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,

, . 9

.

,

, 2009.

. .

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9

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10

, : , , . . . - , , , , . - . ; - ; , , .

, , , - , , - - ; , . , - , , , . , - , , , ? ? , , , .

11

, - (), , , , -. : (), ? , , -, .

, , 1994. , - , - : , , , , , - , :

, , - , , - . - , . .

, - , -?

, -, , -

12

, . - , - , , . , , , - - , , - - , - , , - . , - , - .

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15

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16

, , - , , - , , - , , , , , , , , , , - . , , . - - , .

- 80- XIX , 1886. . , , ( 1900) , , . (18991906) - , - , - - . ( 1908), ( 1911), - ,

17

(19291930). , , , , - (1943), .

- , - , , , , , , , , .1 - . . - , . - , - , , - .

1 . , , , . CCCXVIII, , .16, 1967, .1288.

18

. , , , - . , , - . , ; , - . , : ( ), - ( ), ( , , ; - ), ( , - - ). , , - ( , ). , , , , - , ; -

19

, , .2 - , ; , -, , , , . .

- . , , - , - . , , , - , , . , -, , , - , - - . .

2 , , , .

20

2

, - , - . - (1904)3 - , - . , - : , , - , .

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3 , 1904, .12, 8, 1235. , , (1908), (1929) .

21

. - , . , , , , , , -: ( ), ( ), , , , , , , , . , , : , , , , .

, , , - . - , , - , . , , . , , , , - . , - , - .

22

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- . - , , - . - , - . , - ,4 .

4 , , . , ,

23

3

- . - - . , , : - , , , sonnet licencieux. - (6+5+3) (4+4+3+3), - .5 , ,

: -, , - . ( : , : : , , , 1986, . 306). , , . - . - . , , , - . - . , , , - , (1909). , , .

5 . , . 304.

24

-. , : . , - , .

- , ( 13) ( 12), ( 3). , , - 28 182 , , , - , .

, ( - - ), ( abab, ) (cdcd, cddc).6

, , -

6 28 21 , 5, ( , ) 2 ( ).

25

, . , - , - , , - , , .; , - , (. , ).7 , , , - , . , -, . , , , - , - . - , - .

, . - - -

7 , , : , , , 1983, . 396.

26

. , , , - . - , (abab). , , - , (abab//cdcd), - (eef//ggf).

, - . , , - , , , . - - , - . , , , , , - , ( : 2+2+2 2+3+3).

, , - , , , . - : - , . ,

27

, , - . -, , - , . , , , - . , , - . , , . - , .

, , - ; . , , . - , , , . . - ;

28

- . - , , , - .

. , , . , , , . - , , - .8 , , , , , -.

, ,

8 , , . , -, : , , , . , , - , -. ( , : , , 1985, . 28).

29

. - , - - , ; , , . , - - ; - . , . - , , , - . - -, : . , .9

, , - , - , -

9 - - , , : , ; , - .

30

. , , , , . , , . , , - - , . , , , - . , - ; , , ; - , - . .

4

- , (1909).10 , - , -. ,

10 , 1909, . 23, 753.

31

.

- , - , - . , , : , / ; / , / . , , - . : .

, - , , - : - , / , , / - . - , , - , .

- . - , . - , (

32

, / - ); , ( - , / . // , , / ); - ( / - / ). : -, .

, , - . - ( ), , . , , , : // , / . , - : , . / - , - .

33

. - , , , - . - .

5

, . - , , - . , -, (1938)11 , , , - . - , - : , ( / / / ). , ,

11 , 1938, . 54, 1, . 12.

34

: , .

: - - ( ), - . , : - - . - . , , ( , / ). , , - : ( , / ). - , - , ( , / , / , / - ). , -

35

, . , , : , .

6

, - .12 , - , . , . , , , . , , - - , - . , -

12 ( , 1993) , , (, , , ?, , ) (, ).

36

. .

, , - . - , , - . : , , , -; , , . , -. , , , , . , , .

- , , - .13 - , , , .

13 - , : - , . 2, - , 1983, . 339 . , (.14, 1972), .

37

, ; , , , . ; . , , : , - . , . -, -.14 , , . , , - .

: - ; , , , . - , , . , - - . ,

14 . , , 1967.

38

. . , , - - : . .

Ivan Negriorac

POETRY AS INNER LIGHT: JOVAN DUIS POETIC POEMS

(POETRY, POEM, POEM)

Summary

The author has analysed the most important poetic poems by Jovan Dui that deal with some of the key is-sues related to poetics. These poems, Poetry (1904), Poem (1909) and Poem (1938) represent exceptionally impor-tant material, not only for understanding the basic princi-ples of Duis poetics built upon the dividing line between Parnassianism and symbolism, but also for reviewing the poets understanding of the genre of poetic poem. Dui did not strive merely to express his poetic beliefs through a poem but always tried to turn his starting premises into a sophisticated aesthetic creation. The above examples, therefore, show to what extent Jovan Dui is an authentic example of a pure poet.

39

: , , - , , , , , , .

- , , , - -. ( , . , , . 1951. ; - , 1969. ; - 2001. . ).

, 1902. 1943. , : , . , -

40

, , , - , , , , , , , , .

