Magazine de recherche

Great Workspaces

www.abstracta.se

Acoustics | Meetings | Workstations | Storage

Alumi DES IG N NINA JOBS

Improve the sound environment of the workplace with style. With its combination of different kinds of fabric/felt and aluminium (white or silver anodized), Alumi is a practical range of sound absorbing units. The flexible and functional acoustic line includes floor partitions, table screens and a flexible unit called Alumi Combi. Alumi Combi is a floor screen on wheels that includes whiteboard glass, which means it is a combination of a whiteboard at the same time as it is a floor screen.

16

Alumi Round DES IG N NINA JOBS

Inspired by Italian arched windows, designer Nina Jobs revisited her straight Alumi panels and discovered a new urge for a round shape. Creating a new playful yet elegant ambience using small details, the curved form brings a human element to today’s often-rigid spaces. The aluminium frame makes the sound absorbing panel both light and strong, fitted with grey rubber corners in perfect contrast to the durable metal panel. You can also combine Alumi round with the standard Alumi, straight corners, to get a smooth ending to a row of screens. Alumi round can also be placed in an angle.

“Abstracta are brave design pioneers and outstanding in the absorbing panel division at the same time. I’m proud to design solutions that celebrates both function, smartness and contemporary aesthetics”, says Nina Jobs.

17

DoReMi DES IG N NINA JOBS

DoReMi is a screen suitable for offices and public areas designed by Nina Jobs. DoReMi can be used as a free-standing solitaire or connected together to screen off a larger area. The frame is made from solid timber. The exposed edge is made from natural birch or oak. Both sides of the screen are covered with a compressed 100% polyester felt panelling. The unique felt panelling is sound absorbing and is available with unique embossed patterns (wave, block or dot pattern) in white, light grey, dark grey or black. The acoustic filling is made of mineral wool. The flexibility of the screen and its technical features all combined makes the screen extremely versatile and suitable for a variety of interiors. Available in width 800 and 1400 mm.

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With its sound absorbing class A core, and wide range of fabric colours, it creates a comfortable workspace. The Softline partition line is a very flexible, modular system which easily adapts to the changing requirements of the functional workspace. The screens come in both rectangular and wave shapes in a choice of dimensions.

Softline can easily be placed in a lot of different places due to its discrete design, flexibility and versatility.

Softline

22

Airwave DESIGN STEFAN BORSELIUS

Airwave is a module system designed to form a screen that can be hung up in no time, as the modules simply hook into one another. It has a body made from polyurethane and covered with a fabric, which makes the partition sound-absorbent. The thick shape of Airwave also ensures a good acoustics product.

The impression created by the module system can be varied depending on how the different modules are combined. The module system can easily be assembled/hooked up on a ceiling- or wall-mounted rail.

43

Triline DESIGN ANYA SEBTON

The triangular design of the screen Triline does not only enhances the aesthetics, it prevents sound waves bouncing straight back. The screen is reversible and offers a huge range of variations. A beautiful pattern can be created when the screens are placed next to each other. One side is straight and smooth ideal for placing directly against a table. The thread leg picks up the triangular pattern and gives the screen a floating expression, as well as providing excellent support.

27

Sense DESIGN STEFAN BORSELIUS

The Sense mobile writing board has been developed to fit modern boardroom and educational set-tings. It is made of glass and moulded ash wood. The writing surface is optical white glass, the rear is white. Flip chart hooks are avaliable as an option.

62

Mixx/Ono DESIGN RUUD EKSTR AND

Mixx/Ono was created from a simple idea with the emphasis on functionality. Mixx is built on a mobile, adjustable pillar base equipped with different units in white powder coated aluminium. The range in-cludes a projector trolley, work station, catering trolley, flipchart stand, versatile table and lectern.

63

Mobi tech DESIGN ANDRE A RUG GIERO

Mobi Tech is a low, mobile sideboard with wheels and a screen. The sideboard is made from white laminate cov-ered MDF board with a fabric coated partition in a choice colours.

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Products overview

ACOUSTICS

ACOUSTICS, WORKSTATIONS, MEETINGS, STORAGE

S O U N D A B S O R B I N G


Airflake

Alumi / Alumi Round

ALUMI ROUNDALUMI FLO OR SCREEN ALUMI COMBI SCREEN ALUMI TABLE SCREEN

LINE CLOSED BL ADE OPEN BL ADE CLOSED AIRFL AKE NEWSLINE OPEN

For more product information (performances, colours, measures etc.) see our website: www.abstracta.se


AIRCONE MODULE BITS WALL PANEL

Aircone / Bits Wall / Airwave

AIRWAVE

90


DoReMi

FLO OR SCREEN TABLE SCREEN



Softline

WAVE SCREENRECTANGUL AR SCREEN CURVED SCREEN

TABLE SCREEN TABLE SCREEN WAVE MODEST Y PANEL

Softline S O U N D A B S O R B I N G

91

Soneo / Soneo Wall




Triline/Triline Wall

FLO OR SCREEN WALL PANEL

FLO OR STANDWALL MOUNTED

Window


FLO OR SCREEN TABLE SCREEN WALL PANEL

92

FLO OR SCREEN



Plaid

PL AID HOUSE PL AID HANGING

Frost S O U N D A B S O R B I N G

Loop

FLO OR SCREEN


FLO OR SCREEN

93


PA RT I T I O N I N G

S O U N D A B S O R B I N G / PA RT I T I O N I N G

Allé / Sinus

ALLÉ FLO OR SCREEN SINUS FLO OR SCREEN

Plentywall

94

WORKSTATIONS

MOBI TECHMOBI

Mobi / Mobi Tech

Isla / Rover

Wall In One

WORKSTAT ION


Meet

MOBI ROVER

WORKSTAT ION

95

MEETINGS / CABINETS & MEDIA WALLS

800 CONFERENCE C ABINET 1600 CONFERENCE C ABINET MOBILE STAND

Agenda

Enjoy

GL A SS WRIT ING BOARD WITH LOWER PANEL / PEN HOLDER

SIDE C ABINET

GL A SS WRIT ING BOARDWITHOUT LOWER PANEL

FL IPCHART C ABINETNOTICE BOARD

HUTCH C ABINET C ABINET 600 MIRRORC ABINET 1 100

For more product information (performances, colours, measures etc.) see our website: www.abstracta.se96

Moow

Sense

CONFERENCE C ABINET WITH WRIT ING BOARD

WRIT ING BOARD MOBILE WRIT ING BOARD

CONFERENCE C ABINET WITH PL A SMA / LED / LCD

Messenger DESIGN FREDRIK WALLNER


WHITEBOARD-R AIL-SYSTEM, WALLMOUNTED AND WHEELMOUNTED WHITEBOARDSWALL R AIL , FL IP CHART HO OKS

97

NOTICE BOARD UNIT INOTICE BOARD BA SIC NOTICE BOARD CL A SS

Notice boards

BR AINSTORM

Brainstorm/Swivel board

WRIT ING BOARD CL A SS WRIT ING BOARD UNIT I REVERSIBLE WHITEBOARD ON MOBILE STAND

Class / Uniti

MEETINGS / WRITING & NOTICE BOARDS


SWIVEL BOARD

98

LO GIC SCREEN 25 SCREEN 25


Logic / Screen 25

Column board

WRIT ING BOARD

Sketchalot

MOBILE WRIT ING BOARD

99

PROJECT ION BOARD

DE LUXE VIS ION

WRIT ING BOARD FL IPCHART DE LUXE (T ILTABLE)

FL IPCHART STANDARD

Plentybord

PROVIS ION S ILVERPRO FROSTED MAGNET IC GL A SS BOARD

ProVision

Projection screens


S ILVER P IPE

100


VIP

R AIL AND FLE X IBLE BOARDS 3-FOLDED RO OM DIV IDER PROJECT ION SCREEN PINMAG

WRIT ING BOARDNOTICE BOARD RO OM DIV IDERS

VIS ION OPT IC GL A SS MAGVIS ION MAGNETIC OPT IC WHITE GL A SS

VIS ION E3 WHITEBOARD SURFACE

Vision / MagVision W R I T I N G B OA R D W I T H O U T F R A M E

101

Base / Rock´d/ Swell

BA SE POUFFE

CHAIR CHAIR WITH SE AT CUSHION

RO CK’D POUFFE

Bodoni

MEETINGS / SEATING


MEETINGS / TABLES, TROLLEYS & FLIPCHARTS

BLEND TABLE

Blend / Overtime

SWELL

OVERT IME DESK

102


C ATERING TROLLEY PROJECTOR TROLLEY LECTERN FL IPCHART STAND

Mixx

VERSAT ILE TABLE WORK STAT ION WORK STAT ION FOR CPU

Ono / Compo

ONO FL IPCHART STAND ONO C ATERING TROLLEY COMPO LECTERN

103

(SHORT ONLY)

SURFACES

Every whiteboard in the Abstracta range has an E3 surface; an environment-friend-ly, glass enamelled, sheet of steel. The writing surface is magnetic.

E3 is recommended for short throw projectors only.

A special “White board kit” is available as an accessory This has been developed to

fit the E3 surface and includes: eraser, markers, penholder, bottle of cleaning fluid and magnets.

SilverPro™SilverPro™ is unique to Abstracta – a frosted glass writing board with a projection and magnetic surface. There is no need to add a projection screen, just project directly onto the glass board. SilverPro™ is recom-mended for front projection.

A special “Magnetic glass board kit Pro” ia available as an accessory. This

has been developed to fit the SilverPro™ surface and includes: eraser + felts, markers and magnets.

Optical White GlassTempered optical white flat glass with lacquered, tempered reverse side. The surface of optical white glass, e.g. Vision, is not magnetic

itself. To achieve the magnetic function, a discrete magnet rail can

be mounted on the reverse side; the product is then designated

MagVision. Optical white glass is not suitable for projection.

A special “Glass board kit” is available as an accessory. This has been

developed to fit the Optical white glass surface and includes: eraser and markers.

For more product information (performances, colours, measures etc.) see our website: www.abstracta.se 107

Colour samples may be subject to slight variation from the finished product

STANDARD FABRIC COLOURS / FELT

ATLANTIC – Softline / Triline / Soneo

EVENT SCREEN – Softline / Soneo

RUNNER – Mobi

EUROPOST 2 – Triline Wall / Bits Wall / Alumi / Wall In One / Base / Rock'd / Meet

-78Gabriel nr: 64093







-86 Gabriel nr: 60011
































108

Colour samples may be subject to slight variation from the finished product

Block WaveDot

FELT PATTERN – Alumi / DoReMi

–25 turquoise

–33 pink

–35 orange

–30 red

–60 light grey

–80 black

–20 blue

FELT COLOURS – Airflake/Aircone

–40 green

-67Gabriel soul60098

-80Gabriel soul 60999








GABRIEL SOUL – Plaid

Blonde IF249 Marmalade IF142 Rose IF045 Brindle IF056 Prism IF057

Celtic IF120 Red IF011 Strawberry IF103 Tulip IF237 Zodiac IF239

Tarragon IF236 Crimson IF116 Morum IF128 Dewberry IF148 Juniper IF084

Terracotta IF046 Matador IF272 Claret IF033 Penstemon IF147 Pasture IF280

Cider IF273 Wine IF019 Ruby IF101 Prudence IF250 Chameleon IF121

Burgundy IF042 Bellis IF113 Peat IF001 Jeopardy IF277 Forest IF094

Main Line Plus

Seafoam IF035 Bluenote IF149 Wedgwood IF027 Riviera IF087 Lead IF058

Mermaid IF231 Verbena IF274 Corinth IF089 Tuscany IF241 Viola IF238

Aquamarine IF141 Oasis IF132 Heaven IF136 Fjord IF083 Carbon IF252

Trident IF135 Clipper IF111 Ink IF129 Cressida IF112 Girder IF276

Teal IF240 Triumph IF275 Royal IF020 Tarn IF278 Charcoal IF000

Regency IF253 Plumage IF279 Twilight IF075 Mahonia IF114 Black IF059

www.camirafabrics.com/samplesTo order samples, visit our on-line sample service.








Main Line Plus









-80Camira MainLine PlusBlack

-65Camira MainLine PlusGirder

-60Kvadrat Hallingdal 65110







Main Line Plus









-65Dark grey

-60Light grey

-80NevotexVouge S646

-70NevotexVouge S 22237



VOUGE S – Base/Rock´d

MAINLINE PLUS/HALLINDAL 65 – Meet Loop

–90 white

109

color fieldsby acousticpearls

2013

– 2

014

colo

r field

s

www.acousticpearls.de

ACOuStICPEARLS | COLOR FIELDSACOuStICPEARLS | COLOR FIELDS

18 i n s p i r at i o n

Design DuO 2, in 60x120 | Colors: 106 wool white, 936 lime green, 856 silver green, 376 dark aubergine

Design StRIPE in 60x180 | Colors: 931M light green melange, 944 olive green

ACOuStICPEARLS | COLOR FIELDS ACOuStICPEARLS | COLOR FIELDS


Design tRIPLE in 60x180 | Colors: 353MD blue brown melange, 106 wool white, 213MD seashell beige melange

Design 50/50 in 120x120 | Colors: 343MD grey beige melange, 106 wool white

ACOuStICPEARLS | COLOR FIELDS



Design MONO in 60x240 | Colors: 171 silver grey, 462 golden orange, 691 warm grey

Design DuO 1 in 60x120 | Colors: 224 sand grey, 462 golden orange, 106 wool white

acousticpearls | color fields acousticpearls | color fields


01Qualität im detail

COLOR FIELDS-Elemente wirken schlicht und zeitlos elegant. Front und Seiten der Paneele sind maßge-schneidert von hochwertigen Bezugsstoffen um-schlossen. Die feinen Steppnähte und die präzisen Fügungen der mehrfarbigen textiloberflächen machen COLOR FIELDS zu einem besonderen Design-produkt, das auch auf den zweiten Blick überzeugt. Beste Materialien, die Fertigung in ausgesuchten Manufakturen und das konsequent nachhaltige Pro-duktdesign garantieren eine erstklassige Qualität und das Prädikat „Made in Germany“.

