xxii

LIST OF MAPS, ILLUSTRATIONS AND PHOTO PLATES

LIST OF MAPS AND FIGURES

NO TITLE

PAGE

MAPS,ILLUSTRATIONAND PHOTO PLATES 349

MAP-01: Ancient India,500BC 350

MAP-02: Indus valley civilization 350

MAP-03: South India 351

MAP-03A: South India 351

MAP-04: ViJayanagar Empire 352

MAP-04A: Vijayanagara Empire 352

MAP-05: Deccan Sultanates around 1500 353

MAP-06: ancient persian 353

MAP-07: Extent of the Persian Empire,from1600, Dutch edition of Joan Blaeu's

Atlas Novus

354

MAP-08: Map of Safavids at the height of their power 354

MAP-09: Srirangapatana 355

MAP-10: Srirangapatana 355

MAP-11: Esfahan, former capital of Persia/Iran during the Safavid dynasty (15th

century)

356

MAP-11A: Map of the modern city of Esfahān, Iran, approximate position of the 16th

– 17th century’s city

356

FIG-12: Isfahan in the 17th Century, Diorama depicting the Iranian city of Isfahan

in the 17th century at the American Museum of Natural Histor

357

FIG-13: Sketch of the meydan by G. Hofsted van E 357

FIG-13A: Midane Atigh(old)Sabze meydan,(Example plan of Atigh Midane

inSeljuque era)

357

FIG-14: Chehel sotun palace plan 358

FIG-14A: plan of chehel sotun palace talar, Chehel sotun palace, Esfahan, Iran 359

FIG-15: Chehel Sotun Palace drawing line plan, front view, Chehel Stun Palace ,

Esfahan

359

FIG-15A: Daria Daulat Bagh drawing line plan, front view, Daria Daulat Bagh,

srirangapatana

360

FIG-16: Digital Conservation- Dariya Daulat, Srirangapatna 360

xxiii

LIST OF PHOTO PLATE

No Title Page

PHOTOGRAPHS 365

PL-1 Rock Shelters, Bhimbetka, 1500 -2000BC, MadhyaPradesh, India 366

PL-2 Painting in 34th Cave, Ellora 366

PL-3 Templ-E Sculpture, Kailas 2 366

PL-3A Paintings In The Celling, 17th Cave, Ajanta 366

PL-4 Padmapani, Ajanta Cave Aurangabad, India 366

PL-4A Fresco, Cave1 Of Ajanta, 450 - 500 366

PL-5 Scene Of Samava Sarvana, Sittanavasal 366

PL-6 A Bodhisattva Granting West Bengal,Pala, Early 12th Century Folio From

'Ashtasahashirika, Prajnaparamita'

366

PL-7 Illustrated Jain Scientific Classic (Jivabhigamasutra), Western India ,Dated

Samvat 1570/1513- 14 AD , 2 Illustrations ,30 X 12.5 Cm; Manuscript,

Gouache On Paper

366

PL-8 Nala Damayantitheme, From The Mahabharat In Pahari Style 367

FIG16A:

FIG-16B:

Pavilion at Royal Palace at Isfahan, Jean Chardin (1643-1713)

Daria Daulat Bagh drawing line plan, daria Daulat Bagh, srirangapatana

360

361

FIG-17: plan of painting, a banquets, Chehel sotun palace 361

FIG-17A: plan of painting, a banquets, Chehel sotun palace 361

FIG-18: placement of paintings, Western wall, Daria Daulat Bagh, 362

FIG-18A: left top (panel1), left down (panel2), and right top (panel4) right down

(panel3),Srirangapatana, Daria Daulat Bagh

362

FIG-19: Plan of composition. Panel-1, western wall, Daria Daulat Bagh, 363

FIG-20: Plan of composition. Panel-2, western wall, Daria Daulat Bag 363

FIG-21: Plan of composition, panel-3 western wall, Daria Daulat Bagh 363

FIG-22: Plan of composition, panel-4 western wall, Daria Daulat Bagh 364

FIG-23: some squares and rectangles shape, details of picture, Daria daulat Bagh,

Srirangapatana

364

FIG-24: Placement of paintings, Eastern wall, Daria Daulat Bagh 364

xxiv

PL-9 The Kangra Miniature Paintings Affiliated With The Pahari School, 18th

Century

367

PL-10 Baysunghur’s Shahnameh, 1430, Herat, Iran 367

PL-11 Scribes And An Artist In The Mughal Court, 1590-95, India 367

PL-12 One Side Of A Jewel Casket Painted By Rahim,Deccani, Deccan, 1660, India 367

PL-12A Chand Bibi Hawking, Deccan Style, 18th Century 367

PL-13 Frescos On The Wall, The Tanjore Big Templ-E, 1000years Back? 367

PL-14 Lord Krishna – Tanjore Painting 18-19 C 367

PL-15 Rajput Painting, Nihâl Chand, 18th Century 368

PL-16 Pattachitra, Oasiss Painting 368

PL-16A Krishna Und Gopîs Im Walde, 1550, Paper, 12, 3 × 18, 3 Cm 368

PL-17 The Demon Ravana Fighting With The Ape Hanuman, 1880, Kalighat Schoo 368

PL-18 Chalukyan Miniature Painting 368

PL-19 Nayak Kings And Queens, Srirangam Templ-E 368

PL-20 PL-20 Goddess Saraswati, Mysore Painting, 19th Century, National Gallery Of

Modern Art, Jaipur House, Newdelhi

369

PL-20A Krishna With Gopis, Mysore Painting, Later, 19th Century, Ramsons Kala

Pratishtana, Mysore

369

PL-21 Portrait Of Ibrahim Adil Shah II, Of Bijapur (D.1626) (?). Adil Shahi Dynasty.

Freer Gallery Of Art, Arthur M. Sackler Gallery, Smithsonian Institution

369

PL-22 Mural From Sira, 1800 A.D 369

PL-23 12000 Year Old Paintings In Mirmalas Cave In Kouhdasht, Lorestan 369

PL-24 Storage Jar Decorated With Mountain Goats, Early 4th Millennium B.C., Sialk

III 7 Type, Central Iran Ceramic, Paint; H. 20 7/8 In. (53 Cm), Metropolitan

Museum Of Art

369

PL-24A geometric pottery pattern 369

PL-25 Ancient Persia, Achaemenid Period (530-330 BC) Griffin-Lion Relief In

Glazed Brickwork, Louvre, Paris

370

PL-26 Eagle Banner Of Cyrus The Great, Official Standard Banner Of The Persian

Achaemenid Empire (559 BC)

370

PL-27 Hunting Sence, Dura Europos, 'Pompeii Of The Syrian Desert 370

PL-28 Self-Made Manichaeism Painting Priests From A Book, Ruin K 370

PL-28A Leaf From A Manichaean Book, 8th/9th Century AD. Painting On Paper, 17.2x

11.2 Cm

370

PL-29 Unveiled Woman On A Sassanian Painted Clay Vase, Excavated From The

Buddhist Stupa, Merv. Probably 5th Century AD National Museum Of

Turkmenistan, Ashgabat

371

xxv

PL-30 Secrets of Shangri La, Silk Road Wall Painting, Sacred Caves On PBS,

University Of Cambridge

371

PL-30A Detail Of Secrets Of Shangri, La Painting, University Of Cambridge Digital

Himalaya Project

371

PL-31 Soghdian Wall Painting, Panjikent, Tajikistan 371

PL-32 Part Of Wooden Shield Covered With Painted Parchment, Width 61 Cm

Sogdian, 7 - 8th C

371

PL-33 Panjikent Painting 371

PL-33A the Heroic Rustam, from Penjikent, first half c. 372

PL-34 Illustration Of The Great Mongol Shah Nama, Bahram Gur Is Fighting A Lion,

Pprobably 1328 -36c, Ink, Colors, Gold On Paper, Harvard University Art

Museum, Cambridge, Mass

372

PL-35 The Mi'raj (Also Called The "Night Ride") Of Mohammed On Buraq, Tabriz,

1307; Ilkhanid, With Both Christian And Chinese Influences, And Horizontal

Format. From Wikipedia, The Free Encyclopedia

372

PL-36 Timurid Drawing Of An Ilkhanid Horse Archer. 372

PL-37 The Assassination Of Chosroes, In A Mughal Era Manuscript In 1535, Persian

Poems Are From Ferdowsi's Shahname

373

PL-38 Landscape, Animal In Miniature, UN Known 373

PL-39 Bahram Gur In The Peasants' House Shiraz, 1341 373

PL-40 Mountains And Streams Persian, 1398 373

PL-41 Advice Of The Ascetic, Moraqqa’- E Golshan, Golestan Palace, Tehran, Iran 373

PL-41A Madjnoun Et Le Prince. Iran, Shiraz, 12. 3 X 6 Cm 373

PL-42 A Page From Kelileh O Demneh Dated 1429, From Herat 374

PL-43 Baisongor's Shahnameh (Epic Of Kings) 374

PL-44 Herat School, "Khamseh" Nezami, 374

PL-45 Khosrow II In Front Of Shīrīn’s Palace, Illustration From A Late 15th

Century Persian Manuscript Of The Khamseh By Neẓāmī. The Keir Collection,

Ham, Richmond, England

374

PL-46 The Building Of The Famous Castle Of Khawarnaq,” Miniature By Behzād, C.

1494, From The Khamseh Of Neẓāmī; British Library

374

PL-47 Bath House Scene By Behzād, 1495 375

PL-47A Yusuf And Zulaikha (Josepl- Chased By Potipl-Ar's Wife), Behzād, 1488 375

PL-48 A Princely Hawking Party In The Mountains, 1575; Safavid, Attributed To

Mirza Cali, Iran (Qazvin), Colors And Gold On Paper

375

PL-49 "The Old Woman Compl-Aining To Sultan Sanjar", 1539 -43, Khams Of

Nizami , British Library

375

xxvi

PL-50 A Battle Scene, By Mahmud Musawwir Safavid Iran, 1525 -1550 AD, Freer

Gallery Of Art, Smithsonian, Washington D.C

375

PL-51 Aliqapu Paintings (Miniature Style) 375

PL-51A Chehel Sotoun Palllaaace Paintings(Miniature Style) 375

PL-52 Head Cover Of In Safavid Dynasty 375

PL-52A Barbad PL-Ays For Khusraw, Khamsa Nizami, British Library, 1539 -43,

Inscribed Mirza Ali

376

PL-53 Complex Palace Scene, 1539 -43, Mir Sayyid Ali 376

PL-54 The Feast Of Sada, Attributed To Sultan Muhammad (Iranian, Active First Half

Of 16th Century) Iran, Tabriz, Colors, Ink, Silver, And Gold On Pape The

Shahnameh Of Shah Tahmasp,

376

PL-54A The Angel Surush Rescues Khusrau Parviz From The Shahnama(Book Of

Kings) Of Shah Tahmasp, Ca. 1530–35 Attributed To Muzaffar Cali Iran,

Tabriz,Colors, Ink, Silver, And Gold on Paper

376

PL-55 Persian Miniature From The Haft Awrang In The Freer Gallery Of Art, 1556–

65, Commissioned By Ibrahim Mirza And Made In Mashad.

