INFINITY #3 | Digital Graphic Novels and Digital Comics

59

description

ILYA's classic romance strip will break your heart... We've also got reviews of Nao of Brown, My Friend Dahmer, all the important digital comics news, opinions and more... including a super sampler of the faboulous kids weekly, The Phoenix

Transcript of INFINITY #3 | Digital Graphic Novels and Digital Comics

Page 1: INFINITY #3 | Digital Graphic Novels and Digital Comics

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This PDF version of INFINITY does not include the full functionality available in the iPad app The following functionality is not included

Panel Mode Super-fast smooth page swiping

Audio commentaries Integrated links videos and detailed images

Graphical contents Graphical bookmarks

Social media integration Update notifications

Free subscription with auto-download

We recommend the free iPad version of INFINITY for the best user

experience but if that is not an option for you we hope you will enjoy this PDF version

RUSSELL WILLIS bull EDITOR

ON AND ON AND ON

CoverILYA

EditorRussellWillis

contactienglishcom

ContributorsILYA

GarenEwingSeanTCollinsJohnInnesPJHoldenPMBuchanChloeumlMarEn

HaydenHughesJohnGraGanNickDawkins

PublisherPanelNine

infinPublishedbiMmonthly

ThisappcopyiEnglishcomLtdContentscopyindividualcopyrightholders

Volume323bull3Issue333bull3February32013Thisisissue3ofthenewINFINITYa

magazineaboutdigitalcomicsandmorePleaseemailinquiriesaboutcontributions

totheaddressabove

GATEWAY DRUGSThe new year sawPanelNine produce andDavid Fickling Comicspublish the iPad version of The$ Phoenix ndash a kidsrsquo weekly comicavailable in the UK through comic shops book stores andsupermarkets Thisseemedabitstrange forme asmy interestincomics has nearly always been related to the soMcalled lsquoliterarygraphic novelrsquo But the fact is that The$ Phoenix is just a brilliantcomic per se (see for yourself with the free sample in this issue)and in Britain at least it is vitally needed to get kids readingcomicsWithoutgatewaydrugslikeThe$PhoenixfewerpeoplewillbereadingworkbyMaryandBryanTalbot

COSTA CULTURESpeaking of whom January saw some fabulous news for BriEshcomicswith theTalbotswinningamajor literaryprize inthe formoftheCostaBiographyAwardforDotter$of$Her$Fatherrsquos$EyesAlsonominatedwasDays$of$the$Bagnold$Summermyfavouritegraphicnovel of 2012 by JoffWinterheart (Both published by JonathanCapeintheUK) AndjustaswewereabouttoreleasethisissueGlynDillonrsquosThe$Nao$ of$Brownwon the Special Prize atAngoulecircme and JonMcNaught won the Newcomer prize with Dockwood Britain islsquopunching above itsweightrsquo as the diplomats like to say when itcomestocomicsforthecognoscenE

LITERARY GRAPHIC NOVELS FOR THE MASSES NOWItallaugurswellforourmainprojectof2013whichistosetupanew company to release a special storefront for deluxe digitalversionsoflsquoliterarygraphicnovelsrsquoWersquovebeenworkingwithsomefabulous publishers on agreements to have their books availablethroughPanelNineThestorefrontwillbemarketedtothetypeofpeople who would read and love the work of Posy SimmondsMarjaneSatrapiArtSpiegelmanAlisonBechdelRaymondBriggsBryan Talbot et al This target audience would never think ofthemselvesascomicsreadersletalonevisitacomicshopdigitalorotherwiseWatchthisspace infin

ENDS infin INFINITY 3 bull February 2013 bull 1 of 57

CONTINUES INFINITY 3 bull February 2013 bull 2 of 57

KYLE BAKER PUTS GRAPHIC NOVELS ONLINE FOR FREEKyle Baker a comics master and formative influence in the development of the graphic novel has made his creator-owned work available to read for free online Titles include The Cowboy Wally Show Why I Hate Saturn Special Forces and Nat Turner Baker has yet to give a reason for the move

Bakerrsquos debut graphic novel The Cowboy Wally Show was one of the first post-Maus standalone graphic novels appearing in 1990 Its humorous story of a manic kidsrsquo entertainer was followed up by Why I Hate Saturn a social satire about dating in the 90s Cory Doctorow describes Baker as an lsquoastounding amazing brilliantrsquo comics creator and advises his readers to run

not walk to the site Although the strips are not presented particularly well on the site we can only agree See Kyle Bakerrsquos website bull Wikipedia entry

COMIXOLOGY SETS UP PARIS OFFICE DOES DEAL WITH DELCOURTDigital comics behemoth Comixology has shown its internationalism by setting up a Paris office as part of a move to offer non-English-language comics content France has a thriving comics industry comparable in size to that of the US Its first European partner is French publisher Delcourt a company with 174 of the French comics market See Full story at The Beat bull Delcourtrsquos website

A Roundup of Digital Comics News

RADAR

PETER BAGGE GETS CREEPY WITH DARK HORSE DIGITALJim Warrenrsquos classic horror anthology Creepy has been revived by Dark Horse and good old Uncle Creepy has acquired a family sisters brothers cousins The awful antics of the Creepy family are now being depicted by indie favourite Peter Bagge in some delightful one-page strips See Full story at Comics Alliance

CHLOE NOONAN MONSTER HUNTER GETS DIGITAL OMNIBUSBritish comics creator Marc Ellerby has released a digital omnibus of his acclaimed Chloe Noonan strip Published by Great Beast it costs pound299 for 136 pagesSee Great Beast store

IVERSE MOVES FORWARD WITH LIBRARY SOLUTIONSiVerse is expecting to finally launch its service for libraries in the first quarter of this year according to a still-in-development site that iVerse has now made public

