INTERPERSONAL MEANING ANALYSIS OF MUSE SONG LYRICS INTERPERSONAL MEANING ANALYSIS OF MUSE SONG...

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  • INTERPERSONAL MEANING ANALYSIS OF MUSE SONG LYRICS

    IN BLACK HOLES AND REVELATIONS’ ALBUM

    (A Study Based on Systemic Functional Linguistics)

    A Thesis

    Presented as Partial Fulfillment of the Requirements for the Attainment

    of the Sarjana Sastra Degree in English Language and Literature

    By

    ROWIATUN AMRI MARHAMAH

    07211141016

    ENGLISH LANGUAGE AND LITERATURE STUDY PROGRAM

    ENGLISH LANGUAGE EDUCATION DEPARTMENT

    FACULTY OF LANGUAGES AND ARTS

    YOGYAKARTA STATE UNIVERSITY

    2014

  • ST]RAT PER}TYATAAI{

    Yang bertanda tangan di bawah ini, saya:

    Nama

    NIM

    Prodi

    Fakultas

    Judul

    RowiatunAmri Marhamah

    07211141016

    Bahasa dan Sastra Inggts

    Batrasa dan Seni Universitas Negeri Yogyakarta

    INTERPERSONAL MEANING ANALYSIS OF MUSE SONG

    LYRICS n:{ BI-1\CK HOLES AND fuEWIATIONS ALBUM (A Study

    Based on Systemic Functional Linguistics)

    menyatakan bahwa karya ilmiah ini adalah hasil pekerjaan saya sendiri dan sepanjang

    pengetahuan say4 karya ilmiah ini tidak berisi materi yang dipublikasikan/ditulis

    oleh orang lain atau telah digunakan sebagai persyaratan pada penyelesaian studi

    akhir di perguruan tinggr lairU kecuali bagian-bagian tertentu yang saya ambil sebagai

    acum dengan mengikuti tatacandan etika penulisan karya ilmiah yang lazim.

    Apabila ternyata terbukti bahwa pernyataan ini tidak benar, maka sepenuhnya menjadi tanggung jawab saya.

    Yogyakarta" 19 Juni 2014

    Penulis

    M Rowiatun Amd Marhamah

    IV

  • v

    MOTTOS

    “And whenever you give your word, say the truth.”

    [al-An'aam 6:152]

    “I often think in music.

    I live my daydreams in music.

    I see my life in terms of music.”

    -Albert Einstein-

    “Music is a higher revelation than all wisdom and philosophy.”

    -Ludwig van Beethoven-

  • vi

    DEDICATIONS

    “Who should I give my love to, my respect, and my honor to;

    Who should I think the most to, after Allah, and Rasullullah;

    Comes Your mother; who next?

    Your mother; who next?

    Your mother; and then your father…”

    (Yusuf Islam’s song lyric entitled “Your Mother”)

    Buk, Pak, this is for you!

  • vii

    ACKNOWLEDGEMENTS

    Alhamdulillah, all praise be for Allah SWT, the Almighty for all the blessing

    without which I would have never finished this thesis writing. I would like also give

    my deep gratitude to:

    1. Drs. Suhaini Muhammad Saleh, M.A., as my first supervisor; and Paulus

    Kurnianta, M.Hum, as my second supervisor, who have given me guidance,

    care, understanding, and all patience, this thesis would not have been finished;

    2. my parents, Sulami and Purnama, who always give me courage, long-lasting

    love, support, pray, and belief so that I always remember to write line in this

    thesis;

    3. my brothers, M. Khoirul Basrowi and M. Rowi Arifin for their support and

    prayer which always enlighten my spirit;

    4. all my cheerful nephews and nieces: Rosyid, Farel, Zahwa, Adhit, and Naura for

    their smiles and cute faces from which I get more powerful spirit;

    5. my special friends: DJ Henny, Nur Hidayah, and Ptesh Bertingkah for their

    support, love, and affection from which I gain confidence even when I am not

    feeling well;

    6. all struggling-together friends: Andy, Furqon, and Indah for always being there

    when I need their help and for always reminding me the days we skinned our

    heart and our knees;

    7. all friends in Linguistics Class 2007: Astin, Endang, Ajar, Inta, Ryang, Tiwi,

    Rani, Fitria, Besti, Sherly, Galih, Arum, Lintang, Tita, Icha, Talita, Jihan, Iwan,

    Banu, Lisa, Widi, Nina, and Nita for always coloring every class that we attended

    with powerful spirit;

    8. all people who have sincerely helped me in finishing this thesis, all of whom I

    cannot mention one by one.

