Lesson 5 - Analyzing Archetypes

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    Primary Source:

    Psychoanalysis of Myth

    Freuds and Jungs theories on myth and its origin.

    http://www.stenudd.com/myth/freudjung/jung-archetypes.htm

    http://www.stenudd.com/myth/freudjung/jung-archetypes.htmhttp://www.stenudd.com/myth/freudjung/jung-archetypes.htmhttp://www.stenudd.com/myth/freudjung/jung-archetypes.htmhttp://www.stenudd.com/myth/freudjung/jung-archetypes.htm
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    Carl Jung and Archetypes

    This is part of the Psychoanalytic Approach

    The clues to self-realization in myths, andin many other cultural phenomena, are

    according to Carl G. Jung the archetypes, symbolic elements containing aspects of the

    workings of human life and mind.

    The term is not one of his invention, but he

    used it in an elaborate way in his theoriesof psychology and culture, giving it his ownspecific meaning.

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    Carl Jung and Archetypes

    From the Greek word arkhetupon

    first mould or model

    It is made up of Arkhos

    chief or ruler (used also in e.g. archbishop

    and monarch),

    and tupos

    mould, model or type.

    It has been used to describe original or

    ideal model phenomena and characters

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    Carl Jung and Archetypes

    They are not at all characters, essentially,but symbolic keys to truths about humancondition and to the path of personalenlightenment.

    They can reveal the workings of the world,as to how it affects the human psyche, andwhat man should do to accomplishsomething or for that matter wardsomething off.

    They are learning tools, lessons fromprimordial time, answers included.

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    Carl Jung and Archetypes

    Archetypes create

    myths, religions,

    and philosophical

    ideas that influence

    and set their stamp

    on whole nations

    and epochs.

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    Carl Jung and Archetypes

    It might be best compared to mathematicalcomponents, such as pi or the x of anequation.

    An archetype is like pi in the sense that it

    has a fixed value, but its applications arejust about endless.

    It is like the x of an equation in the way thatit is the solution to a given problemif that

    problem is significant enough. Archetypes carry meanings for the human

    mind to decipher and utilize

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    Carl Jung and Archetypes

    The archetype is a symbolic

    formula which always begins

    to function when there areno conscious ideas present,

    or when conscious ideas are

    inhibited for internal orexternal reasons

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    Carl Jung and Archetypes

    Since the archetypes are symboliccomponents rather than objects or persons,they are discovered by their function instead

    of their attire.A symbolic element that reappears in many

    a myth from separate cultures or time-periods, and seems to contain some kind of

    significance in those stories, is in theJungian perspective most certainly anarchetype

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    Carl Jung and Archetypes

    Not only that, but in Jung's world, an archetypecontains such potency that it is its archetype,wherever it appears.

    Its symbolic archetypal function emerges, evenwhen that was not intended by its user in thatspecific case.

    It is also this primordial potency of thearchetypes that makes them attractive andexciting, wherever they appear. People aredrawn to archetypes, often obsessed by them,whether they know of their Jungian function ornot. They feel a resonance from theirunconscious, recognizing and being stimulatedby the archetype.

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    Psyche Ego (Self)

    The new center of personality; can include both theconscious and the unsconscious

    The Personal Unconcsious Anything which is not presently conscious, but can be.

    Includes memories that are easily brought in mind, and those

    which have been suppressed for some reason. Uncivilized desires and emotions are incompatible with

    social standards and ideal personality.

    Collective Unconsciousness The theoretical pool of memories or knowledge that

    everyone shares.

    Reservoir of experiences as species, a kind of knowledge weare born with, yet we can never be directly conscious of it.

    Influences all of our experiences and behaviors, mostespecially the emotional ones, but we know about itindirectly, by looking at those influences.

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    THE SELF

    The personality striving towards its own

    complete realization.

    It is the most important archetype

    because it is the ultimate unity of thepersonality

    Symbolized by the circle, the cross, and

    the Mandala

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    THE PERSONA

    Represents your publicimage

    The mask you put on

    before you show yourselfto the world

    Begins as an archetype,but is actually a part of a

    person most distant fromthe collectiveunconsciousness

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    THE HERO

    Pursues a great quest

    to realize his destiny

    The man personality

    and the defeater of evil

    He basically represents

    the ego

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    THE MAIDEN

    Represents purity,innocence, and in all

    likelihood, naivete

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    THE SHADOW

    Derives from theprehuman animal past,

    when our concerns were

    limited to survival andreproduction, and when

    we werent self-conscious

    The dark side of the ego;

    it is actually neither good

    or bad (amoral)

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    THE ARCHETYPE FAMILY

    Represents the idea of blood

    relationship and ties that run deeper that

    those based in conscious reasons.

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    THE FATHER

    Symbolized by aguide or authority

    Primarily an

    authority figureinducing fear

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    THE MOTHER

    The built in ability torecognize certainrelationship, that ofmothering

    May not be a realmother; could be apersonification of the

    archetype Primarily in the sense

    of our need for her

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    THE CHILD

    Represented inMythology and art bychildren, infants mostespecially small

    creatures Often blends with other

    archetypes to form the

    child-god or child-hero Our innocent beginning

    with all our potential infront of us

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    THE ANIMA AND THE ANIMUS

    Anima

    The female aspect present in the collective

    unconscious of men

    May be personified as young girl, or as a with, oras earth mother

    Animus

    The male aspect in the collective unconscious ofwomen

    May be personified as wise old man, a sorcerer, or

    often a number of males, and tends to be logical,

    often rationalistic, and even argumentative

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    THE GOD

    Representing our need to comprehend

    the universe, to give meaning to all that

    happens, to see it all as having purpose

    and direction The perfect image of the self

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    THE MANA

    More of spiritual demands

    The spiritual power

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    THE WISE OLD MAN

    A form of theanimus and

    reveals to the hero

    the nature of thecollective

    unconsciousness

    The one who has

    profound

    knowledge

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    THE WIZARD

    Knowledgeable of

    the hidden and of

    transformation

    needed

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    THE TRICKSTER

    Often represented bya clown or magician

    Its role is to hamper

    the progress of thehero and to generally

    make trouble

    The rascal agentpushing us towards

    change

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    THE HERMAPHRODITE

    The joineror

    opposites

    Both maleand female

    representin

    g the union

    of

    opposites

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    THE BEAST

    Representingthe primitive

    side of man

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    THE SCAPEGOAT

    One whosuffers the

    shortcomings

    of others