- , , , - . , , , , - - - , -, - , -, - - . - - - , , -, , (198). , , , (199). . - ; .

, , - -

41

, , . , - , . . , . ; , , , (197). , - - , - (199). . , .

, , - . : -, , , , . . -, , - -

42

. , , , (197). , , . - , .

, -, . - , , .

, - , ( ), , , , , .

-: - -. -, --. - .

43

, , -.

- , , . - - , , -, . , , - , , . : , (137). - , , - . , , , , , , ... - ; , (141). -

44

, , , , -. - - ; , , , -; , - , .

, - , , . , - - .

, , , , - , , - , -

45

. , - , , , , , , . - - , , - , - , : - , .

-, , . , , -: . - , , - . -, , -

46

. , -, .

, , , - , . -. , -, . -, , -. , - , , , , .

- . , , - -.

47

, , . , - . - , , ; ( ) , - . , , - . -, (53). ... , - ... (53). , . . , - (54). - , . ; - (53). , ; - -

48

. (53). - , . (11). - , -. , , . - ; , , , . (12).

, , , - . - - , . - . , , -; , . , , , . - - (63).

49

, , - . , , , . ; . . ... - ... ... , , , - . - - ... (111). (110). . , (114).

, -, . - . ; , , . -, . ...

50

-. , , - (239).

, -, , , , , , , . ... , - (80). - , , : ... - - (79). , - , , . . : , , , , (109).

, , . -

51

, . , - , - . . - , , - (71). ; , . , , . - , (72). - , , , , (71).

, , - , , , - . , , . () - , 1902. -

52

, - , , , . . , - , , - ; . , , , - (206). , ; -. , - . , , , . - . , ! (208). - , . - , , , . . - ,

53

. . , . , , , (209). , , . : , , , (55). , - , , , , , -. - , , - , . - () () -.

54

, , -, , , , , . - , - , ; ; (188).

, , . , , . , , - , , , . , - , ... , (6061).

, -. ,

55

, - - , , . -, ; , . . , (112).

- . - - . , - . , , -, , , , -, , - . -; . ... , ; -, ; , (192). , , , . , - ,

56

. - . , - , , . - , , , . , , (131).

. - , 1908. . , , - , , - (228). - - . , , , , ; . . , , .

57

, , - , . , , - (228).

. , , ... (220). , , , , - , -. , .

. - ; . - , , , - , - . , - -

58

. -, , - , . , - , - , , .

, - () - . ( -). . , , , , , - : - .

19. 20. ; , - , - . . (18951915), , -

59

. ! -: , , , -, (106). . , , , . . - . . , . . . , - , , , .

, , . - , , ,

60

. , , ... - , !... ; -. (68). , - , . , . - (194). - , , . - , , - . , - . . , , , , , . ... , , (194).

61

, , - . - , . - . ; -, - . - , - . - , . - : - , (196). - , , ; , - , - . , , - ,

62

. - , , , - , . , , , -, , -. , . , ; - ; , , (158).

, - , - - . - , , -, . - , . -, ; - .

63

, - , , , - .

- - .

- . , , , - , - . . , , , , , , - . -, , . - , -, , ,

64

. , , , (18).

, - , , , , , . , , - , - . , - , . , , , , , . . -, - . -, (67).

, , , . - , , -

65

( ), .

, , - , , , -, . - - . , .

-. , - , . - , , , -, : , . - . -, , , .

66

... . (99100). - , - , , . - , . - .

Milan Radulovi

THE CRITICAL POETICS OF JOVAN DUI

Summary

Jovan Dui presented his critical poetics in an ex-plicit manner in his book of essays on the Serbian writers of his epoch. Even though he included it in his Collected Works that he edited himself, his book My Fellow Travellers was not published in the course of the poets lifetime.

In terms of style and method, Duis criticism is im-pressionistic and creative, and in terms of content, tenden-cies and achievements, it is culturological and philosophi-cal criticism. The crucial issue that Dui deals with is:

67

what is great art, that is, what is it like and what should modern Serbian literature be like? He interprets this is-sue from a double perspective: that of the spirit of modern sensibility, and in the light of Serbian cultural classics. He points out the Serbian folk epic poetry and the Orthodox art of the Middle Ages as a creative mode for modern art, and views and evaluates modern literature as an effort to creatively prolong and transform our national tradition. Through both his poetry and his criticism, Dui affi rmed that trend of modern literature which represents Serbian classics in terms of value.

68

69

: , , , , , .

-1 19011914, - - , - , , , . - . -2 ,

1 .

2 - , - , . - (19011914) , , , . , -

70

19. ( ), - . , - ( - , , ), - ,3

.

3 , - , - , : - . , , - , , . - , , . , - , , , - . - , , : , , - , ,

71

(literary impressionism) , , - - (. , . , . .) , ( ), ( - ), - , - . , , - (18391894), , - , : (The Renaissance, 1873), -, , 19. 20. . - , - , , -, -, .

, , , , (, .: 165166).

72

, - . , . -. , :

-, . - ? - - ?

, - , ... , - , , - , , , , . , -, , , -, ...(, .: 224)

- .

73

, . , , . - -, - , , . - ( - ). , , -, - . , , ( - , , , ).

74

, -, ( , ), - , () . - .4 , , - , , , - - , -, , . - , , - ,

4 ( 1993) . . , : . - . . , (: 212).

