Juha Ojala: Music for Orchestra

Music for Orchestra

(1992–2005)

Juha Ojala

Music for Orchestra 3 flutes 2 oboes 1 English horn 3 clarinets in Bb 3 bassoons 4 horns (with straight mutes, II & IV also with brass mutes) 4 trumpets in C (with straight and cup mutes) 2 trombones (with straight and cup mutes) 1 bass trombone (with straight and cup mutes) 1 tuba (with straight mute) percussion (three executors) percussion 1: • 4 suspended cymbals

(s, m, l, xl) • 3 antique cymbals

(f#, e, d#; mounted) • snare drum • 3 timbales

(high, medium, low) • 2 wood chimes (regular and large) • 4 wood blocks

(high to low)

percussion 2: • tamtam • 4 suspended cymbals

(high to low) • marimba

(range from F to ab2) Percussion 2 also plays the gran cassa.

percussion 3:

• gran cassa • snare drum • 3 timbales

(high, medium, low) • wood chimes • 4 temple blocks (high to low) • a pair of congas

(high and low)

piano (lid open, note stand askew for access to strings) 1st violins 8–16 2nd violins 8–16 violas 6–12 celli 6–12 contrabassi 5–10 Contact: Juha Ojala email: [email protected] tel.: +358 – 50 – 338 2068 home address: Mika Waltarin katu 16, FI-06100 Porvoo, FINLAND

ALL INSTRUMENTS – The score is a C score, that is, written in concert pitch. – Accidentals refer to the following note (except in obvious cases of fast repetition). – All trills are semitone trills unless otherwise indicated (in fl. 1 and 2, and cl. 1) – Despite the meter indication in sustaining meter, there should be no metric accents on "strong beats". – The duration of the piece is approximately 11” – The assigned dynamics reflect the final level of loudness, e.g., all instruments marked pp should together make pp, producing a homogenous quality of fused timbre. BRASS – All brass instruments use straight mutes at some point. – Horns II and IV need also brass mutes. – Trumpets and trombones need cup mutes in addition to straight ones. PIANO – All clusters are chromatic clusters, top and bottom notes are indicated. – The exact pitches of the finger glissandi on strings depends on the model of the piano. STRINGS – All strings but double basses are divisi a 2 almost throughout. In mm. 128–135 divisi a 4 may be preferred. In some cases where double stops are used, the part division is indicated by brackets: [upper part on left and lower part on right] PERCUSSION – The three percussionists should be located along the back part of the stage (left, middle, right) in order to achieve antiphonal effects in the percussion dialogues. – The percussion instruments are notated like this: Perc I Perc II Perc III

°

¢

&3 antique cymbals (crotales)

/snare drum 3 timbales

/wood chime 4 wood blocks

/4 rototoms large

wood chime

œ# œ œ#

œ œ œ œœ œ œ œ œœ œ œ œ œ

°

¢

/4 suspended cymbals

/ tamtam

? marimba

&

œ œ œ œ˙

œœb

°

¢

/gran cassa (bass drum)

/snare drum 3 timbales

/wood chime 4 temple blocks

/2 congas

˙œ œ œ œœ œ œ œ œ

œ œ

1 – 10 String plane with ww & perc instillations 11 – 27 Dialogue of woodwind and brass planes; percussion lurking 27 – 37 Transition to percussion dialogue; winds settle 37 – 46 Percussion dialogue of points in string setting 47 – 68 Percussion dialogue continues; introduction of lines / planes 69 – 76 String plane 77 – 84 Wind plane juxtaposed with percussion points 85 – 95 String plane with wind plane 96 – 112 Wind lines in string setting; perc instillations to perc dialogue 111 – 122 Dialogue of wind planes; add perc points; add string plane 123 – 125 Cadenza: violin line, other lines 126 – 134 Transition: line / plane fusion 135 – 163 Synthesis: Wind and string planes Music for Orchestra delves into the spatiality of music with reminiscences of Bauhaus, Василий Кандинский (Vasili Kandinsky) and his series of Compositions, and particularly the works of the 1920s, including the curious Contrasting Sounds of 1924. Key elements of com-position are point, line and plane; their color or timbre.

