Master the Accordion Workshops PH Book 2 ‐ Session 16...
Transcript of Master the Accordion Workshops PH Book 2 ‐ Session 16...
MastertheAccordionWorkshops PHBook2‐Session16
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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Palmer&HughesBook2–Session16
InstructionandCompanionMaterial
PresentersSheliaLee&MarkRopel
MastertheAccordionWorkshops
Sponsoredby
5013(c)NonProfit
MastertheAccordionWorkshops PHBook2‐Session16
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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Session16Duringoneofyourpracticesessionseachweek–pleaseGRABatleastoneormoredrillsANDoneormoreScales.Thisway–youwon’thavetodoallthedrillseverypractice–butwillHITthematleastonceeachweek. ReviewofDrills
o Full“AllWhite”block&Arpeggios(1+3+5+1)o Full“AllMAJOR”block&Arpeggioso C,G,F,D,A,&BbScale–FullOctaveso MajorthenMinorChords–AllWhite.Blocktheminrhythmic
pattern.Rolltheminrhythmicpatterno LeftHandMajorScale&BassSoloExercises
Song#16PHBook2–Scheherazade&ArkansasTravelerCompanionSongs:HOEDOWNTIME!
1. KumbayaMyLord2. TheGirlIleftBehind3. TurkeyintheStraw4. Soldier’sJoy
ReviewChordsontheBlackNotesLearnDroanBassStyleMoreLeadLineWork
Let’sGetStarted: Step1.PlayFirst
Perform3favoritesongstowarmup PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs
Step2.Theory–IntrotoUpperLegerLines&SpeedDrill4• PHSpeedDrill#4
o Legato&Detached
• ReviewofUpperLegerLineso Seediagramo Play2OctaveCMajorScale
MastertheAccordionWorkshops PHBook2‐Session16
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MastertheAccordionWorkshops PHBook2‐Session16
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Step3.NewSongTechniqueBlock/Absorb/Vertical
o Scheherazade KeyofF–allBbs MiddleReedshift
Absorb• PlayFMajorScale• PlayChordsforeachBass
o FM,Dm,Gm,CM,BbM,AM,
Block• Noticethatthereareslurmarks–ALLLEGATO• Liftateachphraseending• BlockoutHandpositions• Dynamics–youshouldcrescendointothephraseanddiminuendotowardthe.
• EntiresongisMarkedasSOFT
Vertical• Watchdottedquarternotes&8thnoterunonpg2
• Rubato–amusicaltermmeaning“rob”fromthebeat.Youcanholdsomenoteslongerandsomeshorter–justkeeptheforwardmovementgoing.ThisaddsSOMUCHFEELING!
Startatlast4measures• PlayLegato• Playthe“doublevoice”bassputbassdown–leaveitdownandplaythechordslikenormal
NowBackup8measures
• Practice8thnoterunfirst• WatchGmandjumptoBbbass
Keepbackingup
MastertheAccordionWorkshops PHBook2‐Session16
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MastertheAccordionWorkshops PHBook2‐Session16
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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MastertheAccordionWorkshops PHBook2‐Session16
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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&
?
44
44
..
..
Œ Œ œ œKumKum ba
!
.œ jœ ˙yahsing
mying
Lord,Lord,˙ ˙CM
˙ œ œkum ba
˙ œœ œœFM
wyah.
wwCM
˙ œ œKumSome
baone's˙ Ó
- --
- - --
-
&
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.œ jœ ˙yahsing
mying
Lord,Lord,˙ ˙CM
˙ œ œkum ba
˙ œœ œœG 7
wyah.
ww
˙ œ œKumSome
baone's˙ Ó
-- - - -
&
?
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.œ jœ ˙yahsingyah my
ing,Lord,Lord,˙ ˙CM
˙ œ œkum ba
˙ œœ œœFM
wyah.
wwCM
˙Oh
˙ ˙FM-
- -
&
?
..
..
