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JJAANNIISS CC.. BBEELLLL

EDUCATION:

Ph.D Brown University, 1983 Dissertation: "Color & Theory in Seicento Art: Zaccolini's Prospettiva del Colore and the Heritage of Leonardo" (advisor: Juergen Schulz; 2nd reader: Jeffrey Muller; outside reader: Elizabeth Cropper)

M.A. Boston University, 1974 A.B. cum laude, University of Pennsylvania, 1971, Psychology major In addition, NMD from Southern College of Naturopathic Medicine, ANMA certification in natural endocrinology, various seminars and certifications in energy healing modalities, RYT 200 from Yoga Alliance

TEACHING:

1982-1994 Kenyon College, Associate Professor of Art History Tenure awarded in 1988.

AWARDS AND GRANTS:

1993 Folger Library Seminar, The Meaning of Images, directed by Barbara Stafford (declined due to illness)

1992 (1) NEH Summer Seminar in Rome: Roman Painting 1480-1550, directed by Marcia Hall, at Temple University in Rome

1992 (2) KFD (Kenyon Faculty Development) large grant for travel to Italy, small grant for photographs

1990 Mellon Fellowship, American Academy in Rome 1989 (1) Fellowship, Villa I Tatti (The Harvard University Center for Italian Renaissance

Studies) 1989 (2) KFD Grant for software 1987 Ohio Humanities Council Regrant for "Art and Politics: An Exhibition, Catalogue,

and Symposium on May Stevens" 1986 (1) NEH Summer Stipend 1986 (2) ACLS Research Fellowship for Recent Recipients of the Ph.D 1986 (3) KFD Supplementary Grant for research and student assistants 1985 KFD Grants for summer research in Italy and course preparation 1984 KFD Grant for course preparation 1983 ACLS Summer Stipend for research in Italy

PUBLICATIONS: BOOKS 2018 The Fabrication of Leonardo’s Treatise on Painting, 1651, with Critical Edition and English

Translation. Co-authored with Claire Farago and Carlo Vecce, with contributions by Juliana Barone,

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Matthew Landrus, Anna Sconza, Mariolina Rascaglia, and Mario Guffanti. Leiden: Brill. Author of Chapter 7, “The Final Text,” Appendix on Brooker MS, plus “Introduction to the Readers’ Notes,” and co-author and translator of the text and notes and “Editorial Procedures.”

2002 Art History in the Age of Bellori, Cambridge University Press. Co-authored with Thomas Willette. Author of Introduction, essay entitled "Bellori's Analysis of Colore in Domenichino's Last Communion of St. Jerome," and coauthor with Claire Pace of essay entitled "The Allegorical Engravings to the Lives." Reviews by Kenneth R. Bartlett in Rivista di studi italiani 20, n. 2 (2002): 289-293 at www.rivististudiitaliani.it Clare Robertson in Journal of the History of Collections 15, no. 2 (2003): 271-273. Maria Galli Stampino in Annali d'Italianistica, 21 (2003): 555-557. Sarah Benson in Forum Italicum (Spring 2003): 261-262 online at www.Italian

studies.org/forum/S)3_Reviews.pdf Steven Ostrow in Renaissance Quarterly 57 (2004): 191-193 David Packwood in The Art Book, vol 11.4 (2004): 46-47. Michael J. Redmond in Seventeenth-Century News 62, nos 3&4 (2004): 623-42. Giles Knox in The Journal of Aesthetic Education 38, 2, (2004): 116-120 Rodney Palmer in Zeitschrift fur Kusntgeschicte 68, 4 (2005): 581-584

1988 Rosa Alice: Ordinary Extraordinary, Ed. Janis Bell and Melissa Dabakis, New York: Universe Books.

PUBLICATIONS: ARTICLES

2019 “Rigaud’s Popular Translation (1802) of Leonardo’s Treatise on Painting,” in Leonardo in Britain, ed. Susanna Avery-Quash and Juliana Barone (Florence: Olshki, in press).

2019 “The Treatise on Painting as a Guide to Nature: Light and Color,” in Leonardo Studies, ed. By Constance Moffatt and Sara Taglialagamba (Brill: Leiden, in press).

2019 “Alhazen” co-authored with Margherita Quaglino, in La Biblioteca di Leonardo, ed. Carlo Vecce, in press.

2018 “A Discourse on Mirrors Attributed to Matteo Zaccolini,” Nuncius: Journal of the Material and Visual History of Science 33/3, 563-584.

2013 “Leonardo’s ‘Prospettiva dell’ombre’: another branch of non-linear perspective,” in Francesca Fiorani and Alessandro Nova, eds., Leonardo da Vinci and Optics, Venice: Marsilio, 53-85.

2008 “Zaccolini and Leonardo’s Trattato della pittura,” in Claire Farago, ed., Re-Reading Leonardo: The Treatise on Painting across Europe, 1550-1900, Surrey (England) and Burlington, VT: .Ashgate, pp. 127-146.

2008 “Sfumato and Acuity Perspective” in Claire Farago, ed., Leonardo da Vinci and the Ethics of Style, Manchester: Manchester University Press, 161-188

2003 “Zaccolini’s Unpublished Perspective Treatise: Why Should We Care?” in Lyle Massey, ed., The Treatise on Perspective: Published and Unpublished, Studies in the History of Art 59, CASVA Symposium Papers 36, Washington, D.C. , 79-103.

