M Boice Portfolio

8/6/2019 M Boice Portfolio

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KBPortfolio of Interior Desig

n Kate Boice


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ResumeObjectiveI desire the opportunity to join the interior design department of an outstanding design orarchitectural firm in the San Francisco bay area, while pursuing both LEED AP and IDEXcertification. I am goal oriented, driven to succeed and possess the ability to implement designstrategies and envision completed projects.EducationOklahoma Christian University Graduating April 2011

Oklahoma City, OKBFA Interior Design, GPA: Deans List

ExperienceArchitectural Design Group, Oklahoma City, OK 3/2011-Presenthttp://adg.adgokc.com/

Intern

Accompanied Senior Interior Designers on walkthroughs and establishment of punch list points.Redlined submittals for millwork installations.Dimensioned for installations of furnishings and finishes in residential interiors.Utilized AutoCAD and Google Sketchup to generate floorplans and 3-d models.

Susan Tiffin Interiors, Oklahoma City, OK 7/2010Presenthttp://susantiffininteriors.com/

Intern

Established the needs of clients through personal visits and interviews.Selected materials and finishes for interior environments.Observed and monitored billable hours.Completed practical residential projects, while remaining budget conscious.

Limited BrandsVictorias Secret, Oklahoma City, OK 9/20087/2010Associate/Cashier

Addressed the needs of clients for upscale clothing boutique.Successfully managed high volume sales.Monitored supply of women's clothing and intimate apparel inventory.

Dealt with all cash and credit card transactions.Oklahoma Christian University, Oklahoma City, OK 9/20072/2008Student Connector

Recruitment position affording first line of communication to graduating high school seniors within the United States.Responsible for all telephone communications between prospective college students and Oklahoma ChristianUniversity.Processed student applications for admission.

Deborah Morgan Dance Studio, Turlock, CA 9/20066/2007Dance Instructor/Ballet Program Director

Instructed dance classes for participants ranging in age from 3 to 17.Designed and implemented a dance curriculum for students incorporating beginning and advanced ballet,beginning and advanced tap, and jazz.

Introduced new and modern dance techniques to otherwise traditional dance school.Assistant Dance Instructor9/20036/2007

Implemented a warm-up program for students incorporating Pilates and additional enriching exercises.Managed students and parents during rehearsal and performance nights.Assisted in costume selection and measuring of students for costuming needs.

address: 12701 N. Penn #157 Oklahoma City, OK 73120 tel: 209.345.0067e-mail: [email protected] url: http://mboice3d.blogspot.com/

SkillsAdobe Acrobat Reader|GoogleSketchup|Adobe Illustrator|Adobe Photoshop|Microsoft Office Suite|AutoCAD 2008|RevitArchitecture 2010|Cinema 4D|CommercialSpace Planning

Honors & AwardsASID Student Chapter President (2010-2011)Whos Who Among Students in American

Colleges and Universities (2010-2011)Deans Award for the College of Arts and

Sciences (2010)Envision Color Contest Daily Feature (2010)First Impressions Competition Nominee (2010)Deans List (2009)

ASID Student Chapter Vice President (2009)Presidential Academic Success Award (2007)Art and Design Scholarship (2007)Freshman Interior Design DepartmentalScholarship (2007)

ActivitiesASID Student Chapter(2007 - Present)European Studies Program: Summer spent inVienna, Austria while gaining 6 university credit

hours (2008)Other destinations include:

London, EnglandParis, FranceRome, ItalyFlorence, ItalyVenice, ItalyPrague, Czech RepublicBerlin, GermanyMunich, GermanyRothenberg, GermanyBruges, BelgiumInterlaken, Switzerland

Service Projects:Schwarzwaldeckhaus, Austria (2010)Rebuilding Together, OKC (2010)Ronald McDonald House Charities, OKC (2008)


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Body of Work

SKYBOX

PEPPERS

RANCH

AIRBUS

A380

TSHABORESORT & SPA

HARBORHOUSEYOUTHSHELTER

MARACANASTADIUMANNEX

GENERALART

AUTHORS

COTTAGE


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Skybox


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Interior Systems

Fall 2008

DescriptionThe challenge for the 2008 ASID StudentDesign Competition called on students todevelop a design for a luxury skybox. Theclient is the CEO of major music recordingcompany and would use the skybox for thecompany"s recording artists when they arein town. Students were instructed tocustom-design the skybox that incorporatedthe companys logo, brand, and aspects of

the companys musical style.

Sinless Massacre Studios was founded in theearly 90s as a sister company to VirginRecords. Sinless Massacre was establishedduring this time to both give heavy metaland rock bands another label option torecord under as well as give the metal genrea less fearsome image. Sinless Massacreprovides exactly what the name says. Youare sure to be impressed with the music thatis produced by this studio but just rememberthat no matter how heavy itgets...its just music, no harm done.


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First Floor

FIRST FLOOR 1/8 = 1-0

PERSPECTIVE VIEW - GOOGLE SKETCHUP


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Second Floor

SECOND FLOOR 1/8 = 1-0


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Custom Lighting Design - Wall Sconce


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Metro Bath

DESCRIPTION

Rectilinear shaped lightbar with multi-layeredwhite glass or white acrylic.Plated pressure formedframe. Provides task and

ambient light. May bemounted vertically orhorizontally. Available inthree lamp configurations.LED version dimmable withlow-voltageelectronic dimmer. ADAcompliant.MANUFACTURER

PRODUCT NUMBER

700BCMETCOLOR

FrostFINISH

S (Satin Nickel)LAMP

-LED (LED 3000K 120V)

Fire Pendant

DESCRIPTION

Rich, translucent Muranoglass surrounds a smallfrost raindrop glass.Includes low-voltage, 50

watt halogen bi-pin lampand six feet offield-cuttablesuspension cable.MANUFACTURER

PRODUCT NUMBER

700FJFIRBS-24SYSTEM

FJ (Free Jack - MonoPoint)COLOR

CobaltFINISH


-24 (24 Volt Halogen)

