Kuwashima T Shozo - Welch Ashbel R - Judo

5/21/2018 Kuwashima T Shozo - Welch Ashbel R - Judo

1/161

For Self

-

efense

or

Sport

for Exercise

for a//

ages

both sexes from

six

to

sixty

__

_


2/161

FOU Rl

EEl \T

H

l ~

PRlNT l

NC

J U D O

Forty One L

esso

ns iu

th

e

lfodern Science

of

Jiu Jitsu

(ENLARGED

ED

ITI

ON)

b y

T. Shozo

Ku

washima

nd

Ashbel R W elch

1 no other

sport

can mere brute


3/161

Contimred from Front Flat

explanation of the principles of lever

age, balance and

action that

enable

even a beginner

to

develop an un-

deniable

advantage

over any

opponcnl.

In this

ENLARGED

ED

TTJON

im

portant

nevv

mi.lterial bas been added,

including eleven lessons wflich will

be

r

particular use to men in the


4/161

T SHOZO KUW SHIMP

ASHBEL R WELCH


5/161

JUDO

Forty one Lessons in the Modern Science of Jiu Jitsu

by

T

SHOZO KUW SH

IM

Ti ifth J ogreo Blark Belt

Accredited Representative

of

Kodokwan

nd

SHBEL

R WELCH

ENDARGED F.l JTION

NEW

YORK

PRENTICE-HALL INC .


6/161

Prentice-

Hall Health and

Sports Series

edited

b J

Elmer

D 1

iitchell)

CoPYruonT, 1938, 194 .

nv

P R E ~ T I C E - H A L L ,

INC

.t\

l.

f.

IIIOHTS l l i S ~ : l H i l l J . NO

1'.\D"J'

OF TilTS

DOO.K )1.\Y

D R&I'RODUCED TN .c\NY FORN, BY

MIMJ::OGRAI'll

Olt

Dn

OTT-rER

:;-.rEAl'$, Wrr l lO ln PERbOSSION l X

WRIT .YG FllOM THE

PUBLISHF.RS

I IRS1 .PHJ:llo.llNO

.September

t ~ J S

SECOND

P R D l T J . ~ C

January

1939

TIUIUl F'IUzo.rn-sG

. November

1941

FOURTH PRlXTJ.XG

June

1942

J 'l

l Tfi I RIN1"TXG

November I Q ~ 2

StX.Tll

t i ~ T I ~ Januar)

"

1943

ENLARGED EDlTlON

8\ ENTH

J)ltJNTI

Nl;

F.fGlJTH P l U ~ T T N O

: \JN1'R PRrNTfNG

Ju

l) 1943

anuRry 44

August

'944

TENTH

J JU:O:TIN C

Novcmher

194

Ft.E\ 'JC.'iTIL l fli.NTisc. September t o

4

8

T W ~ I F n t l

JCI.NIT

i O{:

June J95

'l

lJU:J'E

I

:N ru Pfl iNTINO.

,

,

October

1951

l 'RlXTED IN T l l > ~

UNJ'l'EO

S'f.t\TES

Ol' ,Ufl:IIICA


7/161

PREF CE

T

IS

BOOK

was

not

written

with

any

intention

of

pre

senting

a complete textbook on Judo or Jiu-Jitsu.

To

produce such a volume would require too much of

the

1emain

ing lifetime

of

its

authors. t would

be

so Yolwninous that the

cost of publication would be prohibitive and would leave our

publishers

without

profit.

Finally, about 9.5 per

cent

of

it

would

be

incomprehensible to, and

impractical

for,

about 99

per

cent

of its

possible 1eaders.

The

reason

for

this

somewhat gloomy outlook

is

that n the

ad

Yanced practice of Judo,

progress can

he made

on

ly

under the

constant supervision of

a competent

instructt)l ,

and

then only

after the student has

been

long

and patiently

drilled in

the

fundamentals

of

the art. For instance, there is one movement

which is said to take from five to seven years to perfect. In J a

pan they say that before you have earned your }'irst D

eg

ree

Bla

ck

Bel

t

you

must

have taken

ten thousand

fa11s;

and then

there

are

nine more deg1ees

of the Black Belt

to be

attained

be

fore

yo

u reacl1 the

top. At

the

present

time there

are

only two

men who hold the tenth degree. Alosn,

the

further

you

advance

in the practice

of

Tudo the stricter become the physical require

ments.

For this book we have selected only those movements which can

be

Inastered

hy the

a\erage mau, woman,

or

child- movements

which can be accomplished with

but

a small expenditure of

strength

and

without

previous

baining or

experience.

Finally,

let us impress upon you

strongly that

these movements cannot

be

mastered without

practice, more practice. and still more

practice

, nny more than you can become proficient in tennis.

swimming, golf, boxing,

or

any other sport without constant

[ y]


8/161

PREF CE

study and

practice. The student shoulo hegin at the beginning

and not attempt more

than

one or two movements

at

a time.

They should be practiced again

and

again until

they can

be

done smoothly and effectively. t may take a page to describe

a movement, but its accompl ishment should

rare

ly take more

than

one second.

F or exercise, self-defense, offense, or pme sport, Judo has no

equal.

t

is probably the mo

st

fascinating and t he most useful

form

of

physical education in

the

world. Unlike

many of our

spol ts, Judo develops the

who

le body evenly and without

strain-not

just

a portion

of

it.

t

probably has no equal in

developing poise of body nnd mind. I t substitutes

sk

ill for

brute

strength to such an extent

that it

is

not at

all

unusual

to

see a one hundred and twenty pound expert teduce a less ac

complished adversary, weighing one hundred

and

eighty

pounds or more, to a helpless and exasperated

Wl'eck,

all with

an astonishingly small

amount

of effort.

Finally

Jud

o is suitable for all ages and both sexes, from SL '{

to

sixty. D octor K ana actively practiced

Judo

until

his death

at

the age of seventy-eight, and some of i

ts

most

ardent

de

votees are none other t h

an

the ladies.

NOTE ON THE ENL RGED EDITION

On

pages 120 to

145

are given additional movements and

infor

mation, some of' which will be of p:trticulttr use to men in the

armed forces. These mmements are intended both for recre

ation and :for use in actual hand-to-hand combat.

[vi]

T. S. K

A

R \V.


9/161

PUBLISHERS FOREWORD

EVERAL YEAUS AGO two imhrialed

young

toughs

stoppcrl. an i11offcnsiYe lJed


10/161

PU LISHER

S

FOREWO

RD

taught Judo

at

the Japanese Buddha Young Men s Associa

tion and

at the

J

apanese

Y. l\I C. A ..

instructed army

officers

in one of

the

h

aining camps

in California. and acted as instruc

tor at a Japanese club

in

Stockton, California.

D m ing the

past

few years, Professor Kuwashima has lived

inN

ew York. l-I e gi es

private

inshuction in Radio City. and

has classes in Newark and Maplewood, N . T Holder of

tl1e

Fifth Degree B

lack

Belt, he is regarded as one of

the

foremost

exponents

of

J uclo i l l

the country.

Ashbel

R.

Welch a

New

York insmance broker.

fint

he-

came interested in J udo several

years

ago,

and

has

since become

a

practical expert

in the

art.

I t is with a

great

deal of

pleasme

that the puhlisl1e1s offer the

first book on the modern

form

of Jiu-Jitsu JUDO

,

by

Profes

sor T Shozo Kuwashima and Ashbel R 1Velch.

The

reader

wi

ll find Judo not

only

an

effedive system of self-defense, but

a healthy form of exercise and an enjoyable

STlort

.

It has

be

come

popu

l

ar

wherever it has been introduced.

T he au thors and publishers wish to express their gratitucle

to

1\lr. P aul

Hesse

for permission to use

the many photographs

in this book in which he demonstrates

good J udo

form as a con

testant .

l

HE

PuBLISHERS

v

iii

1


11/161

ISTORY

UDO

(JIU-TITSU) has been practiced by the royal faro

Hies of

Japan

for over

two

thousand years.

n

feudal

times there were many

military

exercises, such as fencing, arch

ery, the use of sperus. and so ou.

Among

them was one called

Jiu-Jitsu which consisted principally of

w ~ s

of .fighting \Vith

out weapons,

or

:fighting

against

weapons without weapons.

