Marcinkiewicz mouthpieces

8/18/2019 Marcinkiewicz mouthpieces

1/24

Put Your Money

Where Your Mouth Is™ J.M.

Mouthpiece Product Guide

For

All Brasswind Instruments

593 S.E 1st Avenue • Canby, Oregon 97013

Ph. 503-263-2456 Fax 503-263-2484 email:[email protected]


2/24

The Marcinkiewicz Company Philosophy

Our goal is to offer players the best quality mouthpiece at each and every stage of their growth: first as a student

and throughout their career as a professional musician.

Because the facial structure of young students change as they mature, our line of mouthpieces is carefully gradu-

ated, allowing students to progress more quickly (and enthusiastically!) as they find the correct "fit" for their

changing anatomy. Now players have the means to progress in logical, gradual increments to find the correct

mouthpiece for their unique needs.

Display Screen of our CNC lathe

In order to offer the highest quality product available for both students and

professionals, we have integrated the most sophisticated computer tech-

nology with "old-world" craftsmanship. There is no difference in quality

between our student and professional mouthpieces. Our state of the art

computerized cutting lathes assure that the quality of design as well as the

precise reproduction of every Marcinkiewicz mouthpiece is exact. This is

truly a first. We measure our mouthpieces precisely to the thousandths of

an inch. We do not use approximations or fractions, but precise figures.

"Our commitment is to quality and consistency- guaranteed* every time." J.M

At the Marcinkiewicz Company, our philosophy is:

1) Quality We produce the best quality mouthpiece in the world today. There is a and difference

between saying you are the best and being the best. Our Precision customers demand

it, so we give it. Our reputation of quality and precision speaks for itself. We put our

money where your mouth is.

2) Efficiency Our innovative cup and venturi designs have been proven to be more responsive,

allowing the player to use less effort, enhancing intonation, sound and performance.

3) Choice Choose a mouthpiece that fits comfortably and gives you the best results.

Marcinkiewicz gives you a choice in logical order and sizes, and our large selection

allows you to select the proper fit. A mouthpiece does not have to hurt to be viable, so

the choice is yours.

We invest in maintaining the highest quality of manufacturing. The mouthpiece technician's job is to give the player

the best possible mouthpiece. All of the mouthpiece manufacturers have something to offer and that benefits you. The

choice belongs to the players. We are here to help you. Just remember to play what is best for you.

"Put your money where your mouth is!"™ - Joseph W. Marcinkiewicz




3/24

About this Catalog

You may notice that the format of this catalog is different from other mouthpiece catalogs. In lieu of offering a description

of each individual mouthpiece, we offer detailed specifications and a definition of each part of the mouthpiece so you, the

student, educator, and player, can determine for yourself what mouthpiece is appropriate for your fit and application.

Because of the nature of this format, this catalog can be used as a general reference for all brasswind mouthpieces, regard-less of manufacturer.

Our standard mouthpieces come with our modified C/V-cup. Our Designer/Signature models vary where the requirements

of the artist took precedence.

And for the players that have grown accustom to conventional mouthpieces, we also offer several mouthpieces that have

the same interior dimensions that are of “”classic” designs. (These are shaded gray in the comparison column in the

specification charts.) Marcinkiewicz offers these "classic" mouthpieces using our state of the art manufacturing tech-

niques with the same quality that goes into every Marcinkiewicz product.

Custom Mouthpieces

Mr. Marcinkiewicz making

a custom mouthpiece.

For players that have special needs, Marcinkiewicz Co. offers custom brasswind

mouthpieces. Mr. Marcinkiewicz is available for consultation to help clients

determine exactly what they desire in a mouthpiece. Designing a mouthpiece

involves both Mr. Marcinkiewicz and the client. We take great care to ensure that

the customers get what they want. The ultimate designer of a custom mouthpiece

is the player that commissions it. Although custom mouthpieces are the ultimate

choice, we recommend trying stock equipment first. Remember, the choice is

yours. We can create custom mouthpieces for any brasswind instrument, anything

from cornetto to mellophone, hunting horn to peck horn.

© Copyright 1998, Marcinkiewicz Co. All rights reserved.

No part of this document may be published without written permission.

Catalog Design by Marcinkiewicz Co.




4/24

OUTSIDE DIAMETER and RIM WIDTH

These two features are determined simply by whatfeels comfortable to the player. A mouthpiece should

not have to hurt to be playable.

A deeper cup offers a darker sound and a shallower cup offers a brighter sound. Our modified C/V-cup mouthpieces can

be shallower and still give the player more flexibility and versatility verses the C-cup or V-cup alone. Again, this situation

is because the modified C/V-cup is more efficient.

Cup depth alone does not always dictate the sound quality. The overall shape of the cup factors in greatly. You may find

mouthpieces in this catalog that have similar dimensions (inside cup diameter, outside cup diameter and depth) but play

completely differently. Generally, this is due to a variation in cup shape. It is possible for a mouthpiece that has a shal-

lower cup than another mouthpiece (again, with same rim dimensions) to have greater overall cup volume than the deeper

mouthpiece, due to the contours of the cup. (See example figure A)

For example, our No.308/11/2C is shallower than a normal C-cup 11/2C. This allows us togive the sound of a 11/2C while increasing the efficiency. Efficiency is the ability of the

mouthpiece to offer quicker response. Remember, when discussing terms of deeper or

shallower that differences may be subtle. In this example, the difference is only a few

thousandths of an inch. (No. 308/11/2C has a cup depth of .471 in. vs. .474 in. Cup depth of

our E1.)

RIM FACING or CONTOUR

This feature is determined strictly by the lip size and

teeth of the individual.

INSIDE CUP DIAMETERAgain, this is a critical part of the mouthpiece be-

cause it interfaces with the inner edge to insure

proper fit and control. The size is again determined

by the lips and teeth of the player.

The cup reflects the player's choice for quality of sound by both depth and shape. There are three basic

types of cups: C-cup, V-cup and the Marcinkiewicz modified C/V-cup. A C-cup offers the player a

darker sound. A V-cup offers efficiency. Our modified C/V-cup can offer the darker sound of a C-cup

with the efficiency of a V-cup. The air stream is channeled through the center of our uniquely designed

cup and venturi, through the backbore and directly into the horn to produce the desired sound. In short,

the modified C/V-cup is easier to play. There is a difference between a C-cup and a V-cup and not every player can play

both. The C/V-cup offers more choice to a wider range of players.

