Khayes LCCCU
description
Transcript of Khayes LCCCU
[email protected] (t) 614.537.7300
THE LONDON COUNTY COUNCIL’S CONCRETE UTOPIA
THE DEBORAH J. NORDEN FUND
KEVIN PATRICK HAYES
PROPOSAL FOR
SUBMITTED BY
LCCCU
Email: [email protected]: 614.537.7300Address: 494 Warren Street, Apartment 2 Brooklyn, New York. 11217
[email protected] (t) 614.537.7300
I am seeking funding to travel to the Greater London to investigate the work of the London County Council (LCC) Architects’ Department, primarily from the program’s postwar rebirth in 1947, through its dissolution into the Greater London Council (GLC) in 1965. Rather than focus on the work of a particular architect, I would like to use the Deborah J. Norden Fund as an opportunity to research the LCC as a mode of practice, providing an example of experimental work that was designed and built as a public alternative to market driven development. From my perspective as a recent graduate practicing architecture in New York City, the buildings completed by this program are an example of a successful partnership between public funding and advanced design concepts, which is all the more relevant as affordable housing and resilient infrastructure have become central to debates amongst leading design firms and city planners.
The London County Council first formed an Architects’ Department in 1889 to produce what is known as council housing; publicly funded housing for impoverished citizens. In most cases leading up until the outbreak of World War II, these council estates came in the form of low-rise housing blocks, usually adapted from one of only a handful of design templates, and built using simplified methods of common construction techniques. In the wake of the bombing during the war, there was a shortage of housing but plenty of empty public land on which to build, initiating a new master plan of London and a vast public building program. The Architects’ Department was reinitiated under the leadership of Isaac Hayward, who in 1947 expanded its reach to include design services for urban scaled housing, school buildings at all levels of education, and publicly funded cultural institutions. Due to the bureaucratic nature of the LCC, their architects were provided with access to a large pool of projects without the requirement of profitability. The government funding for design services instead required a focus on the research and development of new building technologies, with a particular interest in prefabricated concrete, under the promise of lower initial costs and increased speed of construction. Out of necessity, the LCC had adopted the modernist ideology of using new industrial technologies to provide public architecture at a civic scale, turning the program into an incubator for talented and ambitious young designers.
For the architects at the LCC, their buildings had to do more than just facilitate their given program. Like the expanding roadway, rail, and canal systems around London, their projects were a part of a larger public infrastructure. From the bureaucratic office structure, the government funding source, and the materials and methods of construction, they designed buildings that had more in common with the new road networks and sidewalks than to the cars driving on them. This attitude is confirmed by the pervasiveness of the “Streets in the Sky” concept across all building typologies found in the LCC studios.
LCCCU PROPOSAL
INTRODUCTION
LCC OVERVIEW
THE LONDON COUNTY COUNCIL’S CONCRETE UTOPIA
THE DEBORAH J. NORDEN FUND
KEVIN PATRICK HAYES
PROPOSAL FOR
SUBMITTED BY
[email protected] (t) 614.537.7300LCCCU PROPOSAL
As the program reached its peak of influence, the utopian ideals of modernist architects appealed to post-war London, which faced a very serious need for housing, schools, and spaces for cultural production. Advancements in concrete construction technology, exemplified by the recent completion of the seminal Unite d’Habitation in France, gave precedent to the promise of low-cost yet thoughtfully designed concrete buildings. Additionally, the speed of construction matched the political will of the building program. The value of the publically funded Architects’ Department was easily demonstrated through a massive body of work, built in an incredibly compressed timeframe.
The critical reception and status of the projects designed by the Architects’ Department has remained controversial. Soon after the first wave of LCC projects were built, questions began to arise over the use of rough concrete in large scale urban projects. While many projects completed through the program were revered by the architectural community, others were not equally thrilled. The general unease with abandoning traditional architecture styles for this particular facet of modernism was later exacerbated by the association of sculpture concrete with blighted neighborhoods and urban decay. The evolution of the entire London County Council into the Greater London Council in 1965 removed all design architects from the department with the exception of a small special-projects studio to oversee work already in progress. By the 1980’s, the Thatcher administration’s overall platform of privatization lead to the dissolution of the Greater London Council and the selling off of a large number of council estates, many of which were demolished or converted to luxury housing. Despite the historical preservation efforts of the United Kingdom’s listing of buildings with special architectural and historical interest, the remaining artifacts of the mid-century building program are continually under threat.
