Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

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Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye

Transcript of Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Page 1: Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Introduction to Tabla,the Ancient Indian Drums

By

Chintan Vaishnav

Collin Joye

Page 2: Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Class Format

• Theory

• Counting Exercises

• Hands-on

• (http://web.mit.edu/chintanv/www/tabla/tabla.html)

– Listening Assignments – Syllabus

Page 3: Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Class Outline

• 01/08/04– Dadra

• 01/15/04– Kaherva

• 01/22/04– Tintaal

• 01/29/04– Accompaniment

Page 4: Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Origin of Tabla

• [Most Popular Theory] Invented by Amir Khusru, the 13th century scholar

• by dividing Mridanga/Pakhavaj, double ended, skin-covered instrument

• [Controversy] Depicted in temple carvings dated 500 BC

• [One thing is for certain] Use in classical music after coming together of Hindu and Muslim

Page 5: Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Parts of Tabla (Terminology)

Kudi Baddhi (Vadi) LakdiGatta

Gudri

Bayan (Left) Tabla

Page 6: Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Parts of Tabla (Terminology)

Syahi (Ink)

Maidan (Ground)

Chati

Gajra

Page 7: Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Basic Constructs (Terminology)

• Matra (Beat): Smallest unit of time• Bol (Sound): Individual or collection of sound(s)• Taal (Rhythmic Formation): Collection of Matra (Beats)• Theka: Most basic form of any Taal defined by a collection of

bols. – Sam: Starting point or first beat of the Taal– Tali (Clap): When reciting a Taal in counting exercise, the beats on

which we clap – Khali (Empty): When reciting a Taal in counting exercise, the beats on

which we wave– Vibhag (Section): A Theka is divided into sections, each section starts

either with Tali or Khali – Avartan (Cycle): From Sam to all Matras and back to Sam.

Page 8: Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Basic Constructs (Terminology)

• Laya: Velocity or Movement of the song or dance– Vilambit (slow): Very slow rhythm, where the duration between

two beats is 2-3 seconds

– Madhya (Middle): Moderate pace rhythm, where the duration between two beats is approximately one second

– Dhrut (Fast): Fast rhythm, where there are two or more beats in one second

– Dugun: Twice the pace

– Chougun: Four times the pace

Page 9: Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Dadra (6 beats, 2 Sections, 1 Tali, 1 Khali)Scripting (Bhatkhande Style)

1 2 3 4 5 6Dha Dhi Na | Dha Tu Na ||X O

X – SamO – Khali| - Vibhag|| - End of Taal

Page 10: Introduction to Tabla, the Ancient Indian Drums By Chintan Vaishnav Collin Joye.

Learning and Teaching Tabla

• Must understand basic Tabla (rhythm ) to appreciate Indian Classical Music

• Vast Subject, these four weeks are just an introduction

• Do not get frustrated, keep at it…