q = 60

q = 60

Music for Orchestra Juha Ojala

lunga(8-9")

lunga(8-9")

Flute 1

Flute 2

Flute 3

Oboe 1

Oboe 2

English Horn

Clarinet in Bb 1

Clarinet in Bb 2

Clarinet in Bb 3

Bassoon 1

Bassoon 2

Bassoon 3

Horns in F 1 & 3

Horns in F 2 & 4

Trumpets in C 1 & 2

Trumpets in C 3 & 4

Trombones 1 & 2

Bass trombone&

Tuba

Percussion 1

Percussion 2

Percussion 3

Piano

Violini I

Violini II

Viole

Violoncelli

Contrabassi

pp

fast

ff

pp

fast

ff

ff

con vibrato

pp

ff

pp

ppp

ff

ff

ppp

fast

p

subito

ff

ppp

ppp

fast

p

subito

ff

ff

ppp

fast

p

ff

ppp

fast

p

ff

ff

ff

ff

2.

ff

ff

ff

ff

antique cymbals, brass mallets

ff

l.v.

suspended cymbals, mediumsoft mallets on edges

pp

l.v.

pp

tamtam, heavy, dense mallet

ff

l.v.

G.C.,

pp

soft timpanicart-wheel mallets

G.C., timpani mallets

pp

pp

ff

l.v.

glissando with fingertipson the lowest portionof the strings

gliss.

laissez vibrer

(lift the pedal slowly as the sound dies out)

pp

div.

ff

pp subito

pp

div.

ff

pp subito

pp

div.

ff

pp subito

pp

div.

ff

pp subito

ff

9

accel. ...

accel. ...

A

A

q = 90

q = 90

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

pp

f

p

f

mp

pp

f

p

f

mp

f

p

f

mp

pp

f

p

f

mp

meno

f

p

f

mp

meno

f

p

f

mp

meno

f

p

f

mp

meno

p

f

p

f

mp

meno

p

f

p

f

mp

meno

p

f

mp

meno

p

p

meno

p

pp

p

mp

f

pp

mf

mp

p

ppp

p

mp

f

pp

mf

mp

p

p

f

pp

mf

mp

p

p

f

pp

mf

mp

p

p

p

f

p

p

f

p

snare drum and timbales, sticks

pp

ppp

p

mf

p

pp

mf

p

mf

ppp

suspended cymbals, mediumsoft mallets on edges

p

ppp

mf

p


p

mf

p mf

pp

mf

p

ppp

pp

mp

p

pp

p

1/2

pp

mp

divisi

p

pp

p

pp

mp

p

pp

p

unis.pizz.

p

mf

p

mp

p

ppp

pizz.

mf

p

mf

p

mp

p

pp

2

17

pianissimo e poco a poco crescendo al forte fortissimo

pianissimo e poco a poco crescendo al forte fortissimo

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

ff

ff

fff

pp

mp

mf

f

ff

ff

fff

pp

mp

mf

f

ff

ff

fff

pp

mp

mf

f

ppp

ff

ff

fff

pp

p

mp

mf

f

ppp

ff

ff

fff

pp

p

mpmp

mf

f

ppp

ff

ff

fff

pp

mp

mf

f

ppp

ff

ff

fff

pp

mp

mf

f mp

cresc.

ppp

ff

ff

fff

pp

mpmp

mf

f mp

cresc.

ppp

ff

fff

pp

pp

mp

mf

f mp

cresc.

ff

pp

p

mp

mf

f mp

cresc.

pp

p

mp

mf

f mp

cresc.

pp

mp

mf

f mp

cresc.

pp

f

mf

ff

pp

p

mp

mf

f

pp

f

mf

ff

pp

p

mpmp

mf

f mp

cresc.

mf

f

pp

p

mp

mf

f

f

pp

3. p

mp

mf

f

pp

f

mf

f mp cresc.

pp

f

Trb. tacet

Tuba

mf

pp

p

mpmpmpmp

mf

f mp

cresc.

mp

mf

f

ff

pp

mf

f

pp

ff

pp

ff

ff

pp

pp

mp

mf

mf

p

f

p

3

f

f

f

f

f

f

3

25 B

B

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

f

cresc.