75

, - , , . -, -, , - - , - . , , , ( ), - , - , . - , , , , - , - . - .

- , - , -

76

- -. 1920. -, - , ( ) .5 - , : ,6 - ( - , - ).

5 , . - ( - ) .

6 : - ? (, .: 242). contradictio in adjecto.

77

-. -, ( , )7 - , . , - - . - . - - , - . - , , (, .: 139)

7 , , - . , , . - , - . docti cum libro... (, .: 398)

78

- . , , - fi n-de siecle-a - - , , , , - , (, : 342). ( ), , (), :

, , . . ; .

: . . ; .

, , , .

79

(1902), , ( ), ( , !), ( - ), - . ( , / .) , , -, .

- , , , , , - . , - ( ):

80

, ( . -, . . .), . , , , -; . , ; . - , , ; - , , . - . , , . -. , , , - Hineindichten , . , , , . , . ; . ,

81

, - , , ; , , (. : , ., 1971: 13).

- -, (1900) , , - . , - ( ) , ( , -...), :

, , . (?, 1901)

, ,

82

, ! .8 , - , , . ( ( , !) ( ... // ... : / , , ,...), , - , : ...).

, , -, . - - . , , - (1908) (1912)9:

8 , , , , - , , - (, .: 374).

9 , -, , , , (, .: 342343).

83

, , , . ,

, , , . , : , , .

- :

. : , .

, , , , ...

, ; , .

84

; , .

, , . : , , .

, ; , .

, , , , - , , . - , - 1904.

1904. ( . . .) ,

85

, , - , , . ... -. , (, .: 252).

, , (), . - - , -. , ( - ) , , , - , . - , , -, . -

86

. , - , , . , , : . , , , , :

, , : ! , .

( 1903).................................................................. .

(, 1905).................................................................. , , .

(, 1906).................................................................. .................................................................. , ,

87

.

( , 1914)

- . , . , ( ) . , , , . - , - :

, , ; , ; ; . , . ; .

; ;

88

; .

, ! ; ,

; , : .

( , 1920)

, - :

, :, , .

( , 1910)

. , , ( , , - ) -

89

.10 - (1932)11 - . - - , , , , , , - (, ., 2004: 83), - , , : ( -), : , , , ... (: 55). , - ,

10 : - , . . , , , , (, ., 1971, II: 103) , , , , , .

11 - , - (. . -).

90

- . . -, ( - ) , - : ; , - (: 249). :

.

( )

, :

, : . , .

( )

, -

91

. , , - , - ( ) , . , ; (: 6).12 ( ... ).

- , , , , , - . - ( - 1920. ) , / , .

12 -: , (. ), , 2005, . 280281).

92

-, - 13, ( ) , , , -, .

, . . (1993): , -.

, (1971): , , I, .

, (1971): , , II, .

, (2004): , .

, (2005): , .

, (1983): -, : 2, .

, (2000): -, .

, (1965): : - , .

13 . , , - - (. -, - (...), .

93

, . -, , 2005, . 42.

, (1971): , -.

, (1962): , .

Gorana Raievi

IMPRESSIONISM IN JOVAN DUCICS POETRY

Summary

The author of the essay is concerned with ideas and feelings in Ducics early poetry (till 1920) which are being recognized as impressionist ones. The problem of time and its subjective aspects as well as the phenomena of continuity and a moment are discussed regarding the poets experience of the world. Non-metaphysical concept of impressionist poetics and imperative seize the day has been related to pessimism in the period of the fi rst modernism in Serbian poetry (1901-1914). The ways in which Jovan Ducic overcomes mens imprisonment in time have been analyzed and compared to similar procedures recognized in the works of Marcel Prust and Rainer Maria Rilke.

94

95

: , , -, , , , , , dulcis labor, , , .

- , : - . , . - . . - , -, (1901), (, 1908) ; , 1943. , . - , , . , , , e .

96

, , , - e . , - , - . - , , .1 , , , , , , . , -.2 , . , (1902)

1 M. H. Abrams, A Glossary of Literary Terms, New York: Harcourt Brace, 1993, 108. , -: - . (...) : , , , (...) - -, , - , (. , , , 1994, 106).

2 Lyric, The New Princeton Encyclopedia of Poetry and Poetics, . Alex Preminger, T. V. F. Brogan, Princeton, 1993, 713727.

97

.3 , (...) , - , (...).4

, , , . - ( ). - , -, :

3 - , : : , , - (. -, , , , 2007, 80). , , -: .

4 . , . . . , - , . , , . , 1996, 309.

98

; , , .5

. , -, -, , , -, . , - , , -. .6 , , , , , :

, , : .

, , ... , .7

5 . , , . , 1996, 16.

6 Z. Gavrilovi, Jovan Dui simboli naih nesporazuma. Zapisi o srpskim pesnicima, Beograd, 1977, 152.

7 ( ). . , , 151.

99

-, . - , , - , , , , . , .

- , . , . - , , :

, , , , , .8

:

, , , ; , .9

8 . , , , 1900, . 10. . , , , 1993, . 404.

9 . , , , 40. , (. , . , 81).

100

, , . , , - , , . , , , , - . - , , (, - : ), . , - -, , . . , -, ( , , ). - , , ( , - ): . - , , , .10

, -.

