Med332 gangster rap, gender and authenticity

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‘It's not about a salary, it's all about reality’ NWA ‘Gangsta Gangsta’ #med332 Gangsta rap 1

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Transcript of Med332 gangster rap, gender and authenticity

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‘It's  not  about  a  salary,  it's  all  about  reality’  NWA  -­‐  ‘Gangsta  Gangsta’  

#med332  Gangsta  rap  1  

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3  common  themes:  •  Violence  •  Gender  •  Race  

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Los  Angeles   3  

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Compton   4  

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South  Central   5  

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Crack     7  

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Crack    

1985:  cocaine-­‐related  hospital  emergencies  rose  by  12%,  from  23,500  to  26,300    1986:  increased  110%,  from  26,300  to  55,200    1984-­‐1987:  cocaine  incidents  increased  to  94,000    -­‐  US  Drug  Enforcement  Agency    

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‘When  we  was  doin’  the  shit,  we  just  drink  and  fight  and  whatever.  It  wasn’t  too  much  of  no  gun  acZvity,  you  know  what  I’m  saying?  We  ain’t  have  the  money  for  a  high-­‐powered  rifle.  …  That’s  when  these  LA  gangs  really  came  up,  like  the  mid  eighZes  and  shit,  and  that’s  when  they  started  making  all  the  money,  and  that’s  when  the  shit  got  out  of  control.  ‘Cause  with  the  money  they  had  the  power,  and  with  the  power  they  got  a  lot  of  respect’  -­‐  Tone  Loc  in  Werner,  2002:  p246    

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Gangsta  rap  as  subgenre    Major  themes:  •  Crime    •  Drugs    •  Alcohol  abuse  •  Violence  •  Gang  culture  •  Hatred  of  police  •  Vandalism  •  Promiscuity  •  Profanity  •  Misogyny/homophobia    

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Ever  since  Daddy  Rice,  the  original  minstrel  man,  bought  his  song  on  the  streets  of  Charleston,  black  performers  who  wanted  to  get  paid  found  themselves  in  the  bizarre  situaZon  of  needing  to  “black  up,”  to  project  images  answering  to  white  stereotypes  of  black  life  as  primal,  sexual,  violent—  in  a  (parZcularly  unfortunate)  word,  “authenZc.”  As  hip-­‐hop  gained  popularity,  musicians  who’d  actually  lived  something  resembling  the  life  they  sang  about  in  their  song  faced  the  temptaZon  of  blacking  up,  catering  to  the  fantasies  of  the  young  white  men  who  made  up  the  majority  of  gangsta  rap’s  audience  -­‐  Werner,  2002:  p290    

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Ice-­‐T  ‘6  in  the  Mornin’’  (1986)    6'n  the  morning'  police  at  my  door  Fresh  adidas  squeek  across  the  bathroom  floor  Out  the  back  window  I  make  a  escape  Don't  even  get  a  chance  to  grab  my  old  school  tape    Mad  with  no  music  but  happy  'cause  I'm  free  And  the  streets  to  a  player  is  the  place  to  be  Goma  knot  in  my  pocket  weighin'  at  least  a  grand  Gold  on  my  neck  my  pistols  close  at  hand    I'm  a  self-­‐made  monster  of  the  city  streets  Remotely  controlled  by  hard  hip  hop  beats  But  just  livin'  in  the  city  is  a  serious  task  Didn't  know  what  the  cops  wanted  Didn't  have  the  Zme  to  ask    Word    Seen  my  homeboys  coolin'  way  out  told  'em  bout  my  mornin'  Cold  bugged'  em  out  shot  a  limle  dice  unZl  my  knees  got  sore  Kicked  around  some  stories  bout  the  night  before  Possed  to  the  corner  where  the  fly  girls  chill  

Through  acZon  at  some  freaks  unZl  one  bitch  got  ill  She  started  acZn'  stupid  simply  would  not  quit  Called  us  all  punk  pussies  said  we  all  weren't  shit  As  we  walked  over  to  here  hoe  conZnued  to  speak    So  we  beat  the  bitch  down  in  the  god  damn  street  But  just  livin'  in  the  city  a  serious  task  Bitch  didn't  know  what  hit  her  didn't  have  Zme  to  ask  

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Schooly  D  -­‐  ‘P.S.K.  What  Does  It  Mean?’  (1985)    Influenced:  Ice-­‐T,  Eazy-­‐E,  Notorious  B.I.G  