Eacb clan

had

ts

own method.

differing

in some

respect from

each

of

the others. There were almost as many

methods

as

there

were clans.

About

sixty

years before his death n

1938,

Dr. J igoro

Kano

became interested in the practice

of

J iu-Jitsu and

studied

with

three eminent masters

of

the time. n 1882 he founded a

school of his

own

and called it Kodokwau. Kodokwan literally

means a sclwol

for

st l

yingthe

way. H e useu the knowledge

he had

gained

to consolidate the best points

of

all the old

clan

exercises in Jiu-Jitsu into one exact science, to which he gave

the name

of

Judo.

In the comse

of

his studies

in

J iu-Ji tsu, D r. Kano :finally

evolved the following

underlying

principle : Whateve1 be the

nhject. the best

way

of attaining it shall

be

the

maximum

or the

highest efficient use of mental and physical

energy

directed to

that

purpose or

aim.

H aving discovered this

vrinciple,

D r. Kano

soon

perceived

that it

applied

not only to the p1actice of Jiu-Jitsu but to the

entire philosophy of life jtself. The result bas been that

Judo,

which staTted

out

as a

method of

attack and defense, has now

broadened

out into

a

national

sport and

a

national

philosophy

of life, having for

its object

health,

strength,

utility, and

spirit-

[ ix ]


12/161

ISTORY

ual

and

mental training, with moral

and

aesthetic phases.

Judo

is

now

taught

in

several branches. The methods of attack

and

defense are called Kata. The division devoted to

sport

is Randori. The section devoted

to

reviving an injured

per-

son

is known as

Katsu.

Students of

Judo

are classified at

all

times according to the

progress they have made. The beginner wears the White Belt.

7\Tben he has completed certain prescribed courses he is given

an

examination.

f

successful in

passing

it,

be

is given the

Brown

Belt. There are tlu-ee degrees of the Brown Belt to be

attained

before the student

can win

the coveted

Black Belt

of

the Fi:rst Degree. After that there are nine more degrees of

the

Black

Belt until the Tenth Degree is reached, which at

present is held by onl)r two meo.

Judo is now a reqnireu course in

all

J

ap::t11ese

high schools and

is taught n ali

Japanese

police departments.

X l


13/161

CONTENTS

XOIOtV;T

.

Publishers F oreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ,.u

History

0 0 0 0

The Fundam

ental

Moveme

nt

s

1

Against the V1ists f r

om

lhe F ront . . . . . . . l

Against lhe W r ist from t he R

ear

. . . . . . . . 1

3 Ag

ai

nst the E lbow . . . . . . . . . . . . . . . . . . . . . 1

t Against the E lbow . . . . . . . . . . . . . . . . . . . 2

5 Against the J hront

a

ud

Hack . . . . . . . . . . . .

1

6 Against the T h

roat

. . . . . . . . . . . . . . . . . . . . l

7.

Against

the Chest

. . . . . . . . . . . . . . . . . . . . .

l

8 Against the Back . . . . . . . . . . . . . . . . . . . . . 1

fl Against the Elbow

tulcl Shou l

der

. . . . . . . .

2

1

.

Agains t the E lhow awl

Shoulder

. . . . . . . .

2

Action Moveme

nt

s

11

. l landshnkiug T ricks . . . . . . . . . . . . . . . . . . . .

5

1

2

Wrist H olds . . . . . . . . . . . . . . . . . . . . . . . . . . .

13

Coat H olds

...........................

_ 7

1

4 H eld

from lhe R ear rnder t he

A

rms . . .

7

15. H eld fro m the

l l

car- O,cr the

A

rm

s . . . . . .

. j

16

Choke

H olds- D efense Against . . . . . . . . . . l 6

17 H

ai

r

Tr

icks . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

18

. The P olice Offi

cer

For

anrl Against . . . . . . 3

19 Again

st

a B oxer . . . . . . . . . . . . . . . . . . . . . . . . 4

[ x

i]

2

4

3

3

2

3

10

17

6

10

)

1

:3

7

0

5

ix

1

3

5

7

11

13

15

17

19

21

23

31

43

51

58

G5

73

81


14/161

ONT NTS

}10,-UilCl\ T HIIUTION6

20. The Police Officer- Additional MoYements. >

21. Against the Foot.

Ankle,

Knee, and H ip . . . 1

22. The Blocked D oor . . . . . . . . . . . . . . . . . . . . . . 1

23. Against the Under-shoulder . . . . . . . . . . . . . . 1

24.

Strangle

Holds . . . . . . . . . . . . . . . . . . . . . . . . 8

25. Against the Carotid Arteries . . . . . . . . . . . . [

26. Against a R eYoher . . . . . . . . . . . . . . . . . . . . . 4

27.

Against

a Knife

'The Crab Claw . . . . . . 1

Throwing

ovements

~ 8 The Straight

Foot

Throw . . . . . . . . . . . . . . . 1

29. The IIip Throw . . . . . . . . . . . . . . . . . . . . . . . . 3

30.

The

Over-shou1der Throw . . . . . . . . . . . . . . . l

Some

Thing

s To Do and Not To D o .

Vital P oints and How 'l'o Use Them .

31.

The

Q,

er

-sboulder

Throw

-

Lapel

H old . .

1

32. The X eck Throw . . . . . . . . . . . . . . . . . . . . . . 1

33. The Neck Throw

Against

a R eYolver . . . . .

34. The Kick-back

Throw

. . . . . . . . . . . . . . . . . . 1

36. The Inside L eg rr lnow . . . . . . . . . . . . . . . . . ?

36. The Circle Throw . . . . . . . . . . . . . . . . . . . . . . :2

37. The

Throat

Th.l'O\\ . . . . . . . . . . . . . . . . . . . . . 1

'rhe Answer to a Frequent Question .

::38. The Knee Till'ow . . . . . . . . . . . . . . . . . . . . . .

39. The Binding Throw . . . . . . . . . . . . . . . . . . . .

1

at Work

40. The Ank

le

Lock

. . . . . . . . . . . . . . . . . . . . . . .

1

41.

To

Hold

an

Opponenl on the ~ f a t . . . . . . . . . 5

[ xii

J

l'llOTOGBAl'llS P

3 8

4 8

0

9

1 9

5 9

5 10

9 10

6 11

3

11

3

11

2 11

2

3

3

.j.

1

3

3

1

8

12

12

1

2

12

12

13

] :

13

1

3

1

3

13

13

14

14


15/161

W RNING

LL OF TH S movements are

t erious and must be applied cau

tiously until the breaking point is reached

when the

st

udent must stop to avoid in

:flicting seYere physical injm-y. :Maximum

pressure can be used only when actually

necessary for self-defense.


16/161


17/161

MOV M NT No. 1 AGAINST TH W

RIST

SITION

Opponents

stand

facing

each other.

TION

Advance

your

left

fool

diagonallr

to the

left

. A t the same

time

y w left

haU }

grasps

your oppoJLent s

right hand,

with yom thumb, pointing down, on the back of

his

hand.

Your fingers

are

curled over his

thumb

and pressed into

the palm of his hand close to the base of llis thumb (photo

1-1 .

Raise

the captUIed hand shoulder lligh. Carry it out to the

left

as

far

as

it

wiJ]

go.

Advance

yam

right

foot heyol)(l opponent s right foot. At

the same time your right hand catches

opponent s

right

hand, in the same manuer as your left band grasps

the

other half of his

baud

. Press your thumbs into the back

of

opponent s

hand between his

third

an


18/161


19/161

MOVEME

NT

No

. 2 G INST THE

WRIST

ROM

THE RE R

S

ITION-

Opponents

stand

facing each other.

ACTION - Advance yom Tight foot to the left of opponent s right

foot. L the

same

time your right hand wilh

lhumh

down

grasps opponent s

right hand

,

wit

h yo

ur

thumb

at the

back

of his hand.

Your

.fingers curl over into the palm of h is

hand (photo 2-1

).

Carry the

captured hand

to his

right

rear while

you

ad

vance your left fool one step beyond yom

right

foot. A t

the same

time

gras

p

opponent

's

right

band

with

yo

ur

]eft

thumb

to the

back

of his

hand

and yom :fingers

in

the palm

of his

h

an

d.

