LONDON ORIGINAL PRINT FAIR - Peter Harrington€¦ · LONDON ORIGINAL PRINT FAIR royal academy of...

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LONDON ORIGINAL PRINT FAIR royal academy of arts 3–6 may 2018 burlington house, Piccadilly, london W1J 0bd Henri de Toulouse-Lautrec (1864–1901). Débauche. Edition of 50. Second state with the monogram on the stone lower right. There is only one known impression of the first state. Original lithograph in three colours on vellum handmade Japan paper; handmade white gold leaf frame with conservation acrylic glazing. Paris: Arnould, 1896 £50,000 [125760]

Transcript of LONDON ORIGINAL PRINT FAIR - Peter Harrington€¦ · LONDON ORIGINAL PRINT FAIR royal academy of...

Page 1: LONDON ORIGINAL PRINT FAIR - Peter Harrington€¦ · LONDON ORIGINAL PRINT FAIR royal academy of arts 3–6 may 2018 burlington house, Piccadilly, london W1J 0bd Henri de Toulouse-Lautrec

LO N D O N O R I G I N A L P R I N T FA I Rroyal academy of arts 3–6 may 2018burlington house, Piccadilly, london W1J 0bd

Henri de Toulouse-Lautrec (1864–1901). Débauche.Edition of 50. Second state with the monogram on the stone lower right. There is only one known impression of the first state. Original lithograph in three colours on vellum handmade Japan paper; handmade white gold leaf frame with conservation acrylic glazing. Paris: Arnould, 1896

£50,000 [125760]

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Pablo Picasso. Femme dans un fauteuil et guitariste.Edition of 50. Signed by Picasso, numbered lower left. Linocut from one block in black, brown, and beige on Arches paper; handmade gold leaf frame with conservation acrylic glazing. Paris: Louis Leiris, 1959

£48,000 [123550]

L. S. Lowry (1887– 1976). The Old Steps, Stockport.Unnumbered aside from the edition of 75. Signed by Lowry. Two-colour stone lithograph on heavy wove paper; gilt wooden frame with conservation acrylic glazing, and the original Ganymed label. London: Ganymed Original Editions, 1969

£15,000 [119833]

Pablo Picasso (1881–1973). Garcon et dormeuse à la chandelle.Edition of 260. Signed by Picasso. One of 100 etchings from the Vollard Suite. Etching, scraper, burin engraving, and aquatint on Montval laid paper with Picasso and Montval watermark; white gold leaf frame with conservation acrylic glazing. Paris: Ambroise Vollard, 1934

£30,000 [121645]

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Egon Schiele (1890–1918). Bildnis Arthur Roessler.Unknown edition (highest recorded limitation number 32). First state before steel facing. Signed and dated by Schiele, numbered lower left, additionally signed by Roessler. Drypoint etching printed in black on thin yellowish Japan paper; dark grey stained frame with conservation acrylic glazing. Vienna: Arthur Roessler, 1914

£35,000 [125608]

Edward Bawden (1903–1989). Life Guards.Edition of 50, unnumbered. Signed and dated by Bawden. Original lithograph in six colours on wove paper; handmade white gold leaf frame with conservation glass. London: Royal College of Art, 1953

£3,500 [98241]

Salvador Dalí (1904–1989). La Caducée de Mars alimenté par la boule de feu de Jupiter.One of 25 artist’s proofs aside from the edition of 195. Signed by Dali, inscribed EA lower left. Drypoint etching over chromolithograph with embossing on Arches paper; handmade white gold leaf frame with conservation acrylic glazing. From La Conquête du cosmos portfolio. Paris: Jean Lavigne, 1974

£4,000 [123471]

Salvador Dalí. Dalí martien muni d’un double microscope holo-électronique.One of 25 artist’s proofs aside from the edition of 195. Signed by Dali, inscribed EA lower left. Drypoint etching over chromolithograph with embossing on Arches paper; handmade white gold leaf frame with conservation acrylic glazing. From La Conquête du cosmos portfolio. Paris: Jean Lavigne, 1974

£4,000 [123470]

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Salvador Dalí. Infra-terrestres adorés par Dalí à 5 ans car il se croyait insecte.One of 25 artist’s proofs aside from the edition of 195. Signed by Dali, inscribed EA lower left. Drypoint etching over chromolithograph with embossing on Arches paper; handmade white gold leaf frame with conservation acrylic glazing. From La Conquête du cosmos portfolio. Paris: Jean Lavigne, 1974

