LA HALLE SAINT PIERRE PRESENTS HEY! modern art & pop...
Transcript of LA HALLE SAINT PIERRE PRESENTS HEY! modern art & pop...
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LA HALLE SAINT PIERRE PRESENTS
HEY! modern art & pop culture / Act III
Press kit
09.18.15 ‑ 03.13.16 Inernissage Press September 17 morning
About HEY! modern art & pop culture / Act III . . . . . . . . . . . . . . . . . . . . . . . . . 1
Presentation of the exhibition
by Martine Lusardy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
by Anne & Julien . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Anne & Julien Biography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Artists presented . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-11
Galerie du Bas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
HEY! Revue d’art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13-14
Events outside the walls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Halle Saint Pierre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Practical information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
SUMMARY
The magazine Culture founded in 2010 by Anne & Julien is back at HalleHEY! Modern Art & Pop
St. Pierre after the first two editions (2011 and 2013) enthusiastically by
le public. Ce troisième volet, HEY! modern art & pop culture / Act III, continued the exploration and
diffusion of different artistic expressions of the cons-culture art, art outsider, Band lowbrow
and more broadly comic holders media street culture.
Offering unprecedented come (Gabriel Grun, Thomas Woodruff, Ed Hardy) and exceptional
(Marion Peck, Horiyoshi III, Ray Abeyta), the exhibition also reveals the work yet
con fi dential, such as Joel Negri, Salle Albert and Alain Bourbonnais from the
Fabuloserie, emblematic place of the art non-standard in France. Premiere in Europe,
Halle Saint Pierre exhibits the works of Mark Ryden, tutelary fi gure of surrealism pop.
The scene defended for many years by Anne & Julien is alive, heterogeneous,
Complex: its multiple streams or territories, ranging from the most radical form - art crude - to
the most learned forms - pop surrealism - make it fully enter into the history of the art
contemporary.
It is these characteristics that the eyes of Anne & Julien give this stage of its value
modernity. Lcommitment of the two activists is to realize through their magazine, their
performances and exhibitions. They have enabled the universe ar highlightingsingular tics
whose common denominator is the resistance by the imaginary resistance standards,
categorization, and to the institutional imperatives of fashion. They are broadcasters and historians
a marginal scene, underground and alternative.
For the Halle Saint Pierre, accompany this adventure is rich in meaning. Lhistory of arts a tou-
days were marked by profound paradigm shifts. In the geopolitical and turning
where currently the cultural world is, the visual arts are also going through a period of crisis
et de mutation. La trilogie en est la manifestation.HEY ! modern art & pop culture
ABOUT
HEY! MODERN ART & POP CULTURE / ACT III
63 ARTista INTERNALTIONAL
1
THISATION DE L’EXPOSITION
PAR MARTINE LUSARDY
HEY ! Modern Art & Pop Culture, Act III concludes a series of three exhibitions -
tions arising from the collaboration of the Halle Saint Pierre Anne & Julien,
creators of the eponymous magazine. Icons of pop culture with the mysteries
the singular artThis trilogy is intended as a free synthesis, bold,
bubbling of the alternative art scene. Functioning as
a rhizome, each exhibition weaves possible relationships between pro -
independent cultural productions located away from the mainstream
and market abuse. Figures of the seditious lowbrow art nour-
ries of the iconography of popular media phantasmagoria pop
Surrealism rediscovering the legacy of the great pictorial traditions,
activists of tattoo, individual breakaways and lonelystreet art
Art Brut to re fi expressions born and liberments of an "eye to the state sau -husbandry, "artistic margins are presented in all their diversity and complexity. Testimony inour artistic reality of another knowledge and another sensibility.
Martine Lusardy
Director of the Halle Saint Pierre
curator
PAR ANNE & JULIEN
"Many will wonder why, the Quai Branly MuseumWe return to the museum of La Halle Saint Pierre. L’exposition Tatoueurs, Tatoués is a cross exhibition, ethnographic and artistic,
and was an opportunity for us to defend the tattoo, heart about taking us for over 20 years: it
was a question of restoring their rightful place underground history and the path had written to the wire
centuries. Our history with the Halle Saint Pierre is different.