Turn

about

to

the right

on the halls

of

both feet. Swing

your

right

foot to the rear

at

a M-degree angle with op

ponent. gi-ving self a good balance. Your legs arc some

what fl

exed

at the

knees.

Your thumbs press

harcl on the

back of his h

and.

and your fingers press hard in t he palm

of his hand. causing his 'WTist to be bent

vainfully. Op

ponent s ca]:Jtmed

arm

is

straig

ht and points sligh lly

up

ward and

to

t he rear.

THE FI I USH- Yi th arms fl

exe

d comfortably. bend the cap tured

band

toward s

opponent s

shoulde

r

and

against

his wrist.

Keep

opponent s hand

lmned to the

rig

h t (photo

2-2).

f necessary. put yom left fool agai st the hack of op

ponent s

right

hip and bring him to the floor. Kneel and

bent his elbow, against the

joint,

across your knee.

Similar move

for right

side.

[ 3 ]


20/161


21/161

MOVEMENT . 3 AGAINST THE EL OW

P O S I T I O ~ Opponents

stand

facing ench other.

T I O ~

Your

righ l hand catches opponent s right wrist naturally

as

your right

foot

steps

about

H

inches lo the

left of

op

}10nent s

right

foot (photo :3-1).

Turn

ahout to the

right

on

the ball

of your right foot,

plac

ing your

left foot parallel with

the

right foot of

opponent.

At the

same

time your

left

:urn

goes oYer

opponent s

cap

tured

right arm near

the shoulder

and

forms a hook, with

your

lcfl

hand

passing

under his

arm

and

catching the

fabric

of your

own

coat

near your

1ight ribs

OI

lapel.

Your

left forearm is a fulcrum over which your opponent s el

bow may be broken.

Yoill left hip is well against the right hip of op ponent.

l\love

your

right foot slightly to the right rear to steady

yourself.

furn

yo

ur

head

to

the 1ight

if

op

p

onent

attempts to

usc

his left fist.

Keep

the bone of yow left l orearm

turned

up.

Keep

opponent s l1and turned to

the right.

so that it is

palm upward.

TH INIS -Force opponent s wrist downward with

yom

right hand.

Flex yo1 ]egs, then lift up against the ca plured arm awl

bend yow

body

to the right (p

hoto 3-2) .

f oppo

nent resists. keep

your

left

leg

pnrallel with his

right leg, or

place

your

left

foot across and ngainst

op

ponent s

rjght foot

and

leg.

fhis

pulls him o

il ba

lance and

prevents him from stepping

forwa

rd while punishment is

applied.

Simila1 move

for

right side.

( s


22/161


23/161

MOVEMENT No. 4 AGAINST THE EL OW

POSITION

Opponents

stand

facing each other.

ACTION

Yom left hand catches opponent s right wrist naturally.

with

your

fingers

to

the

back,

and

moves

it

to the

l

eft

while

be

aring

down and holding his arm

straight

. At the same

time advance your left foot about

12

inches to

the

left of

opponent s right foot (photo

4-1} .

Advance yow right foot opposite to opponent s

right

foot.

giving good balance; at the same time th

rust

your right

fore

arm

behind opponent s

right upper

arm,

forming

a

right

angle. Dig your right elbow into opponent s

right

ribs.

The

sharp bone on the inside of

your

right forearm is hori

zontal and hears hard against the back of opponent s

rig

ht

arm

just above his elbow. Your right fist, clenched ha1d

with knuckles horizontal, presses

in

towards

your left

ribs.

THE

INIS

-Yow left arm

is

straight. Yom left hand

pulls

the cap

twed wrist down and presses it away from you, punishing

opponent s elbow (photo

4-2).

Keep

yom

right

shoulder

w ~

against

yoiD

opponent s

right

shoulder.

Keep

your right forearm rigid.

f opponent struggles x

attempts

to get his left

arm

arotmd you,

apply

over-shoulder throw, Movement

No.

30.

Similar move

for right

side.

f7]


24/161


25/161

MOVEMENT No. 4a G INST THE

ELBOW

POSITION Opponents stand facing each other.

CTION Your

right hand catches opponent s right wrist. At the

same time your

left

foot advances to about 14 mches to the

left of and opposite to opponent s right foot. With

the

edge of your left

hand

, stl ike opvonent s r ight elbow

joint,

forcing

t

to

bend

photo 4a-l) and enabling you to rotate

his 1ight wrist and

forearm

cotmter-clockwise.

Your right foot then advances beyond opvonent s

right

foot. At

the

same

time

force opponent s 1ight hand behind

his

right

shou

lder in

doing

so you

can

sh

ike him across

the nose with

your

1ight elbow) . Your left hand passes

through his bent elbow and grasps

your

own right wrist

beneath opponent s forearm.

TH

FINISH

Lean

fonvard, pushing with your right hand and pulilng

with your left forearm. K eep your right shoulder close to

his

right

shoulder (plwto 4a-2) . Considerable pain Tesults

from very little pressure.

Follow bim to the mat,

if

necessary, for complete disloca

tion.

Similar move for right side.

[

9 J


26/161

5 2


27/161

MOVEMENT No

5

AGAINST

THE THROAT AND BACK

POSITION Opponents stand

facing

each other.

ACTION

Your right band

grasps

opponent s left coll

ar

under his

ear

. with

your

thumb turued down. At the

same

time your

right foot is placed to the ]eft

of

and opposite

to

oppo

nent's 1ight foot (photo

5-1) . Plnce

your ]eft

hand

against

opponent's right elbow to preYent

im

from turning.

Turn completely about to

the

'tght on

the

ball of your

right font. hringing

your

]eft foot ncar

to

the rear

of

op-

ponent's left foot.

At

the same

time pass your

left hand

over

the

front

of opponent s left upper

arm

and bring it

back

until your kuncklcs are agaiust his spine. Keep your

knuckles >ertical and dig

them

into

opponent s

spine be

tween his shoulder blades (photo

5-2 ) .

Your right

foot

moves

to

the rear. Lean backwards, bend

ing

your kuees to

destroy

opponent s

balance

(photo

.5-3).

E

INIS Pu l l hack with your right hand. Push agaiJ1st his spine

with the knuckles

of your

left hand and press

n

with both

yom

elhows, causing

strangulation.

Similar move for right side.

l

]


28/161

6 1

62


29/161

MOVEMENT No. 6 G I N

ST

THE THRO T

~ T

Opponents stand facing each other.

T ON

Your right

hand

grasps

opponent's

left

collar

under

his

ear, with your thumb turned down. At the same time your

right foot js placed

to

the left

of and

opposite

to

oppo-

nent's right foot (photo

6-1

. Place you

left

baud

against opponent's

right

elbow to prevent im from turn

mg.

T u n completely about to the right on the ball of your

right foot, bringing your

left

foot near to the

rear

of your

opponent's left foot.

At

the same time pass your left hand

tmder opponent's left arm (photo 6-2 . Place the palm of

your ]eft band against the back of opponent's neck.

E N

S

-Step back with yom right foot. Straighter yom arms ns

much as possjhle.

Push

with your left hand and

pull

with

your right arm, causing strangulation (photo 6-3 .

]


30/161

71 7 2

7 3


31/161

MOVEMENT No. 7 G INST THE CHEST

P S TION Opponents stand facing each other.

CTION

Advance

ymuleft

foot,

with

yom toes

turned

to the left,

to within 8 inches of and directly

in

front of opponent s

feet. Get

your

right arm well around the back of

p p

nent s neck (photo

7-1 .

Advance

your

right foot to the

left

of opponent s right

foot (photo

7-2 .

Get your left

hip

well

against

the right hip of

your

oppo

nent

.

Then

bend

forward

and

draw opponent

across

your

back.

Carry

your right hand well to the inner part of your own

upper right thigh, securing a fum hold. Your

left hand

goes out. over and behind opponent s

left

kn ee and

returns

to

the

inside

upper part

of

your

own

left

thjgh.

Feet are

somewhat apart,

giving

good balance with

the

weight of

your imprisoned

opponent

across

yOUJ back

(photo 7-3) .

THE

FINISH

If

opponent

struggles,

hring yom

feet closer together nnd

straighten up, thus bringing se,rere pressure against hi: .

chest and neck, causing

pain

and congestion.

Similar move for

other

side.

r

15 1


32/161


33/161

MOVEMENT No. 8 AGAIN

ST

THE B CK

S T

Opponents sland faciug each other.

