Le Triomphe de la Guillotine en Enfer Nicolas Antoine Taunay.
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Transcript of Le Triomphe de la Guillotine en Enfer Nicolas Antoine Taunay.
Le Triomphe de la Guillotine en EnferNicolas Antoine Taunay
•Reserved for the lower classes
•Resulted in a slow strangulation
•Neck breaking techniques had
not been developed yet
•All religious heretics were
burned at the stake•A merciful executioner would strangle the condemned before the flames engulfed them
•Condemned would be strapped to the wheel and tortured or put to the “Question”•Used on murderers and bandits to determine whether or not they acted alone
•Used for criminals convicted of
assaulting the King or a
member of the clergy
•It was the final blow in the
condemned’s execution
•They were first put to the
question
•Then hanged till near death
•When near death they were
drawn and quartered as a final
insult
•Often required the executioner
to sever the victims tendons
before the horses could
accomplish the task
•Reserved only for nobility
•Performed with either a sword
or an axe
•Often took multiple swings
resulting in a gruesome and
painful experience for all
involved
•Born 28 May 1738 in Saintes
•There is a popular story regarding
the circumstances of his birth
•His mother inadvertently bore
witness to a man being broken on
the wheel. She was so distressed
by what she had witnessed that
she went into premature labor
•This is said to be the reason for
his drive to reform the French
penal code and bring equality to
capital punishment
•He left the Jesuit order in 1763 to
pursue the study of medicine
•In 1770 he received his doctorate
•In 1788 Dr. Guillotin put the Pétition des Six-Corps des Marchands de
Paris before the King
•This was the first ever petition to directly address the King
•The petition made four demands
•The number of representatives from the Third Estate should
be at least equal to the total number of representatives of
the other two estates
•Votes were to be counted by heads
•The deputies of the Third Estate should be chosen from this
Order
•The representatives of the Third Estate will be in proportion
to the franchise
•This led to Guillotin being elected to the Constituent Assembly as a
deputy of the Third Estate
•Article 1. Crimes of the same kind shall be punished by the same kinds of punishment,
whatever the rank or estate of the criminal.
•Article 2. Offenses and crimes are personal, and no stain shall attach to the family from
the criminal’s execution or loss of civil rights. The members of the family are in no
way dishonored and remain, without exception, eligible for all kinds of
profession, employment and civic dignity.
•Article 3. Under no circumstances whatever may order be made of the confiscation of
the goods of a condemned man.
•Article 4. The body of the executed man shall be returned to the family, should the
family so request. Normal burial shall in all cases be permitted and the register shall
not specify the circumstances of the death.
•Article 5. No one may reproach a citizen with the execution or loss of civil rights
incurred by a relative. Should anyone dare to do so, he shall be reprimanded by a
judge.
•Article 6. The method of punishment shall be the same for all persons on whom the law
shall pronounce a sentence of death, whatever the crime of which they are guilty. The
criminal shall be decapitated. Decapitation is to be effected by a simple
mechanism.
•Guillotin’s sixth article was passed 3 June 1791
•Despite passing it would be nearly a year before the guillotine would take
its place as France’s official method of execution
•After much delay, Dr. Antoine Louis, the permanent secretary of the Academy
of Surgery, was enlisted to design the simple mechanism
•Design was given to Tobias Schmidt a German harpsichord maker
•Guillotine was first tested on three corpses at Bicêtre Hospital on 17 April
1792
•It failed to sever the neck of the last corpse a particularly large man due
to the convex shape of the blade
•There is an ironic story that says Louis XVI suggested that the blade should be
oblique
•Story was told by Clément-Henri Sanson and later it is included in
Alexandre Dumas’ book, The Tragedies of 1793
•Designed by Dr. Antoine Louis
•Permanent Secretary of the
Academy of Surgery
•Machine was originally called
louison or louisette in his honor
•Based on the Halifax Gibbet
•Built by Tobias Schmidt
•German Harpsichord Maker
•Painted red to hide the blood
•Was placed on a tall scaffold in
order for crowd to have a better
view
•The condemned is not told ahead of
time and instead are dragged from
their cell the morning of while still
asleep
•They are allowed a final meal and a
chance to write a letter to loved
ones
•Next they are given the toilette du
condamne
•The collar of the shirt is removed
and their hair is cut above the neck
•Loaded in cart and paraded through
Paris on their way to the Guillotine
•Once there it takes only seconds
from the moment they step on the
stairs
•2
5 April 1792 the guillotine takes its’ first live victim, Nicolas Jacques
Pelletier, an armed robber
•A
t the guillotines first appearance a massive crowd gathered to witness the
event
• From the time the condemned mounted the scaffold till his death was less than a
minute
• Crowd was disappointed by this.