fff

p

f

cresc.

fff

p

fff

p

f

cresc.

fff

p

f

cresc.

fff

f cresc.

fff

p

f

cresc.

fff

p

f

cresc.

fff

p

f

cresc.

fff

p

f cresc.

fff

f cresc.

fff

f cresc.

fff

f

cresc.

fff

pp

p

f

cresc.

fff

pp

p

f

cresc.

fff

f

3.

cresc.

fff

f

cresc.

fff

f

cresc.

fff

f

fff

pp

wood blocksstill with sticks3

3

3 3

3

3

ossia for marimba passage

ff

giochissimo

3

3

ff

ff

go to tamtam

tam-tam, the great mallet

ff

go to marimbamarimba, med. hard or hard mallets

ff

giochissimo

3

3

f p

fff

wood chimes & temple blockswith hard mallets

p

f

3

3 3 3 3 3 3 3

3 3

sul pont. loco, ord.

mf

gliss.

sul pont. loco, ord.

mf

gliss.

sul pont.

loco, ord.

mf

gliss.

ff

fff

arco, div.

mf

sul pont.

gliss.

ff

fff

arco, div.

mf

sul pont.

gliss.

4

30

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

f

mp

ffe dim....

f

mf

mp

p

f

mp

ffe dim....

f

mf

mp

p

f

mp

ffe dim....

f

mf

mp

f

mp

ffe dim....

f

mf

mp

p

ffe dim....

f

mf

mp

f

mp

ffe dim....

f

mf

mp

p

f

mp

ffe dim....

f

mf

mp

p

pp

ppp

f

mp

ffe dim....

f

mf

mp

p

f

mp

ffe dim....

f

mf

mp

pp

ffe dim....

f

mf

mp

p

pp

ppp

ffe dim....

f

mf

mp

pp

ppp

ffe dim....

f

mf

mp

pp

sfp

ffe dim....

f

f

mf

mf

mp

mp

p

pp

ppp

sfp

ffe dim....

f

mf

mp

p

pp

ppp

sfp

fe dim....

f

mf

sfp

fe dim....

f

mf

fe dim....

f

mf

mp

fe dim....

f

mf

mp

Tubapp

ppp

f

with shaft

sfp

ord.

ff

snare and timbales

mp

dim. sempre

p

pp

3

3

3

3

3

3

3

33

3

3

3

suspended cymbals, mallets

p

3

3

3

3 3

p

ff

snare and timbales, sticks

mp

dim. sempre

pp

3

3

33

3

let sound until end of m. 37,then slowly raise pedal

fff

unis. espress.

p

pizz.

f

unis.

espress.

p

pizz.

f

unis.

espress.

p

pizz.

f

unis.

espress.

p

pizz.

f

divisi

espress.

p

pizz.

f

5

C

C

37

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

p

p

p

p

p

mp

pp

mf

p

pp

mf

ppp

rototoms, soft rubber mallets

pp

gliss.

(the lowest still low)

(retune the lowest back up...)

gliss.

3

3

3 3

ppp

go to gran cassa

ppp

congas, hands

pp

pp

mf

p

mf pp

f

3 3 3

3 3 3 3

3

3

35:4

3

14

arco sul pont., sempre tremolando

pp

p

pp

mp

p


pp

p

pp

mp

p


pp

p

pp

mp

p


pp

p

pp

mp

p


pp

p

pp

mp

p


pp

p

pp

mp

p


pp

p

pp

mp

p


pp

p

pp

mp

p

6

43

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

pp

pp

ff

pp

p

f

pp

mf

pp

ff

mp

ppp

pp

pp

pp

ff

pp

mf

pp

ff

mp

ppp

pp

pp

ff

mp

ppp

pp

pp

pp

2.

mf

rototoms

ff

gliss.