AC

TION

Place

yo

ur

right foot, with your toes tmned to the

1ight

directly in front of

opponents

feet.

A t

the same

time your

left hand.

with thumb clown, catches

oppo

n

ent s

left collar

under

the ear and pushes

his body

back

{if opponent

does

not have a coat. your left 1utnd can go b

ehi

nd or

in

front of

his neck).

Ad

vance

your left

foot to tl1e

rear

of opponent

s right

foot.

A t

t he same

time yom righ

t

arm

goes hetween op

ponent

s

thig

hs and

catc

hes the

ba

se

of hjs

spine

or

his

belt

(photo 8-1

).

Lift opponent from the

fl

oo r. B alance is good and

-:n

n

support

or

dinar

y weight

phot

o

8-2).

TH FINISH f desired. opponent s back or shoulders may be pounded

agai nst the

ground.

or he rna) - lJe throwu head to the

grounu.

To

punish severely, ki1eel and drop opponent s spine sud

denly across yom knee; or,

cut

against bjs

adam

s apple

with tbe

edge of

yo

ur left

hand instead of catching his col

lar.

* * * * *

*

Similar

m ove for other side.

r 1

1


34/161

9 1

9 2

J 3


35/161

MOVEMENT No . 9 - AGAINST

THE

EL OW

AND SHOULDER

POSITION- Op}Jonents stand facing each other.

TI

ON

- Advance your 1jght foot about 14 inches

to the

left

of

and

opposite

to opponent s right

foot.

At

the same time

your

right hand grasps

the

fabric

at

the back

of opponent s

right eJhow; and your left hand, with Uwmb up and back

of the

haud to the left, is pressed

against

the iuside

of

op

ponent s

right

wristJ

pushing

it to the left

(p

hoto

9-1).

Turn

to the

right

on the

ball

of

your right foot and double

opponenfs 1ight forearm upward and to

the

rear until

your

left

hand

can

be hooked over bis

arm

just

below his

right shoulder

(photo

9-2). P lace your l

eft

foot

against

opponent s right foot.

Carry your

right foot

to

t he right

rear for good balance. Y out 1ight band retains its original

grip at

the

back of opponent s

right elbow and presses

the

captured right arm

to

the

left

. Opponent s

right

forearm

is now locked above your own l

eft

forearm.

Your

left

shoulder is o,er opponent s right shoulder

(photo

9-3).

Opponent s

arm is now locked

in

a triangle for

med

by

your right band. your chest, and yolll left arm.

TH FINISH- TuTn yo u hotly to

the

tjght, also if necessary press down

with the weight

of

your

body

and

bring opponent to

the

floor by kneeling. D islocate if necessary.

Similar move for

right

side.

V lU TION-Lock youJ fingers over

opponent s

elbow and complete the

tmn on

the

feet before briuging presswe 0 OIJpOneJlt s el

bow.

After the movement has

been

completed, your

right hand

can be slipped

to

the back of opponent s collar. He can

then

be

walked

at

will.

This is a fa,rorite pol ice hold.

r 19

1


36/161

MOVEMENT

No. 10

G INST THE

ELBOW

AND SHOULDER

POSITION Oppo11ents stand facing each other.

CTION

Adnmce ym.u

left

foot

about 14. ind1es

to the

left

of and

opposite

to the

right

foot

ot

opponent.

A t the

same

time

your left

haml grasps the right wrist uf ovponcnt photu

10-I)

and pushes

it


37/161

1

2

11 3


38/161

MOVEMENT No. HANDSHAKING TRICK

POSITION Opponents are shaking hands.

CTION

Advance

your

left foot

to

about U inches to the l

eft

of :111d

opposite

to

opponent s right foot (photo 11

-1) .

At lhe

same time grasp opponent s

right

wrist with

your

left

hand.

Adn:mce yom right foot beyond opponent s right foot, at

the same time push opponent s ann back

Uiid

up. rrurlJ

about to the left ou the halls of both of

your

feet (photo

11

-2)

unde1 the upraised arm nf

opponent

(photo

11-3)

until you are facing

yonr

opponent s back.

Get

your

left

foot

to

the I ear

of opponent s

feet.

Set

yam

right

foot

back sufficiently

to

giv

good ha1ance.

THE INISH

Yom

left e]how digs into

opponeufs

left shoulder blade.

NOTE

Opponent s

tight band s pressed upward between his

shoulders.

Keep

opponent s

hand

tumed

to

the right.

Raise

the captmed arm

for

pmlisbmcnt. Op

ponent may

be rnarcbel1 at will (photo

11-.J.. .

T he

pictures

haYe

hecn

taken

from

different angles

in

or

der to show correct positjons of the hands

and

arms.

[ 2 ]


39/161

1

2

3


40/161

MOVEMENT

No

.

o H NDSH KING TRICK

ITIO Opponents an shaking hands.

T I O Opponent holcls his hand and wTist rigid o foil execution

of f

ovement

o

11.

Swing your

right

leg

to

the

right for

momentum.

At

the

same lime

grasp opponent s right

wrist

with your

left

hand

photo 1 l a-1) .

Your

ri ht

leg lhen swings

swiftly to

the left.

At the

same

time jerk

opponent s

hand

to the

left.

Pivot

to

the

left

on the bal1 of your left foot (your bead passes under op

ponent s

arm) (photo lla-:2)

uotil

you

are facing your

opponenl

al

an angle

of

about J 5 degrees.

with

your left

foot

forward

and your

right

foot to the

rear. Keep

op

ponent s haud turned

well to

the right (photo lla-3).

TH

INIS

I f opponent

resists

at Lhis point,

go into the final

position

of MoYcmcnt No

.

11.

f2

5 J


41/161

b 1

1 lb 2

b 3


42/161

MOVEMENT No. b - HANDSHAKING TRICK

- THE DEVIL'S HANDSHAKE

POSITIO Opponents are

shaking

hands.

ACTIO Quickly pull opponent s hand forwaru and upward. Pass

your

left

h

md

under

his

arm

and

catch

opponent s

collar

near

or

tmder

his

left

ear.

Step back

with yom right foot

to the left

rear,

turning ou the ball of your left foot.

f opponent does not have a collar, place your left

hand

behind his neck.

TH

N SH-Keep O}Jponent s band

turned palm

upward and bend

the

captured

arm over

the fulcrum

provided

by your

rigid

left

arm. Keep

the

bone

of your left forearm turned upward

(photo llb-1 ) .

f

necessary,

opponent

s

arm

may

be broken over

your

shoulder

instead

of over

your arm.

f desirable, kick opponent s right foot from

nnder

him,

throwing him (photo l l

b-2).

Retain your hold as he fall-;

on

his back. v\Tith yom left foot close to his body, kneel on

your

right

knee and dislocate his elbow across your own

upraised left knee (photo

11

b-3 .

[

7]


43/161

MOVEMENT

No. l l H NDSH KING TRICK

POSI

T O

Opponents are shaking hands.

~

U R P S

To

release

your hand from

a

strong

opponent.

T O

Raise

yom

left

knee

and bring

your shinbone across t

bone of opponent s right wrist. ear down with yom kne

He

will let go.

r ~


44/161

MOVEMENT

No d

HANDSHAKING TR

ICK

POS T ON Opponents are shaking hands.

CTION

Step

back with

your right

foot.

At

the same time

pull

op-

ponent s hand forward

and

upward to the height of his

shoulder

or

face.

Keep lris

palm turned upward Grasp

opponent s wrist and hand from underneath, with yo

ur

left

hand at

the joint of his w1ist, with

your

fingers over

the

back of his hand.

TH

FINISH

Using both of

your

hands, bend

the captured

hand down-

ward

against

the joint.

At

the same time yow arms push

the

captured hand away

from

you

and

up

ward

at

an angle

of

about 45

degrees.

Opponent

may be backed

up at will

or forced to

su

rrender.

[

29]


45/161

12 1

a1

a

2

12a 3


46/161

MOVEMENT No. 12 - WRIST HOLD

POSITIO

Opponents stand facing each other.

Opponent s left hand grasvs yom right Wrist.

PURPOSE-

To

release yourself.

ACTION- Press your right elbow against your ribs. ~ l k e your fist

hard and

turn

it in at the wrist.

