Mary Poppins JR Auditions - St. Johns County School District · 2018-12-11 · “mary poppins...

“Mary Poppins JR.” Auditions

PLEASE LOOK AT THE ATTACHED REHEARSAL SCHEDULE

BEFORE YOU AGREE TO AUDITION! THIS IS A BIG

COMMITMENT! YOU CAN ONLY HAVE 2 UNEXCUSED

ABSENCES IN JANUARY, FEBRUARY, AND MARCH, AND

NONE IN APRIL. A MORE DETAILED REHEARSAL SCHEDULE

WILL BE PROVIDED TO THOSE CAST IN THE SHOW.

You may sign a script out overnight only! Please return the

next day so that someone else can sign it out. If you lose it,

it is $10.

ALL songs are available on my school website. You must learn ONE of the

following five songs for the audition:

“Feed the Birds”

“Supercalafragalisticexpealidocius”

“Jolly Holiday”

“The Perfect Nanny”

“Fly a Kite”

BE SURE TO CHOOSE A SONG THAT FITS THE ROLE YOU ARE INTERESTED

IN.

-You will choose the parts you want to audition for, but you may be asked

to read for something different that the director chooses.

-You MUST attend BOTH days for the auditions:

January 22nd (Tuesday) SINGING

January 24th (Thursday) ACTING

-Please bring the completely filled out audition form, to the auditions.

Mary Poppins Jr.! REHEARSAL SCHEDULE

January 22 SINGING AUDITIONS 3-5

24 ACTING AUDITIONS 3-5

February 5 READ THRU 3-5 PARENT MEETING AT 4:30

7 READ THRU 3-5

12 Blocking 3-5

14 Music 3-4:30

19 Choreography 3-5

21 Blocking 3-5

26 Choreography 3-5

28 Music 3-5

March 4 Blocking 3-5

5 Choreography 3-5

7 Music 3-5

11 Blocking 3-5

25 Choreography 3-5

26 Choreography 3-5

28 Music/Blocking 3-5

April NO UNEXCUSED ABSENCES ARE ALLOWED IN APRIL!

1 Choreography/Music 3-5 Backstage and props crew starts

2 Choreography/Music 3-5


4 RUN 3-5

5 RUN 3-5


9 RUN 3-5

10 RUN 3-5

11 RUN 3-5

12 RUN 3-5

15 RUN 3-5 Costume and make-up crew starts

16 RUN 3-5

17 RUN 3-5

18 Dress Rehearsal 3-5 House Crew starts

22 Dress Rehearsal 3-5

23 Dress Rehearsal with make-up 3-5

24 Final Dress and photos 3-5

25 Performance 6pm CALL TIME IS 5PM



YOU MAY ONLY HAVE TWO UNEXCUSED ABSENCES IN JANUARY, FEBRUARY, OR

MARCH. MORE THAN TWO WILL RESULT IN BEING REMOVED FROM THE

PRODUCTION. YOU MAY NOT MISS ANY REHEARSALS IN APRIL. IF YOU MISS A

REHEARSAL IN APRIL YOU WILL BE REMOVED FROM THE CAST.

Audition Application

Liberty Pines Academy

Production Mary Poppins Jr. Name_________________________________________________________________________

Grade________________________

Parent/Guardian Contact Information

Name(s)_______________________________________________________________________

Phone Number (s)_______________________________________________________________

Best Contact Email ______________________________________________________________

What part(s) are you auditioning for?_________________________________________________

Are you willing to accept another role? YES__________ NO__________

Are you interested in working backstage? YES__________ NO__________

Do you have any dates that may conflict with rehearsals? YES__________ NO__________

(THIS INCLUDES SPORTS, RELIGIOUS, MEDICAL, DENTAL, ETC- WE MUST KNOW YOUR AVAILABILITY!)

If yes, please list__________________________________________________________________________

(You are only allowed to miss TWO rehearsals that are UNEXCUSED – No exceptions)

Please list any theatre experience you have:

Show Where did you perform it

_____________Role

PLEASE BE SURE

YOU HAVE READ

THIS ENTIRE

PACKET!

AUDITION SIDE – Bert, Jane, Michael from Mary Poppins JR.

BERT What's the matter and who's after you?

JANE The nastiest nanny in the world.

BERT Is she really as bad as all that?

MICHAEL She looks like something that would eat its young.

JANE Miss Andrew was Daddy's nanny.

MICHAEL Which explains a lot.

