Marta Torrecillas. Be different

Marta Torrecillas GómezPortafolio 2010

Architecture Master Program

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PERSONAL Enmarcando oporto Wedding promenade in las Vegas Urban Desing PFC

PROJECTS Enmarcando oporto Wedding promenade in las Vegas Urban Desing PFC

COMPETITIONS R-H´s Projects Napisa Live Barcelona

WORKSHOP AEDES Berlin

COLLABORATION Opera Colonia Montecarmelo Temporal Market Barceló

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MARTA TORRECILLAS ARCHITECTYEARBOOK2010-2011

Publisher and Editorial DirectorMarta Torrecillas GómezEditorMarta Torrecillas GómezEditorial StaffMarta Torrecillas Gómez

Marta Torrecillas GómezC/Marcos de Obregón 4629016 Málaga SpainTel: + 34617350808Tel: + [email protected]

ColaboracionesNieto SobejanoMoho ArquitectosMontroy & AndersenPr Louis Lazarous AIA

PROJECTS

COLLABORATION

WORKSHOP

COMPETITIONS

KSHOPWOR

COLLABORATION

PROJECTS

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How impor-How impor-tant is what tant is what we do with we do with our buildings?our buildings?

I came from city with a long history and where the con-I came from city with a long history and where the con-text of every project is very important. “A proper building text of every project is very important. “A proper building grows naturally, logically and poetically out all its condi-grows naturally, logically and poetically out all its condi-tions” Louis Sullivan. I am interested in analyze the city tions” Louis Sullivan. I am interested in analyze the city and the program as the basic step in to start the project. and the program as the basic step in to start the project. It is important to have a concept and explore that until the It is important to have a concept and explore that until the end of the project. For me that is basic for the architecture. end of the project. For me that is basic for the architecture. “Always design a thing by considering it in its next con-“Always design a thing by considering it in its next con-text- a chair in a room, a room in a house, a house in a text- a chair in a room, a room in a house, a house in a

environment, an environment in a city plan” Eliel Saariren environment, an environment in a city plan” Eliel Saariren

What story does tell your building. Can you feel the rhythm?What story does tell your building. Can you feel the rhythm?Each building tells a story. It doesn´t matter how big It is the Each building tells a story. It doesn´t matter how big It is the project or where is located. Each one has to answer a ques-project or where is located. Each one has to answer a ques-tion: ”Why?” Why the project is looks like this. Of course, tion: ”Why?” Why the project is looks like this. Of course, each one has different answers, but the response should each one has different answers, but the response should be like a story along all the design, from the beginning until be like a story along all the design, from the beginning until the approach to the area until the detail scale. Everything the approach to the area until the detail scale. Everything should be part of the same story. I start thinking about a new should be part of the same story. I start thinking about a new project combination many skills. I major considerations the project combination many skills. I major considerations the weakness to solve in the land with all the knowledge’s in weakness to solve in the land with all the knowledge’s in Urban design + Architecture design + Structure + Construc-Urban design + Architecture design + Structure + Construc-tion in details + Installation System. Everything work as part tion in details + Installation System. Everything work as part of the problem and the solution and it have to form part of of the problem and the solution and it have to form part of the same song and feel the rhythm along all the project. the same song and feel the rhythm along all the project. The combination of these theories and have to be part of a The combination of these theories and have to be part of a new research asking the question WHY. I strongly believe new research asking the question WHY. I strongly believe that ARCHITECTURE is a COMBINATION of many skills. that ARCHITECTURE is a COMBINATION of many skills.

Structures-Spatial experienceStructures-Spatial experience“…Hence the position of the heaven with regard to a “…Hence the position of the heaven with regard to a given tract on the earth leads naturally to differ charac-given tract on the earth leads naturally to differ charac-teristics, owning to the inclination of the circle of the zo-teristics, owning to the inclination of the circle of the zo-diac and the course of the sun, it is obvious that designs diac and the course of the sun, it is obvious that designs for houses ought similarly to conform to the nature of the for houses ought similarly to conform to the nature of the country and the diversities of climate...” Nieto-Sobejanocountry and the diversities of climate...” Nieto-Sobejano