£5,000 [123469]

Salvador Dalí. Les Montres gélatines de l’espace-temps.One of 25 artist’s proofs aside from the edition of 195. Signed by Dali, inscribed EA lower left. Drypoint etching over chromolithograph with embossing on Arches paper; handmade white gold leaf frame with conservation acrylic glazing. From La Conquête du cosmos portfolio. Paris: Jean Lavigne, 1974

£6,000 [123463]

Salvador Dalí. Papillons de l’anti-matière.One of 25 artist’s proofs aside from the edition of 195. Signed by Dali, inscribed EA lower left. Drypoint etching over chromolithograph with embossing on Arches paper; handmade white gold leaf frame with conservation acrylic glazing. From La Conquête du cosmos portfolio. Paris: Jean Lavigne, 1974

£4,000 [123466]

Salvador Dalí. Vision planétaire et scatologique.One of 25 artist’s proofs aside from the edition of 195. Signed by Dali, inscribed EA lower left. Drypoint etching over chromolithograph with embossing on Arches paper; handmade white gold leaf frame with conservation acrylic glazing. From La Conquête du cosmos portfolio. Paris: Jean Lavigne, 1974

£4,000 [123467]

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Francis Bacon (1909–1992). Three Studies for a Self-Portrait.Edition of 150. Signed by Bacon, numbered lower left. Lithograph in colours on Arches wove paper; dark wooden frame with conservation acrylic glazing. Paris: Editions de la Différence, 1981

£40,000 [120040]

Terry Frost (1915–2003). Timberaine I.Proof aside from the edition of 16. Each sheet signed and dated by Frost. Individual prints are also numbered 1–3 to indicate their order. Tryptich consisting of three woodcuts on heavy card; three acrylic box frames. London: Paragon Press, 2001

£4,000 [118973]

Roy Lichtenstein (1923 –1997). The Solomon R. Guggenheim Museum.Edition of 250. Signed and dated by Lichtenstein, numbered lower left. Screenprint in four colours on Rives paper; float mounted in a handmade black wooden frame with conservation acrylic glazing. New York: the artist and Leo Castelli Gallery, 1969

£12,500 [125211]

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Andy Warhol (1928–1987). Sam [portrait of yellow cat with pink eyes].Edition of 190, from the book 25 Cats Name Sam and One Blue Pussy. Offset lithograph on wove paper hand coloured by Warhol and friends with Dr Martin’s aniline watercolour dye; handmade white gold leaf frame with conservation glass. New York: The Artist, 1954

£7,500 [115725]

Andy Warhol. Sam [reclining orange cat with grey eyes; left]. Edition of 190, from the book 25 Cats Name Sam and One Blue Pussy. Offset lithograph on wove paper hand coloured by Warhol and friends with Dr Martin’s aniline watercolour dye; handmade white gold leaf frame with conservation glass. New York: The Artist, 1954

£7,500 [115733]

Andy Warhol. Sam [sitting red cat with green eyes].Edition of 190, from the book 25 Cats Name Sam and One Blue Pussy. Offset lithograph on wove paper hand coloured by Warhol and friends with Dr Martin’s aniline watercolour dye; handmade white gold leaf frame with conservation glass. New York: The Artist, 1954

£7,500 [115720]

Andy Warhol. Marilyn Monroe [top right]Edition of 250. Signed by Warhol, number stamped lower right. Screenprint on heavy wove paper; conservation acrylic box frame. New York: Factory Additions, 1967

£95,000 [110019]

Andy Warhol. Details of Renaissance Paintings [right].One of four hors-de-commerce impressions aside from the edition of 50. Signed and numbered by Warhol. Screenprint on Arches Aquarelle (Cold Pressed) paper; silver frame with conservation acrylic glazing. Munich & New York: Editions Schellmann & Klüser, 1984

£22,500 [93208]

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Elisabeth Frink (1930–1993). Rolling Over Horse.Edition of 75. Signed by Frink, numbered lower left, Kelpra Studio blindstamp lower right. Etching with aquatint in two colours on Velin Arches paper; hand finished stained oak frame with conservation glass. London: Waddington Graphics, 1980

£6,250 [105324]

