Loanwords of French Literature
description
Transcript of Loanwords of French Literature
Loanwords of French Literature
Group 3
Rita Wang 100501067
Maggie Sun 99050
FABLIAUOrigin : from Old French
(Picard dialect) fabliaux
Meaning: A short comic or satiric tale with middle-class or low-class characters. Usually deals with ribald.
Example: Chaucer’s Canterbury Tales “The Miller’s Tale”
CHANSON DE GESTEOrigin – French
Meaning: Songs of heroic deeds
chanson→ “song” ; geste→ “actions, exploits”
Example: Chanson de Roland
BURLESQUEOrigin - mid 17th century : from French
Meaning: from Italian burlesco, from burla ”a joke, ridicule or mockery”. →A literary, dramatic or musical work to cause laughter
Example : 16th century : Francesco Berni’s Opere burlesche
CONFIDANTOrigin : mid 17th
century : (French) confidente “having full trust”
Meaning: A minor character that has the full trust of the protagonist
Examples: Horatio in Hamlet, Watson in the Sherlock Holmes stories
NOUVEAU RICHEOrigin - French, literally
'new rich‘
Meaning: The “new rich” →People who have suddenly risen to a higher economic status but has not gained social acceptance of others in that class.
Example: the d'Urberville family in Tess of the D'Urbervilles
CLICH’EOrigin – mid 19 th century : French
“printing plate”
Something overused to the point that it loses its original effect
"The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot."
(Salvador Dali)
MOTIFOrigin - mid 19th century: from
French ‘motif’
Of music, narrative, visual arts, textile arts
Literature : Main idea or theme
DENOUEMENTOrigin - mid 18th century:
French dénouement, from dénouer 'unknot‘
Final part of the play when matters are resolved
i.e. Shakespearean plays the death of one or more
MONOLOGUEOrigin - mid 17th
century: from French, from Greek monologos 'speaking alone‘
a long speech by one actor in a play or film to express their thoughts
Hamlet’s “To be or not to be…”
HAMLET:To be, or not to be: that is the question:Whether 'tis nobler in the mind to sufferThe slings and arrows of outrageous fortune,Or to take arms against a sea of troubles,And by opposing end them? To die: to sleep;No more; and by a sleep to say we endThe heart-ache and the thousand natural shocksThat flesh is heir to, 'tis a consummationDevoutly to be wish'd. To die, to sleep;To sleep: perchance to dream: ay, there's the rub;For in that sleep of death what dreams may comeWhen we have shuffled off this mortal coil,Must give us pause: there's the respectThat makes calamity of so long life….
RENAISSANCE
Origin – from French ‘renaissance’
Rebirth
Impulse toward the achievement of ancient Greek and Rome
Artistic Creativity / Zest of life / human worth
REFERENCES
Wikipedia
Oxford Dictionary
A Glossary of Literary Terms, M.H. Abrams