3

gliss.

gliss. sfp

(...and down, all the way down...)

pp

gliss.

pp

large wood-chime

3 3 3

G.C.

p

ff

pp

wood chimes & temple blockswith soft mallets

go to marimba

congas

p

ff

pp

pp

3

3

3 33 3

ff

ord., molto legato

pp

mf

ppp

ff

ord., molto legato

pp

mf

ppp

ff

ord., molto legato

pp

mf

ppp

ff

pp

ord., molto legato

mf

ppp

ff

ord., molto legato

pp

mf

ppp

ff

ord., molto legato

pp

mf

ppp

ff

ord., molto legato

pp

mf

ppp

ff

ord., molto legato

pp

mf

ppp

7

50 D

D

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

p

pp

pp

flatterz.

ord.

flz.

ord.

pp

pp

flatterz.

ord.

flz.

ord.

pp

flatterz.

ord.

flz.

ord.

p

p

pp

pp

pp

p

pp

pp

p

p

pp

pp

flatterz.

ord.

flz.

ord.

p

pp

pp

flatterz.

ord.

flz.

ord.

p

p

p

p

p

wood chimes & wood blockswith soft mallets

ppp

mp p

mp

ppp

mp

p

pp

p

marimba, med. soft mallets

mf

mf

mf

wood chimes & temple blocks

p

p

mp

mf

pp

pp

mp

p

mf

3 3

8

57

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

mf

flz.

pp

ord.

pp

mf

flz.

pp

ord.

pp

mf

flz.

pp

ord.

pp

mf

pp

pp

mf

pp

pp

mf

pp

pp

mp

flz.

pp

ord.

pp

mp

flz.

ord.

pp

pp

mp

mp

flz.

ord.

pp

pp

mp

mp

pp

pp

mp

mp

pp

pp

mp

mp

pp

pp

wood chimes & wood blocks

p

p f

sfp

f

pp

sempre pp

3

marimba

f pp

sempre pp

3

3 3 33

3

3

wood chimes & temple blocks

p mf

f

sempre pp

5

9

64

E

E

q = 60

q = 60

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

pp

pp

pp

pp

pp

pp

pp

pp

ppp

(retune the 3 highest rototoms)

ppp

suspended cymbals, soft mallets

pp

l.v.

pp

3

ppp

G.C.,

pp

soft timpanimallets

pp

glissandowith fingertipson low strings

l.v.

gliss.

div., leg. come prima

ppp

pp

div., legato come prima

ppp

pp


ppp

pp


ppp

pp

10

73

F

F

q = 90

q = 90

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

ff

pp

mp

ff

pp

mp

ff

ff

mp

ff

mp

pp

ff

mp

ff

pp

pp

mp

ff

pp

mp

ff

pp

ff

pp

pp

pp

mp

ff

pp

pp

mp

ff

pp

pp

mp

ff

con sord.

ppp

pp

pp

mp

ff

con sord.

ppp

pp

pp

mp

ff

cup mutes

ppp

pp

pp

mp

ff

cup mutes

ppp

pp

pp

mp

ff

cup mutes

mp

ff

(put mutes on)

cup mute (trb)

ppp

pp

pp

Tubac. s.mp

antique cymbals, brass mallets

ff

l.v.


pp

p

3

tamtam, heavy, dense mallet

sffz

l.v.

suspended cymbals,stick shafts on edges

p

pp


pp

pp

pp

ff

let sound untilend of m. 78

ff

pp

ff

pp

ff

pp

ff

pp

arco

ff

11

81 G

G

q = 60

q = 60

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

p

mp

mf

pp

mf

p

mp

mf

pp

mf

p

mp

mf

pp

mf

p

mp

mf

pp

mf

p

mp

mf

pp

mf

p

mp

mf

pp

mf

p

mp

mf

pp

mf

p

mp

mf

pp

mf

p

mp

mf

pp

mf

p

mp mf

pp

mf

p

mp

mf

pp

mf

p

mp

mf

pp

mf

p

mp

mf

pp mp

senza sord.

senza sord.

mf

p

mp

mf

pp

mp

senza sord.

senza sord.

mf

p

mp

mf

pp mp

senza sord.

senza sord.

mf

p

mp

mf

pp mp

senza sord.

senza sord.

mf

p

mp

mf

pp mp

mp

p

mp

mf

pp mp

mp

(take mutes off)

senza sord.