Anatomy of a Mouthpiece

INNER EDGE

The detail of this feature is most critical as it should

not be so sharp that it cuts the flesh, yet not so

rounded that there is no bite. Bite is defined as the

ability to hold the mouthpiece to the lips without

excess pressure, and still feel comfortable.



figure A

CUP


5/24

MEASUREMENT - INSIDE CUP DIMENSIONSThe inside cup dimension measurement is a critical piece of infor-

mation any mouthpiece and the consistency and accuracy of the

measurement is vital for the player. An accurate and consistent

measurement allows a player to know exactly at what dimension is

employed and a baseline for adjustments. We measure our trumpet, cornet, flugelhorn

and French horn mouthpieces at .032 in. from the top of the rim to a consistent point.

Tenor trombone, bass trombone and euphonium mouthpieces are measured .047 in.

from the top, tuba and sousaphone mouthpieces .064 in. from the top. Fractions orapproximations do not work the same way. (See example figure B)

For example, our No.308/11/2C trumpet mouthpiece and the No.E1 both compare to a 11/2C, but have different inside

bites*. This is very hard to detect by the naked eye. The precision of our measurements allows the difference to be

evident. We took the guess work out.

The most frustrating issue for a player is to find a replacement of a favored mouthpiece due to loss or damage. Often

the new mouthpiece is not like the original at all. Accurate and consistent measurement is a baseline, so you know

what you are getting. "Without this baseline the process becomes a search that may have no end due to inconsistent

information." J.M.

*See spec sheet

THROAT ENTRANCE

This is another critical area of the mouthpiece. The entrance determines how smoothly the air moves

from the cup through the venturi or drill. If the entrance is too sharp it creates more resistance. If the

entrance is more open it creates less resistance. By applying the correct taper the efficiency of the

mouthpiece is improved further. Hence, the modified C/V-cup.

VENTURI (also known as Throat or Drill)

Generally, the size of the opening determines the amount of air the player can to put through the

instrument. Standard for a trumpet is a 27 or .144 in., trombone is an A or .234 in., and tuba is N or

.302 in. There are a wide variety of throat sizes aside from these standards. See the Venturi Drill char

for other sizes in each category.

BACKBORE

Perhaps the second most critical area of a mouthpiece, the backbore either spreads the sound or

channels it depending on how tight or open the design. The backbore influences the color, nuance and

timbre of the mouthpiece. If you put a large backbore with a large cup mouthpiece the result will be a

very warm, compassionate mouthpiece with feeling and depth of sound. The same mouthpiece with a

tighter backbore will focus the sound that is being created, equalizing the lower end and accenting the

upper end of upper harmonics. Our backbore designs enhance the player's ability to move easily

throughout all registers of the instrument with uniformity of timbre and feel. Please note that the

SHANK

We use a standard Morse taper. We make the Morse taper exact at .050" per inch -No more and noless! Please note, if your mouthpiece goes all the way in and touches the lead pipe it creates less

resistance. There is a danger that the lead pipe will flair creating a burr resulting in resistance in the

wrong place.

If the mouthpiece does not go in far enough and is more than a quarter inch away from the lead pipe,

too much resistance is produced. This causes an undesirable sound for certain notes.



figure B


6/24

Standard Trumpet Mouthpieces

Our standard trumpet mouthpieces are arranged in a logical ascending

order from deep to shallow and wide to narrow (No.0 to No.15). This

arrangement permits players to select mouthpieces by precise increments

of depth to find the correct cup volume required by their situation. For

example, if a No.7 trumpet mouthpiece is too deep and a No.10 too

shallow, a No.8 or No.9 may be the best logical choice. (This is not true

for other manufacturers. With Marcinkiewicz you do have a choice in

logical sizes.) Note that No.6 - No.10 are similar to a Bach 101/2C.

The comparison column on this chart (and all charts in the catalog) offers

rough comparisons to standard sizes. We are not offering copies of otherbrands in this series, but similar items using our own designs. The com-

parisons are given for casual references only.

For identification purposes, some of our numbers have a slash (/) and a

reference after it. These are references to standard sizes. We provide them

to make it easier for the customer to make a selection. For example, a

No.4/7C is our number 4 and is most similar to a standard 7C. Other

configurations of rim size and cup depth can also offer similar compres-

sion.

Please note that all standard trumpet mouthpieces, except for custom or

the Designer/Signature models, are available in cornet. In addition, mod-

els No.0 - No.15 are available with an "S" (symphonic) backbore. This

backbore broadens the sound offering a richer, darker tone.

Choice

in

Logical

Sizes

Choice

in

Feel

Choice

inSound

"At Wigan Youth Jazz Orchestra we pride ourselves with offering our pupils the best possible educa-

tion. Wherever possible this includes providing the best instruments and equipment available.

In 1986 Bobby Shew introduced me to Marcinkiewicz Mouthpieces. The help and advice that I

subsequently received from Joe Marcinkiewicz on mouthpiece design and selection has had a pro-

found and direct effect on the sound of Wigan Youth Jazz Orchestra. For the individual players, the

search for the RIGHT mouthpiece is over. They can now spend their time and effort on MAKINGMUSIC!!"

"We are proud to say that the brass section of the Wigan Youth Jazz Orchestra choose to play on

Marcinkiewicz Mouthpieces and as a result we can feel and hear the difference."

- Ian Darrington - Musical Director, Wigan Youth Jazz Orchestra, Lancashire, Great Britain




7/24

Standard Trumpet Mouthpieces

* Piccolo Trumpet mouthpieces are also available with Cornet shank



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8/24

Designer/Signature/

“Classic”/Trumpet MouthpiecesThese mouthpieces are made to each specific player's

specifications. Measurements such as inner diameter,

venturi, etc., are not arranged systematically, how-

ever this line is also numbered progressively by cup

depth from deep to shallow.Each of our endorsees chose a Marcinkiewicz Designer/Signature Mouthpiece

because of their belief in the product. Each of these mouthpieces were de-

signed for a specific player at a specific point in time. Many play our mouth-

piece exclusively.