HEY! Act III comes close a cycle of exhibitions not based on any standard or acquired, conducted
open heart alongside the Halle St Pierre, built on bymind and partnership based on
common desire: the representation and defense of the arts known outsiders. With HEY! ActIII, we clôtu -
So Rons a trilogy. This group shows three police have revealed more than 200
inter artistsnational in a global current movement. TOith these three exhibitions and for HEY!
2
inter artistsnational in a global current movement. TOith these three exhibitions and for HEY!the first time in Europe, we opened a Pandora's box, our gesture underlining the future explosion fi guratifs arts defended in our magazine since 2010. Moreover, these three components consti -
now kill a founder and historical base. They give us the tempo of a new Depart, and we
encourage spread over time this worldview, as a future appointment HEY!
regular... Here or somewhere else.
This ambition is not ours, it is shared by all arNew argue that possibly co.
For we are not "people time" defined by a sum of furtive acts conjugates Nothing. We record ourselves in a sustainable course, is years of experiments and field.
We are located on the crossroads of high culture and pop culture, where finds himself
Reconciliation of knowledge and the self, popular intelligence. Is our support and spread
first mission. This is our label, our ideal, our poetic claim. "
Anne & Julien / HEY! modern art & pop culture
curators
Anne & Julien work in pairs. Chief editors and creators
the art magazine culture, authors, committed HEY! modern art and pop -
sary exposure or artists / directors, they work
© Zoé Forget
in musical circles and those of the picture since 1986, analy -health subcultures are passionate about. In 1986, they create a struc -The nomadic tureHydra Art, and in 1990 the art gallery of the same
name having stencil, Graf fi ti, cartoon, free figuration,
outsider art. For 15 years, the duo is dedicated to journalism,
for press, television (8 documentaries to their credit), and radio
sign ten books music and band -
sinée. En 2010, Anne & Julien fondent la revue HEY! Modern art &
pop culture, and transpose them on stage with pages HEY! Cie.
After being at the origin of the exhibition mu Moebius / Miyazaki -
Sée Mint (Paris), they settle at the Halle Saint Pierre for
sign curated group exhibitions 2 HEY! modern art
& Pop culture gathering each inter sixty artistson -
tional. The critical and public success of these events lead them
the Quai Branly Museum to ensure the Commissariat of exhibitions -
tion Tatoueurs, Tatoués, a world first on the tattoo, then
their troop HEY! Co. gives seven shows on the history of
Tattoo (Ink Notes) at the Théâtre Claude Lévi‑Strauss (museum
quai Branly). They also publish a duet copyright book
the Rackham Editions While (Worlds promised). HEY! modern
art & pop culture / Act III returns to the Halle Saint Pierre, HEY! Coy
will be for ten days at Electric Circus (October 2015) with a
new show, waiting for the third edition of the festival HEY !.
3
THE SUBMITTEDARTISTS
WITHT TRENCHESFrance
BARBER Shawn Painting / Artist tattoo artist - United States
Bode InaughnCartoons - United States
Hunting Back , 1914-18, Private Collection
Tattooed Self Portrait IV, 2008,
Collection Joshua Liner
ABEYTA RayPainting - United States
Ritchie Valenzuela2004, Private Collection
BERG TomTattoo fl ashes - United States
BOHNERT HerpaintingSculpture — France
CALVOCartoons - France
Dead Bone Erotica 351972, Private Collection
4
BOURBONNAIS AlainSculpture — France
Opium Devil, ca1910,
® Hardy Marks Publications
Custume, The ant , 1970-1973, Museum
La Fabuloserie, Photographie® Zoé Forget
Untitled, 2014 Courtesy Galerie Jean-François
Kaiser, Photography ® Christian Creutz
CHIACHIO Léo et DanielGIANNONEPainting and embroidery - Argentina
Linked , 2012, Courtesy School GallerY,
Photography ® Zoe Forget
CORBEN RichardCartoons - United States