JANE Poor Daddy. Ever since he stopped working, he just sits and mopes… Mary Poppins used to say he needed our help, but now it's too late.

BERT Oh, I wouldn't say that. I tell you what: why don't we start things off with a bit of a shake for good luck?

(BERT holds out his hand.)

JANE Why would shaking hands with you bring us luck?

BERT Didn’t anyone ever tell you it's lucky to shake a chimney sweep's hand?

(JANE does so, and so does MICHAEL. From his large bag, BERT extracts a beautiful red kite with streamers.)

JANE Michael, look! It's a real one!

(BERT holds the kite out to MICHAEL, who is resistant.) What's the matter? You've always wanted to fly a proper kite.

MICHAEL I've always wanted to fly one with Daddy.

BERT (crouches before MICHAEL, speaking gently) O’ course you have. But you need to know how it’s done. Get some training in, and you’ll make him the proudest father in the whole bloomin’ empire!

AUDITION SIDE – Mary Poppins, Bert, Jane, Michael, Mrs. Corry from Mary Poppins JR.

MARY POPPINS Hello, Bert.

BERT Hello, Mary. Hello, kids.

JANE, MICHAEL Hello.

MARY POPPINS We're off to Mrs. Corry’s Talking Shop. Care to join us?

JANE Talking Shop?

MICHAEL Who's Mrs. Corry?

BERT "Who's Mrs. Corry?" Mrs. Corry is older than anyone in the world. She talked to William before he went conquering, to Vlad before he went impaling, and to Alexander before he weren't so great.

JANE That's impossible!

MARY POPPINS Anything can happen if you let it. (They enter the shop.)

MRS. CORRY Well, well, well… if it isn't Mary Poppins! With Jane and Michael Banks!

MICHAEL She knows us?

MRS. CORRY And how is poor little Georgie?

MICHAEL Who?

MRS. CORRY Georgie Banks. Your father. He used to give his nanny the slip and come into my shop here in secret. I remember Georgie used to love my gingerbread stars. Now, Mary Poppins, what can I do for you?

AUDITION SIDE – Mary Poppins, George, Jane, Michael, Winifred, Mrs. Brill from Mary Poppins JR.

MARY POPPINS Good morning.

GEORGE (stunned by the sudden intruder)

Yes??

MARY POPPINS I've come in answer to the advertisement.

GEORGE What advertisement? We haven't placed any advertise—

MARY POPPINS Now, let's see.

(pulls a mended piece of paper from her pocket) "Play games, all sorts." Which I most certainly can. "Take us on outings, give us treats."

(Bewildered, GEORGE looks at the fireplace, then at MARY POPPINS. He can’t believe what she holds in her hands. JANE and MICHAEL enter and listen.)

JANE Michael! It's our advertisement!

MARY POPPINS "Rosy cheeks and fairly pretty."

(to GEORGE) There's no objection on that score, I hope?

GEORGE (flustered)

Oh, none at all.

MARY POPPINS I'm glad to hear it.

(MARY POPPINS stares at him so firmly that, for a moment, it is like a ray of light passing right through him.)

GEORGE But—oh, take it up with Mrs. Banks. She manages all that side of things.

(heads towards the door) Nothing domestic has anything to do with me.

(turns back and raises a finger) And don't forget the references!

(GEORGE exits.)

MARY POPPINS I make it a rule never to give references.

WINIFRED Oh, I see…

MARY POPPINS I'll see the children now, thank you.

(JANE and MICHAEL step forward noisily and stand in front of MARY POPPINS.)

WINIFRED Oh, of course… You'll find they're very nice children.

(realizing she doesn’t know the new nanny’s name) Now this is… oh—

MARY POPPINS Mary Poppins.

(looks at JANE and MICHAEL as if she were reading their souls) Jane, don't stare. And close your mouth, Michael. We are not a codfish.

(gives a sharp nod) Best foot forward. Spit-spot.

(MICHAEL and JANE exit toward the nursery, followed by MARY POPPINS.)

WINIFRED Mrs. Brill, we have a new nanny.

MRS. BRILL She passed her interview, then?

WINIFRED Or I did.

(WINIFRED and MRS. BRILL exit.)

AUDITION SIDE – Mary Poppins, Jane, Michael from Mary Poppins JR.

MARY POPPINS A very tidy nursery, I must say. Tidier than I was expecting. Who's responsible for that?

