LGA tutorial week 2

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    Tutorial Week 2

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    Use one of the adapted play scripts (Cinderella) discussed in

    Week 2: Explain and demonstrate blocking, movement, crossing,

    countering, turning, voice projection, gestures, line

    delivery

    Design scenery, set, stage lighting

    Explain how you would use theatrical properties, theatre make-

    up and costume

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    Blocking

    Blocking is the term used to describe where and how an actor

    moves on the stage during a play.

    Blocking includes elements such as where an actor takes his

    place at the beginning of a scene, crossing, when an actor

    moves across the length of the stage to another actor or part

    of the set, and any action that asks an actor to employ the use

    of a prop.

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    Importance in blocking is that:

    1) it must continue the story;

    2) it must be done in a way that looks natural; and

    3) the director must make certain that the blocking does not

    conflict with what he or she wants the audience to see by way

    of the actor's profile.

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    Movement

    Movement is when you act out what you are feeling and what the

    script is

    Movement covers:

    where we move to on and around the stage - upstage, downstage,

    avoiding masking another actor, etc

    how we move to help with characterisation - slowly, painfully,

    lightly, etc how we move in relation to other characters - threateningly,

    fearfully, in a friendly manner, etc

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    Crossing

    Counter crossing is moving in the opposite direction of

    someone else who is crossing. So if you're stage left, and

    they're stage right, and they cross towards you, you'll cross to

    stage right. It helps keep the stage picture balanced

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    Gesture

    A lot of the time it means to move your hand in a dramatic

    waye.g, if the character is really upset, you might wave your

    arms a little or holding the back of the hand to the forehead

    E.g : Cinderella: (crying sadly) I wish I could go, too.

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    Line Delivery

    Think about:

    Tone

    Volume Pitch

    Pace

    Clarity

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    Design scenery, set and stage

    lighting

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    Kitchen Scene

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    The ball room

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    Set Design:

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    Stage lighting

    Use overhead lights

    Place spotlight at the eye level

    Use red and yellow gels, transparent colour

    sheets that you place in front of theinstruments

    Create a light panel that will be easy for your

    lighting technician to use. Assign each set oflights (overhead, fill, spot and houselights) toa switch you can easily reach in the dark

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    has a hard-edged effect, used to light

    characters or elements on the stage. Coloured

    filters can be used with this lamp.

    Fresnel- used for a softer edged effect, with a

    diffusing lens in front of the lamp. It's useful

    for good overall light, when used with others.

    Coloured filters can be used with this lamp.

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    Explain how you would use theatrical properties, theatre make-up and

    costume

    1.Theatrical properties (props)-Things or items that the characters or actors/actresses may

    need to as they perform their part.

    - As a hand prop, set decoration or even costumes

    Example:

    Glass slipper

    Use silver sparkle/white glittermake the slipper appear to be

    glowing in the dark

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