366

PL-55A Majnun In Layla's Camp From The Freer Jami, Attributed To Shaykh

Muhammad, 1556 -65, Sabzavar ,Mashad

376

PL-56 Lovers In A Landscape, Unknown, 1550 -1599, Iran, Mashhad Or Qazvin,

Opaque, Watercolour On Paper, Museum Of Fine Art, Boston

377

PL-57 Girl Smoking, Muhammad Qasim, 17 Century, Isfahan, Iran 377

PL-58 Shahnamah", Ferdowsi, Shiraz School 377

PL-59 Portrait Of The Artist With Calligrapl-Y, Unknown, Second Half Of 16th

Century, Opaque Watercolor, Gold And Ink On Paper, Museum Of Fine Arts,

Boston

377

PL-60 Two Lovers, Reza Abbasi 1039A.H/ 1630A.D, Metropolitan Museum Of Art

In New York City

377

PL-61 Prince Muhammad -Beik of Georgia, Reza Abbasi, 1620 377

PL-62 Young Man With A Whip, 18th Century Version Of The Style Of Reza Abbas,

Ink, Colours And Gold On Paper

377

PL-62A European Giving A Dog A Drink, Reza Abbasi, 1628, Detroit Institute Of Arts 378

PL-63 Photograph of Early Miniature Painting Of Chikka Devaraja, Ruler Of Mysore

From 1673 To 1704

378

PL-54 Remains of Tipu Sultan's Fort At Srirangapatna 378

PL-65 Old Gate Remains of Tipu Sultan's Fort At Srirangapatna 378

PL-66 Sri Ranganatha Swamy Templ-E At Srirangapatnam, Near Mysore, Karnataka. 379

PL-67 Jumma Masjid, Srirangapatana 379

xxvii

PL-67A Detail of Jumma Masjid, Srirangapatana 379

PL-68 Daria Daulat Bagh , Srirangapatana 379

PL69- Gumbaz, Srirangapatna,Karnataka, India 379

PL70- columns and ceiling of Daria Daulat Bagh,Srirangapatana 379

PL-71 The Daria Daulat Or 'Garden Of The Wealth Of The Sea, Unknown

Photographer In The 1890s

379

PL-72 Columns Of Srirangapatana, Daria Daulat Bagh 380

PL-73 The Wall Paintings Of Srirangapatana 380

PL-74 Srirangapatna Fort 380

PL-75 Carving At Ranganatha Swamy Templ-E, Mysore 380

PL-75A Sculpture On Somnathpure Templ-E , Mysore 380

PL-76 Inside of Jumma Masjid 381

PL-76A Inside of Jumma Masjid,Srirangapatana 381

PL-77 Colonel Bailey's Dungeon 381

PL-77A Colonel Bailey's Dungeon, Srirangapatna 381

PL-78 The Obelisk, Srirangapatna, 18th Century 382

PL-79 Tipu's Death PL-Ace 382

PL-79A Poem About Tipu Sultan Death, Gumbaz 382

PL-80 The Mausoleum of Tipu Sultan,Gumbaz,Srirangapatana 382

PL-80A Fathima Begam, Mausoleum, Tipu’s Mother 382

PL-81 A Mosque In The Gumbaz Compl-Ex 382

PL-82 Kaveri River, Sangam, , Srirangapatna ,Mysore 382

PL-83 A View of Lal Mahal Palace, Srirangapatna 382

PL-83A A View of Lal Mahal Palace, Srirangapatna 383

PL-84 The Ruins of Tipu's Palace, Lal Mahal, Srirangapatana. 383

PL-85 Daria Daulat Bagh, Srirangapatana. 383

PL-85A Dairya Daulat Bagh, Srirangapatana 383

PL-86 Work Balconies, Daria Daulat Bagh, Srirangapatan 383

PL-87 Daria Daulat Bagh , Srirangapattana, Photograph, , 1870s , Nicholas And

Company,

383

PL-88 Pillar And Decorated Wall, Dariaya Daulat Bagh, Srirangapattana , 384

PL-89 Panel-1, Daria Daulat Bagh, Western Wall 384

PL-90 Panel- 2,Western Wall, Daria Daulat Bagh 384

PL-91 Haidr Ali, Sitting On The Howdah, Pane1,western Wall, Daria daulat Bagh 384

PL-92 Panel-3,Western Wall, Daria Daulat Bagh 385

PL-93 Panel- 4 , Western Wall, Daria Daulat Bag 385

PL-94 Eastern Wall, Detail, Daria Daulat Bagh 385

PL-94A Eastern Wall, Detail, Daria Daulat Bagh 385

xxviii

PL-95 Zayande Rood, Amirtaha Taebi, Esfahan, Iran 386

PL-96 Drawing of Naqsh E Jahan Square, Pascal Coste, Historic 19th Century,

Isfahan,Iran

386

PL-96A Naghshe Jahan Square, The Biggest Square In The World, Isfahan, Iran 386

PL-97 Naghshe Jahan Square, The Biggest Historic Square In The World. Isfahan,

Iran

386

PL-98 Si-O-Se Pol (33 Bridge) Isfahan – Iran 387

PL-99 Khaju Bridge, Mimmopellicola, Esfahan, Iran 387

PL-100 Menar Jonban, Isfehan, Iran 387

PL-100A Detail, Menar Jonban,Isfehan, Iran 387

PL-101 Pigeon Towers, Near Isfahan, 17century 387

PL-101A The Interior Wall of Pigeonholes Ensured That The Dung Fell To The Bottom

Of The Tower For Collection

387

PL-102 Imam Mosque, Esfahan, 1611-1629 387

PL-102A Interior Of The Imam Mosque 387

PL-103 Chahar Bagh, , The Main Avenue In Isfahan Iran 388

PL-104 Madraseh Ye Chahar Bagh,Isfahan, Iran 388

PL-105 Chehel Sotun Palace, Isfahan, Iran 388

PL-106 Atashkadeh, 'Fire Templ-E', Near Isfahan, Isfahan, Iran 389

PL-106A Atashkadeh (Fire Templ-E)- Isfahan 389

PL-107 Sheikh Lotfollah Mosque, 17th Century, Amar Grover, Isfahan, Iran 389

PL-107A Hall Of The Sheikh Lotf Allah Mosque, Isfahan, Iran 389

PL-108 Alighapoo Palace, Isfahan, Iran 389

PL-108A Alighapoo Palace Inside, Isfahan, Iran 389

PL-109 Vank Cathedral, Armenian Quarter, 2007, Mike Gadd, Esfahan, Iran 390

PL-109A Vank Cathedral, Inside The Armenian Cathedral, Fariborz Alagheband,

Isfahan, Iran

390

PL-110 Bazaar Entrance, Esfahan, 2006, Fabien Dany, Isfahan, Iran 390

PL-110A Battle of Shah Abbas and Ottoman Turks Qaysarieh faced, Naghshe Jahan

Squre, Tempra on plaster

391

PL-111 Alighapoo, The Music Room, Isfahan, Iran 391

PL-111A Alighapoo, Detail Of Music Room, Esfehan, Iran 391

PL-112 Ali Qapu ,Miniature Painting Style 391

PL-112A Ali Qapu Palace, Interior Architecture, Fara Serajian, Isfahan, Iran 391

PL-113 Chehel Sotun Palace, Isfahan, Iran 392

PL-114 Chehel Sotun Palace, Ayeneh Auditorium, Mirror Work, 1706 392

PL-114A Chehel Sotun Palace, Detail Of Ayeneh Auditorium, Esfehan Iran 392

xxix

PL-115 Entrance Of Eighteen Colonnades Auditorium, Chehel Sotun Palace, Esfehan

Iran

392

PL-116 Takhte Jamshid, Achaemenid Empire550 -330 BCE 393

PL-116A Takhte Jamshid, Achaemenid Empire550 -330 BCE 393

PL-117 Columns Of The Chehel Sotun Palace, Esfehan , Iran 393

PL-118 Lion Stone Pedestal, The Chehel Sotun Palace Esfehan , Iran 393

PL-119 Chehel Sotun, The Throne Hall, 17th Century 393

PL-119A Chehel Sotun Palace, Throne Hall Ceiling 393

PL-120 Chehel Sotun Alace, The Painting Of Veranda, European And Iranian Style 394

PL-121 Chehel Sotun Palace, Mirror Hall, Partial Calligraphy And Calligraphy And

Floral Decoration Of The Holy Qur’an1198A.H

394

PL-121A Chehel Sotun Palace, Mirror Hall, Partial Floral Decoration Of The Holy

Qur’an,1198A.H.

394

PL-122 Inside of Chehel sotun Palace, Esfahan , Iran 394

PL-123 Inside of Chehel sotun Palace, Esfahan , Iran 394

PL-124 Chehel Sotun Palace, Centeral Hall 395

PL-125 Chehel Sotun Palace, Centeral Hall, Karbandi And Rasmibandi Decoration 395

PL-126 Chehel Sotun Palace, Centeral Hall, A Banquest For One Guest, Tempra On

PL-Aster (Yolk)

395

PL-126A Chehel Sotun Palace, Centeral Hall, A Banquest , Tempra On PL-Aster (Yolk) 395

PL-126B Chehel Sotun Palace, Centeral Hall, Centeral Figure, A Banquest For Two

Guest , Tempra On PL-Aster(Yolk)

396

PL-126C Chehel Sotun Palace, Centeral Hall, A Banquest Tempra On PL-Aster (Yolk) 396

PL-126D Chehel Sotun Palace,Centeral Hall, Leaning Prince, Tempra On PL-Aster

(Yolk).Gilding In The Sheet Executed Using , Oil Aggulutinant

396

PL-126E Chehel Sotun Palace, A Banquest , Tempera On PL-Aster (Yolk) 396

PL-127 Chehel Sotun Palace, Centeral Hall, Shah Tahmasb Receiving Humayun,

Indian Mughal , Oil On PL-Aster

396

PL-127A Chehel Sotun Palace, Centeral Hall, Chaldoran War, Oil On PL-Aster, Sadiq

ol Va’d The Qajar Period Painter

397

PL-127B Chehel Sotun Palace, Centeral Hall, Shah Abbass II Receiving Nader

Mohammad Khan, King’s Turkestan, Oil On PL-Aster

397

PL-127C Chehel Sotun Palace, Centeral Hall, Shah Isma’il At Fighting Against The

Uzbak Shibak Khan, Oil On PL-Aste

397

PL-127D Chehel Sotun Palace, Central Hall, Conquest Of India By Nadir Shah Afshar,

Oil On Plaster

398

PL-127E Chehel Sotun Palace, Centeral Hal Shah, Abbassi Receiving Vali Mohamad

Khan, Of Turkestan

398

xxx

PL-127F Chehel Sotun Palace , Centeral Hall, 6Frame In 1, Esfehan, Iran 399

PL-128 Hasht Behesht Palace View, Esfahan, Iran 400

PL-128A Hasht Behesht, Pillars, Matiya Firoozfar Esfahan, Iran 400

PL-129 Chehel Sotun Palace, Reflects The Pillars And Accounts Them Twice, Esfehan,

Iran

400

PL-130 Chehel Sotun Palace, Arabesque Motif 400

PL-130A Chehel Sotun Palace, Arabesque Motif 400

PL-131 A banquet for two guests ,southern small room , tempra on plaster, 169.118.c.,

Chehel sotun Palace

400

PL132 Nimishamba Temple, Ganjam, Srirangapatna, Mysore, India 401

PL132A King Sumanaska requested Sage Muktaka, to perform the sacrifice on behalf

of the kingdom, Ganjam,Mysore,India

401

PL133 A Wall Mural from Karnataka,Karnataka,India 401

PL133A Lepakshi Temple, the murals painting, Vijayanagara Style, Karnataka, India 401