mf

mf

fp

p

p

pp

ppp

wood chimes & wood blockswith soft mallets

mp

3 3 3

medium soft mallets

ppp

pp

mp

mf

pp


pp

3 3

3

keep same pedaluntil end of m. 98,pending on reverberation

p

l.v.

pp

p

pp

legato

pp

pp

p

pp

legato

pp

pp

p

pp

pp

legato

pp

p

pp

legato

pp

pp

p

pp

legato

pp

12

88

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mp

p

pp

fff

mp

p

pp

fff

mp

fff

mp

p

pp

fff

mp

p

pp

fff

mp

fff

mp

p

pp

fff

ppp

espr.

p ppp

mp

p

pp

fff

mp

fff

mp

p

pp

fff

mp

p

pp

fff

mp

fff

mp

p

pp

fff

mp

p

fff

(put brass mutes on)

in stand

mp

ord.

fff

(put mutes on)

fff

(put mutes on)

senza sord.

senza sord.

fff

(put mutes on)

Tuba

mp

p

pp

senza sord.

fff

(trb. put mute on)

p

muffled

pp

ppp

antique cymbals,brass mallets

ff

l.v.

snare drum and timbales, sticks3

p

p

pp

tamtam, heavy mallet

fff

l.v.

suspended cymbals,med. soft mallets

pp

pp

p pp

fff

pp

loco

glissandoon the loweststrings, same pedal

gliss.

fff

pp subito

fff

pp subito

fff

pp subito

fff

pp subito

fff

pp subito

13

H

H

q = 90

q = 90

96

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

mf

pp

p

mf

pp

p

mf

pp

mf

pp

mf

pp

mf

pp

mf

pp

p

mf

pp

mf

pp

mf

pp

mf

pp

mf

pp

1.

mf

dim...

pp

mf

dim...

pp

(take off the brass mutes)

Tuba

mf

pp

rototomsdim...

rototoms

snare drum and timbales

mf

pp

snare and timbales

p

congas congas, sticks

pp

p

temple blocks


p

pp

pp

pp

pp

p

snare and timbales

p

pp

p

con ped. l.v.


pp

p


pp

p

pp


p


pp

p

pp

arco s.p., sempre tremolando

p

pp


p

pp


p


pp

p

pp

arco s.p., tremol.

p

14

105 I

I

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

mp

p

pp p

ppp

mf

mf

mp

pp p

ppp

mf

mf

p

ppp

mf

mf

mp

pp p

pp

mf

p

mf

mp

pp

mf

p

mf

mp

pp

mf

mf

p

pp p

pp

mf

mf

p

pp

mf

mf

p

pp

mf p

mf

p

p

mf

p

p

mf

mp

pp

mf

pp

p

bouchés

ppp

mf p

mf

ppp

bouchés

mf

p

mf

con sord.

con sord. mf

p

mf

con sord.

con sord. mf

p

mf

con sord.

con sord. ppp

mf

p

mf

wood blocks

trb. 3 con sord.

ppp

mf

p

mf

rototoms

wood blocks

rototoms

snare and timbales

snare and timbales

p

3

temple blocks

congas

pp

temple blocks

p

mp

pp

mf

ppp

mp

pp

mf

ppp

mp

pp

mf

ppp

mp

pp

mf

ppp

mp

pp

mf

ppp

mp

pp

mf

ppp

mp

pp

mf

ppp

mp

pp

mf

ppp

mp

pp

mf

ppp

15

114

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Vln. I

Vln. II

Vla.

Vc.

Cb.

p

pp

mp

p

p

pp

mp

p

p

pp

mp

p

p

pp

mp

p

p

pp

mp

p

p

pp

p

p

p

pp

mp

p

p

pp

mp

p

mp

p

pp

mp p

p

mp

p

pp

mp

p

p

mpmp

p

pp

mp

p

p

mp

p

pp

pp

mp

p

p

p

ouverts

mp

p

pp

ouverts

mp

p

mp

p

pp

mp

p

mp

p

pp

mp

p

Tuba

pp

mp

p

snare and timbales

mp

p

p

mp

p

pp

3

suspended cymbals, with stick shaft on edge

p

mp

p

pp

snare and timbales

p

pp

p

3

pp

ord.

ord.

pp

ord.