JANE Mrs. Bri—

MICHAEL Me. I am. Like to keep things neat.

MARY POPPINS Do you indeed? Well, I look forward to making use of that. If there's one thing I appreciate, it's a child whose word I can depend on. Now, first things first. I always say the proper place to hang a hat is on a hat stand.

(MARY POPPINS reaches in her bag and takes out a hat stand. JANE and MICHAEL look inside.)

JANE There's nothing in it!

MICHAEL We’d better keep an eye on this one. She's tricky.

JANE Mary Poppins, how could you know what we wanted in a nanny… when we made our list?

MARY POPPINS Your "list"? I'm not an item in the weekly shop, thank you very much.

(MARY POPPINS takes another item, perhaps a plant, out of her bag and places it strategically in the nursery.)

JANE How did you come then? It was as if the wind just blew you here.

MARY POPPINS It did. Now, stand over there!

(MARY POPPINS pulls out a measuring tape, holds it against MICHAEL, and reads.) Just as I thought. “A noisy, mischievous, troublesome little boy.”

MICHAEL You’re making that up! (Without a word, MARY POPPINS holds the tape for MICHAEL to read.) “A noisy, mischievous, trouble––” (Stunned, MICHAEL looks at JANE.)

MARY POPPINS Now you.

(She holds the tape against JANE and reads.) “Thoughtless, short-tempered and untidy.”

JANE I don’t believe you. Let me see–– (JANE looks at the truth-telling tape in disbelief.) What about your measurement, Mary Poppins?

AUDITION SIDE – Von Hussler, George, Northbrook from Mary Poppins JR.

VON HUSSLER Herr Banks, what objections can you have? My security is more than adequate and Latin America is an expanding market. Have you no courage?

GEORGE But Mr. Von Hussler, what I haven’t been able to grasp is: What exactly is your final product?

VON HUSSLER What do you think? Money, of course!

GEORGE Yes, money. But I wonder, making money out of money, is that enough?

VON HUSSLER Are you man enough to be a banker? (VON HUSSLER exits. GEORGE now meets with JOHN NORTHBROOK.)

NORTHBROOK Have you come to your decision, Mr. Banks? There’s a town of good people whose future depends on you.

GEORGE I know that…

NORTHBROOK Give us this chance. The factory could be running in weeks and expanding before the year’s out. Please, Mr. Banks. I’d give it everything I’ve got.

GEORGE I believe you, Mr. Northbrook, and I’ve tried to find a way, but how can I be sure the money would be safe?

NORTHBROOK What about my workforce? They’ll make it safe!

AUDITION SIDE – Winifred, George from Mary Poppins JR.

WINIFRED Poor Michael. All he cares about is flying kites.

GEORGE I used to love flying kites at his age. But my nanny, Miss Andrew, soon frightened it out of me.

WINIFRED Is it out of the question to do without a nanny?

GEORGE Don't be absurd! All the best people have nannies… so the wives can do charity work and entertain. Which reminds me, how is your tea party coming on?

WINIFRED I'm not sure. It seems so odd to send out invitations to people I hardly know.

GEORGE But they're people you should know. Remember: "By your friends shall ye be judged."

WINIFRED But that's the point. They're not my friends…

GEORGE Winifred. Dearest. I'm only thinking of you. Are you going to say something to Mary Poppins about this afternoon?

WINIFRED I don't think so.

GEORGE Very well. But just make sure she's doing things our way and not hers.

AUDITION SIDE – Winifred, Miss Andrew, Mrs. Brill, Michael, Jane from Mary Poppins JR.

WINIFRED Miss Andrew! It’s so lovely to meet you at last! I do hope you had a good journey.

MISS ANDREW (dropping her bag)

It was thoroughly unpleasant. Where did George go?

WINIFRED I'm afraid he had… an urgent appointment.

MISS ANDREW It's not much of a house, is it?

WINIFRED We like it.

MISS ANDREW Then it doesn't take a lot to keep you happy. Look at the dust! There! And there! Filth!

MRS. BRILL Now, just a minute—

MISS ANDREW Ah. You must be the children.

(examines the children) Pity. I don't suppose you know who I am?

MICHAEL Yes, we do. You're the Holy Terror.

MISS ANDREW Impudent boy!

(to JANE) Why aren't you wearing stockings?

JANE I don't like them.

MISS ANDREW Tut! What manners! I can see there is not a minute to lose!

