INFINITY #3 | Digital Graphic Novels and Digital Comics
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Transcript of INFINITY #3 | Digital Graphic Novels and Digital Comics
Please Note
This PDF version of INFINITY does not include the full functionality available in the iPad app The following functionality is not included
Panel Mode Super-fast smooth page swiping
Audio commentaries Integrated links videos and detailed images
Graphical contents Graphical bookmarks
Social media integration Update notifications
Free subscription with auto-download
We recommend the free iPad version of INFINITY for the best user
experience but if that is not an option for you we hope you will enjoy this PDF version
RUSSELL WILLIS bull EDITOR
ON AND ON AND ON
CoverILYA
EditorRussellWillis
contactienglishcom
ContributorsILYA
GarenEwingSeanTCollinsJohnInnesPJHoldenPMBuchanChloeumlMarEn
HaydenHughesJohnGraGanNickDawkins
PublisherPanelNine
infinPublishedbiMmonthly
ThisappcopyiEnglishcomLtdContentscopyindividualcopyrightholders
Volume323bull3Issue333bull3February32013Thisisissue3ofthenewINFINITYa
magazineaboutdigitalcomicsandmorePleaseemailinquiriesaboutcontributions
totheaddressabove
GATEWAY DRUGSThe new year sawPanelNine produce andDavid Fickling Comicspublish the iPad version of The$ Phoenix ndash a kidsrsquo weekly comicavailable in the UK through comic shops book stores andsupermarkets Thisseemedabitstrange forme asmy interestincomics has nearly always been related to the soMcalled lsquoliterarygraphic novelrsquo But the fact is that The$ Phoenix is just a brilliantcomic per se (see for yourself with the free sample in this issue)and in Britain at least it is vitally needed to get kids readingcomicsWithoutgatewaydrugslikeThe$PhoenixfewerpeoplewillbereadingworkbyMaryandBryanTalbot
COSTA CULTURESpeaking of whom January saw some fabulous news for BriEshcomicswith theTalbotswinningamajor literaryprize inthe formoftheCostaBiographyAwardforDotter$of$Her$Fatherrsquos$EyesAlsonominatedwasDays$of$the$Bagnold$Summermyfavouritegraphicnovel of 2012 by JoffWinterheart (Both published by JonathanCapeintheUK) AndjustaswewereabouttoreleasethisissueGlynDillonrsquosThe$Nao$ of$Brownwon the Special Prize atAngoulecircme and JonMcNaught won the Newcomer prize with Dockwood Britain islsquopunching above itsweightrsquo as the diplomats like to say when itcomestocomicsforthecognoscenE
LITERARY GRAPHIC NOVELS FOR THE MASSES NOWItallaugurswellforourmainprojectof2013whichistosetupanew company to release a special storefront for deluxe digitalversionsoflsquoliterarygraphicnovelsrsquoWersquovebeenworkingwithsomefabulous publishers on agreements to have their books availablethroughPanelNineThestorefrontwillbemarketedtothetypeofpeople who would read and love the work of Posy SimmondsMarjaneSatrapiArtSpiegelmanAlisonBechdelRaymondBriggsBryan Talbot et al This target audience would never think ofthemselvesascomicsreadersletalonevisitacomicshopdigitalorotherwiseWatchthisspace infin
ENDS infin INFINITY 3 bull February 2013 bull 1 of 57
CONTINUES INFINITY 3 bull February 2013 bull 2 of 57
KYLE BAKER PUTS GRAPHIC NOVELS ONLINE FOR FREEKyle Baker a comics master and formative influence in the development of the graphic novel has made his creator-owned work available to read for free online Titles include The Cowboy Wally Show Why I Hate Saturn Special Forces and Nat Turner Baker has yet to give a reason for the move
Bakerrsquos debut graphic novel The Cowboy Wally Show was one of the first post-Maus standalone graphic novels appearing in 1990 Its humorous story of a manic kidsrsquo entertainer was followed up by Why I Hate Saturn a social satire about dating in the 90s Cory Doctorow describes Baker as an lsquoastounding amazing brilliantrsquo comics creator and advises his readers to run
not walk to the site Although the strips are not presented particularly well on the site we can only agree See Kyle Bakerrsquos website bull Wikipedia entry
COMIXOLOGY SETS UP PARIS OFFICE DOES DEAL WITH DELCOURTDigital comics behemoth Comixology has shown its internationalism by setting up a Paris office as part of a move to offer non-English-language comics content France has a thriving comics industry comparable in size to that of the US Its first European partner is French publisher Delcourt a company with 174 of the French comics market See Full story at The Beat bull Delcourtrsquos website
A Roundup of Digital Comics News
RADAR
PETER BAGGE GETS CREEPY WITH DARK HORSE DIGITALJim Warrenrsquos classic horror anthology Creepy has been revived by Dark Horse and good old Uncle Creepy has acquired a family sisters brothers cousins The awful antics of the Creepy family are now being depicted by indie favourite Peter Bagge in some delightful one-page strips See Full story at Comics Alliance
CHLOE NOONAN MONSTER HUNTER GETS DIGITAL OMNIBUSBritish comics creator Marc Ellerby has released a digital omnibus of his acclaimed Chloe Noonan strip Published by Great Beast it costs pound299 for 136 pagesSee Great Beast store
IVERSE MOVES FORWARD WITH LIBRARY SOLUTIONSiVerse is expecting to finally launch its service for libraries in the first quarter of this year according to a still-in-development site that iVerse has now made public
