2021-22

foojf.kdkone year residential certificate course in dramatic arts

PROSPECTUS

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Kanchanjangha Peak

Front cover photo: Safed Lakeer, Dir. Bipin Kumar, (Repertory Production, 2021)

Govt. of Sikkim has allotted a piece of land to National School of Drama, Sikkim in 2019 to establish its own permanent infrastructure at Assam Lingzey Forest Block, near Gangtok.

NSD SIKKIM

Letter of allotment of the land

Official Map of the land

Land position in the Google Map

Private Holding

Private Holding

ICDS CentreGovt. of Sikkim

Land of Social Justice & Welfare Dept.

Way to Saurani Phatak

Private Holding

National School of Drama, New Delhi

National School of Drama, Sikkim

The Chairman, NSD Society

The Director, NSD

Former Chairpersons & Directors of NSD

The Centre In-charge, NSD

The Centre Director, NSD Sikkim

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The Vision & Objectives of NSD, Sikkim

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Subjects of Study12Syllabus14Annual Activity Report16Visiting Faculty Members18Admission Related Matters19General Information22

Theatre Festivals 28

Administrative & Technical Staff26

NSD Sikkim Repertory Company24

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English

CONTENTS

* Dr. P. V. Rajamannar (1959-61) * Maharaja Shri Chamaraja Waddiyar Bahadur (1961-65)* Smt. Indira Gandhi (1965-72)* Dr. K. P. S. Menon (1972-77)Smt. Kamaladevi Chattopadhyaya (1977-78)Shri. L. M. Singhvi (1978-82)Ms. Shanta Gandhi (1982-86)Dr. Suresh Awasthi (1986-88)Smt. Vijaya F. Mehta (1988-92)Dr. P. C. Joshi (1992-96)Dr. Chandrasekhar Kambar (1996-2001)Shri Anupam Kher (2001-2004)Mrs. Amal Allana (2005-2013)Shri Ratan Thiyam (2014-2017)Dr. Arjun Deo Charan, Acting Chairman (2017-2020)

NATIONAL SCHOOL OF DRAMAFORMER CHAIRPERSONS AND DIRECTORS

Former Chairpersons

Shri Satu Sen (1959-61)Shri E. Alkazi (1962-77)Shri B. V. Karanth (1977-82)Prof. B. M. Shah (1982-84)Prof. Mohan Maharishi (1984-86)Shri Ratan Thiyam (1987-88)Prof. Kirti Jain (1988-95)Prof. Ram Gopal Bajaj (1995-2001)Prof. Devendra Raj Ankur (2001-2007)Dr. Anuradha Kapur (2007-2013)Prof. Waman Kendre (2013- 2018)Prof. Suresh Sharma, Director In-charge (2018-2021)

Chairman : Shri Paresh Rawal

Acting Director : Shri Dinesh Khanna

Current Office Holders

Former Directors

* When NSD was under the administrative control of the Sangeet Natak Akademi, the Chairperson of the Akademi used to be the Chairperson of the National School of Drama as well.

ational School of Drama is one of the foremost Ntheatre training institutions in the world and the only one of its kind in India. Established in 1959 as a

constituent unit of the Sangeet Natak Akademi, the School became an independent entity in 1975 and was registered as an autonomous organization under Societies Registration Act XXI of 1860, fully financed by the Ministry of Culture, Government of India. The School offers an intensive and comprehensive three-year course in Theatre. Successful candidates are awarded Diploma in Dramatic Art after completing the course. The training is based on a carefully planned syllabus which covers every aspect of theatre, in which theory is related to practice as a part of which, shows are performed before the public audience. The School has two performing wings: The Repertory Company, started in 1964, and the Theatre-in-Education Company (Sanskaar Rang Toli), which was founded in 1989. On completion of the three years diploma course, successful candidates may be considered for enrolment into either of these two companies, or granted a one year fellowship. The extension program of School, under which workshops for adult and children are conducted in various parts of the country, was launched in 1978.

National School of Drama

New

Del

hi

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Bhumi Pujan of NSD Sikkim land at Assam Lingzey Forest Block, Gangtok(February 2021) 4

National School of Drama

Sik

kim

ikkim Theatre Training Centre is the first centre of the SNational School of Drama outside Delhi, established in the year 2011 with 'One Year Residential Certificate

Course in Dramatic Arts'. Situated in the lush green picturesque valley of Gangtok, the centre offers a year-long extensive training in theatre.

The first phase of the course is devoted to training and grooming of the participants in which Yoga, Movement, Martial Arts, Voice and Speech, Music, Western Drama, Classical and Modern Indian Drama and various Methods of Acting are covered. The second phase focuses on technical training, Set design, Lighting, Make-up and other aspect of theatre. In the third phase, the participants experience a series of professional tours in and around Sikkim and other places of India which provide them with ample opportunity to open up and know different cultures, people and territories.

In 2012, the centre started its Repertory Company in which student from the previous year's training program were selected as Artists.

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Chairman, NSD

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n actor par excellence, Shri Paresh Rawal was born in 1955 in AMumbai in a Gujrati family. He is an actor, comedian, film producer, politician and a Member of Parliament. Completed his

studies from Narsee Monjee College of Commerce & Economics, Mumbai, he started performing on stage in 1972 in Gujarati and Hindi. He has performed more than 150 plays and about 7000 performances in India and in countries like the USA, the UK, Africa, Australia, New Zealand, UAE, Europe and the Far East. He also acted with and directed Naseeruddin Shah in the stage version of 'Slueth'. Worked under the direction of Ketan Mehta in a stage version of 'One Flew Over the Cuckoo's Nest'. Besides, he performed 50 shows in 52 days of the play 'Kisan vs Kanhaiya' (stage version of film OMG) in the USA.Shri Rawal made his debut in films in 1985 with 'Arjun' in a supporting role. It was the 1986 blockbuster film 'Naam' that established him as an actor with great talent. He then appeared in over 250 films in Hindi, Gujarati, Telugu, Tamil and other languages. His most famous films are 'Sir', 'Wo Chhokri','Hera Pheri','OMG', 'Hungama' 'Oye Lucky! Lucky Oye!', 'Atithi Tum Kab Jaoge?', 'Sardar', 'Sanju', 'Aankhen' among others.Shri Rawal conferred with Padamashri in 2014 by the Government of India for his contributions to the entertainment industry and received Doctor of Letters (D. Litt.) from Veer Narmad South Gujarat University, Surat in the same year. He has also been awarded The P. L. Despande Award for his contribution to theatre and films in 2013; Dinnanath Mangeshkar Award bestowed by Lata Mangeshkar for his contribution to theatre and films in 2008; Rotary award for Excellence in Profession by Rotary Club, Mumbai South in 1995. He also won Best Actor award for the plays 'Tokhaar' in 1977 and 'Veth Chetu Moth' in 1980 in the prestigious Gujarat State Drama Competitions.As far as awards for the films are concerned, he has won about 21 awards and 28 nominations for different films till now. He received National Award for 'Sir' (1993) and 'Wo Chhokri' (1994). Besides, he has been awarded Best Comic Actor for 'Atithi Tum Kab Jaoge?' (2010), 'Hera Pheri' (2000) 'Hungama' (2003), 'Awara Paagal Deewana' (2002) by Apsara Film Producers Guild, International Indian Film Academy, Bollywood Awards, Sansui Viewer's Choice Awards, Screen Awards, Zee Cine Awards respectively; Best Actor Award for 'Sardar' (1993) in Bengal Film Journalists' Award; Best Performance by an Actor in a Negative Role for 'Sir' (1993) in Filmfare Awards; Best Supporting Actor for 'Raja' (1995) in Screen Awards; and Best Actor in Comedy Role (in 2002, 2003, 2004, 2005 2006) in Star Gold Award for his contribution as an actor in different films.

Paresh Rawal

Acting Director & Dean Academics, NSD

graduate from Lucknow University with a diploma in Acting Afrom Bhartendu Natya Academy and a post-graduate diploma in acting from the National School of Drama in

1986, Dinesh Khanna has been involved in acting, direction and teaching for the last twenty years. Deeply interested in literature and translation, he has written several articles on theatre. His published works till now include ‘Kucch Aansu Aur Kuchh Phool’ and ‘Abhinay Chintan’.

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Dinesh Khanna

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bdul Latif Khatana graduated from NSD in 1986 with Aspecialization in acting. In addition to devising, writing and directing several plays that have been nationally and

internationally performed, he has done major workshops on Acting in India and abroad. He has also extensively conceptualised and conducted workshops with children, school teachers, street educators, social workers, TIE artists, theatre practitioners, etc. on Devising Performances, T.I.E., D.I.E., Self Development, Social Integration, Revealing Through Theatre, etc. His notable theatre productions are ‘Oedipus the King’, ‘Caucasian Chalk Circle’, ‘Roze-nama Haftawaar’, ‘Tulsi Tulsi’, ‘Daire’, ‘Kitaboon Mein Halchal’, ‘Sorry Mamma’, ‘Top Secret’, ‘Flying Horse’, ‘Romeo & Juliet’, ‘Anhad’, ‘King Lear’ and others. He is the founder member of Adabi Sangat, Kashmir and founder Artistic Director of the theatre group Kirdar,Delhi. He was also a founder actor-teacher of Sanskaar Rang Toli (Theatre-In –Education Co.) of NSD, of which he sooner became chief.

He is credited with conceptualising and organising NSD's first ever National Theatre Festival for children called ‘Jashne-Bachpan’, followed by another National Festival, ‘Bal Sangam’, of folk and traditional performing arts by children. Shri Khatana has worked extensively with hundreds of Schools, Institutions and NGO's to cultivate the need of theatre/drama for children at national level. He has contributed at multiple levels in devising the theatre/drama syllabus for NCERT for classes 1 to 12. He has more than thirty year's notable experience of teaching ‘Acting’and ‘Theatre/Drama in Education’.