PL134 Portrait of Sultan Abdullah Qutb Shah, Seated 1670, Golconda, Deccani School

Unknown

402

PL-135 A Maratha Coupl-E, 1800, Deccani School, Unknown 402

PL-136 Kushan Worshipper With Pharro, Bactria, 3rd Century CE 402

PL-137 Kushan Worshipper Zeus,Serapis, With,Ohrmazd ,Bactria, 3rd. Century CE 402

PL-137A The Bodhisattva Maitreya, 2nd Century, Mathura, India 402

PL-138 Yusuf And Zulaikha (Joseph Chased By Potiphar's Wife) Miniature By

Behzād, 1488, Iran

403

PL-138A Mughal Miniatures Painting, The Lord Krishna In The Dwarka Of Golden City,

India

403

PL-138B Indian Or Persian Miniature Paintings Of A Chimera Or Sphinx 403

PL-139 A Painting Of Indian Officials Meeting With A Burmese Official (Middle) 403

PL-140 Chola Fresco Of Dancing Girls. Brihadisvara Templ-E C. 1100 C.E 403

PL-140A Lotus Gatherer (Wall Painting, Pandya, 9th Century CE) 403

PL-141 Lepakshi Muralstempl-E, The Marriage Of Siva And Parvati 404

PL-141A Folk Painting On Paper In The Style Of 17th Century Moghul Paintings 404

PL-142 Lepakshi Mural Painting, Balaji Srinivasan 404

PL-143 Lepakshi Mural Painting, Balaji Srinivasan, India 404

PL-144 Lepakshi Mural Painting, India 404

PL-145 Woman In Sari (Saree) Without A Blouse Painting From Lepakshi Templ-E,

Andhra Pradesh

404

PL-146 Brothers Veeranna And Virupanna, Builders Detail From A Wall Painting,

Lepakshi

404

xxxi

PL-147 A Medieval Man Wearing A Stitched Headgear,From A Wall Painting In

Lepakshi

405

PL-148 Lepakshi Muralpainting, India 405

PL-149 A Jain Monk, Parshwa In A Shravanabelagol Painting 405

PL-149A Servants Attending To The Lady Wall Painting In A Jain Muth,

Shravanabelagola

405

PL-149B Seebi, Sibi, Narasimha Swamy Templ-E 405

PL-150 Vigayanagara Empire, Nayak Kings And Queens, Srirangam Templ-E 406

PL-150A Srirangapatana, Daria Daulat Bagheastern Wall, Daria Daulat Bagh,

Srirangapatana, India

406

PL-151 The Muralat Lepakshi, Andhra Pradesh, India 406

PL-151A The Mural At Srirangapatana, Karnataka, India 406

PL-152 Traditional And Folk Paintings Of India, Rajasthan Style Of Paintings 406

PL-153 A Brahmin, His Wife And Child, Attributed To An Artist Of Srirangapatna,

18th Century From A Journey From Madras Through Mysore, Canara And

Malabar, Francis Buchanan.

406

PL-153A Painting From A Jain Muth, Shravanabelagola 407

PL-154 Queen Smoking Her Hookah, Eastern Wall, Daria Daulat Bagh, Srirangapatana 407

PL-155 Lepaksi Templ-E Painting, Andra Pradesh, India 407

PL-155A Srirangapatana, Daria Daulat Bagh, Eastern Wall 407

PL-156 Deccan Painting, Gouache Heightened With Gold On Paper 407

PL-156A A Young Man, 1620, Opaque Watercolour On Paper, Deccan, Ahmednegar,

Fine Art Museum Boston

407

PL-156B A Princely Couple with Attendants, 5th century; Colours and gold on silk

Timurid, Iran

408

PL-157 The House of Bijapur ,Album Leaf, Ca. 1680Kamal Muhammad; Chand

Muhammadattributed To India, Deccan, Bijapur,Ink, Opaque, Colors, Gold,

And Silver On Paper

408

PL-158 A Manuscript Depicting The Painting Of Abul Hasan Qutb Shah The Last

Ruler Of The Golkonda Sultanate

408

PL-159 A Maratha Tailor And His Wife, Ca. 1800, Gouache, Unknown, Thanjavur,

India

408

PL-159A A Maratha Foot Soldier In The Usual Costume Of The Native Indian James

,Forbes 1813

408

PL-159B Maratha Turbans 409

PL-160 Malmaison Of Napoleon Bonaparte And Joséphine 409

PL-161 Daria Daulat Bagh, Srirangapatana, TIPUS Palace 409

xxxii

PL-162 French Admiral Suffren Meeting With The Indian Ruler Hyder Ali, 1783,

Collection Of Alan Taylor

410

PL-162A Dupl-Eix Meeting The Soudhabar Of The Deccan, Before1885 410

PL-163 Battle Scene From The Baysonghori Shahnameh, 1430 410

PL-164 Chehel Sotoun Palace, Isfahan, Iran 410

PL-164A Daria Daulat Bagh Palace, Srirangapatana,India 410

PL-165 Chehel Sotoun Palace, The Great Battle Of Karnal, 18century, Youngrobv 411

PL-166 Indian Sepoy (Infantryman) And His Wife, Company School Painting 411

PL-166A Sir John Dalling, Governor Of Madras, In Two Tanjore School Paintings,

C.1875 -86

411

PL-166B The Company School Of Art, Made For Western Tastes, Extoled British

Colonialism In 19th C

411

PL-167 Hyder Ali, Ruler Of Mysore, 1815 -1892, Engraving By William Dickes 412

PL-167A A Portrait Of Tipu Sultan, 1790–1800, Anonymous, Artist From Mysore, India 412

PL-168 Women In A Brothel, Company Style, Northern India, 1800 -25, Opaque

Watercolor And Gold On Paper

412

PL-169 Five Youth In A Landscape, Circa 1520,Folio From A Divan (Collected

Poems) By Shah Ismail (D. 1524)

412

PL-170 Miraj of The Prophet, Sultan Muhammad, 1539 - 43, Showing Chinese ,

Influenced Clouds And Angels

412

PL-171 A Man Herding Horses, By Han Gan,706–783, A Court Artist Under Xuanzong 413

PL-171A Bodhisattva Of Offering, Mural, Yuan Dynasty 413

PL-172 The Bier of Iskandar, Shahnama Firdowsi, Circa 1330- 1336; Opaque

Watercolor, Ink And Gold On Paper; Freer Gallery of Art

413

PL-173 Shahnameh, Shiraz Schoo, 14th Century Topkapi Collection 413

PL-174 Wedding Celebrations Of Humāyūn, 1396 The Khamseh Of Khwājū Kermānī,

Jalāyirid School Miniature, Junayd, British Library, London

413

PL-175 Iskandar Entertained By Nushabeh In A Sumptuous Palace Apartment. Persia,

Shiraz, Mid Sixteenth Century

414

PL-176 Baysunghur's Shahnameh, 1430 414

PL-176A Portrait Of Muhammad Shaybani Kamal Ad Din Behzad, 1507 AD,

Afghanistan

414

PL-176B Behhzad, 1490 414

PL-176C Detail Of Picture, Kamalodin Behzad , Iran 414

PL-177 Arghan Div Brings The Chest Of Armour To Hamza, From Volume 7 Of The

Hamzanama, Supervised By Samad

414

PL-178 The Assembled Animals Compl-Ain To The Raven Of Their Mistreatment At

The Hands Of Man, A Mughal Masterpiece, British Museum

415

xxxiii

PL-179 A Woman Carrying A Large Jar, Muhammad Muhsin, 1649, Ink And Color

Wash On Paper

415

PL-179A Woman With A Spray Of Flowers, Safavid Iran, 1575 AD ,Cordanrad, Freer

Gallery Of Art, Smithsonian, Washington D.C

415

PL-179B Tahmasb 1 , Safavid King, Naseer Sadeghi, Chehelsoton Painting, Isfahan 415

PL-180 Reza Abbasid 17th.C, Safavid School, Smithsonian 415

PL-181 Portrait Of A Portuguese, 1630, School Of Riza Abbasi, Colors And Gilt On

Paper

415

PL-181A Envoy From Shah 'Abbas Of Persia To The Courts Of Europe, Before 1628,

Oil Painting

415

PL-182 Leaf From A Shahnama1696, Safavid , Attributed To Muhammad Zaman ,Ink,

Colors And Gold On Paper

416

PL-183 Return From Egypt, Muhammad Zaman, C. 1660 Harvard University. Art

Museums

416

PL-184 Jahangir's Dream Of Embracing Shah 'Abbas, Abu’l Hassan, C. 1618 -1622 416

PL-185 Muraqqaʿ, Iran, India, And Europe, 17th CE 19th CE, Multicolored

Borders, Some With Illuminated Floral Motifs

416

PL-186 Gentile Bellini, A Seated Scribe, 1479–81, Pen In Brown Ink With Watercolour

And Gold On Paper, Isabella Stewart Gardner Museum, Boston

416

PL-186A Persian (Safavid), Seated Artist, About 1600, Watercolor With Gold On Paper,

National Museum, Kuwait

416

PL-187 Charles V And Shah Ismail, For Habsburg_Persian_Alliance, Bernaerd Van

Orley, And A Follower Of Bellini, 16century

417

PL-188 Islamic Art, Part Of A 15th Century Ceramic From Samarkand With White

Calligraphy On A Blue Arabesque Background

417

PL-188A Palace Facade From Mshatta In Jordan, C740, Panel Pergamum Museum,

Berlin

417

PL-188B Bowl With Epigraphic & Vegetal Decoration, 10thcentury, North Eastern

Iran Or Transoxiana

417

PL-188C Vessel, Ca. 700, Syria, Bronze, Pierced And Chased, Openwork Design 417

PL-188D Glass Vessel, Syrian Ca. 1260, Glass With Gilt And Enamel 417

PL-189 Islamic Art, The Mosaics Around The The Dome, 7th Century, Byzantine

Influence

418

PL-189A Sassanid And Umayyad Art, Of Fabien Dany –Clerestory Of 418

PL-190 Wall Decoration Inside The Bahia Palace, Marrakech, Morocco 418

PL-190A Textile Fragment, 14th Century; Nasrid ,Spain Silk, Lampas Weave 418

PL-190B Soltaniye Dome, 1302–12, Islamic Pattern, Zanjan, Iran, Hamzeh Karbasi 418

PL-190C Carved Wall Tile; Iran, 13th Century, Stone Paste, Carved And Partially Glazed 418

xxxiv

PL-191 Window Arch Of The Ornate White Marble, Mugha Tomb (I'timad Ud

Daulah), 17th Century AD. Agra, Uttar Pradesh, India

419

PL-191A Itmad Ud Daula's Tomb, Agra 419

PL-191B Detail Of Ornate Inlaid White Marble Of The Mughal Tomb (I'timad Ud

Daulah). 17th Century AD. Agra, Uttar Pradesh, India

419

PL-191C Mughal Palace Carpet 18ct. Boswell, Wiesbaden 419

PL-192 Kufic Script ,Plain Brick Like Rectangles With Calligraphic Patterns Of

Arabic Script

419

PL-192A Detail Of Arabic Carving, 1566 -1588, Alhambra, Granada, Spain 419

PL-192B Inscriptions In Calligraphy, Form Regular Bands Throughout The Qutb Minar,