Libraries account for 10 of the US comics and graphic novel market according to Brodart a company providing services to US libraries iVersersquos original announcement from last April noted that the service will allow libraries
to lend comic books for about two weeks Comics will be able to be read on iOS Android PC and any web browser that supports HTML5 In recent months more than 250 libraries have been beta testing the service See Brodart bull iVerse Media
News Roundup
CONTINUES INFINITY 3 bull February 2013 bull 3 of 57
actress-cum-fast food worker ndash possibly the most well-rounded female character in comics todayrsquo The iPad lsquodeluxe digital graphic novelrsquo contains an 80-page VerityFair story audio commentaries on nearly every page production sketches rare extra strips and illustrations and an interview with the author
Due out in March it will be priced at just $499 See Panel Nine website bull RichJohnston on Terry Wiley
PHOENIX FOR THE IPAD LAUNCHEDBritish weekly The Phoenix one of the very few kidsrsquo comics being printed in the UK today has added an iPad edition ndash allowing issues to be automatically delivered to readersrsquo devices each week through Applersquos Newsstand service
Reaction to the launch has been incredibly positive with luminaries such as Neil Gaiman tweeting to help publicise it and user reaction has been exceptional ndash a typical user comment from iTunes reads lsquoThe Phoenix Comic is a brilliant weekly read for kids of all ages ndash great stories matched by excellent art The digital version has been put together with characteristic care and attentionhellip Canrsquot recommend this too highlyrsquo
Russell Willis (publisher at Panel Nine who developed the app) talked about the digital version of The Phoenix with Brigid Alverson at GoodEReaderSee Interview with Russell Willis
TERRY WILEYrsquoS VERITYFAIR FROM PANEL NINE DUE IN MARCHTerry Wiley has been described by Rich Johnston of popular comics website Bleeding Cool as a lsquotrue comic book geniusrsquo
and by Richard Bruton of Forbidden Planet International as an lsquounheralded starrsquo His 90s work on Sleaze Castle is admired by the British comics cognoscenti but his work has yet to break out lsquoWe hope to help change thatrsquo says Russell Willis publisher at Panel Nine lsquoVerityFair is a unique but superbly accessible tale that has the pull of a soap opera whilst mining issues of psychological depth and stars a mostly irrepressible fortysomething
News Roundup
CONTINUES INFINITY 3 bull February 2013 bull 4 of 57
DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list
Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors
The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website
US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN
Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its
name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2
News Roundup
ENDS infin INFINITY 3 bull February 2013 bull 5 of 57
IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare
Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view
In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu
Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013
The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards
Graphicly raised more money from investors and hopes to reach profitability soon
Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans
Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new
Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details
Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives
Have you got news for us If so please send a press release to
contactienglishcom
infin INFINITY NEWS DESK infin
Verbatim
THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo
bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo
bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo
bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo
bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo
DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo
bullbullbull
RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo
ENDS infin INFINITY 3 bull February 2013 bull 6 of 57
SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN
GOT A QUOTE
Have you come across an interesting quote about digital comics Then help
us out and get in touch
contactienglishcom
ndash and please include a source
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo
ndash Spandexless
ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo
ndash Comic Heroes
ldquoTHE GOLD STANDARDrdquondash Four Realities
PANEL NINE
linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist
Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career
The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of
The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes
Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in
CONTINUES INFINITY 3 bull February 2013 bull 8 of 57
Reviews
ATTENTION SEEKING
The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World
The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin
See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize
her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice
While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more
CONTINUES INFINITY 3 bull February 2013 bull 9 of 57
Reviews
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
RUSSELL WILLIS bull EDITOR
ON AND ON AND ON