AUDITION SIDE – Winifred, Mrs. Brill, Robertson Ay from Mary Poppins JR.

WINIFRED Mrs. Brill, what about the cake?

MRS. BRILL It’s just out of the oven, and too hot to be iced, or touched for that matter. (She places the cake on a tea cart.)

WINIFRED Are you quite sure you know how to ice it?

MRS. BRILL Quite sure. And in case you’re worried, I have not been exchanged by the fairies for a total nincompoop!

WINIFRED I’ll just go up and check the drawing room. (WINIFRED exits.)

ROBERTSON AY I’d like to be helpful.

MRS. BRILL I’d like to be rich. But destiny thought otherwise.

ROBERTSON AY Please, Mrs. Brill. I don’t mind, honest.

MRS. BRILL All right. I will give you one task and one task only. Put the icing tools next to the cake. Do you think you can manage that?

ROBERTSON AY Is that all?

MRS. BRILL For you, yes. For me, no. I swear, a slave in ancient Rome was on a pleasure cruise compared to my life in this house! (MRS. BRILL storms out.)

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CUE:Segue from No. 18 – "A Man Has Dreams"

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- - - -

Mary Poppins JR.

Feed the Birds

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- -

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- - - - - -

Mary Poppins JR.

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- - - - -

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- - -

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Mary Poppins

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∑

‰ Jœœœ ‰ R

œœœ ≈ ‰ ‰ Jœœœ# ‰ R

œœœ ≈ ‰3 3

œœ ‰ œœ Œ œœ## ‰ œœ Œ3 3

œ>

œ> >̇

big brass band

Ó Œ ¿Shh!

œ. œ- œ. Œœœ.œœ# œœ.œœ. œ# - œ̄ Œ

PARKSTROLLERS:

- -

&

&?

26 Ó Œ œbOh

œ. œ- œ. œœœb -œœ# .

œœ œœ.œ# . œ- œ. œ-

MARY POPPINS: You've enough brass for all of us.

F

π

BERT: .œn œ# .œ œ .œ œn .œ œit's a jol ly 'ol i day with


œœœ ‰ œœœ Œ Œ œœœ-3

œ ˙ œMa ry No

‰ jœœœœ ‰ rœœœœ ≈ ‰ jœœœ# ‰ œœœ-3

œœœ ‰ œœœ Œ Œ œœ-3

- - - -

&

&?

# # #

# # #

# # #

29

.œ œ .œn œ .œ œ .œ œwon der that it's Ma ry that we

jœœœœn ‰ Œ jœœœœ‰ Œ

jœœ ‰ Œ jœ ‰ Œ

.˙ Œlove!

œ. œ# ˙˙nœœœ. œœ# œ œœ. œ# œ œ

(BERT:) (to the CHILDREN) Come on, you two.

∑

œœœœ.œœœœ### œœœœn œœœœ## >

œ. œ# œ œ>

Poco accel.

- -

40

Mary Poppins

&

&?

# # #

# # #

# # #

˙ ˙Bor ing

Œ œœœ. Œ œœœ

.˙ ˙

jœ ‰ Œ jœ ‰ Œ

PJANE, MICHAEL:

Poco più mosso

P

32 .œ œ .œ œ œ œjust like oth er nan nies


.˙ ˙


˙ ˙Think ing


.˙ ˙


(BERT and MARY POPPINS exit. JANE and MICHAEL lag behind until they are alone near a statue of NELEUS on a plinth.)

.œ œ .œ œ œ Œparks are good for us


.˙ ˙

jœ ‰ Œ jœ ≈ rœ .œ œ#

- - - -

&

&?

# # #

# # #

# # #

36

œ Œ œ ŒIt's just

œœœ#. œœœ

. œœœ. œœœ

.wjœ ‰ Œ jœ ‰ jœn ‰

.œ œ .œ œ œ œsta tues, ducks, and gran nies

œœœn. œœœ

. œœœ. œœœ

.w

jœ ‰ Œ jœ ‰ jœn ‰

˙ œ ŒI don't

˙ ˙œœœœ.œœœœ.

œœœœ#.

œœœœ .jœ ‰ Œ jœ ‰ Œ

œ œ œn .œn œ œ Œun der stand all the fuss

œœœœnn .Œ Œ œœœœœ>

œœnb . Œ Œœ œ œ>

- - - -

&

&?

# # #

# # #

# # #

40 ˙ ˙#Is she


.˙ ˙


JANE:

.jœ rœ .jœ rœ œ œdo ing it to spite us?