Libraries account for 10 of the US comics and graphic novel market according to Brodart a company providing services to US libraries iVersersquos original announcement from last April noted that the service will allow libraries

to lend comic books for about two weeks Comics will be able to be read on iOS Android PC and any web browser that supports HTML5 In recent months more than 250 libraries have been beta testing the service See Brodart bull iVerse Media

News Roundup

CONTINUES INFINITY 3 bull February 2013 bull 3 of 57

actress-cum-fast food worker ndash possibly the most well-rounded female character in comics todayrsquo The iPad lsquodeluxe digital graphic novelrsquo contains an 80-page VerityFair story audio commentaries on nearly every page production sketches rare extra strips and illustrations and an interview with the author

Due out in March it will be priced at just $499 See Panel Nine website bull RichJohnston on Terry Wiley

PHOENIX FOR THE IPAD LAUNCHEDBritish weekly The Phoenix one of the very few kidsrsquo comics being printed in the UK today has added an iPad edition ndash allowing issues to be automatically delivered to readersrsquo devices each week through Applersquos Newsstand service

Reaction to the launch has been incredibly positive with luminaries such as Neil Gaiman tweeting to help publicise it and user reaction has been exceptional ndash a typical user comment from iTunes reads lsquoThe Phoenix Comic is a brilliant weekly read for kids of all ages ndash great stories matched by excellent art The digital version has been put together with characteristic care and attentionhellip Canrsquot recommend this too highlyrsquo

Russell Willis (publisher at Panel Nine who developed the app) talked about the digital version of The Phoenix with Brigid Alverson at GoodEReaderSee Interview with Russell Willis

TERRY WILEYrsquoS VERITYFAIR FROM PANEL NINE DUE IN MARCHTerry Wiley has been described by Rich Johnston of popular comics website Bleeding Cool as a lsquotrue comic book geniusrsquo

and by Richard Bruton of Forbidden Planet International as an lsquounheralded starrsquo His 90s work on Sleaze Castle is admired by the British comics cognoscenti but his work has yet to break out lsquoWe hope to help change thatrsquo says Russell Willis publisher at Panel Nine lsquoVerityFair is a unique but superbly accessible tale that has the pull of a soap opera whilst mining issues of psychological depth and stars a mostly irrepressible fortysomething

News Roundup

CONTINUES INFINITY 3 bull February 2013 bull 4 of 57

DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list

Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors

The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website

US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN

Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its

name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2

News Roundup

ENDS infin INFINITY 3 bull February 2013 bull 5 of 57

IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare

Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view

In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu

Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013

The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards

Graphicly raised more money from investors and hopes to reach profitability soon

Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans

Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new

Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details

Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives

Have you got news for us If so please send a press release to

contactienglishcom

infin INFINITY NEWS DESK infin

Verbatim

THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo

bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo

bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo

bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo

bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo

DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo

bullbullbull

RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo

ENDS infin INFINITY 3 bull February 2013 bull 6 of 57

SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN

GOT A QUOTE

Have you come across an interesting quote about digital comics Then help

us out and get in touch

contactienglishcom

ndash and please include a source

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo

ndash Spandexless

ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo

ndash Comic Heroes

ldquoTHE GOLD STANDARDrdquondash Four Realities

PANEL NINE

linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist

Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career

The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of

The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes

Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in

CONTINUES INFINITY 3 bull February 2013 bull 8 of 57

Reviews

ATTENTION SEEKING

The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World

The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin

See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize

her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice

While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more

CONTINUES INFINITY 3 bull February 2013 bull 9 of 57

Reviews

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 2: INFINITY #3 | Digital Graphic Novels and Digital Comics

RUSSELL WILLIS bull EDITOR

ON AND ON AND ON

CoverILYA

EditorRussellWillis

contactienglishcom

ContributorsILYA

GarenEwingSeanTCollinsJohnInnesPJHoldenPMBuchanChloeumlMarEn

HaydenHughesJohnGraGanNickDawkins

PublisherPanelNine

infinPublishedbiMmonthly

ThisappcopyiEnglishcomLtdContentscopyindividualcopyrightholders

Volume323bull3Issue333bull3February32013Thisisissue3ofthenewINFINITYa

magazineaboutdigitalcomicsandmorePleaseemailinquiriesaboutcontributions

totheaddressabove

GATEWAY DRUGSThe new year sawPanelNine produce andDavid Fickling Comicspublish the iPad version of The$ Phoenix ndash a kidsrsquo weekly comicavailable in the UK through comic shops book stores andsupermarkets Thisseemedabitstrange forme asmy interestincomics has nearly always been related to the soMcalled lsquoliterarygraphic novelrsquo But the fact is that The$ Phoenix is just a brilliantcomic per se (see for yourself with the free sample in this issue)and in Britain at least it is vitally needed to get kids readingcomicsWithoutgatewaydrugslikeThe$PhoenixfewerpeoplewillbereadingworkbyMaryandBryanTalbot

COSTA CULTURESpeaking of whom January saw some fabulous news for BriEshcomicswith theTalbotswinningamajor literaryprize inthe formoftheCostaBiographyAwardforDotter$of$Her$Fatherrsquos$EyesAlsonominatedwasDays$of$the$Bagnold$Summermyfavouritegraphicnovel of 2012 by JoffWinterheart (Both published by JonathanCapeintheUK) AndjustaswewereabouttoreleasethisissueGlynDillonrsquosThe$Nao$ of$Brownwon the Special Prize atAngoulecircme and JonMcNaught won the Newcomer prize with Dockwood Britain islsquopunching above itsweightrsquo as the diplomats like to say when itcomestocomicsforthecognoscenE

