Landscapes theme

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Landscapes: Real and Imagined

Transcript of Landscapes theme

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Landscapes: Real and Imagined

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Questions

Why might an artist choose to paint abstractly instead of

representationally—depicting figures, shapes, objects, or scenes?

What kinds of choices do artists make when painting?

MoMA Landscapes: Real and Imagined Theme

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Take a close look at Port-en-Bessin,

Entrance to the Harbor, by Seurat.

• What is going on in the

foreground, the middle ground

and the background?

• What is the mood of this place?

Georges-Pierre Seurat. Port-en-Bessin, Entrance

to the Harbor. 1888

MoMA Landscapes: Real and Imagined Theme

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Now, take a close look at The Starry

Night, by van Gogh.

• How is it similar to Port-en-

Bessin? How is it different? What

details do you notice?

• Why might this be considered a

‘Symbolist’ work of art?

Vincent van Gogh. The Starry Night. June 1889

MoMA Landscapes: Real and Imagined Theme

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• How are these paintings similar?

• How are they different?

Let’s compare Seurat and van Gogh

MoMA Landscapes: Real and Imagined

Vincent van Gogh. The Starry Night. June 1889

Georges-Pierre Seurat. Port-en-Bessin, Entrance

to the Harbor. 1888

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Now, take a close look at Melancholy:

Evening on the Shore, by Munch.

• What is happening with the figure

in this landscape? What mood is

being conveyed?

• Would the mood be the same

without the figure? Why or why

not?

MoMA Landscapes: Real and Imagined Theme

Edvard Munch. Melancholy: Evening on the Shore.

1896

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Now, take a close look at Evening,

Honfleur, by Seurat.

MoMA Landscapes: Real and Imagined Theme

Georges-Pierre Seurat. Evening, Honfleur,

1886

• What is happening in the

foreground, middle ground, and

background? What mood is

being conveyed?

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Let’s compare the moods of Munch’s

Melancholy: Evening on the Shore to

Seurat’s Evening, Honfleur.

MoMA Landscapes: Real and Imagined

Georges-Pierre Seurat. Evening, Honfleur, 1886

Edvard Munch. Melancholy: Evening on the Shore.

1896

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Questions

Now that you have generated descriptive words for each image, use them

to have a conversation with a partner:

How did these modern painters convey a sense of mood or interior,

psychological space in their landscapes?

MoMA Landscapes: Real and Imagined Theme

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MoMA Landscapes: Real and Imagined Theme

Henri Rousseau. The Dream. 1910

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Let’s look at these two landscapes by

Matisse.

MoMA Landscapes: Real and Imagined

Henri Matisse. Study for "Luxe, calme et

volupté". 1904

Henri Matisse. Landscape at Collioure. 1905

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Vasily Kandinsky. Picture with an Archer. 1909

MoMA Landscapes: Real and Imagined Theme

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MoMA Landscapes: Real and Imagined Theme

Paul Gauguin. The Moon and the

Earth. 1893

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Joan Miró. The Hunter (Catalan Landscape). Montroig, July 1923-winter 1924.

MoMA Landscapes: Real and Imagined Theme

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Salvador Dalí. The Persistence of Memory. 1931.

MoMA Landscapes: Real and Imagined Theme

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Max Ernst. Two Children Are Threatened by a

Nightingale. 1924.

MoMA Landscapes: Real and Imagined Theme