard. at lll,'W U5fl ush - Phont' Tom, Bt'rk h&mslcd 2017 after S 30

MD• ILE DISCOTHEQUE tor sale-. ColdnnpiGoodmani./1.A'ak EH:r:,th1 n 1 H nt'W, 1175 o 0.0 -01·199 ll!Ot.

SITAR, hDnd-madl• by top Ind ian ar\111 Rea1;un1bl<' o ff l' r accepted - Singh 01·204 3507

Vl• ES Prl'mlt-r 750 with cue,. 110 ono - Rini 01-191 2&•8

Vl• R.A .. HONE : v111rount De;i.gOn mudel. !ISi) onu - Roughkc Chacrord. Ot•l'on Cha1tord 7240.

12 - STRING Baldwm semi ,llVU..SIU C.l'K" 1mm11rulall·, £45.-

0273-7]0,~•

UCHTINC EQUIPMENT 11- pt r wcncJ ,, ,,,

----­_ .. _ __ __ ..__........, IM7 -~-----ua1, .. .. -_ _, __ ,_ -...~ --

--... ... 1111

....... • ..-.,.r ,, .... IJUI. • ..... ..__..._ , ...

-::'c-~ == ,_,,_,..,,_.. ..... .....,, ........ i.. ... . 14 .. ._....,.._Gt.,._ ..,,....,._ •-•- ....... ........... ,, ._,_~ _. ... _ .,._._ It$.._

I • ~ p I& • , I

J ' • • • • , 1 , • I • . ' ... ( =--:=---­..:- _,_ __ ---- J ,, ... _ __ 1_ .,. .. ~-,-.­--r---. ,,,. -·~-.-- • 1~-

:; I t-jiiiiii1ijjiiiiijj~ii~ii1111i••··············

OIIGINA.L G1UON YKJUN US5 Ot&T .!I AVAi~ iN ... WOltlO

ll'.IO, ~IMO ,~ I

--l-LO.. •-- --a.2. ---·-·--•.,....__ p-4 vo••---

... ,,. -11• - · -----

____ ...,_

----·- -an .. 0n,,.._ win ,...ir..., .,.._. ~k--. ....i _,. __..., •-. .__ -• ~ tM .tall! .t M...,_ ~ PAUi. NOINDallAMII'

SETS THE TREND WITH THE NEW

SMOOTHWOUND BALANCED SET

The ult,mate in hght gauge

RS43 '"LIGHT KING ' " Set mciudn O,ern 3rd end FREE COV1H'9d 3rd

Now OI your ROTOSOUNO- 2 5 / 1

showroom 11&1.DW .. ONANI,, COlllaO 0a0Ma ounus, ........u. NMNKMCMtN:

OltnlCN euftMI,, NUIII Ma -NEW MODELS

:E§?t~::-~=F-~-----== =.::.:;:.:=-.=::;::,::-;. __ •-.-.---- == ----... - ··--UHD MODUS --~;._;--...-.- __ ......, ____ ,._

===::.-::.::.---------=:==..~:?"---===.:::--...:.:.--..... __ ,, . .__ . .......,. ---~---=:::.:::-..:=--=-­A-.'101

== ==-==-=---'-....... •• · ~ ....... -· ----n-...-. ....... ,~------··------n----..... _... ......... ___ ..., __ =.:::-..:---- - ..... -­~---------fl -Ra-

----.. _ .. _ -­··­--

..

'

•

P•«~ J2-M£LODY MAKER, April 19, 1969

WIN YOUR FAVOURITE LP BY WRITING TO MAILBAG MAILBAG Address: M•lody Moker, 161_ Flut St•••'· !:C.4.

Driving music off the air WITH THE publica­

tion of the MM's Country Style supple­ment, the first impor­tant step in the final breakdown of the Es­tablishment's apathy to country music has been taken.

At last, equality It is ~ignificant that

pop progression owes a great deal to the coun­try field-the unchal­lenged leader in pop progression, Bob Dylan, has his musica l roots in country music and un­doubtably his " John Wesley Harding " a l­bum was influenced by his fnendship with Johnny Cash.

The recent combination of their lalents on disc promises to set new hori­zons on which fi nally pop and country mus,c wi ll co• t:>ost on an equal basis. -KEN CLEAVER, Blrken-

• head, Cheshire.

for Country 'n' Western

IN YOUR article on country music why was there no ment ,on of Fra.nk Ifie Id who has done mo re to promote count ry music than any other British a rtist?

Although he has changed his style to some extent, Frank IS Sllll basically a councry art1~t who frequently r~cord!l in Nashville backed by such musicia ns as Chet Atkins, FIO.)'d Kramer, Boots Randolph and the Jordana1res.

Two years ago he was made an honorary citizen or T~nness~e for his work an prumotina roun1ry mus ic -an hon ou r which has not been

,,. :~~1~e1ve~b)'p~~Rl~ ~er M~~:~ Shdfield, Yorks.

