Media Studies Summer Task

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Media Summer Task. Casino Royal opening scene and L.A Confidential title sequence.

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    Media Studies Summer TaskIsaac Winterburn

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    Clips Ive Chosen

    1) Casino Royale opening Scene

    !) "# Con$idential title se%uence

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    My &ocus

    Camera'ork( Cinematography

    - Types o$ Shots

    - Tracking Shots

    - uick cuts*

    - +ni%ue camera positions and

    shots*

    Mise en Scene- Colour Ie bright, bold,

    dark- "ighting -arsh, so$t- Set- .rops- Costume

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    Camera'ork( Cinematography

    In Casino Royales opening couple o$ shots, there are several /ut

    shots or tilt shots

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    Camera'ork( Cinematography

    These shots are also lo' angle

    The tilt on the camera gives the audience a sense o$ danger or

    mystery

    Whilst the lo' angle makes the character look po'er$ul and

    intimidating

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    Camera'ork( Cinematography

    0n the other hand, In "# Con$identials title se%uence the camera

    remains $lat $or the maority o$ the clip and doesn2t use a lot o$

    lo'( high angles

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    Camera'ork( Cinematography

    /uring this part o$ the title se%uence, the narrator 3/anny /e4ito)

    is 5advertising6 Cali$ornia The basic camera 'ork $or one suits this

    kind o$ advert style but it also gives the audience the impression

    that li$e in "os #ngeles is regular and theres not many problems

    This sets up the narrator to poke $un at the $act that theres

    5trouble in paradise6

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    Mise7en7scene 7 Colour

    In the opening o$ Casino Royale, the colours are all greyscale In

    the o$$ice, 8ond and /ryden are both 'earing black

    #t the cricket match as 'ell The maority o$ spectators are

    'earing 'hite, the rest black or grey

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    Mise7en7scene 7 Colour

    This use o$, or lack o$, colour during the entirety o$ this clip

    creates a thrilling, $ilm noir $eel

    This adds to the action as this colour could be seen as an insight

    into :ames 8onds mind -e2s very one minded and $ocused on his

    target This helps to set a $eel $or the $ilm and the nature o$ thene' :ames 8ond 3/aniel Craig)

    8lack and 'hite $ocuses the audience on action so $rom the get

    this 8ond $ilm is packed $ull o$ e;citement

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    Mise7en7scene 7 Colour

    In "# con$idential, there is a combination o$ colour$ul shots and

    similar to the Casino Royale clip,greyscale shots

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    Mise7en7scene 7 Colour

    This could be used to sho' that there are t'o sides to the city #

    good side and a bad

    This is rein$orced 'hen the narrator says

    5>ep, you2d think this place 'as the ?arden o$ @den 8ut theres

    trouble in paradise6

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    Camera'ork( cinematography

    #nother similarity that both clips have is the use o$ over the

    shoulder shots

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    Camera Work( Cinematography

    0ver the shoulder shots are commonly used during dialogue

    There a good 'ay o$ the audience $ollo'ing the action and the

    conversation

    0ver the shoulder shots are commonly seen together 'ith 5shot

    reverse shot6 and are used 'ithin the 19= degree rule The 19= degree rule re$ers to ho' the camera al'ays stays on on

    side o$ the action 3usually dialogue)

    This avoids con$using the audience 'ith characters s'apping side

    the camera goes to the other side o$ them

    # good e;ample o$ this is a broadcasted $ootball match The cam2

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    Mise7en7scene 7 lighting

    #nother di$$erence bet'een the t'o clips is the lighting used

    The opening to Casino Royale uses a lot o$ shado's and harsh

    lighting

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    Mise7en7scene 7 "ighting

    The use o$ this lighting in this opening se%uence creates a sense o$ mys

    and danger

    8oth characters have hal$ o$ there $ace in the light and hal$ in the dark

    This is a classic use o$ &ilm noir lighting

    The audience get the sense that both characters have t'o sides to them /ryden is a double crossing agent 7 so he2s got t'o sides to him like the

    lighting suggest

    With 8ond, 'e get the impression $rom the lighting that he is a good

    character but he has a dangerous side to him 'hich 'e see during the c

    We also see his rela;ed, calm side in the o$$ice The makers have cut

    bet'een these t'o places The bathroom and the o$$ice to sho' 8onds

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    Mise7en7scene 7 lighting

    In contrast to this, In "# Con$idential the lighting is so$t

    @ven in the black and 'hite parts, the lighting is com$orting and

    so$t

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    Mise7en7scene 7 "ighting

    0nce again this lighting sets the narrator up to contradict $irst

    impression o$ the city the $ilm is set

    The lighting creates a 'arming and happy tone

    The narrator can then in$orm the audience on 'hat really happe

    in the city 'hich the vie'ers may have missed, like the policeo$$icers didE 5"# cops 'alk on 'ater as they keep the city clea

    o$ crooks6