CRITES ChrisPainting - United States
CONN ASKEW ChristopherPainting / Artist tattoo artist - United States
Carmelia, 2009, Private collection
THE SUBMITTEDARTISTS
Mobius Comics, Issue 1, début1970
Courtesy Richard Corben et Galerie 9e Art
Larceny, 2012,
Courtesy G. Gibson GallerY
5
DiabloPhotography stereoscopic France England
Satan Journalist,
ca1875,
Private collection
DICEFrance
Mistigri, 1968, Courtesy Galerie Alain Margaron
COMPANIES RenoPainting - France
ENGLISH RonPainting - United States
The Casseroles in Satan,
Photography Jacques ® Pépion
Combrat House, 2013, Courtesy de l’arones
et de Corey Helford GallerY
FERGUSON PeterPainting - Canada
Petrel, 2011 Private collection
THE SUBMITTEDARTISTSGARCIA Camille RosePainting - United States
GIBBONS SamPainting - United States
Glendinning LucySculpture - England
Hello Orpheus, 2013, Private collection,
Photographie ® Jonathan Levine GallerY
Best of Luck, 2009,
Courtesy Jonathan LeVine GallerY
Pink and Fluffy Little Darling, 2014,
Courtesy de l’artist and Da-End Gallery
6
BASES GabrielPainting - Argentina
Tact, 2010
HALILI GregorYSculpture — Philippines
Memento I, 2013-14,
Courtesy Nancy HofGrating fmanY
GRIMM BertTattoo fl ashes - United States
Girl Heads, ca1950,
® Hardy Marks Publications
HARUKAInA NamioDrawing - Japan
Untitled, undated ,
Courtesy Galerie Arts FactorY
THE SUBMITTEDARTISTSHARDY Don EdPainting / Artist tattoo artist - United States
HESHKA RyanPainting - United States
HORIYOSHI IIIPainting / Artist tattoo artist - Japan
SilkInA HiroshiPainting - Japan
Huot BenoîtSculpture — France
Madara Maru, 2008, Private collection
Pilgrim (For PG), 2014,
Collection privée Don Ed Hardy
Keep America Free, 2008, Acryl ester and mixed media on panel, T Collection. Brudvik
Sea of Noon, Sea of Night, Private collection
Couple of owls, 2011, Courtesy Galerie Eva Hober
® Y Photography. Little
7
THIS HirotoshiSculpture — Japon
Laughing stones, 2013, Private collection
THE SUBMITTEDARTISTS
LEBOW DaveKOKUBO Norimitsu
KENNY StevenPainting - United States
Painting - United States
Painting - Japan
LIAN ANDu-PeiSculpture — Taiwan
MENICHETTI EudesPainting - France
LEU FilipArtist Tatoueur — Suisse
MARSHALL FrancisSculpture — France
MCKEE TomDrawing - United States
LEVASSEUR LudovicSculpture — France
Three Cheers, 2012, Private collection
Three Cheers, 2012
Hedgehog, 2008,
Photographie © Peggy Lee, Courtesy Aki GallerY
St Sebastien2014
Photography ® Zoe Forget
1, 2015,
Photographie © Bobby C. Alkabes
It lightens, 2014, Courtesy de l’arthose
Photography ® Zoe Forget
Inacation pictures from Wambootie2014 ,
Private collection
Doll 2007, Photography ® Zoe Forget
8
The Web, 2011, Private collection
Untitled, Collection of the artist
THE SUBMITTEDARTISTS
NOBBS DerekPainting - United States
PECK MarionPainting - United States
PANTER Gar YPainting - United States
PEYRE GilberttSculpture (installation) — France
REX VAN MINNEN ChristianPainting - United States
PWITHTINGTON Claire Sculpture - England
Dead Seas Trading Company, 2012,
Private collection
Sleepwalk, 2009, Private collection
end of year 1980
Courtesy Scott Eder GallerY
Artist's studio , 2015,
Photography ® Zoe Forget
Born Bad2013 , Private collection
The Put-down, 2013,
Courtesy James Freeman GallerY
9
NEGRI JoelSculpture — France
MISEMONO-GOYABanners / Folk Art - Japan
NINE CarlosPainting - Argentina
The winged chariot, Ca1970, Museum of Fabuloserie,
Photography ® Zoe Forget
Collection Kyoichi Tsuzuki
Controversial decision of the chamber
commerce, 2014, Courtesy de l’arthose et
Galerie Petits Papiers
ROTH EdDrawing - United States
Aqua Nut!, 1963, Courtesy Scott Eder GallerY
THE SUBMITTEDARTISTS
STONEHOUSE FredPainting - United States
Truong IninnieDrawing - Canada
TENMYOUYA HisashiPainting - Japan
UNDERWOOD HarrYPainting - United States
TODOROVIC AlexanderDrawing - Serbia
Largeyland, 2014,
Courtesy Feinkunst Krüger GallerY
Japanese Spirit #2, 1997,
Private collection
Iconostasis of Serbocapitalism, 2012,