Looking at many cities today, the interaction between public policy and advanced architectural design is struggling to keep up with the immediate economic demands of developers and the influence of global wealth. While this trend has produced many significant buildings, contracts for new projects are often awarded based on the lowest fee structure and fastest schedule rather than quality of design and the merit of previous work. Currently, the New York Department of Design and Construction operates a design excellence program that matches architects with a limited number of public projects, and the Los Angeles Department of City Planning operates a small Urban Design Studio which produces studies and guidelines. However, compared to debates regarding rezoning, affordable housing, and infrastructure planning, none of which fall under the umbrella of these organizations, design excellence programs currently have limited impact at the scale of the city. Research into the LCC at its height of influence during the mid-twentieth century will provide one successful example of a program in which progressive architectural design was made central to these topics.projects in this interdisciplinary realm. The work of the LCC provides another successful model along this trajectory, and more research into its formation will be of great benefit to my professional and intellectual development.
THE LONDON COUNTY COUNCIL’S CONCRETE UTOPIA
CURRENT STATE
[email protected] (t) 614.537.7300LCCCU PROPOSAL
I became interested in the broader issues of urban architecture and public design projects while working in New York City after finishing graduate school. As an intern at WorkAC, I conducted research on the spatial implications of agricultural production on urban form, culminating in an exhibition on Governor’s Island. At Lewis.Tsurumaki.Lewis (LTL Architects), where I spent four years working after graduation, I was exposed to the process of building through professional design work, speculative projects, small scale fabrication, and academic publication. My experience at LTL brought me a diverse array of responsibilities on projects ranging from corporate offices to cultural institutions, as well as the redesign of a public bathhouse on Staten Island that had been damaged by Hurricane Sandy. This project led to my involvement with Structures of Coastal Resiliency (SCR), a multidisciplinary research project led by Guy Nordenson, which was funded through the Rockefeller Foundation. Our team, one of four, designed a canal based resiliency plan for the back bay of Atlantic City as an example of an alternative to traditional seawall and sand dune fortification. While that project has now ended, SCR was a positive model that fit somewhere between practice, academics, and public policy, and I am looking for similar ways in which I can continue engaging urban projects in this interdisciplinary realm. The work of the LCC provides another successful model along this trajectory, and more research into its formation will be of great benefit to my professional and intellectual development. If awarded the Norden Fund, I plan to travel to London for 60 days to study over 30 buildings which exemplify successful experiments in the overlapping of disciplines between architectural design, experimental building construction, and urban planning. A sampling of these buildings and their statistics are included in the addendum on the following pages, as well as their locations around London. In addition to the site visits, original documentation of the LCC and GLC is publicly available for research purposes at London Metropolitan Archives. During the 60 days I intend to spend intermediate periods of research at the archives going through drawings and correspondence, with additional time at the end to allow for follow-up research or site visits depending on the findings.
Thanks,
Kevin Hayes
