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Concerto for Flute and Orchestra

2IC

Western audiences owe a great debt to Aram Khachaturian for helping to make

III;

them aware of the colorful folk music of the Caucasus . Though he does not employ

3151.1 C.S1.71' actual folk melodies in his music, Khachaturian, who was born in Tiflis, Armenia, on t~June 6, 1903, writes mostly in the semi-oriental manner that characterizes the folk ilC

songs and dances of that area .:lts

Khachaturian did not begin to study music until he was nineteen, when he?II;IIwent to Moscow to live with his brocher . He studied cello, theory and composition

1 C~ at the music school operated by the composer Mikhail Gnessin, then, from 1929 to IC=7t= 1934, attended the Moscow Conservatory, where his composition teacher was ,(t

Nikolai Miaskovsky . Since that time, Khachaturian has been very active as a com- SIC;

poser and as a conductor, principally of his own music .

IIS. .I

'Khachaturian and his family spent the summer of 1940 near Moscow ; and SIS:during a period of two and a half months, he composed his Concerto for Violin and SIC-IOrchestra. When he arrived, he already had the basic plan of the Concerto estab-

:III

lished in his mind . "I worked without an effort, sometimes my thoughts and ?It7Iimagination outraced the hand that was covering the staffs with notes," he .recalled

=II

to his biographer, Grigory Shneerson . "The theenes came to me in such abundante

5,,C:that I had a hard time of it putting them in some sort of order ."

".,t''III'

When the eminent French flutist, Jean-Pierre . Rampal, approached'Khacha-

1OSI

I ~-

turffan to ask him to compose a concerto for flute and orchestra, Khachaturian

• ;I~suggested that the Violin Concerto would be adaptable for flute . It was, therefore,at the composer's own instigation that in 1968 Rampal made this transcription, at

=1 ~t

II

the saure time providing his own cadenza as a substituts for the original violin IISIC

cadenza in the first movement. The orchestral accompaniment throughout the,~

'I t'Concerto remains unchanged .

_

PAUL AFFELDER

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