Private collection
RYDEN MarkPainting - United States
Grotto of the Old Mass, 2008,
® Courtesy de l’artiste et Michael Kohn GallerY
Salle AlberttSculpture — France
SANDLIN DavidPainting - United States
SIMON DeborahSculpture - United States
The Crêche, Ca1960, Musee de La Fabuloserie,
Photography ® Zoe Forget
Ooooh My Son, All This Is Yours (inalpurgis
Nachtmart), 2004
Ursus maritimus, 2012,
Photography Dan W ®onderly
Fair Feathered Friend, 2015,
Courtesy de l’arones
Melodia, 2013,
Courtesy Galerie J. P, Ritsch-Fisch
10
WILLIAMS RobertPainting - United States
WOODRUFF ThomasPainting - United States
XOOANG ChoiSculpture - Korea
GAPAA RaviPainting - United States
Drag Cartoons, End of the 1960s,
Courtesy Scott Eder GallerY
Batter fl yariation, Phlegmatic , 2010-11,
Courtesy de l’arthose et de P.P.O.W Gallery
The Dreamer Blue, 2007, Private collection
Leash, 2012, Private collection
THE SUBMITTEDARTISTS
VILLIERS, DE Jephan Sculpture — France
LBear fledged dreamed and quiet forest, 2011,
2015, Courtesy Espace Jephan de Viliers
11
On the occasion of the exhibition
HEY! modern art & pop culture / Act III
HEY! et Arts Factorthere schedule
in any complicity in the "Galerie du Bas" artists published in the magazine HEY !.
A new exhibition every month and a half
Amandine URRUTY
From September 17, 2015 to 1 is November 2015Artist exhibited at HEY! Act 1
(Halle Saint Pierre 2011/2012),
and published in the HEY! # 3 and # 20.Galerie Arts Factorand (Paris).
Laurent IMPEDUGLIA
from January 8 to February 7, 2016 Artist published in the HEY! # 24.Galerie Arts Factorand (Paris).
Caroline ONY
November 3 at December 13, 2015Artist published in the HEY! # 8.Galerie Arts Factorand (Paris).
Angela Dalinger
& Matthias LEHMANN
February 9 to March 6, 2016 Artists published in the HEY! # 24.Galerie Arts Factorand (Paris).
12
HEY! REVUE D’ART
- 23 numbers in bookstores -linethe tie 23: September 18, 2015
In just five years of existence (23 quarterly issues), the journal of art bilingual (French, English) HEY!
modern art & pop culture opened a real gap by presenting a panorama of works and pop
singular: painting, cartoon, sculpture, illustration, workshop tattoo artists work (...).
Today it is the only one in Europe to make this proposal very speci fi c.
Are always reading about how a temporary exhibition we travel it perputs kissing
the energy of the present. Between the cabinet and the lover of curiosities, his apparent mess -
small theater accumulation - always track the strange and the seaderful. It reveals, if one wants to go
the detail, Amazing complicity, and celebrates the imagination as a safe haven.
Echoing this urban graphic and global scene in broad widths, providing readers
Echoing this urban graphic and global scene in broad widths, providing readers interviews rarely searched and printed in such visual quality, all staged by a scale model, still drawn by hand in his workshop, HEY! demonstrated a vision artics
resolutely original and unpublished. Finally, every three months the time it gives a fascinating creation,
that of outsider art and pop fi gurative current.
"Putting art in his life and life in his art"
Henri Jeanson - Door, film, 1938.Stage
HEY! modern art & pop culture
Quarterly / bilingual magazine
Bookstore
144 pages
+ 16 pages comics
+ booklet 16 pages XL
+ 1 page de stickers d’artistes
heyheyhey.fr
facebook.com/hey.review
Editions Ankama
Label 619
13
- How did the magazine HEY! ?
Anne & Julien: Initially, we were very
desire to create an art magazine that is re fl
This was forbidden for years
As journalists and collectors, and
can synthesize all our passions. A
dayWhile we were doing a crossview de RUN
as part of his artistic work, we
fi nor talk about the project; He was quickly packed
and offered to make a number zero in
an extremely short time. As we had
everything in us for so long, we have
we have executed within days. The
project was introduced in Japan a leader
Ankama, who said yes.
