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Q&A WITH TOM CRUISEThe star looks back on 20 years as Ethan Hunt, and discusses how he prepares for dangerous stunts.

INSIDE THE IMFLearn more about the film and its stars by exploring classified IMF agent dossiers and the gadgets they use.

MISSIONS ACCOMPLISHEDTake an interactive trip around the world and relive scenes from the films through video and 3D.

THE RIGHT MAN FOR THE MISSIONMoviebill chats with writer/director Christopher McQuarrie about returning to the franchise.

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ON THE COVERScan to see the helicopter from “Mission: Impossible — Fallout” take off before the Moviebill self destructs! Then, click to see Tom Cruise fly it in full 360̊ view!

SECURITY CLEARANCE NEEDED

ONE OF THE GREAT THRILLS OF THE “Mission: Impossible” franchise is watching Tom Cruise spar with his co-stars — allies and enemies alike — and 2015’s “Rogue Nation” was no different, thanks to Rebecca Ferguson’s performance as Ilsa Faust, a fellow spy as likely to betray Ethan Hunt as she is to help him. Writer-director Christopher McQuarrie astutely brought back her character for “Fallout,” and according to Ferguson, Ilsa is just as intriguing — and unpredictable — as before.

“She’s still mysterious,” Ferguson told moviebill. “I mean, it gets clearer throughout the film, but I think even in the end we never really know. Ethan will always have his agenda, and Ilsa has her agenda. Sometimes they clash — and sometimes they clash very hard.”

Ilsa is the latest in a long line of tough, resourceful female agents to go toe-to-toe with Ethan Hunt. Dating back to her earliest

scenes in “Rogue Nation,” Ferguson said that she loved the character’s sense of autonomy within a world that otherwise seems so interconnected.

“Something I said to Chris throughout was, ‘please keep her independent; she needs to have her own agenda throughout the entire film.’ I think that’s what makes her interesting.”

She also appreciated the filmmakers’ efforts to provide Ilsa with a grand entrance each time she appeared on screen.

“Every time Ilsa appeared there was either some kind of a musical twist or there was a lighting change,” she observed. “It gave her so much importance. And that’s incredible.”

The result of these understated but provocative choices is to make Ilsa feel like Ethan’s equal, not only in terms of her strength and capabilities but her presence in the film.

“The dynamic of the female characters feels very equal to the male characters — they’ve managed that very well throughout the franchise,” she said. “I feel very proud of the character that we’ve created, and I like when I have interviews with female journalists who say, ‘I feel happy seeing that.’

“It’s so much fun,” she added. “Let’s keep this going, and then I actually might be able to come back in a third one. Who knows? ...Or maybe not.”—Todd Gilchrist

Rebecca Ferguson returns as mysterious spy Ilsa Faust

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1959

1962

1964

1971

The Kidnapping of the Lunik In 1959, America was losing the space race. The Soviet Union’s ambitious program had just made history by landing an unmanned Lunik spacecraft on the Moon. When another Lunik model went on display in the USSR, the CIA came up with a plan. One night, as the exhibit was being shipped from one location to another, a team of operatives intercepted the delivery. They were able to analyze every inch of the Lunik and then carefully put it back in place quickly enough so no one knew it had been stolen.

Project COLDFEET Due to increased instabilities in the harsh climate, the Soviet Union was forced to abandon a secret Arctic base in 1962, leaving the location to be destroyed by ice. Before that happened, however, the CIA was determined to find a way in to recover potentially significant intelligence. With no other way to reach the base, two operatives were able to parachute down and explore the location before being recovered by an aircraft using a newly developed Fulton Skyhook.

Operation Hat China began its own nuclear testing in 1964, and the CIA knew that it had to find some way to keep tabs on the situation. Enlisting top civilian mountain climbers from the United States and India, Operation Hat established a clandestine spy station on one of the peaks of Nanda Devi, a mountaintop perched more than 25,000 feet above sea level.