Chambers Ceiling

DESCRIPTION

Square fabric flush mount.Glass diffuser provides aglare free wash of lighthighlighted with satin

nickel detail. Available intwo sizes and two lampconfigurations. Largeversion includes four 75watt A19 medium baselamps or four 18 watt GU24base self-ballastedcompact fluorescentlamps.MANUFACTURER

PRODUCT NUMBER

700TDCHAFMSIZE

S (Small)COLOR

W (White)FINISH


-CF (Compact Fluorescent120V)

Lighting Specifications


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Authors Cottage


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Residential Interior Design

Spring 2009

DescriptionTheo R. Stanford, a well known author fromthe hills of Tennessee has recently purchasedan acre of land that sits in one of thebeautiful, tree filled valleys. A small river runsthrough the area and his wish is to establishthe site of his writing cottage close to i ts

banks.Mr. Stanford is very conscientious of thenatural environment and wishes to maintainas much of the surroundings as possible. Bydoing so, using sustainable or recycled

materials for interior finishes and theconstruction process is a must. The finalproduct is a one bedroom cottage thatincorporates a small, yet functional officespace for his writings. This cottage is createdusing straw bale construction methods anda minimum of 85% sustainable materials.Floorplans, elevations and detail drawingswere all completed using hand draftingmethods.

(Inspiration photo found using Yahoo! Imagesearch)


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Research

2 or 3 string bales: Astraw bale wall built withthree-string bales (tightconstruction-grade bales aretypically 16" x 23" x 46") willproduce a super-insulatedwall of R-50. That's two tothree times more insulationthan most kinds of newconstruction, without theenvironmental hazards offormaldehyde-lacedfiberglass. Straw bale walls

are highly fire-resistantbecause, with stucco oneach side of the wall, there istoo little oxygen Inside tosupport combustion. Evenwithout stucco protection,burn-through times greatlyexceed building coderequirements. Two-stringbales can be used forconstruction if they aresufficiently compacted.

But they are smaller insize, have a lowerinsulation rating, anddo not have thestructural strength ofthree-string bales.Good, tight,three-string bales arereally preferable.

Construction:Modern load-bearing, plastered strawbale wall construction goeslike this: a concrete slab ispoured with short pieces ofrebar (metalconcrete-reinforcementrods) sticking out of theconcrete about 12 incheshigh on 2-foot centersaround the slab perimeter.After waterproofing the topof the foundation, the

bottom bales of the wall arewrapped with apolyethylene sheet (toprevent moisture migrationfrom below) and impaled onthe rebar. Subsequent balesare stacked on this bottomlayer like bricks, with eachnew layer of bales offset byhalf over the bales below.Rebar pieces are driven intoselected bale layers pinningthem to the bales below.Plumbing is generally placedin interior frame walls.

Electrical wiring is done on(or recessed into) the balesafter the wall is up. Electricaloutlet boxes are attached towooden stakes driven intothe bales.

Preassembled window and door framesare set in place as the walls areconstructed. The frames are then pinned tothe surrounding bales with dowels to holdthem in place before the stucco is applied.When the walls are finished and havecompletely compressed under the weightof the finished roof and ceiling for six weeksor so, the bales are wrapped with stuccomesh or chicken wire. Stucco is thentroweled onto the wire, coating the walls

inside and out. Plaster can be used onInterior walls if desired.

This forms a bug-proof,fire-resistant envelopearound the straw, andsecurely attaches theelectricalfixtures to the wall.Typical straw baleconstruction. Likebricks, only bigger. A

large roof overhangand gutters help keeprain off the exteriorwalls and lessen thepossibility of moisturemigration. Straw balescan take somemoisture on the ex-posed bale-ends,since the gapsbetween the strawsare too big forcapillary action tocarry moisture into the

bale. Of course,painting the stuccoalso goes a long waytoward keeping thebales dry. If the balesare kept dry thebuilding will last formany decades.

Typical Bale Sizes:Athree-string bale is typically16x23x46 bales typically

weigh between 50 and 90pounds.Cost: $2-$4 dollars a bale. Atypical 2,000 square foot housetypically requires 350 bales.


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Miscellaneous:The wallsystem for a whole buildingcan be stacked in just aday or two.

Modern straw balebuildings first appearedshortly after the inventionof mechanical balingequipment in the late1800s. Pioneers in thetimber-poor regions ofNebraska started usingbales as expedientshort-term shelters. Whenthese temporary structuresturned out to be bothdurable and comfortablein the extremes ofNebraska weather, theywere soon plastered andadopted as permanenthousing.

Insulation:Straw bales offer excellentinsulation. At R 2.7 per inch, aneighteen-inch wide bale equals R-48-R-50(a measure of the resistance to heat loss)One California study indicated that such

a super-insulated straw bale homecould save as much as 75% of heatingand cooling costs! This translates to directdollar savings for the homeowner, and acorresponding reduction in the use offossil fuels and CO2 emissions.

Concerns/Fire Resistence:Common questions aboutstraw bale homes includeconcerns about fire, moisture,and insects. While individualstalks of straw will burn, whencondensed into bales, theyactually resist combustion, dueto lack of oxygen. Its like trying

to burn a phone book. At acertified laboratory in NewMexico, a plastered straw balewall system easily passed atwo-hour fire test, which isrequired for commercialconstruction. Liquid moisture isa problem in bale walls, as it isin any wall system. But with aproper foundation, roof, andfinish plaster, straw balebuildings can last indefinitely,as nearly century-old homes inNebraska prove. Anecdotalevidence indicates noproblem with bugs.

Building codes have been developed for both post and

beam and load-bearing straw bale construction. In NewMexico, Pima County, AZ, and several counties inCalifornia, getting a building permit for a straw balehouse is almost routine. Farmers Insurance Group willinsure a bale home at preferred rates and othercompanies are following suit. And straw bale houses aregaining acceptance with Fannie Mae and HUD.