COLOR FIELDS elements are timelessly elegant and straightforward. High-quality textiles are custom-fit and used to cover the front and sides of the panels. The fine quilting seams and the precise seams of the multi-colored textile surfaces of the COLOR FIELDS panels further attest to the excellence of the panel system and invite people to contemplate them longer. Finely crafted materials, selected manufacturing companies, and sustainable product design guarantee first-class quality and the “Made in Germany“ seal of approval.

the finest quality

acousticpearls | color fields ACOuStICPEARLS | COLOR FIELDS




Design DuO 2 & MONO in 60x120 | Colors: 773MD sapphire blue melan-ge, 613MD rose white melange, 673 bordeaux melange, 106 wool white



Design DUO 1 & TRIPLE in 60x120 | Colors: 771M laguna black melange, 813MD pale cyan melange, 966 wasabi green




Design DuO 2 in 60x240 | Colors: 421M yellow melange, 920M green melange, 120M light grey melange



Design DuO 2 & MONO in 60x180 | Colors: 742 nordic blue, 106 wool white, 224 sand grey, 936 lime green, 652 deep fuchsia



Design DuO 2, DuO 1 & MONO in 60x120 | Colors: 721M laguna melan-ge, 181 dark grey, 106 wool white, 224 sang grey




Design DuO 2 in 60x180 | Colors: 931M light green melange, 120M light grey melange, 280M dark brown melange


ACOuStICPEARLS | COLOR FIELDSACOuStICPEARLS | COLOR FIELDS

Wand: Design DuO 1 in 60x120, Frei im Raum: DuO 2 in 60x240 | Colors: 181 dark grey, 652 deep fuchsia, 224 sand grey




Design MONO in 60x240 | Colors: 931M light green melange



Design DuO 1, StRIPE & MONO in 60x120 | Colors: 636 strawberry red, 562 coral red

MONTAGE MIT WAND-SCHRAUBE / WALL INSTALLATION

MONTAGE FREI IM RAUM / SUSPENDEDFROM CEILING




Design DuO 2 & MONO in 60x120 / Design StRIPE (special) & MONO in 60x180 | Colors: 224 sand grey, 393 coffee brown, 893 pure petrol, 334 nougat brown

MONTAGE MIT SCHIENE / RAIL MOUNTED



Design DuO 2 in 60x120 | Colors: 224 sand grey, 893 pure petrol

MONTAGE FREI IM RAUM / SUSPENDEDFROM CEILING


acousticpearls | color fields ACOuStICPEARLS | COLOR FIELDS

Design MONO in 60x185 | Colors: 421M yellow melange

MONTAGE MIT SCHIENE / RAIL MOUNTED


122 g u i d e

paneelübersichtPanel overview

01color fields

desiGN

duo 1

desiGN

duo 2

desiGN

50 / 50

desiGN

triple

desiGN

stripe

siZe 60x60 siZe 60x120 siZe 60x180 siZe 60x240 siZe 120x120

desiGN

Mono

acousticpearls | color fieldsacousticpearls | color fields

COLOR FIELDS is a combination system full of potential, thanks to the interplay between different formats, traditional designs, and a unique variety of colors. The panels can stand on their own or be mixed and matched with others from the collection to create an entirely different effect.

124 g u i d e

das prinzip The principle

01color fields die Kombination aus verschiedenen formaten, klassischen designs

und einer einzigartigen farbenvielfalt macht color fields zu einem Kombinationssystem voller Möglichkeiten. alle paneele lassen sich als einzelelemente platzieren und miteinander zu flächen kombinieren.

5 siZes 6 desiGNs 107 colors

freie ausricHtuNG

freelY arraNGed

unendlich viele möglichkeiten / infinite possibilities

130 g u i d e

107 colors

02farbe

No. 180M diViNa MelaNGe No. 756 diViNa No. 793 diViNa No. 191 diViNa No. 783Md diViNa Md No. 193Md diViNa Md No. 773Md diViNa Md No. 684 diViNa No. 293Md diViNa Md No. 692 diViNa No. 681M diViNa MelaNGe No. 696 diViNa No. 662 diViNa No. 683Md diViNa Md

dark grey Melange

indigo blue Midnight blue deep black deep blueMelange

blackMelange

sapphire blue Melange

blue violet black berryMelange

pluM violet violet blackMelange

cassis violet raspberry red dark lila Melange

No. 170M diViNa MelaNGe No. 771 diViNa MelaNGe No. 742 diViNa No. 791 diViNa No. 782 diViNa No. 676 diViNa No. 743Md diViNa Md No. 686 diViNa No. 631M diViNa MelaNGe No. 666 diViNa No. 621M diViNa MelaNGe No. 671M diViNa MelaNGe No. 376 diViNa No. 671 diViNa

Middle grey Melange

laguna black Melange

nordic blue Marin blue classic blue silver violet cloudy blue Melange

bilberry blue violet Melange pure purple Magenta Melange Magenta blackMelange

dark aubergine pure fuchsia

No. 873Md diViNa Md No. 826 diViNa No. 712 diViNa No. 753Md diViNa Md No. 154 diViNa No. 733Md diViNa Md No. 353Md diViNa Md No. 691 diViNa No. 613Md diViNa Md No. 581M diViNa MelaNGe No. 652 diViNa No. 626 diViNa No. 633Md diViNa Md No. 673Md diViNa Md

dark petrol Melange

azure blue light blue lavender blue Melange

grafite grey pale violetMelange

blue brownMelange

warM grey rose whiteMelange

red black Melange

deep fuchsia spicy pink pepper redMelange

bordeauxMelange

No. 181 diViNa No. 893 diViNa No. 843Md diViNa Md No. 731M diViNa MelaNGe No. 171 diViNa No. 713Md diViNa Md No. 343Md diViNa Md No. 413Md diViNa Md No. 213 Md diViNa Md No. 653 Md diViNa Md No. 636 diViNa No. 623 diViNa No. 584 diViNa

dark grey pure petrol cyan Melange blue Melange silver grey ice grey Melange grey beigeMelange

warM beigeMelange

seashell beigeMelange

rose red Melange strawberry red poppy red sienna red

No. 886 diViNa No. 871M diViNa MelaNGe No. 821M diViNa MelaNGe No. 721M diViNa MelaNGe No. 836 diViNa No. 813Md diViNa Md No. 220M diViNa MelaNGe No. 453Md diViNa Md No. 531M diViNa MelaNGe No. 562 diViNa No. 542 diViNa No. 552 diViNa

dark green turquoise blackMelange

turquoiseMelange

laguna Melange

ice blue pale cyanMelange

No. 913Md diViNa Md

pale greenMelange

beige Melange lion beige Melange

red Melange coral red pure orange copper red

No. 876 diViNa No. 922 diViNa No. 966 diViNa No. 856 diViNa No. 846 diViNa No. 106 diViNa No. 203Md diViNa Md No. 433Md diViNa Md No. 444 diViNa No. 526 diViNa No. 521M diViNa MelaNGe No. 571M diViNa MelaNGe

roseMary green

juicy green wasabi green silver green ice green

No. 120M diViNa MelaNGe

light grey Melange

wool white alMond whiteMelange

steel orangeMelange

Mandarin orange soft orange orange Melange orange black Melange

No. 971M diViNa MelaNGe No. 920M diViNa MelaNGe No. 956 diViNa No. 931M diViNa MelaNGe No. 943Md diViNa Md No. 944 diViNa No. 173 diViNa No. 224 diViNa No. 236 diViNa No. 462 diViNa No. 426 diViNa No. 536 diViNa No. 363Md diViNa Md

green black Melange

green Melange

spring green light green Melange

garden green Melange

olive green stone grey sand grey sahara beige golden orange spicy orange sunny orange Maroon brown Melange

No. 973Md diViNa Md No. 471M diViNa MelaNGe No. 421M diViNa MelaNGe No. 936 diViNa No. 984 diViNa No. 384 diViNa No. 280M diViNa MelaNGe No. 356 diViNa No. 246 diViNa No. 346 diViNa No. 334 diViNa No. 393 diViNa No. 260M diViNa MelaNGe

pine green Melange

yellow blackMelange

yellowMelange

liMe green khaki brown cohiba brown dark brown Melange

tabac brown cognac brown cinnaMon brown nougat brown coffee brown brown Melange

Based on Divina, Divina Melange, and Divina MD

fabrics by

stoffmusterkarte auf anfrage.

Fabric sample card availabe on request.

farbabweichungen sind aus drucktech-nischen Gründen möglich.

Slight deviations in color are due to the printing process.

acousticpearls | color fieldsacousticpearls | color fields

1. raumtypen / Types of roomsdie drei raumtypen stehen symbolisch für kleine, mittlere und große räume bis 35 qm mit einer deckenhöhe von circa 2,70 m. die ausstattungsmerkmale sind immer gleich: überwiegend schallharte Materialien (harter Bodenbelag, glatte Wände, akustisch gering wirksame decke, Glasflächen, wenig Möbel).

As a guide we have provided three different types of rooms (small, medium, large) with a maximum size of 35 m² and a ceiling height of approximately 2.7 m. The properties of each room are always the same: primarily sound-reflecting materials (hard floors, smooth walls, a ceiling with poor acoustic qualities, glass surfaces, few pieces of furniture).

2 . akustische Verbesserung / Acoustic improvementMit den Kategorien „spürbar“, „gut“, „sehr gut“ kann der Grad der akusti-schen Verbesserung im raum definiert und damit die verbundene paneel-menge ermittelt werden. die Kategorie „sehr gut “ entspricht der empfehlung der diN 18041 für raumakustik.

Using the categories “slight”, “good”, “excellent”, you can select the level of improvement for the acoustics of the room and determine the necessary number of panels in the proper combination. The “excellent” category corre-sponds to the DIN 18041 recommendation for ideal room acoustics.

3. Benötigte paneelmenge / Required number of panelsJedem Verbesserungsschritt sind paneele der Größe 60x240 zugeordnet. dies ist die Mindestmenge für die gewünschte akustische Verbesserung in einem raum. andere formate können variabel entsprechend der Menge eingesetzt werden. die Wirkung eines paneels der Größe 60x240 verhält sich wie vier paneele der Größe 60x60.

Panels measuring 60x240 have been established as a basis for each level of improvement. It is the minimum number of panels required for the specific level of improvement in each type of room. The options shown here can be varied with the corresponding number in other sizes. The effectiveness of a 60x240 panel corresponds to four 60x60 panels.

134 g u i d e

03der planerThe Acoustic Planner

akustik

der akustikplaner hilft ihnen die paneelmenge zu bestimmen, die für eine akustische Verbesserung ihres raumes benötigt wird. Nutzen sie diese einordnung als Grundlage für eine wirksame Gestal-tung mit acousticpearls paneelen. die tabelle basiert auf Berechnungen gemäß der diN 18041. Berechnet worden sind die Nachhallzeiten der jeweiligen raumtypen.

The Acoustic Planner will help to determine the number of panels required to improve the acoustics of your room. Take this arrangement as a starting point for creating an effective setup using acoustic-pearls panels. The table is based on the equations established in DIN 18041. For the table here, the reverberation times of each different type of room were calculated.

1 paneel 60x2401,44 m2

2 paneele 60x2402,88 m2

3 paneele 60x2404,32 m2

6 paneele 60x2408,64 m2

4 paneele 60x2405,76 m2

spürbarslight

gutgood

spürbarslight

gutgood

gut – sehr gutgood – excellent

sehr gutexcellent

sehr gutexcellent

sehr gutexcellent

gut – sehr gutgood – excellent

2. akustische Verbesserung / Acoustic improvement

spürbarslight

spürbarslight

gutgood

sehr gutexcellent

Bis / up to 15 m²

Bis / up to 20 m²

Bis / up to 35 m²

1. r

aum

type

n / T

ypes

of r

oom

s60x60 = 0,36 m2

60x180 = 1,08 m2

60x120 = 0,72 m2

60x240 = 1,44 m2

120x120 = 1,44 m2

1 paneel 60x240 = 1,44 m2

4 paneele 60x601,44 m2

Hörproben unter “soundfiles” auf unserer website!Visit our website for audio samples!

3. Benötigte paneelmenge / Required number of panels

docklandspaper

docklandspaper

A protected bay to dock in and work, even during stormy hectic times in the offi ce. That’s what the DOCKLANDS product family offers. The heart of DOCKLANDS is the Dock-In Bays: exclusive individual work-stations that enable temporary, concentrated activities.

AN ANCHORIN THE OFFICE

A small step for you, a giant step for the offi ce world. That’s how easy it is with DOCKLANDS, thefurniture that screens youacoustically and visually.It off ers quality design and a high level of work-ing comfort, right in the

middle of a busy offi ce. One minute you are partof lively communicationin the open space. Then you take one step, and everything changes: aprotected individual work-space is waiting for you.A screened-off space that

off ers you peace and quietand perhaps even a little warmth. DOCKLANDS is perfect for focussed work, managing the spontaneous change between interaction and privacy without any loss. It is based on an innova-

tive concept that begins with the details and ends with the offi ce layout—or the other way around. The British designers PearsonLloyd have devel-oped organic shapes and various types of Dock-In Bays for one, two or

several people. They are delicate, light individualpieces, which enable versatile options in room planning. They provide room-shaping functions without aff ecting the structure of the building. The DOCKLANDS prod-

uct family is completed by the Service Dock, as well as the Coat Rack and the Phone Booth.

A P R I V A T E P L A C E I N A N O P E N S P A C E . F O R C O L L E A G U E S , C L I E N T S A N D V I S I T O R S .

130214_docklands_paper_Grasl.indd 1 22.10.12 10:49

A fleeting moment of eye contact, a chance meet-ing, fragments of a conversation in the room, a sudden clever idea. That is how elementary communication and interaction can be in modern office work. They happen in many places, both planned and spontane-ously, in recreation, meeting or communication zones, at traditional workplaces. Yet sometimes we also long for time by ourselves. For a screened individual work-place where we can bury ourselves in concentrated and focussed activities. Simply put: for a private place in an open office that wraps itself protectively around our specific task. Around the people who need this

space, for a short, concentrated moment or for the rest of the afternoon.

Creative Processes have their own Dynamics

This is the segment that the DOCKLANDS family targets, a »Me-Place« in the open space. A completely new type of furniture developed just for them. It focuses around the Dock-In Bays: high quality pieces for individual »retreats«. They provide a place in the office for employees who need an isolated screened off workstation for focussed and concentrated activities. A place to retreat from the open space. Or an »anchor point« for employees who only spend a short time in the office. The Service Dock, a Coat Rack and the

Phone Booth complete the DOCKLANDS product family. Creative processes have their own dynamics, special workphases their own rhythm. If you have the kind offreedom that DOCKLANDS offers, focusing best when there are no distracting noises, it’s best to go straight to a Dock-In Bay. Up until now, Think Tanks and libraries have been available for this purpose, but only in limited numbers due to the expense. DOCK-LANDS is a »protected« space that consciously breaks with this tradition, offering an innovative alternative. It lets you organise the workflow for the entire layout more flexibly. Prior reservation, the prerequisite for using traditional Think Tanks, doesn’t apply. DOCK-LANDS creates a spatial exclusivity in which you can retreat for the short or medium term, spontaneously.

The development of the new DOCKLANDS furniture typology is characterised by the picture of an urban harbour and the flowing change between communicative discussion and concentrated privacy. Dock in, work a bit, move on. The space is determined by the rhythm of modern office work.

Islands in Flux

docklands

Best of neighbours: Dock-In Bays can be seamlessly integrated into existing office environments and open- plan space concepts. While ideas and explanations are being exchanged right next door, it is completely peaceful inside the Dock-In Bay. Perfect for focussed work.

2 docklands paper


Once upon a time a very longtime ago ...

The idea of *work* revolved around men and women hunting to feed their families.

Then came the Industrial Revolution and as time went by, people left the fields to work in factories and offices and live in cities.

Offices were where people did clerical stuff and write thingsdown in big books called ledgers.

But in these offices, workers did the same thing every day and it was boring and they soon became tired.

A clever man called Mr Taylor then decided to line everyone into rows of *desks* so they could control the workers and make things more efficient.