1 hen draw your hand

first

in. then up. then outward against opponent's lhuruh

(photo 12-1).

This

should he done

suddenly

and vigorously.

Opponent

wi ll be tUiable to maintain his hold.

Similar movement

for

the other side.

MOVEMENT No. 12a - WRIST HOLD

POSITION - Opponents stand facing each other.

Opponent

holds

both

of

your

wrists with hoth

of

his

hands

(photo 12a-1).

PURPOSE- To release yourself.

ACTIO

Press

both of your elhows against your rihs. 1\Iakc your

fists hard and

turn

them in at the Wrists. l hen draw your

hands in, up (photo

12a-2), and out,

against opponent s

thumbs.

by

l)ending

the

forearms

sha

ly upwal'd

and

out

ward (photo

12a-3).

f

opponent

is very strong, press

yom

arms strai.ghL down

and against him.

Then

bend your forearms sharply in,

llp,

and out.

The action is exactly

the

same as in :\lmement Nn. 12 ex

cept that it is executed with both hands sirnnltaneowdy

and

opponent

is forced

to

rele::tse

both

of your

hands

at

the

same time.

[

3 1


47/161

J

b

1

12b2

12c 1

c

2


48/161

MOVE

MENT No. 12b - WRIST HOLD

POSITION- p p o n e n t ~

tand

facing

eaeh other.

Opponent s

lct't

hand

grasps your right wri.L.

PURPOS - To release yourself.

T

ION

-

Grasp opponent s left

wri

t

with

your

left

hand.

Grasp

your own

left

wrist with )

our

captured right hand (photo

12b-1 ) .

Push

suddenly and

sharply

outward ag-ainst op

ponent s

right

w ist

with

your left hand; at the arne time

push down with your

right

wrist agaiJJSt nppo11ent's

thumb. forcing him to release his grip (photo 12b-2) .

Similar

nwnmeut

for

other

side.

MOVEMENT

No

. 12c - WRIST

HOLD

POSITION-

Opponents stand

facing e:wh

other.

Opponent s

left

hand grasps

your

right

ri..,l.

PURPOS -

To release

yolU'self and lo

punish

opponent.

TION

- ~

a k e your r igh t fist hard and bend iL

1lnw11. Plnce

ynl l l

left

hancl over oppcment's lel'l hand, gelling yom

fingers

under his palm (photo 12c-l ) .

Bend

your right

forearm

sharply

npwarcl.

This

will hreak

your

opponent s

grip and cmthle your own r1ght

hand

to

catch

opponent s

left wrist

from

underncalh

.

T

lU n

to the left on the hall of your right foot

(photo

l ic-2).

Your

left foot -.wings to the

left rear,

i

i n g good

balance, with knees

bent sligblly

outward.

TH

FINISH- Tw i s t

oppnncnt\ captured :nm to the

left and clnwnwarcl .

I f

p11nishmenl is not suflicienl. usc your right elhow

against

opponent s

left elbow

and push

it

downward. l i

will

be

compelled lo surrender.

Similar mole for other side.

l ]


49/161

12d 1


50/161

MOVEMENT No. 12d WRIST HOLD

POSITION- Opponents stand facing each other.

Opponent s left hand grasps

your

right

wrist.

PURPOSE

- To lJUnish opponent.

TIO

N-

l\1ake

your

fist hard

and

bend

it

n

at

the wrist.

Grasp

op

ponent s

left

wrist with yom

left

hand,

getting

yom

hand

weJ1 over his WTiSt with

your thumb

pointing down (photo

12d-l).

Step lntek with your left foot. At the same time raise

opponent s a.rm

chest

1Jjgh

hy bending yom forearms

up

ward. Keep your elbows close together.

THE

FINISH-Bring

yom weight forward onto

your right

foot.

Press

agaiJ1St

opponent s

captmed thumb

with youT

right

wrist

(photo 12cl-2). From this position he will he unable to re

lease his

J1old

.

IIis

thumb may be

sprained

or dislocated

with but

little

additional

pressure

.

Si111ilar move for otl1er side.

MOVEMENT

No.

12

e -

WRIST HOLD

POSITION

-

Opponents

stand facing each other.

0IJponent grasps both of

yonr

wrists with both of his

hands.

PURPOSE- To release yowself and to punish

opponent

.

TION-

Bend

both of your elbows. suap1Jing yom forearms

straight upward. This will break opponent s hold on your

wrists and enallle you to grasp his wrists

from

underneath

as his hold is broken.

At

the same time. raise yom

left

knee to opponent s crotch (photo

12e-l);

also at the same

time shift

your

left

hand to

opponent s

left

hand, grasp

ing over the hack

of

his hand with youT :fingers

in

his palm

(photo J2e-2) .

THE FINISH-Turn to the left on the ball of your right foot. getting youl

left foot to the left Tear, and :finish as n Movement No. 12c.

r

35


51/161

f

1

f

2


52/161

MOVEMENT No. 12f - WRIST HOLD

POS T ON- Opponents

stand

facing each other.

Opponent grasps both

of

your wrists with both

of

his

hands.

PURPOS - f o release

yourself and

punish

opponenl.

ACT O

N-

Release

your

left hand ns in

I\f

ovement

No.

12 (

ph

oto

12f 1 ) . Th

en swing

yow body

to

the right. strikiug oppo

nent s

left

w r ~ t with the heel of yo

ur

left hand.

At

the

same time

re

lease yoUl right hand as in .Movement No. 12

(p

hoto

l2f-2).

TH

I

NS wing

your

body and

right

arm

to

the

left

and

strike

op

ponent s

jaw

with yom right fist

(p

hoto

l2f-3).

This

movement

should be accomplished n one smooth,

swift motion.

MOVEMENT No. 12g - WRIST HOLD

POSITI

ON-

Opp

onents

stand

facing each

other

.

Opp

onent grasps

both of your wrists

with both of

his

banns.

T o release

yomse

lf ancl punish

opponent.

ON

- R elease yo

ur left hand as

n L\1ovement

No. 12. Swing

yom body

to the right an

d

grasp opponent

s

left

wrist

with

your

l

eft

hand

,

at the sa

me

time

releasing

your

rig

hl

hand as

in

.1\1ovement No.

12.

E I

NISH

tep

back

wit

h your

left foot and 1Jllll your opponent

for

ward with

your l

eft hand.

As

he comes

toward you

strike

him

under

the sh

ort

ribs

or

over the

kidney with

your

right

fist.

37


53/161


54/161

MOVEMENT . 12h - WRIST HOLD

POS T ON

Opponents stand

facing

each other.

Opponent grasps your right wrist with his

right hand.

P

URPOSE

-

To

pmlish

opponent.

TION -

Place

your left hand. palm

down. over

opponent s fingers

on

your

own captUTed wrist, holding them

there

(photo

12h-l ). Push opponent s

wrist

to the right with

your

own

left

palm.

Then

swing

his arm back

to the left.

getting

your

own right hand

aboYe

opponent s

wrist and

grasping

it

with

your

ngers

(pressing

your

right

elbow down

will

help

accomp

l ish

this).

TH

FINISH-Step back with your right fool. Bend ~ u r knees and bear

down

on

the

captured wrist

(photo l:Zh-:2 .

l-Ie will be

tmable to release himself and may

be brought

to h is k nees

with slight additional pressure.

Simtlar moYe for oth

er

side.

39 ]


55/161

MOVEMENT No . 12i - WRIST

HOLD

POSITION

Opponents

stand facing

each other.

Opponent grasps your

lefl

wrisl

with both

of

his hands.

PURP S

- To

release romself.

CTION- l\

Iakc

your left

fist

hard.

R each over and

het

ween oppo

n

ent s

hauds

and

grasp

yom

own

l

eft

tist

with

your

righ

hand.

THE FINISHStep

back with

y u r right

foot.

Swing y u r

body sharp

lo the

rig

hl. At the same time press your right

foream

down

against

opponent s l

eft

wrist, using

i l as

a

fu

lc

rum

Opponent

will be

u11able to

maintain his hold.

Similar moYe for other

side.

401


56/161

MOVEMENT No. 12j WRIST HOLD

POSITION

Opponents

stand

facing each other.

Opponent grasps both of

your

wrists with bolh of his

hands.

PURP S

To

release yourself.