A number of these 80- to90-year-old buildings arestill standing and in goodrepair.Bales can also be bent inthe center to form curvedwalls, and interestingInsets and artwork caneasily be carved into thestraw before the stucco isapplied.


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Drawings

Goa

ls

Achieve serenity within spaceto enhance writingcapabilities.

Make use of sustainable

materials whenever possible.

Allow natural light topenetrate throughout spaceduring daylight hours.

Open floorplan to allow easywork flow.

Integrate interior and exteriorspaces through use of largewindows and natural finishes. PERSPECTIVE VIEW - CINEMA 4D


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PERSPECTIVEVIEW- CINEMA4D


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Color Boards

LivingRoom

&OfficeArea


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K

itchen&D

iningArea

Bathroo

m&

Bedroom


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Peppers Ranch


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Residential Interior Design

Spring 2009

DescriptionPeppers Ranch is a boys home requiring

many special considerations in bothresearch and implementation of design.During client interviews, special needs suchas additional ADA consideration throughoutthe space were brought to light. Designintent was based on client interviewsconsidering the desires of all clients involvedand keeping within codes and constraintsrequired of such a space. Consideration wasgiven to both the house parents wishes andthose of the boys to make this spaceenjoyable and livable to all inhabitants.Inspiration for this project began with thePhoenix, a mythical creature known for itsability to create a new life for itself by risingagain from the ashes of its previous body.The main focus of the design was to reflect afresh start by using the Phoenix as initialinspiration in both color scheme andorientation. The shape of the floor plan wasintended to mimic the whiplash curves andoddly jutting angles of the phoenix tailfeathers. The color scheme of interior finishes

also were intended to resemble that of aphoenix tail. As the project developedhowever, it was discovered that the phoenixwas too specific a creature to build an entirehouse around. The design and accessories inturn began to develop into what resemblesan African safari while still keeping within theinitial red and orange color scheme inspiredby the phoenix.

(Inspiration photo retrieved from thePeppers Ranch website)


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Process

Program:Peppers Ranch is a residential boy'scommunity providing a disciplinedenvironment in which we challengeand encourage the development ofresponsible behavioral skills, academicstandards, social discipline, spiritual

principles, and physical activity. Eachyear, Peppers Ranch accepts boysfrom all ethnic, cultural, geographicand socio-economic backgroundsbetween the ages of 5 and 15 atadmission. Often they are victims ofsevere physical, emotional and sexualabuse, compounded by medical andpsychiatric problems. Many come frombroken, dysfunctional homes,or feel isolated andunaccepted in their homes,schools and communities. Yet,despite their pain and

hardships, these boys areremarkably talented andresilient.

Renew

Vision:It is the goal of Peppers Ranch tobecome home to forty boys and theirhouse parents. The Ranch will provideindependent living apartments for ourhigh school graduates. State licensingprecludes 18-year-olds from living in thesame home with younger childrenthey've "aged out" of state custody, yetfew are ready to "graduate" into theadult world. Imagine the feeling ofhope and security it gives a child toknow that someone will be there forthem throughout their lives.

(Information retrieved from thePeppers Ranch website)

RefreshMission:Through shelter, counseling, and growth-oriented activities, PeppersRanch seeks to "break the cycle" of child abuse and neglect. Bycreating a network of caring, supportive adults on whom children candepend, Peppers Ranch is committed to providing quality care and asafe environment where physical and emotional wounds can heal.


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Technical Drawings

FLOORING PAINT COLOR WOOD STAIN DRAPERY FABRIC


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Technical Drawings


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Kitchen Design

Airbus A380


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Airbus A380


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Commercial Design I

Fall 2009

DescriptionDesign of an Airbus A380 for a Saudi Arabian Princeand his family.Public areas and private family areas are drasticallydifferent in all aspects, including color schemes, sizeand comfort of the space, and quality of textilesused. Purple, being the popular color to symbolizeroyalty is visible in all public areas as to remind allguests that they are in the presence of a diplomat.Lime green was selected as an accent to the purpleboth to offset the dark shades and shadows createdby a deep purple color and to represent the forwardmindset of the Saudi Arabian people. Utilizing atrendy color combination displays the wealth andability of the country to remain up-to-date in all

trends. Public areas such as the reception area, guestand administrative assistants office and bedroom as

well as the flight/security lounges on each level arespacious and grandiose. Ample square footage isprovided in order to prevent a claustrophobicatmosphere. Western type furnishings such as sofasand oversized chairs are provided in public areas dueto the international business goings on in the businessoffices of the Airbus. Plush and opulent textiles areutilized providing all guests the opportunity toexperience just what it means to be pamperedalongside the worlds elite.Hues of crimson and gold are apparent in all privatefamily portions of the airbus. Crimson being a warmcolor creates a sense of comfort within the protectionof family dwellings and gold being sumptuousprovides a constant reminder that family is still ahierarchical unit where respect is both demandedand observed by all members. All family areas areallotted less square footage per room rememberingthat Saudi Arabian families, no matter theirdiplomatic stature, prefer that family remain a closeunit always able to join together within theconfines of the home. Furnishings are sparse withinthe family zones, mostly comprised of benches andoversized floor pillows because the Saudi Arabianculture prefers not to utilize cumbersome furnishingsthat seat very few people. Black and white flooring ispresent in all family zones to provide additional royal

symbolism, meaning that the royal family and onlydistinguished guests may enter.Symbolism is present in all aspects of thedesign and careful consideration was given to theculture and society of the SaudiArabian people.


