Juilliard Music Advancement Program

Wind Ensembleand Orchestra Concert

Scholarship support is the most pressing need of Juilliard’s Music Advancement Program—students who request financial aid often receive support but the need is great. With your help, more students can pursue their fullest potential as artists, leaders, and global citizens.

Your tax deductible gift can also provide vital support for faculty, instruments, summer study, and other essential resources that help sustain Juilliard and MAP’s mission to make the arts available to all.

Help shape the future of music.

Supporting MAP

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For more information or to make a gift to MAP, please contact Katie Murtha, Director of Major Gifts, at (212) 799-5000, ext. 7878, or kmurtha@juilliard.edu.

Make a gift today by visiting giving.juilliard.edu/donate

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The Juilliard Schoolpresents

Music Advancement Program (MAP)Wind Ensemble and Orchestra Concert

Murray Colosimo and Terry Szor, Conductors

Saturday, January 26, 2019, at 6pmPeter Jay Sharp Theater

MAP Wind EnsembleTerry Szor, Conductor

JOHANN SEBASTIAN Wie schön leuchtet der Morgenstern, BWV 1BACH (1725; arr. Mayhew Lake)(1685–1750)

J. S. BACH Die Kunst der Fuge, BWV 1080 (1740-50) Contrapunctus V

NIKOLAI Mlada (1889-90)RIMSKY-KORSAKOV Procession of the Nobles(1844-1908)

JOHN BIRKS “DIZZY” A Night in Tunisia (1941-42; arr. Jayan Nandagopan)GILLESPIE John Brewington, Saxophone(1917-1993) Philip Flagg, SaxophoneFRANK PAPARELLI Olivia Cook, Baritone Saxophone(1917-1973) Siddharth Chalasani, Trumpet Zahir Bocio, Trumpet Jordan Castro, Flute Diego Ruiz, Flute Francisco Verastegui, Flute

Intermission

(Program continues)

The Music Advancement Program is generously supported through an endowed gift in memory of Carl K. Heyman.

Additional support for this performance was provided, in part, by the Muriel Gluck Production Fund.

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MAP OrchestraMurray Colosimo, Conductor

WILLIAM BOYCE Symphony No. 2 in A Major (1756)(1711-1779) Allegro assai Vivace Presto-Allegro Arav Amin, Violin

RALPH VAUGHAN Fantasia on “Greensleeves” (1934; arr. Ralph Greaves)WILLIAMS Lucija Budinski, Diego Ruiz, Flutes(1872-1958) PYOTR ILYICH Mazeppa (1881-83; arr. Sandra Dackow)TCHAIKOVSKY Cossack Dance(1840-1893)

REINHOLD GLIÈRE The Red Poppy (1927; arr. Merle J. Isaac)(1875-1956) Russian Sailors’ Dance

Approximate performance time: 1 hour and 15 minutes, including one intermission.

Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium.

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About This Program

Wie schön leuchtet der Morgenstern, BWV 1JOHANN SEBASTIAN BACHJohann Sebastian Bach, a musician of the Baroque period and a German composer, was born March 21, 1685 in Eisenach, Germany. Bach was known for his polyphonic style of composition, which meant that two different melodies were played side by side in harmony. This piece has four parts: soprano, alto, tenor, and bass. It is meant to sound like a choir singing.

—Aziza Cazaubon, age 16

“Contrapunctus V” from Die Kunst der Fuge, BWV 1080JOHANN SEBASTIAN BACHContrapunctus V by Johann Sebastian Bach is a four-voice fugue from The Art of Fugue. Bach, a German composer of the Baroque period, was famous for works such as the Brandenburg Concertos and the Goldberg Variations, and this piece was his last composition. The piece is for unspecified instrumentation, and consists of approximately 14 fugues and 6 canons of increasing difficulty, the last one left unfinished. The whole work is centered around the D Minor scale and exhibits Bach’s use of counterpoint and canon. It is unknown whether Bach composed the pieces for a performance or for pedagogical intent, although some speculate that he may have intentionally left the last movement incomplete, beckoning players to create their own ending.

—Estelle Balsirow, age 14

“Procession of the Nobles” from MladaNIKOLAI RIMSKY-KORSAKOV“Procession of the Nobles,” a military-style excerpt from the opera Mlada by Nikolai Rimsky-Korsakov (1844-1908), features two contrasting themes, one a march and the other a waltz. The opera was written when Rimsky-Korsakov was in his late 30s, between 1889 and 1890. The premiere of the opera was given on November 1, 1892. "Procession of the Nobles" has been used as the theme for the PBS public affairs program Agronsky & Co. and its successor, Inside Washington, and was used between 1957 and 1969 as the opening theme for the British TV program What the Papers Say.

