Lick de John Coltrane

24
Lick de John Coltrane II V I Lick 1) The Cmaj7 chord is anticipated in the second bar. Licks de Mike Stern Rhythm Changes Lick 1) This lick is for a rhythm changes in Bb with a pick up to the 5th bar. Dominant Lick 1) This lick is a rhythmical idea for a G7(#11) chord. The basis of the lick is an Fmaj7(#5) arpeggio, which gives us the following functions : b7 9 #11 13.

Transcript of Lick de John Coltrane

Page 1: Lick de John Coltrane

Lick de John Coltrane

II V I Lick

1)  The Cmaj7 chord is anticipated in the second bar.

Licks de Mike Stern

Rhythm Changes Lick

1)  This lick is for a rhythm changes in Bb with a pick up to the 5th bar.

Dominant Lick

1) This lick is a rhythmical idea for a G7(#11) chord.The basis of the lick is an Fmaj7(#5) arpeggio, which gives us the following functions : b7 9 #11 13.

Page 2: Lick de John Coltrane

Licks de Pat Martinho

Dominant Licks

1)  The first lick is a V - I minor lick.  If the second chord would be a major chord, change the last note to an 'e natural'.

2)  This is a sixteenth note lick with a lot of chromatism.

3)  This lick uses a simple rhythmic idea.

Page 3: Lick de John Coltrane

Minor Licks

1)  This minor lick is build around a C major arpeggio, a common substitute for A minor.

2)  This one is also build around a C major arpeggio.

3)  This lick is a real classic.

Page 4: Lick de John Coltrane

Licks de Scott Henderson

         Licks menores

 1)  Chromatism.

          2)  Pentatonic start,  chromatic end.

Page 5: Lick de John Coltrane

Licks Dominantes      

1)  A lick in the G Mixolydian scale.

          2)  Rhythmic replacement of a pattern.

          3)  This lick starts and ends with the G Bebop scale.

Page 6: Lick de John Coltrane

Licks V-I  

1)  Notice the D7#9 chord shape.

Page 7: Lick de John Coltrane

Licks Para II-V-I

1) This lick uses a diminished scale in the second bar.

2) In this lick, the second part of the second bar is a Fm7b5 arpeggio.  The third bar uses a C Lydian scale.

3) There's a B diminished scale in the second bar in this 2 5 1 lick..

Page 8: Lick de John Coltrane

Licks para II-V-I menor 

  1)  You can think Dm6 over the Bm7b5 in this lick.

          2)  The E7 has a flat 9 here.

          3)  Also a flat 9 on the A7.

Page 9: Lick de John Coltrane

      

    4)  Recognize the em7b5 chord shape in the first bar.

          5)  The second bar is built around a Bbm triad.

Page 10: Lick de John Coltrane

Frases com a Escala Bebop

Page 11: Lick de John Coltrane
Page 12: Lick de John Coltrane

Idéias para lídio dominante

 

Page 13: Lick de John Coltrane

Ideias para escala alterada

Page 14: Lick de John Coltrane

Ideias cromáticas

Page 15: Lick de John Coltrane
Page 16: Lick de John Coltrane
Page 17: Lick de John Coltrane
Page 18: Lick de John Coltrane
Page 19: Lick de John Coltrane
Page 20: Lick de John Coltrane

Idéias para o acorde Maior com 7º maior

Page 21: Lick de John Coltrane
Page 22: Lick de John Coltrane

Ideias sobre o acorde meio diminuto