CTION

P roceed as in l ovcmcnt No. 12e

unti

l you grasp oppo-

nent s

wrists

at

the hcighl

o

your own head.

Swing

about

to the

left

on the ball of your left foot. bringing

your right

foot across. in fronl of. and beyond opponent s r ight foot

and

leg.

THE

INIS pp

ly

straight foot lhrow. (See .Movement

No.

28.)

[ 4 1


57/161

131

13 2

3


58/161

MOVEMENT No. 13 - CO T HOLD

POSITION

- Oppom llts stnucl f':wing each other.

Opponenl.

with his

right arm straight.

g-rnsps your left

coal Ia pel high and t l o ~ e to

your

neck.

ACTION

- Your 1ight h:tiHl

lakes

hold m CL his elcnehrd hniHl.

.,

ilh

ymu

fingrrs wt ll oYer the haek of hi ) lutlHl and into hio:

palm.

Your

left

hand g r a . . , p ~ his

right

wrisl from

under

neath

(photo J 3- 1).

Turn

to

lhe

righ

t

on the

hall

of

your

right foot.

gelling

your

left foot oul to lhe


59/161

MOVEMENT

No

. 13a CO T HOLD

POS T ON

Opponents


Opponent, with his right arm straight, grasps your le

coat

lapel at your

chest.

~ T O N

Engage both

thumbs

under opponent 's

right

wrist. Kee

:fingers and hands Tigid and vertical, fanning scisso

parallel with your chest.

Twist your

hands in opposite

rections against t l

1e

skin

of opponent s

wrist.

THE FINISH

Continue

tn

execute as

in

1\lovernent No.

13.

NOTE

Similar move for the

right

side.

n these movements do not attempt to break opponen

grasp. H e will let go of his

own

accord.

[

]


60/161

MOVEMENT No. 13b CO T HOLD

OS T ON-

Opponent

s

stand

facing each other.

Opponent, with right arm straight, grasps your left coat

lapel

high

and

close to

your

neck.

CTION Yom left

hand

grasps opponent s right hann. with

yom

fingers curled over into his palm. Twist his hand to the

left.

Th

en yo

ur right

hand. with forearm

upright, grasps

o

pp

onent s Tight wTist

from

underneath.

Twist

oppo-

nent s captured hand and wrist to the left. A t the same

time swing

to the

l

eft

on

the

ba of

yom

l

eft

foot nncl

bring your right foot across in front of

and

against oppo

nent

s right foot and leg.

YouT

right

shoulder is in

front of

opJJOnent s

right

shoul-

der. R etaining your hand hold. hend yom left knee and

t

hr

ow

opponent

over yom extended

right

leg

by

keeping

your a

rm

s compact and twisting your body to tbe left.

H FINISH

Yom opponent is now lying

on

his hack.

Pl

ace your right

toe

tmd

er

opponent s l

eft

ribs. Yom left foot steps over

opponent s head. Keeping

the

captured

arm

straight, sit

clmvn

and

lean backward, keeping your left leg rigid

across opponent s

throat.

K eep your Jmees Tigid

and

pressed together.

Pull

backward on opponent s capt

ur

ed

arm ru d

dislocate it over your thigb by raising your hips

from the

fl

oor.

Similar move for other side.

l

45

]


61/161

13d 1

13d 2


62/161

MOVEMENT No. 13c - COAT HOLD

P S

I

TI

ON-

Opponents

stand facing

each

othe

r.

TION

AND

F I ~ S

Opponent, w:itb right

arm

straight

or

flexed, grasps your

left coat

Jape]

near

yom waist.

Grasp opponent s

wrist wilh o m thmnl)s

poi11teu

tlown

w.ard. Push down

and forward

against the captureu wris1

and continue as in :Movement

No.

11.

MOVEMENT No. 13d - COAT HOLD

POSITION- Opponents stand facing ach other.

Opponent, with his right

arm

strmgb

t or

flexetl, grasps

your left coat lapel below your chest or neaT

your

belt.

A

T

I

ON

Your

left

hand,

i t

yo

ur thumb pointing

up.

catches

op

ponent

s

right

wrist;

at

the

same time

the

heel

of

yom

right hand

goes

against

the

tip

of o

pponent

s thumb,

and

the

fingers of your right hand catch

the

back of opponent s

right haud secme]y at the base of his

thumb,

lhus impris

oning his tburnh. Step

hack with your

right foot to avoid

opponent s left

swing to

the face

(vboto

13u-l ) .

TH

FINISH

P o r c e

the heel

of

ymu

right

hand agai11st

opponenfs

thumb

to

puni

sh him and

to

compeL

him

to relea

se hi

s

grasp (

photo 13d-2).

From

this

position

go

iJJto

:\fovement

N

o 11 if desirable

(photo 13d-3) .

tlTE

Do

not

s

uup

the

captured thumh

unless serious.

Similar mov

e

for the

right side.


63/161

MOVEMENT

No 13e

- CO T HOLD

POSITION

- Same as o v e m e n t No 13 except that opponent holds y

with right arm flexed.

TION- Step back with your right foot to straighten opponen

arm. Then pivot to the right on the ball

of

your right f

180 degrees,

getting your left

foot

out to the

side,

w

your

back to

opponent

TH

FINISH

Continue

us in finish of l\fovement

No

. 13.

r

481


64/161

MOVEMENT No

. 13f - COAT HOLD

POSITION- Same as Movement No. 13

except

that opponent keeps his

forearm rigid.

TION- Pivot to the right on the ball of your left foot 180 degrees

swinging your

right foot

through

an arc of

180 degrees un

til

yoU hack

is

toward opponent.

TH INIS

-Continue

as

in finish

of l\Iovement

No

13

.

491


65/161

14 1

142


66/161

MOVEMENT No. 14 - HELD FRO M THE

REAR

-

UNDER

THE ARMS

POSITION-

Opponent

stands diTectly behind you.

Opponent,

from the

r

ear

holds

you

t

mder Lhe anns,

squeez

ing yom ribs.

IIis

fingers, interlaced and fiat.

are

pressed

firmly against your abdomen.

ACTIO

N- .Make yo

m

abdomen

hard

to give a

furn

foundation.

Use

the

knu

ckles

of

the second finger of each

of

yom hanus and

press them against the nerves on the backs of opponent s

hands, between the thnd

and

fomth fingers, about midway

between the wrist and the thir u joint

of

his fingers (photo

14

-1

).

TH

FINISH

wist yom knuckles

against

the nerves on the back of his

hands.

Th

e

punishment

will force h

im to

release his hold.

VARIATION-Clasp your hands over one

or

two

of

opponent s fingers.

Int

erlace

your own

fingers and squeeze tl1em

toget

her

against

Iu

s fingers (photo 14-2 ).

MOVEMENT No. 14o -

HELD

FROM THE

REAR

- UNDER THE ARMS

POSITION

- Opponent stands directly behind you.

ACTION

AND

f U

SH-

Opponent, from

the rear, ho

ld

s you uncle the arms and

clasps his l

eft hand

with h

is

right hand, exposing his

right

thumb-.

Y our right hand catches Ius right wrist and your left hand

punishes his right thumb as in Yiovement

No.

13d, caus

ing opponent to

release his

grasp

(photo

l4a-l)

.

Similar move

against

the left thumb.

r s 1


67/161

14c1

14c l


68/161

MOVEMEN

T

No

. 14b HELD

FROM

THE

RE R

UNDER THE RMS

POSITION

Opponent

stnncls directly behind ym1.

ACTION

A

ND

FINISH

~

oYemen1

No. 14

or 1 J.a

cailllot

he

used,

nor

is

opponent s

thumh

exposed.

Peess

the

Lhtrn1hs of each

of

your hancls on the n e r e ~ at

the

upper part of

oppouen

t s

forearm (same spots

as

used

in :Movement No.

16c).

MOVEMENT

No. 14e

HELD FROM THE RE R

- UNDER

THE RMS

POSITION

Opponent stands

directly hehind you.

Opponenl

from

the rear holds you

under the

arms

aud

catches his

l

eft wTist with his Tight

hand

(photo Uc-1).

ACTION

;

Yom

r

ight

band

catches

opponent s

left

hand and

wrist

below

the

grasp of

his right hand.