Metamorphosis of Urban Spaces

The implementation of the DOCKLANDS family also follows this philosophy, off ering versatile options in room planning, while providing room-shaping func-tions without aff ecting the structure of the building. DOCKLANDS conjures up other images, echoes of faraway lands, new ideas, broad horizons. A down-

to-earth remnant of bustling docks and interesting encounters. Today, these water channels represent an exciting metamorphosis of urban spaces. In Shanghai, Melbourne, London, Hamburg—museums, concert halls and offi ce buildings have long since transformed traditional ports into pulsating zones, docking between busy rivers and targeted concentration. DOCKLANDS consciously replicates this idea.

Cont’d on page 9»A STORY ABOUT WORK« by PearsonLloyd

docklands

THE DOCKLANDS SOFT WALL, a padded, upholstered wallelement. Acoustic elements in the substructure prevent interfering echoes in the furniture and increase the acoustic effectiveness in the space.

CABLE MANAGEMENT. The cables run through the straight wall element to the integrated connection plug board.In the Soft Wall, the cables run through the cable chainto the connection plug board or plug box.

Visually and acoustically screened off,

the Dock-In Bays offer the working comfort

of a modern workplace.

The size of thedesk determines the dimensions of the Dock-In Bay. Two models are available: 110 × 60 and 140 × 70 cm.

THOUGHT THROUGH DOWN TO THE

SMALLEST DETAIL

DOCKLANDS are exclusive individual

modules that offer versatile options for

room planning, providing room-shaping

functions without affecting the structure

of the building.

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3docklands paper


WORK-PLACES

ME-PLACES

WE-PLACES

ModERn oFFIcE laYoUTs

Office as anurban landscape

For docking in the offi ce, for a spontaneous touch point, for focussed work over a short period of time—there are many reasons to make a conscious retreat and leave the busy open space.

SMARTWORKINGCHOOSE THEPLACE YOU NEED

4 docklands paper


Solution Workers, War of Talents, Corporate Cul-ture and Facility Management. These are the mostimportant factors infl uencing the new Smart Working offi ce concept, which Bene has reacted to with thelatest trends in the modern working environment. New technologies and communications media, fl ex-ibility and mobility are setting new standards. Global-isation and digital networking are changing workingconditions and processes from the ground up. The Smart Working offi ce concept is the optimum responseto the trend towards greater communication, coopera-tive work and the increasing importance of knowledge work in the offi ce. The focus is on diff erentiated offi ce space solutions. Many offi ce areas characterised by knowledge work already have these new requirements in place.

Areas for Focussed Work

The exchange and assessment of information play a central role. Solution Workers need a working environ-ment that is state of the art in terms of information and communication technology while at the same timepromotes connecting and exchange. A work environ-ment that not only supports the routine workfl ow but also gives creativity the space that innovation hasalways needed. The prerequisite for all this is a diff er-entiated spatial solution with various zones and areas. Contemporary offi ces create them by off ering, in addi-tion to the traditional communications requirements, attractive and easily accessible areas for concentrated work where people can withdraw. With the individual work places provided by DOCKLANDS that fulfi l ex-actly these functions Bene closes the gap in the frame-work of existing open space solutions.

Choose the Place you need

Solution Workers benefi t from this most of all. Beingable to choose between various kinds of places is a

key factor for them: They choose the place they need. Knowledge workers can select the area to work in that best suits them, depending on the tasks they need to accomplish. They can use various zones alone or to-gether with others, occupy the workplaces and rooms temporarily or in a stationary manner.

The Infrastructure becomes the Workplace

Today, the offi ce is a vibrant living space—much like an urban landscape with many diff erent zones and areas that accommodate the diff erent activities of its users. Organised as individually as the forms of work and cul-ture of the companies—using open structures, spatial fl exibility and a highly effi cient use of space. For this reason, good offi ce design must enable both concentra-tion and cooperation, promote presentation and com-munication, as well as recreation and inspiration.

Expression of Company Culture

The offi ce environments become tangible evidence of the corporate culture. Internally, they support identi-fi cation with the company and externally they com-municate a message to the outside world. The offi ce design and furnishings make it possible—for bothemployees and clients—to see and feel the corporateculture, and are considered a crucial element foremployee retention. The offi ce landscape is a key factorinfl uencing work satisfaction, job appeal, productivityand identifi cation. By creating an offi ce environment in which employees enjoy working, meeting and inter-acting, companies strengthen affi liation, motivation and loyalty. Modern offi ce design enhances not only the potential of the employees, it also improves the company’s position in the »war of talents«, and in-creases its chances of recruiting and retaining highly qualifi ed employees.

The Dock-In Bay—a central element of the DOCKLANDS—can be configured as an individual workstation, or a double unit in various constellations: facing each other, side-by-side or back-to-back. There is no limit to the number ofworkstations set up next to each other. The DOCKLANDS product family is completed by the Service Dock, as well as the Coat Rack and the Phone Booth.

THE DOCKLANDSPORTFOLIO

ModERn oFFIcE laYoUTs

5docklands paper


dock- In BaY—accEssoRIEs

Accessorieshelp to organise smaller spaces

The red dot means: no green light! Because the Dock-In Bay is occupied.The other accessories are just as plain and simple as the stop sign and the storage tray (left): The Table lamp (middle)—developed together with Nimbus—and the Clothes hanger (right).

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PearsonLloyd

The London designer duo PearsonLloyd talk about the

attraction of their new furniture typology and why it can reduce

rigid structures in the offi ceof the future.

What were your most important considerations when you began to develop DOCKLANDS? We began with an analysis in which the activities in and around the workplace were deconstructed and then, in a way, re-constructed. At the same time, werealised that people had really grown attached to PARCS. There was the feeling: »If only we could use one of these by ourselves to work in.« DOCKLANDS was then a logical next step in this process.

Your research is also based on a study preparedby the Helen Hamlyn Research Centre at theRoyal College of Art. The research centre at the RCA examined thecharacteristics of worker typologies. They found four basic types: the Navigator, the Connector, the Gather-er and the Anchor. They refl ect the diff erent needs of the diff erent types of people within a company. It became distinctly clear that the offi ce market segment is not geared to meet these needs. There are still the traditional rows of desks, a shared intermediate zone, and then a formal area for meetings and discussions. This doesn’t really meet the requirements of today’s working reality, where people frequently come and go

at diff erent times, focus on diff erent activities and require diff erent forms of interaction. All this intensi-fi ed our feeling that we must respond to these needs with more care. We integrated both of these observa-tions into DOCKLANDS: the handling of PARCS, and the research results from the RCA.

What sets DOCKLANDS apart from the rest? DOCKLANDS takes into account that teamwork areas are often loud and full of activity, and that when you need to really concentrate, you need a suitable place where this is possible. DOCKLANDS is not a replacement for the traditional desk. It was designed as an alternative setting for individual, focussed work.

At the same time, however, DOCKLANDS isalso an interface which is frequented by verydi� erent users. How was this incorporatedin the development process? I think the most important thing about DOCK-LANDS is that it is all about a shared arrangement, a resource for a group of people. This makes an essential diff erence. It changes the way in which you structure the modules, what you require inside and how much time you spend there. At the same time, these consid-erations are crucial to the reason why DOCKLANDS will not replace the cubicles. It cannot take the place of large, closed areas.

Can you briefl y say why? DOCKLANDS elements are smaller than a cubicle,and they are lighter, more sensitive. This also appliesto interaction with corridor areas. There are the rounded corners, the manner in which you enter them, the height, and the type of wall thickness. Everythingis far more oriented on the temporary worker, to visitorsand shared space—in contrast to the aspect of separa-tion in the case of the personal cubicle. It forms anentirely diff erent unit.

But at the same time, details—for example the DOCKLANDS acoustics—infl uence the overallsituation in the o� ce. Yes. DOCKLANDS was designed to enable customersto put furnishing elements together themselves, in the knowledge that it infl uences not only their own acous-tics, but also that of the entire space. The pieces are excellent at absorbing outside noise. Instead of install-ing acoustic panels in the offi ce, you can use them to defi ne the acoustics of these hard, machine-like offi ce rooms with their melamine, glass and drywall surfaces.

What are the spatial requirements of a furniture system such as DOCKLANDS? Closed, private space at the workplace is normally achieved using room divider systems or architectonic solutions. Both PARCS and DOCKLANDS off er fl ex-ibility in both the short and long term because the lay-outs can be adapted relatively easily to suit any offi ce space, without necessitating further purchases and the related costs. There is enormous potential here for a company to adapt its surroundings very, very quickly, almost microscopically to its everyday needs.

DOCKLANDS represents a new furniture typology.What e� ects do you think such innovations are capable of ? Compared with conventional workplace solutions, DOCKLANDS endeavours to create a highly diff erent visual and constructive culture. We think it will change the feel of offi ce surroundings quite radically, softeningthem and perhaps making them more humane.

True to the often-quoted wisdom »Happy workers make productive workers«? Over a period of more than twenty years, offi ce planners pursued a very pragmatic approach. The focuswas on using the available space in the best possible way. Today, we know that effi ciency is just one factor to be considered. Other issues are more important: Howdo I increase productivity, how do I motivate workers?If you take a closer look, you recognise how these thingsare mutually dependent and supportive: effi cient spatialorganisation, the need for employee motivation, lead-ing to greater productivity. This relationship was our main priority.

Introducing a furniture range such as DOCK-LANDS goes far beyond a conventional change of furniture. How should companies approach this? DOCKLANDS and PARCS are management tools which make things change, and they communicate an unmistakable message to the employees of a company. This message is: We are enabling you to work in very diff erent ways, fulfi lling the various requirements inyour individual way. This can be a very strong statement.

InTERVIEW

The PearsonLloyd design

studio in London has insider

knowledge of different areas

in the design scene. This is

evident in their furniture and

product designs, but also in

implementation in the areas

of transportation and public

design. The studio was founded

by Tom Lloyd and Luke Pearson

in 1997 after completing their

studies at the Royal College

of Art. The beginning of their

cooperation was marked by a

common interest: the desire to

join the frequently separated

subdisciplines of furniture and

product design.

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The term »Right on track« can also apply to project development, and in the case of Network Rail, the owner and operator of Britain’s railway infrastructure, this is applied literally for the 3,500 workstations in their new 400,000 sq ft national centre in Milton Keynes. Due to the modification of DOCKLANDS, which was selected to organise the office space with more flexibility, they achieved what is regarded in the world of Corporate Identity as »The Exemplary Imple-mentation of Detail«. The modules were built slightly higher, the furniture parts at floor level were raised to provide good ventilation and the Dock-In Bays were set on track-like runners. Make way for a new office!

This wasn’t the only surprise that Peter Handlgruber, Head of Product Management at Bene came up with, being already familiar with the detail and the complex processes connected with overall office solutions. The image of the tracks »pointing in the right direction« is a great metaphor for Network Rail. Perfect timing when the product manager refers to the parallels and mutual enhancement that provide the newly developed furniture typology DOCKLANDS.

Perfect time for a change

Or perhaps the large Australian bank that, in prepara-tion for a major project, sent its Design Director on a research trip to study projects such as Credit Suisse, already furnished by Bene. In their preparatory stage, they defined exactly the typologies of work that Bene, two continents away, had formulated as part of its new Smart Working office concept. »They were using different names«, says Handlgruber. »But the approach was really exactly the same. From a project point of

What do the trading floor of the Vienna Stock Exchange and open-plan offices in London have in common? The spatial requirements

of the new worker typologies. With the common critical question being »How do I get the office to work?«

Inside the o≈ce world

Large and global acting companies

are turning to modern office solutions and

discovering DOCKLANDS.

view it’s very exciting to search for the concept together. To ask yourselves the question, ›are we on the right track?‹ and fine tune the individual detailed features as a team.«

Great news for the Head of Product Management. Instead of having to convince and persuade these new ideas, he has encountered a conscious need for a system just like DOCKLANDS. Perfect timing for the optimum market launch, opening up greater possibilities.

concEPTs & PRoJEcTs

8 DOCKLANDS paper


This really made everyone tired. It was very serious and they were tired.

Some other clever people invented a *type* writer to make it faster to record the things on paper, but this didn't really help the workers be happy.

If they had to talk to each other, workers would *meet* in a *meeting* room and sit around a long table to listen and speak sometimes.

Mr. Müller. You are the Managing Director of Linkit. Could you say a few words about yourcorporate culture? We are a young company, founded in 2008. Wecurrently have thirty employees who have a very per-sonal style of interaction, including the managers. Asa company that is decidedly project-oriented, wecontinually encounter new tasks and challenges. Our consultancy services mean that we focus on working with our customers at their offi ces. This means that ninety per cent of our employees are mobile workers who meet every Friday for a fi xed team day. All em-ployees meet at the company, exchanging information on current projects and communicating to each other.

When you chose DOCKLANDS you were one of the fi rst companies to integrate these new tem-porary workstations. How did you incorporate DOCKLANDS into your company, and how did you introduce your employees to this new kind of working? Previously, Linkit was housed at a rented offi ce in the same building, but was divided up into severalseparate rooms. This had a negative eff ect on commu-nication and team building. Our goal was therefore to off er the employees a superior working environment in new rooms where they would fi nd ideal surround-ings for working and communicating.

Which employees use DOCKLANDS? All of them. Consultants who drop by the offi ce just briefl y, as well as employees who have to work on something quickly and need concentration.

What was the response to the new furniture? Very positive. It is generally considered a fantasticplace to fi nd privacy in an open offi ce for a short amountof time. We’ve recieved feedback such as »outstanding design, compact workstation, very good use of space, very versatile«.

With Linkit being a young company, and DOCKLANDS a very recent new product, after the first trial phase it was already clear that the two are excellently matched.

Sounds good. Have you ever worked in DOCK-LANDS yourself ? What do you personally think of it? It’s a pleasant place to work: you feel protected,but not separated. I’m able to follow conversations while also communicating to colleagues that I needto concentrate on my work.

To what type of company would you recommend DOCKLANDS in particular? Companies with a high proportion of employees in areas such as sales or consultation, as well as companiesthat wish to provide their employees with alternative places for privacy and concentration in an open offi ce structure.

ONE PIECE FOR ALLNinety per cent of Linkit employees are mobileworkers. This is just one reason why the companychose the new furniture typology DOCKLANDS.