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ROOM FINISHES SCHEDULE

ROOMNO. ROOM NAME FLOOR

WALLS CEILING

NOTESNORTH EAST SOUTH WEST HEIGHT MATERIAL/FINISH

201 RESTROOM LT-1 P-3, WC-3 P-3, WC-3 P-3, WC-3 P-3, WC-3 7'-10" FIBER REINFORCED RESIN P-3

202 FLIGHT/SECURITY LOUNGE CPT-1, LT-1 P-3, WC-3 P-3, WC-3 P-3, WC-3 P-3, WC-3 7'-10" FIBER REINFORCED RESIN P-3

203 KITCHENETTE LT-1 P-3 P-3 P-3 P-3 7'-10" FIBER REINFORCED RESIN P-3

204 RECEPTION CPT-1, LT-1 P-3, WC-3 P-3, WC-3 P-3, WC-3 P-3, WC-3 7'-10" FIBER REINFORCED RESIN P-3

205 GUEST BEDROOM CPT-1, LT-1 P-3, WC-3 P-3, WC-3 P-3, WC-3 P-3, WC-3 7'-10" FIBER REINFORCED RESIN WC-3 TENT DRAPED CEILING

206 GUEST BATHROOM LT-1 P-3, WC-3 P-3, WC-3 P-3, WC-3 P-3, WC-3 7'-10" FIBER REINFORCED RESIN P-3, WC-1 COFFERED CEILING

207 KITCHEN MBL-1, MBL-2 P-5, WC-1, WC-5 P-5, WC-1, WC-5 P-5, WC-1, WC-5 P-5, WC-1, WC-5 7'-10" FIBER REINF ORCED RESIN P-5

208 RESTROOM MBL-1, MBL-2 P-5, WC-4 P-5, WC-4 P-5, WC-4 P-5, WC-4 7'-10" FIBER REINFORCED RESIN P-5

209 LIBRARY MBL-1, MBL-2 P-5, WC-4, WC-1, WC-5 P-5, WC-4, WC-1, WC-5 P-5, WC-4, WC-1, WC-5 P-5, WC-4, WC-1, WC-5 7'-10" FIBER REINFORCED RESIN WC-4 TENT DRAPED CEILING

210 LIVING ROOM MBL-1, MBL-2 P-5, WC-4, WC-1, WC-5 P-5, WC-4, WC-1, WC-5 P-5, WC-4, WC-1, WC-5 P-5, WC-4, WC-1, WC-5 7'-10" FIBER REINFORCED RESIN P-5, WC-1 COFFERED CEILING

211 DINING ROOM MBL-1, MBL-2 P-5, WC-4, WC-1, WC-5 P-5, WC-4, WC-1, WC-5 P-5, WC-4, WC-1, WC-5 P-5, WC-4, WC-1, WC-5 7'-10" FIBER REINFORCED RESIN P-5, WC-1 COFFERED CEILING

212 MASTER BEDROOM MBL-1, MBL-2 P-1, P-2, WC-1 P-1, P-2, WC-1 P-1, P-2, WC-1 P-1, P-2, WC-1 7'-10" FIBER REINFORCED RESIN WC-2 TENT DRAPED CEILING

213 MASTER BATHROOM MBL-1, MBL-2 P-1, P-2, WC-1 P-1, P-2, WC-1 P-1, P-2, WC-1 P-1, P-2, WC-1 7'-10" FIBER REINFORCED RESIN P-1, P-2, WC-1 COFFERED CEILING

214 MASTER BATHROOM MBL-1, MBL-2 P-1, P-2, WC-1 P-1, P-2, WC-1 P-1, P-2, WC-1 P-1, P-2, WC-1 7'-10" FIBER REINFORCED RESIN P-1, P-2, WC-1 COFFERED CEILING

215 THEATER CPT-2, LT-2 P-4, WC-3 P-4, WC-3 P-4, WC-3 P-4, WC-3 7'-10" FIBER REINFORCED RESIN P-4 COFFERED CEILING

216 OFFICE CPT-1 P-3, WC-3 P-3, WC-3 P-3, WC-3 P-3, WC-3 7'-10" FIBER REINFORCED RESIN P-3

217 RESTROOM LT-1 P-3, WC-3 P-3, WC-3 P-3, WC-3 P-3, WC-3 7'-10" FIBER REINFORCED RESIN P-3

218 ADMIN. ASSIST. BATHROOM LT-1 P-3, WC-3 P-3, WC-3 P-3, WC-3 P-3, WC-3 7'-10" FIBER REINFORCED RESIN P-3

219 ADMIN. ASSIST. OFFICE CPT-1 P-3, WC-3 P-3, WC-3 P-3, WC-3 P-3, WC-3 7'-10" FIBER REINFORCED RESIN P-3

220 ADMIN. ASSIST. BEDROOM CPT-1, LT-1 P-3, WC-3 P-3, WC-3 P-3, WC-3 P-3, WC-3 7'-10" FIBER REINFORCED RESIN P-3

Public

Areas

Finishes


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Goa

ls

Privacy - Between public and family areas andbetween men and women

Separation of zones using corridors and other circulation spaceDrapes, partitions and doors to limit visibility

DelicacyOf texture and quality, utilizing soft, plush materials and textilesLuxurious fabrics

Dainty but substantial accessories

IntimacyOf family spacesNo large furniture pieces to hinder lounge timesWarm and inviting color scheme and

compact spaces to promote quality time spent with familyBureaucracyGoverning status is reflected through interior

Black and white flooring in family areas

Purple (color of Royalty) present in mostpublic as a reminder of family stature

Maste

rBedrooom

PERSPECTIVE VIEWHAND RENDERED

Master Bedroom


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Home Theater

Resource: Home Theater DesignA home theater should be 30% longer

than it is wide. The width of thetheater will be 30% shorter than thetotal length.

Acoustical panels should be no lessthan 2 thick. The upholsteredacoustical panels will be no lessthan 2 thick.

Hom

e

Theaters

PHOTOCHROMICPAINTBEFORE

PHOTOCHROMIC

PAINTAFTER


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Resource: Arab-American Muslims Home Interiors in the US: Meanings, Uses and CommunicationPrivacy is of great importance, especially within the home. All areas will be separated by walls,

barriers, and heavy curtains to ensure privacy is available.Curtains are used extensively, both to separate spaces (the male and female domain) as well

as to conceal storage spaces. Heavy curtains will be present throughout the aircraft.Most families prefer to sit or lay on the floor in family spaces, they do not prefer large furniture

pieces in family and living rooms. Family areas will be minimally furnished with large rugs andoversized tables for lounging.