LITERARY GRAPHIC NOVELS FOR THE MASSES NOWItallaugurswellforourmainprojectof2013whichistosetupanew company to release a special storefront for deluxe digitalversionsoflsquoliterarygraphicnovelsrsquoWersquovebeenworkingwithsomefabulous publishers on agreements to have their books availablethroughPanelNineThestorefrontwillbemarketedtothetypeofpeople who would read and love the work of Posy SimmondsMarjaneSatrapiArtSpiegelmanAlisonBechdelRaymondBriggsBryan Talbot et al This target audience would never think ofthemselvesascomicsreadersletalonevisitacomicshopdigitalorotherwiseWatchthisspace infin

ENDS infin INFINITY 3 bull February 2013 bull 1 of 57

CONTINUES INFINITY 3 bull February 2013 bull 2 of 57

KYLE BAKER PUTS GRAPHIC NOVELS ONLINE FOR FREEKyle Baker a comics master and formative influence in the development of the graphic novel has made his creator-owned work available to read for free online Titles include The Cowboy Wally Show Why I Hate Saturn Special Forces and Nat Turner Baker has yet to give a reason for the move

Bakerrsquos debut graphic novel The Cowboy Wally Show was one of the first post-Maus standalone graphic novels appearing in 1990 Its humorous story of a manic kidsrsquo entertainer was followed up by Why I Hate Saturn a social satire about dating in the 90s Cory Doctorow describes Baker as an lsquoastounding amazing brilliantrsquo comics creator and advises his readers to run

not walk to the site Although the strips are not presented particularly well on the site we can only agree See Kyle Bakerrsquos website bull Wikipedia entry

COMIXOLOGY SETS UP PARIS OFFICE DOES DEAL WITH DELCOURTDigital comics behemoth Comixology has shown its internationalism by setting up a Paris office as part of a move to offer non-English-language comics content France has a thriving comics industry comparable in size to that of the US Its first European partner is French publisher Delcourt a company with 174 of the French comics market See Full story at The Beat bull Delcourtrsquos website

A Roundup of Digital Comics News

RADAR

PETER BAGGE GETS CREEPY WITH DARK HORSE DIGITALJim Warrenrsquos classic horror anthology Creepy has been revived by Dark Horse and good old Uncle Creepy has acquired a family sisters brothers cousins The awful antics of the Creepy family are now being depicted by indie favourite Peter Bagge in some delightful one-page strips See Full story at Comics Alliance

CHLOE NOONAN MONSTER HUNTER GETS DIGITAL OMNIBUSBritish comics creator Marc Ellerby has released a digital omnibus of his acclaimed Chloe Noonan strip Published by Great Beast it costs pound299 for 136 pagesSee Great Beast store

IVERSE MOVES FORWARD WITH LIBRARY SOLUTIONSiVerse is expecting to finally launch its service for libraries in the first quarter of this year according to a still-in-development site that iVerse has now made public

Libraries account for 10 of the US comics and graphic novel market according to Brodart a company providing services to US libraries iVersersquos original announcement from last April noted that the service will allow libraries

to lend comic books for about two weeks Comics will be able to be read on iOS Android PC and any web browser that supports HTML5 In recent months more than 250 libraries have been beta testing the service See Brodart bull iVerse Media

News Roundup

CONTINUES INFINITY 3 bull February 2013 bull 3 of 57

actress-cum-fast food worker ndash possibly the most well-rounded female character in comics todayrsquo The iPad lsquodeluxe digital graphic novelrsquo contains an 80-page VerityFair story audio commentaries on nearly every page production sketches rare extra strips and illustrations and an interview with the author

Due out in March it will be priced at just $499 See Panel Nine website bull RichJohnston on Terry Wiley

PHOENIX FOR THE IPAD LAUNCHEDBritish weekly The Phoenix one of the very few kidsrsquo comics being printed in the UK today has added an iPad edition ndash allowing issues to be automatically delivered to readersrsquo devices each week through Applersquos Newsstand service

Reaction to the launch has been incredibly positive with luminaries such as Neil Gaiman tweeting to help publicise it and user reaction has been exceptional ndash a typical user comment from iTunes reads lsquoThe Phoenix Comic is a brilliant weekly read for kids of all ages ndash great stories matched by excellent art The digital version has been put together with characteristic care and attentionhellip Canrsquot recommend this too highlyrsquo

Russell Willis (publisher at Panel Nine who developed the app) talked about the digital version of The Phoenix with Brigid Alverson at GoodEReaderSee Interview with Russell Willis

TERRY WILEYrsquoS VERITYFAIR FROM PANEL NINE DUE IN MARCHTerry Wiley has been described by Rich Johnston of popular comics website Bleeding Cool as a lsquotrue comic book geniusrsquo

and by Richard Bruton of Forbidden Planet International as an lsquounheralded starrsquo His 90s work on Sleaze Castle is admired by the British comics cognoscenti but his work has yet to break out lsquoWe hope to help change thatrsquo says Russell Willis publisher at Panel Nine lsquoVerityFair is a unique but superbly accessible tale that has the pull of a soap opera whilst mining issues of psychological depth and stars a mostly irrepressible fortysomething

News Roundup

CONTINUES INFINITY 3 bull February 2013 bull 4 of 57

DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list

Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors

The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website

US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN

Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its

name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2

News Roundup

ENDS infin INFINITY 3 bull February 2013 bull 5 of 57

IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare

Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view

In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu

Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013

The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards

Graphicly raised more money from investors and hopes to reach profitability soon

Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans

Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new

Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details

Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives

Have you got news for us If so please send a press release to

contactienglishcom

infin INFINITY NEWS DESK infin

Verbatim

THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo

bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo

bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo

bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo

bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo

DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo

bullbullbull

RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo

ENDS infin INFINITY 3 bull February 2013 bull 6 of 57

SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN

GOT A QUOTE

Have you come across an interesting quote about digital comics Then help

us out and get in touch

contactienglishcom

ndash and please include a source

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo

ndash Spandexless

ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo

ndash Comic Heroes

ldquoTHE GOLD STANDARDrdquondash Four Realities

PANEL NINE

linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist

Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career

The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of

The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes

Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in

CONTINUES INFINITY 3 bull February 2013 bull 8 of 57

Reviews

ATTENTION SEEKING

The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World

The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin

See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize

her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice

While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more

CONTINUES INFINITY 3 bull February 2013 bull 9 of 57

Reviews

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 3: INFINITY #3 | Digital Graphic Novels and Digital Comics