Who I am and where I want to goWho I am and where I want to goMy major infl uenced are Le Corbusier, for his visionary archi-My major infl uenced are Le Corbusier, for his visionary archi-tecture, both absurd and pragmatics. Miguel Fisac and Felix tecture, both absurd and pragmatics. Miguel Fisac and Felix Candela, for their elegant building using engineer techniques Candela, for their elegant building using engineer techniques and Bruno Taut, for his extraordinary use of space. I also have and Bruno Taut, for his extraordinary use of space. I also have just discover Cecil Balmont, who has show me another form just discover Cecil Balmont, who has show me another form to develop the architecture, using the structures to conform to develop the architecture, using the structures to conform an amazing space, and how all this structures are infl uenced an amazing space, and how all this structures are infl uenced by elements in natural space. Bringing together architects, by elements in natural space. Bringing together architects, mathematicians, programmers, artists, musicians and scien-mathematicians, programmers, artists, musicians and scien-tists, the lab investigates structural systems, delving to the tists, the lab investigates structural systems, delving to the root of order and patterns, engaging with music, algorithms, root of order and patterns, engaging with music, algorithms, and malignant cellular structure to create abstract concepts and malignant cellular structure to create abstract concepts that inspire tectonic forms. I need to explored more about the that inspire tectonic forms. I need to explored more about the experimental approach to research and architectural design experimental approach to research and architectural design rigorously grounded in multiple, complex realities. I would rigorously grounded in multiple, complex realities. I would like to approach to the debate regarding this diverse dimen-like to approach to the debate regarding this diverse dimen-sion of architecture and the city, t both as cultural realties of sion of architecture and the city, t both as cultural realties of unarguable importance and impact, and as objects of careful unarguable importance and impact, and as objects of careful attention, study and investigation. But I consider the master attention, study and investigation. But I consider the master project of architecture The Sydnay Opera Building because project of architecture The Sydnay Opera Building because It combines the impressive form of a sculpture, an amazing It combines the impressive form of a sculpture, an amazing engineer project and an organic project supervise by Frank engineer project and an organic project supervise by Frank Lloyd Wright which respond to the place where it is situated. Lloyd Wright which respond to the place where it is situated. I believe that this project is an inspire building for almost ev-I believe that this project is an inspire building for almost ev-ery architect. Although it is almost imposible to equalize, It ery architect. Although it is almost imposible to equalize, It is good to know what sort of architecture you are interested.is good to know what sort of architecture you are interested.

11mportant Concepts for architecturemportant Concepts for architectureCritical, Innovation, CombinationCritical, Innovation, Combination

Almost one thousand years after Roman architectural theo-Almost one thousand years after Roman architectural theo-rems. Architecture afford not just materials but also spaces, rems. Architecture afford not just materials but also spaces, considering each space as an experience, as Bruno Taut considering each space as an experience, as Bruno Taut who always used color to enhance architecture and give who always used color to enhance architecture and give it an extra dimension. He knew that color creatred plastic it an extra dimension. He knew that color creatred plastic effect and conferred a specifi c character on urban space, effect and conferred a specifi c character on urban space, which helped settle it into the surrounding landscape. He which helped settle it into the surrounding landscape. He strove to use color to broaden the notion of function in ar-strove to use color to broaden the notion of function in ar-chitecture, in view of creating form to produce a harmoni-chitecture, in view of creating form to produce a harmoni-ous building enhanced by a human and artistic dimension. ous building enhanced by a human and artistic dimension. How can explore to the architecture? Adolf Loos defi ned How can explore to the architecture? Adolf Loos defi ned architecture “… only a very small part of architecture be-architecture “… only a very small part of architecture be-longs to art: the tomb and the monument. Everything else, longs to art: the tomb and the monument. Everything else, everything which serves a purpose should be excluded from everything which serves a purpose should be excluded from the realism of art…If we fi nd a mound the forest, six feet the realism of art…If we fi nd a mound the forest, six feet long and three feet wide, formed into a pyramid, shaped long and three feet wide, formed into a pyramid, shaped by a shovel, we become serious and something within us by a shovel, we become serious and something within us says, someone lies buried here. This is architecture...”says, someone lies buried here. This is architecture...”. It is an inspired form to defi ne the architecture . It is an inspired form to defi ne the architecture and I completly agreet with that statement. It is tru-and I completly agreet with that statement. It is tru-ly amazing the feeling in an space. Therefore, I am ly amazing the feeling in an space. Therefore, I am interested in the exploration of differents spaces. interested in the exploration of differents spaces.