2002 "Sfumato, Linien und Natur," in Leonardo da Vinci: Natur im Übergang:Beiträge zu Wissenschaft, Kunst und Technik, Ed. Frank Fehrenbach, Munich: Wilhelm Fink, 2002, pp. 229-256.

1999 "Acuity Perspective in the Renaissance: An Overview" in La Prospettiva. Fondamenti teorici et esperienze figuratie dall'antichita al mondo moderno. Atti del Conveno internazionale di studi, Rome, Istituto Svizzero,1-14 sett 1995, Ed. by Rocco Sinisgalli, Fiesole: Cadmo-Casolini, pp. 190-204.

1997 (1) "Domenichino e Zaccolini sulla disposizione dei colori", Bollettino d'Arte, 101-102, 1997, pp. 49-66. 1997 (2) "Acuity: A Third Type of Perspective" in Raccola Vinciana 27, 105-153. 1997 (3) "Color and Chiaroscuro," Raphael's' School of Athens', Masterpieces of Western painting, Ed. Marcia Hall,

Cambridge: Cambridge University Press, 85-113.

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1997 (4) "The Critical Reception of Raphael's Coloring in the 16th and 17th centuries," TEXT 9, 199-215. 1997 (5) Contributor to Corbis Corporation CD-Rom Leonardo da Vinci: The Codex Leicester; responsible for

sections on light in painting, the light of the moon, and the color of the sky. 1996 (1) Eleven entries for The Dictionary of Art, London: MacMillan, 28 vol., (completed 1986-89):

1. Light (vol. 19, 351-359) 2. Tenebrism (vol. 30, 456-457) 3. Chiaroscuro (vol. 6, 569-571) 4. Accolti, Pietro [17th cen. writer on perspective] (vol. 1, 113) 5. Alberti: Family Tree, (vol. 1, 550-553) 6. followed by separate entries on Alessandro Alkberti 7. Cherubino Alberti 8. Giovanni Alberti 9. Arconato, Galeazzo [Milanese patron of Leonardiana] (Vol. 2, 376) 10. Venusti, Marcello (vol. 32, 237) 11. Zaccolini, Matteo [17th cen. writier on perspective] (vol. 33, 587)

1996 (2) Co-authored with Martin Kemp, "Perspective" for The Dictionary of Art, responsible for sections on non-linear perspective: color, acuity, light and shadow. (vol. 24, 491-495)

1995 (1) "Re-visioning Raphael as a 'scientific painter'," Reframing the Renaissance: Studies in the Migrations of Visual Culture, Ed. Claire Farago, New Haven: Yale University Press, 90-111.

1995 (2) "Light and Color in Caravaggio's Supper at Emmaus," Artibus et Historiae 16, No. 31, 139-170. 1993 (1) "Some Seventeenth-Century Appraisals of Caravaggio's Coloring," Artibus et Historiae 14, No. 27, 103-

129. 1993 (2) "Aristotle as a Source for Leonardo's Theory of Colour Perspective after 1500," Journal of the Warburg &

Courtauld Institute, 56, 100-118. 1993 (3) "Leonardo and Alhazen: the cloth on the mountain top," Achademia Leonardi Vinci 6, 108-111. 1993 (4) "Zaccolini's Theory of Color Perspective," Art Bulletin 75, 91-112. 1992 (1) "Color Perspective c. 1492," Achademia Leonardi Vinci 5, 64-77. 1992 (2) "Filippo Gagliardi on Leonardo's Perspective," Achademia Leonardi Vinci 5, 117-119. 1991 "Zaccolini and Leonardo's MS. A," Il collezionismo dei leonardeschi a Milano e la Madonna Litta, Ed. M.T.

Fiorio e P.C. Marani, Milan: Electa, 1991, 183-93. 1988 (1) "Cassiano dal Pozzo's Copy of the Zaccolini Manuscripts, Journal of the Warburg and Courtauld Institutes,

51, 103-125. 1988 (2) "A Contract for Antonino Barbalonga's Altarpiece in S. Silvestro," SOURCE 7, 17-19. 1986 "Teaching Art History: A Strategy for the Survival of Women's Studies," Proceedings of the Eleventh

Annual GLCA Conference on Women's Studies: 'Looking Forward: Women's Strategies for Survival', Ann Arbor: Great Lakes Colleges Association, 22-31.

1985 "The Life and Works of Fra Matteo Zaccolini," Regnum Dei (annual of the Theatines in Rome), XL1, N. 111, 227-258.

1981 "Cosimo de Medici's Tomb in San Lorenzo," Rutgers Art Review 2, 13-30, under the name of Janis Clearfield.

1976 "Private Patronage and the Art Academies," and catalogue entries on drawings in The Classical Spirit in American Portraiture, Brown University: Department of Art, 70-74 and 24, 41-42, 54, 105, 108, 113.

PUBLICATIONS: REVIEWS 1998 Review of James Elkins, The Poetics of Perspective, ATSAH Newslettter 6, no. 2, 3-5. 1988 Review of The Psychology of Perspective and Renaissance Art, by Michael Kubovy, Psychological Record

38, No. 3, 448-449. 1987 Review of Varieties of Realism, by Margaret Hagen, co-authored with Duncan White, Psychological Record

37, No. 3, 438. 1986 Review of Women Artists in History, by Wendy Slatkin, Woman's Art Journal 7, No. 2, 50-52