.˙ ˙


MICHAEL:

˙ ˙We could

œ. œœœ. œœœ. œœœ.jœ ‰ Œ jœ ‰ Œ

.jœ rœ .jœ rœ œ ‰ Jœlose her for a lark! Per

œœœœ.œœœœ.

œœœœn . œœœœ.œ. œ. œ. œ.

FJANE:

- -

41

&

&?

# # #

# # #

# # #

44 .jœ rœ .jœ rœ œ ‰ jœhaps it's all a plot I'll

œœœœ. Œ Œ œœœœœ# .œ. Œ Œ œ# .

MICHAEL:

F

œ œ œ ‰ jœtell you what She

œœœœ. Œ Œ œœœœ.œ. Œ Œ œ. &

œ œ .jœ rœ .jœ rœseems so diff' rent but I

œœœœ. Œ œœœœœ# . Œ

œ. Œ œ# . Œ

JANE, MICHAEL: œ œ œ Œbet she's not

Œ œœœn ˘ œœœ̆ .Jœ œ œ

Œ œfl œœfljœ> œ œ œ3?

-

&

&?

# # #

# # #

# # #

bbbb

bbbb

bbbb

48 ˙ ˙There is

œœœ.œœœ. œœœ. œœœ.

œ.œœœ. œ.

œœœ.

P.jœ rœ# .Jœ Rœ œ œ

noth ing to ex cite us

œœœ. œœœ. œœœ. œœœ.

œœ.œœœ. œ.

œœœœ# .

œ Œ ÓIn

Œ ....˙˙̇̇

œœ.Œ Ó

(A creaking sound is heard.)

œ Œ ÓThe

Œ ....˙˙̇̇>

œœ. Œ Ó

(The creaking sound grows louder and more confident.)

œ Œ ÓPark

jœww

U

∑

JANE: What was that?

- -

&?

bbbb

bbbb42

4246

46

53

˙̇ ˙̇

œ. œ. Jœ. ‰ Œ Jœ. ‰π

NELEUS: You're quite wrong, you know. When you take a walk with Mary anything can happen.(JANE and MICHAEL look up. The statue of NELEUS is apparently smiling at them. They are terrified.)MICHAEL: Wha—who are you…?

œœ œœ ˙̇

œ. œ. Jœ. ‰ Œ Jœ. ‰

˙̇ ˙̇nn

œ. œ. Jœ. ‰ Œ Jœ. ‰

œœ œœ œœ œœœ. œ. œ. œ

42

&?

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44

44

57 œ> œn œ œn œ œ ˙3

wwwn œœœ œœœn.w .w.w

F

NELEUS: I'm Neleus. I've waited half a century to take a walk on a sunny day like this!

Più mosso

œ> œ œ œn œ œ ˙3

wwww œœœ œœœ.w .w.w

cresc.

&

&?

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44

44

44

59 ∑

œn œ œ œn œ œ œ œ œ œ œ œ3 3 3 3

œ œn œn œn

ww

(MARY POPPINS enters with BERT, both of them sporting bright summer clothes as the park is transformed from dull and gray to bright and colorful.PARK STROLLERS enter wearing brightly colored clothing.)Ó Œ ‰ Jœ

Each

œn œn œ œ œ œ œœœœb>- œœœœœnn

>3 3

œ œ œ œn

˙̇ ˙̇>

(NELEUS:) .œ œ .œn œ œ ‰ . Rœman out with his dog will

‰ jœœœ ‰ jœœœ ‰ ‰ ‰ jœœœœn# ‰ jœœœœ ‰ ‰3 3 3 3

œœ.‰ œœ

‰ ‰ jœœ œœnn‰ œœ

‰ ‰ jœœ3 3 3 3

F

&

&?

bbb

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62 œ œ œ ‰ Jœstand a gog To

‰ jœœœ ‰ jœœœ ‰ ‰ ‰ Jœœœ ‰ J

œœœ ‰ ‰3 33 3

œœ.‰ œœ ‰ ‰ jœœ œœ ‰ œœ ‰ ‰ jœœ3 3 3 3

œ œ .œ œ .œ œsee a sta tue take a

‰ jœœœ ‰ jœœœ ‰ ‰ ‰ jœœœœn# ‰ jœœœœ ‰ ‰3 3 3 3

œœ.‰ œœ

‰ ‰ jœœ œœnn‰ œœ

‰ ‰ jœœ3 3 3 3

œ œ œ œbgen tle jog Oh

œœœ>œ œ œœœbb >

œb œ œœœn œœœb# -3 3

œ> œ œ œ> œb œ œœ œœ-3 3

ALL:

- - -

43

Mary Poppins

&

&

?