THE LONDON COUNTY COUNCIL’S CONCRETE UTOPIA
BACKGROUND
[email protected] (t) 614.537.7300
ARRIVAL FLIGHT
SITE VISITS, PROJECTS 1-14
ARCHIVE VISIT, RESEARCH
SITE VISITS, PROJECTS 15-28
WRITING, DRAWING, RESEARCH FOLLOW-UP
SITE VISITS, PROJECTS 29-36
SITE VISISTS, UNANTICIPATED PROJECTS
WRAP UP
DEPARTURE FLIGHT
02
01
03
04
05
06
07
08
09
10
2021
22
25
29
30 31
32
3334
35
26 27
28
1112
13 23
24
14
1516
1719
1836
DAYS 0-1:
DAYS 2-15:
DAYS 16-21:
DAYS 22-35:
DAYS 36-41:
DAYS 42-49:
DAYS 50-55:
DAYS 56-58:
DAYS 59-60:
2-MONTH APARTMENT SUBLET:
ROUND-TRIP FLIGHT:
FOOD ($15/DAY):
DSLR CAMERA:
PUBLIC TRANSPORTATION:
BOOKS AND SUPPLIES:
TOTAL:
$2400
$1100
$900
$250
$200
$150
$5000
ITENERARY
LONDON
BUDGET
LCCCU ITENERARY/BUDGET
[email protected] (t) 614.537.7300
ALTON ESTATE
LCC Lead Architect: Robert Matthew Program: HousingLocation: RoehamptonYear: 1957-58
ELLIOTT SCHOOL
LCC Lead Architect: John BancroftProgram: SchoolLocation: PutneyYear: 1950-53
HAMMERSMITH SCHOOL
LCC Lead Architect: Edward HollambyProgram: SchoolLocation: HammersmithYear: 1954-58
BRANDLEHOW PRIMARY
LCC Lead Architect: Erno GoldfingerProgram: SchoolLocation: PutneyYear: 1949-50
ALEXANDRA ROAD ESTATE
GLC Lead Architect: Neave BrownProgram: HousingLocation: CamdenYear: 1972-78
TRELLICK TOWER
GLC Lead Architect: Erno GoldfingerProgram: HousingLocation: North KensingtonYear: 1966-72
FLEET ROAD FLATS
GLC Lead Architect: Neave BrownProgram: HousingLocation: Hampstead HeathYear: 1966-67
CEDARS ROAD HOUSING
LCC Lead Architect: Colin LucasProgram: HousingLocation: LambethYear: 1962-64
SOMERSET ESTATE
LCC Lead Architect: Colin LucasProgram: HousingLocation: BatterseaYear: 1965-66
LCCCU ADDENDUM - PROJECT LIST
01
04
07
02
05
08
03
06
09
[email protected] (t) 614.537.7300
PIMLICO SCHOOL
GLC Lead Architect: John Bancroft Program: SchoolLocation: WestminsterYear: 1967-70
OLD PEOPLE’S HOUSING
GLC Lead Architect: Kate MacintoshProgram: HousingLocation: LambethYear: 1972-74
DUNRAVEN SCHOOL
LCC Lead Architect: John BancroftProgram: SchoolLocation: StreathamYear: 1952-54
BRUNSWICK CENTRE
GLC Lead Architect: Patrick HoghkinsonProgram: Mixed-UseLocation: BloomsburyYear: 1967-72
ROYAL FESTIVAL HALL
LCC Lead Architect: Leslie MartinProgram: CulturalLocation: SouthbankYear: 1950-51
COUNTY HALL ISLAND BLOCK
GLC Lead Architect: John BancroftProgram: GLC OfficesLocation: LambethYear: 1970-72
QUEEN ELIZABETH HALL
GLC Lead Architect: Hubert BennettProgram: Performing ArtsLocation: SouthbankYear: 1966-67
HAYWARD GALLERY
GLC Lead Architect: Norman EnglebackProgram: CulturalLocation: SouthbankYear: 1966-68
PURCELL ROOM
GLC Lead Architect: Hubert BennettProgram: Performing ArtsLocation: SouthbankYear: 1966-67
LCCCU ADDENDUM - PROJECT LIST
10
13
16
11
14
17
12
15
18
[email protected] (t) 614.537.7300
NATIONAL FILM THEATER
LCC Lead Architect: Norman Engleback Program: Performing ArtsLocation: SouthbankYear: 1955-57
COTTON GARDENS ESTATE
GLC Lead Architect: George FinchProgram: HousingLocation: LambethYear: 1964-72
LAMBETH TOWERS
GLC Lead Architect: George FinchProgram: HousingLocation: LambethYear: 1965-66
LOUGHBOROUGH ESTATE
LCC Lead Architect: Michael PowellProgram: HousingLocation: LambethYear: 1952-55
BARBICAN ESTATE
LCC Lead Architect: Chamberlin, Powell, BonProgram: Mixed-UseLocation: City of LondonYear: 1957-76
GOLDEN LANE ESTATE
LCC Lead Architect: Chamberlin, Powell, BonProgram: HousingLocation: City of LondonYear: 1951-52
MANOR GROVE ESTATE
LCC Lead Architect: George FinchProgram: HousingLocation: PeckhamYear: 1955-58
FAIRLAWN PRIMARY SCHOOL
LCC Lead Architect: Peter MoroProgram: SchoolLocation: LewishamYear: 1956-57
DAWSON’S HEIGHTS ESTATE
GLC Lead Architect: Kate MacintoshProgram: HousingLocation: SouthwarkYear: 1968-72
LCCCU ADDENDUM - PROJECT LIST
19
22
25
20
23
26
21
24
27
[email protected] (t) 614.537.7300
Perronet House
GLC Lead Architect: Roger WaltersProgram: HousingLocation: Elephant and CastleYear: 1969-71