In the Arabic culture it is not permissible to hang photos of human beings. No photos of humanbeing will be present in the aircraft.

High-income families display generic sculptures and large potted plants. The design will befitted for a high-income family with large potted plants and contemporary accessories. Noreligious artifacts will be displayed.

Preference is given to the guest. A guest bedroom or reception area will be more highlydecorated than the childrens bedrooms or living spaces. The guest bedroom and reception

areas will be highly decorated (more so than childrens bedrooms and living areas) with

special attention to details.

Mid

dleEastern

Fam

ilies

Family Areas

Harbor House Youth Shelter


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Harbor House Youth Shelter


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Commercial

Design I

Fall 2009

DescriptionThe 2009 Student Design Competition called onstudents to create a residential and commercial spacefor at-risk youths ages 10-17 who are in crisis. The HarborHouse Youth Shelter provides short-term housing alongwith a healing and rehabilitating environment 24 hours aday, seven days a week at no cost to runaway, homeless,and abused youths. In addition to the residential space,the shelter also house a sandwich/deli shop operated bythe shelter occupants that is open to the public.

To be whole is to be not broken, damaged or

impaired. When speaking of human nature, it pertains toall aspects, one's physical, intellectual, and spiritual

development.Design of the Harbor House youth shelter is centered onthe acronym W.H.O.L.E. Wellness, being aconsideration because above all, the design is topromote the physical and mental well being of allinhabitants, ensuring that a safe and healthy environmentis present at all times.Residents of the Harbor House facilities are in desperateneed of a home. Whatever circumstances broughtresidents to the facilities, judgment will not be passed andthey will be given the opportunity to live in a homelikeenvironment until the time they desire to renouncepermanent residence and live on their own.One main concept of the Harbor House facilities is toprovide youth an opportunity to better theircircumstance, living situation, and future lifestyle. For thisreason, the facilities include an in house sub shop thatprovides residents a place to gain crucial work and socialexperience.The Whole in the Wall sub shop is used as a means of

allowing residents to touch the community. While themain entrance to the sub shop is located in the alleyaround the back of the building, guests will be able toenter a community of people they see every day in thework place or on the street. Design accommodates localsand allows for long periods of time spent studying orhanging out within the shop.Residents of the Pearl district in Portland tend toprefer organic, and sustainable products. Many of the

buildings in the district are undergoing renovations with anurge toward LEED certification. Keeping that in mind,mainly eco-friendly and sustainable products wereselected for the design.


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RECEPTION PERSPECTIVEGOOGLE SKETCHUP

EXTERIOR ELEVATION

Process


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LIGHTING SCHEDULEDESCRIPTION VOLTAGE LAMPS MOUNTING LENS MANUFACTURER6" QUARTZFRESNAL 120500W Q500T6/CL/P ANSIBTM 3200K SURFACE ACRYLIC ALTMANLIGHTINGENZIS RAINBOWSPOT 120FROSTED MR16TRACK/SURFACE FROSTED,ACRYLIC BRUCKWINDOWS WALLSCONCE 120(2) 13W QUADTUBE GX23-2CFL WALL WHITEGLASS WPT DESIGN

SUB SHOPCOMBO ELECTRICAL/REFLECTED CEILING PLAN

FIRST FLOOR 1/8 = 1-0

Lighting


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Second Floor:

As a means of providing privacy to the residents while ensuring that staff has the ability to supervise the space, residence

room walls are 8 feet high, just short of the finished ceiling.Doors are omitted from residence rooms, incorporating hallways as entrances.

Drugs must be locked away in a secure separate room to which residents can only gain access in the presence of staff.

Lockers are available with access only allowed in the presence of staff.Personal items need to be available at night but stored away in the daytime. Residence rooms have ample storage space

for personal belongings.Cabinets and closets need to be accessible frequently but still securable. Cabinets are available to the resident but

lockable.Managing keys is a hassle and residents feel locks can be picked and that staff may have keys to access personal

belongings. Pad locks are used to lock away all personal belongings.

First Floor:

The homeless want an open and public space. The reception area is an open space

utilizing half walls and glazing.

Homeless want to be able to look around, to see other people, and to understand what

lies beyond the lobby. Visual access over half walls is allowed in order to view

people working in office spaces.

A large counter staffed by more than one person suggests that the facility is well

managed. A large reception desk is visible and employees at work in offices are

visible over half walls.

Some facilities may have a coatroom much like one present at a museum. Visitors can

check a bag or duffel for the day avoiding the need to carry belongings around all

day. Storage is available in mentoring rooms.

RESEARCH NOTES

Lighting:

In keeping with the urban

design of the Whole in theWall Sub shop, an open

grid was selected as themounting for all ceiling

fixtures. The switching andelectrical wiring runs

through conduit attached

toand concealed by theT-bar.

Spaces require ample ambient

lighting, at night they need

to be sufficiently

illuminated to enable

people to navigate among

them without intruding on

other residents ability to

get sleep. Emergency

lighting is incorporated into

the hallways and theindividual residents control

lighting in residence rooms.Ceiling lighting is efficient but

likely to seem institutional,

wall lighting is a good

alternative. Wall sconces

are present in the design

CABINET SECTION

Technical Drawings

CABINET SECTION

CABINET SECTION

PREP COUNTER ELEVATION


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WALL COVERING SCHEDULESUPPLIED AND APPLIED BY THE G.C., UNLESS NOTED OTHERWISE.NOTES:1.PAINT MANUFACTURER IS SPECIFIED AS BENJAMIN MOORE, ALL PAINTS MUST BE GREEN PROMISE NATURA PAINTS.2.PREFERRED METHOD OF PAINT APPLICATION IS BY SPRAY APPLICATION.