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œ .˙Lord,
wwCM
˙ œ œkum ba
˙ ˙G 7
1.
wyah.
wwCM
˙ œ œSome one's
˙ Ó
2.
wyah.
wwCM
˙ Ó˙ Ó
- - -
Kumbaya My Lord Traditional African-
American Spiritual
© 2010 So Good Productions
arr. by Shelia Lee
1 2 4
3 1 1 2
2 1 2 1 2
MastertheAccordionWorkshops PHBook2‐Session16
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Step3.NewSongTechniqueBlock/Absorb/Vertical
o KumbayaMyLord KeyofC–PlayCMajorScale Absorb–PlayblockchordsforallBasses
• Put5thfingeronC• FindFingeringforCM,FM,&GMchords• PlayChordsonlyfirst
MiddleReed(suggested) BLOCKHandPositions Vertical
• Lookfor8thnotesanddottedquarternotes
Step3.NewSongTechniqueBlock/Absorb/Vertical
o ArkansasTraveler KeyofC–PlayCMajorScale Absorb–PlayblockchordsforallBasses
• Put5thfingeronC• FindFingeringforCM,FM,&GMchords• PlayChordsonlyfirst
Middle&BottomReed BLOCKHandPositions
• Practicein2measuresections Vertical
• Lookfor8thnotes
MastertheAccordionWorkshops PHBook2‐Session16
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MastertheAccordionWorkshops PHBook2‐Session16
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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Step4.ReadNewSong(SightRead)
o TheGirlILeftBehind BLOCK(KeyofA–3Sharps) Absorb–PlayblockchordsforallBasses
• Put5thfingeronA• FindFingeringforAM,DM,&EMchords• PlayChordsonlyfirst(ReadCuedBass)
HighReed(suggested) BLOCKHandPositions LefthandStyle–Drone
• Lineupyourfingers–4onA,3onEand2onB–thentake2acrosstoCounterbassofB
• ThisEXACTfingeringwillbeusedwhenyouputyour4onDandonEfortheotherbasses
• IntrotoGraceNotes–arethelittlenotesjustbeforeeachbass.TheyarePLAYEDATEXACTLYTHESAMETIME
Vertical• Lookfor8thnotesandallSharpNotes• Practice2measuresatatime
Step4.ReadNewSong(LeadLineStyle)
o TurkeyIntheStraw BLOCK(KeyofG)PlaytheGMajorScale Absorb–PlayblockchordsforallBasses
• Put5thfingeronG• FindFingeringforGM&DMchords• PlayChordsonlyfirst(ReadCuedBass)
Vertical• Watchfor8thnotelineupwithbasses
MastertheAccordionWorkshops PHBook2‐Session16
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&?
# # #
# # #44
44....
Œ Œ Œ œ œ5 4
!
œ œ œ œ3 1 3 1
jœ# ..˙ ŒA
œ œ œ œ œ œ œ2 3 2 1 2 1 2
jœ ..˙ ŒD
&?
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4
œ œ œ œ œ œ3 1 2 3 1
jœ# ..˙ ŒA
˙ œ œ œ2 1 5
jœ# ..˙ ŒE7
œ œ œ œ3 1 3 1
jœ# ..˙ ŒA
œ œ œ œ œ œ2 1 2 4
jœ ..˙ ŒD
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œ œ œ œ œ3 5 1 2 3
jœ# ..˙ ŒE7
1.
˙ œ œ œ4 1 5
jœ# ..˙ ŒA
2.
˙ œ œ œ4 1
jœ# ..˙ ŒA
œ œ œ œ3 1
jœ# ..˙ ŒA
&?
# # #
# # #
12 œ œ œ œ4 1 2 1
jœ# ..˙ ŒA
œ œ œ œ œ œ œ œ2 1 2 3
jœ# ..˙ ŒA
˙ œ œ œ4
jœ# ˙ jœ# œœ ŒE
œ œ œ œ2 1 3 1
jœ# ..˙ ŒA
&?
# # #
# # #....
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œ œ œ œ œ œ2 2 4
jœ ..˙ ŒD
œ œ œ œ œ3 5 1 2
jœ# ..˙ ŒE7
1.
˙ œ œ œ4 1
jœ# ..˙ ŒA
2.
