Interactive Storytelling for Video Games

Chapter 10: Open-Ended Stories

Josiah Lebowitz

Chris Klug

What is an open-ended story? Open-ended stories are somewhat similar to highly complex

branching path stories but are far more player-driven. They often star generic player created heroes. The focus is more on the setting than the main plot. The player typically has multiple ways to approach every

quest and can undertake most quests in any order he chooses.

Decision points tend to be far less obvious than in branching path stories and are based more on the player’s actions and play style than his response to specific prompts.

Fallout 3 Released by Bethesda in

2008 (PS3, 360, PC). Gives the player a massive

well realized post-apocalyptic world to explore.

Features a wide variety of optional quests and interesting NPCs.

Uses a fairly simple good and evil scale based on the player’s actions and dialogue choices.

Creating Open-Ended Stories Open-ended stories are complex and difficult to create They require massive amounts of decision points and minor

and moderate branches. Open-ended stories need multiple versions of most

conversations to reflect how good, evil, smart, etc the hero is. Because the writer has little control over the hero’s

appearance and personality or the structure and pacing of the story, it’s generally best to keep the main plot simple.

The focus is primarily on creating a detailed world filled with interesting characters for the player to interact with.

The Main Plot Due to the large amount of optional content, and the

difficulties of creating an engaging and well structured plot in highly player-driven forms of storytelling, open-ended stories tend to have rather short and simple main plots.

Most writing time will need to be devoted to the setting and optional content rather than the main plot.

It’s extremely difficult to ensure that open-ended stories have any kind of even pacing so just try to keep the main plot itself smoothly paced.

Make sure the player can easily get back to the main plot if he gets side-tracked or screws something up.

The Branches Branching in open-ended stories is often handled

automatically based on the player’s actions in game (how nice he is, whether he favors weapons or magic, etc).

Open-ended stories often have a set of minor or moderate branches for nearly every quest.

Major branches are less common and often don’t appear until late in the main plot.

The Distractions Distractions are optional quests and tasks the player can

undertake that have no real baring on the main plot. Open-ended stories need an enormous number of

distractions to keep players busy. Distractions are a chance to flesh out the backstory of the

setting and NPCs. Distractions should tie heavily into the setting and who the

character is supposed to be. Nico from Grand Theft Auto 4, for example, can steal cars, go on dates, and drive a taxi while the hero of Fallout 3 can hunt mutants and collect rare items that survived the war.

Fable II Released by Lionhead Studios and

Microsoft in 2008 (360). Gives the player free rein to explore

the world of Albion and interact with its inhabitants.

The player can invest in real-estate, marry, raise a family, and kill most NPCs, among other things.

The good and evil system is extremely easy to exploit.

For better or worse, it puts the player squarely in control of the story.

The Strengths of Open-Ended Stories They provide the player with an enormous amount of

freedom. They encourage the creation of large dynamic settings. There’s still a main plot which the player can follow or ignore

as he sees fit. The player can, in most cases, shape and customize the

hero to his liking. Numerous distractions provide a considerable amount of

gameplay.

Grand Theft Auto 4 Released by Rockstar in

2008 (360, PS3, PC). Set in a large and vibrant city. Features a well defined hero

and deep main plot (unusual in open-ended stories).

Contains a large number of optional tasks which fit perfectly with the character and setting.

The Weaknesses of Open-Ended Stories Main plots are generally short and simple. Generic heroes lack depth and personality. As with multiple-ending and branching path stories, shocking

and emotional story scenes lose much of their impact when the player knows he can always change things.

It’s easy for players to turn to accidentally turn the story down an undesirable branch.

In some games, it’s easy to lose track of or even derail the main plot.

They’re difficult and expensive to create.

The Elder Scrolls III: Morrowind Released by Bethesda in 2002

(Xbox, PC). Turns the player loose in a

massive world with a rich history. Features an enormous amount

of optional tasks. Every NPC in the game can be

killed. It’s very easy to lose track of the

main plot. It’s possible to break virtually

any quest (the main plot included), rendering them impossible to complete.

Things to Consider List several games you’ve played which use open-ended stories. Pick two of the games from your list and create simple outlines of their

main plots. Compare them to the main plots of games using other storytelling styles. What differences do you see in their length and structure?

Do one or both of those games use a morality system? If so, how does the hero’s morality affect the rest of the game? How easy is it to change the hero’s moral alignment?

Pick one of the two games. Do you think the use of an open-ended story structure significantly enhanced or detracted from the game’s main plot? Explain your reasoning.

Do you think the use of an open-ended story structure significantly enhanced or detracted from the game’s world and setting? Explain your reasoning.