Designer/Signature models are available in flugelhorn and cornet as a special

order only. Custom mouthpieces are also available upon request.

“The best thing

I've put to mychops”Scott Englebright,

Lead Trumpet

Maynard Ferguson &

Big Bop Nouveau

Plays Marcinkiewicz E14

Gray shaded represent comparisons of “classic” models.



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9/24




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mm65.62

.ni546.0

mm08.51

.ni163.0

mm48.8

.ni741.0

mm37.3

.ni054.3

mm36.78

muideM

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eklihcS

A4A31

*** S01G .ni070.1

mm81.72

.ni866.0

mm79.61

.ni353.0

mm79.8

.ni041.0

mm65.3

.ni054.3

mm36.78

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S01

*** WS01G .ni590.1

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mm79.61

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mm79.61

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mm36.78

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S01

“I recently changed to your Al Vizzutti (E12) mouthpiece. It is great! I didn't think I'd be able to handle a largeinner diameter like this, but I adapted immediately and had no down time. Articulation, quality of sound, and

general ease of playing improved at once, along with getting a very strong lead trumpet sound. I am also able to

get a very warm, rich relaxed sound for jazz playing. It is great to get all (these sounds) on one mouthpiece.”

-Paul Von Adam,

Kenton Band Alum, Conductor, Educator,

Accomplished big band, show, recording, TV and

commercial Trumpet Player -Brandon, FL


10/24

The “300” Series Trumpet Mouthpieces Important Educator Information

As a woodwind player's embouchure becomes more developed, the

necessary strength of the reed will change from weak to strong. If stu-dents use a reed that is too hard or too soft, they will have trouble playing

certain notes. Woodwind players have always had a logical choice of

reeds to help them make the proper choice for their playing needs. Now

the same holds true for developing brass players, and their selection of

appropriate mouthpieces. Like woodwind players, brass players' embou-

chures develop with experience and time. After discussing this problem

with numerous educators, our “”300” Series was developed not only for

the student, but as a tool for the educator, to resolve real problems for

growing students.

Developed specifically with the student in mind, (although many profes-

sionals use them as well), these mouthpieces offer the same rim (similarto a 3C *) on 15 different cup depths, graduated at .006 in. intervals, (the

equivalent to the thickness of two human hairs.), from deepest (No.301)

to shallowest (No.315), allowing the developing player to find optimal

response from a mouthpiece with the same rim. For example, if a No.307

is too deep and a No.312 too shallow, the No.309 or No.310 may be the

appropriate fit. Please note: No.300 has the same cup depth as the No.301

with an expanded cup diameter.

As players mature, their needs change. This series allows selection to the

next logical cup depth, while maintaining the exact rim dimensions of the

previous choice. The result is a mouthpiece that both feels good to the

player and provides the desired sound instantly, without a frustrating

transition.

The line also includes an “ S” (symphonic) backbore. The benefit to the

player is a richer, darker tone associated with concert bands and orches-

tras.

* This rim was determined by comparing and testing many 3C mouth-

pieces for comfort and best attributes.

“Just wanted to let you know, I think Marcinkiewicz Mouthpieces are truly the best available today. After 40 years

of playing I never thought I'd find a mouthpiece with such superior TONE, COMFORT, SUPPORT and FREE

BLOWING. I cannot believe the difference in my playing.”

“ My students are receiving the same benefits from your product as I am. The difference is immediate. Most seem

to benefit most from something in the '300 Series'. It is very rewarding to see the look on the face of a struggling

student, who is fit properly, discovering the ease of play of one of your mouthpieces. Thanks!”

-Joe L. Luna, Trumpet Player and Private Instructor - San Diego, CA

15 Graduated

Cup Depths

on

Same Rim

Toolfor

Educators

Solution

for

Students




11/24



The “300” Series Trumpet Mouthpieces

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003 .ni090.1

mm96.72

.ni296.0

mm85.71

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mm30.31

.ni441.0

mm66.3

.ni054.3

mm36.78

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103 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni315.0

mm30.31

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

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203 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni705.0

mm88.21

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

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puCBhcaB

303 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni105.0

mm37.21

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCBhcaB

403 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni594.0

mm75.21

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCBhcaB

503 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni984.0

mm24.21

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCBhcaB

603 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni384.0

mm72.21

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCChcaB

703 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni774.0

mm21.21

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCChcaB

C2 / 11 / 803 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni174.0

mm69.11

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCChcaB

903 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni564.0

mm18.11

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCChcaB

013 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni954.0

mm66.11

.ni441.0

mm66.3

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mm36.78

muideM

dnuoR

puCChcaB

113 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni354.0

mm15.11

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCEhcaB

213 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni744.0

mm53.11

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCEhcaB

313 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni144.0

mm02.11

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCEhcaB

413 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni534.0

mm50.11

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCEhcaB

513 .ni180.1

mm64.72

.ni776.0

mm02.71

.ni924.0

mm09.01

.ni441.0

mm66.3

.ni054.3

mm36.78

muideM

dnuoR

puCEhcaB


12/24

Designed for the player whose needs are not met elsewhere, these mouth-

pieces affords enhanced projection, even timbre from ppp to fff, and the same

great intonation throughout all registers that Marcinkiewicz mouthpieces are

famous for.

Pro-Line Concert Hall™ mouthpieces have a unique exterior design that

offers optimal nodal enhancement by placing integral vibration dampers in

specific, calculated areas. The net result is a mouthpiece that gives an

extremely stable center of pitch, allows unprecedented dynamic levels

without distortion and provides a rich, dark symphonic sound without the

additional mass of a conventional heavy wall mouthpiece.

Pro-Line Concert Hall™ mouthpieces can be custom fitted to suit your

needs.

Pro-Line Concert Hall™ mouthpieces are optimized to give the player thebest efficiency possible without compromise.

All Pro-Line Concert Hall™ mouthpieces are special order and custom

work is available upon request. They are optimized for Bb trumpets, but will

function on cornet, flugelhorn and other keyed instruments.