Ralph Steadman (b. 1936). Red Shark.Edition of 50. Signed by Steadman, numbered lower left. Screenprint on white Rising Stonehenge deckle edge paper; black ash box frame with conservation glass. Lexington: University of Kentucky Art Museum and Petro III Graphics, 2000

£2,000 [115709]

Ralph Steadman. Lost Chapter.Artist’s proof aside from the edition of 53. Signed by Steadman. Three-colour screenprint on white Rising Stonehenge deckle edge paper; black stained ash frame with conservation glass. Lexington: Petro III Graphics, 2005

£1,200 [63052]

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Ralph Steadman. Albert’s Old Lady. (Hunter S. Thompson.)Edition of 250. Signed by Steadman, numbered lower left. Screenprint on white Rising Stonehenge deckle edge paper; black ash frame with conservation glass. Lexington: Petro III Graphics, 2006

£575 [115664]

Ralph Steadman. Aspen Nights, Let’s Party.Artist’s proof aside from the edition of 25. Signed by Steadman, marked AP lower right. Screenprint on white Rising Stonehenge deckle edge paper; black ash box frame with conservation glass. Lexington: Petro III Graphics, 2006

£1,400 [115645]

Ralph Steadman. Gonzo Guilt! (Hunter S. Thompson.)Edition of 25. Signed and numbered in splattered red ink by Steadman. Screenprint on warm white Rising Stonehenge deckle edge paper; black ash box frame with conservation glass. Lexington: Petro III Graphics, 2006

£1,150 [115636]

Ralph Steadman. Hunter S. Thompson, Twisted Meat Artist.Edition of 300. Signed by Steadman, numbered lower left. Screenprint on white Rising Stonehenge deckle edge paper; black ash box frame with conservation glass. Lexington: Petro III Graphics, 2006

£500 [115673]

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Ralph Steadman. Let’s Party.Edition of 250. Signed by Steadman, numbered lower left. Two-colour screenprint on white Rising Stonehenge deckle edge paper; black ash frame with conservation acrylic glazing. Lexington: Petro III Graphics, 2006

£1,250 [118967]

Ralph Steadman. Lizard Lounge Vegas.Edition of 250. Signed by Steadman, numbered lower left. Screenprint on white Rising Stonehenge deckle edge paper; black ash box frame with conservation glass. Lexington: Petro III Graphics, 2006

£900 [115626]

Ralph Steadman. Lono’s Fighting Chair.Edition of 250. Signed by Steadman, numbered lower left. Screenprint on white Rising Stonehenge deckle edge paper; black ash frame with conservation glass. Lexington: Petro III Graphics, 2006

£700 [103136]

Ralph Steadman. Mean Mouse.Edition of 180. Signed by Steadman, numbered lower left. Screenprint on white Rising Stonehenge deckle edge paper; black ash box frame with conservation glass. Lexington: Petro III Graphics, 2006

£400 [115677]

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Ralph Steadman. Spirit of Gonzo.Edition of 250. Signed by Steadman. Screenprint on white Rising Stonehenge deckle edge paper; black ash box frame with conservation glass. Lexington: Petro III Graphics, 2006

£900 [115623]

Ralph Steadman. Up, Up and Up Yours. (Hunter S. Thompson.)Edition of 250. Signed by Steadman, numbered lower left. Three-colour screenprint on white Rising Stonehenge deckle edge paper; black ash frame with conservation glass. Lexington: Petro III Graphics, 2006

£900 [115617]

Ralph Steadman. Barstow City Limits.Edition of 800. Signed by Steadman, numbered lower left. Screenprint on white Rising Stonehenge deckle edge paper; black box frame with conservation acrylic glazing. Lexington: Petro III Graphics, 2010

£300 [115688]

Ralph Steadman. Hunter S. Thompson in Straight Jacket.Edition of 250. Signed by Steadman, numbered lower left. Screenprint on white Rising Stonehenge deckle edge paper; black ash frame with conservation glass. Lexington: Petro III Graphics, 2010

£800 [115632]

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David Hockney (b. 1937). Kaisarion with all his Beauty.Edition of approximately 50. Signed and dated by Hockney. Zinc plate etching with aquatint printed in black and red on J. Whatman paper; white gold leaf frame with conservation acrylic glazing. London: Royal College of Art, 1961

£20,000 [120122]

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