Abdul Latif KhatanaCentre In-charge & Chief of TIE Company, NSD

n alumnus of National School of Drama, Bipin Kumar has directed Aapproximately 30 plays in various Indian languages with theatre groups & corporate sectors in India. His major directorial works include

'Yayati','Pagla Ghoda', 'Ashad Ka Ek Din', 'Biyaban Mein Ugtey Kinshuk', 'Hamlet' in Chhotanagpuri & in Nepali, 'Ek Tha Gadha', 'Sabhya Sanp' in Bengali, 'Trishanku', ‘The Fan', ‘Jati Hi Puchho Sadhu ki', 'The Lower Depths', 'Sidhartha Gautam Dekhi Buddha Samma Ek Yatra' in Nepali, 'Us Raat Ke Baad', 'Shakuntala', ‘Chakra Ek Mahayatra' in Nepali, 'Garbo', 'Hum Hi Apna Aap' in Nepali, 'Rajkumar Namgyal' in Nepali, 'A Love Story 1950' in Nepali, 'Taj Mahal Ka Tender', 'Romeo & Juliet’ in multi language and ‘Safed Lakeer’ in Hindi etc.

His teaching experience spans almost 25 years and he has conducted several theatre workshops in different states of India including Sikkim, Jharkhand, Uttarkhand, Uttar Pradesh, Punjab, Chhattisgarh, Assam, Arunachal Pradesh, Bihar, West Bengal & Madhya Pradesh, organised by National School of Drama, Sangeet Natak Academy & Kshitij Theatre Group in collaboration with Ministry of Culture, Govt. of India.

Formed Kshitij Theatre Group (Repertory Company) at Delhi in 1988 and is the founder member of Yuva Rang Manch, Ranchi, Jharkhand from 1981. Mr. Kumar was the Board Member of School of Performing and Visual Arts at IGNOU, New Delhi from 2012 to 2014. He has been visiting faculty of Drama Department, Ranchi University and Raja Mansingh Tomar Music & Arts University, Gwalior.

In addition, he has produced films, Serials, documentaries and educational films for Ministry of Culture & Doordarshan under the banner of Kshitij Theatre Group and Bharti Productions. He was Co-Producer of a 3 hour long film 'Kaala Heera' for Zee T. V., which was telecast in Jan. 2001 under special time slot. The film was based on Chasnala Coal Mine Disaster. Also co-produced a comedy serial of 13 episodes titled 'Gadbad Ghotala' for DD-1, was telecast in 1995.

He has received the Jharkhand State Award for Acting in the year 2016. In 2017, he was felicitated by “Sikkim Kalakar Sangh” for his immense contribution in promoting Theatre in Sikkim. He was conferred with Sangeet Natak Akademi Award for Direction in 2016. Recently, Mr. Kumar has also felicitated by Appreciation award by Govt. of Sikkim on the occasion of Republic Day 2021.

Presently, he is the Centre Director at National School of Drama, Sikkim, Gangtok.

Centre Director, NSD Sikkim

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Bipin Kumar

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Rajendra Dhodapkar’s Garam Coat, based on Nikolai Gogol’s Russian Story The Overcoat,

Dir. Lokendra Trivedi(Students Production, 2019-20 batch, presented in March 2021)

ACTING IS BEHAVING TRUTHFULLY

UNDER IMAGINARY CIRCUMSTANCES.

- SANFORD MEISNER

Centre provides full time one year residential certificate course in dramatic arts for entrants intending to take theatre as profession.

Ÿ To encourage and fac i l i ta te innovat ion and learning the art of theatre, by providing education, disseminating knowledge and promoting appreciation through unique pedagogy.

Ÿ To develop the intangible concept of creative imagination and its expression within the collective framework of a group.

Ÿ To organize a drama show, workshop, demonstrations and outreach programmes to benefit the local communities of Sikkim and North Eastern states.

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Objectives

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1)The Vision

The

Vis

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& O

bjec

tives

of

the

Cent

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Kalidasa’s Abhijnan Shakuntalam, Dir. Piyaal Bhattacharya

(Students Production, 2019-20)

Suntala ko Bagaan, an adaptation of Chekhov’s Cherry Orchard, Dir. Sandip Bhattacharya

(Repertory Production, 2018)

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Kalo Sunakhari, a dramatisation of Yeshe Dorjee Thongchi’s novel Sonam Dir. Abhilash Pillai, (Repertory Production, 2012)

Ÿ Introduction of Acting : Basic Knowledge

Ÿ Physical Theatre

Ÿ Voice and Speech

Ÿ Yoga

Ÿ Movement

Ÿ Theatre Music

Ÿ Acting : Improvisation and Theatre Games

Ÿ Scene Work : Modern Realistic Text, Classical Text, Western Text

Ÿ Script : Craft Work and Analysis

Ÿ Basics Knowledge of Theatre History, Literature and Aesthetics

Ÿ Modern Indian Drama

Ÿ Classical Indian Drama

Ÿ Western Drama

Ÿ Basics of Set Design and Model Making

Ÿ Costumes Design

Ÿ Mask and Props Making

Ÿ Lighting Design

Ÿ Make-up

Acting:

Theatre History, Literature & Aesthetics:

Pyar Paisa Uljhan, an adaptation of Molier’s play The Miser, Dir. Jyoti Nath

(Students’ Production, 2016-17)

Theatre Technique & Design:

Subjects of Study

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YOGA : Physical fitness and increased degree of alertness, grace and concentration, maximum use of voice capabilities achieved through the practiceof asana, kriyas and pranayama.

MOVEMENTS :

Students learn how to use their body, voice and imagination. They learn how to be aware of the body and concentrate on its rhythm, enter space and loosen their limbs.

SCRIPT CRAFT WORK & ANALYSIS :

a) Techniques of moving from text to stage.b) Selection, structure and study of plays.

SCENE WORK :

Scene work on a modern realistic text that will culminate in an in-house production.

(divided into three major phases)

Surajmukhi & Hamlet, an adaptation of Jean Annoilh’s An Episode in the life of an Author, Dir. Bharti Sharma (Repertory Production, 2019) 14 14

VOICE & SPEECH : Exercises that focus on breathing, humming, pitch, volume and singing.

THEATRE MUSIC :

Enhancing the musical sensibility of students through the knowledge of various sounds and rhythmic pattern, evolve from the text of the play.

ACTING :

Introduction to acting, basic knowledge:a) Introducing Methods of Actingb) Improvisations & Theatre Games.

Syllabus1 First

Phase Course Module

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Sahasi Aamala, an adaptation of Brecht’s Mother Courage and Her Children, Dir. Noushad Mohamed Kunju(Repertory Production, 2017)

MOVEMENT :

Introducing Martial Arts or any such Traditional Form.

VOICE & SPEECH : Introducing text/script for speech.

ACTING : a) Major Codified Theories and Methods of Acting.b) Improvisation and Theatre Games. THEATRE LITRATURE, HISTORY & AESTHETICS :

a) Basic knowledge of Classical Indian Dramab) Modern Indian Dramac) Western Drama

STUDY TOUR : To learn any Indian traditional or folk forms.

STUDIO THEATRE PRODUCTION : A public show of a Classical or Folk play after six months.

Second Phase 2

THEATRE DESIGN & PRODUCTION :

Ÿ To develop basic technical skills in props and mask making, set design (scenic design) and model making.

Ÿ Basic concept and method for costume design.

Ÿ Basic knowledge of lighting designŸ Makeup: different styles of

makeup, theory and practicalŸ Final Production: a public

performance of either an Indian or Western play.

DEMONSTRATION :

Ÿ Watching regional, traditional, folk & realistic performances.

Ÿ Screening of films, recorded Videos and Plays.

Second Phase 3

Syl

lab

us

16Mohan Rakesh’s Ashadh ka Ek Din

Dir. Bipin Kumar (Students Production, 2018-19) 14 16

April 2020- March 2021

Centre participants (batch 2019-20) assigned with online project work on the subjects such as script writing and Emotional memory (Acting). Repertory Company activities kept on hold due to COVID-19.

July 2020

Centre Participants (batch 2019-20) Costume design (theory) classes held by Gagandeep. Repertory company Design, direction & individual scene work classes conducted by Prof. Tripurati Sharma through online zoom app. 2019-

th20 batch students Viva Voce held online on 24 of Aug 2020 with the following board members: Prof. Suresh Sharma (Director In-charge, NSD, Delhi), Dr. Abhilash Pillai (Centre In-charge, NSD, Delhi), Bipin Kumar (Centre Director, NSD, Sikkim), Suman Kumar (Dy. Secretary, SNA), Hema Singh (Associate Prof., NSD, Delhi), Pranjal Saikia (Eminent theatre personality).

Centre Participants (batch 2019-20) Method Acting classes held under Prof. Suresh Sharma (Director In-charge, NSD) through online zoom app.

August 2020

Repertory company Design, direction, individual scene work and speech classes conducted by Bharti Sharma and Production process by Dr. Anuradha Kapur through online zoom app.

May 2020Centre Participants (batch 2019-20) Light Design (theory) classes taken by Souti Chakraborty through online zoom app.

September 2020

Repertory Company’s month long summer vacation from 1- 30 June 2020.

June 2020

April 2020

Annual Activity Report

October 2020

Assessment/ interaction of Repertory Company th

artists held on 7 Oct through online zoom app. thRep. Artists resumed regular classes from 12 Oct

2020.

January 2021

Repertory Company’s rehearsal of the play 'Safed Lakeer' directed by Bipin Kumar continued.