CONTINUES INFINITY 3 bull February 2013 bull 2 of 57

KYLE BAKER PUTS GRAPHIC NOVELS ONLINE FOR FREEKyle Baker a comics master and formative influence in the development of the graphic novel has made his creator-owned work available to read for free online Titles include The Cowboy Wally Show Why I Hate Saturn Special Forces and Nat Turner Baker has yet to give a reason for the move

Bakerrsquos debut graphic novel The Cowboy Wally Show was one of the first post-Maus standalone graphic novels appearing in 1990 Its humorous story of a manic kidsrsquo entertainer was followed up by Why I Hate Saturn a social satire about dating in the 90s Cory Doctorow describes Baker as an lsquoastounding amazing brilliantrsquo comics creator and advises his readers to run

not walk to the site Although the strips are not presented particularly well on the site we can only agree See Kyle Bakerrsquos website bull Wikipedia entry

COMIXOLOGY SETS UP PARIS OFFICE DOES DEAL WITH DELCOURTDigital comics behemoth Comixology has shown its internationalism by setting up a Paris office as part of a move to offer non-English-language comics content France has a thriving comics industry comparable in size to that of the US Its first European partner is French publisher Delcourt a company with 174 of the French comics market See Full story at The Beat bull Delcourtrsquos website

A Roundup of Digital Comics News

RADAR

PETER BAGGE GETS CREEPY WITH DARK HORSE DIGITALJim Warrenrsquos classic horror anthology Creepy has been revived by Dark Horse and good old Uncle Creepy has acquired a family sisters brothers cousins The awful antics of the Creepy family are now being depicted by indie favourite Peter Bagge in some delightful one-page strips See Full story at Comics Alliance

CHLOE NOONAN MONSTER HUNTER GETS DIGITAL OMNIBUSBritish comics creator Marc Ellerby has released a digital omnibus of his acclaimed Chloe Noonan strip Published by Great Beast it costs pound299 for 136 pagesSee Great Beast store

IVERSE MOVES FORWARD WITH LIBRARY SOLUTIONSiVerse is expecting to finally launch its service for libraries in the first quarter of this year according to a still-in-development site that iVerse has now made public

Libraries account for 10 of the US comics and graphic novel market according to Brodart a company providing services to US libraries iVersersquos original announcement from last April noted that the service will allow libraries

to lend comic books for about two weeks Comics will be able to be read on iOS Android PC and any web browser that supports HTML5 In recent months more than 250 libraries have been beta testing the service See Brodart bull iVerse Media

News Roundup

CONTINUES INFINITY 3 bull February 2013 bull 3 of 57

actress-cum-fast food worker ndash possibly the most well-rounded female character in comics todayrsquo The iPad lsquodeluxe digital graphic novelrsquo contains an 80-page VerityFair story audio commentaries on nearly every page production sketches rare extra strips and illustrations and an interview with the author

Due out in March it will be priced at just $499 See Panel Nine website bull RichJohnston on Terry Wiley

PHOENIX FOR THE IPAD LAUNCHEDBritish weekly The Phoenix one of the very few kidsrsquo comics being printed in the UK today has added an iPad edition ndash allowing issues to be automatically delivered to readersrsquo devices each week through Applersquos Newsstand service

Reaction to the launch has been incredibly positive with luminaries such as Neil Gaiman tweeting to help publicise it and user reaction has been exceptional ndash a typical user comment from iTunes reads lsquoThe Phoenix Comic is a brilliant weekly read for kids of all ages ndash great stories matched by excellent art The digital version has been put together with characteristic care and attentionhellip Canrsquot recommend this too highlyrsquo

Russell Willis (publisher at Panel Nine who developed the app) talked about the digital version of The Phoenix with Brigid Alverson at GoodEReaderSee Interview with Russell Willis

TERRY WILEYrsquoS VERITYFAIR FROM PANEL NINE DUE IN MARCHTerry Wiley has been described by Rich Johnston of popular comics website Bleeding Cool as a lsquotrue comic book geniusrsquo

and by Richard Bruton of Forbidden Planet International as an lsquounheralded starrsquo His 90s work on Sleaze Castle is admired by the British comics cognoscenti but his work has yet to break out lsquoWe hope to help change thatrsquo says Russell Willis publisher at Panel Nine lsquoVerityFair is a unique but superbly accessible tale that has the pull of a soap opera whilst mining issues of psychological depth and stars a mostly irrepressible fortysomething

News Roundup

CONTINUES INFINITY 3 bull February 2013 bull 4 of 57

DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list

Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors

The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website

US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN

Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its

name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2

News Roundup

ENDS infin INFINITY 3 bull February 2013 bull 5 of 57

IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare

Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view

In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu

Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013

The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards

Graphicly raised more money from investors and hopes to reach profitability soon

Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans

Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new

Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details

Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives

Have you got news for us If so please send a press release to

contactienglishcom

infin INFINITY NEWS DESK infin

Verbatim

THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo

bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo

bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo

bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo

bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo

DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo

bullbullbull

RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo

ENDS infin INFINITY 3 bull February 2013 bull 6 of 57

SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN

GOT A QUOTE

Have you come across an interesting quote about digital comics Then help

us out and get in touch

contactienglishcom

ndash and please include a source

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo

ndash Spandexless

ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo

ndash Comic Heroes

ldquoTHE GOLD STANDARDrdquondash Four Realities

PANEL NINE

linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist

Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career

The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of

The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes

Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in

CONTINUES INFINITY 3 bull February 2013 bull 8 of 57

Reviews

ATTENTION SEEKING

The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World

The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin

See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize

her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice

While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more

CONTINUES INFINITY 3 bull February 2013 bull 9 of 57

Reviews

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 4: INFINITY #3 | Digital Graphic Novels and Digital Comics