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•  Grew  up  in  Newark,  New  Jersey  •  Moved  to  upmarket  area  of  Summit  •  Mother  died  suddenly  when  he  was  8  •  Father  died  of  a  heart  amack  when  he  

was  12.  •  Lived  with  his  aunty  in  Crenshaw,  Los  

Angeles.    •  His  high  school  was  made  up  of  

predominantly  black  kids  •  Affiliated  with  Crips  •  Sold  cannabis  •  Joined  army  (discharged)  •  Robbed  banks  

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They  say  I'm  violent,  they  should  watch  their  T.V.  They  say  I'm  brutal,  they  should  check  their  P.D.  You  made  me,  now  your  kids  rave  me  I  rap  about  the  life  that  the  city  streets  gave  me  Murder,  intrigue,  somebody  must  bleed  Miami  Vice  is  small  Zme,  L.A's  the  big  league  From  the  rollin'  60's  to  the  nickerson  "G"  Pueblos,  grape  street,  this  is  what  I  see  The  jungle,  the  30's,the  V.N.G.  Life  in  L.A.  ain't  no  cup  of  tea      […]    Squeeze  the  trigger    Cops  hate  kids,  kids  hate  cops,  cops  kill  kid's  with  warnin'  shouts  What  is  crime  and  what  in  not?  What  is  jusZce?  I  think  I  forgot  We  buy  weapons  to  keep  us  strong  Reagan  sends  guns  where  they  don't  belong  The  controversy  is  thick  and  the  drag  is  strong  But  no  mamer  the  lies  we  all  know  who's  wrong  Homeless  sleep  on  the  city  streets  

WaiZn'  to  die  with  nothin'  to  eat  While  rich  poliZcians  soak  their  feet  In  the  pools  at  their  ten  million  buck  retreats  People  hate  people  for  color  of  face  No  one  had  a  choice  in  the  race  we  were  placed  A  brother  in  queens  was  beaten  and  chased  Murdered  cold  in  the  streets,  a  goodamn  disgrace  Just  because  of  his  race,  his  life  went  to  waste  And  no  one  went  to  jail  when  the  court  heard  the  case  JusZce  or  corrupZon?  It's  all  interlaced  How  can  you  swallow  this?  I  can't  stand  the  taste  

Ice-­‐T  –  ‘Squeeze  the  Trigger’  (1987)  

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Fuck  the  police  comin  straight  from  the  underground  A  young  nigga  got  it  bad  cause  I'm  brown  And  not  the  other  color  so  police  think  they  have  the  authority  to  kill  a  minority  Fuck  that  shit,  cause  I  ain't  the  one  for  a  punk  motherfucker  with  a  badge  and  a  gun  to  be  beaZn  on,  and  thrown  in  jail  We  can  go  toe  to  toe  in  the  middle  of  a  cell  Fuckin  with  me  cause  I'm  a  teenager  with  a  limle  bit  of  gold  and  a  pager  Searchin  my  car,  lookin  for  the  product  Thinkin  every  nigga  is  sellin  narcoZcs  You'd  rather  see,  me  in  the  pen  than  me  and  Lorenzo  rollin  in  a  Benz-­‐o  Beat  a  police  out  of  shape  and  when  I'm  finished,  bring  the  yellow  tape  To  tape  off  the  scene  of  the  slaughter  Yo  Dre,  I  got  somethin  to  say  SZll  gexn  swoll  off  bread  and  water  I  don't  know  if  they  fags  or  what  Search  a  nigga  down,  and  grabbin  his  nuts  

And  on  the  other  hand,  without  a  gun  they  can't  get  none  But  don't  let  it  be  a  black  and  a  white  one  Cause  they'll  slam  ya  down  to  the  street  top  Black  police  showin  out  for  the  white  cop  Ice  Cube  will  swarm  on  ANY  motherfucker  in  a  blue  uniform  Just  cause  I'm  from,  the  CPT  Ounk  police  are  afraid  of  me!  HUH,  a  young  nigga  on  the  warpath  And  when  I'm  finished,  it's  gonna  be  a  bloodbath  of  cops,  dyin  in  L.A.  