KEELING HOUSE
GLC Lead Architect: Denys LasdunProgram: HousingLocation: Bethnal GreenYear: 1956-60
SUFFOLK ESTATE
LCC Lead Architect: George FinchProgram: HousingLocation: HaggertstonYear: 1960-63
USK STREET HOUSING
LCC Lead Architect: Denys LasdunProgram: HousingLocation: Bethnal GreenYear: 1950-52
GLENKERRY HOUSE
GLC Lead Architect: Erno GoldfingerProgram: HousingLocation: PoplarYear: 1970-72
BENTHAM ROAD ESTATE
LCC Lead Architect: Colin St. John WilsonProgram: HousingLocation: HackneyYear: 1950-55
BALFRON TOWER
GLC Lead Architect: Erno GoldfingerProgram: HousingLocation: PoplarYear: 1963-67
THAMESMEAD SOUTH
GLC Lead Architect: Robert RiggProgram: Mixed-UseLocation: Southeast LondonYear: 1968-74
ROBIN HOOD GARDENS
GLC Lead Architect: Alison & Peter SmithsonProgram: HousingLocation: PoplarYear: 1966-72
LCCCU ADDENDUM - PROJECT LIST
28
31
34
29
32
35
30
33
36
[email protected] (t) 614.537.7300
Email: [email protected]: 614.537.7300Address: 494 Warren Street, Apartment 2 Brooklyn, New York. 11217
KEVIN PATRICK HAYES, CURRICULUM VITAE
PRINCETON UNIVERSITY2010: Master of Architecture Certificate in Media and Modernity
THE OHIO STATE UNIVERSITY2008: Bachelor of Science in Architecture Honors and Distinction in Architecture Senior Faculty Design Prize
ASCOLI PICENO SCHOOL OF ARCHITECTURE2007: PubliCITY Workshop - Ascoli Piceno, Italy Studio Workshop - Rome, Italy
STUDIOPLEX: VENICE BIENNALEStatue of Liberty Studio Exhibition for Princeton UniversityVenice, IT 2010
NEWARK: MEGA-AGROPOLIS for WorkAC w/MVRDV Pioneers of Change ExhibitionGovernor’s Island, NY 2009
EXPERIENCE LOOP: SOUTH STREET SEAPORTEmerging New York Architects (ENYA) Competition Jurt Citation, with Mark Talbot and Kevin MageePublication and Exhibition, Center for Architecture, NY 2008
OUT OF THE GUTTERExtra Materials Competition Winner, with Mark Talbot, Kevin Magee, Marc Ours, and Jonathan NovakExhibition, Banvard Gallery, OH 2007
EDUCATION
EXHIBITIONS
REGISTERED ARCHITECTNew York State, 2014 - Present
LEED ACCREDITED PROFESSIONALUSGBC, 2009 - Present
QUALIFICATIONS
BY THE NUMERS CLOG: Rendering 2012
INTENSITIES for LTL Architects PAP 2012
CITIZENS OF NO PLACE for Jimenez Lai PAP 2012
GOOGLEPROOFING Pidgin Magazine #7 2009
PUBLICATIONS
LCCCU CURRICULUM VITAE
[email protected] (t) 614.537.7300
PRINCETON UNIVERSITYFall 2013, ARC503 (Assistant to Paul Lewis):
Integrated Building Studio (Graduate)Spring 2012, ARC302 (Assistant to Paul Lewis):
Junior Independent Studio(Undergraduate)Fall 2009, ARC203 (Assistant to Stan Allen and Jeffrey Kipnis):
Introduction to Architectural Thinking (Undergraduate)
THE OHIO STATE UNIVERSITY 2007-8: First Year Portfolio Workshops
SKIDMORE, OWINGS & MERRILL New York, New YorkSeptember, 2014 - Present: ArchitectProject List: Al Khobar Union Square
Carmichael Road Residences Citigroup Headquarters Trinitaria, Melia Dubai
LTL ARCHITECTS New York, New York(4 Years) October, 2010 - September, 2014: Architectural DesignerProject List: Atlantic City Resiliency Plan (with Princeton University)
Beertopia Bronx Council on the Arts Claremont University Campus Admin Center Cornell University Architecture Offices
Midland Beach Bathhouse NEF Fitness
New York University Steinhardt School, New York University Capital Implementation Plan
Seaman Corporation Headquarters
WORKAC New York, New York(2 Months) June, 2010 - August, 2010: Architectural Designer(3 Months) June, 2009 - September, 2009: Intern Project List: Main Library of Luojia College, Wuhan
Newark Mega-Agropolis PS216 Edible Schoolyard
Shenzhen Interchange Tower
BUREAU SPECTACULAR/JIMENEZ LAI Toronto, Ontario(3 Months) June,2008 - September, 2008: Intern Project List: Phoenix Cave House
Vignettes for an Architecture
MEYERS + ASSOCIATES Columbus, Ohio(3 Months) June,2007 - September, 2007: Intern Project List: Athletic Club of Columbus Masterplan,
Hannah Farms Park Pavilion
TEACHING
PROFESSIONALEXPERIENCE
LCCCU CURRICULUM VITAE