Project AZORIAN Even though the Soviet submarine had been lost six years earlier, it wasn’t until 1974 when the CIA found a way to study the remains of the top-secret K-129. The United States enlisted the aid of Howard Hughes to construct a state-of-the-art deep-sea submarine, using a cover story about sea floor mining. The vessel, the Glomar Explorer, was armed with a massive mechanical claw that recovered a good portion of the K-129, including two nuclear torpedoes.

THESE REAL-LIFE U.S. MISSIONS WOULD MAKE ETHAN HUNT PROUD

1974

1989

Operation Acid Gambit American civilian Kurt Muse was arrested in Panama in 1989. Accused of espionage, he was sent to Carcel Modelo, then one of the world’s most infamous prisons. That December, an elite Delta Force team infiltrated the prison by landing a helicopter on the roof and breaking Muse out of his cell. Even though the helicopter was shot down as it departed the prison rooftop, Muse and the Delta Force team survived and escaped.

The IMF may not be an actual government agency, but the United States of America has still managed to pull off more than its fair share of impossible missions. Here are six real-world missions that prove truth is indeed stranger than fiction.—Silas Lesnick

Operation Ivy Bells Near the end of the Cold War in 1971, the CIA and the NSA joined forces for one of the most complex secret operations in history, wiretapping a deep-sea communication line in the Soviet-controlled Sea of Okhotsk. The U.S.S. Halibut, a specially modified nuclear submarine, was able to evade intense Soviet Navy security and install a tap that continued to serve as a source of military information until the fall of the Soviet Union two decades later.

SCAN PAGESTO SEE REAL-LIFE SPY GADGETS

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REBECCAFERGUSONILSA FAUST

ANGELABASSETTERIKA SLOANE

VANESSAKIRBYWHITE WIDOW

VINGRHAMESLUTHER STICKELL

POWERED BY

DID YOU KNOW? Tom Cruise and Ving Rhames are the only actors to appear in all six films. Simon Pegg has been in every movie since “Mission: Impossible III” (2006).

This is the first “Mission: Impossible” film to be released in 3D.

Rebecca Ferguson was pregnant while filming this movie. She was about seven months along when filming was completed. Get more “Mission: Impossible — Fallout” trivia with the IMDb app.

To celebrate “Mission: Impossible — Fallout,” “The IMDb Show” breaks down Cruise’s most daring “Mission” stunts.

WATCH THEFULL EPISODE AT IMDB.COM/SHOW

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TOM

CRUISE“Mission: Impossible — Fallout” brings together cast members from throughout the franchise. How much does this sixth chapter feel like a culmination as opposed to a new mission?Oh, it’s definitely a new mission and it’s definitely a culmination. I think that all of the films have led to this film, in terms of the story and the characters, what

we’ve learned about all of the missions, and to be able to push a mission to this kind of epic scale and a big, emotional, entertaining journey. If you just look at it visually, it’s original, but it’s still the “Mission: Impossible” family.

What has it meant for you as an actor to be able to play Ethan Hunt for more than two decades, and

More than two decades after

his Ethan Hunt redefined the spy

genre, Tom Cruise reflects on his

'Impossible' journey and celebrates a

lifelong love of cinema.

By Silas Lesnick

SCAN TO WATCH

what has been the most exciting aspect of his growth to explore?For me, as an actor and as a producer, to be able to still be making these movies is something that I had hoped for when I produced the first “Mission: Impossible.” That was the first film I had ever produced. To be able to make these films all over the world, and to have it be embraced the way it is, is something that is a real gift and a privilege.

You've proven time and again that you're not afraid of serious stuntwork. What do you absolutely need to know before you commit to attempting something with such risk involved?With everything, we spent a lot of time going through it. I’m an aerobatic pilot. I ride motorcycles and cars and do all of that. It’s really pushing and improving my skill and then testing to see what we can do. What can we accomplish? Sometimes, the way we work on a piece of action is, I’ll show [Christopher McQuarrie] stuff, and we’ll kind of talk about it and say, “I’d like to push this stuff a little further. Let me work with it a little more.” But that’s it. I spend a lot of time carefully going through this. Also, making sure and saying, “How does this relate to story?” To me, action is only interesting when I’m really invested in the character and really invested in the story. Then the action is propelling me through the movie and it doesn’t feel like just a stunt.