Cont’d on page 11»A STORY ABOUT WORK« by PearsonLloyd

concEPTs & PRoJEcTs

»Large, global companies are hungrier for such innovations than you might think«, confi rms Handlgruber. This is illustrated by working with American Express and other project partners which are all moving in the same direction: »Primarily, successful international clients are realising that they want a modern offi ce solution, and a change. Banks, insurance companies,large corporations, media enterprises—we are reaching those who already know that they have a high level of knowledge workers and that this isexactly where the greatest creation value lies. Large corporations like Deutsche Bank realised this long ago.«

By meeting the specifi c needs of the knowledge worker a new type of furniture such as DOCKLANDSoperates at a unique crossroad. »We are frequentlyregarded as specialists for focussed locations and privacy areas«, Handlgruber says, understanding the reality behind the project development. »The question is—How do I get the offi ce to work? Cre-ating a bridge between privacy and openness is the solution.«

The »We« experience is important

DOCKLANDS was »on track« to create this bridge in London before the product was even launched, and also to help communicate the notion of space density internally. An essential aspect. »Why do you go to the offi ce?«, asks Handlgruber. »You go for the company, the ›We‹ experience. But you need areas such as DOCKLANDS where you can retreat. When the employees see a benefi t that works for them—its the perfect solution.«

L I N K I T C O N S U L T I N G G M B H , C O L O G N E

»We wanted to offer ouremployees a superior

working environment wherethey would fi nd ideal

surroundings for workingand communicating.«

Uli Müller

9docklands paper


concEPTs & PRoJEcTs

HOMEBASE BORSESAAL

10 docklands paper


And still they were tired. As time went by it became clear that to do a good job, workers might actually need to talk to each other as well as write stuff down. But there was no place to go to talk and share their ideas ...

For over a hundred years, *desks* and *meeting* rooms were made without anyone really wondering if they were good for the workers. Even the chairs were called *task* chairs, which was a bit depressing.

One day some more clever people invented computers and the workers were promised that there would be less paper in the offices and that they would be liberated in their work. But still they had to sit at their desks ...

»A STORY ABOUT WORK« by PearsonLloyd Cont’d on page 12

When Theophil Hansen presented the architecturaldesign of Vienna’s historic »Wiener Borse« venue, itwas clear that today’s methods of communication are very diff erent. Back in 1877, when the horse and car-riages were the main method of delivery along Vienna’sRingstrasse, the famous architect Hansen shaped this important ring-road in multiple ways. The Vienna Stockmarket is one of his key successes, as is the near-by Parliament Building.

Since then the »Wiener Borse« has experience many key events. In 1956, the historic »Borse Saal« wasdestroyed by fi re, and was rebuilt and brought into modernity by another famous architect Erich Bolten-stern. His purist 50’s appeal was later diminished with the integration of large parquet raised fl ooring which contained ventilation, heating as well as electricity.

Since 1999, the Borse Saal has been leased to Regus—world leaders when it comes to fl exible working solu-tions, with Business Centres in no less than 100 coun-tries worldwide. Regus’s target audiences are diverse,including Start-Up Businesses as well as Global Players,and covering half of the Fortune Global 500 enterprises.Needless to say that a company like Regus is very muchaware of new developments and innovations in offi ce landscapes.

Flexible Working in the Open Space

When Regus were confronted with the planned rede-sign of the Great Hall of the Stock Exchange their goal was a delicate one: To create a working environment within a historical ambience, while focusing on newly

emerging organisational needs and realities such as Open Space or fl exible workplace solutions. Regus’s highly-diff erentiated list of references called for equallydiff erentiated options: from basic workplaces for start-ups, to advanced, convenient and even executive workplaces for top management clients.

Zoning in three Areas

As a leading specialist in offi ce planning, Bene were asked to fi nd a solution. Bene’s »Interior ConceptsInternational« division focussed on creating threedistinct zones within the Great Hall. Near the entrance,a central space consists of a generously proportioned Welcome Desk with an annexed Business Lounge. Containing an elegant waiting-area, including a multi-media wall this area allows users to gather daily news. A stand-up meeting area with touch-down options is part of the central space, while Bene’s cylindrical and free-standing offi ce-furniture »Toguna« acts as an iconic centre-piece, providing private space for con-fi dential discussions or brainstorming activities. The entrance area then leads to an open, aligned basic working space, which is similar to a library—perfectlysuitable for short-term activities without any particularneed for screening.

RM Room Modules, positioned on both sides of the central space, help screen off this area, and are fl anked by convenient permanent workstations on the façade side, plus various advanced workplaces on the oppo-site side. Here Bene’s new DOCKLANDS Dock-In Bays are perfectly placed. Flexible, temporary use is a man-datory feature, as is the demand for a working space that meets the needs for visual and acoustic segrega-tion, providing a perfect environment for concentratedand focussed work.

Colour and Material Concept

Bene’s recommendation for the colour concept is also multifunctional: The design of the textile fl oor tiles echoes the historical ceiling details, while the selectedhue emphasises the central area of the midzone. In parallel, the colours of the furniture are more discreet: dark for the executive offi ces on the mezzanine fl oor, warmer wood tones for the convenience workstations. The DOCKLANDS modules in the advanced work-places are in yet another colour, perfectly fi tting for this kind of anchor station with future potential: busy grey for the exterior and soothing green for the inte-rior where concentration is required.

A room with a history, a furniture system

with a future: the fantastic ambience

of the Vienna Stock Exchange requires

very careful spatial intervention. Here,

too, the DOCKLANDS system proves that

it has the necessary sensitivity.

concEPTs & PRoJEcTs

Working amidst historical ambience is a big deal. Although it’s not the only thingRegus can offer its clients. The redesigning of the Vienna Stockmarkets»Grosse Borsesaal« opened the doors to optimal organisational opportunities:greater fl exibility and multiple workplace-solutions being the key elements.

11docklands paper


Sometimes though, workers needed to sit on their own and concentrate on a difficult subject ... to help do the work that needed concentration, the clever people who made PARCS created a new place to work called DOCKLANDS.

The DOCKLANDS is the place where the bright creative types go to work on projects and set up social enterprises and run tech start ups and look really happy.

It then became clear that people could actually have a choice of work place depending on the work they did and their needs each day, and because they had a choice they were happier.

And until some other clever people come up with an alternative ...

Then some very clever people realised that work does not always need to be done sitting in rows of desks. This became possible because the clever people cut the cables off the computers and the phones so they became *mobile*.

Some really really clever people then made some new work places that were not a desk or a meeting room. This they called the PARCS. PARCS was a happy place full of life and energy and even colour, which was kind of novel.

Workers went to the PARCS to talk together and share ideas and they were inspired and productive and happy.

And they were still tired.

»A STORY ABOUT WORK« by PearsonLloyd

© PearsonLloyd, 2012

Dieses Produkt entspricht dem ÖsterreichischenUmweltzeichen für schadstoffarme Druckprodukte(UZ 24), UW-Nr. 715. Grasl FairPrint, Bad Vöslau,www.grasl.eu

This product conforms to the standards of the AustrianEnvironmental Seal of Approval for environmentally friendly printing products (UZ 24), UW-Nr. 715. Grasl FairPrint, Bad Vöslau,www.grasl.eu

HACKNEYHOUSE

HEROES

Faster, higher, stronger.Nothing and nobody could steal the show fromthe London Olympics this summer. But that wasn’t the aim. Pearson-Lloyd, who developed the interior design for the showcase »Tech City«, were in a discipline of their own. A trendsettingnetworking space for the creative industries protagonists of the sur-rounding vibrant district of Shoreditch took shape there: Hackney House, afi ne example of temporaryarchitecture, served as the media centre and business expo during the day, and in the evening became an event space. No gold medals were handed out there. But a prizewinning jewel of in-novative offi ce furniture

design hit the limelight: PARCS—the range of of-fi ce furniture developed by PearsonLloyd for Bene.Also on show for the fi rst time was its congenial partner: DOCKLANDS.

It’s only a few steps from the DOCKLANDS to »Greenwich«, thanks to PearsonLloyd. The Brit-ish designer duo was inspired by Greenwich Park when they created the exclusive fabric col-lection »Greenwich«, which also characterises the look of the DOCK-LANDS module. To be more exact: inspired by the network of paths in the iconic London green space, whose curves and straight lines now sweep across the offi ce furni-ture in abstract shapes. What the large pattern repeat, implemented by

the Danish manufacturerKvadrat, achieves with this is immediately vis-ible. The large, vertical spaces are subtly broken up, and the logical dimen-sions of the curves of the park fi elds have been transferred to the pattern.The principle of the city-to-go also encourages atouch of colour dynamics.Cyan for London’s sky, refl ected in the glass façades, grass green for the urban quiet zones, and soft tones of city grey for concentrated quiet on the job.

Office furniture enjoys this stroll as well: the »Greenwich« collection was derived from thenetwork of paths in the park of the same name.

GREEnWIcH FaBRIc collEcTIon

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Networkof Paths

PearsonLloyd weave together urbanity,green space, textiles. How a legendary London

park livens up offi ce worlds.

DOCKLANDS pre-launchin the temporary living

room of East London’s avant–garde creative industries:

DOCKLANDS has gotoff to a great start.

The Hackney House in the east of London (top), the perfect partners for innovative office design. Luke Pearson and Tom Lloyd (middle) at the pre-launch event (bottom).

12 docklands paper


14 15Born in Belgium

BuzzispaCe

a worLd oF siLenCe...

Das Antwerpener Unternehmen BuzziSpace (Belgien) will innovative akustische

Lösungen für unseren Arbeitsplatz ebenso wie für unser privates Lebensumfeld bieten.

BuzziSpace, das 2007 mit einem Sortiment von vier Produkten begann, wurde mit

zahlreichen internationalen Preisen ausgezeichnet. Das Produktangebot der neuen Marke

entsprach dem immer wachsenden Bedürfnis nach Stille und Stil in offenen Räumen,

wie z.B. Büros und Lofts, wie kein anderes und stellte sich so im Nu und in der ganzen

Welt als absoluter Volltreffer heraus.

Die ersten vier Produkte - BuzziZone, BuzziBoard, BuzziLight und BuzziScreen - von

Hausdesignerin Sas Adriaenssens, wurden nach kürzester Zeit mit internationalen

Designpreisen, wie zum Beispiel dem Marie-Claire Maison Award während Maison

& Objet in Paris, ausgezeichnet. Die 100% ökologische Erfolgsstory von BuzziSpace

wurde fast sofort zum Musterbeispiel für die Designbranche und zeigte, dass Wieder-

verwertung und hippe Entwürfe entgegen Hand in Hand gehen können. Kurz nach dem

Start von BuzziSpace gab es dann auch schon neue Produkte von Designern wie Alain

Gilles, der davor bereits mit klangvollen Marken wie Bonaldo und Casamania zusam-

mengearbeitet hatte. Seine Produkte BuzziBooth, -Hood, -Blinds und -Cockpit wurden

von der internationalen Presse geehrt und heutzutage in den Büroräumen von Microsoft,

Facebook, SAS Airlines und Google verwendet. Mittlerweile bringt BuzziSpace auch

Möbel heraus, die sowohl im Objekt und Büro, als auch in der Wohnung Flexibilität und

Modularität ermöglichen: die BuzziSwitch-Kollektion zum Beispiel kombiniert ökologi-

sches Holz mit Filz, wodurch eine spannende Formensprache entsteht.

Für BuzziSpace ist das Recycling von PET-Flaschen als Grundmaterial für die Produkte

ebenso wichtig wie der organische Leim, der verwendet wird. Außerdem bietet

BuzziSpace mit seinen Entwürfen Lösungen für die sich schnell wandelnden Lebens-

räume in der ganzen Welt: unsere Büros und Häuser werden zunehmend kompakter,

während wir Offenheit im Raum immer wichtiger finden. Dank dem schallabsorbieren-

dem Ökofilz der BuzziProducts vereinen sich Ästhetik und Lärmreduktion in wunder-

schönen Objekten, die den Alltag fröhlicher und angenehmer machen.

Heutzutage ist BuzziSpace weltweit verzweigt mit Ausstellungsräumen in Chicago, Sydney,

London, Rotterdam, Köln & selbstverständlich ihrem Headquarter in der belgischen Stadt

Antwerpen.

Design Brussels Awards 2007 (Best Belgian Product)

L’esprit Marie Claire Maison 2007 (Maison & Objet Paris)

Design at Work 2008 (Interieur Foundation)

Henry Van de Velde Label 2009 (Design Flanders)

Ecodesign Award 2009 (OVAM)

Interior Design USA 2011 (Best of Year 2011)

Henry van de Velde Label 2011 (Design Flanders)

Mixology Award London 2012 (Product of the year, Surfaces)

Metropolis Magazine Award Chicago 2012 (Best Product in Show)

Designer of the Year 2012 (Alain Gilles)

18 19

Buzzizone BuzziFelt | connection par ts: BuzziFabric

2007 | Sas Adriaenssens

The BuzziZone is a half-height sound-insulating partition wall that provides a little privacy

and peace in your living room or office. It is light, colourful, tackable and sound absor-

bing. in other words, it is ideal for concealing a kids’ corner, work area or quiet reading

nook. What is more, the BuzziZone suits both modern and traditional interiors.

De BuzziZone is een halfhoge akoestische wand die zorgt voor een stukje privacy en rust

in je woonkamer of bureau. Hij is licht, kleurrijk, geluidsabsorberend en je kan er dingen

op vastprikken: ideaal dus om er een speelhoek, een werkplek of een rustige leeshoek

achter te verbergen. Bovendien past de BuzziZone zowel in een moderne als klassieke

omgeving.

Le BuzziZone est une cloison acoustique de hauteur moyenne qui permet d’introduire

un peu d’intimité et de calme au salon ou au bureau. Léger, coloré, il absorbe le bruit et

accueille affiches, dessins et objets. Il constitue donc une solution idéale pour isoler un

coin de jeu, un espace de travail ou un coin lecture. En outre, le BuzziZone s’intègre dans

tous les environnements, qu’ils soient classiques ou modernes.

Die BuzziZone ist eine halbhohe akustische Wand, die in ihrem Wohnzimmer und ihrem

Büro für ein wenig privatsphäre sorgt. Sie ist leicht, farbenfroh, es lassen sich dinge

mit Nadeln an ihr befestigen und sie absorbiert Geräusche: ideal zur abgrenzung einer

Spielecke, eines arbeitsplatzes oder einer ruhigen leseecke. Darüber hinaus fügt sich die

BuzziZone sowohl in eine moderne als auch in eine klassische umgebung perfekt ein.

BuzziZone

20 21BuzziZone

24 25

BuzzisCreen BuzziFelt


The folding screen has come back into fashion with a bang! The BuzziScreen is a

contemporary take on the flexible room divider with all sorts of advantages. For example,

it can be extended infinitely: the handy recycled zipper system makes it easy for you to

add panels. Just like with the other BuzziSpace products, you can pin objects, photos or

letters to the screen to your heart’s content, and of course it works as sound insulation

as well. Divide up your office or room any way you want, all the time, everywhere!

Het kamerscherm is helemaal terug, en hoe! De BuzziScreen is een hedendaagse

interpretatie van de flexibele kamerverdeler met tal van voordelen. Zo kan hij onbeperkt

uitgebreid worden: via het handige (gerecycleerde) ritssysteem kan je makkelijk panelen

toevoegen. Net als bij de andere BuzziSpaceproducten kan je naar hartenlust objecten,

foto’s of briefjes op het scherm prikken en uiteraard werkt het ook akoestisch. Deel je

bureau of kamer in zoals jij het wil, altijd en overal!