1

Projects 2º Projects 2º CERO 9 : Cristina Diaz Moreno y Efren Garcia GrindaCERO 9 : Cristina Diaz Moreno y Efren Garcia Grinda

Average Grade: 9Average Grade: 9

Proyects: * Initial Workshop Proyects: * Initial Workshop

* Project Valsaín * Project Valsaín

Projects 3º Projects 3º Fuensanta Nieto Fuensanta Nieto


Proyects: * Module in the Castellana Proyects: * Module in the Castellana

* Support for the City of Real Madrid * Support for the City of Real Madrid

* Modules housing in Chueca (Madrid) * Modules housing in Chueca (Madrid)

Projects 4º Projects 4º Acebo x Alonso: Victoria Acebo y Angel AlonsoAcebo x Alonso: Victoria Acebo y Angel Alonso


Proyects: * Project in Las Vegas Proyects: * Project in Las Vegas

* Generic Office * Generic Office

* Housing for Google in Palo Alto * Housing for Google in Palo Alto

* Workshop with Eduardo Arroyo * Workshop with Eduardo Arroyo

Projects 5º Projects 5º Eduardo BelzunceEduardo Belzunce

Average Grade: 8 Average Grade: 8

Proyects: * Multifunctional building devoted to relation Proyects: * Multifunctional building devoted to relation

in Sao Paulo in Sao Paulo


EDUCATIONEDUCATIONEuropean University of Madrid), European University of Madrid), Spain, MadridSpain, Madrid School of Architecture. 2010 - 20032010 - 2003CICE, Spain MadridCICE, Spain Madrid Master 3d max Autodesk 2010 - 20092010 - 2009San Estanislao de kostka, Spain, Malaga,San Estanislao de kostka, Spain, Malaga, High School 2003 - 20012003 - 2001

SKILLS SKILLSSKILLS SKILLSComputer Skills: Computer Skills: - Microsoft Offi ce, 3d max, Autocad, Photoshop, Adobe Illustrator, Sketchup, MayaLanguages Skills:Languages Skills: English high intermediate and Spanish nativePersonal Skills: Personal Skills: Adaptable, Nice, Collaborator, Comunicative, Creative, Determined, Certain, Effi cient, Trustworthy, Honest, Imaginative, Meticulous, Organized, Persistent, Productive, Productive, Responsible, Sure, obliging, Sociable, Hard-working

AWARDSAWARDSNapisa Contest. Course 2010Napisa Contest. Course 2010 FinalistePladur Contest. Course 2010 Pladur Contest. Course 2010 FinalisteStudient contest SOS SOSTENIBLE. Summer 2008Studient contest SOS SOSTENIBLE. Summer 2008 3er PrizeStudents Contest BICICITY Barcelona. Course 2010Students Contest BICICITY Barcelona. Course 2010 Mention

ACTIVITIESACTIVITIES Member in AIA in New York. Member CAC (Art Contemporary Centre in Malaga). Member in the AA School after the Shangai workshop Professor tuitions 3d max. Art, Painting, Travelling, Swimming, Skiing.

PROFESSIONAL EXPERIENCESPROFESSIONAL EXPERIENCESMADRID RIO Signal Desing and execution Spain, Madrid. 2010MADRID RIO Signal Desing and execution Spain, Madrid. 2010 Desing the all the signal Proyect in Madrid Rio Park.Nieto & Sobejano Spain, Madrid. 2010 - 2008Nieto & Sobejano Spain, Madrid. 2010 - 2008 Internship. Collaboration in Gijon Museum Contest, Montercamelo Sport CentreExecution Project, Barcelo Temprally Execution Project, Diplomaist’s House Contest in Camberra. I could Learn how is the execu tion work in big project. A incredible experience learn ing from fantastic archiect.Workshop AA expo-Shangai, Shangai. Summer 2010Workshop AA expo-Shangai, Shangai. Summer 2010 Workshop. Study of the expo area. Giving ideas abo which could be the future develop of that city and what kind of intervention should appear after the expo fi nished.Workshop AEDES Berlin, Berlin. Summer 2009Workshop AEDES Berlin, Berlin. Summer 2009 Workshop. Study of the Spree River area. Giving ideas about how can develop the area occupied for the wall path.Moho arquitectos, Spain, Murcia. Summer 2008Moho arquitectos, Spain, Murcia. Summer 2008 Intership. Europan contest, Informatic Island in Alicant. Great experience in a young Architecture group with innovation ideas.Montroy & Andersen, Manhattan New York. Summer 2008Montroy & Andersen, Manhattan New York. Summer 2008 Intership. Offi ces projects in Manhattan. Interesting experience in an amazing city. First aproximation.