Dark Symphonic

Sound

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1A .ni090.1

mm96.72

.ni296.0

mm85.71

.ni315.0

mm30.31

.ni941.0

mm87.3

.ni054.3

mm36.78

muideM

dnuoR

B1hcaB

1-1BettenoM

3A .ni090.1

mm96.72

.ni296.0

mm85.71

.ni105.0

mm37.21

.ni941.0

mm87.3

.ni054.3

mm36.78

muideM

dnuoR

1hcaB

1krotS

5A .ni090.1

mm96.72

.ni296.0

mm85.71

.ni984.0

mm24.21

.ni941.0

mm87.3

.ni054.3

mm36.78

muideM

dnuoR

C1hcaB

5-1BettenoM

1B .ni280.1

mm84.72

.ni786.0

mm54.71

.ni315.0

mm30.31

.ni941.0

mm87.3

.ni054.3

mm36.78

muideM

dnuoR

X1hcaB

B2krotS

3B .ni280.1

mm84.72

.ni786.0

mm54.71

.ni105.0

mm37.21

.ni941.0

mm87.3

.ni054.3

mm36.78

muideM

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C4 / 11hcaB

2BettenoM

5B .ni280.1

mm84.72

.ni786.0

mm54.71

.ni984.0

mm24.21

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mm87.3

.ni054.3

mm36.78

muideM

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C2 / 11hcaB

C2krotS

1C .ni180.1

mm64.72

.ni776.0

mm02.71

.ni315.0

mm30.31

.ni941.0

mm87.3

.ni054.3

mm36.78

muideM

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B3krotS

4BettenoM

3C .ni180.1

mm64.72

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mm02.71

.ni105.0

mm37.21

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mm87.3

.ni054.3

mm36.78

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.ni776.0

mm02.71

.ni984.0

mm24.21

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mm87.3

.ni054.3

mm36.78

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C3hcaB

6BettenoM



Pro-Line Concert Hall™

Trumpet/Cornet/Flugelhorn

Mouthpieces (pat. Pending)


13/24

Cornet Mouthpieces

The rims and cups in the Standard and the “ 300” Series cornet line are identical to those inthe trumpet line with the same number*. A No.4/7C trumpet mouthpiece has the identical rim

and cup as a No. 4/7C cornet mouthpiece. Please note, the cornet mouthpieces have a larger

throat (#26), which allows more air through the instrument for a darker, richer cornet sound.

The No.0 to No.15 are also offered with an "S" (symphonic) backbore.

These mouthpieces are also numbered in the logical deep to shallow progression to offer

optimum choice.

*Any Designer / Signature model in cornet is a special order custom mouthpiece.

Rich

Cornet

Sound

“I purchased an E3/3C from you recently. I love it”

“I have a 1/5B and I really love it too. I think you make one of the finest products out there, and I've

played them all. Keep making a product that I can always rely on.”

Phil Aucutt, Trumpet Player, University of Wisconsin Marching Band - Madison, WI

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S-51

EMAS SA TEPMURT .ni741.0

mm37.3

.ni008.2

mm21.17

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tepmurT

513-003 EMAS SA TEPMURT .ni741.0

mm37.3

.ni008.2

mm21.17

muideM

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tepmurT

W*5 .ni540.1

mm45.62

.ni066.0

mm67.61

.ni826.0

mm59.51

.ni451.0

mm19.3

.ni054.2

mm32.26

muideM

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sinneD

5kciW

WX5 .ni560.1mm50.72

.ni086.0mm72.71

.ni826.0mm59.51

.ni451.0mm19.3

.ni054.2mm32.26

muideMdnuoR

5kciW.DmiRdednapxE

W*4 .ni540.1

mm45.62

.ni676.0

mm71.71

.ni135.0

mm94.31

.ni661.0

mm22.4

.ni054.2

mm32.26

muideM

dnuoR

sinneD

4kciW

WC7 .ni590.1

mm18.72

.ni866.0

mm79.61

.ni084.0

mm91.21

.ni741.0

mm37.3

.ni008.2

mm21.17

muideM

dnuoR

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WC7

C4 / 11 .ni080.1

84.72

.ni786.0

mm54.71

.ni754.0

16.11

.ni741.0

mm37.3

.ni008.2

mm21.17

muideM

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C4 / 11

C3 .ni180.1mm64.72

.ni776.0mm02.71

.ni034.0mm29.01

.ni741.0mm37.3

.ni008.2mm21.17

muideMdnuoR

hcaBC3




14/24

Flugelhorn Mouthpieces

The rim contours of our flugelhorn mouthpieces No.3FL(B/D), No.5FL(B/D) and No.7FL(B/D) are

similar to our standard trumpet line. FLB designations indicates Bright and FLD indicates Dark. The

No.3FLS, No.5FLS and No.7FLS are designed for a players that need more lip (chops) room. The

"300" series (No.303FL, No.305FL and No.307FL) is our largest flugelhorn mouthpieces series andhas the same rim as the Student "300" Series trumpet mouthpieces, allowing the player to use the

same rim on trumpet and flugelhorn. Please keep in mind the No.3, No.5, and No.7 are logically

numbered from largest to smallest in depth.

We also offer models BSFL and BSC FL (Cuenon shank) . The BSFL and BSC FL are not directly

related to the E5, E9.1,E10.3 or E14 trumpet mouthpieces.

All flugelhorn Models (except BSC FL) have a standard flugelhorn shank. Cuenon shanked mouth-

pieces are available by special order.

*Any Designer/Signature model in flugelhorn is a special order custom mouthpiece

Choice

inSize

and

Sound

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mm52.71

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mm98.31

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mm90.4

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mm52.71

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mm98.31

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mm58.96

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LF3

BLF5 .ni960.1

mm51.72

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mm52.71

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mm31.31

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mm58.96

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LF5

DLF5 .ni960.1

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BLF7 .ni860.1

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mm58.96

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mm58.96

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mm58.96

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LF503 .ni180.1mm64.72

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***

LF703 ni180.1

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***

LFSB .ni260.1

mm79.62

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mm47.61

.ni626.0

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mm93.4

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mm46.27

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mm79.62

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noneuC




15/24

Our French Horn Mouthpieces are of a unique design, and are played by some of the most

discerning horn players. These mouthpieces are numbered in a logical progression from wide

to narrow and deep to shallow. These are some of the finest mouthpieces made in the world

today and stand alone as such.

