Kind of Blue - jazziz.com · Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Jimmy...
Transcript of Kind of Blue - jazziz.com · Cannonball Adderley, John Coltrane, Bill Evans, Wynton Kelly, Jimmy...
Photo by Jan Persson
Given Miles Davis’ long and chameleonic career, during
which the prolific trumpeter-composer-bandleader
reinvented himself several times over the course of four
decades, it would be easy to pick five essential albums
from each sub-genre that he explored. Nevertheless,
below are five absolute must-haves from his entire oeuvre.
five Essential Miles Davis Albums
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1 Kind of Blue (Columbia, 1959)
A perennial best-seller, this excursion into modal jazz with
Cannonball Adderley, John Coltrane, Bill Evans, Wynton
Kelly, Jimmy Cobb and Paul Chambers sets a relaxed,
mesmerizing mood that carries through from the opener
“So What” to the haunting “All Blues,” the luminous “Blue
in Green” and the gentle closer “Flamenco Sketches.”
Photo by AF archive / Alamy Stock Photo
2 Miles Ahead (Columbia, 1957)
The first of three classic orchestral collaborations with
composer-arranger Gil Evans. Highlights include a jaunty
take on Dave Brubeck’s “The Duke,” a gorgeous reading
of Kurt Weil’s “My Ship” and Evans’ moody “Blues for
Pablo” (for Picasso).
Photo by Palumbo
3 ’Round About Midnight (Columbia, 1957)
The best example of Davis’ great hard-bop quintet —
featuring John Coltrane, Red Garland, Paul Chambers
and Philly Joe Jones — has Davis playing a lovely
muted trumpet on Monk’s melancholy title track
and “Bye Bye Blackbird,” and the crew swinging on
ebullient romps through Charlie Parker’s
“Ah-Leu-Cha” and Tadd Dameron’s “Tadd’s Delight.”
Photo by Esmond Edwards
4 Nefertiti (Columbia, 1968)
The fourth album by Davis’ second classic quintet
(featuring Herbie Hancock, Wayne Shorter, Ron Carter
and Tony Williams) has them collectively pushing the
envelope on adventurous fare like Shorter’s “Fall,”
“Pinocchio” and the title track, Williams’ “Hand Jive”
and Hancock’s “Riot” and “Madness.”
Photo by AF archive / Alamy Stock Photo
5 In a Silent Way (Columbia, 1969)
Davis opened the door to a new world where rock meets
jazz on this seminal offering that features guitarist
John McLaughlin and keyboardists Joe Zawinul, Chick
Corea and Herbie Hancock, all of whom would go on
to have a significant impact on the fusion movement.
Moreatmospheric, meditative and less jarring that its more
hyped successor, Bitches Brew, this is transitional Miles
swimming in some new waters.
Photo by ASK Images / Alamy Stock Photo
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