PETER BAGGE GETS CREEPY WITH DARK HORSE DIGITALJim Warrenrsquos classic horror anthology Creepy has been revived by Dark Horse and good old Uncle Creepy has acquired a family sisters brothers cousins The awful antics of the Creepy family are now being depicted by indie favourite Peter Bagge in some delightful one-page strips See Full story at Comics Alliance

CHLOE NOONAN MONSTER HUNTER GETS DIGITAL OMNIBUSBritish comics creator Marc Ellerby has released a digital omnibus of his acclaimed Chloe Noonan strip Published by Great Beast it costs pound299 for 136 pagesSee Great Beast store

IVERSE MOVES FORWARD WITH LIBRARY SOLUTIONSiVerse is expecting to finally launch its service for libraries in the first quarter of this year according to a still-in-development site that iVerse has now made public

Libraries account for 10 of the US comics and graphic novel market according to Brodart a company providing services to US libraries iVersersquos original announcement from last April noted that the service will allow libraries

to lend comic books for about two weeks Comics will be able to be read on iOS Android PC and any web browser that supports HTML5 In recent months more than 250 libraries have been beta testing the service See Brodart bull iVerse Media

News Roundup

CONTINUES INFINITY 3 bull February 2013 bull 3 of 57

actress-cum-fast food worker ndash possibly the most well-rounded female character in comics todayrsquo The iPad lsquodeluxe digital graphic novelrsquo contains an 80-page VerityFair story audio commentaries on nearly every page production sketches rare extra strips and illustrations and an interview with the author

Due out in March it will be priced at just $499 See Panel Nine website bull RichJohnston on Terry Wiley

PHOENIX FOR THE IPAD LAUNCHEDBritish weekly The Phoenix one of the very few kidsrsquo comics being printed in the UK today has added an iPad edition ndash allowing issues to be automatically delivered to readersrsquo devices each week through Applersquos Newsstand service

Reaction to the launch has been incredibly positive with luminaries such as Neil Gaiman tweeting to help publicise it and user reaction has been exceptional ndash a typical user comment from iTunes reads lsquoThe Phoenix Comic is a brilliant weekly read for kids of all ages ndash great stories matched by excellent art The digital version has been put together with characteristic care and attentionhellip Canrsquot recommend this too highlyrsquo

Russell Willis (publisher at Panel Nine who developed the app) talked about the digital version of The Phoenix with Brigid Alverson at GoodEReaderSee Interview with Russell Willis

TERRY WILEYrsquoS VERITYFAIR FROM PANEL NINE DUE IN MARCHTerry Wiley has been described by Rich Johnston of popular comics website Bleeding Cool as a lsquotrue comic book geniusrsquo

and by Richard Bruton of Forbidden Planet International as an lsquounheralded starrsquo His 90s work on Sleaze Castle is admired by the British comics cognoscenti but his work has yet to break out lsquoWe hope to help change thatrsquo says Russell Willis publisher at Panel Nine lsquoVerityFair is a unique but superbly accessible tale that has the pull of a soap opera whilst mining issues of psychological depth and stars a mostly irrepressible fortysomething

News Roundup

CONTINUES INFINITY 3 bull February 2013 bull 4 of 57

DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list

Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors

The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website

US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN

Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its

name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2

News Roundup

ENDS infin INFINITY 3 bull February 2013 bull 5 of 57

IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare

Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view

In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu

Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013

The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards

Graphicly raised more money from investors and hopes to reach profitability soon

Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans

Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new

Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details

Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives

Have you got news for us If so please send a press release to

contactienglishcom

infin INFINITY NEWS DESK infin

Verbatim

THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo

bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo

bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo

bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo

bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo

DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo

bullbullbull

RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo

ENDS infin INFINITY 3 bull February 2013 bull 6 of 57

SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN

GOT A QUOTE

Have you come across an interesting quote about digital comics Then help

us out and get in touch

contactienglishcom

ndash and please include a source

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo

ndash Spandexless

ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo

ndash Comic Heroes

ldquoTHE GOLD STANDARDrdquondash Four Realities

PANEL NINE

linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist

Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career

The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of

The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes

Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in

CONTINUES INFINITY 3 bull February 2013 bull 8 of 57

Reviews

ATTENTION SEEKING

The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World

The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin

See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize

her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice

While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more

CONTINUES INFINITY 3 bull February 2013 bull 9 of 57

Reviews

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 5: INFINITY #3 | Digital Graphic Novels and Digital Comics

actress-cum-fast food worker ndash possibly the most well-rounded female character in comics todayrsquo The iPad lsquodeluxe digital graphic novelrsquo contains an 80-page VerityFair story audio commentaries on nearly every page production sketches rare extra strips and illustrations and an interview with the author

Due out in March it will be priced at just $499 See Panel Nine website bull RichJohnston on Terry Wiley

PHOENIX FOR THE IPAD LAUNCHEDBritish weekly The Phoenix one of the very few kidsrsquo comics being printed in the UK today has added an iPad edition ndash allowing issues to be automatically delivered to readersrsquo devices each week through Applersquos Newsstand service

Reaction to the launch has been incredibly positive with luminaries such as Neil Gaiman tweeting to help publicise it and user reaction has been exceptional ndash a typical user comment from iTunes reads lsquoThe Phoenix Comic is a brilliant weekly read for kids of all ages ndash great stories matched by excellent art The digital version has been put together with characteristic care and attentionhellip Canrsquot recommend this too highlyrsquo