These mouthpieces are also available an "S" (symphonic) backbore.

French Horn Mouthpieces

and Venturi Chart

Please note that we use reamers to manu-

facture our venturies. We do not use drill

bits.

“ Drills can be used for determining

Approximate size, but are inadequate for

manufacturing or modifying any mouth-

pieces.”-J.M.

In our French Horn mouthpiece line, the number of the mouthpiece equals number of the reamer (venturi) size.

Innovative Design

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.ni600.1

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mm97.5

.ni005.2

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3 .ni000.1

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5 .ni000.1

mm04.52

.ni996.0

mm57.71

.ni389.0

mm79.42

.ni602.0

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7 .ni000.1

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.ni479.0

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.ni102.0

mm11.5

.ni005.2

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dnuoR nahtregraL

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9 .ni000.1

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mm85.71

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11 .ni000.1

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dnuoR sakraFnotloH

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31 .ni000.1mm04.52

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.ni749.0mm05.42

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82=.ni041.0 1=.ni822.0 N=.ni203.0

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72=.ni441.0 D=.ni642.0 P=.ni323.0

62=.ni741.0 E=.ni052.0 46 / 12=.ni823.0

52=.ni941.0 F=.ni752.0 S=.ni843.0

42=.ni251.0 G=.ni162.0

32=.ni451.0 H=.ni662.0

02=.ni161.0 K=.ni182.0

91=.ni661.0 L=.ni092.0

81=.ni071.0

71=.ni371.0




16/24

Trombone, Euphonium, &

Bass Trombone Mouthpieces

Our standard trombone and euphonium mouthpieces are arranged on our specification chart in a logica

ascending order from deep to shallow, No.5GW to No.15 in tenor, No.1 to No.8H B.S. / 61/2AL in

bass and No.5G-S to 7G-S in Euphonium/Baritone. As rim size does not directly correspond to cup

depth, please observe inside cup diameter for finding optimal response.

The comparison column on this chart (and all charts in the catalog) offers rough comparisons only. The

comparisons are given for casual references only.

Please note all Euphonium/Baritone mouthpieces come with an "S" (symphonic) backbore. "S"

(symphonic) backbores available in Tenor and Bass Trombone mouthpieces on special order.

Real

ChoiceIn

Size

Gray shaded areas represent comparisons of “ classic”models.



Specify type of shank when ordering * Note: Tenor Trombone models are available in bass shank upon special

order.

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mm55.52

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mm12.92

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mm55.28

hcaB

WG5

G5 .ni835.1

mm70.93

.ni600.1

mm55.52

.ni051.1

mm12.92

.ni162.0

mm36.6

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mm25.08

hcaB

G5

B9

puortSboB

.ni545.1

mm42.93

.ni620.1

mm60.62

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mm17.72

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5

F5 ni435.1

mm69.83

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mm87.52

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mm15.72

.ni752.0

mm35.6

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mm25.08

.ni071.3

mm25.08

LA2 / 16 / H8 .ni435.1

mm69.83

.ni620.1

mm60.62

.ni740.1

mm95.62

.ni662.0

mm67.6

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mm25.08

hcaB

LA2 / 16

E6 .ni435.1

mm69.83

.ni510.1

mm87.52

.ni540.1

mm45.62

.ni052.0

mm53.6

.ni071.3

mm25.08

hcaB

3

G7 .ni435.1

mm69.83

.ni510.1

mm87.52

.ni699.0

mm03.52

.ni162.0

mm36.6

.ni071.3

mm25.08

hcaB

3

8 .ni435.1

mm69.83

.ni120.1

mm39.52

.ni599.0

mm72.52

.ni162.0

mm36.6

.ni071.3

mm25.08

hcaB

4

9 .ni545.1

mm42.93

.ni620.1

mm60.62

.ni679.0

mm97.42

.ni052.0

mm53.6

.ni071.3

mm25.08

LA2 / 16hcaB

01 .ni035.1

mm68.83

.ni999.0

mm73.52

.ni939.0

mm58.32

.ni432.0

mm49.5

.ni071.3

mm25.08

hcaB

C7

11 .ni035.1

mm68.83

.ni000.1

mm04.52

.ni709.0

mm40.32

.ni432.0

mm49.5

.ni071.3

mm25.08

hcaB

C11

21 .ni005.1

mm01.83

.ni889.0

mm01.52

.ni988.0

mm85.22

.ni432.0

mm49.5

.ni071.3

mm25.08

hcaB

C21

C11 .ni025.1

mm16.83

.ni999.0

mm73.52

.ni868.0

mm50.22

.ni432.0

mm49.5

.ni071.3

mm25.08

hcaB

C11

C7 .ni594.1

mm79.73

.ni989.0

mm21.52

.ni768.0

mm20.22

.ni432.0

mm49.5

.ni071.3

mm25.08

hcaB

C7

C21 .ni005.1

mm01.83

.ni889.0

mm01.52

.ni608.0

mm74.02

.ni432.0

mm49.5

.ni071.3

mm25.08

hcaB

C21

51 .ni005.1

mm01.83

.ni889.0

mm01.52

.ni608.0

mm74.02

.ni432.0

mm49.5

.ni071.3

mm25.08

hcaB

C51


17/24

Trombone, Euphonium, & Bass

Trombone Mouthpieces

“I am auditioning a Marcinkiewicz ET-3 Charlie Loper tenor trombone mouthpiece. I am writing to tell

you it is one of the best (if not the best) trombone mouthpieces I have ever had the pleasure of playing. The

response is quite even and open in all registers. The high register is very focused without getting inappro-

priately bright. You have a wonderful product for the brass playing community.”

- Eric Richards, Trombone Player - Crownsville , MD



Because euphonium mouthpiece receivers vary, please specify

manufacturer of euphonium when ordering.