CoverILYA
EditorRussellWillis
contactienglishcom
ContributorsILYA
GarenEwingSeanTCollinsJohnInnesPJHoldenPMBuchanChloeumlMarEn
HaydenHughesJohnGraGanNickDawkins
PublisherPanelNine
infinPublishedbiMmonthly
ThisappcopyiEnglishcomLtdContentscopyindividualcopyrightholders
Volume323bull3Issue333bull3February32013Thisisissue3ofthenewINFINITYa
magazineaboutdigitalcomicsandmorePleaseemailinquiriesaboutcontributions
totheaddressabove
GATEWAY DRUGSThe new year sawPanelNine produce andDavid Fickling Comicspublish the iPad version of The$ Phoenix ndash a kidsrsquo weekly comicavailable in the UK through comic shops book stores andsupermarkets Thisseemedabitstrange forme asmy interestincomics has nearly always been related to the soMcalled lsquoliterarygraphic novelrsquo But the fact is that The$ Phoenix is just a brilliantcomic per se (see for yourself with the free sample in this issue)and in Britain at least it is vitally needed to get kids readingcomicsWithoutgatewaydrugslikeThe$PhoenixfewerpeoplewillbereadingworkbyMaryandBryanTalbot
COSTA CULTURESpeaking of whom January saw some fabulous news for BriEshcomicswith theTalbotswinningamajor literaryprize inthe formoftheCostaBiographyAwardforDotter$of$Her$Fatherrsquos$EyesAlsonominatedwasDays$of$the$Bagnold$Summermyfavouritegraphicnovel of 2012 by JoffWinterheart (Both published by JonathanCapeintheUK) AndjustaswewereabouttoreleasethisissueGlynDillonrsquosThe$Nao$ of$Brownwon the Special Prize atAngoulecircme and JonMcNaught won the Newcomer prize with Dockwood Britain islsquopunching above itsweightrsquo as the diplomats like to say when itcomestocomicsforthecognoscenE
LITERARY GRAPHIC NOVELS FOR THE MASSES NOWItallaugurswellforourmainprojectof2013whichistosetupanew company to release a special storefront for deluxe digitalversionsoflsquoliterarygraphicnovelsrsquoWersquovebeenworkingwithsomefabulous publishers on agreements to have their books availablethroughPanelNineThestorefrontwillbemarketedtothetypeofpeople who would read and love the work of Posy SimmondsMarjaneSatrapiArtSpiegelmanAlisonBechdelRaymondBriggsBryan Talbot et al This target audience would never think ofthemselvesascomicsreadersletalonevisitacomicshopdigitalorotherwiseWatchthisspace infin
ENDS infin INFINITY 3 bull February 2013 bull 1 of 57
CONTINUES INFINITY 3 bull February 2013 bull 2 of 57
KYLE BAKER PUTS GRAPHIC NOVELS ONLINE FOR FREEKyle Baker a comics master and formative influence in the development of the graphic novel has made his creator-owned work available to read for free online Titles include The Cowboy Wally Show Why I Hate Saturn Special Forces and Nat Turner Baker has yet to give a reason for the move
Bakerrsquos debut graphic novel The Cowboy Wally Show was one of the first post-Maus standalone graphic novels appearing in 1990 Its humorous story of a manic kidsrsquo entertainer was followed up by Why I Hate Saturn a social satire about dating in the 90s Cory Doctorow describes Baker as an lsquoastounding amazing brilliantrsquo comics creator and advises his readers to run
not walk to the site Although the strips are not presented particularly well on the site we can only agree See Kyle Bakerrsquos website bull Wikipedia entry
COMIXOLOGY SETS UP PARIS OFFICE DOES DEAL WITH DELCOURTDigital comics behemoth Comixology has shown its internationalism by setting up a Paris office as part of a move to offer non-English-language comics content France has a thriving comics industry comparable in size to that of the US Its first European partner is French publisher Delcourt a company with 174 of the French comics market See Full story at The Beat bull Delcourtrsquos website
A Roundup of Digital Comics News
RADAR
PETER BAGGE GETS CREEPY WITH DARK HORSE DIGITALJim Warrenrsquos classic horror anthology Creepy has been revived by Dark Horse and good old Uncle Creepy has acquired a family sisters brothers cousins The awful antics of the Creepy family are now being depicted by indie favourite Peter Bagge in some delightful one-page strips See Full story at Comics Alliance
CHLOE NOONAN MONSTER HUNTER GETS DIGITAL OMNIBUSBritish comics creator Marc Ellerby has released a digital omnibus of his acclaimed Chloe Noonan strip Published by Great Beast it costs pound299 for 136 pagesSee Great Beast store
IVERSE MOVES FORWARD WITH LIBRARY SOLUTIONSiVerse is expecting to finally launch its service for libraries in the first quarter of this year according to a still-in-development site that iVerse has now made public
Libraries account for 10 of the US comics and graphic novel market according to Brodart a company providing services to US libraries iVersersquos original announcement from last April noted that the service will allow libraries
to lend comic books for about two weeks Comics will be able to be read on iOS Android PC and any web browser that supports HTML5 In recent months more than 250 libraries have been beta testing the service See Brodart bull iVerse Media
News Roundup
CONTINUES INFINITY 3 bull February 2013 bull 3 of 57
actress-cum-fast food worker ndash possibly the most well-rounded female character in comics todayrsquo The iPad lsquodeluxe digital graphic novelrsquo contains an 80-page VerityFair story audio commentaries on nearly every page production sketches rare extra strips and illustrations and an interview with the author
