Josefa de Óbidos (1630 –1684)
-
Upload
michaelasanda- -
Category
Travel
-
view
1.817 -
download
0
Transcript of Josefa de Óbidos (1630 –1684)
![Page 1: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/1.jpg)
http://www.authorstream.com/Presentation/sandamichaela-1995615-josefa-de-obidos/
![Page 2: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/2.jpg)
Josefa de Ayala (or de Óbidos) was born in Seville, Spain. Her father was a Portuguese artist named Baltazar Gomes Figueira. Her birth name was Josefa de Ayala Figueira, but she signed her work as, "Josefa em Óbidos" or, "Josefa de Ayalla". She is one of the relatively few female European painters known to have been active in the Baroque era. All of her work was executed in Portugal, her father's native country, where she lived from the age of four and conducted her professional life as an artist. Her versatility is demonstrated by the range of genres she undertook including still life studies, portraits, religious themes, and allegorical subjects. During her life time, Ayala was sufficiently well-regarded as an artist to be elected to the Lisbon Academy
school or follower of Josefa Óbidos "Annunciation“ detail
![Page 3: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/3.jpg)
school or follower of Josefa Óbidos "Annunciation“ detail
Josefa de Óbidos' elaborate still-lifes and religious paintings have long been admired by the Portuguese for their exceptional beauty and profound symbolism. The technical brilliance and elaborate symbolism these masterpieces provide modern viewers with a window into the spirit of seventeenth-century Portugal.She did not marry and earned her living by her painting and as a property owner and landlord.
![Page 4: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/4.jpg)
Josefa de Óbidos "Annunciation“
![Page 5: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/5.jpg)
Josefa de Óbidos Calvário (1679)
![Page 6: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/6.jpg)
Adoração dos Pastores (1669) Óleo sobre tela (150 x 184 cm) Museu Nacional de Arte Antiga, Lisboa
![Page 7: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/7.jpg)
Saint Theresa
During 1672-1673 Josefa de Óbidos painted the altarpiece of Saint Theresa of Ávila for the Carmelite Convent of Cascais.
![Page 8: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/8.jpg)
O Cordeiro Pascal (Pascal lamb), 1660-70Museu Regional Évora, Portugal
![Page 9: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/9.jpg)
Nativity of Jesus c. 1650-6021 x 16 cm Private collection, Porto
![Page 10: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/10.jpg)
The Sacrificial Lamb The Walters Art Museum, Baltimore
![Page 11: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/11.jpg)
S. João da Cruz (1673)Santa Casa da Misericórdia Figueiró dos Vinhos, Portugal.
![Page 12: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/12.jpg)
Joseph and the Child
Jesus child
![Page 13: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/13.jpg)
The Child Jesus Savior of the World (O Menino Jesus Salvador do Mundo), 1673 Igreja Matriz de Cascais, Lisboa
![Page 14: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/14.jpg)
The Marriage of Saint Catherine
![Page 15: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/15.jpg)
Among her chief religious works are the five panels for the Saint Catherine altarpiece of the Church of the Holy Mary (Santa Maria) in Óbidos, in 1661
![Page 16: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/16.jpg)
The Lactation of Saint Bernard
Museu Nacional Machado
de Castro, 1670 1660-1670
![Page 17: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/17.jpg)
St. Francis of Assisi, St. Claire Adoring the Child Jesus, 1647
![Page 18: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/18.jpg)
Marie Madeleine (1650)
Abisag, 1650
![Page 19: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/19.jpg)
Natureza morta com frutos e flores (Still-life), c. 1670, Palácio Nacional de Queluz
Josefa de Óbidos is considered to be one of the most accomplished painters of seventeenth century Portugal and is especially significant because of the recognition she gained among the Baroque painters, an art period which was dominated by male painters
Portrait of Faustino das Neves, c.1670, Municipal Museum of Óbidos
![Page 20: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/20.jpg)
Natureza morta com frutos e flores (Still-life, Pears and marasca cherries in a basket), c. 1670
![Page 21: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/21.jpg)
Natureza morta com frutos e flores (Still-life)
![Page 22: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/22.jpg)
Natureza morta Still-life (c. 1679), Santarém, Municipal Library
![Page 23: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/23.jpg)
Natureza morta (caixa com potes), 1660Museu Nacional de Arte Antiga - Lisboa
![Page 24: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/24.jpg)
Natureza morta com frutos e flores (Still-life)
![Page 25: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/25.jpg)
Natureza morta, 1660 Doces e flores
![Page 26: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/26.jpg)
Natureza morta, cesta com cerejas
![Page 27: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/27.jpg)
Natureza-morta com Doces e Barros, 1676, Biblioteca Municipal Anselo Braamcamp Freire de Santarém
![Page 28: Josefa de Óbidos (1630 –1684)](https://reader036.fdocuments.net/reader036/viewer/2022062905/540d4d487bef0afe0b8b537b/html5/thumbnails/28.jpg)
Sound: Dulce Pontes & Ennio Morricone - Your Love
Text and pictures: InternetCopyrights of the photos belong to each photographer
Presentation: Sanda Foişoreanuwww.slideshare.net/michaelasanda