- On what is the choice of arpossibly co à chaque number?
Anne & Julien: The choice of artists is both very
narrow and extremely broad: it sweeps large
countries on the planet. However, in the same
time, because the magazine is dreamed, imagined,
fantasy, it makes a world
closed. That is to say that we are not the
permeable all the news, or the taste of others.
We used to say Is aHEY!
selfish business in terms of the choice of artists.
We watch, read, taste to artists
When we start looking at a
subculture or someone, you attack
dark corners that have not been shown,
that have not left any testimony form
books, interviews, catalogs ... We
therefore also call for a real job search,
a spirit of inquiry and stair. He always us
characterized, it determines us. We love to discover.
So we're looking.
- HEY! meeting a success more and more.Inll expect you to Depart such a return?
Anne & Julien: We were very surprised. He's fromincreasingly warm, sharerAnd applicant.
And this throughout the world: the match is
not just francophone. It meets a need without
have wanted to make 'the answer' to this need. Inother words, people are attached to the journal
because they feel that obeys neither a niche or to
a "pre-production" of departure. With over twentyyears of journalism behind us for many
national media, we have with taken aHEY!
undisguised pleasure to deconstruct all that
learned in this field, to thwart the
represents the outline of a support proved -
a highly visible logo, always the same, for example ...
We chose the title Very quickly because weHEY!
did not manage to pronounce it ... and that we
her laugh. We refuse to seduce advertising
that nourish us since our adolescence, and our character is to never forget what thrilled us. On the contrary, we continue
tracks, let us yarns, we will never stop
at work discovered. existed since 2010,HEY!
we look at the painting, cartoons,
we read of the comic (...) from the end
of seventy years. The choice of artists is
So in terms of the pleasure that continues to have
watching their works today. The reputation and
the weight of an artist on the market arDoes not
determinants for us.
When the No. 1 came out, it was so beautiful and
rich as many have told us that we would
impossible to hold the road on several numbers.
But time passes, and we are still
power of discovery, and relays. The choice of
artists is also indirectly.
her laugh. We refuse to seduce advertisingor instrumentalize the artists. Ustons du that the reader is intelligent. So we
perturb his reading, because the gesture is nice and
it creates movement and the requirement. If we
defend an overall energy level
global in terms of artistic production, we
stand in our pages the strength of individuality
- We are talking here not of individualism. Us
celebrate the person as such and power
to exist and create in a group subject to
the rules it has not selected. The readers
feel it, and most faithful maintain a
truly personal dialogue with the magazine, which we
escapes. From this perspective then we can say
that the review is a success. For us, success
measured not only in the number of readers,
but in the light of the quality of the relationship that
has managed to settle with its readership.
14
EVENTS OUTSIDE THE WALLS
HEY! LA CIE
STOLE ON ARM COSTENTENUS!
In a Tattoo Hall dedicated to the memory of the great tattooed, music hall and circus blend, a relic belonging to the history of the tattoo disappears.
> 20, 21, 22, 23, 24, 25, 28, 29 October 2015 Cirque Electrique, Paris I
LThe idea of experimental and aesthetic dimension here
applied to the performing arts. STOLE ON ARM
COSTENTENUS! commented a perspective fantasma -
gorique tattoo mindset and large figures
who crossings. The show also draws on
myths of this popular art, greeting the character Souter -
rain environments in which he sailed. From the beginning
representation, we understand that we are facing a
company dedicating his life and his art in memory of the "Great Tatoués ". This imaginary company chose to "venerate"historical star tattoo - Costentenus - she
owns (oh miracle) the arm! Punctuated by clues to the disappearance of the famous relic, one tasted
a strange atmosphere and specifically, in the form of a succession of appearances.
FESTIVAL HEY
> 30, October 31, 1
is
November 2015 Electric Circus, Paris I
30, October 31, 1 November 2015 Electric Circus, Paris I
After two editions in 2011 and 2013, HEY! returns to play for his new Electric Circus Festivaland offers shady evenings scenic and aesthetic dialogue capabilities in one
goal: the search for a universal language in the development of a singularity, highlighting
a common energy, the value of dialogue where it does not yet appear possible to communicate.