Yom left

baud passes under

both of opponent s wrists am1

catches yow own right wrist.

Advnnce your right foot

we11

to

the

left and

to

the front.

i lt

your

hody

forward

from Lhe hips. J?orce opponent s

hands dowu and outward, causing his right ll

and

to lose its

grasp

(photo Hc-2) .

THE NISH Car ry your

left

foot

to

the rear.

Turn

ro the left on the

halls

of

hoth of

your feet

ancl continue with

the

applica

tion of

the

finish of

~ o v e m e n t No.

10 .

punish

i

ng oppo

nent s shoulder (photo Hc-3).

SimilaJ

move

for righl

side.

r 53 1


69/161

14d1


70/161

MOVEMENT No. 14d -

HELl>

FROM THE REAR

- UNDER THE

ARMS

POSITION- Opponent

stands

directly hehind roll.

ACTION

AND

FINISH-

Opponent,

from

the rear. holds you under the arms.

Opponent s bold is loose.

Cl

asp

yam bands. Bentl forwaJ d from

your

waist

and

strike opponent m

the

jaw with either of your elbows

(photo Hu

-1 .

MOVEMENT No.

14

e -

HELD FROM

THE

REAR

-

UNDER

THE

ARMS

POSITION-

Opponent

stands

directly behind you.

ACTION

AND

FINISH

Opponent, from

the

rear, holds you under the arms.

f Movement No H e is impossible.

< atch

opponent s up-

per

arm

with

your

left

haud

anu

roll over with him.

[ 55

1


71/161

14f 1

14f 2

14f 3


72/161

MOVEMENT No. 4f

HELD FROM

THE RE R

- UNDER THE RMS TOE HOLD

POSITION

Opponent

stan(ls directly l>ehind yon.

Opponent. from the

rear.

holds rou l o o s e ~ under the arms

with his hands

joined

at

the front.

Opponent s

right

foot

s

place(l between

your

feet.

CTION

Keep your feet in position. Benu yo r knees,

keeping

your body

erect. and

squat

low (this

must

he executed cor

rectly;

otherwise

opponent can

change his hold

and

catch

both of your

wTists

at

his right ankle. then

pull your arm

between his

legs). Grasp opponent

s

right ankle

with

both

of

your bauds

(photo 14f-1).

Lift

his

ankle

while

sitting


73/161

MOVEM

E

NT No

. 15

HELD FROM

THE

RE R

-

OVER THE RMS

POSITION

0

pponent

stands directly hehind you.

Opponent holds you tightly from the rear over your arm

His hands

are

clasped in front, on a level with your stom

ach.

TION

Hold

your clasped bands over opponent's hands and pre

hard.

Hook

your

right

instep behind opponent's

right

foot

aboY

the ankle,

and

raise his foot

forward and

to the left.

THE

INIS

Til t

your

body backward and to

the

right

at an

angle

forty-five degrees.

Fall

back

on

your opponent as he los

his balance.

Similar move against opponent's left foot.

The falling

part of

tills

trick

is

not

suitable for practice

ARIATION

After

engaging

opponent's leg, hop back

against

opp

nent

on your other foot.

[ 8

J


74/161

MOVEMENT No. 15a - HELD FROM

THE

RE R

- OVER THE

RMS

POS T O

Opponent

stands directly behind you.

ACTION

ND

fiNISH

Opponent holds loosely. evious variation nol suitable

ick opponent s instep or shin with either heel.

{ 59 l


75/161

15b 1 15b2


76/161

MOVEMENT

No. 15b HELD FROM

THE

RE R

-

OVER THE

RMS

POSITION Opponent stands directly behind you.

A

TION

Opponent holds

you from

the rear over your upper arms,

catching his

hands

at the

front ahout

ch.est

high

(photo

15h-l .

Inhale

deeply (15b-2).

Then

clasp

your hauds and

press

your

elb \vs outward. causing opvonent s hold to weaken.

Step

back with yonr left foot and keep your

feet in

a firm

position.

Your

left hand catches opponent s

right

wTist or

the fabric at his elhow.

Your

right

hand

catches the fabric

of

his right sleeve, above the elbow.

THE

INIS -Exhale

suddenly. Slip straight downward by bending

yom knees. Twist yow body to the right to get advantage

of yam right hip (l)boto l5b-3 .

Apply over-shoulder throw, causing

opponent

to

fall

di

rectly in front of you (photo 15b-4 .

See 1Hovement No 30.

61

]


77/161


78/161

MOVEMENr No. 15c HELD FROM

THE

RE R

- OVER THE

RMS

POSITION

Opponent stan

ds directly behind you.

ACTION

AND

f INISH

Opponent

holds

you fr

om

t l

e

rear

over

your upper

arms.

Clasp your hands. Step

forward

wjtb your left foot. Bend

forward and at

the

same time spread

your

elbows;

when

opponent s hold is broken apply solar-plexus blow

with

yo

ur

eJbow

(p

hoto

1

5c-l) ph

oto

15c-2).

MOVEMENT No. 15d HELD FROM

THE

RE R

OVER THE

RMS

POSITION Opponent stands directly behind yon.

Oppoueut

holds you tightly

from

the

r

ear

over

your r ~

catching his hands at

the

level of your chest.

ACTION

Clasp

youT

hands

tightly

over

opponent s

hands;

at

the

same time locking his forearms as much as possible wit}

yom own forearms .

TH FINISH S tev

half

a step

fo

rward with

you

left foot. Br

ing

your

right

foot

even

with it.

Beml

sud den ly bach.vvard

and

faU

with opponent

to

the

mat.

[ 6


79/161

161

16a 1

16b 1

16b2


80/161

MOVEMENT No.

16

- CHOKE HOLD -

DEFENSE

POSITION mi l back

is against

the walJ

or mat.

Opponent with

both of his arms

sh aight attempts

to choke

you with both of his

bands.

ACTION-

Spread

you

L

elhows

to

the

height

of

your

shoulders

or

to

the

height of opponeul

s e

lb

ows.

THE FINISH

- 1V i t h ~ o u J thmnbs

down, press

your

hands hard against

op

ponent

s elbows.

ess{), )

per

ceut

sideways and

5

per

cent back (p

hoto 16-l).

rhis

will neutralize

his

effort

and

he will be unable to choke you.

MOVEMENT No. 16o - CHOKE HOLD -

DEFENSE

POSITION Your back is against the wall or mat.

Oppo11eut with both of

hi

s al lns stTaight :ttLempts to choke

you

with

both

of his hands.

ACTION

Spread

your elbows and cross your wrists. Strike oppo

nent s

right

wrist with

the palm of your right

hand and

his

l

eft

wrist

with

the palm

of

your

left

haucl.

The

strokes

s

hould

be

simu

ltaneous.

THE FINISH

His wrists win he forced apart

(photo loa-1

).

MOVEMENT No. 16b - CHOKE HOLD - DEFENSE

POSITION Your

hack

is against

the wall

or

mat.

Oppon

eul with hoth of

hi

s

arms straight attempts

to choke

yon

with

both

of

his hands.

ACTION

Clasp

your

hands with your knuckles

pointing

straighl up

(photo Inh-1 ) .

THE FINISH- K e e p

your

elbows close

together

all(l

dash your

clasped

hands

up

between opponent s wrists. breaking bis holcl

(photo

16b-2).

Aft

er

opponent s

hold

i i

broken

yom

clasped

hands

may

be brought

down across the

bridge

of his nose.

[

65]


81/161

16c 1

16d1

d

2


82/161

POSITION

CTION

ND

FINISH

-

MOVEMENT No. 16c - CHOKE HOLD - DEFENSE

Your

back is against the wall or mat.

Opponent

wilh

both

of

his arms

straight

attempts to choke

you with both of

bi

s hands.

Pres

s yom

thumhs against the

exposed nerYes on

the

high

part of opponent s forearms.

Yom

right thumb is on

op

ponent s

left arm;

your

left thumb

is on

oppone

nt s right

arm

(

photo

16c-l) .

MOVEMENT No. 16d -

CHOKE HOLD

-

DEFENSE

POSITION

Your

back is again

st

the wall or

mat.

O}Jponent with both

of

his

arms

fl

exed attempts

to choke

you with both

of his hands.

ACTION Keep

your

right band rigid with

knuckle

of forefinger ex

tended

and

jJan llel.

