MassArt Continuing Education - Spring 2016 Catalog

MassArt.edu/ce

winter/spring

professional and continuing education

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At MassArt you get great artist/teachers, passionate colleagues and superb facilities.

Not only that...

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IT’S GOOD FOR YOU!

Artmaking can reduce stress...Increase self-reflection and self-awareness…

Alter behavior and thinking patterns…

Even normalize heart rate, blood pressure or cortisol levels.

STUDIES HAVE SHOWN…

Choose from over 100 classes in a variety of disciplines. Or look into one of our

design certificate programs.

MAYBE BETTER THAN CHICKEN SOUP

But you also get to build skills and take things home…

Paintings, drawings, tableware, sandals, films, jewelry and more.

NOT ONLY THAT…

INFORMATION2016

2

ART

Your student ID gets you free access to the Museum of Fine Arts, Isabella Stewart Gardner Museum, and ICA. Addtionally, MassArt has seven gallery spaces on campus. The Bakalar and Paine galleries feature work from internationally acclaimed artists and designers as well as emerging artists. The other campus galleries routinely feature work by MassArt students, faculty, and staff. Go to inside.massart.edu to subscribe to the MassArt events calendar to be alerted of opening celebrations.

INFORMATION

MassArt’s Godine Library, Tower Building 12th and 13th floors, boasts a wide array of visual resources, archives, special collections, and on-line databases and resources. Not to mention one of the best views of Boston.

JAVA

Peet's on the ground floor of Kennedy, is open until 8:30pm or visit Spoon Cafe located on the ground floor of the Tree House (new MassArt residence hall), open from 11am–2pm and 5–7pm, weekdays. Visit dineoncampus.com/cof for more information.

PARKING

What’s more important than that? Free in the Mindoro Lot (with shuttle service to campus) or if you’re hooked on convenience, $50 for the semester on the day of your class in the Ward Street lot. MassArt.edu/ce for map and more information or call Capstone Management at (617) 879–5103. Or email: [email protected].

DISCOUNTS

Your student ID gets you special love from a selection of vendors, including art supply stores like Artist and Craftsman, Dick Blick, and Utrecht.

DA VINCI

Leonardo was such an amazing genius, he even thought about how art students in the 21st century could get their schedules and grades on-line. Once you register, look for a letter containing your net ID and password from MassArt Tech Central. Log on to inside.massart.edu, click on DaVinci and log in. Questions or issues? MassArt’s Tech Help Desk, (617) 879–7888 will assist you.

INFORMATION / INSPIRATION

As a MassArt Professional and Continuing Education student, you also get other benefits beyond the teachers, facilities

and colleagues you signed up for.

PUBLIC SAFETY

Uh-oh. Need help? Medical? Safety issue? MassArt’s crackerjack Public Safety team is always there just in case you need them. (617) 879–7810. Or in person on the 2nd floor of Tower. They will also issue your student ID, very important for parking. And if you don’t need them, you can still talk to them—they’re pretty cool.

COME VISIT US

Professional and Continuing EducationMassachusetts College of Art and DesignArtists’ Residence600 Rear Huntington Avenue, Boston, MA 02115 USA

Office Hours: Mon–Thu, 9am–7pm; Fri, 9am–5pmTelephone: (617) 879–7200Fax: (617) 879–7171Website: MassArt.edu/ceEmail: [email protected]

MAILING ADDRESS

Massachusetts College of Art and Design621 Huntington AvenueBoston, MA 02115

DAY CLASSES OPEN TO CE STUDENTS

Some day classes will be available for Continuing Education student registration. The selection of classes will be listed on our website. Go to MassArt.edu/ce for details.

: REGISTER/UPDATED & CURRENT INFORMATION

The most current information on our classes can be found on the web. Schedules may change, courses may be cancelled or added. For detailed course descriptions, schedules, faculty bios, policies, and more, or to register and pay for your classes online, go to MassArt.edu/ce.

Register at MassArt.edu/ce

For Policies, Resources, and Registration, see p.24


INFORMATION2016CONTINUING EDUCATION WINTER / SPRING 2016

See page 4 for full course list.

EVENTS IMPORTANT DATES

Winter Intersession Jan 2–17

Martin Luther King Day, College Closed Jan 18

Spring Classes Begin Jan 20

Presidents' Day, No classes Feb 15

Spring Break Mar 7–12

Patriots' Day, No classes Apr 19

Last Day of Classes May 10

Summer Programs Begin May 21

ONLINE COURSES YOUTH PROGRAMS

MassArt is offering online classes this spring.

DEPARTMENTS PG

Art Education 9

History of Art 15

Liberal Arts 17

More information at MassArt.edu/ce

See page 22 for more information

PROGRAMS START DATE

Saturday Studios Mar 5

Life Drawing and Portfolio Development Feb 26

Xtreme! Weeks: February Feb 15

Xtreme! Weeks: April Apr 18

More information at MassArt.edu/youthprograms

WINTER INTERSESSION 6

Book Arts 6

Drawing 6

Fashion 6

Fibers 7

Film/Video 7

Glass 7

Illustration 7

Painting 7

Photography 7

Printmaking 7

Sculpture 7

Web Design 7

SPRING COURSES 8

Animation 9

Architecture 9

Art Education 9

Book Arts/Letterpress 9

Ceramics 10

Digital Tools/Web Design 10

DMI (Dynamic Media Institute) 10

Drawing 11

Fashion Design 12

Fibers 13

Film/Video 13

Furniture Design & Wood 13

Graphic Design 14

History of Art 15

Illustration 15

Industrial Design 16

Jewelry 16

Liberal Arts 17

Metal Sculpture 17

Painting 18

Photography 19

Printmaking 19

Sculpture 19

Studio Foundation 20

Special Courses & Workshops 20

PROFESSIONAL PRACTICE 21

Micro MBA for Artists 21

Appraisal Studies 21

CERTIFICATE PROGRAMS 22

Fashion Design 22

Furniture Design 22

Graphic Design 22

Industrial Design 22

YOUTH PROGRAMS 23

Saturday Studios 23

Life Drawing and Portfolio Development

23

Xtreme! Weeks 23

RESOURCES & INFORMATION 24

Policies & Campus Resources 24

TABLE OF CONTENTS

MassArt.edu/ce for updates and current information 3


CALENDAR2016

4online course =

workshop only =

By Department and Start Date PG

ANIMATION

TBA Introduction to Animation 9

ARCHITECTURE

Jan 20 Fundamentals of Architecture 9

Jan 21 Real Estate Development 9

ART EDUCATION

Jan 20 Art and Human Development 9

Jan 21 Art and Human Development 9

Seminar 1: Contemporary Teaching 9

Seminar 2: Contemporary Teaching 9

Problems in Aesthetics 9

Jan 25 Concepts and Processes in the Classroom 9

BOOK ARTS / LETTERPRESS

Jan 26 Letterpress Printing 9

Mar 5 Letterpress Workshop 9

CERAMICS

Jan 21 Tableware 10

Jan 26 Clay Studio 10

DIGITAL TOOLS / WEB DESIGN

Jan 28 Introduction to Design Basics with the Adobe Creative Cloud

10

Mar 5 Indesign in 2 Days 10

Apr 30 Photoshop and Illustrator 10

DMI (DYNAMIC MEDIA INSTITUTE)