India, Built 1192 CE

420

PL-193 Calligraphy With Geometry On The Wall, Unknown 420

PL-194 The Qur'an (Circa 610 – 613), The Name Of Mohammad Written In Classic

Calligraphy

420

PL-195 Page Of A 12th Century Qur'an Written In The Andalusia Script 420

PL-196 Kuala Lumpur, Malaysia Muqarnas Ceiling At KL Tower 421

PL-197 The Great Mosque Of Cordoba, Founded In 785, Mixture Of Architectural

Styles Encompassing Roman, Gothic, Byzantine, Syrian And Persian Features

421

PL-198 Isfahan/ Imam (Shah) Mosque, Isfahan, Iran 421

PL-199 Suleiman Mosque, Istanbul, Turkey, Pierre Metivier 421

PL-200 Interior Of The Sheikh Lotfallah Mosque, Isfahan, Iran 421

PL-201 “Geometry Pattern, Dome Of The Mausoleum Of Sultan Qaytbay, Cairo 422

PL-201A Detail Of Bronze Door, Mosque Madrassa Of Sultan Hassan, Cairo 422

PL-202 Geometric Patterns And Calligraphy, The Alhambra, Granada, Spain 422

PL-203 Geometrical Patterns With Floral Motifs, Quwwat Ul, Islam Mosque, Qutb

Compl-Ex, New Delhi, India

422

PL-203A Sheikh Lotfollah Mosque, Floral Design, Isfahan, Iran 422

PL-204 Interior Decoration In The Taj Mahal, Agra, India, David and nancy 423

PL-204A Interior Decoration In The Taj Mahal, Agra, India 423

PL-205 Tile Panel, 17th Century, Syria, Six Ceramic Tiles, Composite Body, Painted

And Glazed

423

PL-206 The Four Figures In Dish, 13th Century Seljuk, Kashan,Iran 423

PL-207 Reflecting Pool, Jami Mosque, Kerman, Iran 423

PL-207A Mosque In Lahore, Pakistan 423

PL-208 Pool Of Jame Mosque, Isfahan, Iran, A.A. Mirzaee 424

PL-209 Mahmoud Farshchian, Heavenly Attraction 424

PL-209A Saracen, Persian Painting 424

PL-210 Persian Miniature Painting, Mohammad Jafar,Traditional Music 424

xxxv

PL-211 The Assassination Of Khosrau II, Mughal Manuscript, Ca.1535, Persian

Poems, Ferdowsi's Shahnameh

424

PL-211A Indo Persian Manuscript And Miniature, 18C 424

PL-212 The School Of Shiraz, Persian Miniature, 15-16 Century 425

PL-213 Persian Miniature, 1555, Angel, Anonym 425

PL-214 Hunting Scene, Mural Paintings, Ashkani Era, Iran 425

PL-214A Persian Miniature Paintings, C. Late 17th Early 18th Century 425

PL-214B Ants In Persian Painting 425

PL-215 A Simurgh Enabling Swift, Effortless Human Traversal Of Forbidding

Mountain And Mighty River In A 14th- Century, Persian Miniature Painting

425

PL-216 Two Safavid Princes Ca1530, Aqa Mirak, Tabriz, Isfahan, Iran 425

PL-217 Detail,Construction Of The Fort Of Kharnaq C. 1494-1495, Kamaleddin Behza 425

PL-218 Detail Of Two Lovers, 1630, Isfahan, Iran, Tempera And Gilt Paint On Paper 426

PL-219 Tabriz School, "Pandj Gandj", Amir Khosrow Riza Abbasi 426

PL-220 Detail Of Camp Scene, Majnum (At Top Wearing Orange) Spies On His

Beloved Layla (Standing In Tent Doorway)

426

PL-221 Youth And Old Age, Tabriz Circa 1530 426

PL-222 Persian Miniature Painting, Safavid Dynasty 426

PL-223 A banquets, tempera on plaster, 71.85c , Chehel sotun palace central hall,

Esfahan , Iran

426

PL-224 Seated Young man, detail of picture, tempra on plaster, 71.61, Chehel sotun

palace, central hall, Esfahan , Iran

426

PL-225 A banquets, tempera on plaster, 71.86, Chehel sotun palace, central hall,

Esfahan, Iran

427

PL-226 A banquets for two guests, tempera on plaster, detail of picture, Chehel sotun

palace, central hall, Esfahan

427

PL-227 wall painting decoration of Chehelsotun palace, azure blue, detail of picture,

Chehel sotun palace, central hall, Esfahan, Iran

427

PL-228 A banquets for one guest, , tempera on plaster, detail of picture,70.99, Chehel

sotun palace, central hall, Esfahan, Iran

427

PL-229 Chehel Sotun Palace, Outer Façade 427

PL-230 Lening Prince, Detail of picture, Tempra on plaster, Chehel sotun palace 427

PL-231 Four Armed Vishnu, Pandya Dynasty, 8-9th Century CE 428

PL-231A Sitting Buddha In Meditation Posture8-10th Century A.D, National Museum,

Prachinburi

428

PL-232 Bronze Chola Statue Depicting Shiva Dancing As Nataraja, Metropolitan

Museum Of Art, New York City.

428

PL-232A Jain Religious Paintings On Textiles, Asian Civilisations Museum 428

xxxvi

PL-232B Bodhisattva Mural, Sumtsek, Alchi, Ladka, 12th Century, Stone 428

PL-232C Eastern Rajasthan Or North Eastern, 11thcentury, Madhya Pradesh, India Lotus

Ceiling

428

PL-233 The Swastika, Ayagaptha, Mathura, India 429

PL-234 Full Vase Traditional Indian Architectural Ornamentation Indo Muslim

Architectur

429

PL-235 Kalpataru, The Divine Tree Of Life, Wall Of Pawon Templ-E, An 8th Century,

Java, Indonesia

429

PL-236 Rama In Pursuit Of The Golden Deer, From Cave 1, Udaigiri 419

PL-237 Brahma With Four Faces And Arms, The Hindu God. 900A.D. Cambodian 430

PL-237A Shiva Maheshvara, Hindu God, Nagesh Templ-, Pandava Period 430

PL-237B A Statue Of The Buddha, Sarnath, 4th Century CE, India 430

PL-237C Buddha's Statue , Belum Caves, Andhra Pradesh, India 430

PL-237D Jain Svetambara Tirthankara In Meditation Seated On A Throne Cushion,

India, Gujarat Or Rajasthan, First Half Of The 11th Century

430

PL-237E Mahavira Jain God,Seated , Cave 32, Ellora 430

PL-238 Sittanavasal, Apsara On Southern Pillar, Image – Ashok Krishnaswamy 431

PL-239 Ajanta Cave Paintings ,Phases Of Ajanta Art Maha -Janaka Jataka, Cave 1 431

PL-239A Painted Bodhisattvas, Cave 12, Ellora 431

PL-239B Tirthankars Inside The Sanctum, Badami Cave Templ-E 431

PL-239C Scene Of Samava Sarvana, Sittanavasal, Yorck Project, Public Domain 431

PL-240 Mural Painting, Padmapani (Bearer Of The Lotus), 6th Century, Cave 1, Ajanta

,Image John Huntington

432

PL-241 Ceiling Paintings Of Ajanta, Cave1, By MM212 432

PL-241A Ceiling Paintings Of Ajanta, Cave2 By MM212 432

PL-242 Ajanta Caves Paintings 432

PL-243 Ajanta Cave 1 Late In The 5th Century, Free Flowing Lines 433

PL-243A Ajanta Cave Painting, Contrasting Colour 433

PL-244 Structure Of The Human Body, Iconography 433

PL-244A Tala Mana System Of Proportions And Measures Governs The Shilpa

Iconography

433

PL-245 Uttama Dasatala(124) And Nine Other Talas ,Image By Shilpi Shri Siddalings

Swamy

433

PL-246 Hamsa Of Chitrasutra Corresponds To Nava Tala Of The Shilpa Sastra. 434

PL-247 The Uttama Dasatala 434

PL-248 Female Figures,One Foot Calmly 434

PL-249 A Woman Of Good Family, Chitra Sutra 434

PL-250 The Courtesans, Chitra Sutra 434

xxxvii

PL-251 A Man With Children, Punjab Style, 1760 434

PL-251A Lady Holding A Wine Cup, Mughal, C.1650–60 Folio, Opaque Watercolour

On Paper

435

PL-251B Self Portrait And Portraits Of Artists (Detail) By Daulat, Mughal, C. 1610,

Golestan Palace Library, Tehran, Davood Sadeghsa

435

PL-252 Radha And Krishna ,Illustration To The Gita Govinda, Hindu Miniature

Painting On Paper, Kailash Rajkangra School

435

PL-252A Goddess Saraswathi, 1896 Raja Ravi Varma, Oil On Canvas 435

PL-253 Scale Of Shoulders, Chest And Abdomen 435

PL-254 The Hindu Goddess Kali And God Bhairava In Union, Painting; Watercolor,

Opaque Watercolor On Paper

435

PL-255 Devi Or Great Goddess, Co1725, India, Rajastan, Bikamar, Ink, Opaque

Watercolour and Silver On Paper, Fletcher Fund1996

436

PL-255A Detail Of Picture 255 436

PL-256 Bhuvaneshvari Das Mahavidya Durga& Sakti, Kailash Raj, The Rajasthan

Style

436

PL-257 Rombuguhya Devachandra One Of The Eight Vidyadharas, Receiver Of The

Transmission Of Mundane Worship Born In Uddiyana

436

PL-257A Shantigarbha, Shintam Garbha, One Of The Eight Vidyadharas, Receiver Of

The Transmission Of Maledictory Fierce Mantra

436

PL-258 Tandava Mantra & Shlokas Shiva As Nataraja, Siva Dance 437

PL-258A Akbarnama , Paintings Of Mughal Costumes, Ornaments And Cultural History

Of India( 1825–1893)

437

PL-259 Hair Style, A Mural Painting Depicting A Scene From Mahajanaka Jataka,

Cave 1, Ajanta

437

PL-260 Kshaya Vriddhi, (‘Loss And Gain’), Fore Shortening Painting, Ajanta,

Cave 1

437

PL-261 King And His Concubine, Indian Paintings, Mughal Period 437

PL-262 Rajarajeshvara Templ-E, Tanjavur, 1010 C.E 438

PL-263 Khandita Nayika, 1790 – 1830, Opaque Watercolour And Gold On Paper,

Unknown

438

PL-263A The Heroine Going To Meet Her Lover At An Appointed PL-Ace, About 1800,

Mola Ram, Opaque, Watercolour And Gold On Paper

438

PL-264 Naiyka Of Ragamala Awakening The Nayak 438

PL-265 Indian Pigments 438

PL-266 Ashta Bharya Krishna, 19th Century Mysore Painting Depicting Krishna With

His Eight Favourite Consorts., Javagal Narasimhayya

438

PL-267 Jagan Mohan Palace 439

xxxviii

PL-267A South Asian Miniature Of Vishnu, Late 19th Century, National Museums Of

Scotland

439

PL-268 Shravanabelagola, Servants Attending To The Lady, Wall Mural Of Karnataka 439

PL-268A Shravanabelagola, King And His Queen 439

PL-269 Renovation And Repainted Of Chehel Sotun Palace 440

PL-269A Renovation and repainted of chehel sotunSelf-photograph 440

PL-270 Srirangapatana, Repainting, 2010, Self-Photography 440

PL-270A Srirangapatana, Repainting, 2010, Self-Photography 440

PL-270B Chehel sotun and Daria Daulat Bagh renovation, self-photography 440

PL-271 Reclining Woman, 1595, Reza Abbasi, Isfahan, Iran 441

PL-272 Sampl-E Of Persian Calligraphy 441

PL-273 Ramayana Painting At Madurai, Tamil Nadu, India 441

PL-274 In Thiruvannamalai, 10th – 15th Century 441

PL-275 Traditional Mural In A Village In Ganjam District Of Orissa 442

PL-276 The Third Battle Of Panipat ,13 January 1761, C. 1770, Anonymous, And

British Library

442

PL-276A The Third Battle Of Panipat Saw The Marathas Defeated By The Afghan Army 442