10 , : , , , , -.

101

, , , ,11 - -. , - , - - , , , . : - , .12

, , -, , , , -, . - , , - . -, . ?

11 : , , (. , . , 79).

12 Zoran Gavrilovi, Zapisi o srpskim pesnicima, Beograd, 1977, 137162.

102

- - . , , , - . , , : , .13

- , - - , , - . - , , . - , , , , -. , .14 ,

13 . , . , 83.

14 . , : , , , , 1997, 30.

103

, -.

- - . , -. - - . - , , ; , , (, ) -. , . , , , :

, .15

- . ,

15 . . , , 59.

104

, , -! , - , , . -, - :

, , .16

() , - .

, . - , - . . , , - , -, , , .17

, -, , - . -

16 , . , , 50.

17 . , . , 84.

105

, , , - , , .

( -), :

, , : .

- , - . -, , -. , , - . , -, :

; .18

18 . , , 52.

106

, , , , .

, , . . : , , , , ; - , - , -. , - . - , . , , . . , , . -

107

, , .19 , , , .20 , - , , , - .21 , . , , - . , , -. , - , , .22 , -,

19 Jovan Dui, Blago cara Radovana, Mono, Beograd, 1996, str. 276.

20 Isto, str. 274.

21 Isto, str. 307.

22 . , ( ), - , . 477, . 12, 2006, 8797.

108

. - .

, - : , - -. , , . - .23 , . :

, , : , .24

- : , . , . -

23 . , . . . , - , . , , . , 1996, 313314.

24 (, 1943). . , , 75.

109

( , -, : ), .

- , , - . , - . , - , , , . , , .

, . , - - , , .25 Collatio laureationis . , - , -

25 , . , . , , 2007, 299327.

110

.26 - Invective contra medicum. . , , , ; , . - dulcis labor ( ), .27 , - .28

- . , - - 1943. - - - . (. ). , , -

26 , 302.

27 , 303.

28 - Leonard Diepeveen, The Diffi culties of Modernism. New York: Routledge, 2003. - , .

111

, . , - . , , , -, , , .29

, De genealogiis deorum gentilium : .30 , , - , . . : ,

29 [] - , , , - , , , - - (Z. Gavrilovi, Zapisi o srpskim pesnicima, Beograd, 1977, 142).

30 . , . , 305.

112

.31 - , , , :

(...) , .32

-? , , - .33

1943. . : .34 . - , :

31 . , , . 330.

32 . , , 182.

33 , , 1943, , . , . (...) - , . , , . . , . , 85.

34 . . , , 65.

113

, ! , .35

. , - . , - :

.36

, - , . - . - : , , . , - . ; - ; ; - ;

35 . . , , 72.

36 . . , , 85.

114

-; ; ; . , , , , . .

, ? . ? , , - . - - , . , . , :

, , .37

. , - . , -

37 . . , , 87.

115

. , - , prima seata - , , . , : . (, -) , - ( ), . () , - , - , , , , . , - . , ? , -, , .

116

Vladimir Gvozden

THE DISCURSIVE AND THE EPIPHANIC IN THE POETRY OF JOVAN DUI

Summary

The paper analyses the status of the lyrical subject in the poetry of Jovan Dui. A special emphasis is placed on the markedly lyrical aspects of Duis poetry. It is notice-able that only the poets last collection is entitled Lyrical Poetry, and it is considered to be one of the pinnacles of Serbian poetry by the leading scholars. This paper shows that this collection achieved such a status on account of the increase of the poets awareness that the essential task of lyrical poetry is to master the poetic secret established by the early humanists in the 14th century. Eventually, fol-lowing a long struggle in Dui, the right to a secret as the eminent right of lyrical poetry suppressed the poems fl irting with the historically permissible modes of the rep-resentation of selfhood, expression, experience. The right to say that one has reached the limits of the utterable, that human existence rests upon the epiphanic as much as upon the discursive, is not self-evident. Consequently, the victory of Lyrical Poetry is not only the victory of Dui or of poetry, but also represents the affi rmation of a subjec-tivity that is deeper, more sensitive and powerful than the one trying to impart everything, to say everything, to make everything transparent and understandable, all the while negating many existing styles and aspects of life, whether we evaluate them as essential or not.

117

: , , , , , -, , -.

, ,

.(, ; V, III)

- o- . , - .1 , , ,

1 - , , , , , - . (.: 1990). , - Ko, (.: 1967).

118

. , : , - ; , - - - .

I

, ; , - , . 1902. , - - -.

, , - - , - ( 1982: 315) : ( 1982: 315). , -

119

. - ( 1982: 314), , - - .

- . , -, , , - : , ? ( 1990: 33). , , - - , , ( 1994: 107). , , a , - ( 1982: 316). . - , , - , - , , .

, - , , ,

120

. , , , , - ( -), , , ( 1990: 34). , , - -: , . . [] , , , , , , - ( 1994: 108).

, - , , , , -. ? , ? , - , , - ? , , ? , ,

121

? , ? -, , ? , -, , . , - ?

, , , - , ( 1982: 69). - , - , - : , ; ( 1982: 65). , , -. - : - , ; , ( 1990: 34).

