Light Atmosphere - vbn.aau.dk · Peter Zumthor: The Therme Vals Atmosphere Therme Vals. Peter...
Transcript of Light Atmosphere - vbn.aau.dk · Peter Zumthor: The Therme Vals Atmosphere Therme Vals. Peter...
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Light Atmosphere Design parameters for evaluating lighting in hospital wards
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Lone StidsenPhd Fellow at Aalborg University, Department of Civil Engineering 2009 - 2012
BackgroundTextile design_ Kolding School of design 06Teacher, Silkeborg 99Lostdesign 06
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Interest: Light atmosphereWhat is interesting light, and when is it interestingUnderstanding Atmosphere?Design Parameters for pleasurable light atmosphere in hospital wardsTo approve the sensory qualities of light and.Study the effect of light by having a holistic approach to research in light and lighting. Light in a hospital setting.
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Herlev Hospital
Ulrich, R. & Zimring, C. 2004, ”The Role of the Physical Environ-ment in the Hospital of the 21st Century: A Once-in-a-Lifetime Op-portunity”
Dalke, H.,Littlefair P.J. & Loe 2006. ”Lighting and colour for hospital design”
McClughan, C.L.B., Aspinall, P.A. & Webb, R.S. 1999, ”The impact of lighting on mood”
Guidelines Hospital design
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Afternoon in DK
Atmosphere. Albertsen, N. 1999, ”Urban Atmosphere”,Atmospheres can not be seen - It must be experienced through other senses and an atmosphere occurs rarely through one sense alone, but in an interaction between seve-ral senses. Atmosphere affects people emo-tionally.
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
View from my studio in Aarhus
Atmosphere It is not a stamp of approval for ”good taste”. It is everywhere at any time, it is always present.
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Cafe i Lagos, Nigeria
Atmosphere It is not a stamp of approval for ”good taste”. It is everywhere at any time, it is always present.
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Peter Zumthor: The Therme Vals
Atmosphere Therme Vals. Peter Zumthor, 2006, Atmospheres - Architectural Environ-ments - Surrounding objects
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Philosopher Gernot Böhme: The concept of Atmosphere. 1993, ”Atmosphere as the fundamental concept of a new aes-thetics1” in Thesis Eleven.
Subject SpaceAtmosphere
Atmosphere
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Dalsgaard-Kortbak: Staging atmospheres in interaction design”, Nordes (2008)
Tech-nologi
Other
Subject SpaceAtmosphere
Atmosphere
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Time
Socio Cultural.
Time
Socio-culturel
Tech-nologi
Other
Subject SpaceAtmosphere
Atmosphere
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
Sensory
Spatial Relation
Functions Function Ecstasies
Between People
Atmosphere
A complex concept
Atmosphere
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29/10/2010 _ LONE STIDSEN _ AALBORG UNIVERSITET _ SVERIGE_GÔTEBORG
SpaceLocationAngleDistanceGeografic
Spatial compositionObject and placements
Lightsource
Light information:Expectations Experience
EffectFunctionalAestethicSymbolic
Light characteristicaDaylight - ArtificialVariation, dynamic, intensity, colour
Users
To seeVisual systemCircadian systemPerceptional
Human performanceExpectations and goals
Group characteristicaPatientsStaffVisitors
BehaviourSocal, Locomotion
Time
Period of influenceAdaptationBefore, under, after
On the timeDay and year
Light AtmosphereSensory indicationsAppearance Surface caracter
Design Parameters
Light Source Characteristica, effect, information
SpaceGeografical orientation, spatial composi-tion, surfaces, objects, materials, colour
TimeTime of the year, daytime, time of influ-ence
User Behaviour, performance, user group, visual system, expectations, kultural background
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DESIGN PROCESS - Ongoing
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Design approach for case study Defining SPACE atmosphereDescribing the TIMEDefining LIGHT situation.Finding USERS preferences
Defining the goals for light atmosphere
SpaceLocationAngleDistanceGeografic
Spatial compositionObject and placements
Lightsource
Light information:Expectations Experience
EffectFunctionalAestethicSymbolic
Light characteristicaDaylight - ArtificialVariation, dynamic, intensity, colour
Users
To seeVisual systemCircadian systemPerceptional
Human performanceExpectations and goals
Group characteristicaPatientsStaffVisitors
BehaviourSocal, Locomotion
Time
Period of influenceAdaptationBefore, under, after
On the timeDay and year
Light AtmosphereSensory indicationsAppearance Surface caracter
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Space
Location: Ward 10-11, Department of orthopaedic surgery, Odense Univer-sity Hospital, Denmark.
Geographic orientation is towards the south.
Spatial Relation: 2 beds ward. Size: 4 x 6 meters, ceiling heights 4 meters
Two wards for a comparative study. One 1:1 light design mock-up and one control room.
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Time One week hospitalization
January - march 2011
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Light
Documenting the existing LIGHT situation at the ward.
Looking at best practise
Combining the knowledge practical exper-iments of light effect.
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1.User preferences
Patients preferences and expectations for light using qualitative anthropologically methods.
Photographi of everyday use of light in private settings.
Innovation and inspiration
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2. User zones
To optimise light setting snd support the staffs working condition and thereby pa-tients experience of ward atmosphere,
Documentation of everyday use of the ward by Mapping the movement of the staff. Use for: who should be in control of the light and when.
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3. User preferencesScenario design for a comparative quantitative study of user preferences.
3D visualisation/1:1 mock-up
Scenario A-B-C-D in hierarchical order
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Everyday use of the ward light
“Patients private space” (reading, din-ing, sleeping, and watching television, visits of relatives),
“Patients active space” (training area, physiotherapy, walking area),
“Patients public space” (doctors and physiotherapists examinations).
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Hypotheses
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HIGH LIGHT SCENARIO
“Patients active space” (training area, physiotherapy, walking area),
“Patients public space” (doctors and physiotherapists examinations).
HIGH LIGHT SCENARIO
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HIGH LIGHT SCENARIO
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CENTER LIGHT SCENARIO
“Patients private space” (reading, din-ing, sleeping, and watching television, visits of relatives),
“Patients public space” (doctors and physiotherapists examinations).
CENTER LIGHT SCENARIO
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CENTER LIGHT SCENARIO
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LOW LIGHT SCENARIO
“Patients private space” (reading, din-ing, sleeping, and watching television, visits of relatives),
LOW LIGHT SCENARIO
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LOW LIGHT SCENARIO
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EVERYDAY USE OF LIGHT AT THE WARD
“Patients private space” (reading, din-ing, sleeping, and watching television, visits of relatives),
“Patients active space” (training area, physiotherapy, walking area),
“Patients public space” (doctors and physiotherapists examinations).
Placementof Light
Lux Level
High
Low
HighLow
Patients privatespace
Patients activespacePatients public
space
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EVERYDAY USE OF LIGHT AT THE WARD
“Patients private space” (reading, din-ing, sleeping, and watching television, visits of relatives),
“Patients active space” (training area, physiotherapy, walking area),
“Patients public space” (doctors and physiotherapists examinations).
Distributionof Light
Lux Level
High
Low
HighLow
Patients privatespace
Patients publicspace
Patients activespace
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Acknowledment to:
Philips lighting, who are partly financ-ing the project
Poul Henning Kirkegaard, Anna Marie FiskerHenriette Bjerrum, Jakob Sabra Niels Thuesen
Thank You