Le paravent revient en force. Le BuzziScreen est une interprétation contemporaine de

l’écran flexible,conjugué à de nombreux avantages. Ainsi, il est extensible à l’infini puis-

que des panneaux peuvent être ajoutés en toute simplicité grâce à un ingénieux système

de fermeture éclair recyclé. Comme pour tous les produits BuzziSpace, épinglez-y

objets, photos ou billets doux. Il possède en outre, bien entendu, une fonction insonori-

sante. Divisez l’espace comme le coeur vous en dit, partout et toujours!

Der Paravent ist zurück, und wie! Der BuzziScreen ist eine moderne interpretation des

flexiblen Raumteilers mit zahlreichen Vorteilen. Mithilfe des praktischen (recycelten)

Reißverschlusssystems lassen sich problemlos Wände anfügen - so kann er unbe-

grenzt erweitert werden. Wie bei allen anderen BuzziSpace-produkten können Sie nach

Herzenslust Gegenstände, Fotos oder Nachrichten daran anheften und natürlich verfügt

er auch über geräuschabsorbierende eigenschaften. Unterteilen Sie ihr Büro oder ihre

privaträume nach ihren Wünschen, immer und überall!

BuzziScreen

26 27BuzziScreen

28 29BuzziScreen

30 31BuzziScreen

38 39

BuzziBLinds BuzziFelt

2011 | Alain Gilles Designer of the Year 2012

These rotating acoustical blinds take their inspiration from modernist architecture

and more specifically from the exterior sunshades that can be found for instance on

modernist buildings designed by Oscar Niemeyer in Brasilia. And also by the rhythm and

tonalities created by the orientation of these sunshades. The concept has been turned

into elements that can define and partition open-space offices.

To please lovers of modern and extravagant design as well, a corner can be created by

combining the BuzziBlinds with the BuzziBlinds Curved. A partition wall to please all!

Deze roterende akoestische schermen vinden hun inspiratie in de modernistische

architectuur en meer specifiek in de buiten zonwering die men onder meer kan terug-

vinden in de modernistische gebouwen ontworpen door Oscar Niemeyer in Brasilia.

Deze schermen onderscheiden zich ook door hun ritmiek en kleurenpallet eigen aan de

instelbaarheid van de oriëntatie van deze zonneschermen. Het concept werd vertaald in

losse wandelementen die open space kantoren kunnen definiëren.

Om zowel de liefhebbers van strak als extravagant design gelukkig te maken, kan een

hoek worden gecreëerd door de BuzziBlinds met de BuzziBlinds Curved te combineren.

Een scheidingswand naar ieders smaak.

Ces cloisons acoustiques orientables puisent leur inspiration dans l’architecture moder-

niste, et plus particulièrement dans les pare-soleil extérieurs que l’on peut trouver sur

certains immeubles d’Oscar Niemeyer à Brasilia. Ils font écho à leurs rythmiques et aux

tonalités de couleurs différentes générées par ceux-ci en fonction de leur orientation.

Le concept a été transformé en un élément permettant de définir et de diviser de grands

espaces ouverts tels que des bureaux paysagés ou autres espaces publics.

Pour répondre aux souhaits tant des amateurs de lignes épurées que de ceux du design

extravagant, il est possible de créer un coin en combinant les BuzziBlinds avec les

BuzziBlinds Curved : une cloison au goût de tous.

Diese rotierenden akustischen Blinds sind die inspiration aus moderner architektur,

wie man Sie von Sonnenblenden an modernen Gebäuden kennt, designed von Oscar

Niemeyer aus Brasilien. Auch der Rhythmus und die Tonalität ist orientiert an diesen

Sonnenblenden. Das Konzept ist in elemente umgewandelt, die Großraumbüros definieren

und unterteilen können. Je nach dem wie die einzelnen elemente ausgerichtet sind, kann

man mehr oder weniger sehen.

Um sowohl die Liebhaber von geraden Linien wie von extravagantem Design glücklich

zu machen, können BuzziBlinds mit BuzziBlinds Curved kombiniert werden und einen

Winkel bilden. Eine Trennwand, die somit allen Vorlieben gerecht wird.

BuzziBlinds

40 41BuzziBlinds Curved

42 43BuzziBlinds

54 55

BuzziBoard BuzziFelt


The BuzziBoard is a magnetic and sound-insulating memo board that can be attached

to metal surfaces or to both sides of a glass wall with no need for hooks or screws. You

can use it to pin things up, to absorb sound or to darken your windows; in any case this

multipurpose object invites you to use your imagination in the workplace or at home.

Het BuzziBoard is een magnetisch en akoestisch prikbord dat zonder ophangsysteem op

metalen oppervlakken of aan beide kanten van een glazen wand kan worden gehangen.

Noem het een memowand, een geluidsabsorbeerder of een raamverduisteraar; in ieder

geval nodigt zijn multifunctionele karakter gebruikers uit om creatief om te gaan met hun

werkplek of thuis.

Le BuzziBoard est un tableau d’affichage magnétique et acoustique à fixer sans dispositif

de suspension sur une surface métallique, ou de chaque côté d’une paroi vitrée. À la

fois pense-bête, panneau d’insonorisation ou d’occultation, son caractère multifonctions

incite les utilisateurs à la créativité dans l’approche de leur environnement de vie ou de

travail.

Das BuzziBoard ist eine magnetische und akustische pinnwand, die ohne aufhängungs-

system an metallenen Oberflächen oder an den beiden Seiten einer Glaswand befestigt

werden kann. Ob man es nun als Memowand, Geräuschabsorbierer oder Fenster-

verdunkler bezeichnet - in jedem Fall inspiriert sein multifunktionaler charakter den

Benutzer zur kreativen Gestaltung von arbeitsplatz oder Wohnraum.

BuzziBoard

56 57BuzziBoard

BuzziBaCk BuzziFelt

2010 | BuzziSpace Design Team

XXL and available in tailored sizes: the BuzziBack is the BuzziBoard’s big brother. Of

course you can pin all kinds of things to this sound-insulating screen and attach it to

metal cabinets. Thanks to its handy suction cups, you can fix it onto a window as well.

So it’s practical to fix your office things to and attractive in any office environment.

XXL en bovendien op maat verkrijgbaar: de BuzziBack is de grote broer van de

BuzziBoard. Natuurlijk kan je ook op dit akoestische scherm allerlei dingen prikken en

is hij net als zijn broer bevestigbaar op metalen kasten. Dankzij zijn handige zuignappen

kan je hem ook aan een raam ophangen. Praktisch dus om er je kantoorspullen op te

bevestigen, én mooi in elke kantooromgeving.

En taille XXL, en plus d’être disponible sur mesure, le BuzziBack est le grand frère du

BuzziBoard. Bien sûr, cet écran acoustique accueille lui aussi vos photos et billets doux

et, comme le BuzziBoard, il peut être fixé sur des armoires métalliques mais aussi, grâce

à ses ventouses, à une vitre. Une solution hyper pratique pour y fixer tous vos objets de

bureau, en plus d’être décorative dans tout environnement de bureau.

XXL und darüber hinaus in jeder gewünschten Größe erhältlich: BuzziBack ist der

große Bruder des BuzziBoard. Natürlich kann man auch an diesem akustischen Board

zahlreiche dinge anheften und es genau wie seinen Bruder, an metallenen Schränken

oder - dank der praktischen Saugnäpfe - an einem Fenster aufhängen. Bestens geeignet

also, um ihre Büroartikel daran zu heften und zudem in jedem Büro eine optische

Bereicherung.

66 67BuzziBack

68 69BuzziBack

72 73

Buzzidesk BuzziFelt


Not only does the BuzziDesk safeguard your privacy at work; it keeps out your

colleagues’ irritating telephone or computer sounds as well. It is easy to install in any

office, and with its tactile appearance and colourful tint it will make every working day

feel like a party!

Hij zorgt er niet alleen voor dat je privacy krijgt op je werkplek, de BuzziDesk houdt

ook vervelende telefoon- of computergeluiden van collega’s tegen. Hij is makkelijk te

bevestigen op elk bureau, en met zijn aaibare look en kleurrijke tint maakt hij van elke

werkdag een feest!

En plus de préserver votre intimité sur votre lieu de travail, le BuzziDesk vous isole aussi

des conversations téléphoniques ou des bruits d’ordinateurs des collègues. Il est facile à

fixer sur n’importe quel bureau. Grâce à son look câlin et haut en couleur, chaque jour de

travail est désormais une fête!

Er sorgt nicht nur für ihre privatsphäre am arbeitsplatz, der BuzziDesk hält auch störende

Telefon- und computergeräusche von Kollegen fern. Er ist an jedem Schreibtisch einfach

zu befestigen und mit seinem kuscheligen look und seiner farbenfrohen Gestaltung

macht er jeden arbeitstag zu einem Freudentag!

BuzziDesk straight-angled

74 75BuzziDesk rounded

128 129BuzziSkin 3D Tile, back in woodBuzziSkin 3D Tile, back in Felt

142 143

BuzzipLantsBuzziFabric | BuzziRough

2010 | Anthony Duffeleer

Do you need privacy, quiet or protection? The BuzziPlants by designer Anthony Duffeleer

is the first room divider that combines no less than three factors: sound insulation, design

and a surface you can stick pins onto. Thanks to the striking shape and colour of the

three available plants, you can make a statement at home or at the office. Put your

BuzziPlants in direct sunlight - it deserves to be seen!

Nood aan privacy, rust of beschutting? De BuzziPlants van designer Anthony Duffeleer

is het eerste kamerscherm dat maar liefst drie dingen combineert: akoestiek, design en

de mogelijkheid om er dingen op te prikken. Dankzij de opvallende vorm en kleur van de

drie beschikbare plants maak je er zowel thuis als in een kantooromgeving een statement

mee. De BuzziPlants mag dus gezien worden!

Besoin d’intimité, de repos ou de protection? Le BuzziPlants signé Anthony Duffeleer est

le premier paravent qui combine à la fois acoustique, design et présentation. Grâce à la

forme et aux couleurs étonnantes des trois modèles disponibles, vous posez un geste

design fort en adoptant un BuzziPlants au bureau ou à la maison.

Ein wenig privatsphäre, Ruhe oder Geborgenheit gefällig? Der BuzziPlants des designers

Anthony Duffeleer ist der erste Raumteiler, der drei eigenschaften kombiniert: akustik,

design & die Möglichkeit, dinge daran anzuheften. Dank der auffälligen Form und Farbe

der drei erhältlichen plants zeigen Sie damit sowohl daheim als auch im Büro, dass Sie

Geschmack haben. BuzziPlants muss sich bestimmt nicht verstecken!

BuzziPlants: Doldi | Sur f | Mobi

148 149

BuzziLooseBuzziFelt | BuzziFabric | BuzziRough


Descending from above to fulfil its roll in life: to function as the ultimate saviour from

intrusive noise at the office. The BuzziLoose can be hung anywhere in the room thanks to

its integrated cable system, instantly creating a welcome sound buffer. The BuzziLoose

is from the BuzziPod and the BuzziLand family, but is double-sided, free hanging and rec-

tangular. A cool, new design that is upholstered with BuzziFabric or BuzziFelt - available in

Flat or 3D structure.

Uit de hemel neergedaald als ultiem redmiddel tegen storende geluiden op kantoor: de

BuzziLoose kan dankzij de ingewerkte kabels eender waar in de ruimte worden opge-

hangen, om op die manier een welkome geluidsbuffer te creëren. De BuzziLoose doet

denken aan de BuzziPod en de BuzziLand, maar is losstaand en rechthoekig van vorm.

Een eigenzinnig en nieuw ontwerp dus, dat volledig overtrokken is met BuzziFabric of

BuzziFelt. In Flat- en 3D-structuur beschikbaar.

Descendu du ciel comme ultime solution contre les bruits dérangeants au bureau, le

BuzziLoose peut être suspendu n’importe où dans l’espace grâce à ses câbles intégrés.

Le BuzziLoose rappelle le BuzziPod et le BuzziLand, mais est autonome et de forme

rectangulaire. Un design original et nouveau donc, entièrement recouvert de BuzziFabric

ou de BuzziFelt. Disponible en structure Flat et 3D.

Die ultimative Lösung für störende Geräusche im Büro kommt von oben: BuzziLoose

kann dank der integrierten Deckenbefestigung an jedem beliebigen Ort im Raum

aufgehängt werden und bietet so einen willkommenen Lärmschirm. BuzziLoose erinnert

an BuzziPod und BuzziLand, hängt aber frei im Raum. Ein eigenwilliger, neuer Entwurf

also, der vollständig mit BuzziFabric oder BuzziFelt überzogen ist. Erhältlich in Flat- und

3D-Struktur.

BuzziLoose 3D

150 151BuzziLoose Flat

168 169

BuzziswitChBuzziFabric | BuzziRough | Sliced BuzziFelt


Acoustics + functionality + ecology = BuzziSwitch. Designer Sas Adriaenssens added

it all together and the result was a dynamic collection of furniture and objects such as

padded stools, upholstered walls, accessories, self-adhesive pinboards and much more.

By tilting or moving the objects they instantly receive a new function. Creative and space

saving: for an ultra-modular work environment!

Akoestiek + functionaliteit + ecologie = BuzziSwitch. Ontwerpster Sas Adriaenssens

maakte de optelsom en kwam uit bij een dynamische collectie meubels en objecten zo-

als poefs, gestoffeerde muurtjes, accessoires, zelfklevende pinboards en nog veel meer.

Door de voorwerpen te kantelen of te verschuiven krijgen ze op slag een nieuwe functie.

Creatief en plaatsbesparend: voor een ultramodulaire werkomgeving!

Acoustique + fonctionnalité + écologie = BuzziSwitch. La designer Sas Adriaenssens a

fait l’addition et a obtenu ainsi une collection dynamique de meubles et d’objets comme

des poufs, des cloisons garnies, des accessoires, des tableaux d’affichage autocollants,

et bien plus encore. En pivotant ou en déplaçant les objets, ils acquièrent une toute

nouvelle fonction. Des solutions créatives qui font gagner de la place, pour un environ-

nement de travail ultra-modulaire !

Akustik + Funktionalität + Ökologie = BuzziSwitch. Die Addition von Designerin Sas

Adriaenssens funktioniert und ist Ausgangspunkt einer dynamischen Kollektion mit

Möbeln und Objekten wie Sitzkissen, gepolsterten Trennwänden, Zubehör, selbsthaf-

tenden Pinboards und vielem mehr. Durch ein Kippen oder Verschieben erhalten sie im

Handumdrehen eine neue Funktion. Kreativ und platzsparend: für eine ultramodulare

Arbeitsumgebung!

BuzziSwitch Phone Chair

170 171BuzziSwitch Twist | BuzziSwitch Seat 1 || BuzziSwitch CoatHanger | BuzziSwitch TrayTableBuzziSwitch Seat 1 | BuzziSwitch Club Low || BuzziSwitch Seat 1 | BuzziSwitch Seat 3 | BuzziSwitch Seat 4

172 173BuzziSwitch Brick BackBuzziSwitch Wall Wood || BuzziSwitch Wall Fabric || BuzziSwitch Wall Wood as DayBed | BuzziSwitch Bridge

192 193

CoMing soon!

BuzziteMpBuzziFabric | BuzziRough

2012 | Alain Gilles Designer of the Year 2012

BuzziTemp

194 195BuzziTemp

196 197

CoMing soon!