February 2021Bhumi Pujan & Foundation stone laying ceremony held at Tamla, Assam Linzey, East

thSikkim on 8 Feb. Centre Participants (batch 2019-nd20) resumed regular classes from 22 Feb.

onwards. Set design & Model making classes conducted by Mr. Shaym Kr. Sahani. Students' final production started under the direction of Lokendra Trivedi.

March 2021

Repertory Company staged its new production Safed Lakeer a research on drug abuse directed by Bipin Kumar on 7 & 8th March at Manan Kendra. Centre Participants (batch 2019-20) Make-up classes conducted by Sanjoy Samanta, Costume design (practical) by Salim Arif and Light design (practical) by Sudip Sanyal. Students staged final production Garam Coat directed by Lokendra

s tTrivedi on 21 March at Manan Kendra. thConvocation of 2019-20 batch held on 25 March

2021.

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Activity Report

November 2020

Acting, improvisation & scene work classes taken by Bipin Kumar (Centre Director, NSD, Sikkim) with the artists of Repertory Company .

December 2020

Repertory Company’s new production 'Safed Lakeer' began under the direction of Bipin Kumar.

Rajendra Dhodapkar’s Garam Coat, based on Nikolai Gogol’s Russian Story The Overcoat,

Dir. Lokendra Trivedi(Students Production, 2019-20 batch, presented in 2021)

Offline Classes :

Shyam Kr. Sahani, Delhi Set Design & Model MakingSanjoy Samanta, Kolkata Make-upSalim Arif, Mumbai Costume (Practical)Sudip Kr. Sanyal, Kolkata Light Design (Practical)Lokendra Trivedi, Delhi Final Production

Online Classes :

Souti Chakraborty, Delhi Lighting (Theory)Gagandeep, Delhi Costume (Theory)Prof. Suresh Sharma, Delhi Method Acting

You Too Vikrant!, an adaptation of Shakespeare’s Julius Caesar, Dir. Binod Sharma

(Students Production, 2017-18) 18

Andh-vish-waas, inspired by Laxminath Bezbaruah’s Champavati, Dir. Mridul Boruah (Students Production, 2014-15)

2020

-21Visiting Faculty Members

Admission Related MattersApplication Process

In the year 2021, twenty-two students will be selected for the one-year certificate course (full-time) in dramatic arts. In view of the present situation due to COVID-19 in the country, this year the course may start from September/October 2021.

Applicants can only apply online. Application form can be filled and submitted online along with necessary documents such as graduation certificate, birth certificate, caste certificate (creamy/non-creamy layer for OBC), address proof, letter of recommendation, experience certificate (if any) and recent passport size photograph on the link available on NSD Sikkim website http://www.sikkim.nsd.gov.in. Application fee of Rs.50/- is to be paid online through Net Banking, Credit Card or Debit Card.

Applicants who applied last year in 2020 for the academic year 2020-21 and short-listed may need NOT TO APPLY AGAIN. List of short-listed candidates may be viewed on the website www.sikkim.nsd.gov.in.

All applicants are hereby advised to visit the website regularly as all subsequent corrigendum/addendum /updates will only be uploaded on the website.

For more information please call us at 03592-201010 OR mail to nsdsikkim@gmail.com.

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Minimum Qualifications for Admissioni) Graduation from any recognized University.ii) Proficiency in the mother tongue and a working

knowledge of Hindi & English.iii) Active participation in at least three productions or

in any other field related to theatre.

Kalidasa’s Abhijnan Shakuntalam, Dir. Piyaal Bhattacharya

(Student’s Production, 2019-20)

2021

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Age

The course is open to all men and women between the age of 18 and 30 years.

Medium of InstructionThe medium of instruction is Hindi/English, depending on the subject. Plays are performed mostly in Hindi, Nepali or Multi- Languages.

Adm

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Selection Process

The selection is a two phase process. Due to the prevailing critical pandemic circumstances in the country, it has been decided to conduct online admission-cum-interview to above course for the 2021 batch. An Expert Committee constituted by NSD will assess the aptitude and talent of the candidates and its decision will be FINAL and binding on all the candidates.Selected Candidates may be required to produce original documents/certificates as and when asked by the competent authority.

20Dharmveer Bharati’s Andha Yug

Dir. Thawai Thiyam(Repertory Production, 2015)

NSD reserves the right to start the classes/ courses in online mode, if the situation does not become normal due to pandemic in the country as per instructions of the Government of India and it will be mandatory for the selected students to attend online classes/courses as planned by NSD authority as per syllabus as and when necessary. As soon as the situation is under control and clearance to this effect is received from Government of India, online classes will be automatically converted to on-campus training/academic program.

Online Classes/Courses

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Fees, Dues & DepositsI) Tuition fee: Rs.150/- Per month.II) Caution money & Library fee: Rs.5, 000/-

(refundable after final settlement of accounts).

Other Miscellaneous DuesI) Medical charges : Rs. 100/- per month.II) Hostel fee : Rs. 250/- per month.

ScholarshipThe NSD Sikkim awards a scholarship of Rs. 6000/- (Rupees Six Thousand Only) per month to the selected candidates.

InsuranceSelected candidates are covered by a Risk Cover Insurance Policy and are required to pay the premium amount of Rs. 230/- per annum. The Centre does not take any other responsibility beyond this insurance coverage.

Working HoursClasses are normally held from 7 am to 6 pm with usual breaks of tea and lunch. Rehearsals and other practical works will continue in the evenings till such times as required and also on holidays depending on the case. In case of online classes, the timing will be intimated to the students through e-mail.

VacationsThere will be a month long holiday in the academics.

Study TourA month long study tour organised every year to learn Indian Traditional/Folk forms in different places of the country.

Boarding & LodgingWe provide accommodation for both girls and boys. Accommodation provided to the students may be on a room-sharing basis which is mandatory. Due to pandemic situation, no hostel facility will be provided to the students during the period of online classes as hostels are required to remain vacant as per Government of India instructions. 21

2021

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Ad

mis

sion

Rel

ated

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ters

Tirkha, based on Rabindranath Tagore’s story Hungry Stone, Dir. Heisnam Tomba

(Repertory Production, 2016)

Sudrak’s Mrichhkatikam Dir. Sanabam Thaninleima, (Students Production, 2016-17)

Bodhayan’s Bhagwataajukam Dir. Afsar Hussain, (Students Production, 2017-18)

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You Too Vikrant!, an adaptation of Shakespeare’s Julius Caesar,

Dir. Binod Sharma (Students Production, 2017-18)

General InformationRulesi) Students are not allowed to enter into any arrangement

during training outside the school.

ii) Students are not allowed to seek or accept any engagement to appear in public, neither on the amateur or professional stage, nor in radio, television or films. They may not seek or accept any employment during their term of study.

iii) Students must conduct themselves properly in accordance with the rules that govern manners and appearance. Any student found guilty of unbecoming conduct may be suspended or expelled from the School.

iv) Consuming alcohol in the School premises and hostel is strictly prohibited.

v) Students are not allowed to invite visitors or friends to classes or rehearsals except with prior permission from the Centre Director.

vi) It is obligatory for the students to enact any role that they are handed. They must participate in rehearsals and perform the role in the manner required by the teachers or the director of the play.

vii) Students have to abide by the hostel, mess and library rules.

viii) Students violating rules are liable to serve disciplinary action.

Stationary, Material & EquipmentThe centre will supply students a free of charge mount board, drawing paper, poster color, make-up material, props making material & wood for class room purposes only. Any other material will have to be purchased by the students.

Rehearsals at Studio Theatre

a class by Padmshri Ratan Thiyam

Rehearsal Space

a class by Dr. Anjala Maharishi

a class by Prof. Mohan Maharishi

Library

AssessmentStudents will be evaluated after completion of six months of the course. In this evaluation, their work, projects and participation in the classroom activity will be considered along with assessment provided by the faculties. If their evaluation is not up to the mark, students will be discontinued from the course.

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Ad

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Maya Megh, based on a Gond folk story, Writer-Dir. Tripurari Sharma(Repertory Production, 2017) 24

NSD Sikkim Repertory Company

epertory Company is a performing wing of National RSchool of Drama, Sikkim. It consists of a group of

Artists. The main function of Repertory Company is

to produce plays of high artistic merit and perform them

regularly for the Theatre lovers in Sikkim and across the country.

It was founded in 2012 and has performed eleven plays ‘Hami

Nai Aafai Aaf’, ‘Kalo Sunakhari’, ‘Niyam Tah Yahi Cha’, ‘Andha

Yug’, ‘Ab Aur Nahi’, ‘Tirkha’, ‘Sahasi Aamala’, ‘Maya Megh’,

‘Suntala Ko Bagaan’, ‘Surajmukhi & Hamlet’ and ‘Safed Lakeer’.

2021Repertory Company

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Safed Lakeer, based on research on drug abuse and rehabilitation Centres, Dir. Bipin Kumar(Repertory Production, 2021)

Performances 07 February 2021 Safed Lakeer Manan Kendra, Gangtok

08 February 2021 Safed Lakeer Manan Kendra, Gangtok

Senior Clerk

riti has completed B. Com. from Sikkim University in the year 2013, M. KCom. from IGNOU in 2015 and successfully completed her MBA with specialization in Human Resource Management from Sikkim Manipal

University in 2017. She worked with Indusind Bank from Dec. 2013 to July 2015 and also worked with HDFC Bank from Sept. 2015 to Jan. 2016. She joined National School of Drama, Sikkim in February 2016.