PL-277 Shivagi Bhosle, Founder Of Marathi Empire 443

PL-278 Hampi, Capital Of Vijayanagar Dynasty 443

PL-279 The Flow Of Life, Detail From A Painting Of Shubaray Maharaj, Solapur 443

PL-279A Krishna And Yashoda, Paint By Shubharaya Solapur Monastery, Solapur 443

PL-279B Sant Shubharay Maharaj, Shubharay Maharaj 443

PL-280 Eastern Wall, Detail Of Paintings, Daria Daulat Bagh ,Srirangapattana, India 443

PL-280A Floral Designs, Daria Daulat Bagh, Srirangapattana, India 444

PL-280B The Figures Of Daria Daulat Bagh,,Eastrn Wall, Daria Daulat Bagh

Srirangapattana, India

444

PL-281 The Number Of Figures Painted In Wall Paintings, Detail Of Picture, Daria

Daulat Bagh, Srirangapattana, India

444

PL-282 Horse Mounted Shivaji, Deccan Miniature Painting, Mir Mohammad, 17th

Century

445

PL-282A Detail Of Battle Scence, Daria Daulat Bagh, Srirangapattana, India 445

PL-283 Payag, Shah Jahan Riding A Stallion; Mughal Court At Agra, Ca. 1628;

Opaque Watercolor And Gold On Paper

445

PL-284 Chehel Sotun Palace, Isfahan, Iran 445

PL-284A Daria Daulat Bagh, Srirangapatana,Mysore 445

PL-285 The Daria Daulat Bagh, Srirangapatana, Square PL-An 446

PL-285A The Chehel Sotun Palace, Isfahan, Square Plain 446

PL-286 Chehel Sotoon Palace With Reflection In The Water 446

xxxix

PL-286A Daria Daulat Bagh With Reflection In The Water 446

PL-287 The Apadana, Dariaus's Palace, 522 -486 BCE,Takht E Jamshid, Iran 446

PL-287A Outdoor Entrance Of Chehel Sotoon Palace 446

PL-287B Outdoor Entrance Of Daria Daulat Bagh 446

PL-288 The Garden Of Chehel Sotoon Palace 447

PL-289 The Pedestals Of Lion And Human, Chehel Sotun Palace 447

PL-290 The Daria Daulat Bagh,Garden And Some Flowers And Trees 447

PL-290A Daria Daulat Bagh Garden 447

PL-291 A Rectangular PL-Atform With 18 Columns,Chehel Sotoon Palace 447

PL-291A Stone Lions Detail Of Picture 447

PL-292 The Porch Roof, Chahel Sotoun Palace Isfahan, Iran 448

PL-292A View From Inside The Iwan Of Chehel Sotun, Back Up To The Ceiling Above

The External Hall Of Mirrors

448

PL-293 Veranda Of Daria Daulat Bagh ,Srirangapatana 448

PL-294 Wooden Pillars With Trefoil Arches, Daria Daulat Bagh 448

PL-294a Detailed, Wooden Pillars 448

PL-295 Dariadaulat Bagh Hall 449

PL-295A Daria Daulat Bagh Hall And Balcony 449

PL-296 Daria Daulat Bagh Wall Gilded And Decorated 449

PL-296A Daria Daulat Bagh Wall Decorated 449

PL-296B Chehel Sotun Palace Wall Gilded And Decorated 449

PL-296C Chehel Sotun Palace Wall Decorated 449

PL-297 Hat, Chehel Sotun Palace 450

PL-297A Men’s Clothes Chehel Sotun Palace 450

PL-297B Painted Dishes, Chehel Sotun Palace 450

PL-298 Handwritten Koran, Chehel Sotun Palace 450

PL-299 Tipu Wearing And Turban, Srirangapatana 450

PL-299A A Rare Quilted Helmet & Curaiss 450

PL-299B Tipu Sultan’s War Dress 450

PL-300 Gulam Ali Khan,Tipu’s Museum 450

PL-300A Shaikh Hossain,Tipu’s Museum 450

PL-300B Hiidar Ali,Tipu’s Museum 450

PL-301 Detailed, Storming of Srirangapatna, 1800, oil painting Sir Robert Ker Porter 451

PL-302 Youth and Dervish in Conversation, Safavid , circa 1590 CE 451

PL-303 Advice of the Ascetic, Moraqqa’-e, Golshan, First half of 16th century 451

PL-304 Rustam tries to lasso Afrasiab, probably Qazvin, Iran 451

PL-305 Youth and Old Age, 1530, Tabriz, Iran 451

PL-306 Shah Suleiman I and his courtiers, 1670, Esfahan, Iran 452

xl

PL-307 Safavid era, painting kept at The Grand Shah Abbas Caravanserai Hotel,

Esfahan, Iran

452

PL-308 Young Portuguese, Reza Abbasi, 1634, ink, gold, and watercolor on paper 452

PL-309 Dervish holding a leaf, circa 1644, Manuscript illustration, Afzal-al- Hussaini,

Esfahan, Iran

452

PL-310 Sultan-Mahmud in discussion with a Dervish, 1577-78, Makhzan al-asrar" of

Mawlana Haydar, opaque watercolor, ink and gold on paper,Iran

452

PL-311 A young man, Manuscript, style of Reza Abbasi , ca. 1570-1635, Esfahan,Iran,

Louvre Museum

452

PL-312 Woman with a Veil, circa 1590-95, album folio , attributed to Reza-i 'Abbasi,

Esfahan, Iran, Sackler Gallery, Smithsonia

453

PL-313 The young man reading embodies the fashion of the day, 1620s.,Reza Abbasi ,

Esfahan, Iran, the Trustees of the British Museum

453

PL-314 Convivial Party, The Emergence of a Persianate refined, 1612, Safavid

Dynasty, Esfahan, Iran

453

PL-315 Muhammad-Beik, prince of Georgia, 1620, Reza Abbasi, Esfahan, Iran 453

PL-316 Detailed picture, Study of a figure in a landscape, 1626 AD, Reza 'Abbasi,

Esfahan, Iran, Christie's catalogue description

454

PL-317 A banquet for two guests, and on the sighdes for one guest, tempera on plaster,

(yolk), 94.220, Chehelsotun palace, centeral hall, Esfehan , Iran

454

PL-318 Ibid 454

PL-318A Ibid 455

PL-319 A narrow floral decoration, detail of picture, Centeral hall, chehel sotun palace,

Esfahan, Iran

455

PL-320 The first plan of a banquet for one guest, tempera on plaster, (yolk), Centeral

hall, chehel sotun palace, Esfahan, Iran

455

PL-320A The second plan mountains and tree of a banquet for one guest, tempera on

plaster, (yolk), Centeral hall, chehel sotun palace, Esfahan, Iran

455

PL-320B The third plan sky and cloud of a banquet for one guest, tempera on plaster,

(yolk), Centeral hall, chehel sotun palace, Esfahan, Iran

456

PL-321 Vertical axis, a banquet for one guest, tempera on plaster, (yolk), Chehel sotun 456

PL-322 a horizontal axis, a banquet for one guest, tempera on plaster, (yolk), Chehel

sotun palace

456

PL-323 Variety of curves, softness and delicacy line and pencil handling, a banquet for

one guest, tempera, Chehel sotun palace

456

PL-324 figures and faeces of painting, a banquet for one guest, tempera, Chehel sotun 456

PL-325 Decorated elements of three parts of painting, a banquet, tempera, Chehel sotun 457

PL-326 The contrast with the red and green colour, a banquet, tempera, Chehel sotun 457

xli

PL-326A The contrast with the blue and orange colour, banquet, tempera, Chehel sotun 457

PL-327 A spectrum of the same range of colours &green) a banquet, tempera, Chehel

sotun palace

457

PL-327A A spectrum of the same range of colours, (orange, (blue yellow, brown),a

banquet, tempera, Chehel sotun palace

457

PL-328 Detail of picture, a banquet, tempera Chehel sotun palace 457

PL-328A Detail of picture, a banquet, tempera, Chehel sotun palace 457

PL-329 The colour of mountain, a banquet, tempera, Chehel sotun palace 458

PL-329A The colour of mountain, a banquet, tempera , Chehel sotun palace 458

PL-330 Detail of Picture, the big turbans, a banquet, tempera, Chehel sotun palace 458

PL-331 A banquet, tempera on plaster, (yolk), 92.218cm, Chehe lsotun palace, central

hall, Esfahan, Iran

458

PL-332 A banquet for one guest, tempera on plaster, (yolk),Centeral hall, chehel sotun

palace, Esfahan , Iran

448

PL-333 Leaning prince, tempera on plaster, (yolk), 69.109cm Chehe lsotun palace,

central hall, Esfahan, Iran

459

PL-334 Shah Tahmasb receiving Homayun the Indian Mughal Emperor, oil on plaster,

centeral hall, chehel sotun palace, Esfahan, Iran

459

PL-335 circular arrangement, Shah Tahmasb receiving Homayun the Indian Mughal

Emperor, centeral hallchehel sotun ,palace

459

PL-336 Vertical line divided the painting in two part, Shah Tahmasb receiving

Homayun centeral hall chehel sotun palace

460

PL-337 Humayun Shah and Tahmasb Shah sitting in Shah Tahmasb receiving

Homayun, centeral hall, chehel sotun palace

460

PL-337A some attendants behind of kings, Shah Tahmasb receiving Homayun chehel

sotun palace

460

PL-338 vertical lines, Shah Tahmasb receiving Homayun the Indian Mughal Emperor,

centeral hall, chehel sotun palace

460

PL-339 square part, Shah Tahmasb receiving Homayun the Indian Mughal Emperor,

centeral hall, chehel sotun palace

460

PL-340 vertical and horizontal lines, centeral hall Shah Tahmasb receiving Homayun,

chehel sotun palace

460

PL-341 dancers with the cupbearer in beautiful circle, Shah Tahmasb receiving

Homayun, centeral hall, chehel sotun

460

PL-342 Some circle composition, Shah Tahmasb receiving Homayun, centeral hall,

chehel sotun palace

461

PL-343 Shah Tahmasb with a red dress.and Homayun Shah with floral dress, receiving

Homayun chehel sotun palace

461

xlii

PL-344 Eye rotation with yellow colour, Shah Tahmasb receiving Homayun , central

hall, Chehel sotun palace

461

PL-345 circular motion with yellow colour,shah Tahmasb reciving Homayun centeral

hall, Chehel sotun Palace

461

PL-345A Circular motion with red colour, Shah Tahmasb receiving Homayun, centeral

hall, Chehel sotun

461

PL-346 drawn parallel to the side figures, Shah Tahmasb receiving Homayun, Centeral

hall, Chehel sotun palace

461

PL-347 Rhythmic movements of two figures, Shah Tahmasb receiving

Homayun,Chehel sotun Palace

461

PL-348 The first plan of painting, Tahmasb receiving Homayun, Chehel Sotun Palace 461

PL-348A The second plan of painting, Shah Tahmasb receiving homayun, chehel sotun 462