Russell Willis (publisher at Panel Nine who developed the app) talked about the digital version of The Phoenix with Brigid Alverson at GoodEReaderSee Interview with Russell Willis

TERRY WILEYrsquoS VERITYFAIR FROM PANEL NINE DUE IN MARCHTerry Wiley has been described by Rich Johnston of popular comics website Bleeding Cool as a lsquotrue comic book geniusrsquo

and by Richard Bruton of Forbidden Planet International as an lsquounheralded starrsquo His 90s work on Sleaze Castle is admired by the British comics cognoscenti but his work has yet to break out lsquoWe hope to help change thatrsquo says Russell Willis publisher at Panel Nine lsquoVerityFair is a unique but superbly accessible tale that has the pull of a soap opera whilst mining issues of psychological depth and stars a mostly irrepressible fortysomething

News Roundup

CONTINUES INFINITY 3 bull February 2013 bull 4 of 57

DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list

Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors

The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website

US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN

Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its

name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2

News Roundup

ENDS infin INFINITY 3 bull February 2013 bull 5 of 57

IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare

Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view

In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu

Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013

The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards

Graphicly raised more money from investors and hopes to reach profitability soon

Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans

Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new

Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details

Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives

Have you got news for us If so please send a press release to

contactienglishcom

infin INFINITY NEWS DESK infin

Verbatim

THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo

bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo

bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo

bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo

bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo

DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo

bullbullbull

RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo

ENDS infin INFINITY 3 bull February 2013 bull 6 of 57

SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN

GOT A QUOTE

Have you come across an interesting quote about digital comics Then help

us out and get in touch

contactienglishcom

ndash and please include a source

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo

ndash Spandexless

ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo

ndash Comic Heroes

ldquoTHE GOLD STANDARDrdquondash Four Realities

PANEL NINE

linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist

Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career

The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of

The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes

Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in

CONTINUES INFINITY 3 bull February 2013 bull 8 of 57

Reviews

ATTENTION SEEKING

The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World

The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin

See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize

her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice

While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more

CONTINUES INFINITY 3 bull February 2013 bull 9 of 57

Reviews

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 6: INFINITY #3 | Digital Graphic Novels and Digital Comics

DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list

Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors

The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website

US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN

Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its

name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2

News Roundup

ENDS infin INFINITY 3 bull February 2013 bull 5 of 57

IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare

Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view

In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu

Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013

The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards

Graphicly raised more money from investors and hopes to reach profitability soon

Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans

Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new

Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details

Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives

Have you got news for us If so please send a press release to

contactienglishcom

infin INFINITY NEWS DESK infin

Verbatim

THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo

bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo

bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo

bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo

bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo

DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo

bullbullbull

RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo

ENDS infin INFINITY 3 bull February 2013 bull 6 of 57

SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN

GOT A QUOTE

Have you come across an interesting quote about digital comics Then help

us out and get in touch

contactienglishcom

ndash and please include a source

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo

ndash Spandexless

ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo

ndash Comic Heroes

ldquoTHE GOLD STANDARDrdquondash Four Realities

PANEL NINE

linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist

Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career

The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of

The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes

Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in

CONTINUES INFINITY 3 bull February 2013 bull 8 of 57

Reviews

ATTENTION SEEKING

The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World

The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin

See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize

her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice

While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more

CONTINUES INFINITY 3 bull February 2013 bull 9 of 57

Reviews

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 7: INFINITY #3 | Digital Graphic Novels and Digital Comics

Verbatim

THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo

bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo

bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo

bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo

bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo

DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo

bullbullbull

RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo

ENDS infin INFINITY 3 bull February 2013 bull 6 of 57

SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN

GOT A QUOTE

Have you come across an interesting quote about digital comics Then help

us out and get in touch

contactienglishcom

ndash and please include a source

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo

ndash Spandexless

ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo

ndash Comic Heroes

ldquoTHE GOLD STANDARDrdquondash Four Realities

PANEL NINE

linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist

Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career

The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of

The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes

Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in

CONTINUES INFINITY 3 bull February 2013 bull 8 of 57

Reviews

ATTENTION SEEKING

The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World

The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin

See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize

her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice

While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more

CONTINUES INFINITY 3 bull February 2013 bull 9 of 57

Reviews

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 8: INFINITY #3 | Digital Graphic Novels and Digital Comics

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo

ndash Spandexless

ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo

ndash Comic Heroes

ldquoTHE GOLD STANDARDrdquondash Four Realities

PANEL NINE

linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist

Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career

The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of

The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes

Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in

CONTINUES INFINITY 3 bull February 2013 bull 8 of 57

Reviews

ATTENTION SEEKING

The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World

The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin

See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize

her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice

While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more

CONTINUES INFINITY 3 bull February 2013 bull 9 of 57

Reviews

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 9: INFINITY #3 | Digital Graphic Novels and Digital Comics

linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist

Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career

The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of

The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes

Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in

CONTINUES INFINITY 3 bull February 2013 bull 8 of 57

Reviews

ATTENTION SEEKING

The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World

The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin

See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize

her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice

While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more

CONTINUES INFINITY 3 bull February 2013 bull 9 of 57

Reviews

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 10: INFINITY #3 | Digital Graphic Novels and Digital Comics

The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World

The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin

See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize

her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice

While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more

CONTINUES INFINITY 3 bull February 2013 bull 9 of 57

Reviews

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 11: INFINITY #3 | Digital Graphic Novels and Digital Comics

story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world

But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them

The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible

My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins

In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the

Reviews

CONTINUES INFINITY 3 bull February 2013 bull 10 of 57

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 12: INFINITY #3 | Digital Graphic Novels and Digital Comics

turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates

The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and

adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust

The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 11 of 57

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 13: INFINITY #3 | Digital Graphic Novels and Digital Comics

argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin

(This article first appeared on the authorrsquos blog)