pp

ord.

pp

16

119lunga(9-10")

lunga(9-10")

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

crescendo sempre al .....

fff


fff


fff


fff


fff


fff


fff


fff


fff


fff


fff


fff


fff


fff


fff


fff

senza sord.

senza sord. ff

fff

Trb. 3senza sord.

f

ff

ff

fff


antique cymbals

fff

3

3

3

3 3 3 3 3

3

3 3 3

tamtam

fff

3 3

3

mf

ff

fff

p

p

fff

(begin soloduring fermata)

Solo

pp

p

p

fff

p

p

fff

p

p

fff

ord.

p

fff

17

Jsenza misura meno mosso accel. senza misura123

Vln. I

pp gliss.

sul ponticello

ord.

ff

pp

gliss.

flautato

p

q = ca. 60

q = ca. 60

124

poco accel. >

poco accel. >

esitando

esitando

rit...

rit...

K

K

e = 108

e = 108

Fl. 1

Ob. 1

Perc. 2

Pno.

Vln. I

pp

pp

tamtam, hard marimba mallet

mp

mf

l.v.

f

ord.

con calore

p

più freddo

pp

128

= q = 54

= q = 54

ritardando >

ritardando >

Fl. 1

Fl. 2

Ob. 1

C. A.

Cl. 1

Cl. 2

Bsn. 1

Bsn. 2

Vln. I

Vln. II

Vla.

Vc.

Cb.

p

più p

pp

pp

p

pp

p

pp

più p

pp

p

pp

p

pp

Violin solo

put on the mute and join the section

con sord.

pp

simile

ppp

con sord.

pp

simile

ppp

con sord.

pp

simile

ppp

con sord.

pp

simile

ppp

con sord.

pp

simile

ppp

con sord.

pp

simile

ppp

con sord.

pp

simile

ppp

con sord.

pp

simile

ppp

con sord.

pp

ppp

18

L

L

Semplice e sempre dolce

Semplice e sempre dolce

q = 60

q = 60

136

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

ppsempre

ppsempre

ppsempre

ppsempre

ppsempre

ppsempre

ppsempre

ppsempre

ppsempre

ppsempre

ppsempre

ppsempre

con sord.

con sord.ppsempre

con sord.

con sord.ppsempre

cup mutes

ppsempre

cup mutes

ppsempre

cup mutes

ppsempre

tuba: con sord.

trb: cup mute

ppsempre


ppsempre

suspended cymbals,stick shaft on edge

ppsempre


pp


pp

ppsempre

with fingertipson strings

gliss.

pp� sempre, non cresc. o dim., legato









19

143

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

without snares

pp

pp

pp

pp

fingerson middlestrings

gliss.

20

149

M

M

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

ppp

pp

ppp

pp

ppp

pp

ppp

pp

ppp

pp

ppp

pp

ppp

pp

ppp

pp

ppp

ppp

pp

ppp

pp

pp

ppp

pp

ppp

pp

ppp

3.

ppp

ppp

Tubapp

ppp

woodblocks, med. soft mallets

ppsempre

rototoms

ppsempre

(still tuned down)

cymbals with stick shaft on edge

ppsempre

temple blocks,soft mallets

ppsempre

congas (open), soft mallets

ppsempre

pp

ppp

21

157

(9"-10")

(9"-10")

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

Tbn. 1&2

Tbn. 3&

Tba.

Perc. 1

Perc. 2

Perc. 3

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

pp

ppp

pp

ppp

pp

ppp

pp

pp

pp

pp

ppp

pp

ppp

pp

pp

1. lontano

ppp

snare drum, sticks (snares on)

ppe dim...

antique cymbal,brass mallet

ppp

tamtam,stick shaft on edge

ppp

snare drum, sticks (snares on)

ppe dim...


pp

pp

fingerson loweststrings

gliss.

dim...

ppp

dim...

ppp

dim...

ppp

dim...

ppp

dim...

ppp

dim...

ppp

dim...

ppp

dim...

ppp

dim...

ppp

Baltimore 1992 — Kokkola 2005

22

Juha Ojala: Music for Orchestra

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Transcript of Juha Ojala: Music for Orchestra