Jan 25 Designing Interactive Experiences 10

Jan 26 Designing with Data 10

DRAWING

Jan 21 Drawing Fundamentals 11

Life Drawing 11

Jan 24 Drawing: Study and Practice 11

Jan 25 Drawing for the First Time 11

Jan 26 Engaging the Self in Drawing 11

Jan 27 Hands and Feet 11

Apr 7 Yoga and Drawing: Finding Focus 11

Apr 15 The Rigor of Wildness: A Creativity Workshop

11


BOOK ARTS

Jan 5 Book Arts to Animation 6

Jan 9 Paper Marbling Techniques 6

DRAWING

Jan 9 Essentials of Anatomy for Life Drawing 6

FASHION

Jan 6 Escape Winter: Sandal Design 6

FIBERS

Jan 4 Felted Forms 7

Jan 8 Dyeing and the Art of Resist 7

FILM / VIDEO

Jan 11 Documentary Video Bootcamp 7

GLASS

Jan 9 Glassblowing 7

ILLUSTRATION

Jan 2 The Art of Illustrated Maps 7

PAINTING

Jan 9 Renaissance Teachniques and Contemporary Practices

7

PHOTOGRAPHY

Jan 11 The Big Digital Print 7

PRINTMAKING

Jan 9 Monotypes: Exploring Serial Practices in Printmaking

7

SCULPTURE

Jan 4 The Human Body in 2 and 3 Dimensions 7

WEB DESIGN

Jan 2 Web 1: Designing And Building The Modern Web

7

SPRING COURSESWINTER INTERSESSION

MassArt.edu/ce for updates and current information

CALENDAR2016

5 = online course

= workshop only


FASHION DESIGN

Jan 20 Introduction to Creative Fashion Design 12

Digital Tools for Fashion Design 12

Fashion and Art in the 20th Century 12

Jan 21 Couture Design 12

Fashion History II 12

Jan 26 Introduction to Creative Fashion Design 12

Millinery Design 12

Fashion Trend Forecasting 12

FIBERS

Jan 25 Clothing Construction Techniques 13

FILM / VIDEO

TBA Film Production Fundamentals 13

Mar 5 Editing with Adobe Premiere 13

FURNITURE DESIGN & WOOD

Jan 20 The Fine Art of Furniture I and II 13

Jan 26 Woodcarving 13

Intermediate Furniture Design 13

GRAPHIC DESIGN

Jan 20 Foundations of Graphic Design 14

Jan 21 Foundations of Graphic Design 14

Graphic Design III 14

Final Graphic Design Portfolio 14

Jan 25 Typography 14

Graphic Design I 14

Graphic Design II 14

Jan 26 Typography 14

Intermediate Typography 14

Intermediate Portfolio 14

HISTORY OF ART

Jan 20 History of Art: The Western Tradition 15

Feb 2 Art and Revolution 15

Traditional Cloth and Clothing: Art, Protest, Ritual, and Heritage

15

ILLUSTRATION

Jan 21 Introduction to Game Design 15

Beginning Illustration 15

Jan 26 Narrative Illustration Childrens’ Books 15

INDUSTRIAL DESIGN

Jan 21 Introduction to Industrial Design 16

Jan 25 Introduction to CAD: Solid Modeling for Industrial Design

16

Jan 26 Drawing for Designers 16


JEWELRY

Jan 25 Beginning Jewelry 16

Feb 6 Lapidary Workshop 16

Silver Rings 16

Feb 20 Copper Bowls 16

Feb 21 Alternative Casting Workshop 16

LIBERAL ARTS

Jan 26 Narcissism, Aggression & Creativity 17

Feb 1 Mythology and Literature 17

Introduction to Folklore 17

METAL SCULPTURE

Jan 20 Welding 17

Jan 21 Introduction to Metal Casting 17

Jan 26 Bladesmithing 17

PAINTING

Jan 21 The Figure: Structure and Variation 18

Digital Drawing for Artists 18

Feb 22 Mixed Media in Two Dimensions 18

Jan 23 Still Life Painting: Making it Personal 18

Feb 24 Creative Approaches to Drawing and Water-Based Painting

18

Feb 26 Intro to Painting 18

Color Rules 18

PHOTOGRAPHY

Jan 26 Documentary Photography 19

Jan 27 The Photographer’s Project 19

Feb 6 The Beginning Digital Photographer 19

Feb 25 In the Darkroom: Black and White Photography

19

PRINTMAKING

Jan 21 Introduction to Printmaking 19

Jan 26 Silkscreen Printing 19

SCULPTURE

Jan 20 Figure Workshop: The Human Body in Clay 19

STUDIO FOUNDATION

Jan 21 Drawing Fundamentals 20

Form in Space 20

Jan 25 Drawing for the First Time 20

Jan 26 Engaging the Self in Drawing 20

SPECIAL COURSES & WORKSHOPS

Jan 25 Methods and Design for Art Exhibitions 20

Apr 3 Introduction to Mosaics Workshop 20

Continue

BOOK ARTS

DRAWING

Book Arts to AnimationCreate animated narratives, exploring and using tra-ditional book arts and paper engineering. Investigate thaumatrope, zoetrope, flip- book, pop-ups, altered book forms and more.

NC 609 NOT FOR CREDIT WORKSHOP FEE $

Tue, Wed Thu (Jan 5–14) 6:30–10pm 395Catriona Baker

Paper Marbling TechniquesSpend a weekend learning several styles of marbling: make a mountain of paper for use in mixed-media, collage, book-binding, greeting cards, calligraphy, and printmaking.


Sat and Sun (Jan 9, 10) 10am–4pm 245Christina Hajosy

Essentials of Anatomy for Life DrawingA brief daily lecture on human anatomy precedes a morning session of drawing short poses, and an after-noon drawing or painting one long pose.


Sat and Sun (Jan 9 and 10) 9:30am–4pm with a half hour break

195

Janet Monafo

Escape Winter: Sandal DesignDesign and make shoes that not only fit perfectly, but are also works of art. Take home fantastic sandals and the skills to make more.

EDFD 231 1.5 CREDITS COURSE FEE $

Wed-Wed (Jan 6 through 13) daily, 9 am–4pm 790 720Malika Green

FASHION

Every January, before spring classes begin, we offer an intensive two-week intersession with everything from the practical to the fantastic. Painting, printmaking, kinetic art, film—whatever your inclination, start off the new year with an

investment in your creative life.

All levels welcome.

winter intersessionjanuary 2–17, 2016

WINTER2016

professional and continuing education6

workshop only =

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graduate =

non-credit =

FIBERS

Felted FormsFrom mittens to sculptures, learn to make soft yet struc-tural creations that are lightweight and gorgeous, using only soapy water and friction. Beginners and advanced are welcome.