It’s part of the story and setting a tone for whatever that is. Whether it’s comedy or drama, that’s what we’re looking for. I spent well over a year training for the helicopter sequence, meticulously going through it and getting the best guys to really challenge me on my ability and my skill. I’m also someone who is constantly taking it up to the edge. How far can I go? But I try not to exceed what I feel is my own personal ability in that area. What’s needed for the story is always the most important.

Do you have a most memorable moviegoing experience?Boy, that’s hard to say because I can basically look at my whole life in terms of films I’ve seen. To just name one? There’s so, so many films that have been memorable to me. I love movies. I can remember since I was a little kid, going to the theater or the drive-in and what it meant to me. When the lights go down and I’m just taken on a journey, going to places that I didn’t even know existed or different worlds that I wished were real. Incredible adventures. Drama. Comedy. That’s what I love. I love the cinema experience. I prefer it with a packed audience. That’s what we dream about when we’re making these films too. Thinking of that group experience. There’s nothing like it and nothing like seeing it on a big screen with great sound and exactly the way it was meant to be. That has never changed for me. I love it. C

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SUBJECT IS EN ROUTE TO DROP PO INT. WILL OBTA IN PLUTON IUM WITH M ISS ION COMPLETE . DROP PO INT NOW ACT IVE IN IT IAt ing SEQUENCE

IMAGE = Arc de Tr iomphe (3D Object) PROF I LE IMF-MIF-20 18 OBJECT : REDACTED TEAM LEADER : HUNT, ETHAN CHANGE STATUS : COMPLETE DETA ILS : REDACTED

CLASS IF IED 38 ° 52 ' 25 .52 16 ' ' N and 2 ° 1 7 ' 38.9465° N, 77.1589° W

25.1972° N, 55.2744° E

22° 16' 45.4980'' N and 114° 9'

33° 51' 54.5148'' S and 151° 12' 35.6400'' E

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MISSIONS ACCOMPLISHEDAfter six films, Ethan Hunt and his colleagues have risked life and limb to maintain order and save the world. Take a trip around the globe and revisit some of the most dangerous and thrilling challenges they’ve faced in the line of duty.

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approached “Fallout” with a clearer eye, if not necessarily a greater sense of confidence, when the time came to marry the death-defying

stunt work that has become a hallmark of the franchise with storytelling to give it emotional depth.

“This time, I refused to write the script until I knew where I was shooting,” he revealed. “I was counting on the locations to inspire the action, and it was enormously stressful because the start date was coming at me like a train and I didn’t have the stunt. Any stunt.”

Thankfully, inspiration prevailed, and one epiphany led to another as the film came together.

“In New Zealand I found myself landing at a remote airfield just as another helicopter was taking off, carrying a payload on a longline,” McQuarrie remembered. “I immediately told everyone to get back in the heli. There was nothing else to see — I had the sequence. In Paris, I was trying to find a compelling way into the Grand Palais, which inspired the HALO jump. We were scouting a rooftop between St. Paul’s Cathedral and the Tate Modern and, well, by then, things were just out of hand. We were moving too fast to take stock of all the gags we had. I saw the movie assembled before I realized just how crazy it all was.”

Now a two-film veteran of the “Mission” series, McQuarrie acknowledged the anarchic quality of his approach to the series, but indicated it was born out of a sincere and passionate desire to outdo expectations — especially his own.

“It’s certainly a natural part of Mission’s process,” he said. “Tom and I are determined to challenge ourselves and the material. On day one, the future is wide open. With every scene we lock, the options shrink. We’re gradually painting ourselves into a corner. There’s always an easy way out — one that we don’t want to take because it’s just not up to our standards. That pressure leads to a catharsis, sometimes on the day we’re shooting. The trick is to not panic.

“You just keep confronting the material and trust your gut,” he said simply. “And never forget that ‘Mission’ has a mind of its own — so be good to ‘Mission’ and ‘Mission’ will be good to you.”