, , - , - ,

122

-.2 , , , , , -.3 , . - , , , , - -, ,

2 - ( 1977: 291) . , . : - ; , ; , - ; , ; , , - ; , , -; - , , (.: 1977).

3 -, , , - ( 1990). , , 238 206 -, ( 1967: 77). : 2007: 28; 99; 109; 130. : 1990: 273280; - 1990: 328329.

123

, , - , .

, transposition des arts, , - , , . - , . - , . . , , - : (Le Ver et la Trepasse), -, , - . [] - (1843). - ( 1990: 266).

( 1990: 34), , . , , , -

124

( -) (The Poetic Principle). , , , , - , , , 4:

4 , , - , , , - , , . , . -, - , ( 1985: 527). , , , . , -, , , , , - . , , . , , , - - ( 1990: 258). , - , : , , - ( 1990: 265). , , ,

125

, , , , - . , , , , , ( 1994: 111).

, -5, ( ) , , , , - , -

, ( 1982: 291).

5 , - . , (Le Parnasse Contemporian), , . , - : 1866, 1871. 1876. , - : , , -, , , (http://en.wikipedia.org/wiki/Parnasism). - , , . ( ) : - 1967; 1990.

126

. . , - , , , , -, ( 1990: 265). , , - , (- 1990: 265). , , , , - , - , , , .

II

- : , .6 , - . -, , .

6 , - . , , . - , , : 1990: 15362.

127

- , .

, XVIII 7 - , , , ( 1996: 88). , , - , , -, , , - , .

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7 (1764) - , .

128

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130

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133

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135

- , , , - : , / , , / - . , : ? , , - ?

III

- , , . , , , . - , , , - , , . - , - (. 1 2).12

12 - : McCullough 1983. , - , , , : , , . - ; , , -

136

. 1 , .

: , , , - , . , , -, , . , . , , - (Creuzer, . . Benjamin 1989: 127).

137

. 2 .

- - , , -, . , -, - .

138

, , XVIII (attitudes), , (. 3). , tableaux vivants ( - ),13 e -e XIX , . : - .

13 Tableau vivant (. tableaux vivants) , , - , , . , . : -, . Tableau vivant XIX . , . , - (: http://www.livingsculptures.com/living_sculp-tures/), . Tableaux vivants - . , tableaux vivants -. XIX , . .: http://en.wikipedia.org/wiki/Tableau_vivant.

139

, . , , , -, , - , ( ) , . , . - , ( ) .14

. - , , ; -, , , ,

14 , , - , , (.: 2005: 279). , . ( ) , , , , , . , . : .

140

, ( 1990:226). , - , -, . - , - . , - .

. 3. (Frederick Rehberg) - .

141

- : , , - . XVIII , , - - ? , - (Holmstrm 1967: 115).

, , - ? , - -? , , ?

- . , , . , , , (Mulvey 1989: 21). ( ) , -

142

, . , - - , (Mulvey 1989: 19). , ( - ) - (.: . 1 2).

: . , . , -, : , , - . [...] , - , , ( 1970: 245). ( ) , - . , ,

143

, . , - . , .

, , - ? , - ? , , , , ? ? , -, , - , , , . :

; , , ,, , .

; , .

, ; , , , , !

144

, .

, , ; ; .

, -, . , ? , , , : , , . . , . , ( ), ( ), ; , , , , , , - .

, , . , , - . , , . , ,

145

, - . , , -, , -, , , , - . , , - , - - . , - , , , . , , - , -.

146

,

1990: , , . 6, : --.

Benjamin, Walter

1989: Porijeklo njemake alobne igre, prev. Jvorka Finci-Pocrnja, Sarajevo: Veselin Maslea.

,

1990: , . -, : .

,

1996: , . , : .

,

1985: , , . , : - , .

1990: , : .

1994: . - , : .

,

2007: , : - .

,

1982: , : .

1990: , . 6, : .

147

,

2005: , txt, . 78, . 2534.

, .

1967: , : - , .

,

1990: , , . 6, : -.

,

1990: , , . 6, : -.

Mulvey, Laura

1989: Visual Pleasure and Narrative Cinema, Visual and Other Pleasures, Bloomington: Indiana University Press.

McCullough, Jack W.

1983: Living Pictures on the New York Stage, Ann Arbor: UI Research Press.

,

1990: , , . 6, : -.

,

1977: - , - , . . , , . 8, : - , . 276-300.

148

1977: -, , . . , , . 8, : - , . 301315.

,

1990: , , . 6, : -.

,

1970: , I, . ; : , . 6, : .

Holmstrm, Kirsten Gram

1967: Monodrama, Attitudes, Tableaux Vivants, Stockholm: Almqvist & Wiksells Boktryckeri.

,

1990: , , . 6, : -.

http://en.wikipedia.org/wiki/Parnasism

http://en.wikipedia.org/wiki/Tableau_vivant

http://www.livingsculptures.com/living_sculp-tures/

149

Aleksandar Bokovi

A LIVING SCULPTURE OF POETRY THE PARNASSIANISM OF JOVAN DUI

Summary

The paper A Living Sculpture of Poetry the Parnassianism of Jovan Dui focuses on reviewing the poetic characteristics of Parnassianism in the poetry of Jovan Dui. It shows to what extent that which is usually meant by the term Parnassianism refers to certain features of poetic creation and poetic characteristics in general, and also focuses on several poems of Duis that form a concentric circle around one of the dominant and certainly most representative poetic-stylistic characteristics of Parnassianism. Particular attention is paid to analysing the poems Poetry and Yearning, pertaining to which the notion of shame in Jovan Duis poetry is reviewed.