Gray shaded areas represent comparisons of “classic models”

Specify type of shank when ordering.

ssaB

enobmorT

.oNledoM

edistuO

.aidpuC

edisnI

.aidpuC

puC

htpeD

llirD

irutneV

htgneL nosirapmoC

ylno

1 .ni045.1

mm21.93

.ni011.1

mm91.82

.ni832.1

mm54.13

.ni182.0

mm41.7

.ni071.3

mm25.08

G2 / 11

dezisrevO

2 / 11 .ni045.1

mm21.93

.ni690.1

mm48.72

.ni302.1

mm65.03

.ni182.0

mm41.7

.ni071.3

mm25.08

hcaB

G2 / 11

3 .ni045.1

mm21.93

.ni690.1

mm48.72

.ni351.1

mm92.92

.ni182.0

mm41.7

.ni071.3

mm25.08

hcaB

2

G5 .ni835.1

mm70.93

.ni600.1

mm55.52

.ni051.1

mm12.92

.ni162.0

mm36.6

.ni071.3

mm25.08

hcaB

G5

H8

LA2 / 16 / .S.B

.ni435.1

mm69.83

.ni620.1

mm60.62

.ni740.1

mm95.62

.ni662.0

mm67.6

.ni071.3

mm25.08

hcaB

LA2 / 16

muinohpuE

.oNledoM

edistuO

.aidpuC

edisnI

.aidpuC

puC

htpeD

llirD

irutneV

htgneL nosirapmoC

ylno

S-G5 .ni835.1

mm70.93

.ni600.1

mm55.52

.ni051.1

mm12.92

.ni162.0

mm36.6

.ni071.3

mm25.08

hcaB

SG5

S-B9 .ni545.1

mm42.93

.ni620.1

mm60.62

.ni190.1

mm17.72

.ni052.0

mm53.6

.ni041.3

mm67.97

hcaB

5

S-F5 .ni435.1

mm69.83

.ni510.1

mm87.52

.ni380.1

mm15.72

.ni752.0

mm35.6

.ni071.3

mm25.08

hcaB

3

S-H8 .ni435.1

mm69.83

.ni620.1

mm60.62

.ni740.1

mm95.62

.ni662.0

mm67.6

.ni071.3

mm25.08

LA2 / 16hcaB

S-E6 .ni435.1mm69.83

.ni510.1mm87.52

.ni540.1mm45.62

.ni052.0mm53.6

.ni071.3mm25.08

hcaB3

S-G7 .ni435.1

mm69.83

.ni510.1

mm87.52

.ni699.0

mm03.52

.ni162.0

mm36.6

.ni071.3

mm25.08

hcaB

3


18/24

Designer/Signature Trombone

& Bass Trombone Mouthpieces

Designed

for

Demanding

Situations

These mouthpieces are made to each specific player's specifications. Measurements such

as inner diameter, venturi, etc., are not arranged systematically, however this line is also

numbered progressively by cup depth from deep to shallow.

Each of our endorsees chose a Marcinkiewicz Designer/Signature Mouthpiece because of

their belief in the product. Each of these mouthpieces were designed for a specific player

at a specific point in time. Many play Marcinkiewicz mouthpieces exclusively.

***We consider no.105, 106 and 107 to be contrabass trombone mouthpieces.

Gray shaded areas represent comparisons of “ classic” models.



roneT

enobmorT

/ rengiseD

erutangiS

ledoM

.oN

edistuO

.aidpuC

edisnI

.aidpuC

puC

htpeD

llirD

irutneV

htgneL nosirapmoC

ylno

noryBselbeeP

1TE .ni494.1mm59.73

.ni920.1mm41.62

.ni651.1mm63.92

.ni662.0mm67.6

.ni071.3mm25.08

ssabG5hcaBknahs

sggiJ

mahgihW

7.1TE .ni594.1

mm79.73

.ni889.0

mm01.52

.ni598.0

mm37.22

.ni432.0

mm49.5

.ni052.

mm55.28

***

naI

llaguoDcM

2TE .ni025.1

mm16.83

.ni999.0

mm73.52

.ni868.0

mm50.22

.ni822.0

mm97.5

.ni041.3

mm67.97

hcaB.Y.N

C11

eilrahC

repoL

3TE .ni415.1

mm64.83

.ni889.0

mm01.52

.ni658.0

mm47.12

.ni432.0

mm49.5

.ni041.3

mm67.97

nonreV.tM

hcaB

C11

dyolL

etaylU

4TE .ni784.1

mm77.73

.ni989.0

mm21.52

.ni768.0

mm20.22

.ni642.0

mm52.6

.ni030.3

mm69.67

hcaB.Y.N

C21

divaD

reyemnietS

7TE .ni165.1

mm56.93

.ni189.0

mm29.42

.ni167.0

mm33.91

.ni822.0

mm97.5

.ni041.3

mm67.97

hcaB

81

ssaB

enobmorT

/ rengiseD

erutangiS

ledoM

.oN

edistuO

.aidpuC

edisnI

.aidpuC

puC

htpeD

llirD

irutneV

htgneL nosirapmoC

ylno

lliB

hcabnekciR

1TBE .ni155.1

mm04.93

.ni131.1

mm37.82

.ni522.1

mm21.13

.ni092.0

mm73.7

.ni002.3

mm82.18

G2 / 11hcaB

dezisrevO

lihP

eleeT

2TBE .ni045.1

mm21.93

.ni521.1

mm85.82

.ni022.1

mm99.03

.ni182.0

mm41.7

.ni002.3

mm82.18

hcaB

G2 / 11

einrE

kcaT

3TBE .ni045.1

mm21.93

.ni611.1

mm53.82

.ni871.1

mm29.92

.ni182.0

mm41.7

.ni071.3

mm25.08

hcaB

G2 / 11

*** 501 .ni086.1

mm76.24

.ni951.1

mm44.92

.ni343.1

mm11.43

.ni613.0

mm30.8

.ni005.3

mm09.88

06eklihcS

remmahnielK

miJ

nitraM

601 .ni076.1

mm24.24

.ni481.1

mm70.03

.ni483.1

mm51.53

.ni613.0

mm30.8

.ni005.3

mm09.88

06eklihcS

*** 701 .ni086.1

mm76.24

.ni781.1

mm51.03

.ni383.1

mm31.53

.ni613.0

mm30.8

.ni005.3

mm09.88

06eklihcS

nonreV.C


19/24

Pro-Line Concert Hall™ (pat. pending)

Tenor/Bass Trombone, Euphonium Mouthpieces

Designed for the player whose needs are not met elsewhere, these mouthpieces affords

enhanced projection, even timbre from ppp to fff, and the same great intonation throughoutall registers that Marcinkiewicz mouthpieces are famous for.