Mon, Wed, Fri (Jan 4–8) 6:30–10pm 250Anna Kristina Goransson

Dyeing and the Art of ResistCome play with multiple non-traditional resist techniques to achieve exciting visual textures on dyed fabrics. Leave with a personal collection of unique samples.


Fri (Jan 8) noon–6pm, Sat, Sun (Jan 9, 10) 9am–4:30pm

275

Susan McNeil

Documentary Video BootcampLearn the fundamentals of shooting, composition, light-ing, interviewing, and basic editing of video documen-tary in one week.

MPFV 294 1 CREDIT COURSE FEE $

Mon-Fri (Jan 11–15) 9am–4:30pm 770 705Michael Sheridan

FILM / VIDEO

GlassblowingLearn basic glassblowing techniques used to make ves-sels and sculptural forms, and develop skills through in-creasingly complex assignments. Class meets daily.

3DGL 231 3 CREDITS COURSE FEE $

Sat through Sun (Jan 9–17) 8am–4pm 1,240

2,170

1,240

Bernie D’Onofrio

GLASS

The Human Body in 2 and 3 DimensionsWorking from live models, students alternate between drawing and sculpting the human figure, deepening 2D and 3D skills and understanding of the human figure.

3DSC 204 3 CREDITS COURSE FEE $

Mon-Thu (Jan 4–14) 9am–6pm 1,070

2,000

790

Gerry Hoag

Web 1: Designing And Building The Modern WebLearn to plan, design and build usable, accessible and beautiful web sites, using HTML5, CSS3 and jQuery.

CDGD 345 3 CREDITS COURSE FEE $

Sat and Sun (Jan 2–10) 9am–4pm and Tue and Thu (Jan 5–14) 6–10pm

1,240

2,170

1,240Stephanie Dudzic

Renaissance Teachniques and Contemporary PracticesGain understanding of the materiality and history of painting, by creating contemporary, personal pieces, us-ing practices that transform rich, earthy materials into pigments, supports and binders.

2DPA 283 1.5 CREDITS COURSE FEE $

Sat and Sun (Jan 9, 10, 16, 17) 9am–5pm 620

595Elizabeth Mooney

Monotypes: Exploring Serial Practices in PrintmakingExplore this intriguing hybrid printmaking process. Learn to combine digital and analog image sources, and practice lay-ering strategies through color separation. All are welcome.

2DPM 273 1.5 CREDITS COURSE FEE $

Sat and Sun (Jan 9, 10, 16, 17) 9am–5pm 620

595Catarina Coelho

SCULPTURE

WEB DESIGN

ILLUSTRATION

PHOTOGRAPHY

PAINTING

PRINTMAKING

The Art of Illustrated MapsA complete hands-on guide to creative mapmaking’s pro-cess. Students create personal, illustrated maps, inspired by real life or imagination.

NC 608 NOT FOR CREDIT COURSE FEE $

Sat and Sun (Jan 2–10) 9am–3:30pm 395John Roman

The Big Digital PrintMake stunning mural sized digital prints from your own images. Learn to scan, touch up, and output your images on wide-format archival printers.

NC 137 NOT FOR CREDIT COURSE FEE $

Mon–Fri (Jan 11–15) 9am–2:30pm 450Dan Boardman

WINTER2016

MassArt.edu/ce for updates and current information 7

= workshop only

= undergraduate

= graduate

= non-credit

online course = workshop only =

undergraduate =

graduate =

non-credit =

Great art requires both creative vision and technical skill. MassArt’s Professional and Continuing Education program is about helping students develop both. Our faculty is comprised of practicing artists who set high standards for themselves and encourage students to do the same. Our facilities are built for working artists. The curriculum is designed to nurture individual expression and creativity

while helping students to master appropriate tools.

Choose from over a hundred classes and workshops this spring in more than twenty disciplines and join the

MassArt community.

spring 2016courses

SPRING2016

8


SPRING2016

= online course

= workshop only

= undergraduate

= graduate

= non-credit

9

Fundamentals of ArchitectureUsing scaled models and drawings, students develop the ability to use a building system to explore, prioritize, and communicate design ideas.

EDAD 100 3 CREDITS COURSE FEE $

Wed (Jan 20–May 4) 6:30–10pm 1,070

2,000

790

Maria Rondeau

Letterpress PrintingAn introduction to hand-set metal and wood type, letter-press and limited edition printing and printmaking tech-niques on Vandercook cylinder presses.


Tue (Jan 26–May 10) 6:30–10pm 1,070

2,000

790

Keith CrossArt and Human DevelopmentExplores the cognitive and psycho-social development of learners through psychological, sociological, and an-thropological theories. Theories of development and the nature of art-making are the focus of the course.

AETE 201 3 CREDITS COURSE FEE $

Section 01: Wed (Jan 20–May 19) 3–6pmSection 02: Thu (Jan 21–May 19) 1:30–4:30pm

900

Maureen Kelly

Real Estate DevelopmentBasic principles in RE development include community input in neighborhood planning, legal context and con-straints (e.g. zoning, economics, site, ecology) and tools used for development proposals.

EDAD 445 3 CREDITS COURSE FEE $

Thu (Jan 21–May 5) 6:30–9:30pm 900

1,830Will Roberts

Seminar 1: Contemporary Teaching Practices Seminar I and Seminar II run in tandem to provide a sopho-more-level introduction to teaching and contemporary art. Co-requisites: Seminar 2 AETE 209


Thu (Jan 21–May 19) 9:45am–12:45pm 900Beth Balliro

Seminar 2: Contemporary Teaching PracticesSee above.Co-requisites: Seminar 1 AETE 208


Thu (Jan 21–May 19) 1:30–4:30pm 900Beth Balliro

Concepts and Processes in the ClassroomExamine the substance and organization of lessons, what is appropriate for particular learners, and the creation of efficient classroom routines for teaching art.


Mon (Jan 25–May 16) 9:45am–12:45pm 900

1,830Beth Balliro

ANIMATION

ARCHITECTURE

ART EDUCATION

BOOK ARTS / LETTERPRESS

Introduction to AnimationAn introduction to the fundamental principles of anima-tion. A series of short projects will explore a variety of traditional, digital and experimental techniques.

CDIL 223 3 CREDITS COURSE FEE $

See web for schedule 1,070

2,000

790

Jake Fried

Letterpress WorkshopMake letterpress posters while learning to hand-set type, change colors on press with no wash-up, set it and print it techniques, and composition.


Sat (Mar 5) 9am–6pm 195Keith Cross

Problems in AestheticsStudy of aesthetics through an overview of Western and non-Western traditions, examining contemporary theory through and about art and meaning.


Online: Thu (Jan 21–May 19) 6–9pm 1,830Jennifer Hall

Art Education courses at MassArt are valued by art-ists and teachers who want to sharpen their practices for a 21st century world. Faculty have expertise in aligning artistic and social issues so that each course has meaning for use in a classroom, community, stu-dio, or gallery. The following day classes are open to Continuing Education students.