EXCITINGTITLE GOES CHRISTOPHER MCQUARRIE IS IN THE DIRECTOR’S CHAIR FOR A SECOND ENTRY IN THE FRANCHISE, HIS FOURTH COLLABORATION WITH TOM CRUISE. BY TODD GILCHRIST

AFTER A CONSISTENT AND SUCCESSFUL HISTORY OF standalone installments, “Mission: Impossible — Fallout” is the first in the series to not only pick up where the previous film left off but to feature a returning director — Christopher McQuarrie, who previously strapped Tom Cruise to the side of a military airbus in “Rogue Nation.” But don’t let this illusion of continuity fool you: McQuarrie insists that the sixth film in this storied franchise wasn’t designed as a grand culmination, or reckoning, for IMF agent Ethan Hunt’s two-plus decades of globe-trotting exploits.

“‘Fallout’ is a standalone movie,” he told moviebill. “It doesn’t matter if you’ve seen the previous Missions, though that will certainly enhance the experience.”

McQuarrie first joined the “Mission” franchise after writing “Valkyrie” and later directing Cruise in “Jack Reacher,” where the duo developed an easy, fruitful rapport.

“I think the reason we get along so well comes down to creative priorities — the order in which story, character, humor, spectacle all matter,” he explained. “Those priorities change from scene to scene, and Tom and I are rarely out of sync as to what matters most. After a few films, we’ve learned to trust each other’s instincts, even when one doesn’t get what the other is after.”

With one installment under his belt, McQuarrie said that he

"TOM AND I ARE DETERMINED TO CHALLENGE OURSELVES AND THE MATERIAL. ON DAY ONE, THE FUTURE IS WIDE OPEN. WITH EVERY SCENE WE LOCK, THE OPTIONS SHRINK."

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BEHIND-THE-SCENES PHOTOS

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WOLFFWOLFFFLYING TAKES A SKILLED HANDunder the best of circumstances, but when you’re using an experimental rig to shoot a high-speed aerial chase that drops one of the world’s biggest movie stars from a helicopter high above the mountains of New Zealand? That’s when you need Marc Wolff.

Tom Cruise himself trained as a pilot for nearly two years to pull off some of the extreme stunt work audiences will witness in “Mission: Impossible — Fallout,” but Wolff had a head start. Drafted into the military in 1966, he soon became the U.S. Army’s youngest Captain at age 21. Although he had initially planned to work in intelligence as a sort of real-world Ethan Hunt, Wolff realized that doing so would take away from flying.

“That was 1967 and [the army] was desperate for helicopter pilots,” Wolff explained. “They let me change my course and I went to flight school instead… I just found something that really suited me and

that I had the talent for.”If you’ve ever seen an

action movie, odds are you’ve experienced a bit of that talent. Over the past three decades, Wolff has lent his flying skills to more than 150 feature films, including four “Superman” movies, six “Star Wars” films and half of the entire James Bond franchise. “Fallout” marks his third “Mission: Impossible,” having initially worked with Cruise on the famous helicopter sequence in the 1996 original.

“The key to the series is that, particularly in Tom’s character, he just wants to do everything himself,” Wolff continued. “Everything is real. Some of it is slightly enhanced with visual effects, but it’s not created by visual effects. It’s real things. Real aircraft. Real people jumping out of aircraft and real people flying.”—Silas Lesnick

Meet the aviation legend that helped Tom Cruise achieve the impossible

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HAILEE STEINFELD She recalls an interactive moviegoing

experience that involved a friend, family and a lot of singing.

To celebrate the release of“Mission: Impossible — Fallout,”we’re giving away sixMOVIEBILL MYSTERY BOXESSHARE A PHOTO OF THE COVER WITH #MOVIEBILLMYSTERYBOX TO ENTER!

HENRY CAVILL The “Mission: Impossible — Fallout” star has

fond movie memories of ancient Rome, a big boat and a certain comic book hero.

JOHN CENA The 16-time world champ recalls a

screening experience that reminded him of the energy of a live WWE event.

JORGE LENDEBORG JR. The “Bumblebee” star enjoys the magic of seeing movies in a theater that just can’t

be duplicated at home.

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