Motivated architect with desire of learning and maximum contributing, Originally from Spain I have lived in NY and I haven’t any Motivated architect with desire of learning and maximum contributing, Originally from Spain I have lived in NY and I haven’t any problem in moving anywhere. Person activate with capacity of leadership in search of supporting high goals, compromised with problem in moving anywhere. Person activate with capacity of leadership in search of supporting high goals, compromised with the stimulate teamwork, with labor experience in different studies in contests and work of execution.the stimulate teamwork, with labor experience in different studies in contests and work of execution.

UNIVERSITY: UNIVERSITY: UEM,UEM, Spain Mardrid Spain Mardrid

PDF: Living Sao PauloPDF: Living Sao Paulo

ConceptConcept Adaptation To the enviormentLocationLocationSao Paulo, BrazilEvolutionEvolutionAA, University Japon

The concern about the imminent crisis facing the megalopolis of Shanghai (which trans-lates as ‘City of the Sea’) – its rising sea levels. This condition is exacerbated by the insatiable demand for land that causes ur-ban densifi cation. Design proposal negoti-ate the paradoxical dynamic forces of urban development and environmental change. We investigate the approach to the urban-ism within the context of Shanghai, one of the world’s most rapidly growing, emblematic twenty-fi rst century cities, as a infraestucture-buiding. Where the wheather and the actual political environment play an important roll.

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1.HUG THE EXISTING THEATRE 1.HUG THE EXISTING THEATRE The idea is fi rst of all hug the ex-isting theatre to transform the intervention in a compact act.

2.ANSWER TO THE EXISTING 2.ANSWER TO THE EXISTING AREAAREAThe track of land is situ-ated in a confl icting area be-

3.CONEXION WITH THE DIFFER-3.CONEXION WITH THE DIFFER-ENT AREAS ENT AREAS The main square is designed by the conection to the different ar-eas and the response to the limits.

4.TWO SQUARES AT DIFFERENT 4.TWO SQUARES AT DIFFERENT HIGHT HIGHT The different unevenness between all the roads that reach to the track of land defi ned two public squares.

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SeccionSeccion

Principal AccessPrincipal Access

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COLLECT COLLECT WATERWATER

Collect the water from all the roof, recycling that in a natural process by keeping that in a fragant reservoir. After it will be use in a close process to have water the garden.

Big mass of vegetation that acclimatize the interior.

Warm-Refresh the atmosphere by different methods.

Cross Ventilation which permit the atmosphere be nice along all the year.

WATERVEGETATIONROOTSROCKSWATER REPELLENT

PIPESSANDWATER REPELLENT

CROSS CROSS VENTILATIONVENTILATION

GREEN GREEN GARDENGARDEN

REFRESH REFRESH THE SPACETHE SPACE

RECYCLINGRECYCLING AROMATIC AROMATIC AREAAREA

REFRESH REFRESH AMBIENTAMBIENT

WATERINGWATERING

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Facade ConcepFacade Concep

Facade DetailsFacade Details Facade GeneralFacade General

Interior: Reflexion VegetacionInterior: Reflexion Vegetacion

Exterior: Transparenci VegetacionExterior: Transparenci Vegetacion

Highway: Reflexion-symbolHighway: Reflexion-symbol

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WEDDING LAS VEGASWEDDING LAS VEGAS

ConceptConcept Marriage = PathLocationLocationLas VegasUniversityUniversityUEM, Madrid

The project is conducting a series of cha-pels located in Las Vegas, combining with other tasks. I proposed a tour that stops at tour that stops at all the steps that include a weddingall the steps that include a wedding through a propeller where the ramp up and down er-ratically widening depending on the applica-tion of its hosts. This ramp is made of con-crete, to contrast with this massive sculpture is designed a envelope made from textile.


The ramp covers every step in a marriage, starting at the bachelor party, groom prepara-tion, wedding, celebration, wedding night or even a cancellation in case it was a night of errors. All uses listed as widening of the ramp that fails to meet. like a process or journey concerned. Access is from an elevation-3.5my goes up as if the earth arose. The “structure” of our deck is achieved by a series of ropes em-phatizing the slight enveloped that covers the building. It also appear a game light depend-ing on the specifi c task develop in that space.