This new program allows HEY! to engage further in its mission "federa -trice "scenes that ignore and yet operate in parallel. Lopportunity to present - and connect - works apparently dissociated in their formulation, but presented together,
highlight a real community spirit.
OUTSIDER ART FAIR
3th Edition / Paris
> 22 to 25 October, 2015 Hotel du Duc - 22 rue de la Michodière - Paris 2 I is
Partner Institution of Outsider Art Fair since its first edition in Paris, the Halle Saint Pierre y
installs its reference library Outside the walls, and a selection of books, catalogs and
magazines, as well as unpublished works available for the first time in France.
Reference Fair Art Brut and Outsider installed for 23 years in New York, l’Outsider Art Fair se
held for the third time in Paris in off the FIAC at the Hotel du Duc. This third edition meets
careful selection extended to 36 inter galleriesNational to show the best of art brut and outsider
international.
15
LA HALLE SAINT PIERRE
Since 1986, the Halle Saint Pierre in Paris is the cultural center of art brut and singular art. Grace
Art exhibition in the rough company and in 1995, a first in France, the Halle Saint Pierre established his
Experimental Museum reputation and precursor. It has ceased to present to the public collec -
tions vanguard, a deep look and reflexive on contemporary folk art.
Many SuccessThe great historical exhibitions exploring the artistic and cultural reality that cover the concepts
d’art brut, art singular and art outsider in other cultures: Art Outsider and FolkArt Haïti : ange (USA),
and devil,Japanese art brut,British Images of the unconscious Outsider, (Brazil), and the last success,
Bandits art (Italie) ...
Thematic exhibitions initiate or deepen research on topics related to the
Domain specificity: unconscious, madness, engineering, automation, mystical, myths, origins: Art spiritualist,
mediumship and visionary, Scripture Delirium, Dolls ...
The collective exhibitions and monographs provide a space needed for living creation: Leye
wild state, drawing praise, Louis Pons, The World According to HR GigerUnica Zurn, Fred Deux ‑ Cécile
Reims, Macréau Michel, Jean Rustin, Chomo ...
Self-taught virtuoso primitive or unconscious, these radically individual creators offer us
works of excess carriers but also poetry and innovation.
Halle Saint Pierre give the floor to those excluded from traditional circuits, allergic to laws
market, and reveals to each exhibition a kind of art without borders, in constant evolution.
A living and evolving cultural place in international influence
Halle is built around temporary exhibitions, a library and a café. More than an ar centert,
it is a place where both intersect artists, collectors, amateurs or just visitors who exchange
ideas, views and critical information.
Multiple cultural and educational activities contribute to the mediation work around art
gross: presentations of singular artists who bene fi t of any broadcast networks, festival films,
poetic and literary evenings, lectures and debates, exhibition of small publishing houses, entertainment
young public ...
Essential hub of Hall, the library specializes in the writings of the art and participates each
year at the Outsider Art Fair. It publishes since 1995 the French edition of Raw Vision magazine.
In France and abroadIt occupies a unique place in the news and the promotion of a form
marginal art, moving, fascinating.
Manager: Lusardy, Tues.you founder of the cultural project of the Market and exhibition curator since 1995
16
REPORTSTIONS PRATICKS
HEY! modern art & pop culture / Act III
September 18, 2015 March 13, 2016Inisnishing Release: September 17, 9h30-13h
HALLE SAINT-PIERRE2, rue Ronsard
75018 Paris
M ° Anvers (2) / Abbesses (12)
Open weekdays from 11h to 18h / 11h to 19h Saturday / Sunday from 12h to 18h
Temporary exhibitions: 8,50 €, reduced rate 6.50 €
Temporary exhibitions: 8,50 €, reduced rate 6.50 €
hallesaintpierre.org
museehallesaintpierre
HalleStPierre
Catalogue
340 pages
Format 22 x 28 cm
Hardcover, sewn, toilée coverage
silkscreen printing, if the slice
Price 44.90 €
Editions Ankama / 619
CONTACTS PRESSEPIERRE LAPORTE COMMUNICATIONFrédéric Pillar: frederic @ stone-lapor te.comMangion Roman: Roman stone-lapor @te.com
51, rue des Petites-Stables
75010 Paris
01 45 23 14 14
17
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