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nnn

nnn

nnn

65 .œ œn .œ œ .œ œb .œ œit's a jol ly hol i day with

˙ ˙Œ œœœ.Œ œœœ.

œ .œ œ œ .œ œ

œ ˙ ‰ jœMa ry No

˙ ˙Œ œœœ.Œ œœœn .

œ .œ œ ˙

.œ œ .œ œ .œ œ .œ œwon der that it's Ma ry that we

..œœ. œœœ. ...œœœ. œœœ.jœœœ. ‰ Jœ. ‰

.œ. œ. .œ. œ. Jœ. ‰ Jœ. ‰

- - - - - -

&

&

?

68 ˙ Ólove!

œœœœ> Jœœ œœ œœ œœ œœœœ> J

œœ œœ œœ œœ##3

3

3

3

‰

>

œ œ œ œ œ ‰

>

œ œ œ œ œ33 3

3

˙̇ ˙̇ƒ

Molto rall.Ó Œ œ#Oh,œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ#### J

œœœœœn >‰ œœœ## >

3 3

œœ œœbb œœ œœ œœ œœbbjœœ>

‰ œœbb>

3 3

PART 1:

&

&

&?

70 .œn œ# .œ œ .œ œ .œ œIt's a jol ly 'ol i day with

œ Œ œ ŒLet's go

‰ œ œ œ œ œ ‰ œ œ œ œ œ3 3 3 3˙̇

>

˙̇>

œœ Jœœœœ œœ Jœ

œœœ3 3

Slightly Broader

(PART 1:)

PART 2:

œ ˙ ŒMa ry

.œ œ .œ œ œ œfor a jaun ty saun ter

œ> œ> jœ> œ> œ>3

œ>

œ œ œ>

Jœ>

œ>

œ œ œ>

œ œ3 3 3 3


œœœ3 3

(The PARK STROLLERS dance. STATUES come alive and dance with BERT.)

.œ œ# .œ œ œ œMa ry makes your 'eart so

œ Œ œ ŒWe are

œ œ œ œ Jœ œ œ œ œ Jœ3

3

3

3

œœ Jœ œœ jœ œœJœ œœ jœ

3 33

3

- - - - -

- -

44

Mary Poppins

&

&

&

?

73 .˙ Œlight

.œ œ .œ œ œ Œbound to make a mark

œœœœ Jœœœœ œœœœ œœ œœ œœœœ œ œ œ œ œ3

3

33

œœ Jœ œœ jœ œœJœ œœ jœœ

3 33

3

.œ œ# .œ# œ .œ œ .œ œWhen the day is gray and or di

œ Œ œ ŒLooks like

˙̇ ˙̇Œ

œœ Œœœ#

œœJœ# œœœ œœ Jœ

œœœ3 3

œ ˙ Œnar y

.œ œ .œ œ œ œall of us were born to

œœœœ œœœœ# Jœœ œœœ œœœ

3

œœ Jœœœœ œœœ œœœ3

- - -

&

&

&?

76

.œ œ .œ# œ œ œMa ry makes the sun shine

œ Œ œ ŒTake a

‰ œ œ œ œ œ ‰ œ œ œ œ œ3 3 3 3˙̇ ˙̇##

œœœœœ œœ

œœœ# &

˙ Œ œ#bright Oh,

œ œ œb .œb œ œ Œ3

prom e nade in the park

œn œb œ œ œb œ œœœ˘ Œ3

3

œœœbœœœb œœœ˘ œœ>

?

.œ œ# .œ œ .œ œ .œ œ'ap pi ness is bloom in' all a

œ Œ œn ŒWith our

‰ œ œ œ œ œ ‰ œ œ œ œ œ3 3 3 3˙̇>

˙̇>


œœœ3 3

- - - -

- -

-

45

Mary Poppins

&

&

&?