Pro-Line Concert Hall™ mouthpieces have a unique exterior design that offers optimal

nodal enhancement by placing integral vibration dampers in specific, calculated areas. The

net result is a mouthpiece that gives an extremely stable center of pitch, allows unprec-

edented dynamic levels without distortion and provides a rich, dark symphonic sound

without the additional mass of a conventional heavy wall mouthpiece.

Pro-Line Concert Hall™ mouthpieces can be custom fitted to suit your needs.

Pro-Line Concert Hall™ mouthpieces are optimized to give the player the best efficiency

possible without compromise.

All Pro-Line Concert Hall™ mouthpieces are special order and custom work is available

upon request.

Dark

Symphonic

Sound



eniL-orPtrecnoC

™llaH

.oNledoM

edistuO.aidpuC

edisnI.aidpuC

puChtpeD

llirDirutneV

htgneL nosirapmoCylno

roneTenobmorT

G5 .ni835.1

mm70.93

.ni600.1

mm55.52

.ni051.1

mm12.92

.ni162.0

mm36.6

.ni071.3

mm25.08

G5hcaB

J5 .ni835.1mm70.93

.ni600.1mm55.52

.ni051.1mm12.92

.ni772.0mm40.7

.ni071.3mm25.08

G5hcaB

B9 .ni545.1

mm42.93

.ni620.1

mm60.62

.ni190.1

mm17.72

.ni052.0

mm53.6

.ni041.3

mm67.97

5hcaB

2 / 16 / H8LA

.ni435.1mm69.83

.ni620.1mm60.62

.ni740.1mm95.62

.ni662.0mm67.6

.ni071.3mm25.08

6hcaB LA2 / 1

ssaB

enobmorTG2 / 11 .ni045.1

mm22.93.ni690.1mm48.72

.ni302.1mm65.03

.ni182.0mm41.7

.ni071.3mm25.08

1hcaB G2 / 1

G5 .ni835.1

mm70.93

.ni600.1

mm55.52

.ni051.1

mm12.92

.ni162.0

mm36.6

.ni071.3

mm25.08

G5hcaB

LA2 / 16 / H8 .ni432.1mm69.83

.ni620.1mm30.62

.ni740.1mm95.62

.ni662.0mm67.6

.ni071.3mm25.08

6hcaB LA2 / 1


20/24

Tuba & Sousaphone Mouthpieces

New Visualizers

Our standard tuba mouthpieces are arranged in a logical ascending order from deep to shallowand wide to narrow in three different types; N, W, & H. Please note that the chart is grouped in

sections according to type. This arrangement permits players to select a mouthpiece by preciseincrements of depth to find the correct cup volume required by their musical needs.

'N' mouthpieces have a narrow rim, 'W' pieces have a wider rim and 'H' pieces have a smaller

inside bite. The ST3 and ST4, with shallower cups, are designed specifically for students. (It

doesn't have to hurt to play!)

Models given for comparison again reflect standard sizes. These are not copies; substantial

changes and improvements have been made to increase playability and response.

Large

Selection



.oNledoM edistuO

.aidpuC

edisnI

.aidpuC

puC

htpeD

llirD

irutneV

htgneL nosirapmoC

ylno

1H .ni378.1

mm75.74

.ni523.1

mm06.33

.ni236.1

mm54.14

.ni823.0

mm33.8

.ni008.3

mm25.69

nnoC

grebelleH

2H .ni378.1

mm75.74

.ni323.1

mm06.33

.ni285.1

mm81.04

.ni823.0

mm33.8

.ni008.3

mm25.69

"

3H .ni378.1

mm75.74

.ni323.1

mm06.33

.ni235.1

mm19.83

.ni823.0

mm33.8

.ni008.3

mm25.69

"

4H .ni378.1

mm75.74

.ni323.1

mm06.33

.ni764.1

mm62.73

.ni823.0

mm33.8

.ni008.3

mm25.69

"

1N .ni049.1

mm82.94

.ni523.1

mm66.33

.ni715.1

mm35.83

.ni203.0

mm76.7

.ni008.3

mm25.69

enof ariM

3C

2N .ni049.1

mm82.94

.ni523.1

mm66.33

.ni674.1

mm62.73

.ni203.0

mm76.7

.ni008.3

mm25.69

"

3N .ni049.1

mm82.94

.ni523.1

mm66.33

.ni714.1

mm99.53

.ni203.0

mm76.7

.ni008.3

mm25.69

"

nosnhoJ.T

4N

.ni049.1

mm82.94

.ni523.1

mm66.33

.ni253.1

mm43.43

.ni203.0

mm76.7

.ni008.3

mm25.69

"

1W .ni089.1mm92.05

.ni523.1mm66.33

.ni715.1mm35.83

.ni203.0mm76.7

.ni008.3mm25.69

enof ariM4C

2W .ni089.1

mm92.05

.ni523.1

mm66.33

.ni674.1

mm62.73

.ni203.0

mm76.7

.ni008.3

mm25.69

"

3W .ni089.1

mm92.05

.ni523.1

mm66.33

.ni714.1

mm99.53

.ni203.0

mm76.7

.ni008.3

mm25.69

"

4W .ni089.1

mm92.05

.ni523.1

mm66.33

.ni253.1

mm43.43

.ni203.0

mm76.7

.ni008.3

mm25.69

"


21/24

Embouchure Visualizers

Our embouchure visualizers are designed to be used with the players instrument for natural playing position.

This is a great advantage over the traditional 'rim-on-a-stick' type visualizers, as Marcinkiewicz visualizers can

show the effects of playing angle and pressure. Our visualizers are available in Trumpet, Cornet, Flugelhorn,

French Horn, Tenor Trombone, Bass Trombone and Tuba. Visualizers with specific rim sizes are available on

special order.