150

151

,

,

: , , -, , , , , , , e.

(1908), - , . - - , . , , , .1 -

1 . : Frank Kermode, The Classic, Harvard Univesity Press, Cambridge, London, 1983. , e . ,

152

- . (1911), - , - , , , -2, (1956), e , , .3 , a -

, (. , . 80). ( ) . 1964. . , , , ( , , , , 1992, . 174).

2 Bogdan Popovi, Antologija novije srpske lirike, Zagreb, 1911, . VII.

3 Zoran Mii, Antologija srpske poezije, Novi Sad, 1956, . 84. , - , , , , , (. , . 84).

153

, 1964. , - ( , ). A, , - - , ( , - ), 1943.4 , -, , - a . - , - (1908) , , , , .5

o , - , - . ,

4 , , , 1964.

5 j- , 1957. .

154

: - , , , - ? , , - , , , , , , , , , , - . - a a, Santa Maria della Salute , , -, , , - . ? - , - , . , , - .

, , -, - , .

155

, -, , , , , . , - , , .

- , 6, . - , , , , , , . , , , , -.7

6 , (18671907) , , .

7 , . , : , , , 1969, . 32.

156

, . , - - , , - , . : - ; -, ; . , , . , - , . ; , .8 - , .

8 , . 3233. . , , (. , , . 174).

157

- ? . - , ?9 - 1958, -, , (1951). , 1953. , , , - . , , - . , . , , , - . - . , . , - ,

9 Martin Hajdeger, Re, Na putu k jeziku, prev. Boidar Zec, Beograd, 2007, . 220.

158

- .10 - (errtern) - (Ort) - . , -, , -, , - - - .11 , - , . , , , .12

- / - . , - , - ,

10 Martin Hajdeger, Jezik u pesmi, Na putu k jeziku, . 32.

11 Isto, . 3132.

12 . : , , , . , , 1996.

159

, .

, -, ? - - ? , - , . - , , . , , , , -, . - , , , / .13

, - , , , - , , , . , ( -) -

13 : , , , 2000.

160

, 1943. , . . - , , , -: - , . (...) , .14

- , , , (, , ), , . , , -, , , , - , - , , , , , -

14 Nikola Koljevi, Bogu na istinu: Jovan Dui, Tajna, Klasici srpskog pesnitva, Beograd, 1987, . 132.

161

, .15 - , , - . -, , - . ; .16

- , - , - , - , , , . - , , - .17 -

15 S. M. Baura, Naslee simbolizma, prev. Duan Puvai, Beo-grad, 1970, . 230.

16 Isto, . 230. , , , , (. , , . 34).

17 , , , , 2007, . 84.

162

, - - . . , - , :

, ... , .

- , . - . , -, . , . , - .18 -

18 Martin Hajdeger, Jezik, Na putu k jeziku, . 19.

163

- , , , -. -.

-- , : ? / , ? : ? / . , - / , - : / . . - , , , , - , , .

- . , ,

164

, - . - , , , , - . , : / .... , - ? ( , / ) , : , / .

. , , , .19 -: , / - . ,

19 . : , , , . XV, . 60, , 1983.

165

- , - , -. , -, - (, , ) . - .

, - , o , , -. - . - - , . - :

, , ...

166

, - , , - . , - . , - , : , / . . , , , , - , - , :

, , : .

167

. , ( ) - , , - . , -, . , - , . , , . (...) -, , , .20 - , - , , , . , , , , .

20 , , , , , 2001, . 567.

168

( - ). , .

, -.21 , - . - , , , - , . -, , , - .

21 Martin Hajdeger, ...Pesniki stanuje ovek..., Pevanje i miljenje, prev. Boidar Zec, Beograd, 1982, . 168.

169

Predrag Petrovi

DUIS UNWRITTEN POEM

Summary

Proceeding from Heideggers hermeneutical postulate that interpreting the poetry of an author actually means searching for his crucial, all-encompassing poem, which, however, always remains unspoken, this paper deals with Duis prose poetry the cycle Evening Poems and their continuation in the collection Lyrical Poetry (1943). In these poems, the secret of mans existence is gradually reduced to the secret of the word itself, the uttering of which is a brief hiatus in-between two silences. In Duis prose verses, the poetically spoken words preserve something essentially unutterable that remains beyond the borderline, in the space of that one and only poem by the poet that remains unwritten. The fi nal truth about the secret of mans existence remains in that poem of Duis that was not and could not be written on account of the magnifi cent insuffi ciency of the spoken poetic word, which, in order to be what it is the poetic word, must necessarily point, through its ambiguity, to that which is inexpressible. In Duis late poetry, one can recognise an unequivocal return to the origins of Christian religion and spirituality, indicated by numerous Biblical allusions and symbols, and also to the origins of Serbian poetry, the short verse cultivated by folk lyrical poetry.

170

171

.

(, , ,

)

: , , , copyright, , -, , , software.