PL-348B last plan and the depth of painting, Shah Tahmasb receiving homayun, chehel

sotun palace

462

PL-349 Faeces painted, Shah Tahmasb receiving by Homayun, Chehel Sotun Palace 462

PL-350 Contrast of red and green,Shah Tahmasb receiving by Homayun,Chehel Sotun 462

PL-351 Gray colours, Shah Tahmasb receiving by Homayun, Chehel Sotun, palace 462

PL-352 Shah Tahmasb and his helmet, sword and belt, detail of Picture, central hall,

chehel sotun palace

462

PL-353 Safavid shah Ismail at fighting against the Uzbak shibak khan, oil on plaster,

central hall, chehel sotun palace

463

PL-354 The Safavid Shah Ismail sitting on a white horse, fighting against the Uzbek

Shibak Khan

463

PL-355 The hat of Shah Ismail and his soldiers, detail of Picture, central hall, chehel

sotun palace

463

PL-356 Tree divided the painting to left and right sight, shah Ismail at fighting against

the Uzbak shibak khan central hall, chehel sotun palace

463

PL-356A balance of painting by divided to two part, shah Ismail at fighting against the

Uzbak shibak khan, centeral hall, chehel sotun palace

464

PL-357 white hats shah Ismail at fighting against the Uzbak shibak khan,Chehel sotun 464

PL-358 red dresses, shah Ismail at fighting against the Uzbak shibak khan, Chehel

Sotun Palace

464

PL-359 blue colour on the green background, shah Ismail at fighting against the Uzbak

shibak khan

464

PL-359A Contrast by orange and yellow colour shah Ismail at fighting against the Uzbak

shibak khan

464

xliii

PL-360 eye movement towards the space of painting shah Ismail at fighting against the

Uzbak shibak khan

464

PL-361 enter and exit figures in the frame, shah Ismail at fighting against the Uzbak

shibak khan

464

PL-362 Rotating motion by figures, Shah Ismail at fighting against the Uzbak shibak

khan

465

PL-363 victory of Safavid Shah Ismail and his army, Shah Ismail at fighting against the

Uzbak shibak khan

465

PL-364 Safavid Shah Ismail and Shibak Khan horses, ShahIsmail at fighting against

the Uzbak shibak khan, Chehel Sotun Palace

465

PL-364A The battling era of two kings,Shah Ismail Shah Ismail at fighting against the

Uzbak shibak khan Chehel Sotun Palace

465

PL-365 Some drawing faces without volume making, details of painting, centeral hall,

Shah Ismail at fighting against the Uzbak shibak khan, chehel sotun palace

465

PL-366 Different styles of figures, Shah Ismail at fighting against the Uzbak shibak

khan chehel sotun palace

465

PL-367 The first plan shows the corps of both kings battling, Shah Ismail at fighting

against the Uzbak shibak khan

465

PL-367A The second plan shows the conflict between two kings, Shah Ismail at fighting

against the Uzbak shibak khan centeral hall, chehel sotun palace

466

PL-367B The third plan shows the war clarion-players and musicians, Shah Ismail at

fighting against the Uzbak shibak khan centeral hall, chehel sotun palace

466

PL-368 Shah Abbas II receiving Nadar Mohammad Khan, king of Turkestan, oil on

plaster, centeral hall, chehel sotun palace

466

PL-368A Shah Abbas II and Nadar Mohammad Khan centeral hall, chehel sotun palace 466

PL-369 movement of eye in the painting by dancer and musician and some figures,

Shah Abbas II receiving Nadar Nadar Mohammad Khan, centeral hall, chehel

sotun palace

466

PL-370 Some figures make rhythm, Shah Abbas II receiving Nadar Mohammad Khan,

chehel sotun

467

PL-371 The designed fabrics dresses, Shah Abbas II receiving, Nadar Mohammad

Khan central hall chehel sotun palace

467

PL-372 contrast between reds and greens, Shah Abbas II receiving Nadar Mohammad

Khan, centeral hall, chehel sotun palace

467

PL-373 Indian princess ready to burn herself in her husband’s funerary, southeastern

small room , oil on plaster, 391.253 cm chehel sotun palace

467

xliv

PL-374 Two figures kneeing are discourage the Indian princess from self-burning,

chehel sotun palace

468

PL-374A a beautiful movement and rhythm by figures , Indian princess chehel sotun 468

PL-374B divides the painting into two parts by figures and fire, Indian princess chehel

sotun palace

468

PL-375 Some Hindi clothes and decoration, Indian princess chehel sotun palace 468

PL-375 people wondering detail of Picture Indian princess, chehel sotun palace 468

PL-376 entrance of the eye to the frame by horse, Indian princess, chehel sotun palace 468

PL-376A relationship between figures, Indian princess chehel sotun palace 469

PL-367B princess located era, Indian princess chehel sotun palace 469

PL-376C a number of triangles make certain movement and rhythm, Indian princess,

chehel sotun palace

469

PL-377 a beautiful relationship between crescent-shaped by dome and fire, Indian

princess, chehel sotun palace

469

PL-378 Horizontal composition by bottom plan, Indian princess, chehel sotun palace 469

PL-378A horizontal route through moving some elements, Indian princess, chehel sotun 469

PL-379 Spiritual event by some circles movement Indian princes , chehel sotun palace 469

PL-380 The first plan, which is closer to the viewer Indian princess, chehel sotun palace 469

PL-380A The second plan involves people and courtiers along with the princess, Indian

princess, chehel sotun palace

470

PL-380B The third plan includes the musicians and carriage Indian princess, chehel sotun 470

PL-380C The fourth plan includes a blue sky along with fired and twisting cloud, Indian

princess, chehel sotun palace

470

PL-381 Colour harmony (red, orange, yellow), Indian princess, chehel Sotun palace 470

PL-381A Colour harmony (green, blue), Indian princess, chehel Sotun palace 470

PL-382 The contrast between up and bottom by green and red colours, Indian princess,

chehel Sotun palace

470

PL-382A blue sky along with orange fired-flames Indian princess, chehel Sotun palace 470

PL-383 Some beautiful out line, detail of Picture, Indian princess chehel Sotun palace 471

PL-383A dark Lines around the figures, detailed of Picture, Indian princess, chehel

Sotun palace

471

PL-384 European style dresses pleats, Indian princess, detail of Picture, chehel Sotun 471

PL-385 Some hair style, making faces, and ornament Indian princes, detail of Picture,

chehel Sotun palace

471

PL-386 decorative elements, Indian princess, chehel Sotun palace 471

PL-387 Khosrow and Shirin, tempera on plaster (yolk), Chehel sotun palace,

southeastern small room, and 159.177cm

472

PL-388 Nature, Khosrow and Shirin Chehel sotun palace 472

xlv

PL-389 Shirin, Khosrow and Shirin Chehel sotun palace 472

PL-390 Khosrow, Khosrow and Shirin Chehel sotun palace 472

PL-390A love and beauty between khosrow and shirin, Khosrow and Shirin, Chehel

sotun palace

472

PL-391 a triangle created by shirin khosrow and horse, Khosrow and Shirin, Chehel

sotun palace

472

PL-392 Shirin as a heavy weight in the frame, Khosrow and Shirin,Chehel sotun palace 472

PL-393 visual balance by three elements Khosrow and Shirin, Chehel sotun palace 473

PL-394 horizontal motion, Khosrow and Shirin,Chehel sotun palace 473

PL-395 Variety of hot colours, Khosrow and Shirin , Chehel sotun palace 473

PL-395A Variety of cool colours, Khosrow and Shirin , Chehel sotun palace 473

PL-396 Mountains decorated as the fire flames, detail of Picture, Chehel sotun palace 473

PL-397 Yusuf and zolikha, tempera on plaster (yolk), Southeastern small room,

157.178cm Chehel Sotun Palace

474

PL-398 Zulaikha is sitting on a carpet and Yusuf is sanding, Yusuf and zolikha chehel

sotun palace

474

PL-398A Women are looking at Yusuf, Yusuf and zolikha Chehel Sotun Palace 474

PL-399 first Plan, figures, fruit and wine cups , Yusuf and zolikha, Chehel Sotun Palace 474

PL-399A second plan, prairie grass beauty of and tree , Yusuf and zolikha ,Chehel Sotun 474

PL-399B Third Plan, mountains ,Yusuf and zolikha, Chehel Sotun Palace 474

PL-399C fourth Plan, the blue sky, Yusuf and zolikha, Chehel Sotun Palace 474

PL-400 movement of the eye through the painting, Yusuf and zolikha, Chehel Sotun 474

PL-401 Rotating motion by arrangement figures, Yusuf and zolikha , Chehel sotun 475

PL-402 left and right sight by tree ,Yusuf and zolikha, Chehel sotun palace 475

PL-403 a good balance between the standing and unconscious figures Yusuf and

zolikha, Chehel sotun

475

PL-404 The contrasting colours of red and green, Yusuf and zolikha, chehel sotun 475

PL-404A the contrasting colours of blue and orange, Yusuf and zolikha, chehel sotun 475

PL-405 Architectural decorations, red Ochre and golden colours, Yusuf and zolikha,

chehel sotun palace

476

PL-406 Shah Abbas I banquet , tempera on plaster , (yolk) 383.274cm northeastern

small room ,chehel sotun palace

476

PL-407 Horizontal composition, Shah abbas I banquet, chehel sotun palace 476

PL-408 A variety of curves, Shah abbas I banquet chehel sotun palace 476

PL-409 Twisting movement of brush, Shah abbas I banquet, chehel sotun palace 477

PL-409A pen driving, soft and fine motion, Shah abbas I banquet, chehel sotun palace 477

xlvi

PL-410 some beautiful relationship between figures, Shah abbas I banquet, Chehel

sotun palace

477

PL-411 vertical and horizontal lines, Shah abbas I banquet, Chehel sotun palace 477

PL-411A diagonal movement, Shah abbas I banquet Chehel sotun palace 477

PL-412 a tree in the middle divides the frame into two parts, Shah abbas I banquet,

Chehel sotun palace

477

PL-413 Eye enters to the frame with figures, Shah Abbas I banquet, Chehel sotun 478

PL-414 balanced figures, Shah Abbas I banquet, Chehel sotun palace 478

PL-415 Two sections, top and bottom, Shah Abbas I banquet, Chehel sotun palace 478

PL-415A Two sections, top and bottom, Shah Abbas I banquet Chehel sotun palace 478

PL-416 Some decorating elements, Shah abbas I banquet, Chehel sotun palace 478

PL-417 balanced with standing figure and river, Shah abbas, I banquet, Chehel sotun 478

PL-418 Drawing, Shah abbas I banquet, Chehel sotun palace 479

PL-419 a collection of the same colour family (blue and green), Shah Abbas I banquet

Chehel sotun palace

479

PL-420 Plain pen driving, Shah Abbas I banquet, Chehel sotun palace 479

PL-421 first plan, coloured figure, Shah Abbas I banquet, Chehel sotun palace 479

PL-421A second plan, grass and green space, Shah Abbas I banquet, Chehel sotun palace 479

PL-421B third plan hills, Shah Abbas I banquet, Chehel sotun palace 479

PL-421C fourth plan, sky and clouds, Shah Abbas I banquet, Chehel sotun palace 480

PL-422 Shah Abbas Banquet, tempera on plaster (yolk), chehel sotun palace,

norteastern small room, 105.5x189cm

480

PL-423 Shah Abbas with the butlers, Shah Abbas banquet, chehel sotun palace,

norteastern small room

480

PL-424 divided painting into two parts, Shah Abbas, banquet, chehel sotun palace 480