Due out in March it will be priced at just $499 See Panel Nine website bull RichJohnston on Terry Wiley
PHOENIX FOR THE IPAD LAUNCHEDBritish weekly The Phoenix one of the very few kidsrsquo comics being printed in the UK today has added an iPad edition ndash allowing issues to be automatically delivered to readersrsquo devices each week through Applersquos Newsstand service
Reaction to the launch has been incredibly positive with luminaries such as Neil Gaiman tweeting to help publicise it and user reaction has been exceptional ndash a typical user comment from iTunes reads lsquoThe Phoenix Comic is a brilliant weekly read for kids of all ages ndash great stories matched by excellent art The digital version has been put together with characteristic care and attentionhellip Canrsquot recommend this too highlyrsquo
Russell Willis (publisher at Panel Nine who developed the app) talked about the digital version of The Phoenix with Brigid Alverson at GoodEReaderSee Interview with Russell Willis
TERRY WILEYrsquoS VERITYFAIR FROM PANEL NINE DUE IN MARCHTerry Wiley has been described by Rich Johnston of popular comics website Bleeding Cool as a lsquotrue comic book geniusrsquo
and by Richard Bruton of Forbidden Planet International as an lsquounheralded starrsquo His 90s work on Sleaze Castle is admired by the British comics cognoscenti but his work has yet to break out lsquoWe hope to help change thatrsquo says Russell Willis publisher at Panel Nine lsquoVerityFair is a unique but superbly accessible tale that has the pull of a soap opera whilst mining issues of psychological depth and stars a mostly irrepressible fortysomething
News Roundup
CONTINUES INFINITY 3 bull February 2013 bull 4 of 57
DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list
Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors
The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website
US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN
Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its
name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2
News Roundup
ENDS infin INFINITY 3 bull February 2013 bull 5 of 57
IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare
Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view
In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu
Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013
The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards
Graphicly raised more money from investors and hopes to reach profitability soon
Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans
Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new
Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details
Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives
Have you got news for us If so please send a press release to
contactienglishcom
infin INFINITY NEWS DESK infin
Verbatim
THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo
bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo
bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo
bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo
bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo
DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo
bullbullbull
RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo
ENDS infin INFINITY 3 bull February 2013 bull 6 of 57
SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN
GOT A QUOTE
Have you come across an interesting quote about digital comics Then help
us out and get in touch
contactienglishcom
ndash and please include a source
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo
ndash Spandexless
ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo
ndash Comic Heroes
ldquoTHE GOLD STANDARDrdquondash Four Realities
PANEL NINE
linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist
Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career
The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of
The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes
Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in
CONTINUES INFINITY 3 bull February 2013 bull 8 of 57
Reviews
ATTENTION SEEKING
The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World
The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin
See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize
her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice
While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more
CONTINUES INFINITY 3 bull February 2013 bull 9 of 57
Reviews
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CONTINUES INFINITY 3 bull February 2013 bull 2 of 57
KYLE BAKER PUTS GRAPHIC NOVELS ONLINE FOR FREEKyle Baker a comics master and formative influence in the development of the graphic novel has made his creator-owned work available to read for free online Titles include The Cowboy Wally Show Why I Hate Saturn Special Forces and Nat Turner Baker has yet to give a reason for the move
Bakerrsquos debut graphic novel The Cowboy Wally Show was one of the first post-Maus standalone graphic novels appearing in 1990 Its humorous story of a manic kidsrsquo entertainer was followed up by Why I Hate Saturn a social satire about dating in the 90s Cory Doctorow describes Baker as an lsquoastounding amazing brilliantrsquo comics creator and advises his readers to run
