Lighting
description
Transcript of Lighting
LightingHard and Soft Light
Impo
rtanc
e of
Lig
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g
Lighting can emphasize important details or hide them. It can flatter a subject by bringing out positive attributes and it can de-emphasize or hide less attractive attributes. Lighting can even impart a sinister and hostile look,depending on how you use it.
3 Ba
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Char
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s• coherence (quality) • color temperature • intensity
Cohe
ranc
e often called quality, is the hardness or softness of light. Light quality is probably the least understood and the most neglected of the three variables.
Hard
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Light that is transmitted directly from a small point
source results in relatively
coherent (parallel) rays. This gives the light a hard, crisp, sharply defined appearance. The light from a clear, unfrosted light bulb, a focused spotlight, or the noonday sun in a clear sky, all represent hard light sources.
Hard
Ligh
t Hard light casts a sharp, clearly defined shadow. When hard light is used to illuminate a face,
imperfections in the skin stand out. The result is less than flattering.
Hard
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Hard
Ligh
ting But in other applications, such as
bringing out the texture in leather, or the engraving on a piece of jewelry, this can be an advantage.
Hard
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ting
Hard
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Note in the photo how the writing
stands out. Also note the clearly
defined shadow of the flower at the
bottom of the photo.
Soft
Light
ing Soft (diffused) light
has the opposite effect. Soft light tends to hide surface irregularities and
detail.
Soft
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The letters are hard to read and the shadow of the flower has all but disappeared.
Soft
Light
ing Spun-glass diffusers
are used over the front of lights to soften and diffuse their beams. At the same time, diffusers also reduce the intensity of light.
Soft
Light
ing Soft light sources are
used in production to create a broad, even area of light. In the field, videographers often rely on umbrella reflectors to create a soft lighting effect.
Soft
Light
ing
Because soft light tends to hide lines, wrinkles and blemishes, it's desirable in doing
glamour work.
Soft
Light
ing A soft light source
placed close to the camera minimizes surface detail. The effect is commonly referred to as flat lighting.
Ultra
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There are a few occasions when ultra-soft lighting is necessary to keep
video equipment from exceeding its brightness or contrast
range limitations and as a result compressing (losing)
important detail.
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Note that when standard lighting is used the reflections from the shiny objects drive down the video levels in the darker areas. As a result, important detail is lost.
Ultra
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t lig
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g The same problems are encountered when you photograph shiny metallic objects, such as jewelry and silverware.
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These problems can be fixed by using an extremely soft lighting setup — in this case the lighting tent.
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To create this ultra soft lighting the subject matter was surrounded by a white
sheet, leaving only a small opening for the camera lens. Three lights placed at different angles lit the
outsides of the sheet.
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