SPRING2016


undergraduate =

graduate =

non-credit =

10

Clay StudioStudents explore personal interests in clay object making. Demonstration and studio activities include hand building, mold making, and wheel working.

3DCR 313 3 CREDITS COURSE FEE $

Tue (Jan 26–May 10) 6:30–10pm and two 6hr classes tba

1,070

2,000

790Janna Longacre

TablewareDesign and fabricate individualized place settings, serving dishes, teapots, and vases, using hand building the potter’s wheel, plaster molds and various kiln-firing techniques.

3DCR 226 3 CREDITS COURSE FEE $

Thu (Jan 21–May 5) 6:30–10pm and two 6hr classes tba

1,070

2,000

790Kyla Toomey

Introduction to Design Basics with the Adobe Creative CloudDiscover the synergy between Adobe Illustrator, Photoshop and InDesign, with assignments based on a real-life project.


Thu (Jan 28–April 28) 6:30–10pm 1,240

2,170

1,240

Jason Fairchild

CERAMICS

DIGITAL TOOLS / WEB DESIGN

Also See: Game Design p.15

Designing Interactive ExperiencesThrough project-based curriculum, students are exposed to various dimensions in design of interactive experiences, in-cluding user experience, information architecture, interface design, and user testing. No prerequisites.

DSGN 346 3 CREDITS COURSE FEE $

Mon (Jan 25–May 10) 6:30–10pm 1,240

2,170

1,240

Stephanie Kane

Designing with DataUsing computational methods, students explore data vi-sualization as a tool for graphically communicating and explaining the stories often hidden in large, complex data-sets. Prerequisites apply: see web site.

DSGN 352 3 CREDITS COURSE FEE $

Tue (Jan 26–May 10) 6–9:30pm 1,240

2,170

1,240

Saul Baizman

MassArt is home to the Dynamic Media Institute (DMI), one of the leading interaction design MFA pro-grams in the country. Students investigate a wide range of topics including data visualization, physical interfaces, social networks, smart environments, edu-cational technologies, and mobile user experiences, among many others, while developing a unique thesis through rigorous practice of research, prototyping, and writing. Now, MassArt’s Professional and Con-tinuing Education program is offering a taste of the DMI experience through specially developed courses taught by DMI MFA candidates and alumni.

DMI (DYNAMIC MEDIA INSTITUTE)

Indesign in 2 DaysGet up to speed on the program, how it works, when to use it, and why.


Sat (Mar 5 & 12) 10am–4pm 195Andreas Randhahn

What Did I Miss: Photoshop and IllustratorCatch up on changes in the latest release of Adobe Illustrator, Photoshop and InDesign in two Saturday sessions.


Sat (Apr 30 & May 7) 10am–4pm 195Andreas Randhahn


SPRING2016

= online course

= workshop only

= undergraduate

= graduate

= non-credit

11

Drawing for the First TimeNon-intimidating, enjoyable introduction to observa-tional drawing and expression using still life, nude mod-els, and landscape. Increase knowledge, skills and confi-dence. Portfolio building. Course includes a portfolio day to be arranged.

SFDN 1X1 3 CREDITS COURSE FEE $

Mon (Jan 25–May 9) 6–9pm 1,070

790Trintje Jansen

Drawing: Study and PracticeAn exploration of drawing basics using the figure, por-trait, and still life, with emphasis on sustained studies to develop personal direction.

2DPA 12X 3 CREDITS COURSE FEE $

Sat (Jan 24–May 7) 9am–1:30pm 1,070

2,000

790

Janet Monafo

Drawing FundamentalsExplore fundamental drawing concepts of line, value, shape, form, space, and intent as they apply across disciplines.

SFDN 160X 3 CREDITS COURSE FEE $

Thu (Jan 21–May 5) 6:30–10pm 1,070

790Joshua Hart

Life DrawingLearn the fundamentals of naturalistic figure drawing from an observational perspective. Includes drawing nude models and lectures to understand gesture, pro-portion, and anatomical structures.

2DPA 202 3 CREDITS COURSE FEE $


1,070

2,000

790Gerry Hoag

Engaging the Self in DrawingWith a focus on traditional and non-traditional ways to make drawings, students build confidence, passion, dis-covery and creativity through a contemporary approach to drawing. All are welcome.

SFDN 111 3 CREDITS COURSE FEE $

Tue (Jan 26–May 10) 6:30–10pm 1,070

790Juan Ormaza

DRAWING

Hands and FeetDrawing on paper, learn to capture the physical and emo-tive qualities of hands and feet in motion and at rest.


Sat and Sun (Feb 27 and 28) 10am–4pm 150Jackie Knight

Yoga and Drawing: Finding FocusThrough asanas (poses) and drawing exercises, students develop tools to experience a centered, meditative, draw-ing practice. All levels of drawing and yoga welcome.


Thu (Apr 7–May 5) 6–8pm 135Liz Rudnick Reiser

The Rigor of Wildness: A Creativity WorkshopUsing drawing and writing, the instructors work with indi-viduals to identify the state of mind, energy, freedom, and irreverence that allows for discovery, unleashing creativity.


Lecture: Open to the public, Thu (Apr 14) 6:30pmWorkshop: Fri (Apr 15) 7–9pm, Sat, Sun, Mon, (Apr 16, 17, 18) 9am–4pm

475

Timothy Hawkesworth and Lala Zeitlyn

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SPRING2016


undergraduate =

graduate =

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12

Introduction to Creative Fashion DesignExplore basic garment construction, fundamental draping, and how to translate creative designs into three-dimensional form in both fabric and non-traditional textiles.

EDFD 211X 3 CREDITS COURSE FEE $

Section 01: Wed (Jan 20–May 4) 6:30–10pmRenee Harding Section 02: Tue (Jan 26–May 10) 6:30–10pm

1,070

Andy Chan

Fashion and Art in the 20th CenturyThrough lectures, discussions, review of over 1,000 images, and study of archival materials at the MFA, students learn to identify fashion as an art form.


Wed (Jan 20–May 4) 6:30–9:30 985 Kathleen McDermott

Creative TextilesCreate original designs and storyboards: then print fabric using the Mimaki digital printer. Produce portfolio ready swatches and multiple runs of your yardage.

EDFD 210 3 CREDITS COURSE FEE $

Mon (Jan 25–May 9) 6:30–10pm 1,070 Jill Thibault

Couture DesignStudents move into luxury design. Projects incorporate custom fit, boning for shaping, soft and structured drap-ing, seam finishes, design motifs and embellishments.


Thu (Jan 21–May 5) 6:30–10pm 1,070 Jennifer Varekamp

Millinery Design Learn basic hat design using European techniques for shaping buckram to create a variety of styles.


Tue (Jan 26–May 10) 6:30–10pm 1,070 Jill Thibault

Fashion History IIExplore the influence of artworks, architecture, culture, music, social change and technology on fashion from mid 1700s until the present.

EDFD 207 3 CREDITS COURSE FEE $

Thu (Jan 21–May 5) 6–9pm 900 Lauren Whitley

Fashion Trend ForecastingStudents explore ways fashion trends originate, and where top designers look each season for their creative inspiration.