Kriti Gurung

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Born and brought up in Sikkim, Lhakpa Lepcha graduated from North

Bengal University with History (Honors) in 2010. Later, he has g raduated from Nat iona l School of Drama, New Delhi in 2013 with specialization in Acting. As an actor, he has worked with well known theatre directors from India and abroad like Dr. Anuradha Kapur, Prof Robin Das, Dr. Abhilash Pillai, Prof. Tripurari Sharma, Prof. Jeffery Sichol (UK), Shri Bipin Kumar, Shri Shantanu Bose, Shri K. S. Rajendran, Ms. Hema Singh. He also travelled to China and performed at Beijing International Theatre Festival in 2010. He assisted in Repertory Company's production 'Niyam Tah Yehi Chha' directed by Prof. Kamaluddin Nilu. He has directed a play 'Identity' in Lepcha dialect. Acted in an Arunachal based movie 'My Country Land 1962' and 'Dhokbu- the keeper', a Lepcha feature film in 2017, Lhakpa has received Prag Cine Award in 2018 as best male actor for the movie 'Dhokbu- the keeper'.

Programme CoordinatorLhakpa Lepcha

Administrative & Technical Staff

A g r a d u a t e ( B. C o m . ) f r o m Nor th Beng a l

University in the year 2010, Umesh Thapa is pursuing for a Masters degree. He also holds a Dip loma in financ ia l Accounting. Associated with NSD, Sikkim Centre since 2011, he has handled accounts related to various workshops and productions. He is also interested in music & sports and also very active on the stage as a singer & musician.

AssistantUmesh Thapa

Born and brought up in Gyalshing, Sikkim, Chakra has been

associated with National School of Drama, Sikkim since 2007. He is an actor and a prolific designer. He has been associated with several p l a y s l i k e ' C h a k r a E k Mahayatra , ' 'S iddhar tha

Gautam Dekhi Bhudda Samma…Ek Yatra', 'Rukhtha Kalayan', 'Mato Ko Maya', 'Raj Kumar Namgyal', 'A Love Story 1950', 'Black Orchid' etc. He has also designed lights for the play 'Hum Hi Aapne Aap', a students’ production. He is presently working as Stage Manager at National School of Drama Sikkim, Gangtok.

Chakra Bdr. ChettriStage Manager

Born and brought up in North Sikkim, Dependra did B.

Com. (Hons.) from Calcutta University in the year 2010 and Masters in Publ ic Administration in 2014. With a view of education as a primary weapon he is pursuing M. A. in Economics from IGNOU. He has worked as career councilor for educational career guide magazine called 'The Accelerator Magazine and Academy' (North East Division) and have also had his hands on teaching activities at Sr. level of the same organization. He joined NSD, Sikkim as a Junior Clerk in December 2018.

Junior ClerkDependra Gurung

Hem Kumar ChettriMulti-Tasking Staff (MTS)

Hem Kumar is a r e s i d e n t o f Development

A r e a , G a n g t o k , completed his senior secondary from Tashi N a m g y a l S e n i o r

Secondary School, East Sikkim. He joined National School of Drama, Sikkim as Multi Tasking Staff (MTS) in January 2017.

Umesh RaiCentre Care Taker

A r e s i d e n t o f U p p e r Kamrang, Umesh Rai has done many workshops

with NSD Sikkim Theatre Training Centre. He did a month long workshop in 2005, another month long workshop in Namchi and three month long workshop in the year 2008. He is a versatile artists and acted in several plays such as ‘Vikram Urashi’, ‘Shankutala’, ‘Chakra Ek Mahayatra’, ‘Mato Ko Maya’, ‘Jharlangi’, ‘Siddhartha Gautama Dekhi Buddha Samma... Ek Yatra’, ‘A Story of 1950', ‘Rajkumar Namgyal’, ‘Pheri Naya Jeevan’ etc.

Administrative & Technical Staff

27

28

Winter / Spring Theatre Festival

Inaugural Ceremony Spring Theatre Festival( SRC, New Delhi, 2019)

inter Theatre festival was initiated by NSD, WSikkim in the year 2016 in which Repertory Company stages its plays in Gangtok and other

districts of Sikkim as well as in different parts of the country. When the festival occurs in the month of January-February every year, it is called Winter Theatre Festival, however, when it is organised between the months of March-May, it is called Spring Theatre Festival. As part of the festival, the Repertory Company has presented its plays in Gangtok, Mangan, Namchi, Gyalshing, Dibrugarh and Agartala till now. NSD, Sikkim organised the Spring Theatre Festival in New Delhi in the months of April-May 2019.

28

Theatre Festivals

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34

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jk’Vªh; ukV~; fo|ky; ds iwoZ Nk= fcfiu dqekj us dbZ Hkkjrh; Hkk"kkvksa esa fofHkUu jax laLFkkvksa o d‚iksZjsV daifu;ksa ds fy, 30 ls vf/kd ukVdksa dk funsZ'ku fd;k gSA vkids }kjk funsZf'kr ukVdksa esaa *;;kfr*] *ixyk ?kksM+k*] *vk’kk<+ dk ,d fnu*] *fc;kcku esa mxrs Çd'kqd*] *gSeysV*] *,d Fkk x/kk*] *lH; lkai*] ̂ f='kadq *] *n QSu*] ̂tkfr gh iwNks lkèkq dh*] ̂ n yksvj MSIFl*] *fl)kFkZ xkSre ns[kh cq) lEek % ,d ;k=k*] ̂ ml jkr ds ckn*] ^'kdqaryk*] ^pØ ,d egk;k=k*] ^xkcksZ*] ^geha ubZa vkQbZ vkQ*] ^jktdqekj ukeX;ky*] ^v yo LVksjh 1950*] ^rktegy dk VsaMj*] ^jksfe;ks ,aM twfy;V* rFkk ^lQsn ydhj* vkfn izeq[k gSaAvkidks ukV~; izf'k{k.k dk yxHkx 25 o"kksaZ dk vuqHko gSA laL—fr ea=ky; ds lg;ksx ls jk’Vªh; ukV~; fo|ky;] laxhr ukVd vdknseh o f{kfrt fFk,Vj xzqi ds varxZr flfDde] >kj[kaM] mÙkjk[kaM] mÙkj çns'k] iatkc] NÙkhlx<+] vle] v#.kkpy çns'k] fcgkj] if'pe caxky vkSj eè; çns'k lfgr Hkkjr ds fofHkUu jkT;ksa esa dà jax dk;Z”kkykvksa dk lapkyu dj pqds gSaaAvkius 1988 esa fnYyh esa f{kfrt fFk,Vj xzqi ¼jaxeaMy½ dk xBu fd;k vkSj 1981 ls gh ;qok jax eap] jkaph ds laLFkkid lnL; jgs gSaA vki jaxeap foHkkx] jkaph fo”ofo|ky; vkSj jktk ekuÇlg rksej laxhr vkSj dyk fo”ofo|ky;] Xokfy;j ds vfrfFk ladk; Hkh jgs gSaA blds vykok vkius f{kfrt fFk,Vj xzqi vkSj Hkkjrh çksMD'kal ds cSuj rys laL—fr ea=ky; vkSj nwjn'kZu ds fy, dbZ fQYeksa] èkkjkokfgdksa] o`Ùkfp=ksa vkSj 'kSf{kd fQYeksa dk fuekZ.k fd;k gSA vki t+h-Vhoh ds fy, fufeZr 3&?kaVs yach fQ+Ye *dkyk ghjk* ds lg&fuekZrk Fks] tks fd tuojh 2001 esa VsyhdkLV gqbZ FkhA ;g fQ+Ye pklukyk dks;yk [knku vkink ij vkèkkfjr FkhA blds vykok vkius MhMh&1 ds fy, *xM+cM+ ?kksVyk* uked 13&,filksM ds ,d gkL; èkkjkokfgd dk Hkh lg&fuekZ.k fd;k tks 1995 esa VsyhdkLV gqvkA

Jh fcfiu dqekj dks o"kZ 2016 esa vfHku; ds fy, >kj[kaM jkT; iqjLdkj ls lEekfur fd;k x;k tcfd 2017 esa vkidks flfDde esa jaxeap dks c<+kok nsus ds fy, ̂ flfDde dykdkj la?k* }kjk lEekfur fd;k x;kA 2016 esa funsZ'ku ds fy, dsUnzh; laxhr ukVd vdknseh iqjLdkj ls lEekfur fd;k x;kA bl o’kZ 2021 esa vkidks x.kra= fnol ds volj ij flfDde ljdkj dk iz”kfLr lEekUu izkIr gqvk gSA orZeku esa Jh fcfiu dqekj jk’Vªh; ukV~; fo|ky; flfDde] xaxVksd ds dsaæ funs'kd gSaA

37

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38

dkfynkl d`r ekyfodkfXufe=e~ funsZ”ku j.k/khj dqekj

¼Nk= izLrqfr] 2018&19½

dksbZ Kku dksbZ f”kYi dksbZ fo|k dksbZ dyk dksbZ ;ksx rFkk dksbZ deZ ,slk ugha tks ukV~; esa fn[kkbZ u nsrk gksA &ukV~; “kkL=

mís';

jaxeap dks O;olk; ds rkSj ij viukus ds bPNqd Nk=ksa ds fy, ukV~; dyk esa ,d lky dk vkoklh; çek.ki= ikB~;Øe çnku djukA

–f"Vdks.k

fof”k’B izf”k{k.k i|fr }kjk f'k{kk çnku dj] Kku dk çlkj dj vkSj jaxeap ds izfr ç'kalkRed Hkko txk dj jaxdyk esa uokpkj o lh[kus dks lqxe cukuk vkSj mlds fy, izksRlkgu iznku djukA

lewg ds lkewfgd <kaps ds Hkhrj jpukRed dYiuk vkSj mldh vfHkO;fä dh vewrZ voèkkj.kk dks fodflr djukA

flfôe vkSj mÙkj iwoÊ jkT;ksa ds LFkkuh; leqnk;ksa dks ykHkkfUor djus ds fy, ukV~; izLrqfr;kW] dk;Z'kkyk,a] çn'kZu vkSj foLrkj dk;ZØe vk;ksftr djukA