—Ivan Morozov, age 14

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About This Program (Continued)

“A Night in Tunisia”JOHN BIRKS “DIZZY” GILLESPIE and FRANK PAPARELLIThe song “A Night in Tunisia,” originally named “Interlude,” was written by trumpet virtuoso Dizzy Gillespie. Frank Paparelli, one of his bandmates, was given co-writer credit. Gillespie (who was born in Cheraw, South Carolina, on October 21, 1917, and died on January 6, 1993) was an American jazz trumpeter, band leader, composer, and singer. “A Night in Tunisia” was written in 1941 and became a new jazz standard, one of the most famous pieces played by Gillespie’s bebop band. Bebop was one of the first styles of jazz: This style included a syncopated bass line different from the regular bass beat, which you can hear in this classic piece. It introduced African and Cuban influences to American jazz.

—Ajay Cullen, age 10

Symphony No. 2 in A MajorWILLIAM BOYCEAn admired composer of the 18th century, William Boyce was born in London in 1711. His musical journey started when he sang soprano at St. Paul’s Cathedral. When his voice changed, he moved on to study the organ with Maurice Greene and played at many churches. At age 24, Boyce began to lose his hearing. This tragedy did not lessen his love for studying, playing, and creating music. Although he was losing his hearing, he wrote many outstanding choral, chamber, and orchestral pieces, including eight symphonies. Boyce died in 1779, but his music is still beloved today. One of his best-known pieces is Symphony No. 2 in A Major or "Ode for the King's Birthday." This piece was originally written with words by poet Colley Cibber, but Boyce made an orchestral arrangement for two oboes and two bassoons. The first movement has a celebratory style, then moves on to an elegant dance movement that ends similarly to the first.

—Alexandra Ebanks, age 13

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Fantasia on “Greensleeves”RALPH VAUGHAN WILLIAMSRalph Vaughan Williams was an English composer whose many works include operas, ballets, chamber music, orchestra works, nine symphonies, and songs of great beauty, including part-songs, hymns, and folk songs. He once commented, “The art of music above all arts is the expression of the soul of the nation.” In this delightful piece, he brings out the very essence of England through serene and lyrical string writing and descriptive flute passages. The piece also gives a spotlight to the violas—bringing out that middle voice—and the lower string instruments. It has a calming effect on the soul and it is truly a work of art.

—Arianelle Arroyo, age 14

“Cossack Dance” from MazeppaPYOTR ILYICH TCHAIKOVSKYThe “Cossack Dance” from Mazeppa, an opera by the Russian composer Pyotr Ilyich Tchaikovsky (1840-1893) is a lively, fast dance featuring an always moving contour with a few wind solos throughout. The Cossack Dance, also known as a Hopak or a Gopa, is the national dance of Ukraine, which features boisterous moves. Leaps, high leg kicks, running, squats, and arms folded over the chest add flavor to this colorful dance. Mazeppa was written between 1881 and 1883 when Tchaikovsky was in his early forties. The libretto was based on the poem Poltava by the great Russian poet Pushkin, based on historical events. Tchaikovsky was so fascinated by this story that he even criticized the librettist's work and made changes to the libretto on his own.

—Ivan Morozov, age 14

“Russian Sailors’ Dance” from The Red PoppyREINHOLD GLIÈREReinhold Glière (Reyngold Morisetvitch Glier in full Russian) was born December 30, 1874 in Kiev, Ukraine, during the late Romantic era of music (1860 through 1920). He composed the "Russian Sailors' Dance" for the ballet called The Red Poppy. It is in the form of Theme and Variations, at first heavy and plodding, then changing to a fast, high-spirited tempo. When our orchestra plays the piece it sounds like someone wrote the contour of a really fast roller coaster. The music builds up tension and then releases it at the end. The piece is snappy, quick, and will keep you on your toes. Enjoy!

—Tade Adeyeri, age 10

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Meet the Artists

Murray Colosimo

Canadian conductor, concert clarinetist, and music educator Murray Colosimo received his formal musical training at Manhattan School of Music and New York University. Currently music director of the Bergen Sinfonia, he has conducted some of the world’s greatest artists at Alice Tully Hall and NJPAC, and has served as music director of the Wayne Chamber Orchestra and Ridgewood Symphony and director of orchestras at the Hartwick College Music Festival. As concert clarinetist, he performed a series of solo and chamber music recitals in New York City and has commissioned and recorded new works for solo clarinet. Colosimo has held faculty positions at Seton Hall University, William Paterson University, and Montclair State University and served as music supervisor/director of orchestras in Ridgewood, N.J., where a newly built campus center, Colosimo Center, was dedicated in his honor. His career as a dedicated music educator spans virtually every area of music and age level.