EDFD 2X7 3 CREDITS COURSE FEE $

Tue (Jan 26–May 10) 6:30–9:30pm 985 Erica Corsano

Digital Tools for Fashion DesignDesign presentation boards and fashion flat collections using Photoshop and Illustrator. Perfect for beginners!


Wed (Jan 20–May 4) 6:30–10pm 1,240 Meg Young

FASHION DESIGN

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SPRING2016

= online course

= workshop only

= undergraduate

= graduate

= non-credit

13

Clothing Construction TechniquesLearn to make clothing that fits, using techniques that include taking measurements, adjusting patterns, hand sewing, machine sewing, and finishings preparations.

3DFB 23X 3 CREDITS COURSE FEE $

Mon (Jan 25–May 9) 6:30–10pmand two 6 hr classes tba

1,070

2,000

790Martha Palaza

Editing with Adobe PremiereGain basic proficiency in Adobe Premiere.

MPFV 255 1.5 CREDITS COURSE FEE $

Sat and Sun (Mar 5, 6 & 12, 13) 10am–4:30pm 620

1,000

595

Janet Gilmore

WoodcarvingAn introduction to wood-carving methods, with basic in-formation about types of wood and traditional uses, em-phasizing proper use and care of tools.


Tue (Jan 26–May 10) 6:30–10pm and two 6hr classes tba

1,240

2,170

940Ted Southwick

Film Production Fundamentals An introduction to film/video production that blends production practice with history and theory. Explore the dynamic relationship between media makers, subjects, viewers, and technology.

MPFV 279 3 CREDITS COURSE FEE $

See web for course details 1,240

2,170

940

The Fine Art of Furniture I and IIStudents are guided through hands-on design/build proj-ects of increasing complexity.

3DTD 330/340 3 CREDITS COURSE FEE $

Wed (Jan 20–May 4) 6:30–10pmand two 6hr classes tba

1,240

2,170

940Peter Thibeault and Judith Hanson

Intermediate Furniture DesignStudents focus on a specific area of furniture design to create an original design. By permission only.

3DTD 440 3 CREDITS COURSE FEE $

Wed (Jan 20–May 4) 6:30–10pm 1,240

2,170

1,240

Mitch Ryerson

FIBERS

FILM / VIDEO

FURNITURE DESIGN & WOOD


SPRING2016


undergraduate =

graduate =

non-credit =

14

Foundations of Graphic DesignThe study of how typographic techniques and principles are used for effective visual communications through pro-fessional typesetting, typographic layout, and expressive use of type.


Section 01: Wed (Jan 20–May 4) 6:30–10pm Section 02: Thu (Jan 21–May 5) 6:30–10pm

1,070

2,000

Alisa Aronson

TypographyThe history and use of letterforms to effectively convey a message and mood. Skill building for typographic hierarchy. Professional typesetting and typographic layout.


Section 01: Mon (Jan 25–May 9) 6:30–10pm Alisa AronsonSection 02: Tue (Jan 26–May 10) 6:30–10pm

1,070

2,000

Molly Seamans

Graphic Design IIIEmphasis is on building a unique personal voice while effectively addressing client and audience needs in substantial projects, including brand development. Prerequisites apply.


Thu (Jan 21–May 5) 6:30–10pm 1,070

2,000Robert Davison

Graphic Design IStudents apply knowledge of foundational design and typo-graphic principles to introductory visual communications for a targeted audience. Prerequisites apply.

CDGD 2X4 3 CREDITS COURSE FEE $

Mon (Jan 25–May 9) 6:30–10pm 1,070 Yvette Perullo

Intermediate TypographyStudents apply typographic principles to applied commu-nication design projects of moderate complexity, expand-ing skills for typographic layout and expressive use of type. Prerequisites apply.


Tue (Jan 26–May 10) 6:30–10pm 1,070 Sara Eisenman

Graphic Design IIStudents apply skills for concept development, visual design, and user centered thinking to design projects of moderate complexity for print and interactive media. Prerequisites apply.


Mon (Jan 25–May 9) 6:30–10pm 1,070

2,000Maggie Putnam

GRAPHIC DESIGN

Intermediate Portfolio

CDGD 370X 4 CREDITS

Tue (Jan 26–May 10) 6:30–10pmJeff Stone

Final Graphic Design Portfolio

CDGD 420X 3 CREDITS

Thu (Jan 21–May 5) 6:30–10pmJohn Soares

For Graphic Design Certificate Students Only


SPRING2016

= online course

= workshop only

= undergraduate

= graduate

= non-credit

15

The Western TraditionIntroduces the major movements, personalities, tech-nologies, and intellectual trends which have shaped the history of Western visual culture.

HART 100 3 CREDITS COURSE FEE $

Wed (Jan 20–May 4) 6:30–9:30pm 985

1,915

325

David Nolta

Introduction to Game Design and DevelopmentStudents gain and understanding of game design prac-tice and application. We cover theory and real world ex-amples and apply the knowledge through assignments.


Thu (Jan 21–May 5) 6:30–10pm 1,070

2,000

790

Bard McKinley

Beginning IllustrationLearn to create illustrations for the book, editorial and ad-vertising markets, from concept development to final image.


Thu (Jan 21–May 5) 6:30–10pm 1,070

2,000

790

Alex Gerasev

Narrative Illustration Childrens’ BooksEach student creates a children’s book from personal concept to the finished dummy ready for submission to a publisher.


Tue (Jan 26–May 10) 6:30–10pm 1,070

2,000

790

Nick McNally

HISTORY OF ART

ILLUSTRATION

Art and RevolutionExplores the relationship between the twentieth century political revolutions in Russia, china, and Iran, and the arts.


Online: Feb 1–May 10 1,070

2,000

325

Anahit Ter-Stepanian

Traditional Cloth and Clothing: Art, Protest, Ritual, and HeritageExamines traditional textiles in various historical and cultural contexts including: Haitian Voudou flags, Native American dresses and Pacific island bark cloth.



2,000

325

Anahit Ter-Stepanian

Game Design


SPRING2016


undergraduate =

graduate =

non-credit =

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Drawing for DesignersThe basic visual language of symbols and illustration used by designers, to communicate the characteristics of objects and systems.

EDID 205 3 CREDITS COURSE FEE $

Tue (Jan 26–May 10) 6:30–10pm 1,070

2,000

790

Judith Anderson

Beginning JewelryBasic techniques of jewelry making including coid-joining, sawing, soldering and finishing, lost wax casting and stone setting.

3DML 100 3 CREDITS COURSE FEE $

Mon (Jan 25–May 9) 6:30–10pm and two 6 hr classes tba

1,070

790Kelly Conroy

Introduction to Industrial DesignIntroduction to the tasks required for research, prelimi-nary concept sketching, design refinement, presentation, and fabrication possibilities. Includes drawing, media, and model making.

EDID 2X2 3 CREDITS COURSE FEE $

Thu (Jan 21–May 5) 6:30–10PM 1,070

2,000

790

Mark Guarraia

Introduction to CAD: Solid Modeling for Industrial DesignBasic CAD Modelling software familiarization, concepts for 2D and 3D visualization, and illustration of CAD use throughout the design process.

