Lesson 5 - Analyzing Archetypes
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Transcript of Lesson 5 - Analyzing Archetypes
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Primary Source:
Psychoanalysis of Myth
Freuds and Jungs theories on myth and its origin.
http://www.stenudd.com/myth/freudjung/jung-archetypes.htm
http://www.stenudd.com/myth/freudjung/jung-archetypes.htmhttp://www.stenudd.com/myth/freudjung/jung-archetypes.htmhttp://www.stenudd.com/myth/freudjung/jung-archetypes.htmhttp://www.stenudd.com/myth/freudjung/jung-archetypes.htm -
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Carl Jung and Archetypes
This is part of the Psychoanalytic Approach
The clues to self-realization in myths, andin many other cultural phenomena, are
according to Carl G. Jung the archetypes, symbolic elements containing aspects of the
workings of human life and mind.
The term is not one of his invention, but he
used it in an elaborate way in his theoriesof psychology and culture, giving it his ownspecific meaning.
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Carl Jung and Archetypes
From the Greek word arkhetupon
first mould or model
It is made up of Arkhos
chief or ruler (used also in e.g. archbishop
and monarch),
and tupos
mould, model or type.
It has been used to describe original or
ideal model phenomena and characters
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Carl Jung and Archetypes
They are not at all characters, essentially,but symbolic keys to truths about humancondition and to the path of personalenlightenment.
They can reveal the workings of the world,as to how it affects the human psyche, andwhat man should do to accomplishsomething or for that matter wardsomething off.
They are learning tools, lessons fromprimordial time, answers included.
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Carl Jung and Archetypes
Archetypes create
myths, religions,
and philosophical
ideas that influence
and set their stamp
on whole nations
and epochs.
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Carl Jung and Archetypes
It might be best compared to mathematicalcomponents, such as pi or the x of anequation.
An archetype is like pi in the sense that it
has a fixed value, but its applications arejust about endless.
It is like the x of an equation in the way thatit is the solution to a given problemif that
problem is significant enough. Archetypes carry meanings for the human
mind to decipher and utilize
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Carl Jung and Archetypes
The archetype is a symbolic
formula which always begins
to function when there areno conscious ideas present,
or when conscious ideas are
inhibited for internal orexternal reasons
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Carl Jung and Archetypes
Since the archetypes are symboliccomponents rather than objects or persons,they are discovered by their function instead
of their attire.A symbolic element that reappears in many
a myth from separate cultures or time-periods, and seems to contain some kind of
significance in those stories, is in theJungian perspective most certainly anarchetype
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Carl Jung and Archetypes
Not only that, but in Jung's world, an archetypecontains such potency that it is its archetype,wherever it appears.
Its symbolic archetypal function emerges, evenwhen that was not intended by its user in thatspecific case.
It is also this primordial potency of thearchetypes that makes them attractive andexciting, wherever they appear. People aredrawn to archetypes, often obsessed by them,whether they know of their Jungian function ornot. They feel a resonance from theirunconscious, recognizing and being stimulatedby the archetype.
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Psyche Ego (Self)
The new center of personality; can include both theconscious and the unsconscious
The Personal Unconcsious Anything which is not presently conscious, but can be.
Includes memories that are easily brought in mind, and those
which have been suppressed for some reason. Uncivilized desires and emotions are incompatible with
social standards and ideal personality.
Collective Unconsciousness The theoretical pool of memories or knowledge that
everyone shares.
Reservoir of experiences as species, a kind of knowledge weare born with, yet we can never be directly conscious of it.
Influences all of our experiences and behaviors, mostespecially the emotional ones, but we know about itindirectly, by looking at those influences.
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THE SELF
The personality striving towards its own
complete realization.
It is the most important archetype
because it is the ultimate unity of thepersonality
Symbolized by the circle, the cross, and
the Mandala
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THE PERSONA
Represents your publicimage
The mask you put on
before you show yourselfto the world
Begins as an archetype,but is actually a part of a
person most distant fromthe collectiveunconsciousness
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THE HERO
Pursues a great quest
to realize his destiny
The man personality
and the defeater of evil
He basically represents
the ego
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THE MAIDEN
Represents purity,innocence, and in all
likelihood, naivete
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THE SHADOW
Derives from theprehuman animal past,
when our concerns were
limited to survival andreproduction, and when
we werent self-conscious
The dark side of the ego;
it is actually neither good
or bad (amoral)
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THE ARCHETYPE FAMILY
Represents the idea of blood
relationship and ties that run deeper that
those based in conscious reasons.
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THE FATHER
Symbolized by aguide or authority
Primarily an
authority figureinducing fear
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THE MOTHER
The built in ability torecognize certainrelationship, that ofmothering
May not be a realmother; could be apersonification of the
archetype Primarily in the sense
of our need for her
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THE CHILD
Represented inMythology and art bychildren, infants mostespecially small
creatures Often blends with other
archetypes to form the
child-god or child-hero Our innocent beginning
with all our potential infront of us
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THE ANIMA AND THE ANIMUS
Anima
The female aspect present in the collective
unconscious of men
May be personified as young girl, or as a with, oras earth mother
Animus
The male aspect in the collective unconscious ofwomen
May be personified as wise old man, a sorcerer, or
often a number of males, and tends to be logical,
often rationalistic, and even argumentative
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THE GOD
Representing our need to comprehend
the universe, to give meaning to all that
happens, to see it all as having purpose
and direction The perfect image of the self
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THE MANA
More of spiritual demands
The spiritual power
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THE WISE OLD MAN
A form of theanimus and
reveals to the hero
the nature of thecollective
unconsciousness
The one who has
profound
knowledge
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THE WIZARD
Knowledgeable of
the hidden and of
transformation
needed
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THE TRICKSTER
Often represented bya clown or magician
Its role is to hamper
the progress of thehero and to generally
make trouble
The rascal agentpushing us towards
change
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THE HERMAPHRODITE
The joineror
opposites
Both maleand female
representin
g the union
of
opposites
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THE BEAST
Representingthe primitive
side of man
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THE SCAPEGOAT
One whosuffers the
shortcomings
of others