˙ œ Œ
jœ# ..˙ ŒA
The Girl I Left Behind
© 2010 So Good Productions
arr. by Shelia Lee
From 1810 Pocket Book for
the German Flute or Violin(Brighton Camp)
High Reed
Both Hands
4A
3E3A
4D
3B
4E
##
#
#
##
# # #
#
## #
## # # #
#
#
#
##
#
#
#
#
#
# #
Play lead line style with Bass &
Chord OR Put 4th Finger on Bass
name and play 3rd finger above it with
2nd playing counterbass grace note "above"
MastertheAccordionWorkshops PHBook2‐Session16
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& # 44 ..Œ Œ Œ œ œ5
œ œ œ œ œ œ œAs I was a goin' on
2 1 2GA
œ œ œ œ œ œ œdown the road, with a
3 3 3
-
& #4
œ œ œ œ œ œtired team and a
œ œ œ œ œhea vy load, I
D 7
œ œ œ œ œ œcrack'd my whip and the
3 2G
-
& # ..7
œ œ œ œ œ œ œlea der sprung,
3 3 1
œ œ œ œ œ œ œI says day day to the
42 1
1.
œ œ œ œ œwag on tongue.
5D 7
G
- -
& #102. œ œ ˙mother in law.
D 7 G
Jœ œ Jœ œ œTur key/in the straw,
Chorus2GB
Jœ œ Jœ ˙Turkey/in the hay.- - - -
& #13
Jœ œ Jœ œ œTurkkey/in the straw,
1C
Jœ œ Jœ œ œ œTurkey/in thehay.
3 œ œ œ œRoll 'em/and twist/'em up./A
G
- -
& #16
œ œ œ œ œ œ œhigh tuck a haw. And
3
Verse 1As I was a-goin' on down the road,With a tired team and a heavy load,
I crack'd my whip and the leader sprung,
I says day-day to the wagon tongue.
Verse 2Went out to milk, and I didn't know how,I milked the goat instead of the cow.
A monkey sittin' on a pile of straw,
A-winkin' at his mother-in-law.
Verse 3 Met Mr. Catfish comin' down stream.Says Mr. Catfish, "What does you mean?"Caught Mr. Catfish by the snout,
And turned Mr. Catfish wrong side out.
Verse 5Did you ever go fishin'_On a warm summer day_When all the fish_Were swimmin' in the bay_With their hands in their pockets_And their pockets in their pantsDid you ever see a fishie_Do the Hootchy-Kootchy Dance?
D 7
œ œ œ œ œ œ œ œtwist 'em up a tune called
Verse 4Came to the river and I couldn't get across,So I paid five dollars for a big bay hoss;Well he wouldn't go ahead, and he wouldn't stand still,
So he went up and down like an old saw mill.
Verse 6Oh I jumped in the seat and I gave a little yellThe horses ran away, broke the wagon all to hellSugar in the gourd and honey in the horn
I never been so happy since the day I was born.
G œ œ œ œ œTurkey in/the straw.
D 7 G
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Turkey in the Straw Folk tune formerlyNatchez Under the Hill
© 2009 So Good Productions
(Virginia Reel) arr. by Shelia Lee
MastertheAccordionWorkshops PHBook2‐Session16
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Step4.ReadNewSong(LeadLineStyle)
o Soldier’sJoy BLOCK(KeyofD–2Sharps)PlayDMajorScale Absorb–PlayblockchordsforallBasses
• Put5thfingeronD• FindFingeringforDM&AM&GMchords• PlayChordsonlyfirst(ReadCuedBass)
MiddleReed(suggested) BLOCKHandPositions Practice2measuresataTime
MastertheAccordionWorkshops PHBook2‐Session16
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& # # 44 ..Ó Œ œ œ2 3
œ œ œ œ œ œ œ œ4 2 1 2 3 2DA
œ œ œ œ œ3 5 5 5 4
œ œ œ œ œ œ œ œ3 2 1
& # #5
œ œ œ œ œ3 1 1 2 3
A 7
œ œ œ œ œ œ œ œ4 2 1 2 3 2D
œ œ œ œ œ3 5 1 1 2
& # # ..8 œ œ œ œ œ œ œ œ3 5 3 1 2 4 2 1
A 7 1.
œ œ œ œ œ2
5 5 2 3D 2.