Terry Szor

Trumpeter Terry Szor has served on the brass faculty of the Music Advancement Program since 1997 and currently conducts the MAP Wind Ensemble. As a freelance musician, he has appeared with the New York Philharmonic, Boston Pops Esplanade Orchestra, Brooklyn Philharmonic, and Bronx Arts Ensemble, among others. He has performed for several Broadway shows, at Radio City Music Hall, and on numerous television and radio commercials and soundtracks for video games. As a member of the award-winning (Walter W. Naumburg Chamber Music Award, Fischoff, etc.) Saturday Brass Quintet, he has performed recitals and led educational programs at the Kennedy Center, Lincoln Center, and Carnegie Hall. He is principal trumpet with Opera Saratoga, Hudson Valley Philharmonic, and New York Gilbert and Sullivan Players. As a freelance educator he has taught and performed extensively in the New York City area through the Center for Arts Education, New York Young Audiences, Midori and Friends, and Queens Symphony Orchestra, among others. He is a graduate of the New England Conservatory of Music.

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Music Advancement Program

FluteLucija BudinskiDiego RuizKenya PerezNaamia RiveraKwanasia ColeBrownChun Sum Chris Wong*

OboeJohn CossentinoKevin KimJames CrespoAdedayo PerkovichEstelle BalsirowWelvin Potter*

ClarinetIvan MorozovAdrian Gutierrez

Leonardo VargasDamaris Guaman-LoganoRyan WangNatassia RodriguezPhillip Solomon*

SaxophoneEthan McIntoshDevin LewisLaw WatfordOlivia CookLluc Casares Alcobe*

BassoonAnnabel ShenSophia MarkevichAhonesty NisbettSteven Palacio*

TrumpetSiddharth ChalasaniAziza CazaubonThanddnes PalmerAjay CullenMalak TaillouliZahir BocioWyeth Aleksei*

French HornItayetzy UrangaRachel TubridyAngelique BrewingtonItzel UrangaJackson SimonelliCort Roberts*

TromboneRebecca BertekapElise Montenora

Yuto SasaoAaron AlbertStephen Whimple, euphonium*

TubaCameron FaisonZander GrierDavid Freeman*

PercussionJackson BarronEhloany NegronAnya SenAyesha SenMiles WinleyLeo Simon*Yibing Wang*

ViolinArav Amin, ConcertmasterSidney WongAshleigh ConnerLeo OiwaZeynep Alpan*Dream Champell-Aldrich, Principal secondTade AdeyeriCarlos SantamariaAnn Cho*

ViolaGenevieve DuguidSebastian LennoxKaydee OliverArianelle ArroyoAntonella EsserJeremy Laureta*

CelloRaina BrooksJoseph DarcourtAlexandra EbanksChristian ConnerThapelo Masita*

Double BassAthena AllenVeronica NeroneDequon DollyEnrique PerezParis Myers*

FluteLucija BudinskiDiego RuizChun Sum Chris Wong*

OboeJohn CossentinoJames CrespoWelvin Potter*

ClarinetIvan MorozovAdrian GutierrezPhillip Solomon*

BassoonAnnabel ShenSophia MarkevichSteven Palacio*

French HornItayetzy UrangaRachel TubridyAngelique BrewingtonCort Roberts*

TrumpetSiddharth ChalasaniAziza CazaubonWyeth Aleksei*

TromboneRebecca BertekapElise MontenoraStephen Whimple*

TubaCameron FaisonDavid Freeman*

PercussionJackson BarronEhloany NegronAnya SenAyesha SenMiles WinleyLeo Simon*Yibing Wang*

TubaAlbert Cano Smit

MAP Wind EnsembleTerry Szor, Conductor

MAP OrchestraMurray Colosimo, Conductor

* MAP MentorItalics indicate a Juilliard College Division student.

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About the Music Advancement Program

Juilliard president Joseph W. Polisi introduced the idea of MAP in 1991 in the wake of massive cuts in music education in the New York City public schools. It was his intention to help students most affected by those cuts, whose communities were underrepresented in the classical music world. Forty young people from Manhattan, Brooklyn, Queens, and the Bronx were chosen that year from a competitive pool to take part in the initial program. Today, MAP offers instruction to intermediate students from New York City’s five boroughs and the tristate area who exhibit great musical potential. As it did in its first year, MAP continues to actively seek students from diverse backgrounds underrepresented in the classical music field and is committed to enrolling the most talented and deserving students regardless of their financial background. Through a comprehensive curriculum, performance opportunities, and summer study partnerships, MAP students gain the necessary skills to pursue advanced music studies while developing their talents as artists, leaders, and global citizens.