See Interview with Derf Backderf

administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf

Reviews

ENDS infin INFINITY 3 bull February 2013 bull 12 of 57

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 14: INFINITY #3 | Digital Graphic Novels and Digital Comics

CONTINUES INFINITY 3 bull February 2013 bull 13 of 57

Tools of the Trade

PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it

I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)

STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible

PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless

Prior to his comics career hespent 20 years in the IT industry

PJ is on TwiGer and has a blog

PJ HOLDEN

This future soldier type was inspired by the great 2000AD character Rogue Trooper

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 15: INFINITY #3 | Digital Graphic Novels and Digital Comics

CONTINUES INFINITY 3 bull February 2013 bull 14 of 57

One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours

I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay

their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear

Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo

FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements

Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain

Tools of the Trade bull PJ Holden

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 16: INFINITY #3 | Digital Graphic Novels and Digital Comics

ENDS infin

Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)

Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer

BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes

From here on in itrsquos just a matter of selecting layers

INFINITY 3 bull February 2013 bull 15 of 57

I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are

Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)

Tools of the Trade bull PJ Holden

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 17: INFINITY #3 | Digital Graphic Novels and Digital Comics

ENDS infin

(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer

FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key

Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin

Next issue PJ will be back with more tools of the trade

ldquoLike most things aboutdrawing experimentaIon

and change are keyrdquo

INFINITY 3 bull February 2013 bull 16 of 57

Adding final textures and details

Procreate costs $499with addiIonal features

at $099 each

Tools of the Trade bull PJ Holden

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 18: INFINITY #3 | Digital Graphic Novels and Digital Comics

bull Over 200 pages of Hunt Emerson mania

bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more

bull Audio commentaries by Hunt

bullGallery of illustrations

bullGallery of self-portraits

bullGallery of covers

bullExclusive interview

Available for iPad $999 Tap this page to view the app in the App Store

PANEL NINE

ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 19: INFINITY #3 | Digital Graphic Novels and Digital Comics

CONTINUES

Digital Explorer

GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies

The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could

have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch

PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry

When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material

PM BUCHAN

INFINITY 3 bull February 2013 bull 18 of 57

THE PTERODACTYL HUNTERSIN THE GILDED CITY

By Brendan Leach

Winner Ignatz Award forOutstanding Comic

Published by Top Shelfthrough Comixology

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 20: INFINITY #3 | Digital Graphic Novels and Digital Comics

CONTINUES

if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better

Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of

brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes

The Pterodactyl Hunters inthe Gilded City

by Brendan Leach

Dark Horse Presents 18

INFINITY 3 bull February 2013 bull 19 of 57

ldquoDark Horse Presentswon several awards

throughout 2012 [withan] eclecIc and

ambiIous range ofmaterial containedwithin each issuerdquo

The PterodactylHunters full pageplus a panel shownin Guided View

DARK HORSE PRESENTS 18

By Various

Winner Harvey Award for BestAnthology Eisner Award for

Best Anthology

Published by Dark Horse

Digital Explorer bull PM Buchan

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 21: INFINITY #3 | Digital Graphic Novels and Digital Comics

CONTINUES

without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed

First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers

At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-

hatching over Jaimersquos clean lines which reminded me Love and Rockets

by the Hernandez Brothers

INFINITY 3 bull February 2013 bull 20 of 57

ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in

the execuIonrdquo

LOVE AND ROCKETSNEW STORIES 4

By the Hernandez Brothers

Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and

Outstanding Story (Return toMe)

Published by Fantagraphicsthrough Comixology

Digital Explorer bull PM Buchan

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 22: INFINITY #3 | Digital Graphic Novels and Digital Comics

CONTINUES

quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories

lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo

Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement

by Corrine Mucha

INFINITY 3 bull February 2013 bull 21 of 57

Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic

ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so

this seemed like a greatopportunity to address

the problemrdquo

THEMONKEY IN THE BASEMENT

By Corrine Mucha

Published by Top Shelfthrough Comixology

Winner Ignatz Award forOutstanding MiniMComic

Digital Explorer bull PM Buchan

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 23: INFINITY #3 | Digital Graphic Novels and Digital Comics

ENDS infin

Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips

I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish

I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin

Do you have digital comics that PM should explore Get in touch

INFINITY 3 bull February 2013 bull 22 of 57

ldquoWhy with all themoney that

[Comixology] rake indo I sIll have to

endure pixilaIon asI swipe betweenpages Why mustthey antagonise me

this wayrdquo

Digital Explorer bull PM Buchan

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 24: INFINITY #3 | Digital Graphic Novels and Digital Comics

CONTINUES

ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero

CHERISH

On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip

Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean

Collins Garth Ennis Glenn Fabryand Cherish by ILYA

Sequential Art

ILYA

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages that follow to view the

strip panelMbyMpanel

INFINITY 3 bull February 2013 bull 23 of 57

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 25: INFINITY #3 | Digital Graphic Novels and Digital Comics

CHERISH THE LOVE bull PERISH THE THOUGHT

As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled

In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such

Yes readers this happened and to me

The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is

CONTINUES INFINITY 3 bull February 2013 bull 32 of 57

ILYA on Cherish

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 26: INFINITY #3 | Digital Graphic Novels and Digital Comics

a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up

PAGE 1

The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous

I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens

It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American

The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments

CONTINUES INFINITY 3 bull February 2013 bull 33 of 57

ILYA on Cherish

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 27: INFINITY #3 | Digital Graphic Novels and Digital Comics

PAGE 2

That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch

Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such

PAGE 3

My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera

PAGE 4

The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev

CONTINUES INFINITY 3 bull February 2013 bull 34 of 57

ILYA on Cherish

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 28: INFINITY #3 | Digital Graphic Novels and Digital Comics

PAGE 5

Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain

Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)

