Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5...

49
© Munzner/Möller Marks + Channels Visualization Torsten Möller

Transcript of Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5...

Page 1: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Marks + Channels

VisualizationTorsten Möller

Page 2: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Overview• Marks + channels• Channel effectiveness

– Accuracy– Discriminability– Separability– Popout

• Channel characteristics– Spatial position– Colour– Size– Tilt (angle)– Shape (glyph)– Stipple (texture)– Curvature– Motion 2

Page 3: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller 3

Readings• Munzner, “Visualization Analysis and Design”:

– Chapter 5 (Marks and Channels)• Colin Ware:

– Chapter 4 (Color)– Chapter 5 (Visual Attention and Information that Pops

Out)• The Visualization Handbook:

– Chapter 1 (Overview of Visualization)• Additional (background) reading

– J. Mackinlay: Automating the design of graphical presentations of relational information. ACM ToG, 5(2), 110-141, 1986

Page 4: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Marks + Channels• Mark: basic graphical element / geometric primitive:

– point (0D)– line (1D)– area (2D)– volume (3D)

• Channel: control appearance (of a mark)– position– size– shape– orientation– hue, saturation, lightness– etc. 4

Page 5: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

According to Bertin ...

Position

Size

(Grey)Value

Texture

Color

Orientation

ShapeSemiology of Graphics [J. Bertin, 67]

Points Lines AreasMarks

Cha

nnels

5

Page 6: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Stolte / Hanrahan

“Polaris: A System for Query, Analysis and Visualization of Multi-dimensional Relational Databases”, Chris Stolte and Pat Hanrahan

6

Page 7: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Progression

7

Page 8: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller Based on slide from Mazur

Channel types: Where / What

8

Page 9: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

What vs. How Much channels• What: categorical

– shape– spatial region– colour (hue)

• How Much: ordered (ordinal, quantitative)– length (1D)– area (2D)– volume (3D)– tilt– position– colour (lightness) 9

Page 10: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Mark types

• tables: item = point• network: node+link• link types:

– connection: relationship btw. two nodes– containment: hierarchy

10

Page 11: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Expressiveness + Effectiveness

• expressiveness principle:– visual encoding should express all of, and

only, the information in the dataset attributes– lie factor

• effectiveness principle:– importance of the attribute should match the

salience of the channel– data-ink ratio

11

Page 12: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller 12

Effectiveness of Mappings

• Effectiveness according to neurophysiology

• Cells in Visual Areas 1 and 2 differentially tuned to each of the following properties:– Orientation and size (with luminance)– Color (two types of signal)– Stereoscopic depth– Motion

Page 13: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller 13

Page 14: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

[Mackinlay, Automating the Design of Graphical Presentations of Relational Information, ACM TOG 5:2, 1986]

Mackinlay’s Retinal Variables

14

Page 15: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Effectiveness -- Accuracy

• perceptualjudgementvs. stimulus

• Weber’s law: S = In

15

Page 16: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Effectiveness -- Discriminability

• how many colours can I tell apart?

• how many levels of grey etc.

• Ex: line width

16

Page 17: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Effectiveness -- Separability

• separable vs. integral channels

17

Page 18: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller 18

According to Ware ...• Integral display dimensions

– Two or more attributes perceived holistically

• Separable dimensions– Separate judgments about each

graphical dimension• Simplistic classification, with a large

number of exceptions and asymmetries

More integral coding pairs

More separable coding pairs

[C. W

are,

Info

rmat

ion

Visu

aliza

tion]

Page 19: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Popout - Preattentive processing

• parallel (visual processing)

19

Page 20: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Overview• Marks + channels• Channel effectiveness• Channel characteristics

– Spatial position– Color

• visual system• color models• color deficiency

– Size– Tilt (angle)– Shape (glyph)– Stipple (texture)– Curvature– Motion 20

Page 21: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Channels

• Spatial position: most effective for all data types (remember the power of the plane)