WC-1

GLASS TILEMANF: AMERICAN OLEANSTYLE: LEGACY GLASSCOLOR: LG48SIZE: 5/16" WIDE* GROUT: MAPEI/00 WHITE

PT-1

PAINTMANF: BENJAMIN MOORESTYLE: SEMI-GLOSSCOLOR: BRYCE CANYONSIZE: SOLD BY THE GALLON* ZERO VOC EVEN AFTER TINTING

WC-2

GRASSCLOTHMANF: GRASSCLOTHWALLCOVERING.COMSTYLE: GRS-a* MADE OF 100% NATURAL YARNS & FIBERS

PT-2

PAINTMANF: BENJAMIN MOORESTYLE: SEMI-GLOSSCOLOR: COAT OF ARMSSIZE: SOLD BY THE GALLON* ZERO VOC EVEN AFTER TINTING

WC-3

WALLCOVERINGMANF: OMNOVASTYLE: AVANT POPCIRCLESCOLOR: SAND LINENSIZE: 26" X 18" REPEAT* CLASS "A" FIRE RATED* GREENGUARD IAQ CERTIFIED FOR LOW VOC* 100% RECYCLABLE

WT-1

WALL MURALMANF: COMMERCIALWALLCOVERING.COMSTYLE: MADE TO ORDER WALLSCOLOR: DIGITAL PHOTOSIZE: 36" X 8 YARDS/ROLL* PHOTO PRINTED ON WC-2

WT-2

CRACKLE PAINTMANF: THE REAL MILK PAINT COSTYLE: NATURAL CRACKLECOLOR: THICK CRACKLESIZE: SOLD BY THE GALLON* ENVIRONMENTALLY SAFE

WALL COVERING NOTES1.CONTRACTOR TO REVIEW DETAIL SHEETS, FINISH PLANS, AND ELEVATION FOR WALL COVERINGS.2. ALL FACTORY WHITE SPEAKER PLATES TO BE COVERED TO MATCH ADJACENT SURFACES.3.ALL WOOD SURFACES TO BE PRIMED WITH OIL-BASED PRIMER AND FINISHED W/OIL-BASE SEMI-GLOSS PAINT.4.ALL METAL SURFACES TO BE PAINTED SHALL FIRST BE PRIMED WITH METAL PRIMER AND FINISHED WITH SEMI-GLOSSOIL-BASED PAINT.5.FINISH COATS MUST NOT SHOW BRUSH MARKS, IF THIS METHOS IS USED VS. SPRAYING OF ANY MISCELLANEOUS ITEM.

FLOOR COVERING SCHEDULEFLOOR COVERING

FC-1

BAMBOOMANF: BAMBOO HARDWOODSSTYLE: MOSO PRE-FINISHEDCOLOR: ALUM-OXIDE + ACRYLIC URETH.SIZE: 75.6" x 3.78" x 0.59"

FC-2

STAINED CONCRETEMANF: ECOPROCOTESTYLE: SOYCRETECOLOR: BLACK GRANITESIZE: SOLD BY THE GALLON

FC-3

CORKMANF: GREEN FLOORS

STYLE: CORK PLANKCOLOR: OCTANS 15SIZE: 35 13/16 x 11 13/16 x 1/2"

CT-1

CERAMIC TILEMANF: IRIS USSTYLE: URBANCOLOR: HIGHRISE GREYSIZE: 18" X 18* GROUT: MAPEI/00 WHITE

FLOOR COVERING NOTES

1.GROUT TO BE SUPPLIED AND INSTALLED BY G.C.2.TILE TO BE INSTALLED WITH CONSISTENT GROUT WIDTHTHROUGHOUT APPROX. 1/16" GROUT JOINT WIDTH.

FC-1 FC-2 FC-3

WC-1 WC-2 WC-3 WT-2

WT-1

CT-1 SS-1

Finishes


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WALL TYPES

SECOND FLOOR 1/8 = 1-0

Furnishings


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FURNITURE SCHEDULE

KEY QUANTITY ITEM MANUFACTURER CATALOGUE/NO. FABRIC/FINISH REMARKS

C1 4BARSTOOL CALLIGARIS GN121, CS/1013-P(P77)O778550FRAME: CHROMED METALSEAT: GLOSSY BLACK POLYCARBON ECO-FRIENDLY

C2 16CHAIR JAIME SALM RBS

FRAME: POWDER-COATED TUBULAR STEELMATTE BLACKSEAT: POST-CONSUMER RECYCLED TIRES

100% RECYCLED TIRE RUBBER,RECYCLED CONTENT, RECYCLABLE,ENVIRONMENTALLY PREFERABLE FINISH

C3 1CHAIR WORKING WONDERS 050-LCMDINTFRAME: CHROMED STEEL BICYCLE RIMSSEAT: INNER TUBE UPHOLSTERY

MADE FROM RECYCLED AND REUSEDBICYCLES

C4 1CHAIR BESPACE PANDA POLYCARBONATE CD'S MADE FROM RECYCLED BLANK CD'S

C5 2CHAIR SKATE STUDY HOUSE GODFATHER LOUNGE CHAIR

FRAME: METAL AND RECYCLEDSKATEBOARD DECKSSEAT: BLACK CUSHIONS

MADE FROM RECYCLED SKATEBOARDDECKS

C6 6CHAIR SAUDER EDUCATION 702-0650

FRAME: CO-POLYMER POLYPROPYLENESEAT: HIGH-DENSITY POLYURTHANE FOAMUPHOLSTERED IN BLACK PASSES Cal TB 133 SPECIFICATIONS

T1 2TABLE WELD HOUSE EL CAMINO TABLE RECYCLED STEELMADE FROM RECYCLED STEEL FROMAUTOS

T2 2TABLE BIKE FURNITURE DESIGN VECTOR TABLEFRAME: CHROMED STEEL BICYCLE RIMSTOP: CLEAR GLASS

MADE FROM RECYCLED AND REUSEDBICYCLES

T3 1SIDE TABLE WORKING WONDERS 050-MODUTBL FRAME: CHROMED STEEL BICYCLE RIMSSEAT: 1/4" GLASS MADE FROM RECYCLED AND REUSEDBICYCLES