œ œ œ œ œ21 1 1 2D
& # # .. œ œ œ œ œ œ œ œ3 3 5 4 3DB
œ œ œ œ œ œ œ œ2 1 2 1 2 3 4 2
A 7
œ œ œ œ œ œ œ œ3 3 5 4 3D
& # #14 œ œ œ œ œ œ œ2 1 3 2 1 1A 7 œ œ œ œ œ œ œ œ3 2 4 3 2
D
œ œ œ œ œ œ œ œ1 2 1 2 3 4 5 2A 7
& # # ..17 œ œ œ œ œ œ œ œ3 5 3 1 2 4 2 1
D A 71.
œ œ œ œ œ21 2D
2.
œ œ œ ŒD
Soldier's Joy
© 2010 So Good Productions
arr. by Shelia LeeTraditional Fiddle Tune
MastertheAccordionWorkshops PHBook2‐Session16
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Step5.CoolDownSection
o Play3EasyTones–canbesame3youstartedwitho EndonesongwithaGlissandotoaMajorChord(135)o EndAnotherwithaRollOverorRollingArpeggioso AddabasssoloatphraseendingortheendwithaArpeggio
CONGRATULATIONS!LookatwhatyouhaveLEARNED!
Remembertofollowthesestepsforeachofyourpracticesessions:1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs2. TechniqueBuilder–doadrillor23. WorkonNewSongs–practiceassignedsongs4. SightReadingreadanewsongor2(sight‐read)5. CoolDown–withyourfavorite3songs
MastertheAccordionWorkshops PHBook2‐Session16
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MusicNotebookYouhave80SongsinyourEASYTUNEsectionofyourRingBinderandyoushouldbepracticingthemALLforyourFUTUREWARMUPorCOOLDOWNTUNES.
German
1. BeerBarrelPolka(Chorus)2. BlueSkirtWaltz(Chorus)3. EinProsit4. JulidaPolka(Chorus)5. MussIDenn(WoodenHeart)6. AufWiedersehen(leadLine)7. Du,DuLiegstMirImHerzen8. InHeaventhereisNoBeer9. Hofbrauhaus10. Edelweiss
International11. LonelyAccordion12. LaDonnaEMobile13. VieniSulMar14. WearingoftheGreen15. TheWildColonialBoy16. BambooFlute17. HavaNagila18. Miserlou19. Minka20. SeaChanty
OldiesbutGoodies21. QueSera,Sera22. OhMyPaPa23. TheLittleCafébytheHarbour24. MacktheKnife25. Don’tBeCruel26. NorwegianWood27. Sugartime28. PufftheMagicDragon29. Smile30. TimeinaBottle31. Sunrise,Sunset
Sacred32. WhentheSaintsGoMarchingIn33. AmazingGrace34. You’llNeverWalkAlone35. KumbayaMyLord36. JesusLovesMe37. WingsofaDove38. YouAreMySunshine
Patriotic(&Texas)39. TexasOurTexas40. MarinesHymn41. CaissonsGoRollingAlong42. I’mAYankeeDoodleDandy43. TheGirlIleftBehind44. ThisLandisYourLand45. DeepintheHeartofTexas46. YellowRoseofTexas47. TheEyesofTexasareUponYou
Christmas48. WhiteChristmas49. BlueChristmas50. JingleBells51. AwayinaManger52. WeWishYouaMerryChristmas53. ISawMommyKissingSantaClaus54. Rockin’AroundChristmasTree55. AuldLandSyne
SouthoftheBorder56. DeColores57. CavallitoBlanco58. Chiapanecas59. LosMachetes60. LasMananitas61. SenoraSantana62. ElCondorPasso63. ElTambordelaAlegria
Country64. Ramblin’Rose65. ElPaso66. RockyTop67. Jambalaya68. WaltzAcrossTexas69. OvertheWaves
Folk&Standards70. PutYourLittleFoot(CountyFair)71. CamptownRaces72. BigParade73. ViveL’Amour74. GoldenSlippers75. CountryGardens76. MerryWidow77. ArkansasTraveler78. Soldier’sJoy79. TurkeyintheStraw80. Scheherazad
MastertheAccordionWorkshops PHBook2‐Session16
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