HOWFVFR much one may choose to t r iticise t he mtthocls employed by John and Yoko Len non there can b,- no doubt as to their sincerity and motives

To devoh: one's tune and t-lrorts in the pursuit of peace

and understanding 1.s a voca­uon worthy of the utmost sup­port I woold urge ~le everywhero;? to li s ten , not scorn, and to follow the dis• ciples of peace.--.1. O. SMITif, Barkin&, Es.sex. EACH year at the National Jazz and Blues Festival there is a group that steals the show-Ten Years After and Jethro Tull being the show stea lers in the last few years.

I pt""edict that the show• stea lers 1h11 year will be Mick Abrahams' Blodwyn Pi& Al· thouxh they haven·t been to• g~ther too Jong, they Are al­ready a tremendous band and

~lac~~11:1st~~7.rt~~~~bl~

8 ~r blowing the minds of Everyone ,H the Festival.

And how about Clouds -they're doing some very fine things, too .-MARTIN SMITH, Rrlstol, Somerset.

l WAS a little .saddened at the attitude of Michael

Chalmers' letter about Skip James. Were it not for the popularity of the British ar­tists he resents, there would be little raised for Skip in Britain or the USA as it is largely their success which has brought a folio'-""• ing for artists like Skip.

Skip nas recriv~d large amounts of money from the Cream rt:cording of " I'm So Glad " and from benefits to which British artists have -Jadly donated their services

Too many people run down British blues artisls on ill­founded moral prmcir,les. -IAN ANDERSON, London W2.

WHY CAN'T record com• panies supply a copy of the words of the music on LP's. It could be done cheaply on the inner sleeve and it has been supplied on albums by the Doors and Beatles.­ROBERT JURY, Crow­thome, Berks.

JOHNNY CASH influenced Bob Dylan's 'John Wesley Hardin' album.

O(i 0000000000000000000000000000 00000000' ,oo 8 HAPPY FIRST BIRTHDA l 8 8 TO THE MISTRALE CLUB - BECKENHAM 8 • 8 (Ad j. to Beckenhom Junction Stn. BEC 5323) 8 0 And a personal thanks to BARRY, MIKE & JIM from 0 8 t>ETER HARRISON, of STAR ATTRACTIONS & SOCIETY ENTERTAINMENTS 8 0 Some of the Artistes*STAR ATTRACTIONS * have had the pleasure in booking 0 0 into the Mistrale Club include: in alphabetical order: 0 0 ALAN PRICE SET • AMBOY DUKES • BANDWAGON • BEDROCKS, BENE. KING C) C) SILL HALEY • BILL NILES JAZZMEN • BOB MILLER & MILLERMEN • BONZO DOG C) C) DOO-DA BAND • CHICKEN SHACK • CARL DOUGLAS • CHRIS FARLOWE • CLIFF C) C) BENNETT • CLOUDS • CONSORTIUM • DAVE DEE.DOZY, BEAKY, MICK AND TICH 0

• DESMOND DEKKER • FANTASTICS • GENE LATTER • HERD • INTERSTATE C) :?. RO.(D SHOW • IKE & TINA TURNER • JIMMY JAMES & VAGABONDS • JOHN PEEL ..,. '-" • JIGSAW • JOHN MAY ALL • KENNY BALL • KALEIDOSCOPE • KEN COL YE P. • V 0 KIPPINGTON LODGE • LONG JOHN BALDRY • LOCOMOTIVE • MARMALADE • 0 C) MANFRED MANN • MICK ABRAHAMS • MCKENNA MENDELS OHN MAINLINE • 0 0 NICE • OSCAR TONEY JUNIOR • P. P. ARNOLD • PETE DRUMMOND • PATTI LA C) C) BELLE • PRETTY THINGS • REPERATA & DELRONS • SKATALITES • SAVOY BROWN C) C) BLUES • TERRY LIGHTFOOT • TYRANNOSAURUS REX C) 0 And for the future, OPEN WED., THURS., FRI ., SAT. & SUN. C) 0 BIG NAME NIGHT IS FRIDAY NIGHT C) C) ANNIVERSARY NIGHT: FRIDAY, 18th APRIL. MEMBERSHIP INVITED - HURRY! JOIN ! ! C) C) "ALL THE LOVE IN THE WORLD" C)

8 I THE CONSORTIUM I g 0 Friday, 25th April , GcNE LATTER with EVOLUTION C)

8 Frido> , 2nd May:I THE FANTASTICS l with the"WAYINSHOW" 8 8 Friday, 9th M,:,y, THE CONSORTIUM, with THE CLASSICS g 8 Friday, 16th May: I SPOOKY TOOTH I with THE EVOLUTION g 0 Friday, 23rd May: KIPPINGTON LODGE, with BILLSTICKERS BANNED 8 Friday, 30th May, I THE NICE I with THE COi.OURS