EDID 216 3 CREDITS COURSE FEE $

Mon (Jan 25–May 9) 6:30–10pm 1,240

2,000

940

Cindy Staton

INDUSTRIAL DESIGN JEWELRY

Alternative Casting WorkshopLearn these ancient techniques that use silver and bronze to cast objects of your own design, using cuttlefish bone, charcoal and drywall.


Sun (Feb 21) 10am–4pm 145Peter Evonuk

Copper BowlsExplore the ancient art of Coppersmithing. Students use a variety of specialized hammers, tools, and techniques to form simple, elegant, copper bowls.


Sat (Feb 20) 10am–4pm 145Peter Evonuk

Silver RingsLearn to size, fabricate, and finish a classic silver ring band: then saw, file, solder, polish and bezel set a gem-stone to cap it off.


Sat and Sun (Feb 6, 7) 2–6pm 165Peter Evonuk

Lapidary WorkshopTransform gravel into bling. Learn to cut, shape, carve and polish ordinary rocks into custom forms that can be set in jewelry.


Sat and Sun (Feb 6, 7) 9am–1pm 165Peter Evonuk


SPRING2016

= online course

= workshop only

= undergraduate

= graduate

= non-credit

17

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LIBERAL ARTS

BladesmithingForge handmade steel edged tools, including knives, axes, chisels and carving implements, in the traditional way with hammer, fire and anvil.


Tue (Jan 26–May 10) 6:30–10pmand two 6 hr classes tba

1,240

2,170

940J D Smith

Narcissism, Aggression, and CreativityAre we really capable of falling in love with an image of ourselves, as in the story of Echo and Narcissus? If so, what are the consequences? Psychoanalytic literature, in combination with contemporary themes, questions and illuminates the art making process.

LASS 308 3 CREDITS COURSE FEE $

Tue (Jan 26–May 10) 6:30–9:30pm 985

1,915

325

Gunta Kaza

WeldingStudents produce artworks using oxy-fuel, “stick”, MIG, or TIC arc welding, and learn hot forging and a wide range of fabricating processes.


Wed (Jan 20–May 4) 6:30–10pmand two 6 hr classes tba

1,240

2,170

940Reid Drum

Introduction to Metal CastingLearn to translate objects and forms into bronze and alu-minum using the lost wax casting method. Experiment with the merger of material and content while learning the proper use of modern metal working tools and techniques.


Thu (Jan 21–May 5) 6:30–10pmand two 6 hr classes tba

1,240

2,170

940Zachary Gabbard

METAL SCULPTURE

Mythology and LiteratureMythological approaches to such subjects as heroism, place, time, family, and human nature in western literature, old and new.

LALW 209 3 CREDITS COURSE FEE $


325Elaine Mawhinney

Introduction to FolkloreStudents examine various genre of folklore such as Cinder-ella tales, supernatural legends, Chinese-American funer-als, outlaw ballads, and Mardi Gras Indians.

LASS 204 3 CREDITS COURSE FEE $


325Tim Correll


SPRING2016


undergraduate =

graduate =

non-credit =

18

The Figure: Structure and Variation Working from the model, and using multiple mediums (graphite, charcoal, ink, paint, and collage), students ex-plore relationships between figure and space.


Thu (Jan 21–May 5) 6:30–10pm and two 6 hr classes tba

1,070

2,000

790Catherine Kehoe

Intro to PaintingLearn the foundation of painting — craft, color, and com-position by painting from observation (still life and the model).


Tue (Jan 26–May 10) 6:30–10pm 1,070

790Nancy McCarthy

Still Life Painting: Making it PersonalA more personal approach to still life painting as "self-por-trait." Use objects to create a personal narrative. Traditional techniques, color, and composition will be addressed.


Sat (Jan 23–May 7) 2–6pm 1,070

2,000

790

Santiago Hernandez

PAINTING

Creative Approaches to Drawing and Water-Based Painting Gain skills in multiple techniques (watercolor, gouache, acrylics, etc.) then experiment with mixing mediums in non-traditional ways, e.g. masking fluid, gesso, etc. to achieve unique visual results.


Wed (Feb 24–May 4) 6:30–10pm 595Yo Ahn Han

Mixed Media in Two DimensionsNon-traditional materials are used to explore the bound-aries between drawing, painting, printmaking, and pho-tography in ways that can be blended and rethought.


Mon (Feb 22–May 9) 6:30–10pm 625Andree LeDuc

Color RulesAn intensive workshop for anyone working with color: painters, designers, architects, etc. Review basic color con-cepts and learn how color can energize your work.


Fri (Feb 26) 6:30–9:30pm; Sat and Sun (Feb 27 and 28) 10am–4:30pm

235

Nancy McCarthy

Digital Drawing for ArtistsA hands-on class using smartphones, cameras, social me-dia, digital printers, computers etc. as artists tools, to help develop your personal studio practice.


Thu (Jan 21–May 5) 6–10pm 1,070

2,000

790

Andrew Fish


SPRING2016

= online course

= workshop only

= undergraduate

= graduate

= non-credit

19

The Photographer’s ProjectA critique group for advanced photographers, offering peer-group feedback on current work. Typically, partici-pants are developing a portfolio, project, or exhibition.

MPPH 306 1.5 CREDITS COURSE FEE $

Wed (Jan 27, Feb 10, 24, Mar 16, 30, Apr 13, 27) 620

1,000

595

Stephen Tourlentes

Documentary PhotographyWork on a semester-long documentary photo project. Weekly critiques. Edit projects in progress. Use film or digital, black and white or color.

MPPH 2X6 3 CREDITS COURSE FEE $

Tue (Jan 26–May 10) 6:30–10pm and two 6 hr classes tba

1,070

2,000

790Rania Matar

Introduction to PrintmakingDevelop the ability to confidently handle a variety of print media including basic intaglio, relief work, collagraph, dry-point, stamping, and monoprint.

2DPM 100 3 CREDITS COURSE FEE $


1,070

2,000

790Catarina Coelho

Figure Workshop: The Human Body in ClayWorking from live models, students learn tool use and clay manipulation techniques to sculpt the figure, then mold and cast the clay sculpture in plaster.


Wed (Jan 20–May 4) 6:30–10pm and two 6hr classes tba

1,070

2,000

790Gerry Hoag

Silkscreen PrintingWith an emphasis on experimentation, design, drawing, and multicolor printing, students learn to transform an idea to a print image.

2DPM 280 3 CREDITS COURSE FEE $

Tue (Jan 26–May 10) 6–10pm 1,070

2,000

790

Alvin Ouellet

PHOTOGRAPHY

PRINTMAKING

SCULPTUREThe Beginning Digital PhotographerLearn techniques for taking pictures using any digital camera, and editing options for print and web.


Sat (Feb 6, 13) 9am–1:30pm 165Molly Lamb

In the Darkroom: Black and White PhotographyIt's hard to find access to analog printing. This class is for people who are interested in building a body of work based on the beauty of the silver print.