T4 1COFFEE TABLE GREEN WITH ENVY WINGMAN COFFEE TABLEFRAME: RECYCLED AIRPLANE WINGTOP: 36" BY 24" OVAL GLASS MADE FROM RECYCLED AIRPLANE WINGS

T5 1SIDE TABLE MARK BAKER STUDIOS MODULAR CUBE SYSTEMFRAME: SALVAGED STRUCTURAL STEEL,BIRCH PLYWOOD

EMBODIES CORE PRINCIPLES OFSUSTAINABILITY USING SALVAGEDSTRUCTURAL STEEL FOR CONSTRUCTION

S1 1SOFA ZUO MODERN CONTEMPORARY 900041

MICROFIBER SEAT, BACK, AND CUSHIONSWITH ADJUSTABLE ARMS AND HEADRESTSUPHOLSTERY: SILVER W/FLORALMANUFACTURER SPECIFIES

TC1 1T.V. CABINET KLAUSSNER HOME FURNISHINGS URBAN CRAFTSMAN ARMOIR WOOD/AMBER

C1 C6 T1 T2 C2 T4

Furnishings

Maracana Stadium Annex


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Commercial Design II

Spring 2010

DescriptionThe Federation of International Football Associations

(FIFA) has selected Brazil to host the 2014 World Cup.FIFA will be moving a management team to Rio deJanerio to work with the Brazilian FootballConfederation (CBF) to organize the internationaltournament.The project is to design the facilities to be located inthe circular flat-dome annex to the MaracanStadium. This is a four-story building that has beengutted and ready for the renovation.The ground floor lobby is used for receptions withfood and drink service provided by a caf. Abookstore is dedicated to literature, videos andPosters. The caf provides lunch service for the publicvisiting the museum, bookstore, and retail shop. It also

caters luncheon meetings for the offices and eveningreceptions. The retail shop is a popular pre-game andpost-game stop for souvenirs and sportsparaphernalia.The first floor houses a football museum displayingtrophies and photographs as well as video clips ofgames. There is a tribute to top football personalitieswith a fame wall and display cases with items ofclothing and autographed soccer balls. There is anarea for purchasing tickets and a business office forscheduling tours and basic business activities. Thepermanent exhibit receives a steady stream of fans.The temporary exhibits are geared to current eventsand activities. A reception area serves as a meetingarea for dignitaries and patrons who sponsor the

temporary exhibits. The opening night events arecatered by the caf with close access to theelevators.The second floor contains the nerve center withgeneral offices, meeting room and committeefacilities. This is a very busy, active area wherenetworking and communication is paramount.The third floor houses the executive offices for theWorld Cup liaisons between the internationalfederation and the country association. FIFA andCBF-LOC offices are integrated to provide maximumefficiency in space planning and organizationalmanagementThe World Cup 2014 logo sets the stage for the interior

design and interior architecture of the stadium annex.The design theories of the Brazilian interior designer/architect, Oscar Niemeyer (will serve as the designconcept for the selection of fixtures, furnishings andequipment.


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CONCEPT STATEMENT

Design of the Annex to the Maracaa Stadium is centered on the acronymF.I.F.A. both in honor of the client as well as the four main points met by the

design.

With inspiration for the design being taken from Brazilian architect OscarNiemeyer, and the Brazil 2014 logo, design of the annex will be flamboyant in

nature. Through the use of vibrant color schemes and obvious focal points, theannex will achieve flashiness enough to excite all inhabitants about the

activities that brought them there.Design of the annex required intricate thought in the space planning and

layout of the interior space. The intertwining of primary office spaces used forboth FIFA and the Local organizations and the curvature of the space itself

involved extra consideration in space planning and appropriate adjacencies.One main consideration for the annex is function for all users. Design meets allcodes and constraints for this type of space making it accessible for users of all

shapes and sizes. One primary mode of achieving this access is through

wayfinding systems of various types within the space.Another consideration within the space is education through the museumportions of the annex. The museums and interactive display units are used as a

means of providing an academic experience in addition to the recreationalpurposes of the space.

GROUND FLOOR

SECOND FLOOR

FIRST FLOOR

THIRD FLOOR

MUSEUM/COMMITTEE ZONES

BUSINESS ZONES

PLUMBING ZONES

PUBLIC ZONES

RETAIL/FIFA ZONES

PRIVATE/LOC ZONES

Process


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GOALS & OBJECTIVES

FlamboyantDesign with focus and energyVibrant Color palettesObvious focal points

IntricateDetails in space planning and design

Integrated office spaces, intertwining the twoorganizations

Whiplash curves and ornate detailingFunctionalFor all users

Accessible design considering users of allshapes and sizes

Wayfinding clearly indicated as not to get lostwithin the space

AcademicEducating usersCareful planning of museum spacesInteractive display units throughout

THIRD FLOOR CRITERIA MATRIX

SECOND FLOOR CRITERIA MATRIX GROUND FLOOR BUBBLE DIAGRAM FIRST FLOOR BUBBLE DIAGRAM

Process


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FIRST FLOOR WAYFINDING/SECURITY PLANCAF FLOORPLAN

CINEMA 4D

Wayfinding


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SECOND FLOOR DATA/COMM PLAN

CAF PERSPECTIVE VIEW

CAF PERSPECTIVE VIEW

Data/Comm


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CAF FLOORPLANCINEMA 4D THIRD FLOOR FINISH PLAN

Finishes


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WALLCOVERING SCHEDULE

SUPPLIED AND APPLIED BY THE G.C., UNLESS NOTED OTHERWISE.NOTES:1. PAINT MANUFACTURER IS SPECIFIED AS BENJAMIN MOORE2. PREFERRED METHOD OF PAINT APPLICATION IS BY SPRAY APPLICATION.