NWA  –  ‘Fuck  tha  Police’  (1988)  

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We’re  telling  the  real  story  of  what  it’s  like  living  in  places  like  Compton.  We’re  giving  the  fans  reality.  We  give  them  the  truth.  People  where  we  come  from  hear  so  many  lies  that  the  truth  stands  out  like  a  sore  thumb.”  -­‐  Eazy-­‐E  in  Werner,  2002:  p290    

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Eazy-­‐E  -­‐  ‘Boyz  In  The  Hood’  (1987)  22  

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Gangsta  changed  rap  23  

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�Ice  Cube  –  ‘The  Nigga  You  Love  To  Hate�’  (1990)  AmeriKKKa's  Most  Wanted  

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Ice  Cube  –  ‘Bop  Gun’  (One  NaZon)  (1993)  Samples  ‘One  NaZon  Under  A  Groove’  by  Funkadelic  

Dr  Dre  –  ‘Let  Me  Ride’  (1992)  Samples  ‘Star  Child  (Mothership  ConnecZon)’  by  Parliament    

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If  hip-­‐  hop  were  film—  the  metaphor  isn’t  much  of  a  stretch,  given  that  many  rappers  are  o{en  playing  tough-­‐  guy  roles—  there  would  be  only  two  schools:  one  centered  in  Los  Angeles,  the  other  in  New  York.  Los  Angeles  would  produce  the  big-­‐  budget  acZon  dramas  that  rake  in  millions;  New  York  would  create  the  art  films  that  excite  criZcs  and  film  students  and  fill  Greenwich  Village  art  houses  -­‐  Toure  in  Werner,  2002:  292    

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Boogie  Down  ProducZons  –  ‘Love’s  Gonna  Get  You’  (1990)   29  

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Ice  Cube  –  ‘My  Summer  VacaZon’  (1991)     30  

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Parents  Music  Resource  Center  (PMRC)    

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Freedom  of  Speech,  that's  some  motherfuckin'  bullshit  You  say  the  wrong  thing,  they'll  lock  your  ass  up  quick  The  FCC  says  "Profanity  -­‐  No  Airplay"?  They  can  suck  my  dick  while  I  take  a  shit  all  day  Think  I  give  a  fuck  about  some  silly  bitch  named  Gore?  Yo  PMRC,  here  we  go,  raw  Yo  Tip,  what's  the  mamer?  You  ain't  gexn'  no  dick?  You're  bitchin'  about  rock'n'roll,  that's  censorship,  dumb  bitch  The  ConsZtuZon  says  we  all  got  a  right  to  speak  Say  what  we  want  Tip,  your  argument  is  weak  Censor  records,  TV,  school  books  too  And  who  decides  what's  right  to  hear?  You?  Hey  PMRC,  you  stupid  fuckin'  assholes  The  sZcker  on  the  record  is  what  makes  'em  sell  gold  Can't  you  see,  you  alcoholic  idiots  The  more  you  try  to  suppress  us,  the  larger  we  get  

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Lesson  2  :  Gently  place  the  balls  into  the  mouth  and  ..  HAMMMMMMMMMMMMMMMMM..  get  it  all  baby  ..  get  it  all  baby  ..  get  it  all  baby  ..  "what  you  want  me  to  do  with  it?"  don't  mamer  just  don't  bite  it  she  swallowed  it  ..  suck  this  dick  for  daddy  she  swallowed  it  ..  usin'  that  lips  she  swallowed  it  ..  it's  the  world's  biggest  dick  "what  do  you  want  me  to  do  with  it?"  don't  mamer  just  don't  bite  it  Slow  is  the  tempo  Now  talkin'  but  an  info  So  peep  it  up  here  goes  the  info  This  is  the  bitches  and  the  ho's  crew  She  get  it  as  much  we  make  bets  on  who's  the  ho's  we'd  love  to  go  through  And  for  the  shit  that  she  does  give  her  a  drum  role  Because  the  dumb  bitch  licks  out  the  asshole  

NWA  -­‐  ‘She  Swallowed  It’  (1991)  

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Rodney  King  9  Mach  1991   38  

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Rap  backlash  (sort  of…it  was  rock  really)  ‘Cop  Killer’  blamed  for  riots  (rather  than  the  ‘not  guilty’  verdict  in  King  case)   41  

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Snoop  implicated  in  drive-­‐by  shooZng  of  a  former  gang  member,  Philip  Woldemariam  (Aug  1993)  following  altercaZons  during  the  filming  of  a  music  video  

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Time  Warner  peZZoned  at  shareholder  meeZngs  

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Summary    •  Rap  music  has  had  its  criZcs  (glamorizing  violence,  drugs,  axtudes  

towards  women)  •  Internalizing  white  stereotypes  for  entertainment?  •  QuesZons  of  authenZcity  –  came  back  to  haunt  some  (Snoop)  and  record  

labels  start  to  think  twice  about  funding  gangsta  rap  •  Musical  cycle  starts  to  fragment  following  East  vs  West  bamle  

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Images  •  AppleDave  (2008)  Smoking  Gun  •  Jondoeforty1  (2008)  Los  Angeles  Skyline  Dodger  Stadium  Sept  19  2008  •  duncan  c  (2010)  Fuck  the  Police  •  Marco  Gomes  (2009)  Crack    

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