The Music Advancement Program is administered by Juilliard’s Office of Community Engagement.

Community Engagement and MAP Administration

Teresa McKinney, DirectorYisset Gomez, Associate DirectorRebecca Reuter, Assistant DirectorJohn Popham, Artistic AdministratorMason Kinkead, Administrative Associate

Anthony McGill, MAP Artistic Adviser

Since 1991 MAP has contributed to the diversity, range, and excellence of the future performing arts community.

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Attend an Upcoming Juilliard Performance

MONDAY, FEBRUARY 47:30pm • Alice Tully Hall

Juilliard Songfest: Schubert's WinterreiseJames Ley, TenorÄneas Humm, BaritoneWilliam Socolof, Bass-BaritoneErik van Heyningen, Bass-BaritoneBrian Zeger, Curator and PianistTICKETS $10

FRIDAY, FEBRUARY 87:30pm • Alice Tully Hall

Juilliard OrchestraBarbara Hannigan, ConductorMeghan Kasanders, Soprano STRAUSS “Salome’s Dance” from Salome HAYDN Symphony No. 96 DEBUSSY Syrinx (flute soloist to be announced) SIBELIUS Luonnotar BARTÓK Suite from The Miraculous MandarinTICKETS $30

MONDAY, MARCH 257:30pm • Alice Tully Hall

Juilliard String Quartet HAYDN Quartet in F Major, Op. 77, No. 2 BARTÓK Quartet No. 3 BEETHOVEN Quartet in E Minor, Op. 59, No. 2Part of the Daniel Saidenberg Faculty Recital SeriesTICKETS $30

FRIDAY, MARCH 297:30pm • Peter Jay Sharp Theater

Juilliard415Rachel Podger, Violin and Director VERACINI Ouverture No.1 in B-flat Major J.S. BACH Harpsichord Concerto in A Major, BWV 1055 VIVALDI Concerto in C Major for Two Flutes, RV 533 HANDEL Concerto grosso in B flat Major, Op.3, No.1, HWV 312 LOCATELLI Concerto for Four Violins in F Major, Op. 4, No. 12 J.S. BACH Orchestral Suite No. 1 in C Major, BWV 1066TICKETS $20

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juilliard.edu/calendar

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Juilliard Annual Supporters

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The Juilliard School is deeply grateful to the following individuals, foundations, and corporations

for their annual gifts and pledges in support of scholarship funding and Juilliard’s multifaceted

performance and educational activities.

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In Memory of Eileen Mary Hawryliw

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Please consider making an investment in the future of dance, drama, and music today and help

The Juilliard School remain at the forefront of performing arts education. For more information

or to make a gift, please contact the Development Office at (212) 799-5000, ext. 278,

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EXECUTIVE OFFICERS AND SENIOR ADMINISTRATION

Damian Woetzel, President

Office of the PresidentJacqueline Schmidt, Vice President and Chief of StaffKathryn Kozlark, Special Projects Producer

Office of the Provost and DeanAra Guzelimian, Provost and DeanJosé García-León, Dean of Academic Affairs and Assessment

Dance DivisionAlicia Graf Mack, DirectorTaryn Kaschock Russell, Associate DirectorKatie Friis, Administrative Director

Drama DivisionEvan Yionoulis, Richard Rodgers DirectorRichard Feldman, Associate DirectorKatherine Hood, Managing Director

Music DivisionAdam Meyer, Director, Music Division, and Deputy Dean of the

CollegeBärli Nugent, Assistant Dean, Director of Chamber MusicJoseph Soucy, Assistant Dean for Orchestral StudiesMario Igrec, Chief Piano TechnicianJoanna K. Trebelhorn, Director of Orchestral and Ensemble

Operations

Historical PerformanceRobert Mealy, DirectorBenjamin D. Sosland, Administrative Director; Assistant Dean for

the Kovner Fellowships

JazzWynton Marsalis, Director of Juilliard JazzAaron Flagg, Chair and Associate Director

Ellen and James S. Marcus Institute for Vocal ArtsBrian Zeger, Artistic DirectorKirstin Ek, Director of Curriculum and SchedulesMonica Thakkar, Director of Performance Activities

Lila Acheson Wallace Library and Doctoral Fellows ProgramJane Gottlieb, Vice President for Library and Information Resources;