.oNledoM edistuO.aidpuC

edisnI.aidpuC

puChtpeD

llirDirutneV

htgneL nosirapmoCylno

f leSmiJ

1UTE

.ni379.1

mm11.05

.ni503.1

mm51.33

.ni754.1

mm10.73

.ni613.0

mm30.8

.ni008.3

mm25.69

***

3TS .ni578.1

mm36.74

.ni772.1

mm44.23

.ni782.1

mm96.23

.ni782.1

mm96.23

.ni782.1

mm96.23

***

4TS .ni578.1

mm36.74

.ni772.1

mm44.23

.ni222.1

mm40.13

.ni203.0

mm33.8

.ni008.3

mm25.69

***

81 .ni678.1

mm56.74

.ni092.1

mm77.23

.ni344.1

mm56.63

.ni323.0

mm02.8

.ni008.3

mm25.69

hcaB

81

WA42 .ni559.1mm66.94

.ni182.1mm45.23

.ni756.1mm90.24

.ni843.0mm48.8

.ni008.3mm25.69

hcaBWA42

52 .ni548.1

mm68.64

.ni032.1

mm42.13

.ni594.1

mm79.73

.ni823.0

mm33.8

.ni008.3

mm25.69

hcaB

52


22/24

Pro-Line Concert Hall™ (pat. pending)

Tuba Mouthpieces

Designed for the player whose needs are not met elsewhere, these mouthpieces

affords enhanced projection, even timbre from ppp to fff, and the same great

intonation throughout all registers that Marcinkiewicz mouthpieces are famous

for.

Pro-Line Concert Hall™ mouthpieces have a unique exterior design that

offers optimal nodal enhancement by placing integral vibration dampers in

specific, calculated areas. The net result is a mouthpiece that gives an extremely

stable center of pitch, allows unprecedented dynamic levels without distortion

and provides a rich, dark symphonic sound without the additional mass of a

conventional heavy wall mouthpiece.

Pro-Line Concert Hall™ mouthpieces can be custom fitted to suit your needs.

Pro-Line Concert Hall™ mouthpieces are optimized to give the player the

best efficiency possible without compromise.

All Pro-Line Concert Hall™ mouthpieces are special order and custom work

is available upon request.

Dark

Symphonic

Sound




eniL-orP trecnoC

™llaH

.oNledoM

edistuO .aidpuC edisnI .aidpuC puC htpeD llirD irutneV htgneL nosirapmoC ylno

2H .ni378.1

mm75.74

.ni323.1

mm06.33

.ni285.1

mm81.04

.ni823.0

mm33.8

.ni008.3

mm25.69

grebelleHnnoC

4H .ni378.1

mm75.74

.ni323.1

mm06.33

.ni671.1

mm62.73

.ni823.0

mm33.8

.ni008.3

mm25.69

grebelleHnnoC

1N .ni049.1mm82.94

.ni523.1mm66.33

.ni715.1mm35.83

.ni203.0mm76.7

.ni008.3mm25.69

3Cenof ariM

4N .ni049.1

mm82.94

.ni523.1

mm66.33

.ni253.1

mm43.43

.ni203.0

mm76.7

.ni008.3

mm25.69

3Cenof ariM

4N .ni678.1

mm56.74

.ni092.1

mm77.23

.ni344.1

mm56.63

.ni323.0

mm02.8

.ni008.3

mm25.69

81hcaB


23/24

Biographical Information

Playing trumpet professionally since the 10th grade, skill and reputation

have enabled Mr. Marcinkiewicz to compile credits with bands and

orchestras throughout the world including Stan Kenton, Arthur Fiedler,

Don Ellis, Ray Charles, Portland Festival Symphony, Roger Williams,

and The Portland Pops, to mention a few, giving him a vast understand-

ing of the performing arts.

Mr. Marcinkiewicz has acquired diverse instruction. His Music studies

include work at The University of Washington, San Francisco State

University, San Francisco Conservatory of Music and the US Naval

School of Music, Norfolk, Virginia. In addition, he has studied with such

notables as Johnny Coppola, Dr. Don Reinberg, Dr. Renold Schilke, Uan

Rasey, Roy Stevens, Bob Findley and Carmine Caruso. Teaching pri-

vately, Mr. Marcinkiewicz offers a wealth of knowledge regarding teach-

ing methods and is a highly respected authority in the area of embouchure

pedagogy - a real "Dean of Chops". Apart from private instruction, Mr.

Marcinkiewicz directed the Marylhurst Jazz Arts Ensemble at Marylhurst

College, Lake Oswego, Oregon. In addition, he gives lectures on mouth-

pieces and embouchure development around the world.

In the field of brass technology, Marcinkiewicz Company is recognized as a manufacturer of the world's highest

quality brasswind mouthpieces and hand crafted brass instruments. Beginning brass instrument repair in 1965,

today Mr. Marcinkiewicz is regarded as a master mouthpiece designer and brass instrument technician. His

mouthpiece design studies began in 1973 under the tutelage of legendary master designer and craftsman Burt

Herrick. Manufacturing of the Marcinkiewicz Brasswind Mouthpiece began in 1983. The company produces

models for some of the top players in the world today.

The Marcinkiewicz Company is housed in their new state of the art facility in

Canby, Oregon. The operation is equipped with the latest computer aided design

software and single point cutting technology, with CNC (Computer Numeric

Control) lathes. The results are a wide range of brasswind mouthpieces that are

unrivaled in quality, precision, efficiency and choice.

The company also produces a full line of hand crafted brass instruments. All fabri-

cation, assembly and plating are done on site. The finished product, whether a

mouthpiece or horn, reflects the perfect blend of "old world" craftsmanship and

modern technology.

Knowledge, choice, quality and precision are the reputation of Joe Marcinkiewicz

and the Marcinkiewicz Company.

"Put your money where your mouth is!"™




24/24

PRODUCT WARRANTY

DEALER EXCHANGE GUARANTEE

Marcinkiewicz Co. warrants each of its precision brasswind mouthpieces against defects in materials or

workmanship for a period of one (1) year from the date of purchase (with proof of purchase) and agrees to

repair or exchange any defective mouthpiece without charge within such period.

In addition, Marcinkiewicz Co. offers a Dealer Exchange Program in which dealers may return unsold

product, in original packaging, postage prepaid, for a prompt and courteous exchange for other merchan-

dise.

“Put Your Money

Where Your Mouth Is!™”- J. Marcinkiewicz

Marcinkiewicz mouthpieces

Documents

Transcript of Marcinkiewicz mouthpieces