79 œ ˙ ‰ jœ#round 'er The

.œ œ .œ œ œ œfine ly chis 'led fea tures

œ> œ> jœ> œ> œ>3

œ>

œ œ œ>

Jœ>

œ>

œ œ œ>

œ œ3 3 3 3


œœœ3 3

.œ œ# .œ œ .œ œn .œ œdaf fo dils are smil in' at the

œ Œ œ ŒWe can

‰ œ œ œ œ œ ‰ œ œ œ œ œ3 33 3˙̇ ˙̇

œœœœœ œœ

œœœ

.˙ ‰ Jœdove When

.œ œ ‰ œ œ œ ‰ Jœlook down from a bove When

...œœœ œœ ...œœœ œœ œœœœb œœœœb

.œ œ .œ œ .œ œ .œb œ

- - -

- - - -

&

&

&?

82 .œ œ .œ# œ œ ‰ jœMa ry 'olds your 'and you

.œ œ .œ œ œ ‰ JœMa ry 'olds your 'and you

.œ œ .œ œ .œ jœœœ. œœ. œœ# . œœ.œœ. œœ. œœ## . œœ.

œ œn œ ‰ jœfeel so grand Your

œ œ œ ‰ Jœfeel so grand Your

œ œ .œ jœœœ. œœ. œœ. œœ.œœ. œœ.

œœ. œœ.



œ œ .œ œ .œ œœœ. œœ. œœ# . œœ.œœ. œœ. œœ## . œœ.

œ>

œ>

œ>

œ#big brass band Oh

œ> œ>

œ>

Œbig brass band

œœœœn> œœœ>jœœœ>

‰ Œœœœ>

œœœ> jœœœ> ‰ Œ

- -

- -

46

Mary Poppins

&

&

&

?

86 .œn œ# .œ œ .œ œn .œ œit's a jol ly 'ol i day with

œ Œ œ ŒIt's no

œœ œ œœ## œœœœ Jœœ œœ œ œœnn œœ œ œœ

3

3

3 3

œœ Jœœœ jœ œœ Jœ

œœ jœ3

33

3

ƒ

ƒ

œ œ Œ ‰ jœMa ry No

.œ œ# .œ œ œ œwon der that it's Ma ry

œœ ˙̇ œœ‰œ œ ‰ œ œ

‰œ œ ‰ œ œ#

3 3 3 3

œœœœœœ œœ

œœœ#

.œ œ .œ œ .œ œ .œ œwon der that it's Ma ry that we

œ Œ œ Œthat we

..œœ œœ ..œœ œœ ..œœ œœ ..œœ œœœœœœn> œœ

œœœœ> œœ

- - - - - -

- -

&

&

&?

89 ˙b jœ ‰ œlove No

˙˙ Jœœ# ‰ œlove No

..œœbbœœ ..œœ œœ J

œœ ‰ Œœœœœb > œœ J

œœœœ# ‰ œœ>

f

f

œ œ .œ œ jœ ‰won der that it's

œ œ .œ œ jœ ‰won der that it's

œœ œ œœ œœ œ œœ ....œœœœ œœœœjœœœœ ‰3 3

œœ œœ ..œœ œœjœœ

‰

œ œ .œ œ Jœ ‰Ma ry that we

œ œ .œ œ jœ ‰Ma ry that we

œœœœ œœœœ ....œœœœ œœœœœjœœœœœ ‰

œœ œœ ..œœ œœjœœ

‰

- -

- -

47

Mary Poppins

&

&

&

?

92 wwlove

wlove

œœœœ> œœœœ. œœœœ> œœœœ.

œœ>œœœ. œœbb>

œœœ.ƒ

ƒ

ƒ

ww

w

œœœœ> œœœœ. œœœœb> œœœ.

œœ>œœœ. œœbb>

œœœb .

ww

w

...œœœn œœœ ...œœœ œœœ ...œœœ œœœ ..œœ œœœ.œn œ .œ œ .œ œ

..œœ>

œŒ Ó

˙̇ Ó

˙ Ó

œœœœ˘ œœœœ˘ œœœœ˘ œœâœœfl

œœflœœ˘ œœâ

Segue

&

&

?

# #

# #

# #

C

C

C

∑

Œ. œœœn# .˙̇˙˙#>

jœ# ˙n> œ œn. œ. œ.

F

CUE:GEORGE: What on earth—WINIFRED: Please, George. I think we should hear it.

(As JANE opens a piece of paper to read from, MICHAEL stands by her side.)