39

alwjteq[kh ,aM gSeysV] T;kW vkuqbZ ds ukVd ,u ,filksM bu n ykbQ+ vkWQ ,u vkWFkj funsZ”ku Hkkjrh “kekZ ¼jaxeaMy izLrqfr] 2019½

jkukfo flfô

e dk –f"Vdks.k o

mís'

;

vc

vkSj u

gha] “ksDl

fi;j ds u

kVd

jksfe;ks ,aM

Twfy

;V

dk :ikarj

.k

funsZ”

ku fcfiu

dqekj

¼jaxeaM

y i

zLrqfr] 20

15½

40 /kEkZohj Hkkj

rh fyf[kr v

a/kk;qx]

funsZ”

ku FkokbZ fFk;ke

¼jaxeaM

y i

zLrqfr] 20

15½

fu;e r ;gh N%] czs’V ds ukVd n ,DlsI”ku ,aM n :y dk :ikarj.k

funsZ”ku dekyqn~nhu uhyw¼jaxeaMy izLrqfr] 2013½

Theatre is, of course, a re�lection of life.

Maybe we have to improve life before

we can hope to improve theatre.

- W. R. Inge

;Fkks gLr rFkks n`f’V] ;Fkks n`f’V rFkks eu% A;Fkks eu% rFkks Hkko%] ;Fkks Hkko rFkks jl%AA & ukV~;”kkL=

vfHku; dk ifjp; % ekSfyd Kku

“kkjhfjd jaxeap

vkokt+ o laHkk’k.k

;ksx

ewoesaV

jax laxhr

vfHku; % bEizkokbts”ku vkSj fFk,Vj xsEl

–'; dk;Z % vkèkqfud ;FkkFkZoknh ukVd]

'kkL=h; ukVd] if'peh UkkVd

vkys[k f”kYi dk;Z o fo”ys’k.k

jaxeap dk bfrgkl] lkfgR; vkSjlkSan;Z'kkL= %

jax bfrgkl] lkfgR; o lkSan;Z'kkL= dk ekSfyd Kkuvkèkqfud Hkkjrh; ukVd'kkL=h; Hkkjrh; ukVdif'peh ukVd

jax rduhd o ifjdYiuk %

eap ifjdYiuk vkSj e‚My fuekZ.k dh ewyHkwr ckrsaos'kHkw"kk ifjdYiuk ekLd vkSj ç‚Il fuekZ.kçdk'k ifjdYiuk esdvi

eksgu jkds”k d`r vk’kk<+ dk ,d fnu funsZ”ku fcfiu dqekj

¼Nk= izLrqfr] 2018&19½ 41

vè;;u ds fo"k;

vfHku;%

42

igyk pj.k

;ksx %'kkjhfjd fQVusl vkSj lrdZrk] pqLrh vkSj ,dkxzrk esa o`f) vklu] fØ;k vkSj çk.kk;ke ds vH;kl }kjk ok.kh dh {kerkvksa dk vfèkdre mi;ksxA

ewoesVa %“kjhj] vkokt+ o dYiuk dk mi;ksx djukA 'kjhj ds ckjs esa lpsr jguk vkSj mldh y; ij è;ku dsafær djukA Lisl esa ços'k djus ds lkFk&lkFk vius vaxksa dks <hyk djukA

jax laxhr %

vkokt+ vkSj laHkk"k.k%lk¡l ysus] xquxqukus] fip] okWY;we vkSj xk;u ij è;ku dsafær djus okys vH;klA

ukVd ds ikB ls fodflr fofHkUu èofu;ksa vkSj y;c) iSVuksaZ ds izf”k{k.k ls Nk=ks a dh laxhr ds izfr laosnu'khyrk c<+kuk A

vfHku; % vfHku; dk ifjp;] ekSfyd Kku % v½ vfHku; i|fr;ksa dk ifjp; c½ bEizksokbts”ku o fFk,Vj xsEl

vkys[k f'kYi dk;Z o fo'ys"k.k%

v½ vkys[k ls eap rd tkus dh rduhd

c½ ukVdksa dk p;u] lajpuk vkSj vè;;u

n`'; dk;Z%

,d vkèkqfud ;FkkFkZoknh ikB ij –';&dk;Z tks varr% ,d bu& gkml izLrqfr esa lekIr gksxkA

¼rhu izeq[k pj.kksa esa foHkDr)

dkfynkl d`r “kkdqarye~ funsZ”ku fi;ky HkV~Vkpk;Z ¼Nk= izLrqfr] 2019&20½

1~ikB;Øe

dkslZ ekWM~;yw

43l=h; u`R; vH;kl izLrqfr ¼Nk= v/;;u ;k=k] ektqyh] 2019&20½

rhljk pj.k

ewoesaV %ek'kZy vkVZ ;k mlh rjg dh vU; ikjaifjd “kSyh dk ifjp;

vkokt+ o laHkk"k.k %laHkk"k.k gsrq vkys[k@ukVd dk ifjp;

vfHku; %Ÿ çeq[k lafgrkc) fl)kar vkSj

vfHku; i|fr;kWaŸ bEizksokbts”ku o fFk,Vj xsEl

ukV~; lkfgR;] bfrgkl vkSj lkSan;Z'kkL= %Ÿ 'kkL=h; Hkkjrh; ukVd Ÿ vkèkqfud Hkkjrh; ukVdŸ if'peh ukVd dk ekSfyd Kkuvè;;u Hkze.k % fdlh Hkkjrh; ikjaifjd ;k yksd “kSyh ds v/;;u gsrq Hkze.k dk;ZØe

LVwfM;ks fFk,Vj izLrqfr Ng eghus Ik”pkr ,d 'kkL=h;@yksd ukVd dk lkoZtfud çn'kZuA

jax ifjdYiuk o IkzLrqfr %

Ÿ ç‚Il o ekLd fuekZ.k] eap ifjdYiuk ¼n`”; ifjdYiuk½ vkSj e‚My fuekZ.k dk cqfu;knh rduhdh dkS'ky fodflr djukA

Ÿ oL= lTtk ifjdYiuk dh ewy voèkkj.kk o izfofèkA

Ÿ çdk'k ifjdYiuk dk ekSfyd KkuŸ esdvi % fofHkUu “kSfy;ksa dk esdvi]

fl)kar o O;ogkjŸ vafre izLrqfr % ,d Hkkjrh; ;k if'peh

ukVd dk lkoZtfud çn'kZuA

nwljk pj.k

~ikB;Øe

vU; izn'kZu %Ÿ {ks=h;] ikjaifjd] yksd o ;FkkFkZoknh

çn'kZu ns[kukAŸ fQ+Ye] fjd‚MsZM ohfM;ks o ukVdksa dh

LØhÇux

2 3

& ekpZ 2021vçSy 2020

dsaæ çfrHkkfx;ksa ¼cSp 2019&20½ dks ukV~; ys[ku o HkkoukRed Le`fr ¼vfHku;½ fo"k;ksa ij v‚uykbu ifj;kstuk dk;Z lkSais x;sA dksfoM&19 ds dkj.k jaxeaMy dh xfrfofèk;ksa ij jksd yxh jghA

dsaæ çfrHkkfx;ksa ¼cSp 2019&20½ ds lkFk xxunhi us oL=lTtk ifjdYiuk ¼fl)kar½ dh d{kk,a yhaA jaxeaMy ds lkFk twe ,i ds ekè;e ls çks- f=iqjkjh 'kekZ us v‚uykbu ifjdYiuk] funsZ'ku o O;fäxr –';dk;Z ij d{kk,a yhaA 2019&20 cSp ds Nk=ksa dk okbok 24 vxLr 2020 dks fuEufyf[kr cksMZ lnL;ksa ds lkFk v‚uykbu vk;ksftr fd;k x;k&çks- lqjs'k 'kekZ ¼funs'kd çHkkjh] jkukfo] fnYyh½] M‚- vfHkyk"k fiYyà ¼dsaæ çHkkjh] jkukfo] fnYyh½] fcfiu dqekj ¼dsaæ funs'kd] jkukfo] flfDde½] lqeu dqekj ¼mi lfpo] laxhr ukVd vdknseh½] gsek Çlg ¼,lksfl,V çksQslj] jkukfo] fnYyh½] çkaty lSfd;k ¼çfl) jax O;fäRo½A

v‚uykbu twe ,i ds ekè;e ls çks- lqjs'k 'kekZ ¼çHkkjh funs'kd] jkukfo½ us dsaæ çfrHkkfx;ksa ¼cSp 2019&20½ ds lkFk esFkM ,ÇDVx ij d{kk,a yhaA

vxLr 2020

Hkkjrh 'kekZ us jaxeaMy ds lkFk ifjdYiuk] funsZ'ku] O;fäxr –';dk;Z o laHkk"k.k ij d{kk,a yha ogha M‚ vuqjkèkk diwj us twe ,si ds ekè;e ls izLrqfr çfØ;k ij v‚uykbu d{kk yhA

v‚uykbu twe ,i ds ekè;e ls lkSrh pØorÊ us dsaæ çfrHkkfx;ksa ¼cSp 2019&20½ ds lkFk izdk”k ifjdYiuk ¼fl)kar½ dh d{kk,a yhaA