. . - . . . - , - . - , -: , . - , - . X. , .

172

, , , . , . ,1. 1929 - . .

- , , - , - - . , - , - , - / . , 1901. : - ( , - .), , 170 , -, . , -

173

, 1903, , 18 , - - .1 , 1904, (25), . , - a 1908. , , , .

, 1908. - , , . . . -, , a , -

1 a () . , () 1898. . - , , , . , ( ) : , . , , , . . , , , . - , , , , . , , , . . , . , . .

174

o , XIX .2

, , - -, , - . - -, XIX , , .3 , - (, , - , ), - , , , -.

2 - . , , ; . - , , , . ( - .) , , , 19001989, , 1989, . 104.

3 , - , . - .

175

, - - , - -, .

* * *

-, . , , , - . , , , , - -, - . ( ) / , - , - .

- , , , - . -

176

/ , - - , - , . , M. , . - (. , . , . , . . , . , . ). - , , . , , , .4

. - 1901, .5 , , 1908. - .6 , 1929, -

4 , . . .

5 : , . 1872-1900, /, , , 1993.

6 , . , . 115.

177

, - . - , -, - /:7 , - , - je , , .8

7 , . , . 116. , , -, .

8 ; . , . - . [...] , , . [...] , , - , . -, . . - - , . , . , . . , : , . 857858.

178

, - , , . , - , / - . , - , - , - . - () , , , .

, . . , (, ) - ; , -, ,

179

, , . , , , (-) . - - , - . , , - , -, , .

, / - , . , , /- /. , - , . , ; - , -

180

, / ( , - , - -, 9 ); , , -, - 10 - (/ /), /, - ),11 -, /, .12

9 Jerrold Levinson, What a Musical Work Is, The Journal of Philosophy, Vol. 77, No. 1 (Jan., 1980), pp. 528, . 15. , ( ) , .

10 Charles L. Stevenson, On What is a Poem?, The Philosophi-cal Review, Vol. 66, No. 3 (Jul., 1957), pp. 329362.

11 , (), .

12 / -/ /. , - .

181

* * *

, - , ; , , - ( ) - , - -, //-. / / , / - .

, , - // , , / - - . , -, ( //), , () - ( , -; , , -, - ). , , -, ,

182

// - / /, / / .

, , , . , /- / , - / () . , , , - - , , , .13

, , - . /- -- , - . /-

13 Gregory W. Bond, Software as art, Communications of the ACM, August 2005/Vol. 48, No. 8.

183

, , , - , () , - .

, , - - ( ), . , . /- , / / , , - . , . - ( , , ).

, , - -. , / ; - , , , , . ,

184

, - , - ( - ), ; , -.14

, - , ( , -, , ., , -/), . /- - , , , , .

14 - , , -, . , (, ). , . . - , , - , /. Willis E. Higgins, Technological Poetry: The Interface Between Copy-rights and Patents for Software, 12 Hastings Comm/Ent L.J. 67 Issue 1 - 19891990 (1989).

185

-, , - - , Microsoft Offi ce, Adobe Master Collection, CorelDRAW Graphics Suite Ahead Nero UltraEdition. , , - , , - , , . , - (Microsoft Offi ce Word 2007, Photoshop CS3), - , . - -. , , , -. - , , , - .

* * *

-

186

, - - - . 1996. 15 4 - : 2 . - . ( 1886, , , , 1979), , .

, , - - , , , - -- , , . , -

15 THE WIPO COPYRIGHT TREATY adopted by the Diplomatic Conference on December 20, 1996, Geneva.

187

, , , - () , , , - .

- -, () , - // , - . , , . ( ), - , () , a je ; - () / (updates/patches) / ( ) - ( , -)... . , / - , -

188

.16 , () , . , , - .17 // - , , / , . . , - /, .

16 ( ) , . Software License Agreement for Firmware Restoration CD 1.3 http://docs.info.apple.com/article.html?artnum=303489

17 6. . . . . Apple and Third Party Terms and Conditions. EA0367 Rev 10/26/07

189

* * *

, - , - -, . , - , , , , . - , . , - , - , -, - , , . - - , 1901. .

- , () -

190

, ( , licentia poetica - ). , , - .

Bojan Jovi

THE POETS RIGHTS AND OBLIGATIONS

(POETICS, LAW, ECONOMICS, INFORMATICS IN THE POETIC PRACTICE OF JOVAN DUI AND SERBIAN

POETS OF THE 20TH CENTURY)

Summary

The paper proceeds from the fact that in Jovan Dui, ever since his fi rst collection entitled Poems (1901), there was a clearly visible tendency to shape his work in a fi nal and unchanging manner, and an explicit emphasis on auctorial rights to his own poetry. These specifi c characteristics, atypical for Serbian poetry towards the end of the 19th and the beginning of the 20th century, are brought into connection with the subsequently customary practice of constant shaping of ones own poetic opus in Serbian poetry. The paper deals briefl y with the aesthetic, economic and legal consequences of constantly changing works already published, in order to fi nally compare the life of published poetry with the creation and development of computer software on the basis of this. The basis for comparing poems and programmes as literary texts is to be found precisely in the contemporary versions of legal acts that Dui refers to in his fi rst collection of poetry.

II

193

: , -, , , , , , - .