PL-425 The variety colour composition Shah Abbass banquet, chehel sotun palace 481

PL-426 face shapes, Shah Abbass banquet, Chehel Sotun palace 481

PL-427 Type of pen driving, Shah Abbass banquet, chehel sotun palace 481

PL-428 Iranian Lady in foreign dress, tempera on plaster (yolk), northeastern small

room, 113x164cm ,chehel sotun palace

481

PL-429 Pen driving and hatching, Iranian Lady in foreign dress, Chehel Sotun palace 482

PL-430 head cover, hair makeup Iranian Lady in foreign dress, Chehel Sotun palace 482

PL-430A cloth style, Iranian lady in foreign dress, Chehel Sotun Palace 482

PL-430B open environment, Iranian lady in foreign dress, Chehel Sotun Palace 482

PL-431 View from inside the iwan of Chehel Sotun back up to ceiling above the

external Hall of Mirrors, Chehel Sotun Palace

482

PL-432 A Banquet, tempera on plaster (yolk) southern room in mirror hall, Chehel

sotun palace

482

xlvii

PL-432A A Banquet ,Surface hacks, chehel sotun palace 482

PL-432B reconstructed painting by using quick setting gypsum chehel sotun palace 483

PL-432C Safavid hat and turban, chehel sotun palace 483

PL-432D the vegetative and abstract decorations, chehel sotun palace 483

PL-433 A rabbit hunt scene, tempera on plaster yolk), southern room in mirror hall,

chehel sotun palace

483

PL-434 Big size figure, chehel sotun palace 483

PL-435 Face finishing style, chehel sotun palace 483

PL-436 the opposite direction of the bar movement, chehel sotun palace 483

PL-437 contrast of blue and orange chehel sotun palace 483

PL-438 a European man accompanied by a dog, oil on plaster , chehel sotun palace,

northern small Ivan, chehel sotun palace

484

PL-439 A hanging curtain ,chehel sotun palace 484

PL-439A The flat background ,chehel sotun palace 484

PL-440 A diagonal sceptre and a bar, chehel sotun palace 484

PL-440A X sign movement, chehel sotun palace 484

PL-441 Some golden points, chehel sotun palace 484

PL-442 viewer's eye, down and upward, chehel sotun palace 484

PL-443 The soft andCircular movements, chehel sotun palace 484

PL-444 Blue and orange contrasting, chehel sotun palace 484

PL-444A Blue and orange contrasting, chehel sotun palace 484

PL-445 light grey colour, chehel sotun palace 484

PL-446 A standing prince, oil on plaster , northern small Ivan, chehel sotun palace 485

PL-447 red background of the painting ,chehel sotun palace 485

PL-448 Hung curtains with light and shade effect, chehelsotun palace 485

PL-449 A variety of circles and curves, chehel sotun palace 485

PL-450 horizontally movement, chehel sotun palace 485

PL-451 little lighting and shade effect on the face, chehel sotun palace 485

PL-452 contrast between blue and orange, A standing prince, chehel sotun palace 486

PL-452A contrast between blue and orange, A standing prince, chehel sotun palace 486

PL-453 Chaldoran war, sadiq ol _ va’d , Qajar period painter, oil on plaster, centeral

hall, chehel sotun palace

486

PL-454 Shah Ismail I with some Iranian troops equipped with cool weapons, Chaldoran

war, chehel sotun palace

487

PL-454A the Ottoman army were equipped with firearms and artillery, Chaldoran war

chehel sotun palace

487

PL-455 Shah Ismail I, Chaldoran war, chehel sotun palace 487

PL-456 Shah Ismail and Sultan Salim an obvious reciprocity, Chaldoran war 487

xlviii

PL-457 A vertical line to up and down and horizontal Line to left and right, Chaldoran

war, Chehel Sotun palace

487

PL-458 Shah Ismail and his soldiers have Qizilbash helmets, Chaldoran war, Chehel

sotun Palace

487

PL-458A King Salim and Ottoman soldiers special hat, Chaldoran war, Chehel Sotun 488

PL-459 a perspective of mountains and cloudy sky with light and shade effect , chehel

sotun palace

488

PL-460 perspective and deep effect, Chaldoran war, chehel sotun palace 488

PL-461 The first Plane, the troops of both Countries, chehel sotun palace 488

PL-461A second planes, Shah Ismail at war, Chaldoran war, chehel sotun palace 488

PL-461B third plan, Shah Salim at war Chaldoran warchehel sotun palace 488

PL-461C Forth plane, the artilleries and battling troops along with the landscape of

mountains and sky

488

PL-462 circles movement and spiral movement , Chaldoran war, chehel sotun palace

488

PL-463 Adifferent ranges of colour, detail of Picture, Chaldoran war, Chehel Sotun 489

PL-464 Chaldoran war, architectural decorations ,chehel sotun palace 489

PL-465 The artist's signature, Chaldoran war, Chehel Sotun Palace 489

PL-466 Conquest of India by Nadir Shah Afshar, oil on plaster, centeral hall, chehel

sotun palace

489

PL-467 A vertical line to up and down and horizontal Line to left and right, Chaldoran

war, Chehel Sotun

490

PL-468 Shah Ismail and his soldiers have Qizilbash helmets, Chaldoran war, Chehel

sotun Palace

490

PL-469 Some figures with different mode and different face, Conquest of India by

Nader Shah , Chehel Sotun Palace

490

PL-470 left and right parts, Conquest of India by Nader Shah Chehel Sotun Palace 490

PL-470A Nader Shah riding a dark horse, Conquest of India by Nader Shah Chehel Sotun 490

PL-470B Mohammed Shah riding an elephant, Conquest of India by Nader Shah, Chehel

Sotun Palace

490

PL-471 contrast between Amir Arsalan and Khan Khanan, Conquest of India by Nader

Shah, Chehel Sotun

490

PL-472 Entrance into the painting White from sides of the frame, Conquest of India

by Nader Shah, Chehel sotun

490

PL-473 Some different colour, Conquest of India by Nader Shah, chehel sotun palace 491

PL-474 a triangle with Mohammed Shah Gurkani, Nadir shah and Amir Arsalan,

Conquest of India by Nader Shah

491

PL-475 Panel 1, Western wall, Daria Daulat Bagh, Srirangapatana, mysore 491

xlix

PL-476 Mountains, cloudy sky and a craggy desert background, Panel 1, Western wall

,Daria Daulat Bagh

491

PL-477 Some men on foot, Panel 1, Western wall, Daria Daulat Bagh, Srirangapatana 492

PL-477A Some men on horseback, Panel 1 Western wall, Daria Daulat Bagh,

Srirangapatana

492

PL-477B Riding elephants, Panel 1, Western wall, Daria Daulat Bagh, Srirangapatana 492

PL-478 Two huge tuckers lead the procession carrying large flags of Tipus insignia,

Western wall, Daria Daulat Bagh

492

PL-479 Haidar entering the grounds of Polillur after besieging Arcot, Western wall,

Daria Daulat Bagh, Srirangapatana

493

PL-480 three rows in slant position, Western wall, Daria Daulat Bagh, Srirangapatana 493

PL-481 Two men stop to play the trumpet, detail of Picture ,Western wall, Daria Daulat 493

PL-481A some men on horseback being led by their commander detail of Picture, Daria

Daulat Bagh ,Srirangapatana

493

PL-482 Three horses and some men, detail of Picture, Western Wall, Daria Daulat Bagh 493

PL-483 Mir Sadak, detal of Picture, Western wall, Daria Daulat Bagh 493

PL-484 Haidar Ali on a howdah sitting comfortably on a majestic elephant, detail of

Picture Western wall, Daria Daulat Bagh

494

PL-484A Smelling flower, tradition Moghul miniatures style 494

PL-485 Haidar Ali turban and his clothes, detail of Picture, western wall, Daria Daulat 494

PL-486 A companion with Haidar Ali, detail of Picture ,western wall, Daria Daulat 494

PL-487 The elephant carry Haidar Ali, western wall, Daria Daulat Bagh 494

PL-488 The composition of the painting, panel.1- western wall, Daria Daulat Bagh 494

PL-489 Enters to the painting by elephant’s, panel.1- western wall, Daria Daulat Bagh 495

PL-490 division of Haidar Ali and his troops, panel.1-western wall, Daria Daulat Bagh 495

PL-491 a Tetrahedral of military, panel.1- western wall, Daria Daulat Bagh 495

PL-492 Some horses directed eyes to forward, panel.1-western wall, Daria Daulat Bagh 495

PL-493 Architecture element, detaile of picture, western wall, Daria Daulat Bagh 496

PL-494 diagonal movement, western wall, panel.1-Daria Daulat Bagh 496

PL-495 Some grey colour, panel.1- , detaile of picture ,western wall, Daria Daulat Bagh 496

PL-496 The conflict between dark and light colour, panel.1, detaile of Picture, western

wall, Daria Daulat Bagh

496

PL-497 A number of men on horseback and on foot, panel.2- western wall, Daria Daulat 497

PL-498 Some men on horseback behind of Elephant’s, panel.2-, western wall, Daria

Daulat Bagh

497

PL-499 French military, panel.2-Western wall, Daria Daulat Bagh 497

PL-500 Some men on foot on top and below, western wall, Daria Daulat Bagh 497

l

PL-500A Tiger snipes clothes, detail of picture, western wall, Daria Daulat Bagh 497

PL-501 Tipu Sultan on a white horse, panel.2-, detail of Picture, western wall, Daria

Daulat Bagh

498

PL-502 Tipu Sultan with some ornamented gems detail of Picture, western wall, Daria

Daulat Bagh

498

PL-503 conversation between Tipu and with his Commander-in-Chief, western wall,

Daria Daulat Bagh

498

PL-504 Commander-in-chief Kumar-ud-din, panel.2-, detail of Picture western wall,

Daria Daulat Bagh

498

PL-505 Monsieur Lally, the head of the French, panel2 , detail of Picture, western wall,

Daria Daulat Bagh

498

PL-506 Entrance in to the painting frame by elePLants and camels, panel.2- western

wall, Daria Daulat Bagh

499

PL-507 Divide the frame into two parts, panel.2- left part, western wall, Daria Daulat 499

PL-507A A rectangle, middle of two parts, panel.2 western wall, Daria Daulat Bagh 499

PL-507B Divide the frame into two parts, panel.2- Right part, western wall, Daria Daulat 499

PL-508 Gathering and separation concept, panel.2- western wall, Daria Daulat Bagh

500

PL-508A contrary of Gathering and separation concept, panel.2- western wall, Daria

Daulat Bagh

500

PL-509 Some figures, panel .2-western wall, panel.2-Daria Daulat Bagh 500

PL-510 face style, panel.2-, western wall, Daria Daulat Bagh 500

PL-511 Rhythm, panel.2- western wall, panel.2-Daria Daulat Bagh 501

PL-512 The decorations and ornament, panel.2- western wall, panel.2-Daria Daulat

Bagh

501

PL-513 Some different colour, panel.2- western wall, panel.2-Daria Daulat Bagh 501

PL-514 Panel-3, western wall, Daria Daulat Bagh 501

PL-515 The army of Haidar Ali and Tipu sultan simultaneously reached their

destination, panel3, western wall, Daria Daulat Bagh

502

PL-516 Haidar Ali and General Seyyed Gaffur, western wall, Daria Daulat Bagh 502

PL-517 Haidar Ali (top) and Tipu sultan(left), panel3, western wall, Daria Daulat Bagh 502