∑

Œ œœœœ≈ ≈ œœœœ

˙̇˙>̇

w>

F

f

JANE:

œ œ œ œIf you want this

œœn .Œ œœœ-

Œ

œœb .Œ

œœ- Œ

F

Forcefully q = 130

œ œ jœ œ‰

choice po si tion,

Œ œœ.œœœ-

Œ

Œœœb . œœ- Œ

3

- -

&

&

?

# #

# #

# #

5

œ œ œ œHave a cheer y

œœœœnb# . Œ œœœ-

Œ

œœœb# .Œ

œœœŒ

œ œ jœ œ ‰dis po si tion.

Œ œœœœ. œœœ

-Œ

Œœœœn . œœ-

Œ

œ œ ˙Ros y cheeks,

œœœœ.

Œœœœ-

Œ

œœœ.

Œœœœ-

Œ

Œ œ ˙No warts.

œœœœ.

Œ œœœ-

Œ

œœœ.

Œœœœ-

Œ

MICHAEL: That's the part I put in.

∑

œ. œœ

.œœ

jœœ ‰œb œ œ.

œ Jœ

œœ . œœ . œœ Jœœ

‰

p

- - - - -

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# #

# #

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42

42

42

10

Œ œ ˙

Play games,

œœœ. Œ

œœœœ# -Œ

œœœ.

Œœœœ# -

Œ

F

(JANE:)

Œ œ .œ jœall sorts. You

œœœ#. Œ

œœœœ-

Œ

œœœ. Œœœœ-

œ.

œ œ .œ jœ

must be kind, you

˙̇̇n ˙̇̇

œœ. œ. œ.

œœ. œ. œ.

cresc. poco a poco

œ œ jœ .œmust be wit ty,

˙̇̇ ˙̇̇

œœ. œ. œ.

œœ. œ. œ.

œ œ œ œVer y sweet and

œ œ œœ œœœ œ œ œ œ

œœ. œ. œ.

œœ. œ. œ.

- -

Mary Poppins JR.

The Perfect Nanny

&

&

?

# #

# #

# #

42

42

42

44

44

44

15

œ œfair ly

œœœœœœœœ

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F

jœ .œ Ópret ty

....œœœœ> œ œ œ. œ. jœ.

œ. œ. œ. œ.

Jœ> ‰ Œ Ó

f sub. p

GEORGE: Well, of all the ridiculous— WINIFRED: George, please.

∑

œ. œ. œ. œ. jœ.œ. œ. œ. œ.

∑

- -

&

&

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?

# #

# #

# #

# #

18 œ œ œ œ œTake us on out ings,

∑

œœ. œœ. œœ œœ.œœ. œœ

œœ.œœ.

œœ.œœ.

œœ.

F

JANE:

Fœ œ ˙

give us treats

∑

œœ œœ œœ

œ

œœ

œœ œœŒ

MICHAEL:

∑

Œ œ ˙

sing songs,

˙ ˙̇#˙ ˙

ww

f

Ó .œ

We

>̇ ˙bring sweets

˙̇n>œœ

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œ œ œ Œ

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# #

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22 œ œ œ œ œ œ œwon't hide your spec ta cles so

∑

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œœœœ.œœœœ.

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. œœœ. œœœ

.

f

Meno Mosso

F

œ œ œ Œyou can't see

Ó Œ ‰ jœPut

œœœ œ œœœ œ ..œœjœœœ œ .œ Jœ

œœœ# œœœ

..œœ Jœœ

∑

œ œ œ .œ jœtoads in your bed Or

œ œ œ œ .œ jœ.

œœ œœ .œ Jœ

œœœ œ œ .œ jœ.

∑

œ œ œ œ ˙pep per in your tea

ÓŒ jœ

œ-

œœœ#.

œœœ.

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œœn

n.

œœ.

˙˙

- -

-

16

Mary Poppins

&

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# #

# #

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26

œ œ œ œHur ry nan ny,

∑

..œœ Jœœ œ

‰jœ .˙

w

Più Mosso

P

PŒ œ# œ .œ

jœMa ny thanks Sin

Ó Œ ‰ jœ

Sin

...œœœ# jœ œœœ œ

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˙

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œ œ Ócere ly

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cere ly

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˙̇̇˙gggg

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œ Œ ÓJane

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œœœœœ.

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Œ

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Œ

œ Œ ÓBanks.

œ Œ Ó

Banks.

˙̇˙bbœœœœ Œ?

Ó œ œ œ œ œŒ

- - - - -

- - -

Mary Poppins JR Auditions - St. Johns County School District · 2018-12-11 · “mary poppins...

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