  • 6!:

    Finally, Irealizs that this tfiesis is far from being perfect. Weaknesses ss well

    as mistakes are here and there. Therefore, any kind of comrent and constructive

    criticism for the sake ofthee bett€rnent ofthis tlresis will be kindly welcomed.

    Yegyakarta, Jrme l9e ,2014

    Rowidrm Amri,Idarhmah

    vilt

  • ix

    TABLE OF CONTENTS

    COVER……...………………………………………………………….…… i

    APPROVAL SHEET…………………..……….…………………………... ii

    RATIFICATION SHEET…………………….…………………….…........ iii

    SURAT PERNYATAAN…………………………….…………………….... iv

    MOTTOS………..……….…………………………….……………………. v

    DEDICATIONS…..………………………………….….………..………… vi

    ACKNOWLEDGEMENTS…………………………..……………..…...... vii

    TABLE OF CONTENTS……………….…………………………….....…. ix

    LIST OF TABLES……………..…………………………………………… xii

    LIST OF APPENDICES……………………………..…………………..... xiii

    LIST OF ABBREVIATIONS………………..………………...…………... xiv

    ABSTRACT……………………………………….……………..………….. xv

    CHAPTER I. INTRODUCTION…………………………………….……. 1

    A. Background of the Research…..………………….…...……………….. 1

    B. The Research Focus…………..…………………………….…..……... 4

    C. The Formulation of the Research…………..………………………….. 5

    D. The Objectives of the Research………….……………………………. 6

    E. The Significance of the Research……..……………………………….. 6

    CHAPTER II. LITERATURE REVIEW…………………………………. 8

    A. Theoretical Description………..……………………………………….. 8

  • x

    1. Systemic Functional Linguistics……………………………………… 8

    2. Interpersonal Meaning…………...…………………………………… 9

    a. Mood System…………………………………………………….. 12

    b. Modality………………………………………………………….. 17

    3. Music...….……………………………………………………………. 20

    4. Muse………………………..………...…...………………………... 21

    B. Previous Research Finding………….…………………………………. 22

    C. The Conceptual Framework……………………..…………………….. 24

    D. Analytical Construct…………………………………………..……….. 26

    CHAPTER III. RESEARCH METHOD………………………………….. 27

    A. Type of the research………………………………………………….. 27

    B. Data Preparation……………………………………………………….. 28

    1. The Object of the Research, Data and Data Source…………………. 28

    2. Research Instrument………………………………………………….. 28

    3. Technique of Data Collection………………………………………... 30

    C. Technique of Data Analysis…………………………………………… 30

    D. Trustworthiness of the Data……………………………………………. 31

    CHAPTER IV. FINDINGS AND DISCUSSION…………………………. 33

    A. Findings………………………………………………………………... 33

    B. Discussion……………………………………………………………… 36

    1. The Types of Interpersonal Meaning in the Lyrics of Muse Album Black Holes and Revelations ………………………….……............... 36

    2. The Analysis of Mood Types Used in the Lyrics of Muse album 38

  • xi

    Black Holes and Revelations …………….…………………………...

    a. Declarative………………………………………………………….. 39

    b. Interrogative…………..…………………………………………….. 43

    c. Imperative…………………………………………………………... 45

    3. The Modality realized in the lyrics of Muse album Black Holes and Revelations............................................................................................

    47

    CHAPTER V. CONCLUSIONS AND SUGGESTIONS………………… 50

    A. Conclusions……………………………………………………………. 50

    B. Suggestions…………………………………………………………….. 51

    REFERENCES……………………………………………………………… 54

    APPENDICES………………………………………………………………. 56

  • xii

    LIST OF TABLES

    Table 1: The Mood Types ...………………………………………………. 14

    Table 2: Mood Structure ………..………………………………………… 14

    Table 3: The Degree of Modali