BuzziBooth targaBuzziFabric | BuzziRough

2012 | Alain GillesDesigner of the Year 2012

BuzziBooth Targa

198 199

CoMing soon!

BuzzigridBuzziFelt

2012 | Alain GillesDesigner of the Year 2012

BuzziGrid

Lime 64

White 31

Orange 66

StoneGrey 67

Red 59

Mokka 33

LightBlue 60 Jeans 14 Pink 65

Anthracite 68 Black 00

Curry 61

BuzziFeLt 100% RECYCL P.E.T. FELT

OffWhite 63 EcoBrown 58

206 207

BuzziFeLt 2007

All our BuzziSpace products are covered in layered eco felt material, which has both

sound-reducing and sound-absorbing properties. This makes our range perfect for dam-

pening sounds in office spaces as well as in home environments without losing sight of

the tactile factor and design quotient. The eco felt or BuzziFelt consists of 100% upcy-

cled plastic bottle waste. This makes the BuzziSpace products good for the environment,

because they help to reduce waste. The production process of the Buzzi range applies

the "cradle-to-cradle" philosophy wherever it can as well. So it’s not just design, but

design with a heart.

Al onze BuzziSpace-producten worden bekleed met een gelaagd ecovilt dat zowel

geluidsreducerende als geluidsabsorberende eigenschappen heeft. Daardoor leent ons

gamma zich perfect voor het dempen van geluid op kantoor en in huis, zonder dat de

aaibaarheidsfactor en het designgehalte uit het oog worden verloren. Het ecovilt of

BuzziFelt is gemaakt van 100% ge-upcycled peT-afval of plastic flessen. Daardoor zijn de

BuzziSpaceproducten goed voor het milieu, want ze helpen de afvalberg te verminderen.

Ook in het productieproces van het Buzzigamma wordt het "cradle to cradle"-principe zo

veel mogelijk toegepast. Design met een groen hart dus.

Tous les produits BuzziSpace sont recouverts d’ecovilt stratifié qui, à la fois, réduit les

bruits et les absorbe. Notre gamme se prête dès lors parfaitement à l’aménagement

acoustique, tant au bureau qu’à la maison, tout en assurant l’aspect câlin et design

des produits. L’ecovilt ou BuzziFelt est fabriqué à partir de déchets peT ou de bouteil-

les en plastique 100 % recyclées. Dès lors, les produits BuzziSpace sont respectueux

de l’environnement puisqu’ils contribuent à réduire les déchets. L’approche “cradle to

cradle” (sans déchets) maximale est également poursuivie dans le processus de pro-

duction de la gamme BuzziSpace. On peut donc parler de design vraiment durable.

Alle unsere BuzziSpace-produkte werden mit einem mehrschichtigen Öko-Filz bezogen,

der sowohl akustisch-geräuschreduzierende als auch geräuschabsorbierende eigen-

schaften besitzt. So eignet sich unser Sortiment perfekt zur Geräuschdämpfung im Büro

und zu hause; ohne dass dabei Kuschelfaktor und designgehalt vernachlässigt werden.

Der Öko-Filz oder BuzziFelt wird aus 100% recycelten peT-abfällen hergestellt. Dadurch

sind die BuzziSpace-produkte gut für die umwelt, denn sie helfen dabei, den abfallberg

abzubauen. Auch beim produktionsprozess des Buzzi-Sortiments wird so weit wie

möglich das "cradle to cradle-Prinzip" angewendet. Man kann also sagen: design mit

einem grünen Herzen.


Width Thickness Weight Martindale Rubs Fire Class. Report 170 cm 6 mm 1.100 g/m2 >7 000 B - s1 - d0 ASTM E84 Class B certified BS476 Part 6 and 7 Class 0MAINTENANCE

BuzziFelt

Naturel 1

DarkBrown 18

Aubergine 74

Beige 1037

LightGrey 1000

Purple 78

Kiezel 7

MidGrey 1001

Navy 1007

Taupe 1008

Zwart 1003

Red 2011

Rust 29

Fuchsia 77Pink 73

Orange 2012

BuzziFaBriC 70% RECYCLED WOOL | 25% RECYCLED POLYACRYL | 5% RECYCLED OTHER FABRICS

Pistache 52 Olive 53

Indigo 90Blue 45LightBlue 41

Petrol 56

Mandarin 129 Yellow 24

208 209

BuzziFaBriC 2010

The BuzziFabrics are used to upholster all the BuzziSpace seating units and therefore

also meet the highest standards of sitting comfort and durability. To meet these high

demands, we use a fabric that is a mix of various high-quality recycled raw materials.

The BuzziFabric consists of 70% recycled wool, 25% recycled polyacrylic and 5% recy-

cled rags. High quality plus ecology, after all, remains our motto in everything we do!

De BuzziFabrics worden gebruikt voor het stofferen van alle zitelementen van BuzziSpace

en voldoen dan ook aan de hoogste normen inzake zitcomfort en slijtvastheid. Om

aan deze hoge eisen te voldoen, gebruiken we een stof die een mix is van verschil-

lende hoogwaardige gerecycleerde grondstoffen. De BuzziFabric bestaat voor 70% uit

gerecycleerde wol, voor 25% uit gerecycleerd polyacryl en voor 5% uit gerecycleerde

stoffenresten. Hoge kwaliteit in combinatie met ecologie blijft dan ook ons motto in alles

wat we doen!

Les tissus BuzziFabrics s’utilisent pour le recouvrement de tous les sièges BuzziSpace

et répondent dès lors aux normes les plus sévères en termes de confort et de résistance

à l’usure. Pour répondre à ces normes élevées, nous recourons à un tissu composé de

plusieurs matières premières recyclées de haute qualité. Le BuzziFabric se compose

pour 70 % de laine recyclée, de 25 % de polyacrylique recyclé et de 5 % de résidus

textiles recyclés. La qualité combinée à l’écologie: voilà notre credo dans tout ce que

nous entreprenons.

Die BuzziFabrics werden zum polstern aller Sitzelemente von BuzziSpace verwendet und

erfüllen die höchsten Standards hinsichtlich Sitzkomfort und Verschleißfestigkeit. Um

diese hohen ansprüche zu erfüllen, verwenden wir einen Stoff, der sich aus verschiede-

nen hochwertigen, recycelten Grundstoffen zusammensetzt. Der BuzziFabric besteht zu

70% aus recycelter Wolle, zu 25% aus recyceltem polyacryl und zu 5% aus recycelten

Stoffresten. Hohe Qualität in Kombination mit Ökologie ist und bleibt unser Mission

Statement bei allem, was wir tun!

BuzziFaBriC 70% RECYCLED WOOL | 25% RECYCLED POLYACRYL | 5% RECYCLED OTHER FABRICS

Width Thickness Weight Martindale Rubs Fire Retardant148 cm 0,8 mm 600 g/m2 >40 000 EN 1021-1 : 2006 PASS Wyzembeek double rubs EN 1021-2 : 2006 PASS >30 000 BS EN 1021-1: 2006 Smouldering Cigarette

BS EN 1021-2: 2006 Match Flame Equivalent

MAINTENANCE CAL TB 117 - PASS

BuzziFabric

Champagne 186

Charcoal 79

Hunter 156

Coffee 81

Lime 157

Denim 153

Taffy 185

Olive 53

LightBlue 41

Ash 40

Turtle 88

IceBlue 43

Dolphin 180

Forest 162

Niagara 158

Buzzirough 100% RECYCL POLYACRYL

SkyBlue 142 Estate 152

LolliPop 187Dahlia 188

Lemon 122Celery 80

Hyacinth 159

Imperial 189

210 211

Buzzirough 2012

Some like it gentle, others prefer it rough. The BuzziRough is the latest addition to the

range of fabrics that BuzziSpace has to offer. The fabric feels slightly rougher than the

classics such as BuzziFabric, because of the fact that its fibres are clearly visible and

the weave has a texture. This gives it a distinct look. The colour ways of the BuzziRough

material is a combination of two fibre colours.

Sommigen hebben het graag zacht, voor anderen mag het wat ruwer. De BuzziRough

is de nieuwste aanwinst in het gamma van stoffen dat BuzziSpace te bieden heeft. De

stof doet ietwat stugger aan in vergelijking met klassiekers als de BuzziFabric, omdat de

vezels duidelijk zichtbaar zijn. Dit zorgt voor een geheel eigen look. Doorgaans is de kleur

van het BuzziRough-materiaal een combinatie van twee gebruikte vezelkleuren, die samen

een bijzonder en uniek geheel vormen.

Certains aiment l’infinie douceur, d’autres préfèrent une certaine robustesse.

Le BuzziRough est le dernier né de la gamme d’étoffes proposées par BuzziSpace.

D’apparence un peu plus rêche que des tissus classiques comme le BuzziFabric, p.ex. -

et due au fait que les fibres sont clairement apparentes -, cette nouvelle matière apporte

un look très particulier. Généralement, la couleur du BuzziRough résulte de la combinai-

son de deux fibres utilisées.

Manche mögen es weich, andere bevorzugen eine etwas rauere Oberfläche.

BuzziRough ist die neueste Ergänzung des BuzziSpace-Stoffsortiments. Der Stoff wirkt

etwas kräftiger als Klassiker wie BuzziFabric, weil die Gewebestruktur deutlich sichtbar

ist. Das ergibt einen ganz eigenen Look. Bei BuzziRough werden immer zwei Faserfarben

miteinander kombiniert, sie vermischen sich zu einem besonderen und einzigartigen

Farbbild.

Buzzirough 100% RECYCL POLYACRYL

Width Thickness Weight Martindale Rubs Fire Retardant148 cm 1,2 mm 675 g/lm >40 000 DIN 4102-B1 MAINTENANCE

BuzziRough

ColibriGrass Tukan

Toendra

Savannah

Zebra

sLiCed BuzziFeLt 100% RECYCL P.E.T. FELT

OffWhite|Lime OffWhite|Orange OffWhite|Red

Curry|CurryOffWhite|OffWhite

OffWhite|Pink

Orange|Orange

StoneGrey|StoneGrey

Lime|Lime

LightBlue|LightBlue

Red|Red EcoBrown|EcoBrownPink|Pink

Anthracite|Anthracite

OffWhite|CurryOffWhite|LightBlue

OffWhite|EcoBrown

OffWhite|StoneGrey OffWhite|Anthracite

212 213

sLiCed BuzziFeLt 2011

What to do with the leftovers of already recycled materials? For the BuzziFelt leftovers,

BuzziSpace thought of the perfect solution: Sliced BuzziFelt! Felt trimmings are cut up

and processed into colourful, randomly striped patterns that find their way as new pro-

ducts of the BuzziSwitch collection. Recycling this way becomes upcycling and Sliced

BuzziFelt is the perfect addition to the BuzziSpace natural way of life.

Wat doe je met de "leftovers" van reeds gerecycleerd materiaal? Voor de BuzziFelt

creëerde BuzziSpace een stijlvolle oplossing: de Sliced BuzziFelt! Viltresten worden ver-

sneden en verwerkt tot vrolijke en willekeurige streepjespatronen die hun weg vinden als

nieuwe producten van de BuzziSwitch-collectie. Recycling wordt Upcycling - een perfecte

aanvulling van de BuzziSpace-filosofie.

Que faire des restes de matières déjà recyclées ? Pour le BuzziFelt, BuzziSpace a

créé une solution élégante : le Sliced BuzziFelt ! Les restes de feutre sont découpés et

transformés en joyeux motifs rayés qui formeront au final de nouveaux produits de la

collection BuzziSwitch. Ou quand le “Recycling” se fait “Upcycling” - un prolongement

parfait de la philosophie BuzziSpace.

Was macht man mit den Resten von bereits recyceltem Material? Für BuzziFelt

entwickelte BuzziSpace eine elegante Lösung - Sliced BuzziFelt! Filzreste werden

zerschnitten und zu fröhlichen, willkürlich kombinierten Streifenmustern zusammen-

gesetzt, die als neue Produkte der BuzziSwitch-Kollektion ihren Weg gehen. Aus

Recycling wird Upcycling - eine perfekte Ergänzung der BuzziSpace-Philosophie.


Width Thickness Weight Martindale Rubs Fire Class. Report 170 cm 6 mm 1.100 g/m2 >7 000 B - s1 - d0 ASTM E84 Class B certified BS476 Part 6 and 7 Class 0MAINTENANCE

Sliced BuzziFelt

Universal ScreensScreens

Die Entwicklung von „Universal Screens” ist die konsequente Antwort

auf die wachsende Bedeutung eines Systems, welches sich einfach

an ein Tisch- oder Schranksystem befestigen lässt. Die Farben und

Materialien der Tische, Sichtblenden, Schränke und Stühle können

dabei beliebig kombiniert werden und schaffen so eine harmonische

Büroatmosphäre.

The development of “Universal Screens” is the consistent response

to the growing importance of a system that can be fixed simply to

a desk or cabinet system. The colours and materials of the tables,

screens, cabinets and chairs can be combined as required, thus

creating a harmonious office atmosphere.

UNIVERSAL SCREENS

UNIVERSAL SCREENS

KIRON

STORAGE

TL TUTTI

06

EPURE

HEXAGON

KIRON

6 7 85

1 2 3 4

1 Light Screen, Befestigung an der Tischplatte / Light Screen, top fixing

2 Light Screen, Befestigung an der Tischstruktur / Light Screen, structure fixing

3 Light Screen, Befestigung an der Bench / Light Screen, bench fixing

4 Rahmen Screen, Befestigung an der Tischplatte, fixe Höhe / Framed Screen, top fixing, fixed height

5 Rahmen Screen, Befestigung an der Tischstruktur, fixe Höhe / Framed Screen, structure fixing, fixed height

6 Rahmen Screen, Befestigung an der Bench, fixe Höhe / Framed Screen, bench fixing, fixed height

7 Rahmen Screen, Befestigung an der Tischplatte, variable Höhe / Framed Screen, top fixing, variable height

8 Rahmen Screen, Befestigung an der Tischstruktur, variable Höhe / Framed Screen, structure fixing, variable height

08

Kiron ist ein Tischsystem mit funktionellem Design und zeit-

loser Formensprache. In Verbindung mit der Systemvielfalt

setzt Kiron neue Impulse für das effiziente Büro und zusammen

mit Universal Screens je nach Anforderung kommunikative

oder konzentrative Arbeitsplatzbedingungen. Aufeinander

abgestimmte Materialien und Farben sorgen zudem für eine

harmonische Arbeitsumgebung.

Kiron is a desk system that combines functional design with

a simple form language. The Kiron desking system sets new

standards for office effectiveness, and when configured with

the Universal Screens, creates environments to facilitate

concentration or collaboration. The use of coordinated

materials and colours results in a harmonious working

environment.