Develop ConcepDevelop Concep

Ramp PathRamp Path

4. Celebration4. Celebration

1. Party1. Party

1. Party

1. Party

2. Chappel

2. Chappel

Principal FloorPrincipal Floor

5. Dormitory5. Dormitory

6. Divorce6. Divorce


URBAN DEVELOPURBAN DEVELOP

ConceptConcept Give back the vegetationLocationLocationValladolid, SpainEvolutionEvolutionUEM, Madrid

The proyect try to answer the contemporary question .”How should we face the new develop of insdustrial s cities in Europe?” The capitals cities are starting to spread abroad. Not too long time ago , there was a large difference between the urban areas and the indrustrial areas, Now-adays these limits is diffuse. Valladolid similar to Europeans cities has develop the industri-als areas . The Three proyects decitions are :

1. Give continuity to the green area where is situaded. 2. Take advantage of the mo-vility and transportation of the city.

3. Join the build-ed and the not builded areaTry to recuperate the build-ed area donating green roofs.

Urban PlanUrban Plan

Urban SectorsUrban Sectors

Residential EstratificationResidential EstratificationIndustrial EstratificationIndustrial Estratification

Grill´s DensityGrill´s Density

CirculationsCirculations

Deformation of the Deformation of the grillgrill

Aereal GardensAereal Gardens


Summer FacadeSummer Facade

Winter FacadeWinter Facade


Detail IDetail IDetail StairsDetail Stairs Detail IIDetail II


Hedera helix Woerner

Macfadyena unguis-cati

ENE FEB MAR ABR MAY JUN JUL AGO SEP OCT NOV DIC

aéreas

FAMILY FLOWERING SHAPE HEIGHT DIAMETER TEXTURE SHADOW

Nyctaginaceae PERENNE 5 lóbulos 20 m TREPADORA MEDIUM MEDIUM

RAIZ

DESCRIPTION

FLOWERING. COLOR INDEX


FAMILY FLOWERING SHAPE HEIGHT DIAMETER TEXTURE SHADOW ROOTS

DESCRIPTION


Bignoniaceae CADUCA 2 folíolos 10-15 M CLIMBING MEDIUM -grandes carnosas


FAMILY FLOWERING SHAPE HEIGHT DIAMETER TEXTURE SHADOW ROOTS

DESCRIPTION


Nyctaginaceae PERENNE ELIPTICA 8 M CLIMBING MEDIUM MEDIUM RAMIFICADA

Bouganvillea Glabra

Facade zoom.Facade zoom. Facade SectionFacade Section..


URBAN DEVELOPURBAN DEVELOP

ConceptConcept Give back the vegetationLocationLocationValladolid, SpainEvolutionEvolutionUEM, Madrid

PANORAMIC PANORAMIC E L E V A T O RE L E V A T O R

NO TOUCH NO TOUCH THE EXIST-THE EXIST-ING BUILDINGING BUILDING

SELECT THE SELECT THE I N T E R E S T -I N T E R E S T -ING POINT ING POINT OF VIEWOF VIEW

KEEP THE KEEP THE E X I S T I N G E X I S T I N G B U I L D I N GB U I L D I N G

1

2

3

4

The proyect try to answer the contemporary question .”How should we face the new develop of insdustrial s cities in Europe?” The capitals cities are starting to spread abroad. Not too long time ago , there was a large difference between the urban areas and the indrustrial areas, Now-adays these limits is diffuse. Valladolid similar to Europeans cities has develop the industri-als areas . The Three proyects decitions are :

1. Give continuity to the green area where is situaded. 2. Take advantage of the mo-vility and transportation of the city.

3. Join the build-ed and the not builded areaTry to recuperate the build-ed area donating green roofs.


WORKSHOP BERLIN AEDES

Concept: Sewing Berlin LocationBerlin. AEDESOrganizationUEM - AEDES

Urban Plan.Urban Plan.

The project is located in shore river spree overKreuzberg neighborhood. Kreuzberg is a cos-mopolitan area bounded by the river spree in the east. There is a wide range of uses in the area but there wasn’t any connection be-tween them. The proposal is to saw an itiner-ary in the city of Berlin as a way to connect all these spaces. A walk on the river side.