flrEcj 2020

1 ls 30 twu 2020 ds chp jaxeaMy dh ,d eghus yach xfeZ;ksa dh NqêhA

p”ekbZ dks Qwy] “ksDlfi;j ds feM lej ukbV~l Mªhe dk usikyh :ikarj.k funsZ”ku lanhi HkV~Vkpk;Z ¼Nk= izLrqfr] 2015&16½ 44

vçSy 2020

ebZ 2020

twu 2020

okÆ"kd xfrfofèk fjiksVZ

tqykbZ 2020

7 vDVwcj dks jaxeaMy ds dykdkjksa dk dk;Z dk ewY;kadu@ vkilh fopkj foe”kZ v‚uykbu twe ,i ds t+fj, gqvkA jaxeaMy dykdkjksa us 12 vDVwcj 2020 ls fu;fer d{kk,a 'kq: dÈA

fcfiu dqekj ¼dsaæ funs'kd] jkukfo] flfDde½ us jaxeMy ds lkFk vfHku;] vk”kq vfHku; vkSj –';dk;Z ij d{kk,a yhaA

fcfiu dqekj ds funsZ'ku esa jaxeaMy dk u;k ukVd *lQ+sn ydhj* 'kq: gqvkA

fnlEcj 2020

vDVwcj 2020

uoEcj 2020

45

jaxeaMy us 7 o 8 ekpZ dks euu dsaæ esa fcfiu dqekj funsZf'kr u'khyh nokvksa ds nq#i;ksx ij 'kksèk vk/kkfjr ubZ izLrqfr ̂lQsn ydhj* dk eapu fd;kA dsaæ çfrHkkfx;ksa ¼cSp 2019&20½ ds lkFk lat; lkear us esdvi] lyhe vkfjQ+ us os”kHkw’kk ifjdYiuk ¼çk;ksfxd½ o lqnhi lkU;ky us izdk”k ifjdYiuk ¼çk;ksfxd½ dh d{kk,a yhaA Nk=ksa us 21 ekpZ dks euu dsaæ esa yksdsUæ f=osnh funsZf'kr viuh vafre izLrqfr ^xje dksV* dk eapu fd;kA 25 ekpZ 2021 dks mDr 2019&20 cSp dk nh{kkar lekjksg vk;ksftr fd;k x;kA

fcfiu dqekj ds funsZ'ku esa jaxeaMy ds u;s ukVd *lQ+sn ydhj* dk iwokZH;kl t+kjhA

Qjojh 20218 Qjojh dks rkeyk] vle ÇyXt+s] iwoÊ flfDde esa jkukfo flfDde dk Hkwfe iwtu vkSj f'kykU;kl lekjksg vk;ksftr fd;k x;kA dsaæ çfrHkkfx;ksa ¼cSp 2019&20½ us 22 Qjojh ls iqu% fu;fer d{kk,a 'kq: dÈA Jh ';ke dqekj lguh us eap ifjdYiuk o ekWMy fuekZ.k dh d{kk,a yha ogha yksdsaæ f=osnh ds funsZ'ku esa Nk=ksa dh vafre çLrqfr 'kq: gqbZA

xfrfofèk fjiksVZtuojh 2021

ekpZ 2021

lQsn ydhj] u”ks dh yr o iquokZl dsUnzksa ij fd;s “kks/k ij vk/kkfjr ukVd

funsZ”ku fcfiu dqekj ¼jaxeaMy] 2021½

fudksykbZ xksxksy dh :lh dgkuh n vksojdksV ij vk/kkfjr jktsUnz /kksM+idj fyf[kr ukVd xje dksV]funsZ”ku yksdsUnz f=osnh ¼Nk= izLrqfr 2019&2020] 2021 esa izLrqr½

46

2020

-21vfrfFk ladk;

ifjlj esa d{kk,a %eap ifjdYiuk o ekWMy fuekZ.k

&“;ke dqekj lguh] fnYyh

esdvi

&latks; lkeark] dksydkrk oL=lTtk ifjdYiuk ¼izk;ksfxd½

+]] eqacbZ &lyhe vkfjQizdk'k ifjdYiuk ¼izk;ksfxd½

&lqnhi dqekj lkU;ky] dksydkrk

vafre izLrqfr

&yksdsUnz f=osnh] fnYyh

vkWuykbu d{kk,a %izdk'k ifjdYiuk ¼lS)kafrd½

&lkmrh pdz orhZ] fnYyh

oL=lTtk ifjdYiuk ¼lS)kafrd½

&xxunhi] fnYyh

eSFkM ,fDVax

&izks- lqjs”k “kekZ] fnYyh

dkyks lquk[kjh] ;s”ks nksjt+h Fkksaxph ds miU;kl lksue dk ukV~; :ikarj.k

funsZ”ku vfHkyk’k fiYybZ ¼jaxeaMy izLrqfr] 2012½

Ikzos'k lacaèkh ekeysvkosnu çfØ;k

jkukfo flfDde esa ukV~; dyk esa ,d o"khZ; vkoklh; çek.ki= ikB~;Øe ds 2020&2021 cSp ds fy, ckÃl Nk=ksa dk p;u fd;k tk,xkA ns'k esa dksfoM&19 ds dkj.k mRiUu orZeku ifjfLFkfr dks ns[krs gq,] bl o"kZ ;g ikB~;Øe vDVwcj@uoEcj 2021 ls vkjEHk gksuk vuqekfur gSA

vkosnd flQ+Z vkWuykbu vkosnu dj ldrs gSaA vkosnu i= vko”;d nLrkost+ksa tSls fd LukRkd mikf/k Ik=] tUe izek.k Ik=] tkfr izek.k i= ¼vU; fiNM+k oxZ ds Øheh@xSj&Øheh ys;j½] irs dk izek.k] laLrqfr Ik=] vuqHko dk izek.k ¼vxj dksbZ

+gS½ vkSj gkfy;k ikliksVZ lkbt+ ds QksVksxzkQ ds lkFk jkukfo flfDde dh osclkbV http://www.sikkim.nsd.gov.in ij Hkjk tk ldrk gSA vkosnu 'kqYd #- 50@& usVcSafdax] MsfcV ;k ØsfMV dkMZ }kjk vkWuykbu tek fd;k tk ldrk gSA

'kS{kf.kd o"kZ 2020&21 ds fy, fiNys o’kZ vkosnu djus okys vkSj 'k‚VZfyLV fd;s x;s vkosndksa dks fQj ls vkosnu djus dh vko';drk ugÈ gSA 'k‚VZfyLV fd, x, mEehnokjksa dh lwph jkukfo flfDde dh osclkbV ij ns[kh tk ldrh gSA

lHkh vkosndksa dks ,rn~}kjk fu;fer :Ik ls osclkbV ns[kus dh lykg nh tkrh gS D;ksafd ckn esa lHkh “kqf)i=@ifjf”k’V@ viMsV dsoy jkukfo osclkbV ij gh viyksM fd, tk;saxsA

vfèkd tkudkjh ds fy, nsdsikkim@gmail.com ij esy djsa ;k 03592&201010 ij Q+ksu djsaA

47lqUrkyks dks cxku] ps[ko ds pSjh vkWpMZ dk :ikarj.k] funsZ”ku lanhi HkV~Vkpk;Z¼jaxeaMy izLrqfr] 2018½

1- fdlh ekU;rk izkIr fo'ofo|ky; ls LukrdA 2- ekr` Hkk’k esa izoh.krk vkSj fgUnh o vaxzsT+kh dk O;kogkfjd

KkuA3- de ls de rhu çLrqfr;ksa ;k jaxeap ls lacafèkr fdlh

vU; {ks= esa lfØ; HkkxhnkjhA

izos’k ds fy, U;wure ;ksX;rk

2021

-22

mezbl ikBîØe esa 18 ls 30 o"kZ ds chp dh mez ds lHkh iq#"k o efgyk,aa vkosnu dj ldrh gSaA

f'k{k.k dk ek/;ef'k{k.k dk ekè;e fo"k;kuqlkj Çgnh@vaxzst+h esa gksrk gSA ukVdksa dk çn'kZu T;knkrj Çgnh] usikyh ;k feyhtqyh&Hkk"kkvksa esa fd;k tkrk gSA

p;u izfØ;kp;u nks pj.kksa dh çfØ;k gSA ns'kHkj esa vk;h egkekjh dh ifjfLFkfr;ksa ds en~nsut+j 'kS{kf.kd o"kZ 2021 ds fy, mijksä ikB~;Øe esa izos”k gsrq v‚uykbu ços'k ijh{kk o lk{kkRdkj vk;ksftr djus dk fu.kZ; fy;k x;k gSAjkukfo }kjk xfBr ,d fo'ks"kK lfefr mEehnokjksa dh ;ksX;rk vkSj çfrHkk dk vkdyu djsxh vkSj ml lfefr dk fu.kZ; lHkh mEehnokjksa ds fy, vafre vkSj ckè;dkjh gksxkA