KIRON UND UNIVERSAL SCREENSKIRON AND UNIVERSAL SCREENS

09

5

1 2 3

4

1 Light Screen, Befestigung an der Tischstruktur / Light Screen, structure fixing

2 Light Screen, Befestigung an der Bench mit Multifunktionskanal / Light Screen, bench fixing for bench with multifunctional channel

3 Rahmen Screen, Befestigung an der Tischstruktur, fixe Höhe / Framed Screen, structure fixing, fixed height

4 Rahmen Screen, Befestigung an der Bench mit Multifunktionskanal, fixe Höhe / Framed Screen, bench fixing,

fixed height for bench with multifunctional channel

5 Rahmen Screen, Befestigung an der Tischplatte, variable Höhe / Framed Screen, variable height

TL Tutti ist ein funktionelles, designorientiertes Tischsystem

für die verschiedensten Anwendungsbereiche. Diese Vielfalt

wird ergänzt durch die vielen Gestaltungsmöglichkeiten mit

Universal Screens. Im Bereich der Benchanwendung sorgen

die Sichtblenden für visuellen Schutz und gleichzeitig als

Monitorhalter. In der Funktionsnut können zudem ver-

schiedene Ablage- und Organisationselemente eingehängt

werden.

TL Tutti is a functional, design-oriented desk system and was

conceived for use in a wide variety of applications. Its wide

spectrum of use is complemented by the many possibilities

for enhancing the layout by installing Universal Screens. In

bench applications, these screens provide privacy while also

acting as a support for the computer monitor. A range of

storage and organisational units can be hooked into the

integrated functional slot.

TL TUTTI UND UNIVERSAL SCREENS

TL TUTTI AND UNIVERSAL SCREENS

15

54

31 2

1 Light Screen, Befestigung an der Tischplatte / Light Screen, top fixing

2 Light Screen, Befestigung an der Bench mit Funktionsnut / Light Screen, bench fixing for bench with central rail

3 Rahmen Screen, Befestigung an der Tischplatte, fixe Höhe / Framed Screen, top fixing, fixed height

4 Rahmen Screen, Befestigung an der Bench mit Funktionsnut, fixe Höhe / Framed Screen, bench fixing, fixed height for bench with central rail

5 Rahmen Screen, Befestigung an der Tischplatte, variable Höhe / Framed Screen, variable height

16

Die modulare und durchdachte Struktur von Epure erlaubt

viele Einsatzmöglichkeiten: von komplexen Benchlösungen

bis hin zu funktionellen Teamarbeitsplätzen und stilvollen

Einzeltischen. Auch hier können Sichtblenden helfen indivi-

duelle Bedürfnisse zu erfüllen. Ob als Plexiglasvariante im

Benchbereich oder als Rahmen-Stoffsichtblende mit Funkti-

onsnut und Monitorhalterung.

The modular and thoughtfully conceived structure of the

Epure range permits a wide range of applications, from

complex bench solutions to functional team workspaces

and stylish single desk spaces. In this environment too,

privacy screens can be employed to meet individual

requirements. These can be made of Plexiglas, for use

with benches, or a frame and fabric design can be installed,

complete with functional slot and monitor support.

EPURE UND UNIVERSAL SCREENS

EPURE AND UNIVERSAL SCREENS

17

Stoffkollektion 50 / Fabric collection 50





Blasen orange / Bubbles orange

Kreise orange / Circles orange

Blumen 1 orange / Flower 1 orange

Blumen 2 orange / Flower 2 orange

Farbige Linien / Coloured Lines

Blasen blau / Bubbles blue

Kreise blau / Circles blue

Blumen 1 blau / Flower 1 blue

Blumen 2 blau / Flower 2 blue

Blasen grün / Bubbles green

Kreise grün / Circles green

Blumen 1 grün / Flower 1 green

Blumen 2 grün / Flower 2 green

Blasen silber / Bubbles silver

Kreise silber / Circles silver

Blumen 1 silber / Flower 1 silver

Blumen 2 silber / Flower 2 silver

Blasen braun / Bubbles brown

Kreise braun / Circles brown

Blumen 1 braun / Flower 1 brown

Blumen 2 braun / Flower 2 brown

Plexiglas mit Muster / Pattern plexiglass


82/0096 82/0097

82/0083 82/0076

82/0035

82/0027 82/0145

82/0082 82/0005

82/0081 82/0079 82/0009

82/0045 82/002182/0095

82/0084

82/0024

82/0158

82/0011 82/0094

82/0026 82/0072

82/0004

82/0030

34/0050 34/0073 34/007134/0063 34/0090 34/001034/0060 34/002134/0066 34/002034/0074 34/0014

22/1078 22/002522/4089 22/099922/8056 22/7031 22/6057

50/0101 50/0351 50/060450/0201 50/0451 50/065150/0202 50/050350/0251 50/055250/0303 50/0603

23/001123/3034 23/099923/4092 23/6061 23/6064

25/8120 25/8383 25/861725/8239 25/8431 25/865125/8241 25/843425/8267 25/853225/8348 25/8578

20

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Light Screen

Light Screen

Kiron

TL Tutti

Hexagon

Epure

32 cm X X X X X X X X X

41,5 cm X X X X X X X X X

Light Screen, wellenförmig

Light Screen, waved

Kiron

TL Tutti

Hexagon

Epure

32 cm /

41,5 cm X X X X X X

Sichtblende schiebbar

Lateral sliding screen

Kiron

TL Tutti

Hexagon

Epure

32 cm X X X X X X

Rahmen Screen

Framed Screen

Kiron

TL Tutti

Hexagon

Epure

32 cm X X X X X X X X

41,5 cm X X X X X X X X

67 cm X X X X X X X

Rahmen Screen,

geteilte Füllung mit Funktionsnut

Framed Screen,

split finish with accessory bar

Kiron

TL Tutti

Hexagon

Epure

41,5 cm X X X X X X X X X

67 cm X X X X X X X X

Rahmen Screen für Kiron Stauraum

Framed Screen for Kiron Storage

Kiron

Storage

41,5 cm X X X X X X X X

67 cm X X X X X X X

Rahmen Screen mit Funktionsnut

für Kiron-Storage

Framed Screen Kiron Storage,

split finish with accessory bar

Kiron

Storage67 cm X X X X X X X X

Aufsatz-Organisationsschiene

und/oder Glaspanel

(Nur für Sichtblende Light

in Stoff und Natura)

Accesssory rail and/or glass extension

(Only for Light Screens Fabric and Natura)

Kiron

TL Tutti

Hexagon

Epure

20 cm

Glass

extension

Glaspanel

X

Sichtblende aus Plexiglas

für Multifunktionskabelkanal

TL Tutti und Funktionsnut Epure

Plexiglass screen for multifunctional channel

(TL) and central rail (Epure)

TL Tutti

Epure37 cm X

Sichtblende schiebbar für Multifunktions-

kanal TL Tutti und Funktionsnut Epure

Sliding lateral Screen for multifunctional

channel (TL) and central rail (Epure)

TL Tutti

Epure

32 cm /

37 cm X X X X X X

Glas / Glass Natura / Natura Metalloberflächen / Metal

Glas snow

Snow glass

Glas klar (nur für

Rahmen Screens)

Clear transparent (for

Framed screens only)

Ahorn genutet

Maple slat finish

Weiss

EC P01

White

EC P01

Silber Hell

EC P03

Aluminium Light

Silver EC P03

Schwarz

P05

Black

P05

Champagner

P06

Champagne

P06

Schwarzgrau

EC P34

Charcoal

EC P34

FARBEN UND MATERIALIENCOLOURS AND MATERIALS

21

haworth

Edge Floor Screen

Edge Floor Screen Edge golvskärm har en enkel, ren och tilltalande design för det flexibla kontoret. Design Christian Halleröd. Skärmen dämpar effektivt det störande ljud som uppstår i kontorslandskap. Skärmen är uppbyggd av en massiv trästomme på 40 mm med en ljudsabsorberande A-klassad fyllning. Skärmarna är klädda med Fiji, Cara eller Blazer som standard. Andra storlekar och textilier offereras.

Inbyggda magneter ger edge golvskärmar en unik kopplingsfunktion. För 3 och 4 -vägskoppling används magnetbärande kopplingsbeslag. Edge finns med flera olika fötter och lister.

Edge floor screen has a simple, clean and attractive design for the flexible office. Design by Christian Halleröd.The floor screen effectively absorbs the noises that can disturb in office landscapes. The screen has a 40 mm frame of solid wood and a sound-absorbent A-classed filling. As standard, our screens are clad in the textiles Fiji, Cara or Blazer. Other sizes and textiles are offered.

Built-in magnets give Edge floor screens a unique connecting function. For 3- and 4-way connections, magnetic connecting fittings are used. A wide range of feet and edging strips in different colours is available for Edge.

Lintex ABMadesjövägen 17382 45 Nybro

Tel +46 481 645 30Fax + 46 481 645 31

[email protected]

Art.nr Benämning/ Name b x h mm/ w x h mm

75305 Golvskärm Edge/ Floor screen Edge 800 x 1350









1234 T-fot Arc polerad, ställbar/T-foot Arc polished, adjustable

360

1234S T-fot Arc svart, ställbar/T-foot Arc black, adjustable

360

1235 T-fot Blade polerad, ställbar/T-foot Blade polished, adjustable

415

1235S T-fot Blade svart, ställbar/T-foot Blade Black, adjustable

415

1236 U-fot Tub polerad (bygger 11cm)/U-foot Tub polished (builds 11cm)

315

1236S U-fot Tub svart (bygger 11cm)/U-foot Tub black (builds 11cm)

315

1237 Rund fot Slim polerad, ställbar/Round foot Slim polished, adjustable

Ø 40

1237S Rund fot Slim svart, ställbar/Round foot Slim black, adjustable

Ø 40

1416 3-vägskoppling magnet3 way connecting bracket

1417 3-vägskoppling magnet4 way connecting bracket

T-foot Arc black U-foot Tub black

Round foot Slim polished

Rubber strip four colors

T-foot Blade polished

Magnetic bearing connecting bracket 3- and 4- way

Lintex

Quiet Riot

Design Daniel Svahn

www.mitab.se

Quiet Riot

Design Daniel Svahn

Ljudabsorberande skärmvägg i 2 storlekar, port-trätt (stående) och landskap (liggande). Stativ i pulverlack. Vit och svart som standard, valfri RAL-kulör som special. Finns i standardutfö-rande med tyg Flex (Väveriet) i röda, blå, gröna eller grå nyanser. Kan också göras kundanpas-sat med valfria tyger. Sound absorbing roomdivider in 2 sizes, portrait or landscape. Powder coated frame in white or black as standard or in any RAL-colour as spei-cal order. Standard upholstery, Flex (Väveriet) in red, blue, green or grey colours. Also available in any textile or with c.o.m. . Porträtt/PortraitH 194cm, W 133cm, D 38cmLandskap/LandscapeH 150cm, W 176cm, D 38cm

Mitab Produktion ABFraktgatan 2Box 426SE-573 25 TranåsSweden

P +46 140 53000F +46 140 53050

[email protected]

PannelloD e s i g n b y M a t t e o T h u n

C H R U C K S T U H L A GTeppichfabrik/fabrique de tapis/carpet factory/fabbrica di tappetiSt.Urbanstrasse 21, CH-4901 LangenthalTel. +41 62 919 86 00, Fax +41 62 922 48 [email protected], www.ruckstuhl.com

B E R U C K S T U H L V E R K O O P B E N E L U XKapittelweg 28NL – 1216 JE HilversumTel. 035 623 5104, Fax 035 628 [email protected]

D E R U C K S T U H L D E U T S C H L A N DKernerplatz 270182 StuttgartTel. 0711 666 630, Fax 0711 616 [email protected]

D K R U C K S T U H L D A N M A R KDalsgaardsvej 282930 KlampenborgTel. 40 95 45 [email protected]

E S K . D I F U S I Ó NValero 1008021 BarcelonaTel. 935 53 16 10, Fax 935 53 16 [email protected]

F I K E H A O YShowroom, Nilsiänkatu 1500510 HelsinkiTel. 09 4133 1370, Fax 09 4133 [email protected]

F R E T S R U C K S T U H L F R A N C E20, rue du Mail75002 ParisTél. 0144 82 03 30, Fax 0144 82 03 [email protected]

G B R U C K S T U H L U KRilli House, Church StreetWargrave, Berkshire RG 10 8EPTel. 079 7060 [email protected]

G R M O D A B A G N O – N . V A R V E R I S S . A .50, Anapafseos Str. – Halandri 152 38AthensTel. 0210 80 36 700, Fax 0210 80 49 [email protected]

H K S A N K O N 23/F, Lucky Building, 39 Wellington StreetCentral, Hong KongTel. 2543 3880, Fax 2543 [email protected]

I S E PA L H . F.Skeifunni 6108 ReykjavikTel. 568 77 33, Fax 568 77 [email protected]

I T R U C K S T U H L I TA L I A S . R . L .Via Cerva 2320122 MilanoTel. 0276 009 294, Fax 0276 009 [email protected]

J P C R E AT I O N B A U M A N N J A PA N LT D .Tokyo Design Center, 5-25-19 Higashi-GotandaShinagawa-ku, Tokyo 141-0022Tel. 03 5423 5036, Fax 03 5423 [email protected]

K R Y O U & U S LT D .66, You & US B/D, 135/815Nonhyun-dong Gangnam-guKR SeoulTel. 02 547 80 09, Fax 02 548 82 [email protected]

N L R U C K S T U H L V E R K O O P B E N E L U XKapittelweg 281216 JE HilversumTel. 035 623 5104, Fax 035 628 [email protected]

P T M O U T I N H O E M A R Q U E S - D E C O R A Ç Ã ORua das Condominhas, 29-R/CH4150-222 PortoTel. 226 169 527, Fax 226 169 [email protected]

T R H Y M D A N I S M A L I KMustafa bey. cad. no: 23/1 k:6/613Izmir 35220Tel. 532 261 [email protected]

U S R U C K S T U H L U S A LT D .29 Ninth AvenueNew York, NY 10014Tel. 212 741 1180, Fax 212 929 [email protected]

G r ö s s e n u n d F o r m e n D i m e n s i o n s e t f o r m e sG r ö s s e n u n d F o r m e n D i m e n s i o n s e t f o r m e s

Pannello gibt es in Standardgrössen und auf Kundenwunschin Spezialgrössen.

Das Pannello semplice wird bis zu einer Länge von 400 cm als fertige Ware geliefert. Längere Pannellos werden inEinzelteilen geliefert und müssen vor Ort montiert werden.Das Pannello semplice kann auch über Eck, in einem 90° Winkel, montiert werden.

Pannello est disponible dans des dimensions standard et dansdes dimensions spéciales réalisées à la demande du client.

Le Pannello semplice est livré comme produit fini dans unelongueur de 400 cm maximum. Les Pannellos plus longs sontlivrés en pièces détachées et doivent être montés sur place. Le Pannello semplice peut également être installé en équerre,dans un angle de 90°.

Pannello supporto90 x 180 cm75 x 150 cm

Pannello murale180 x 90 cm150 x 75 cm

Pannello murale90 x 180 cm75 x 150 cm

Pannello sospeso180 x 90 cm150 x 75 cm

24

S i z e s a n d s h a p e s D i m e n s i o n i e f o r m eS i z e s a n d s h a p e s D i m e n s i o n i e f o r m e

Pannello comes in standard sizes, and also in special sizes atthe customer’s request.