Thu (Feb 25–May 5) 6:30–10pm 595Henry Cataldo


SPRING2016


undergraduate =

graduate =

non-credit =

20

Drawing for the First TimeNon-intimidating, enjoyable introduction to observational drawing and expression using still life, nude models, and landscape. Increase knowledge, skills and confidence. Port-folio building.

SFDN 1X1 3 CREDITS COURSE FEE $

Mon (Jan 25–May 9) 6–9pm 1,070

790Trintje Jansen

Drawing FundamentalsExplore fundamental drawing concepts of line, value, shape, form, space, and intent as they apply across disciplines.


Thu (Jan 21–May 5) 6:30–10pm 1,070

790Joshua Hart

Form in SpaceAn introductory exploration of issues central to 3D art and design. Includes scale, volume, mass and space. Use this course to build a portfolio.


Thu (Jan 21–May 5) 6:30–10pm 1,070

790Greg Mencoff

All Studio Foundation courses (SFDN) transfer into the BFA program as Open Studio Electives. Students accepted into the full-time MassArt BFA program who wish to receive credit for a specific SFDN required course must have an individual portfolio review of their coursework with the appropriate Studio Foun-dation Area Course Coordinator. This portfolio review will determine whether the transfer credit will be applied to an SFDN required course or remain as an Open Studio Elective.

STUDIO FOUNDATION

Methods and Design for Art ExhibitionsStudents learn fundamentals of designing and art exhibit from preparation to construction and production that can be applied to their own artwork. Course ends with the in-stallation of a professional exhibit in the MassArt Bakalar and Paine galleries.

MPSM 342 3 CREDITS COURSE FEE $

Mon (Jan 25–May 10) 3–8pm 1,070

2,000

790

Robert Gainfort

SPECIAL COURSES & WORKSHOPS

Introduction to Mosaics WorkshopIn-depth introduction to mosaic design, fabrication, and mounting practices. Students design, fabricate and grout an 8” x 8” mosaic.


Sun (Apr 3 and 10) 10am–4pm 295Lisa Houck

Engaging the Self in DrawingWith a focus on traditional and non-traditional ways to make drawings, students build confidence, passion, dis-covery and creativity through a contemporary approach to drawing. All are welcome.


Tue (Jan 26–May 10) 6:30–10pm 1,070

790Juan Ormaza


PROGRAMS2016

21

Creative Continuum: Business And The Creative ProcessJanuary 7–22, 2016

Now in its sixth year, this unique collaborative effort between professors at MassArt and Bentley University offers partici-pants an opportunity to engage in an intensive workshop that combines business education with the application for design thinking to business problems. Lectures and work-ing sessions provide insight into the issues and functions of business and cover the topic areas of an MBA. Participants quickly learn fundamental principles of business and then, in smaller working sessions, put their creative skills and ex-perience to use collaborating with representatives of select businesses, including Converse and others, on a real strate-gic business problem or challenge that they face.

SCHEDULE PROGRAM COST $

January 7–22, 2016 Evenings, weekends, and some days

1,100

For more information including registration details, go to:

MassArt.edu/Continuing_Education/Micro_MBA_for_Artists.html

Program Open House and Special EventDecember 5, 2015, 2–5pm

To inaugurate this collaboration, MassArt will hold an open house and reception with an afternoon of introduc-tory presentations by faculty and local experts. The pro-gram will offer a series of open dialogues with appraisers and experts in different fields, including art historians and artists. Presenters will address the questions of what is appraising and what are appraisal studies, and delve into a series of illustrated and hands-on lectures and conversa-tions exploring the intimate interrelationship between art and antiques appraising and art history, conservation and preservation, the art market and art collecting.

2016 COURSES & DATES COURSE COST $

Introduction to Personal Property ValuationThu–Sun (Jan 14, 15, 16, 17)

795

Development of a Personal Property Appraisal: Research and AnalysisThu–Sun (Apr 7, 8, 9, 10)

795

Personal Property Valuation: Report WritingThu–Sun (Jul 14, 15, 16, 17)

795

Personal Property Valuation: The Legal and Regulatory EnvironmentThu–Sun (Oct 6, 7, 8, 9)

795

Uniform Standards of Professional Appraisal PracticeFri and Sat (Nov 4, 5)

350

For more information including schedule of courses and

registration information, go to:

MassArt.edu/Continuing_Education/Appraisal_Studies.html

There is increasing recognition in the business world that companies that will thrive in the future are the ones that will innovate radically and approach chal-lenges creatively. This course is geared to artists and designers who would like to develop skills in applying the creativity and mind set they nurtured and devel-oped as an artist to the business realm.

MassArt is pleased to announce a new affiliation with the American Society of Appraisers. MassArt will of-fer the ASA series of valuation classes towards certi-fication in personal property appraisal. Courses are open to students pursuing appraisal studies in all ar-eas of valuation. Supplementary programming being developed by MassArt will be geared toward the ap-praisal and valuation of art and antiques.

MICRO MBA FOR ARTISTS APPRAISAL STUDIES

professionalpractice

In today's economy, there are wide-ranging applications of art skills and art knowledge. Professional Practice addresses skills related to art and business beyond the studio.

GRAPHIC DESIGN

INDUSTRIAL DESIGN

FASHION DESIGN

FURNITURE DESIGN

PROGRAMS2016


A unique collaboration between Massachusetts College of Art and Design and North Bennet Street School. With 8 core courses and 2 electives, Participants learn to design participants to design and build studio furniture. The program focuses on helping students develop a unique vision and artistic identity while building woodworking and technical skills. Go to Massart.edu/ce or call Stephen Clark at (617) 879–7168.

For more information including registration details, go to: MassArt.edu/Continuing_Education/Design_Certificate_Programs.html

For working adults seeking to build the portfolio nec-essary for entry level jobs in the graphic design field. Participants develop skills in real-world design problem solving across a range of media including branding, publications, web, mobile, etc.

For students who hold a degree in another discipline and are interested in entering the industrial design profes-sion. Industrial Design consists of 17 three-credit courses (51 credits), which is the required major sequence for undergraduate MassArt students. Study is part-time and most courses meet during the day. For entrance requirements and transfer or waiver details, go to MassArt.edu/ce.

For those who wish to advance their skills or careers in the fashion industry, or seek entry level positions in the industry. The 10 courses include fundamentals and master classes, offered on a rotating schedule, and take two years or more to complete.

certificateprograms

MassArt offers a number of rigorous certificate programs for students seeking expertise in a particular area without pursuing a full degree. These certificates provide students with solid

professional skills and practice required for the workplace.

Many students pursue admission to certificate programs by first enrolling in individual Professional and Continuing Education courses. These provide an opportunity to build and strengthen a portfolio for later review and admission to either a certificate or degree program.

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PROGRAMS2016

23

SATURDAY STUDIOSOffered each fall and spring semester for students in grades 3–12, these 8 week sessions offer courses in a variety of media such as sculpture, animation, fashion, painting and photography. Classes are taught by MassArt students majoring in Art Education.