• Size: ‘how much’, interacts with others• Shape/Glyph: ‘what channel’• Stipple/texture: less popular today• Curvature• Motion: large popout effect

21

Page 22: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Spatial position

22

2.05D

Page 23: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Colour

23

Page 24: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

Visual System

Page 25: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

The eye and the retina

Page 26: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Retina detectors• 1 type of monochrome

sensor (rods)– Important at low light

• Next level: lots of specialized cells– Detect edges, corners,

etc.• Sensitive to contrast

– Weber’s law: DL ~ L

Page 27: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Retina detectors

• 3 types of color sensors - S, M, L (cones)– Works for bright light– Peak sensitivities located at approx. 430nm,

560nm, and 610nm for "average" observer.– Roughly equivalent to

blue, green, and redsensors

Page 28: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Color Opponency

C. Ware, “Visual Thinking for Design”28

Page 29: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

Color Models

Page 30: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

RGB Color Space

• Additive system• Colors that can be

represented by computer monitors

• Not perceptually uniform

C. Ware, “Visual Thinking for Design”

Red

Green

White

Yellow

Blue

Cyan

Black

30

Page 31: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

HSL Color Space• Hue - what people

think of color• Saturation - purity,

distance from grey• Lightness - from

dark to light• Not perceptually

uniform

wikipedia.org 31

Page 32: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Lab Color Space• Perceptually uniform• L approximates

human perception of lightness

• a, b approximate R/G and Y/B channels

• a, b called chroma

CIELAB 1976 32

Page 33: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Luminance, Saturation, Hue• Luminance

– How-much channel– discriminability: ~2-4 bins – contrast important

• Saturation– How-much channel– discriminability: ~3 bins

• Hue– What channel– discriminability: ~6-12

33

Page 34: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Ordered Data• Luminance

• Saturation

• Brightness

• Rainbow is a learned order!

Page 35: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

Thanks to Moritz Wustinger

Page 36: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

Thanks to Moritz Wustinger

Page 37: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

Thanks to Moritz WustingerSmiley based on http://upload.wikimedia.org/wikipedia/commons/b/bd/A_Smiley.jpg

Page 38: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

Thanks to Moritz Wustinger

Page 39: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

Color deficiency

Page 40: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Model “Color blindness” • Flaw in opponent processing

– Red-green common (deuteranope, protanope)– Blue-yellow possible (tritanope -- most common)– Luminance channel almost “normal”

• 8% of all men, 0.5% of all women• Effect is 2D color vision model

– Flatten color space– Can be simulated (Brettel et. al.)– http://colorfilter.wickline.org– http://www.colblindor.com/coblis-color-blindness-

simulator/ 40

Source: M. Stone

Page 41: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Color Blindness

DeuteranopeProtanope TritanopeNo M cones No L cones No S cones

Red / green deficiencies

Blue / Yellowdeficiency

41

Source: M. Stone

Page 42: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Color-Blindness

Normal Protanope Deuteranope Lightness42

Source: M. Stone

Page 43: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Overview• Marks + channels• Channel effectiveness• Channel characteristics

– Spatial position– Color

• Other channels:– Size– Tilt (angle)– Shape (glyph)– Stipple (texture)– Curvature– Motion 43

Page 44: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller 44

Page 45: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Relativ vs. absolute judgement

• Weber’s law says that everything is relative, i.e. the “intensity” depends on the background signal

45

Page 46: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Relativ vs. absolute judgement

• Weber’s law says that everything is relative, i.e. the “intensity” depends on the background signal

46

Page 47: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

© Munzner/Möller

Relativ vs. absolute judgement

• Weber’s law says that everything is relative, i.e. the “intensity” depends on the background signal

47

Page 48: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention
Page 49: Marks and Channels - univie.ac.atvda.univie.ac.at/.../05_marks_and_channels.pdf · – Chapter 5 (Marks and Channels) • Colin Ware: – Chapter 4 (Color) – Chapter 5 (Visual Attention

49http://de.wikipedia.org/wiki/Optische_Täuschung