Resears based in how the city is divided and the historic events hap-pend in Berlin. Is important to know in this city all the historics event, because is still in the mind of all the citiziens. walking or talking with the people you can also see how the feel and even the try not to talk about all the nazisim. It is amathing that a guide explaning us The His-tory of Berlin step by step he also elluded Hitler and what it meant.Berlin is subdivided into twelve boroughs (Bezirke), but before Ber-lin’s 2001 administrative reform there were 23. Each borough is subdivided into a number of localities (Ortsteile), which represent the traditional urbanized areas that inhabitants identify with. Some of these have been rearranged several times over the years. At

present the city of Berlin consists of 95 such localities. The locali-ties often consist of a number of city neighborhoods (usually called Kiez in the Berlin dialect) representing small residential areas.

Each borough is governed by a Borough Council (Bezirksamt) con-sisting of fi ve Councilors (Bezirksstadträte) and a Borough May-or (Bezirksbürgermeister). The Borough Council is elected by the Borough Assembly (Bezirksverordnetenversammlung). The bor-oughs of Berlin are not independent municipalities. The power of borough governments is limited and subordinate to the Sen-ate of Berlin. The borough mayors form the Council of Mayors.

Weaving Berlin

WORKSHOP BERLIN AEDESWORKSHOP BERLIN AEDES

ConceptConcept: Sewing BerlinLocationLocationBerlin. AEDESOrganizationOrganizationUEM - AEDES


The walk has a beginning and an end. Starting in the junction of roads and ailway track in Jannowitzbrücke continuing between the river and the east side gallery passing by several points. The own itinerary conforms the spac-es and the street furniture using change of scale. The idea is to reuse exist-ing spaces, not to destroy them in order to improve communication between public spaces . Our inspiration is the river, the relation between the river and the society. Sawing over Spree river unraveling the limits through out urban landscapes.


WORKSHOP Shangay

Concept: New Meaning of Infraestrucure LocationShangay, AAOrganizationAA, University Japon

The concern about the imminent crisis facing the megalopolis of Shanghai (which trans-lates as ‘City of the Sea’) – its rising sea levels. This condition is exacerbated by the insatiable demand for land that causes ur-ban densifi cation. Design proposal negoti-ate the paradoxical dynamic forces of urban development and environmental change. We investigate the approach to the urban-ism within the context of Shanghai, one of the world’s most rapidly growing, emblematic twenty-fi rst century cities, as a infraestucture-buiding. Where the wheather and the actual political environment play an important roll.


Urban StudyUrban Study

Access. Conexions CityAccess. Conexions City Connection PointsConnection Points Intertitial PointsIntertitial Points

WORKSHOP ShangayWORKSHOP Shangay

ConceptConcept: New Meaning of Infraestrucure LocationLocationShangay, AAOrganizationOrganizationAA, University Japon


CENTRO DCENTRO DEPORTIVO MONTECARMELOEPORTIVO MONTECARMELO

Competition 1st Prize 2003LocationLocationMadridArchitectsArchitectsNieto Sobejano Arquitectos S.L.P.

As a rare exception to the predominantly uniform, repetitive sites that derive from the urban models being developed in Ma-drid’s new suburbs, the municipal land set aside for sports usage in this competition had a striking topography and locationstriking topography and location which had to define the strategy for our project. A tennis and racket sports centre cohabits with a large gymnasium and a thermal area, as well as another series of facilities: outdoor pool, ser-vice buildings and car parks. The terraces, in the manner of horizontal strata, create a sequence in which the various N-S tracks alternate their positions in accordance with their features.

Section. Gym BuildingSection. Gym Building

Ground Flor.Gym BuildingGround Flor.Gym Building


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MERCADO TEMPORAL BARCELÓMERCADO TEMPORAL BARCELÓ

Competition 1st Prize 2007LocationLocationMadridArchitectsArchitectsNieto Sobejano Arquitectos S.L.P.

The temporal market is part of a great project which is going to tranform the centre of Madrid. The temporal construc-tion is builded while the final project is finished. It is thinked as an urban recy-urban recy-clable instalation transforming the ac-clable instalation transforming the ac-tual area.tual area. Six volumenes are desingned thus the necessity of several different markets. The desing respect the urban area where is located. It is presented as a city´s torch lighting the square. Af-ter The new final market is finished , this will be take apart and the differents part will be rehused in another situation.


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Facade: Historical SquareFacade: Historical Square

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Marta Torrecillas. Be different

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