Pannello semplice can be delivered as a finished product in a length of up to 400 cm. Longer Pannellos are delivered in separate components, and must be installed on site.Pannello semplice can also be installed around a corner with a 90° angle.

Pannello è disponibile nelle misure standard e, su richiesta,anche in misure speciali.

Pannello semplice viene consegnato come prodotto finito fino ad una lunghezza di 400 cm. Pannelli di lunghezza maggiore vengono invece consegnati in unità modulari separate e devono essere assemblati e montati sul posto.Pannello semplice può essere montato anche in uno spazioangolato di 90°.

Pannello semplice200 – 600 x 140 cm200 – 600 x 110 cm

25

Pannello Paravent80 x 160 cm40 x 160 cm

Pannello Tavola160 x 40 cm

Feltro two 60269

Feltro two 60288

Feltro plus 60281Feltro two 10204

Feltro two 10203

Feltro karakul 695

Feltro two 60289

F a r b e n u n d O b e r f l ä c h e n C o u l e u r s e t s u r f a c e s

Es stehen sieben elegante Farben zur Verfügung. Fünf davonsind in einer sehr homogenen Filzqualität: zwei Rottöne, einSchwarzblau, ein helles Grau sowie ein Wollweiss. Die ande-ren beiden, in dunkelbraun und beige, sind meliert und habeneine etwas rauhere Oberfläche, da einzelne härtere Wollhaareim Filz enthalten sind.

CapitonnéEin altes Handwerk der Polsterei gibt der Oberfläche desPannellos eine reliefartige Struktur. Capitonné erlebt zur Zeitein Revival und wird beim Pannello in einer zeitgemässenForm neu interpretiert. Capitonné ist in allen sieben Farbenerhältlich.

Sept coloris élégants sont disponibles. Cinq d’entre eux sontfournis dans une qualité de feutre très homogène : deux tonalités de rouge, un bleu noir, un gris clair et un blanc cassé.Les deux autres – un marron foncé chiné et un beige chiné –possèdent une surface un peu plus rugueuse, du fait qu’ellecontient quelques poils de laine plus durs.

CapitonnéUne méthode artisanale ancienne de tapisserie confère à lasurface du Pannello une structure en relief. Le capitonné, qui revient actuellement à la mode, est réinterprété en uneforme contemporaine sur le Pannello. Capitonné est disponible dans les sept coloris.

26

C o l o u r s a n d s u r f a c e s C o l o r i e s u p e r f i c i

Capitonné ist in allen sieben Farbenerhältlich, allerdings nicht für PannelloTavola und Pannello Paravent.

Capitonné est disponible dans les septcoloris, à l’exception pour PannelloTavola et Pannello Paravent.

Capitonné is available in all 7 colours,though not for Pannello Tavola orPannello Paravent.

Il Capitonné è disponibile in tutti e 7 icolori, tuttavia non per Pannello Tavola ePannello Paravent.

Capitonné Feltro karakul 695

Pannello comes in seven elegant colours. Five of these have ahighly homogeneous felt quality: two red shades, one darkblue, a light grey and wool white. The other two, in darkbrown and beige, are mottled and have a somewhat roughersurface texture, as some tougher wool fibres are included in the felt.

CapitonnéThe traditional craft of upholstery gives the surface of thePannello a structure resembling a relief. Capitonné is currently experiencing a revival, and has been reinterpretedby Pannello in a contemporary form. Capitonné is obtainablein all seven colours.

Sono disponibili sette colori di tonalità eleganti. Per cinque di questi, la qualità del feltro è molto omogenea: due rossi, unnero blu, un grigio chiaro e un bianco lana. Negli altri duecasi, un marrone scuro mélange e un beige mélange, il feltropresenta invece una superficie un po’ più ruvida, dato checontiene singoli peli di lana più spessi.

CapitonnéGrazie all’opera di vecchi artigiani imbottitori, la superficiedei pannelli è dotata di una struttura a rilievo. Il Capitonné stavivendo di questi tempi un revival e in Pannello viene rivisitatoin luce contemporanea. Il Capitonné è disponibile in tutti esette i colori.

27

Pannello sospeso: Deckenabhängung / Fixationpour montage au plafond / Ceiling suspension /Dispositivo per l’aggancio al soffitto

Pannello supporto: Füsse / Pieds / Feet / Piedi

Pannello murale: Wandhalterung /Fixation murale / Wall mount / Supporto da parete

Z u b e h ö r u n d A c c e s s o i r e s G a r n i t u r e s e t a c c e s s o i r e s

Zu den drei Typen Pannello murale, Pannello sospeso undPannello supporto gehört jeweils spezifisches Zubehör:Wandhalterungen, Füsse und Deckenabhängungen.

Verschiedene Accessoires verwandeln das Pannello in einArbeitsinstrument: eine einrollbare Projektionsfolie, ein Halter für Flipchart, ein Tablar für Papier (rechts, links und unten montierbar) und eine Schale für Stifte. DieseHilfsmittel können jederzeit mit ein paar Handgriffen an- und abmontiert werden; nicht an Pannello Tavola undPannello Paravent.

Des garnitures spécifiques sont affectées aux trois types dePannellos, Pannello murale, Pannello sospeso et Pannello supporto : fixation murale, pieds et fixation pour montage auplafond.

Différents accessoires transforment le Pannello en un instrument de travail : une toile de projection en plastiqueenroulable, une fixation pour flipchart, une tablette porte-document (montage à gauche, à droite ou en bas) et une boîte à crayons. Ces accessoires se montent et se démontent en un tournemain; pas sur Pannello Tavola etPannello Paravent.

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A c c e s s o r i e s A c c e s s o r i

29

Each of the three types – Pannello murale, Pannello sospesoand Pannello supporto – has its own specific accessories:wall mount, feet and ceiling suspension.

Various accessories serve to transform Pannello into a working tool: a projection film that can be rolled up, a flipchart mount, a shelf for papers (mounting on the left ,right or bottom) or a receptacle for writing implements. These auxiliary devices can be installed or taken down in next to no time (not with Pannello Tavola or PannelloParavent).

Ai tre tipi di pannello, Pannello murale, Pannello sospeso e Pannello supporto sono abbinati rispettivamente degliaccessori specifici: supporto da parete, piedi e dispositivo perl’aggancio al soffitto.

Diversi tipi di accessori trasformano Pannello in uno strumentodi lavoro: un schermo di proiezione arrotolabile, un supportoper la lavagna a fogli mobili, un ripiano portacarta (montaggioa sinistra, a destra o in basso) e una vaschetta per penne ematite. Tutti questi elementi si possono smontare e rimontarecon un paio di semplici interventi manuali; non su PannelloTavola e Pannello Paravent.

Schale / Boîte / Tray / Vaschetta

Halter für Flipchart / Support pour flipchart / Mount for flipchart / Supporto per lavagna a fogli mobili

Pannello semplice: Halter für Flipchart /Support pour flipchart / Mount for flip-chart / Supporto per lavagna a fogli mobili

Tablar / Tablette / Shelf / Ripiano

Projektionsfolie / Toile de projection /Screen / Schermo di proiezione

Pannello Paravent: Scharnier / Charnière /Hinge / Cerniera

Pannello Paravent: Fuss / Pied / Foot /Piede

Pannello Tavola: Magnethalter / suppport magnétique / magnet holder /supporto magnetico

v

www.vitra.com/[email protected] | FR 2012

Table assis/debout Tyde

Plateau de table en MDF finition epoxy

basic dark avec bords biseautés

Cluster assis-debout Tyde

Plateau de table en mélaminé soft light, cloison de séparation et bac à câbles en feutre de polyester gris clair

avec poutre technique, adaptateur pour écrans et luminaires, caisson porte-classeurs et casier à ustensiles

TABLE Tyde

Table assis-debout Tyde

Plateau de table en placage chêne clair effet bois naturel

avec écran 3D, conduit de câbles et bac à câbles en feutre de polyester bleu

v

Avec Tyde, Ronan et Erwan Bouroullec ont créé une nouvelle famille de tables régla-bles en hauteur. La technique nécessaire au réglage de la hauteur est intégrée avec soin et facilité, ce qui permet d'utiliser le système Tyde dans divers environnements de bureaux, et même en combinaison avec d'autres tables.

Alors que les tables assis-debout ne sont en règle générale destinées qu'à une utilisation dans des postes de travail individuels, Tyde étend le concept et les avantages de l'alternance assis et debout aux postes de travail doubles, aux tables de conférence et aux tables de projets pour le travail en équipe.

Car cette alternance se révèle particulière-ment favorable : les experts recommandent des proportions de 40% de travail debout et 60% de travail assis. Le fait d'éviter une sollicitation monotone du corps permet en effet de prévenir les problèmes de santé, sans oublier que cela favorise la circulati-on sanguine, augmentant ainsi la capacité de concentration et de performance.

Tyde Ronan & Erwan Bouroullec, 2012

Tyde

Pour être efficaces, les bureaux open space doivent être des pièces remplies d'énergie, propices à la productivité. On leur reproche souvent leur niveau sonore élevé, qui entrave la concentration. Il est donc indispensable que le mobilier de bureau soit conçu de manière non seule-ment à éviter, mais également à atténuer ce brouhaha ambiant. Tyde y parvient grâce à des mesures efficaces : d'une part le moteur du réglage électrique de la hauteur, caché sous la table dans un boîtier isolant, est très silencieux. D'autre part les nouveaux écrans en feutre de polyester isolant constituent avec le boîtier une surface d'isolation phonique efficace.


v

Tyde Developed by Vitra in Switzerland

Design: Ronan & Erwan Bouroullec

www.vitra.com/tydeThis brochure and all depicted products and labels are protected by law, particularly by copyright, patent and trademark laws, and may not be used without written permission. Art. no. 091446 v

Avec le système Tyde, Ronan & Erwan Bouroullec ont lancé une nouvelle famille de tables réglables en hauteur auxquelles la technique nécessaire au réglage de la hauteur est intégrée avec soin. Celle-ci leur confère un caractère fonctionnel et permet une utilisation de ce système dans divers environnements de bureaux, et même en combinaison avec d’autres tables.

Alors que les tables assis-debout ne sont en règle générale destinées qu’à une utilisation dans des postes de travail indivi-duels, Tyde étend le concept et les avantages de l’alternance assis et debout aux postes de travail doubles et aux tables de conférence. Car cette alternance se révèle particulièrement favorable : les ergonomes du travail recommandent en effet d’observer la répartition suivante du temps de travail : 40 % en position debout et 60 % en position assise. Le fait d’éviter une sollicitation monotone du corps permet en effet de prévenir les problèmes de santé, sans oublier que cela favorise la circulation sanguine, augmentant ainsi la capacité de concentration et de performance.

Dans un bureau en open space actif et dynamique, l’acoustique revêt une importance toute particulière. C’est pourquoi le système Tyde est équipé d’écrans isolants et de boîtiers techniques en dessous du plateau de la table. Ceux-ci sont en feutre de polyester léger et innovant. En outre, le moteur pour le réglage électrique de la hauteur est particulièrement discret.

Tyde – Assis et debout

Feutre de polyester innovant

Le nouveau matériel se distingue par un amortisse-ment acoustique efficace et un toucher agréable.

68 cm

76 cm

125 cm

65 cm 65 cm

85 cm

Tous les postes de travail Tyde peuvent être équipés d’écrans isolants. Tant la cloison de séparation pour clusters doubles que les écrans 3D sont composés de feutre de polyester 100 % recyclable et sont disponibles en différentes couleurs.

Le plateau de forme élégante, conçu en MDF de qualité supérieure recouvert de poudre, de couleur Basic Dark, le bac d’électrification du feutre et le cache-câble gris foncé, le volet d’électrification « Port » poli en aluminium et les abattants noirs confèrent à la version « Black » toute son élégance technique.

Les postes de travail assis/debout sont réglables électrique-ment au niveau de la hauteur, de 65 à 125 cm.

Les tables à manivelle peuvent être réglées de 65 à 85 cm.

Les tables avec colonnes de trames fixables sont réglables de 68 à 76 cm.

Le chemin de câble pour l’électrification, le port, les poutres techniques et les accessoires servent à équiper le poste de travail et peuvent être combinés entre eux. Casiers à usten-siles, rangements pour classeurs, adaptateurs pour écrans et lampes de table viennent compléter les possibilités offertes par Tyde

Tyde se focalise sur les besoins individuels d’utilisation : les tables sont disponibles en deux tailles et peuvent être équipées selon les besoins. Le système de réglage de la hauteur est disponible en version électrique, avec manivelle ou tout simplement sous forme de dispositif manuel pour différentes hauteurs d’assise. Des éléments complémentaires tels des poutres techniques, différents écrans, des supports d’unités centrales et autres accessoires permettent une personnalisation encore plus poussée.

Noir

De nombreuses possibilités de personnalisation

Écrans

Port, poutres techniques et accessoires

Réglage de la hauteur

Mobile Elements

2012

Mobile Screen

10601028

720 14

18

984

592

60

1600400

1600

1600

1025450

1600

1600

Meeting Tables

Caddy MBE Mobile pedestal ATM Mobile pedestal

Follow Me Pick Up CPU-Trolley

770 400

615

600

530

420

620

420

620

300 300 550

650

650

650

580 22¾”

580 22¾”

560

22”

560

22”

380

15”

380 15”610 24”

610

24”

610

24”

420 16½”

610 24”

420

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”

1200

430

430

490

490

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350

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1160

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Workshelter NesTable

984

592

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v

1600/1800 63”/70¾”

1600/1800 63”/70¾”

170

0/

190

0 67”/74¾”

1700/1900 67”/74¾”

68

0-7

60

26¾”-30”

68

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60

26¾”-30”

1600/1800 63”/70¾”

1600/1800 63”/70¾”

170

0/

190

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1700/1900 67”/74¾”

68

0-7

60

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68

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1600/1800 63”/70¾”

80

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800/900 31½”/35½”65

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80

0/9

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31½”/35½

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800/900 31½”/35½”

68

0-7

60

25½

”-30”

68

0-7

60

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1600/1800 63”/70¾”

1600/1800 63”/70¾”

80

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800/900 31½”/35½”65

0-1

25

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1600/1800 63”/70¾”

170

0/

190

0 67”/74¾”

1700/1900 67”/74¾”65

0-8

50

25½”-33½”

65

0-8

50

25½”-33½”

1600/1800 63”/70¾”

1600/1800 63”/70¾”

170

0/

190

0 67”/74¾”

1700/1900 67”/74¾”65

0-8

50

25½”-33½”

65

0-8

50

25½”-33½”

1600/1800 63”/70¾”

1600/1800 63”/70¾”

170

0/

190

0 67”/74¾”

1700/1900 67”/74¾”65

0-1

25

0 25½

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170

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1700/1900 67”/74¾”65

0-1

25

0 25½

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65

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DimEnsions

Cluster Tyde

Table à manivelle Tyde

Table Tyde

Table assis-debout Tyde

Cluster à manivelle Tyde

Cluster assis-debout Tyde

Magazine de recherche

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