•T
his attitude would quickly change as the number of executions rapidly grew
•D
uring the revolution it is estimated that nearly 40,000 people were
executed by the guillotine
•Most faced the guillotine with
stoicism
•She became hysterical begging
for her life and struggling with
the executioners
•She appeared so pitiful that the
masses began to feel sorry for
her and even wished for her to
be spared
•It was speculated by many that
if all would have acted in this
manner the guillotine would not
have taken a central role in the
revolution
• The Guillotine would remain a public spectacle well into the 20th
century
•The government tried to reduce the visibility of public executions
•First by removing the guillotine from atop the scaffold
•Painting it a dark brown instead of the bright red of
revolutionary times
•Executions began to take place in the early morning in an
attempt to lessen the crowds
•In 1939 the government finally put a halt to public executions
and moved the guillotine inside the walls of the prison
•The guillotine would remain in use until capital punishment was
abolished in 1981
•The last execution took place on 10 September 1977
•The Reign of Terror began in June of 1793
•It would transform the guillotine, which had been derived from
humanitarian intentions, from a machine of justice into a tool the
revolutionaries would use to spread fear
•The revolutionary tribunal would use the guillotine to dispatch all enemies of
the revolution including:
•Nobility
•Clergy
•Anyone not sharing their views
•The Terror would witness the rise and fall of many prominent French
revolutionaries and ultimately their death beneath the blade
•It would end with the execution of Maximillien Robespierre, the architect of
the Terror
•A leading member of the
revolution and the first
president of the Committee of
Public Safety
•He played an large role in the
overthrow of the monarchy
•When Robespierre grew
threatened by Danton he
deemed him a moderate and
had him executed
•Executed on 5 April 1794
•Once atop the scaffold he told
Sanson, “Show my head to the
people, it’s worth looking at!”
•Born in Arras in 1758
•He was a prominent lawyer and
orator
•Originally argued to abolish
capital punishment
•During the Revolution he rapidly
put himself in a prominent
position as the leader of the
Jacobins
•During the Reign of Terror he
acted as a de-facto emperor
•Used the guillotine to eliminate
anyone he saw as an enemy of
the revolution
•After the fall of the Jacobins he
too fell to the guillotine on 27 July
1794
•She killed Jean-Paul Marat•He was known for his radical journal “The Peoples Journal”•A leading member of the revolutionaries who was loved by the people
•She was taken to the guillotine dressed in red, which was normally reserved for those who commit regicide•After being beheaded the assistant executioner lifted her head from the basket and slapped it
•It is said that her face blushed and became filled with indignation•This led to the belief that the head survives for some time after decapitation
•Allegedly from an account of Sanson•Two opposing members of the National Assembly were executed on the same day. Their heads were placed in the same sack at which point one bit the other so hard that their heads could not be separated
•In 1880 Dr. Dassy de Ligniéres went as far as to pump blood from a living dog into the severed head of Louis Menesclou
•He witness the face redden and the lips swell at which point he announced, “This head is about to speak”
•In 1905 Dr. Beaurieux addressed a recently severed head by calling his name
•On the first time he witnessed the eyelids open and the pupils focus on him•He called out a second time and again the eyelids opened and the head looked at him with “unmistakably alive eyes”•The doctor attempted a third time but received no reaction
•As late as 1956 similar experiments were being carried out on recently severed heads
•In order to attend one had to prove they had a family member that was guillotined
•People would forge documentation
•Guests dressed à la victime•Women wore dresses with large red x’s across their upper back•Both women and men would were red ribbon or red thread around there neck•They also cut there hair to imitate the toilette du condamne•They would greet each other by abruptly dropping their head- as if it had just been cut off
•In 1820 he wrote “The Last Day
of a Condemned Man”
•It is written as if it was a
manuscript written by a
condemned man and left
behind in his cell
•It describes what he felt would
be a truly nightmarish ordeal
•It also plays an ominous role in
Hugo’s “Les Miserables”
•Wrote “The Tragedies of 1793”
•“The Woman With the Velvet
Collar”
•In which a man falls in love
with a beautiful stranger
wearing a velvet collar
•He spends the night with her
and in the middle of
lovemaking her head falls off
•It was only held on by the
collar
•He wrote the “Eleventh Hour
Guest”
•A story in which a guillotine
enthusiast pays to perform the
duties of the executioner
•Took a contrasting position to
Hugo and Dumas
•Believed that by removing the
guillotine from the scaffold you
cheapened the condemned’s
death and robbed them of their
stage
Arasse, Daniel. The Guillotine and the Terror. Trans.
Christopher Miller. London: The Penguin Press,
1989.
"Axe, Wheel, Guillotine: Seven Generations of
Executioners." New York Times 4 June 1876: 10.
Fife, Graeme. The Terror: Under the Shadow of the
Guillotine. New York: St. Martin's Press, 2004.
Gerould, Daniel. Guillotine: It's Legend and Lore. New
York: Blast Books Inc., 1992.
Opie, Robert Frederick. Guillotine. Phoenix Mill: Sutton
Publishing Limited, 2003.
Soubiran, André. The Good Dr. Guillotin and His
Strange Device. Trans. Malcolm MacCraw.
London: Souvenir Press, 1964.