PAGE 6

Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup

PAGE 7

I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh

CONTINUES INFINITY 3 bull February 2013 bull 35 of 57

ILYA on Cherish

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 29: INFINITY #3 | Digital Graphic Novels and Digital Comics

PAGE 8

Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb

If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my

current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet

In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that

And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on

ENDS infin INFINITY 3 bull February 2013 bull 36 of 57

ILYA on Cherish

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 30: INFINITY #3 | Digital Graphic Novels and Digital Comics

ENDS infin

Webcomics

ESSENTIAL WEBCOMICS

Strip

Briefly

DANIEL LIESKE

THE WORMWORLD SAGA

A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available

Strip

Briefly

GABRIELLE BELL

JULY DIARY

Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips

Strip

Briefly

GAVIN AUNG THAN

MAKE GOOD ART

Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches

INFINITY 3 bull February 2013 bull 37 of 57

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 31: INFINITY #3 | Digital Graphic Novels and Digital Comics

CONTINUES

TheRainbowOrchid$$This$adventure$comic$is$

published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite

Creating Comics

GAREN EWING

INFINITY 3 bull February 2013 bull 38 of 57

Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)

Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics

SOME THOUGHTS ON CREATING COMICS

Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally

These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 32: INFINITY #3 | Digital Graphic Novels and Digital Comics

When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character

In a story for a character to change their mind (or have it changed) something dramatic should happen

I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic

When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually

Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too

People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong

Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish

As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts

Self-depreciation and false modesty are all very well but

CONTINUES

ldquoI like the story to be trueonly to itself and notwriVen for some

imaginary demographicrdquo

INFINITY 3 bull February 2013 bull 39 of 57

Creating Comics bull Garen Ewing

Sketches from The Rainbow Orchid

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 33: INFINITY #3 | Digital Graphic Novels and Digital Comics

donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are

Stop thinking yoursquore important and get on with your work

Stop thinking everyone else is better than you and get on with your work

Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work

I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important

How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right

Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good

Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on

People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones

The UK comics scene is small When someone has a success

CONTINUES

ldquoHow many comiccreators does it take

to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo

INFINITY 3 bull February 2013 bull 40 of 57

Creating Comics bull Garen Ewing

Volume 3 of The Rainbow Orchid

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 34: INFINITY #3 | Digital Graphic Novels and Digital Comics

with their comic it is a success for all comics

If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning

When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic

Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better

You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous

Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot

Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve

Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first

People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo

CONTINUES

ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot

donrsquot donrsquotrdquo

INFINITY 3 bull February 2013 bull 41 of 57

Creating Comics bull Garen Ewing

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 35: INFINITY #3 | Digital Graphic Novels and Digital Comics

If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did

The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love

You donrsquot find the time to draw comics you make the time to draw comics

Everyone thinks therersquos a clique and that theyrsquore not in it

If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated

A drawing will lay bare your soul No wonder artists are so sensitive to criticism

When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures

Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives

Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long

Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics

For a villain to be a threat they must be shown to do something with real and serious consequences

CONTINUES

ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve

to criIcismrdquo

INFINITY 3 bull February 2013 bull 42 of 57

A model sheet for TheRainbow Orchid

Creating Comics bull Garen Ewing

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 36: INFINITY #3 | Digital Graphic Novels and Digital Comics

You are not in competition with other cartoonists

No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King

The Three Excitements Action Tension and Comedy Try to use at least one in every scene

There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin

ENDS infin INFINITY 3 bull February 2013 bull 43 of 57

A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA

ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo

ndash Spandexless

ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo

ndash Comic Heroes

ldquoThis app is fantastic Go buy itrdquondash David Hine

THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE

Creating Comics bull Garen Ewing

Character sketches for TheRainbow Orchid

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 37: INFINITY #3 | Digital Graphic Novels and Digital Comics

CONTINUES INFINITY 3 bull February 2013 bull 44 of 57

THE PHOENIXDigital Comics Sample

THE PHOENIX

iPad bull Free to download

Published by David Fickling Comicsbull Produced by Panel Nine

PANEL MODE ENABLED

DoubleMtap a panel on the comicspages following to view the strip

panelMbyMpanel

THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more

In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises

The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually

INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 38: INFINITY #3 | Digital Graphic Novels and Digital Comics

ENDS infin INFINITY 3 bull February 2013 bull 54 of 57

Events

GET OUTMOCCA ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

MOCCA ARTS FESTIVAL

New York USA

April 6ndash7 2013

TBD

wwwsocietyillustratorsorg

AlternaEve comics

A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking

STUMPTOWN COMICS FESTIVAL

Where

When

Price

URL

Type

Briefly

STUMPTOWN COMICS FESTIVAL

Portland Oregon USA

April 27ndash28 2013

TBD

wwwstumptowncomicscom

AlternaEve and mainstream

Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)

TORONTO COMICS ARTS FESTIVAL

Where

When

Price

URL

Type

Briefly

TORONTO COMICS ARTS FESTIVAL

Toronto Canada

May 11ndash12 2013

FREE

torontocomicscom

AlternaEve and mainstream

TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 39: INFINITY #3 | Digital Graphic Novels and Digital Comics

ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman

PANEL NINE

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 40: INFINITY #3 | Digital Graphic Novels and Digital Comics

ENDS infin INFINITY 3 bull February 2013 bull 56 of 57

THE LETTERS PAGESYour thoughts and comments are requested

We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip

Feel free to include observations about anything you like connected to the magazine or comics or life in general

So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance

Published letters get a free Panel Nine app

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57

Page 41: INFINITY #3 | Digital Graphic Novels and Digital Comics

BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong

The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo

This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week

The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it

DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin

ENDS infin

Opinion

THE LAST WORDhellip

Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more

Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan

He is the president of Panel Nine

RUSSELL WILLIS

INFINITY 3 bull February 2013 bull 57 of 57