Ikzos'k lacaèkh ekeys

48

;fn ns'k esa egkekjh ds dkj.k mRiUu fLFkfr lkekU; ugÈ gksrh rks Hkkjr ljdkj ds funsZ'kksa ds vuqlkj jkukfo v‚uykbu eksM esa d{kk,a@ikB~;Øe 'kq: djus dk vfèkdkj lqjf{kr j[krk gS vkSj p;fur Nk=ksa ds fy, jkukfo çkfèkdkfj;ks a }kjk fu;ksftr v‚uykbu d{kkvksa@ikB~;Øe esa Hkkx ysuk vfuok;Z gksxkA vkSj tSls gh fLFkfr fu;a=.k esa vk;sxh vkSj Hkkjr ljdkj ls bl vk'k; dh eatwjh çkIr gksxh] v‚uykbu d{kk,a Lopkfyr :i ls ifjlj esa vkoklh; çf'k{k.k@'kS{kf.kd dk;ZØe esa ifjoÆrr gks tk,axhA

vkWuykbu d{kk,a@ikB~;dz e20

21-2

2

dkfynkl d`r “kkdqarye~ funsZ”ku fi;ky HkV~Vkpk;Z ¼Nk= izLrqfr] 2019&20½

'kqYd] ns; jkf'k vkSj tek jkf'k1½ f'k{k.k 'kqYd % # 150@& çfr ekg2½ dkW”ku euh o iqLrdky; 'kqYd % #- 5000@& ¼[kkrksa ds vafre fuiVku ds ckn okilh ;ksX;½

avU; fofoèk ns; jkf'k;kW1½ fpfdRlk 'kqYd % #- 100@& çfr ekg2½ Nk=kokl 'kqYd % #- 250@& çfr ekg

Nk=o`fÙk

jkukfo flfDde p;fur mEehnokjksa dks çfr ekg #-6000@& ¼#i;s N% gt+kj ek=½ dh Nk=o`fÙk çnku djrk gSA

Ckhekp;fur mEehnokjksa dks ,d tksf[ke doj chek i‚fylh }kjk doj fd;k tkrk gS vkSj mUgsa #- 230@& çfr o"kZ dh çhfe;e jkf'k dk Hkqxrku djuk gksrk gSA dsaæ bl chek dojst ls ijs dksà vU; ftEesnkjh ugÈ ysrkA

dke djus ds ?kaVsd{kk,a lqcg 7 ls 'kke 6 cts rd vk;ksftr dh tkrh gSa ftlds chp esa pk; vkSj nksigj ds Hkkstu ds lkekU; vodk”k gksrs gSaA fjglZy o vU; izk;ksfxd dk;Z vko”;drk iM+us ij jkst+kuk nsj 'kke rd vkSj Nqfê;ksa esa Hkh t+kjh jg ldrs gSa vkSj ifjfLFkfr;ksa ij fuHkZj djrs gSaAv‚uykbu d{kkvksa ds ekeys esa fu/kkZfjr le; dh tkudkjh Nk=ksa dks bZesy ls nh tk,xhA

vodk'ko’kZ esa ,d ekg dk “kS{kf.kd vodk”k fn;k tkrk gSA

vè;;u Hkze.kHkkjrh; ikjaifjd@yksd “kSfy;ksa dks tkuus&lh[kus ds fy, gj lky 30 fnuksa ds fy, ns'k ds fdlh egRoiw.kZ LFkku dh vè;;u ;k=k vk;ksftr dh tkrh gSA

vkokl o Hkkstuge yM+fd;ksa o yM+dksa nksuksa ds fy, vkokl dh lqfo/kk çnku djrs gSaA mUgsa lk>k vkokl iznku fd;k tkrk gS tks fd vfuok;Z gSAegkekjh dh ifjfLFkfr ds en~nsut+j Hkkjr ljdkj ds funsZ”kksa ds pyrs Nk=kokl [kkyh j[ks tkus gaS blhfy, fo|ky; Nk=ksa dks vkWuykbu d{kkvksa ds nkSjku Nk=kokl dh lqfo/kk iznku ugha djsxkA 49

2021

-22

Ikzos'k l

acaèkh ekey

svc vkSj ugha] “ksDlfi;j ds ukVd jksfe;ks ,aM Tkwfy;V dk :ikarj.k

funsZ”ku fcfiu dqekj ¼jaxeaMy izLrqfr] 2015½

51 50 l=h; u`R; vH;kl izLrqfr ¼Nk= v/;;u ;k=k] ektqyh] 2019&20½

,d d{kk

lkekU; lwpukfu;e

1½ çf'k{k.k ds nkSjku Nk=ksa dks fo|ky; ds ckgj fdlh Hkh dk;Z ls lac) gksus dh vuqefr ugÈ gSA

2½ Nk=ksa dks lkoZtfud :i ls u 'kkSfd;k ;k is'ksoj eap ij] u gh jsfM;ks] Vsyhfotu ;k fQYeksa esa vkus ds fy, dk;Z dh ryk'k djus ;k mls Lohdkj djus dh vuqefr ugÈ gSA os vius vè;;u dh vofèk ds nkSjku fdlh Hkh rjg ds jkstxkj dh ryk'k ;k mldk Lohdkj ugÈ dj ldrsA

3½ Nk=ksa dks fo|ky; ds fu;eksa o f'k"Vkpkj ds vuqlkj LOk;a dks lgh rjhds ls izLrqr djuk pkfg,A fdlh Hkh Nk= dks v”kksHkuh; vkpj.k djus dk nks"kh ik;k tkus ij mls fo|ky; ls fuyafcr ;k fu"dkflr fd;k tk ldrk gSA

4½ fo|ky; ifjlj vkSj Nk=kokl esa 'kjkc dk lsou djuk iw.kZ :i ls çfrcafèkr gSA

5½ Nk=ksa dks dsaæ funs'kd dh iwoZ vuqefr ds fcuk d{kkvksa ;k fjglZy esa vkxarqdksa ;k nksLrksa dks vkeaf=r djus dh vuqefr ugÈ gSA

6½ Nk=ksa dks vfHku; ds fy, tks Hkh Hkwfedk nh tk,xh mls djus ds fy, oks ck/; gksaxsA mUgsa iwokZH;kl esa Hkkx ysuk pkfg, vkSj f'k{kdksa ;k ukV~; funZs'kd ds crk, rjhds ls Hkwfedk fuHkkuh pkfg,A

7½ Nk=ksa dks Nk=kokl] esl vkSj ykbczsjh fu;eksa dk ikyu djuk gksrk gSA8½ fu;eksa dk mYya?ku djus okys Nk=ksa ij vuq'kklukRed dkjZokà dh tk

ldrh gSA

LVs'kujh] lkexzh vkSj midj.kjkukfo flfDde Nk=ksa dks fu%'kqYd ekmaV cksMZ] Mªkbax isij] iksLVj jax] esdvi lkexzh] ç‚Il cukus dh lkexzh vkSj d{kk dk;Z ds fy, ydM+h dh vkiwÆr djsxkA vU; lkexzh Nk=ksa dks Lo;a [kjhnuh gksxhA

ewY;kadu

igys pj.k ds iwjk gksus ij Nk=ksa dk ewY;kadu fd;k tk,xkA bl ewY;kadu esa muds dk;Z] mudh ifj;kstukvksa vkSj d{kk xfrfofèk esa Hkkxhnkjh ds lkFk&lkFk ladk;ksa }kjk çnRr ewY;kadu ij Hkh fopkj fd;k tk,xkA ;fn mudk ewY;kadu vuqdwy ugÈ gqvk rks Nk=ksa dks vkxs izf”k{k.k ysus ls jksd fn;k tk,xkA

Ikzos'k l

acaèkh

ekey

s

vkWfQl d{k

LVwfM;ks Lisl esa vH;kl

ineJh Jh jru fFk;ke dh d{kk

izks- eksgu egf’kZ dh d{kk

MkW- vatyk egf’kZ dh d{kk

51

jkukfo flfôe jaxeaMyjaxeaMy jk’Vªh; ukV~; fo|ky; flfôe dk ,d ukV~; izLrqfr [kaM gSA blesa dykdkjksa dk ,d lewg 'kkfey jgrk gSA jaxeaMy dk eq[; dk;Z dykRed Js’Brk okys ukVdksa dk fuekZ.k djuk vkSj mUkdk flfôe rFkk ns'k Hkj ds jaxçsfe;ksa ds fy, fu;fer :i ls çn'kZu djuk gSA ;g jaxeaMy 2012 esa LFkkfir fd;k x;k Fkk vkSj blesa vc rd X;kjg ukVdksa *geha uà vkQà vkQ*] *dkyks lquk[kjh*] *fu;e r ;gh N*] *vaèkk ;qx*] *vc vkSj ugÈ*] *fr[kkZ*] *lkglh vkekyk*] *ek;k es?k*] ̂lqUrykdks cxku*] ̂lwjteq[kh ,aM gSeysV* ,oa ̂lQsn ydhj* dk fuekZ.k o izn”kZu fd;k x;k gSA

alwjteq[kh ,aM gSeysV] T;kW vkuqbZ ds ukVd +,u ,filksM bu n ykbQ vkWQ ,u vkWFkj

funsZ”ku Hkkjrh “kekZ ¼jaxeaMy izLrqfr] 2019½

52

jaxeaMy ds çn'kZu07 Qjojh 2021 lQsn ydhj euu dsaæ] xaxVksd

08 Qjojh 2021 lQsn ydhj euu dsaæ] xaxVksd

2021

geha ubZa vkQbZ vkQ] inek lpnso ds Mksxjh miU;kl vc u cusxh nsgjh dk ukV~; :ikarj.k funsZ”ku fcfiu dqekj ¼Nk=@jaxeaMy izLrqfr] 2011@12½ 53