, 1901. - , , . (1929/1930), - . , . - .1 , , - (.

1 - , -, ( , ). . - . - .

194

, . , . ).2 - (1985) , - - . 1908. . , , - , . , .

2 : . , , (. - , . , , 1972, . 251). , . , . - , .

, . - , . : , ... , . , -. 1908. , , . -, .

195

- , . . . - : , , , , ; - , . , , - 3.

.4 : , , . , , , , .5 , , , , , 6. , -

3 . , : , . - , , 1977, . 410.

4 , . 412.

5 . , , , I, - , 1987, . 159.

6 . . , : , , , . 8, , 1973, . 163.

196

, - , , .7

, .8 , , : , - . , , - - , , - .

, - , - 9.

7 (18021850) , . , 19. . , , - , .

8 - .

9 . , , , , 1964, . 15.

197

, - , - . , , , . - , - , , .

, , - , - . , , , . , , - . - , . - , .

198

. - , , - , . , . - : , , .10 , : ... .11

- - : ( , - !... , !...) ( ) . , , . . .

- , -

10 . , . 417.

11 , . 418.

199

. - . , - . , , - . , , - : - , ( , , , !..., , -!..., , ). - , - . - , , , - - , , , .

. , , ,

200

- . -- - , . , , - .

, . , - , , .12 - , , - ( , , ) . , - , , .13 - , -.14

( - ) -. , -

12 . , . : , , 1902, 7, . 137.

13 . , . : , , 1901, . 381.

14 , . 382.

201

( , - , ). - , , - , - - ( , . , ). -: , , , , , - ... , , - .15

. . - 19. . - . , , , . , . , , , , -

15 . . , . 169.

202

, , . -, - . , . - . 16. -. : , , . . - -. , , - , .

-: ( - , - . ), , , - , . , ,

203

: -.

- -, , , . . , . - . - 19. . - - (), , , (). 1901. : ( ), (), ( ), - (), (), (), (), ( ), (). - 160 !

-

204

, - . 19. . ( - ) - , - . . : , . , , .

-: , , , , : , ! , . - , . - (1899), , , 1900. . - - . ( - ) ( ).

- -, , -.

205

- . , , , . , . . , -, , . . , , . . . - , . - , - , , , - , , .

- , . - , ,

206

- . , , - , ` :

; , !16

. - -, .

, , - , , , - - , , , , . , - - , - . , . , - , , -

16 . : , , 1901, . 9.

207

, . .

, - . - , , , , - . - , . -, , , - . . , , , , - , , . - , - . :

! , ` .17

17 , . 59.

208

- - . , - , , .

- - , , - , . , 1894. , 19. (18951900). - , , , . - . , - , - , - . , , , - .

, , , -

209

, . . - , - . - 1908. , , , . - .

- . - . , , - , -, - . . - , . , - . - ( ). . - .

210

, . - ( ). , - , , .

. - , . , ; . , . - - , - . , - : . , . . . -, , . . . - : , : . - , .

211

-. : , . , - : -, . . - 1895. 1899. . , ?

. -. - , .

- , . - . - . - . , . -

212

. , , , - , , . , , -, - . , . - , . - . , , .

- . - . - , , - .

- .

213

, , , 1908. ( , , , , ?, - , ), . : , , ( ). - , -, - . : , , , . - - .

, - . (1900). - - . 1901. - : , - . 1908. , - -

214

( ). -. , , , - - - .

- - 20. .18 , . , , . - - , , , . - . -

18 - , , , 2004, . 100132.

215

( - ). , , 1899. , . - - . - . 1908: , , - , , , .

( ), . -, , , , - - ( , , -). . - . - 1908. . - , - . ,

216

-.19

, - , -- . - - . , , , , , - - 20. .

19 . . . (1908) - 1901, , , -. : . - , - , . , . , (. . , , , . 223). - , . , .

217

- - , - , . - .

- . - - . - , .

Radovan Vukovi

DUIS FIRST COLLECTION OF POETRY

Summary

Dealing with Duis book Poems, published in 1901, the author tries, by analysing the poems in their literary-

218

historical context, to show how the poems were arranged in a unifi ed poetic collection and what their value is in relation to this poets subsequent work. The author has reached the conclusion that this book is more important than subsequent criticism recognised. That this is so is confi rmed by the fact that the poetic values of this collec-tion were recognised in the criticism of the most impor-tant critics of the time: Jovan Skerli and Antun Gustav Mato. The reason why it was neglected in the subsequent analyses of Duis poetry may be because it was published in a provincial edition which was not accessible to critics at all.

219

: , , -

, , - , , , .

- , - , - - .1 -, , - , - - . , , - , - . -

1 : , , , 1929, XXVII, 2, . 111113.

220

- , - , - . , , -, - - . - - . , , - . - -, ; - . - , ,

221

. - , - 1941. (1943), .2

I

- , - - . , , , - , -. , , , - -, . , .

2 ( 6 ), -, 2000.

222

- , , , - , - . - , , , -, - , , , , - . , -- , - , - - -.3 , , , -, , , -, , , - -

3 ( ) , - , 1976, . 253.

223

. , - , . - , - , , , - . , - , - , - - - . , , - - , , -, . , , , , .

224

- . , , - - : - . . , , : - . () , . - . ,