PL-517A Haidar Ali (top) andTipu sultan (left), panel3, western wall 502

PL-518 some camels and several horses between two rulers, panel.3-, western wall

,Daria Daulat Bagh

502

PL-519 A number of British officers, Panel.3-, western wall, Daria Daulat Bagh 503

PL-520 Indian and French soldiers with British officers, panel.3-, western wall, Daria

Daulat Bagh

503

li

PL-521 Indian and French soldiers with British officers, panel.3-, western wall, Daria

Daulat Bagh

503

PL-522 General Baird and Colonel Fletcher, panel.3- western Wall, Daria Daulat Bagh 503

PL-523 Mons. Lally’s prancing white horse at the head of the French detachment,

panel.3-, western wall, Daria Daulat Bagh

503

PL-524 Mons. Lally and His brown horse, panel.3- western Wall, Daria Daulat Bagh 503

PL-525 explosion of the tumbril caused by Mons Lally panel.3-, western wall, Daria

Daulat Bagh

503

PL-525A gun powder wagon, panel.3-, western wall, Daria Daulat Bagh 504

PL-526 The climax of the troops, (European and Indian) panel.3-, western wall, Daria

Daulat Bagh

504

PL-527 The 'indiscriminate slaughter panel.3-, western wall, Daria Daulat Bagh 504

PL-528 Some headless bodies and several butchered men panel.3-, western wall, Daria

Daulat Bagh

504

PL-529 The English soldiers, panel.3-, western wall, Daria Daulat Bagh 505

PL-530 Mohammadan (probably) putting water into the powder Magazine, panel.3-,

western wall, Daria Daulat Bagh

505

PL-531 Biccaji Scindia (Probably), panel.3-, western wall, Daria Daulat Bagh 505

PL-532 several circles compositiono, panel.3-, western wall, Daria Daulat Bagh

505

PL-533 Enterance eye in the painting, panel.3-, western wall, Daria Daulat Bagh 505

PL-534 some horses in middle of painting, panel.3-, western wall, Daria Daulat Bagh 506

PL-534A Some of rhythm and movement, panel.3-, western wall, Daria Daulat Bag 506

PL-535 panel.4- western wall, Daria Daulat Bagh, Srirangapatana 506

PL-536 The tiger stripes, panel.4- western wall , Daria Daulat Bagh, detail of painting 506

PL-537 The Nizam, panel.4- western wall, Daria Daulat Bagh, detail Daulat 506

PL-538 12 elephants with empty howdahs, probably brought to aid Haidar's army,

panel.4- western wall, Daria Daulat Bagh,

507

PL-539 Nizam’s vest and turban rust coloured, panel.4- western wall, Daria Daulat

Bagh, detail of Picture

507

PL-540 a cow and a pig Below the Nizam's horse, panel.4- western wall, Daria Daulat

Bagh, detail of Picture

507

PL-541 the marching infantry, panel.4- western wall, Daria Daulat Bagh 507

PL-542 Some figures anatomy from the four panels, western wall, Daria Daulat Bagh 508

PL-543 A disorderly and bizarre composition, panel.3- western wall, Daria Daulat 508

PL-544 A lot of movement of galloping horses and soldiers fighting, western wall,

Daria Daulat Bagh

508

lii

PL-544A The lethargic stance in Nizam Ali, western wall, Daria Daulat Bagh 598

PL-545 A strong black outline and line dominates, western wall, Daria Daulat Bagh 509

PL-545A Some line which does not flow with ease, western wall, Daria Daulat Bagh 509

PL-546 Some colour harmony in the paintings, western wall, Daria Daulat Bagh 509

PL-547 some Prussian blue in the painting, western wall, Daria Daulat Bagh 510

PL-548 some Prussian blue in the painting, western wall, Daria Daulat Bagh 510

PL-549 Some warm colour with Prussian blue for good balance, western wall, Daria

Daulat Bagh

511

PL-550 achieve to uphill by horses galloping, western wall, Daria Daulat Bagh 511

PL-551 The army in horizontal direction, (left to right), panel.1- western wall, Daria

Daulat Bagh

511

PL-551A The army in horizontal direction, (right to left), panel.4- western wall, Daria

Daulat Bagh

512

PL-552 A few mountains are visible in distance, panel.1-, western wall, Daria Daulat 512

PL-552A A few mountains are visible in distance, panel.2- , western wall, Daria Daulat 512

PL-552B A few mountains are visible in distance, panel.3- , western wall, Daria Daulat 512

PL-552C A few mountains are visible in distance, panel.2- , western wall, Daria Daulat

513

PL-553 details of the picture, Eastern wall, Daria Daulat Bagh, 513

PL-553A panel.1&2. ,Eastern wall, Daria Daulat Bagh 513

PL-554 panel.1- , Eastern wall, Daria Daulat Bagh 514

PL-555 panel.2- Eastern wall, Daria Daulat Bagh 514

PL-556 Receiving guests, Eastern wall, Daria Daulat Bagh 514

PL-557 leave-for hunting, Eastern wall, Daria Daulat Bagh 514

PL-558 Relaxing, Eastern wall, Daria Daulat Bagh 515

PL-559 Queens is Smoking the hookah, Eastern wall, Daria Daulat Bagh 515

PL-560 the Muslim faith represented praying, Eastern wall, Daria Daulat Bagh 515

PL-560A the Muslim faith represented reading the holy book,Eastern wall, Daria Daulat

Bagh

515

PL-561 some general category, Eastern wall, Daria Daulat Bagh 516

PL-562 various contemporary rulers of Tipu Sultan, Eastern wall, Daria Daulat Bagh 516

PL-562A contemporary rulers of Tipu Sultan, Eastern wall, Daria Daulat Bagh 516

PL-563 ladies attending upon their queen, Eastern wall, Daria Daulat Bagh 517

PL-564 queen dresses, ladies attending upon their queen, Eastern wall, Daria Daulat 517

PL-565 'tali' significant, detail of Picture, Eastern wall 517

PL-566 The ladies dressed with varied colours ,Eastern wall, Daria Daulat Bagh 517

PL-567 combination of line with flat colours light and shade, Eastern wall, Daria Daulat 517

PL-567A some modelling work, Eastern wall, Daria Daulat Bagh 507

liii

PL-568 particular portrait of Muhammad Ali and his queen, Eastern wall, Daria Daulat 518

PL-569 Muhammad Ali's lavish hospitality and aristocratic, Eastern wall, Daria Daulat 518

PL-570 the Raja of Tanjore, Eastern wall, Daria Daulat Bagh 518

PL-570A Raja Sarabhoji of Tanjore, company painting, 19th century , Victoria &Albert

Museum, United Kingdom

518

PL-571 similarity of the headdress, costume and moustache, Tanjore painting 519

PL-572 Krishna Raja Wodeyar, Eastern wall, Daria Daulat Bagh 519

PL-572A a scroll painting in India Office library, London 519

PL-573 Madakeri Nayaka, Eastern wall, Daria Daulat Bagh 519

PL-574 The lines depicted on the buildings, Eastern wall, Daria Daulat Bagh 520

PL-574A The lines depicted on the costumes, Eastern wall, Daria Daulat Bagh 520

PL-574B some lines depicted on the wall paintings, Eastern wall, Daria Daulat Bagh 520

PL-575 white buildings and clothes, on the wall paintings, Eastern wall, Daria Daulat 521

PL-575A white clothes, on the wall paintings, Eastern wall, Daria Daulat Bagh 521

PL-576 semblance of an Islamic buildings style, Eastern wall, Daria Daulat Bagh 521

PL-577 Four colours: red, blue brown and white, Eastern wall, Daria Daulat Bagh 521

PL-577A Four colours: red, blue brown and white, Eastern wall, Daria Daulat Bag 522

PL-578 Shading and modelling of figures, Eastern wall, Daria Daulat Bagh 522

PL-578A Shading and modelling of figures, detail of painting, Eastern wall, Daria Daulat 522

PL-579 a caparisoned elePLant and dark brown steed being led by white dressed

servants, Eastern wall, Daria Daulat Bagh

523

PL-579A contrast of blue sky and ochre foreground, Eastern wall, Daria Daulat Bagh 523

PL-580 balance with the colours, Eastern wall, Daria Daulat Bagh 523

PL-581 Shading of some figures clothes, Eastern wall, Daria Daulat Bagh 524

PL-581A Shading of some figures clothes and curtains, Eastern wall, Daria Daulat Bagh 524

PL-582 texture on the men clothes, Eastern wall, Daria Daulat Bagh 524

PL-582A texture on the women clothes, Eastern wall, Daria Daulat Bagh 525

PL-583 some transparent women’s clothes, Eastern wall, Daria Daulat Bagh 525

PL-584 The Queen with her attendants Smoking the hookah ,Eastern wall, Daria Daulat 525

PL-584A The Queen with her attendants Smoking the hookah detail of Picture, Eastern

wall, Daria Daulat Bagh

525

PL-585 balances with the round of the pillow, sitar and drum, Eastern wall, Daria

Daulat Bagh

526

PL-585A balances with saree tying, Eastern wall, Daria Daulat Bagh 526

PL-586 Female Musicians, detail of Picture Padshahnama , Mughal painting, Rajasthan

style, India

526

PL-586A the Queen with her attendants Smoking the hookah, Eastern wall, Daria Daulat 526

PL-587 A trio of women divided into three groups, Eastern wall, Daria Daulat Bagh 526

liv

PL-588 achieving balance by seating and standing women, Eastern wall, Daria Daulat 526

PL-589 foreshortening technique, The Queen with her attendants Smoking the hookah,

Eastern wall, Daria Daulat Bagh

527

PL-589A the queen being in the forefront and the other two are behind her, Eastern wall,

Daria Daulat Bagh

527

PL-590 Shading of facial parts, The Queen with her attendants Smoking the hookah,

Eastern wall, Daria Daulat Bagh

527

PL-591 balance of coloures, The Queen with her attendants Smoking the hookah,

Eastern wall, Daria Daulat Bagh

528

PL-592 Line flows with the contours and the garments, detail of Picture, Eastern wall,

Daria Daulat Bagh

528

PL-593 Illusionary space, Eastern wall, Daria Daulat Bagh 528

PL-594 Many of women in the Sultan life, detailes of oictures, Eastern wall, Daria

Daulat Bagh

528

PL-595 some floral patterns, Dariaa Daulat Bagh, srirangapatana 529

PL-595A some floral pattern on the wall, Dariaa Daulat Bagh, srirangapatana 529

PL-595B some floral design on the door, Dariaa Daulat Bagh, srirangapatana 529

PL-596 ceiling design, Dariaa Daulat Bagh, srirangapatana 530

PL-597 Several pillars painted, Daria Daulat Bagh, srirangapatana 530

PL-598 Interior decorated design of palace, Daria Daulat Bagh 530

PL-598A Interior decorated design of Daria Daulat Bagh , Daria Daulat Bagh,

Srirangapatana

531

PL-599 Exterior decorated design of Daria Daulat Bagh , Daria Daulat Bagh,

Srirangapatana

531

PL-600 miniature portraits in small mosaic, Daria Daulat Bagh, Srirangapatana 531

PL-601 single portraits on the top portion of the wall, (western wall) Daria Daulat Bagh,

Srirangapatana

531

PL-602 Double portraits on the top portion of the wall, (Eastern wall) Daria Daulat

Bagh, Srirangapatana

532

PL-603 the square frames, Western wall, Daria 532

PL-603A The oblong frames, Eastern wall, Daria Daulat Bagh, Srirangapatana 532