TH FINISH J a b the knuckle

seYerely

to the

so

lar

plexus of op

ponent.

T ense

the

muscles of your own abdomen

during

this op

eration,

to

increase the effective

ne

ss

of the

sho

ke

(photo

16cl -l ).

Y RIATION J ab with the lm uck1es of both of your hands against the

sides of

opponent s

lower ribs ( photo 16d-2) .

POSITION

CTION

ND

FINISH

MOVEMENT No. 16e - CHOKE HOLD - DEFENSE

Your

hack is against the

wall

or mat.

Op

ponent

wit

h both

of

his arms

straight attempts

to choke

you with both

of

his hands.

Opponent is very st1ong and the lHevious movements are

not

suitable.

J oin both hands

and

swing

both

o yo

ur

arms

up

to the

left and da

sh the

back of

your

right

fist against the

right

elbow

of op

ponent.

A ha

rd blow will

br

eak the j oint

Similar move against

the

)eft

elbow.

[ 67 ]


83/161

f

1

f

2

16f 3

f

4


84/161

OS

ITION

-

\ CTION

AND

:IN S -

OS

ITION-

T I O N

AN

D

IN SH-

MOVEMENT

No

16f

HOKE HOLD DEFENSE

Yow back is

against

the wall Ol mat.

Opl onent

with hoth

of

his arms flexed

altempts

lo choke

you

with both of his hands.

The Seven Points

of

ain

above the Shoulders:

1. P ress against the exposed nerves at opponent s temples.

U ~ e the second

joint

of your secoml :finger. Your right

hand

goes against

opponent s

left temple and your

left

hand against

his

rig

ht

temp

le Press both

knuck

les

i n

and downward

at

an angle

of

45 degrees. f ueccssary,

a

twisting

motion

of

the

knuckles may

be

applied

against

these sensitive nerves

(photo I6f-

l

).

2. Brace your hands

on opponent s

shoulders

or

on the

back

of

his neck and p ress your

thumbs in

severely

under each

of

his earlobes (photo 16f-2).

3. Press your thumbs up and tmder

the

center of oppo

nent s

jaw bone

(photo

16-3).

4 Press your

thumb

in the hollow

at

the base

of

oppo

nent s tlnoat.

5 B race

you

r h

an

ds on

oppo

n

ent s

shoul


85/161


86/161

MOVEMENT No. 16h - CHOKE HOLD - DEFENSE

P

T ~

Your

back is ot against the wall or mal.

Opponent with both of his

arms

flexed attempts to choke

you

with

l1 th

of

his hands.

T I O ~

Grasp opponent s sleeves under bis arms, with your

thtm1bs in. Valk

back

until

your left

foot is to the rear.

Pivot about to the left on the hall of yom left

foot until

your

right foot can be p laced across and

in front

of oppo

nent s right

foot

a11d

leg.

THE FINISH

Turn

your body

to

the left

and throw

him, usmg

the

straight

foot fall see :Movement No. 28) .

MOVEMENT No. 16i - CHOKE

HOLD

- DEFENSE

POSITION

- O})ponent

stands

rlirectJy behind you.

Opponent plaees his right

forearm

across

your

th

roa

t from

the

Tear

and

attempts

to

choke you.

CTION

-

Turn

your head to the

left

to decrease the

punishment.

Grasp

the fabric at opponent s arm

and shoulder

with both

of

your hands

(photo

16i-l).

THE

FINISH

-

Your

left

foot moYes directly lo the rear.

Stoop

and

ap

ply the over-shoulder

throw

(photo 16i-2).

(See

:Move

ment

No. 30.)


87/161

17 1

17o1

17o 2


88/161

MOVEMENT No . 17 H IR

TRICK

POSIT ION -

Opponents stand

facing each other.

Opponent from the

front with his 1ight arm straight holds

or pulls

you

r hair with his

right

hand.

CTIO

N - Clasp your 1ight

hand

over opponent s right hand ani

press it firmly

aga

inst

you

r head

to

diminish the punish

ment (photo 17-1 ) .

Y

our left

hand

catches opponent's

right

wrist from under

neath. P ivot to the right on the ball of

your right

foot.

getting your

l

eft

foot out

to the left

of

your

right

foot

S l

that yom back is toward

opponent

.

TH

FINISH

- G o against

opponent's elbow as

in the

finish of :l\Iov

ement

No. 13, causjng him to I"elease his

grasp

(photo 17-2

),

and punishing

hi

s shoulder.

Similar

move for

tllC

other side.

MOVEMENT No. 17a

H IR TRICK

PO

SITION-

Oppon

ent stands cliTectly behind you.

Opponent holds

0 L U

h

air

with

one hand

(photo

17a-1).

A

CTION

- Clasp b

ot

h

of } OUr

hands over opponeufs

hand

and wrist.

pr

essing them down and holding them tightly to yot1r

head.

l HE FI

NISH

If

his

thumb

is on t he l

eft

side. pivot

to

the

left

180 de

grees

on the

ball of your

left

foot

until

you face

opponent;

then

raise your body

and

bead

up

again

st

opponent's cap

tLU ed

hand

(p

hoto 17a-2

).

This

will

cause

him

acute

di

scomfort from

which he

ca1

mot

escape so

long

as you keep

up

the pTess

ur

e.

Similar

mov

from the r ight side,

if

his t humb is

on

the

right

si

de.

[ 7

3 ]


89/161

17b 1

17b 2


90/161

MOVEMENT No. 17b HAIR TRICK

POSITIO

N

Opponents


Opponent

holds you by the hair. with his right arm flexed.

ACTION- Clasp your left hand over opponent s right wrist, pressing

it to

ym

tr head and decreasing the punishing effect of his

grasp

. At the same time ad,ance yom left foot diagonally

to the left (photo 17b-l).

Pass your

right

arm under opponent s

right

arm above his

elbow.

llend

yom forearm u

pward

and clasp opponent s

right wrist. with your thumb down (photo 17b-2). Your

Tight foot then steps forward until t is to the l

eft

of. and

opposite to,

opponent s

right heel.

HE FIHISH

Ti1t

your body forwaTd and slightly to the left. At the

same time press

forward

with your head and body against

opponent s captmed

right hand and force his

captmed

wTist

towards

his back (photo 17b-3).

From

this position

he can easily be tm:own.

Follow

him to the

mat

if desir

ab

le

* * *

*

Similar move for the right side.

[ 75 ]


91/161

MOVEMENT No. 18 - THE POLI E OFFI ER

- FOR THE OFFI ER

POS

ITI

ON Opponents are

walking abreast.

ACTION

AND

FINISH-

You are on opponent s right.

'\.\f alk a bit. Then quickly turn about on the ball of yo

left foot

and apply

Movement No. 1.

I f

necessary use a back kick with your

right

calf agai

the

right

calf of opponent

and

thTow him.

Similar move for the other side.


92/161

MOV M NT

No. 18o THE POLICE OFFICER

-

OR

TH

OFFICER

POSITION Opponeuts

are walking abreast.

You are on opponent s right.

ACTION Yom right hand, with

thum

b to the outside,

grasps

the

right w r s t of opponent

an

d raises it and his for

earm m1til

they

are horizontal.

Your

l

eft

h

and

passes

under opponent s captured

forearm.

enabling you

r l

eft

hand to

get

a secure hold over his

right

fist. Your left elbow presses opponent s right elbow

tightly against yoUJ

side.

THE

INIS -Double

opponent s

capture

d hand to

the

left against his

wrist. f opponent continues to resist. move yom right

foot to

the

rear.

Get

your ]

eft

hip

against

opponent s right

hip; then turn yo

u b

ody to

t he right, inflicting additional

punishment to opponent s imprisoned wrist.

Similar move for the other side.


93/161

MOVEMENT No. 18b THE POLICE OFFICER

AGAINST THE OFFICER

POSITION Opponent s marching you.

Opponent

holds your

left

wrist with his

lef

t

hand

an

holds you by the collar with his right hand.

CTION Walk a bit; then with your right foot forward and ya

left

foot to the

rear

stoop suddenly and pass your rig

arm

behind opponent s legs near the knees.

f


94/161

Kuwashima T Shozo - Welch Ashbel R - Judo

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Transcript of Kuwashima T Shozo - Welch Ashbel R - Judo