Director of the C.V. Starr Doctoral Fellows ProgramJeni Dahmus Farah, Director, ArchivesAlan Klein, Director of Library Technical Services

Pre-College DivisionYoheved Kaplinsky, Artistic DirectorEkaterina Lawson, Director of Admissions and Academic AffairsAnna Royzman, Director of Performance Activities

Evening DivisionDanielle La Senna, Director

Enrollment Management and Student DevelopmentJoan D. Warren, Vice PresidentKathleen Tesar, Associate Dean for Enrollment ManagementBarrett Hipes, Associate Dean for Student DevelopmentSabrina Tanbara, Assistant Dean of Student AffairsCory Owen, Assistant Dean for International Advisement and Diversity

InitiativesWilliam Buse, Director of Counseling ServicesKatherine Gertson, RegistrarTina Gonzalez, Director of Financial AidTeresa McKinney, Director of Community EngagementCamille Pajor, Title IX CoordinatorTodd Porter, Director of Residence LifeHoward Rosenberg MD, Medical DirectorBeth Techow, Administrative Director of Health and Counseling Services

DevelopmentAlexandra Wheeler, Vice President and Chief Advancement OfficerStephanie Gatton, Acting Director of Special EventsKatie Murtha, Director of Major GiftsLori Padua, Director of Planned GivingEd Piniazek, Director of Development OperationsEdward Sien, Director of Foundation and Corporate RelationsRebecca Vaccarelli, Director of Alumni Relations

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Office of the Chief Operating Officer and Corporate SecretaryLesley Rosenthal, Chief Operating Officer and Corporate SecretaryChristine Todd, Vice President and CFOCameron Christensen, Associate Vice President, Facilities

ManagementKent McKay, Associate Vice President for ProductionBetsie Becker, Managing Director of K-12 ProgramsMichael Kerstan, ControllerIrina Shteyn, Director of Financial Planning and AnalysisNicholas Mazzurco, Director of Student Accounts/BursarNicholas Saunders, Director of Concert OperationsTina Matin, Director of MerchandisingKevin Boutote, Director of Recording

Administration and LawMaurice F. Edelson, Vice President for Administration and General

CounselMyung Kang-Huneke, Deputy General CounselCarl Young, Chief Information OfficerSteve Doty, Chief Technology OfficerDmitriy Aminov, Director of IT EngineeringJeremy Pinquist, Director of Client Services, ITCaryn G. Doktor, Director of Human ResourcesAdam Gagan, Director of SecurityHelen Taynton, Director of Apprentice Program

BOARD OF TRUSTEES

Bruce Kovner, ChairJ. Christopher Kojima, Vice ChairKatheryn C. Patterson, Vice Chair

Julie Anne ChoiKent A. ClarkKenneth S. DavidsonBarbara G. FleischmanKeith R. GollustMary GrahamJoan W. HarrisMatt JacobsonEdward E. Johnson Jr.Karen M. LevyTeresa E. LindsayLaura LinneyMichael Loeb Greg Margolies

Vincent A. MaiEllen MarcusNancy A. MarksStephanie Palmer McClellandChristina McInerneyLester S. Morse Jr.Stephen A. NovickSusan W. RoseJeffrey SellerDeborah SimonSarah Billinghurst SolomonWilliam E. "Wes" Stricker, MDYael Taqqu

TRUSTEES EMERITI

June Noble Larkin, Chair Emerita

Mary Ellin BarrettSidney R. Knafel

JUILLIARD COUNCIL

Mitchell Nelson, Chair

Michelle Demus AuerbachBarbara BrandtBrian J. HeidtkeGordon D. HendersonPeter L. KendYounghee Kim-WaitSophie Laffont Jean-Hugues Monier

Terry MorgenthalerHoward S. PaleyJohn G. PoppGrace E. RichardsonJeremy T. SmithAlexander I. TachmesAnita Volpe

Juilliard Board of Trustees and Administration

Elizabeth McCormack

Joseph W. Polisi, President Emeritus

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Applications due April 1, 2019

Apply nowjuilliard.edu/map

Saturday Class Schedule• Private lessons• Music theory & ear training• Orchestra & chamber music• Workshops & master classes• Electives• Chorus

Eligibility requirements• At least two years of

experience on an instrument• Reside in the tri-state area

(NY, NJ, CT)• Age 8–17 at time of audition

Program highlights• Faculty of professional

musicians and educators• Preparation for advanced

level programs• Exclusive scholarships to

summer music camps• Significant financial aid for

families who qualify

Juilliard Music AdvancementProgram (MAP) 2019–20

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