PT-1 PAINTMANF: BENJAMIN MOORE

STYLE: ENVISION COLOR CONTEST PALETTECOLOR: AUGUST MORNINGSIZE: SOLD BY THE GALLON

PT-2 PAINTMANF: BENJAMIN MOORESTYLE: ENVISION COLOR CONTEST PALETTECOLOR:CLARET ROSESIZE: SOLD BY THE GALLON

PT-3 PAINTMANF: BENJAMIN MOORESTYLE: ENVISION COLOR CONTEST PALETTECOLOR:MIDNIGHT NAVYSIZE: SOLD BY THE GALLON

PT-4 FIRE RETARDANT COATING

MANF: BENJAMIN MOORESTYLE: INDUSTRIAL MAINTENANCE COATINGSCOLOR: M59 220SIZE: SOLD BY THE GALLON

WALLCOVERING NOTES

1. CONTRACTOR TO REVIEW DETAIL SHEETS, FINISH PLANS, AND ELEVATION FOR WALL COVER-INGS.2. ALL FACTORY WHITE SPEAKER PLATES TO BE COVERED TO MATCH ADJACENTSURFACES.3. ALL WOOD SURFACES TO BE PRIMED WITH OIL-B ASED PRIMER AND FINISHEDW/OIL-BASE SEMI-GLOSS PAINT.4. ALL METAL SURFACES TO BE PAINTED SHALL FIRST BE PRIMED WITH METAL PRIMER ANDFINISHED WITH SEMI-GLOSS OIL-BASED PAINT.5. FINISH COATS MUST NOT SHOW BRUSH MARKS, IF THIS METHOD IS USED VS. SPRAYING OF ANYMISCELLENEOUS ITEM

SOLID SURFACE SCHEDULE

SS-1 COUNTERTOPSMANF:VETRAZZOSTYLE: RECYCLED GLASS SURFACING MATERIALCOLOR: CHARISMA BLUE (WITH PATINA)SIZE: 60" X 108" SLAB 3CM THICK

L-1 LAMINATEMANF: WILSONART CONTRACT

COLOR:BLACK AND WHITE CHECKERBOARDSIZE: 4' X 8' ONLY

FLOOR COVERING SCHEDULE

FLOOR COVERING

FC-1 WOODMANF: ARMSTRONGSTYLE: HERITAGE CLASSICSCOLOR: HCM411AW ADIRONDACK BROWNSIZE: VARYING LENGTHS 10-48 IN. X 5 IN. X 3/8 IN.

FC-2 ANTI-SLIP AGGREGATEMANF: BENJAMIN MOORESTYLE: SUPER SPEC HPCOLOR: ANTI-SLIP AGGREGATE P67SIZE: SOLD BY THE GALLON

PT-1 PT-2 PT-3

FC-1 L-1 SS-1

Finishes

Tshabo Resort & Spa


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Senior Interior Design

Studio & Portfolio

Fall 2010

DescriptionThe 2009 Student Design Competition called onstudents to create a residential and commercial spacefor at-risk youths ages 10-17 who are in crisis. The HarborHouse Youth Shelter provides short-term housing alongwith a healing and rehabilitating environment 24 hours aday, seven days a week at no cost to runaway, homeless,and abused youths. In addition to the residential space,the shelter also house a sandwich/deli shop operated bythe shelter occupants that is open to the public.

To be whole is to be not broken, damaged or

impaired. When speaking of human nature, it pertains toall aspects, one's physical, intellectual, and spiritualdevelopment.Design of the Harbor House youth shelter is centered onthe acronym W.H.O.L.E. Wellness, being aconsideration because above all, the design is topromote the physical and mental well being of allinhabitants, ensuring that a safe and healthy environmentis present at all times.Residents of the Harbor House facilities are in desperateneed of a home. Whatever circumstances broughtresidents to the facilities, judgment will not be passed andthey will be given the opportunity to live in a homelikeenvironment until the time they desire to renouncepermanent residence and live on their own.One main concept of the Harbor House facilities is toprovide youth an opportunity to better their

circumstance, living situation, and future lifestyle. For thisreason, the facilities include an in house sub shop thatprovides residents a place to gain crucial work and socialexperience.The Whole in the Wall sub shop is used as a means of

allowing residents to touch the community. While themain entrance to the sub shop is located in the alleyaround the back of the building, guests will be able toenter a community of people they see every day in thework place or on the street. Design accommodates localsand allows for long periods of time spent studying orhanging out within the shop.Residents of the Pearl district in Portland tend toprefer organic, and sustainable products. Many of thebuildings in the district are undergoing renovations with anurge toward LEED certification. Keeping that in mind,mainly eco-friendly and sustainable products wereselected for the design.


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Site Plan

SiITE PLAN 3/32 = 1-0


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First Floor

FIRST FLOOR FURNITURE PLAN


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First Floor

Lobby

RECEPTION DESK ELEVATION

MILLWORK FRONT VIEW

MILLWORK BACK VIEW

Restaurant

BAR ELEVATION


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Second Floor

PUBLIC RESTROOM LAVATORY ELEVATION

PUBLIC RESTROOM TOILET ELEVATION


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Second Floor

SECOND FLOOR REFLECTED CEILING PLAN


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Third Floor

THIRD FLOOR WAYFINDING PLAN


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Third Floor

GUEST SUITE ACCESSORY PLAN

General Art


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BubblesCinema 4D


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Course: 2D Elements of Visual Thinking


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Course: 3D Modeling and Animation


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All material in this portfolio is, unless otherwise stated, the property of Mary Kathleen Boice.Copyright and other intellectual property laws protect these materials. Reproduction or retransmissionof the materials, in whole or in part, in any manner, without the prior written consent of the copyrightholder, is a violation of copyright law.

M Boice Portfolio

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