0 * STAR ATTRACTIONS* ' SOCIETY ENTERTAINMENTS • 6An ARCHB ST., W.I. IEG 1555/617

000000000000000000000000

THE BBC ha.-e ._.rt.eel thei.1 plot &o d.nve JDUSlC olf tht a.u-w1ys Top Gear hu been ed to se-vea on Sunday e\'ttll Ind M t"

R,a\.ffl s show hu bes moved to tm and aat by a th1p~ wht'I nomuin,- I t•

tJMse shows ill prJbl be oat alteoftl1!'1& t ni•K .. lrtt"" • aft.ff a co.:p~ of IIIIClllths. lM' BBC an t.,p., pc-osn ... r111es off l>H'a w ol a drasOC fall di I tftUIII& 6 l'N

'Wbat eosries OPl - Pl'\t' Oru!T!mOnd s aftd f?-e-l"<t cbt R•" - JOH HI PS,l.eNIL

Y..OCLD an) read~rs ;o ~ ant Top Gear ke-pt at Its present ume wr n· to lilt' as J am organtsmc • pNit.Kin 10 send to the BBC. If "" can present s e \: P r I thousand signatures lo the BBC Wf! ma) yPl S'A-1. tht' r dectsKln. - l\flKE BRUTON, Southampton, H.ants

HA\ E Ille BBC decided tl b\,iry bluN complN.PI)," 'o"° the) ·ve: a.il Mike RI\ ens lh(nl. by 30 minute and moved t back three houn to ten o·ctock. Don t tht!'\' reahse th.at • IOl or hstentts are oot at that time1

m1:.~es110J bf!!s 1=-~~!~

par'N to su: and • half hoon of IUZ - J . 'WI. SYK:£.~. Lffcls.. Yor\.s .

0 E OF the reasons wh) lhe otrshor~ radio stations were silenced was ~ause­constaot air play of rec.o~ allegedly damaged their sales

We DO" t-.av-r Rad.a ( ~

~ ~!'-er-::: :n~ d '-:~ S:~111ly bK.auu of the riJtd • neircl~ trne • llo-waoce · but ~rd sale-s an IICI• at an • 11-1~ low - hJ&h pr C'6 belfl Uw reuonfOf' Ytales

lt 's about l me th.e- Pe-rf m inc Rl&,hu ~t~ • II< wM

"'ntt4w t~ t{ Racl ~ and <"'l'l"'el"cial nid •Mn it corn"- as it 1nus1 -JEFF DAY, aa..tba.m, Ke-nL

Sincerity, the key to Clapton's greatness I WAS surprised to reftd in Mailbag that Mr Thomas rat~ J im my Page J-,iRher than Er ic Clapton. Althou~h J have the Rreatest respect fo r P~E as a guitarist. J would h• \.e though t it was the depth and sincerity m Clapton's pla) 1-n,g that p uti. h..im where he is_, not merely his technical nu~q

There is more meaning in single phrase from Clapton that in ha lf an hou r _of somebody hack1ni at a fttdbkk cultar Clapton along with Peter Green and Stan Reed •~ m a class or their own. - JOHN GOSLIN G, Landon N IL

CONT_RARY to A. Thomas'.s stal!!m~nt in Mailbag,. J1mmv Page 1s not a !TIOre versatile gu1tanst than Clapton--on~

~"$,,:sa~?ngl•~e~!o .. 7:~ :.!~ks •• HidNVl-• y, ana

And sure)y Mr Thomas, who contl"ad1c-ts h,5 O\llin idol in sayini:; he ts heller than Enc as P•Rt cate,:c,r1calh ,;,tait-s that he is 1101 as Rood •s Erk. v.1II realist" that m t'nu K all • re always le• rnin,:; Musical fields,, are confinini: "'IU.S ts t JI MM Y PAC E - RI CHARD AYLING, H as.l~men-, Sun.). ~ recoe.,t .....

AT LAST J 1mmv Page 1s getting some of the recogni­tion he so rightly deserv"5 For years now he has been the most unde-r"rated gui• tarist to hail from these shore-s which is strange when you cons.ider the great guitar•work he did with t he Yardbirds -:.:,c ~~WKSWORD, Lon-

t tfe~!i::1~~:~t1~~~t::;

to Billy Cc,tton WIS mal"ff'd by the neglect of sevfn.1 sta lwarts who •~ t a lmost

GUITAR MORS BY DICK SADlBR ~l(o~:::, ;• • 09' ~ INSTANT GUffA.R.. Shope ~ .. ,t-oc,

u.ss ouna11.. o loO'OM

FELDMAN$ 64 - lt.

'-• ' :~'~.e=br:~n ~~ 1r--.;;.:=:::::::=::::::::~=,,,_ _______ _ Laurie Johmon and Bill Herbert. They • hould haw earned• ITlN'llioll