dk;ZØe leUo;d

flfôe esa tUes vkSj iys&c<+s ykDik ysIpk us 2010 esa mÙkj caxky fo”ofo|ky; ls bfrgkl ¼v‚ulZ½ esa Lukrd dh mikfèk çkIr dhA ckn esa 2013 esa vkius jk’Vªh; ukV~; fo|ky;] uà fnYyh ls vfHku; fo'ks"kKrk ds lkFk Lukrd fd;kA ,d vfHkusrk ds :i esa vkius M‚- vuqjkèkk diwj] çks- j‚fcu nkl] M‚- vfHkyk"k fiYyÃ] çks- f=iqjkjh 'kekZ] çks- tsQ+jh flpy ¼;wds½] Jh fcfiu dqekj] Jh 'kkaruq cksl Jh ds- ,l- jktsaæu] lqJh gsek Çlg tSls ns'k&fons'k ds çfl) jax funsZ'kdksa ds lkFk dke fd;k gSA 2010 esa vkius phu dh ;k=k dh vkSj chÇtx baVjus'kuy fFk,Vj QsfLVoy esa çn'kZu fd;kA vkiuss çks- dekyqíhu uhyw }kjk funsZf'kr jkukfo flfDde jaxeaMy dh izLrqfr ̂ fu;e r ;gh N* esa crkSj lgk;d funsZ”kd dke fd;kA vkius ysIpk cksyh esa ,d ukVd ^vkbMsafVVh* dk funsZ'ku fd;k gSA 2017 esa vkius v#.kkpyh fo’k;oLrq ij vkèkkfjr fQ+Ye ̂ekà daVªh ySaM 1962* vkSj ysIpk Qhpj fQ+Ye ^<ksDcw] n dhij* esa dke fd;kA fQYe ^<ksDcw] n dhij* ds fy, 2018 esa vkidks loZJs’B vfHkusrk dk izkx flus vokMZ izkIr gqvkA

ofj"B fyfid—fr us o"kZ 2013 esa flfôe fo”ofo|ky; ls ch-d‚e-] 2015 esa bXuw ls ,e- dkWe vkSj 2017 esa flfôe ef.kiky fo”ofo|ky; ls ekuo lalkèku çcaèku esa fo'ks"kKrk ds lkFk lQyrkiwoZd ,ech, iwjk fd;kA vkius fnlEcj 2013 ls tqykà 2015 rd baMlbaM cSad ds lkFk dke fd;k rks ogha flrEcj 2015 ls tuojh 2016 rd ,pMh,Qlh cSad ds lkFk dke fd;kA jk’Vªh; ukV~; fo|ky;] flfôe ls vki Qjojh 2016 esa tqM+haA

ykDik ysIpk

—fr xq#ax

ç'kklfud orduhdh LVkQ

54

o"kZ 2010 esa mÙkj caxky fo”ofo|ky; ls Lukrd ¼ch- d‚e½ mikf/k izkIr mes'k Fkkik Lukrdk sRrj gsr q v/;;ujr gSaA vki foÙkh; ys[kkadu esa fMIyksek Hkh gSaA lu 2011 ls vki jkukfo flfôe ls lac) gSa vkSj fofHkUu dk;Z'kkykvksa o çLrqfr;ksa ls lacafèkr foRrh; fglkc&fdrkc ns[krs jgs gSaA laxhr vkSj [ksy esa Hkh vkidh #fp jgh gS vkSj ,d xk;d o laxhrdkj ds :i cgqr lfØ; gSaA

lgk;dmes'k Fkkik

flfôe ds X;kÇYlx {ks= esa tUes vkSj iys&c<+s pØ cgknqj {ks=h 2007 ls jk’Vªh; ukV~; fo|ky;] flfDde ls lac) gSaA vki ,d vfHkusrk o ifjdYid gSa vkSj *pØ ,d egk;k=k]* *fl)kFkZ xkSre ns[kh cq)k lEek--- ,d ;k=k*] *jDr dY;k.k*] *ekVks d ks ek;k*] *jkt dqekj ukeX;ky*]

*, yo LVksjh 1950*] *CySd v‚ÆdM* tSls dà ukVdksa ls tqM+s jgs gSaA vki Nk=ksa dh izLrqfr *ge gh vkiuks vki* dh izdk”k ifjdYiuk ls tqM+s vkSj vc rd dbZ ukVdksa dh izdk”k ifjdYiuk dj pqds gaSA orZeku esa vki jk’Vªh; ukV~; fo|ky;] flfDde xaxVksd esa eap izca/kd ds :i esa dk;Zjr gSaA

pØ cgk- Ns=heap çcaèkd

qgse dekj Ns=heYVh&VkÇLdx LVkQ ¼,eVh,l½

gse dqekj MsoysieSaV ,fj;k] xaxVksd ds fuoklh gSa vkSj rk'kh ukeX;ky lhfu;j lsdsaMjh Ldwy] iwoÊ flfôe ls baVjehfM,V rd f”k{kk ik pqds gSaA vki tuojh 2017 ls jk’Vªh; ukV~;

fo|ky;] flfDde ls eYVh VkÇLdx LVkQ ds rkSj ij tqM+s gSaA

mes'k jk;lsaVj ds;j Vsdj

Åijh dkejax fuoklh mes'k jk; us jk’Vªh; ukV~; fo|ky;] flfDde ds lkFk dà jax dk;Z'kkyk,¡ dh gSaA vkiuss 2005 esa ,d eghus dh yach dk;Z'kkyk] fQj ,d eghus dh yach dk;Z'kkyk ukeph esa vkSj o"kZ 2008 esa rhu eghus dh yach dk;Z”kkyk dhA vki ,d ,d csgrjhu dykdkj gSa vkSj dà ukVdksa tSls *foØe moZ'kh*] *'kadqryk*] *pØ ,d egk;k=k*] *ekVks dks ek;k*] *>kjykaxh*] *fl)kFkZ xkSre ns[kh cq) lEek---,d ;k=k*] ̂v yo LVksjh vkWQ 1950*]^jktdqekj ukEkX;ky*] ̂Qsjh u;k thou* ukVdksa esa vfHku; fd;k gSA

ç'kklfud orduhdh LVkQ

55

mRrjh flfôe esa tUes vkSj iys&c<+s nhisaæ us dydÙkk fo”ofo|ky; ls o"kZ 2010 esa ch-d‚e- ¼v‚ulZ½ fd;k vkSj 2014 esa lkoZtfud ç'kklu esa ijkLukrdA f”k{kk dks ,d izeq[k lk/ku ekuus okys nhisUnz bXuw ls vFkZ'kkL= esa ,e- ,- dj jgs gSaA vkius *n ,DlysjsVj eSxt+hu ,aM ,dsMeh* ¼u‚FkZ ÃLV fMoht+u½ uked 'kSf{kd O;kolkf;d ekxZn”kZd if=dk esa ,d dSfj;j dkmalyj ds :i esa dke fd;k gS vkSj bl laLFkk dh mPp Lrjh; 'kSf{kd xfrfofèk;ksa esa Hkh lfEefyr jgs gSaA vki jk’Vªh; ukV~; fo|ky;] flfDde ls fnlacj 2018 esa ,d dfu’B fyfid ds :i esa tqM+sA

dfu’B fyfidnhisUæ xq#ax

jax egksRlo

'khrdkyhu@olar jax mRlo

'khrdkyhu jax mRlo dh 'kq#vkr jkukfo flfDde }kjk o"kZ 2016 esa dh xà Fkh ftlds rgr jaxeaMy us xaxVksd vkSj flfôe ds vU; ft+yksa ds lkFk&lkFk ns'k ds fofHkUu fgLlksa esa vius ukVdksa dk eapu fd;k FkkA tc ;g mRlo gj lky tuojh&Qjojh ds eghus esa gksrk gS] rks bls ÇoVj fFk,Vj QsfLVoy ;k “khrdkyhu jax mRlo dgk tkrk gS] ysfdu tc ;g ekpZ&vizSy ds eghuksa esa vk;ksftr fd;k tkrk gS] rks bls ÇLçx fFk,Vj QsfLVoy ;k olar jax mRlo dgk tkrk gSA blds rgr jaxeaMy us tgkWa vc rd xaxVksd] eaxu] ukeph] X;kyÇ'kx] fMczwx<+ vkSj vxjryk esa vius ukVd çLrqr fd, ogha fiNys o’kZ vçSy&eà 2019 ds eghuksa esa jaxeaMy us uà fnYyh esa ÇLçx fFk,Vj QsfLVoy dk vk;kstu fd;k FkkA

56 mn?kkVu lekjksg olar jax mRlo¼Jhjke lsUVj] ubZ fnYyh] 2019½

National School of Drama Sikkim Development Area,Gangtok, Sikkim-737101Ph. 03592-201010nsdsttc@gmail.comhttp: //sikkim.nsd.gov.in

Design: Himanshu B Joshi # 9810549956

NJP Railway StationBagdogra

AirportBh

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Siliguri

N

NSDSTTC

From Siliguri

IKS KD IMSN

Gangtok

Location and Travel RouteHow to Reach NSD, Sikkim

National School of Drama, Sikkim is established at the development area in Gangtok, Sikkim (27.3389° N, 88.6065° E).

The nearest Airport to Gangtok is Pakyong (PYG), East District, located nearly 35 km south of Gangtok. Taxies/ vehicles can be hired from the pre-paid Taxi counter at the Airport to reach Gangtok. The taxi takes nearly one hour to reach Gangtok. Another airport is at Bagdogra, near Siliguri (WB), which is nearly 152 km away from Gangtok. The taxi takes about 5 hours to reach Gangtok.

The nearest Railway station to Gangtok is New Jalpaiguri (NJP) in Siliguri (West Bengal). After arriving at NJP, one can hire taxi or take a shared jeep from the station itself or take an auto-rickshaw to go to Siliguri Bus Stand from where one can take jeep or bus operated by Sikkim National Transport (SNT). It is almost a 5-6 hour journey to Gangtok by bus.

Sikkim

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Gangtok

Bhuta

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Nep

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Kalingpong

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Pakyong Airport

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Self

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Martia

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TheatreMusic

Lightin

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DigitalTheatre

Movem

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ModelMaking

ClassicalIndianDrama

NewMedia Voice&Speech

Costum

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Th

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PhysicalTheatre

Makeup

Po

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MaskMaking