DATES AND TIMES LEVELS

March 5–May 7No class March 12 and April 23Saturdays, 9:30am–12noonExhibition: May 2–7Closing Reception: May 7, 11:30am–12noon

Grades 3–12

XTREME!WEEKSXtreme!Week is an intensive week of artmaking dur-ing February and April vacations. Studios are taught by practicing artists. Xtreme!Weeks end with a celebratory exhibition of student work.


February 15–19April 18–22Monday–Friday, 9:30am–4:30pm

Grades 7–12LIFE DRAWING AND PORTFOLIO DEVELOPMENTAn in-depth class for high school students taught by pro-fessional artists. Students work to develop skills and ex-plore techniques and to broaden their approach towards a personal vision. The class explores traditional and inno-vative ways of rendering the human figure. For students interested in developing their portfolios as well as those who are curious to learn more about the visual arts and design. For those interested in art school, the class in-cludes a studio visit with an admissions counselor who will help demystify the application process.


February 26-May 6Fridays, 4:30-7:30pmNo Class April 22

Grades 9–12

For further information about these programs, go to:

MassArt.edu/youthprograms

youthprograms

MassArt understands the importance of providing quality arts education from elementary school on. We offer diverse programs that give students the ability to access the power of the

arts for their future success.

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professional and continuing education24

INFORMATION2016

REGISTER EARLY!

We recommend that everyone register at least one week before classes begin. Many courses fill quickly and classes with low enrollment risk cancellation. Registering early gives you the best chance of getting the course you want.

HOW TO REGISTER

Students may register on the web, by mail, by fax, by phone, or in person. Registration forms are available online for fax or mail, or in the Continuing Education Office.

ONLINE WEB REGISTRATION

Students are encouraged to register online. Visit MassArt.edu/ce to sign up and pay for classes.

MAIL

Send your completed registration with check or credit card information (MasterCard or Visa) to:

Professional and Continuing Education Massachusetts College of Art and Design621 Huntington Avenue Boston, MA 02115 USA

FAX

Fax your registration to (617) 879–7171. Include your MasterCard or Visa card number and expiration date on the registration form.

WALK-IN REGISTRATION

Register during our regular continuing education office hours: Mon–Thu, 9am–7pm; Fri, 9am–5pm

PUBLIC TRANSPORTATION

It’s easy to get to MassArt. The Green Line ‘E’ train at the Longwood/Hospitals stop is directly in front of the college. The #39 bus stops here as well, and the college is a short walk from the Ruggles Orange Line station.

POLICIES, RESOURCES, AND REGISTRATION

Professional and Continuing Education (PCE) provides a variety of resources for students in conjunction with the college. Students enrolled in a continuing education class may take advantage of academic, financial and other resources and benefits as they apply. For a complete description of all PCE policies and campus resources, please visit: MassArt.edu/ce

PUBLIC SAFETY

Uh-oh. Need help? Medical? Safety issue? MassArt’s crackerjack Public Safety team is always there just in case you need them. (617) 879–7810. Or in person on the 2nd floor of Tower. They will also issue your student ID, very important for parking. And if you don’t need them, you can still talk to them—they’re pretty cool.

PARKING

Continuing Education provides limited free parking for students on the day of class at the Mindoro Street lot, a five to eight minute walk to MassArt. The lot is staffed with an attendant and shuttle service is available between the lot and MassArt daily from 7am–11pm. Students also may pay for parking for the day of their class at the Ward Street lot directly across Huntington Avenue. For more information and to pick up the required forms, please stop by the Continuing Education office (Mon–Thu, 9am–7pm; Fri, 9am–5pm) or call (617) 879–7200. There are also parking garages in the area and metered on-street parking.

REFUND POLICY

To obtain a refund, complete a drop form available in the continuing education office or online, MassArt.edu/ce and click on Registration Information. Mail, fax, or email your signed written request by the deadline. No drop or refund requests are accepted by phone. Refunds are issued after the add/drop period by the business office. Processing requires at least six weeks.

Credit course refund: 100% of the course fee when dropped the day before the second class meeting.Non-credit workshop refunds: 100% of the course fee when dropped one week prior to the workshop start date.Independent Study: 100% of the course fee when dropped before the first meet-ing date indicated on the Independent Study form.

There are no partial refunds. Visit MassArt.edu/ce for more information.

COURSE CANCELLATIONS OR CHANGES

Professional and Continuing Education reserves the right to cancel any course that does not meet minimum enrollment requirements or for other unforeseen circumstances. PCE generally notifies students by e-mail or phone, but due to the timing of the cancellation, may not be able to reach students before the first class. It is advisable to check with PCE as to the status of the class, either by phone 617 879 7200 or by e-mail at [email protected]

PCE also reserves the right to make changes in course scheduling, faculty, and course content.

EMERGENCY CLOSING AND CLASS CANCELLATION

Cancellation of classes is announced on a variety of radio and TV stations. Visit MassArt.edu/ce for a list of stations. A decision to cancel evening classes will be made prior to 2:30pm.

ADA

The Americans with Disabilities Amend-ments Act (ADAAA) protects individuals with disabilities who are otherwise qualified, from discrimination. These individuals are entitled to “reasonable accommodations” in coursework. If you feel you meet these requirements and need assistance, please complete the Disability Accommodations Request for Services Form available on our web site: MassArt.edu/ce. MassArt is committed to assisting all qualified students.

NON-DISCRIMINATION POLICY

The college is committed to an admissions policy that does not discriminate on the basis of race, creed, sexual orientation, gender, national or ethnic origin, marital status, veteran status, religion, age, or disability. We seek to provide opportunities and experience for all students on an equal basis. For information on reasonable accommodations, please contact the Office of Civil Rights Compliance and Diversity at (617) 879–7060

Visit MassArt.edu/ce for more informa-tion on parking, Student ID’s, Museum Admission, and more.

DECEMBER 3

Peter Evonuk Making: The Agency Of Things

JANUARY 14

Catriona Baker Book Arts To Animation: The Narrative In Time

FEBRUARY 25

Santiago HernandezBrilliant Corners

MARCH 17

Carolanne PattersonExploring Materials

APRIL 14

Timothy HawkesworthRigor of Wildness

Join us for an evening with some of the area’s finest artists and scholars who also happen to teach in MassArt’s Continuing Education program. Lectures begin at 6:30pm, but please come at 6pm for light refreshments, socializing, and the best seats in the house. Lectures are free and open to the public.

THURSDAY NIGHT LECTURE SERIES

For more information and updates, go to:

MassArt.edu/Continuing_Education/Lecture_Series.html

Hear and Experience Some of the Great Artists and Scholars Teaching in Massart's Continuing Education Program

professional and continuing education621 huntington avenueboston, ma 02115 usa

Nonprofit Org.US Postage

PAIDBoston, MA

Permit NO. 19758

MassArt.edu/ce

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MassArt Continuing Education - Spring 2016 Catalog

Documents

Transcript of MassArt Continuing Education - Spring 2016 Catalog