not walk to the site Although the strips are not presented particularly well on the site we can only agree See Kyle Bakerrsquos website bull Wikipedia entry
COMIXOLOGY SETS UP PARIS OFFICE DOES DEAL WITH DELCOURTDigital comics behemoth Comixology has shown its internationalism by setting up a Paris office as part of a move to offer non-English-language comics content France has a thriving comics industry comparable in size to that of the US Its first European partner is French publisher Delcourt a company with 174 of the French comics market See Full story at The Beat bull Delcourtrsquos website
A Roundup of Digital Comics News
RADAR
PETER BAGGE GETS CREEPY WITH DARK HORSE DIGITALJim Warrenrsquos classic horror anthology Creepy has been revived by Dark Horse and good old Uncle Creepy has acquired a family sisters brothers cousins The awful antics of the Creepy family are now being depicted by indie favourite Peter Bagge in some delightful one-page strips See Full story at Comics Alliance
CHLOE NOONAN MONSTER HUNTER GETS DIGITAL OMNIBUSBritish comics creator Marc Ellerby has released a digital omnibus of his acclaimed Chloe Noonan strip Published by Great Beast it costs pound299 for 136 pagesSee Great Beast store
IVERSE MOVES FORWARD WITH LIBRARY SOLUTIONSiVerse is expecting to finally launch its service for libraries in the first quarter of this year according to a still-in-development site that iVerse has now made public
Libraries account for 10 of the US comics and graphic novel market according to Brodart a company providing services to US libraries iVersersquos original announcement from last April noted that the service will allow libraries
to lend comic books for about two weeks Comics will be able to be read on iOS Android PC and any web browser that supports HTML5 In recent months more than 250 libraries have been beta testing the service See Brodart bull iVerse Media
News Roundup
CONTINUES INFINITY 3 bull February 2013 bull 3 of 57
actress-cum-fast food worker ndash possibly the most well-rounded female character in comics todayrsquo The iPad lsquodeluxe digital graphic novelrsquo contains an 80-page VerityFair story audio commentaries on nearly every page production sketches rare extra strips and illustrations and an interview with the author
Due out in March it will be priced at just $499 See Panel Nine website bull RichJohnston on Terry Wiley
PHOENIX FOR THE IPAD LAUNCHEDBritish weekly The Phoenix one of the very few kidsrsquo comics being printed in the UK today has added an iPad edition ndash allowing issues to be automatically delivered to readersrsquo devices each week through Applersquos Newsstand service
Reaction to the launch has been incredibly positive with luminaries such as Neil Gaiman tweeting to help publicise it and user reaction has been exceptional ndash a typical user comment from iTunes reads lsquoThe Phoenix Comic is a brilliant weekly read for kids of all ages ndash great stories matched by excellent art The digital version has been put together with characteristic care and attentionhellip Canrsquot recommend this too highlyrsquo
Russell Willis (publisher at Panel Nine who developed the app) talked about the digital version of The Phoenix with Brigid Alverson at GoodEReaderSee Interview with Russell Willis
TERRY WILEYrsquoS VERITYFAIR FROM PANEL NINE DUE IN MARCHTerry Wiley has been described by Rich Johnston of popular comics website Bleeding Cool as a lsquotrue comic book geniusrsquo
and by Richard Bruton of Forbidden Planet International as an lsquounheralded starrsquo His 90s work on Sleaze Castle is admired by the British comics cognoscenti but his work has yet to break out lsquoWe hope to help change thatrsquo says Russell Willis publisher at Panel Nine lsquoVerityFair is a unique but superbly accessible tale that has the pull of a soap opera whilst mining issues of psychological depth and stars a mostly irrepressible fortysomething
News Roundup
CONTINUES INFINITY 3 bull February 2013 bull 4 of 57
DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list
Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors
The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website
US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN
Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its
name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2
News Roundup
ENDS infin INFINITY 3 bull February 2013 bull 5 of 57
IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare
Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view
In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu
Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013
The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards
Graphicly raised more money from investors and hopes to reach profitability soon
Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans
Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new
Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details
Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives
Have you got news for us If so please send a press release to
contactienglishcom
infin INFINITY NEWS DESK infin
Verbatim
THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo
bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo
bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo
bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo
bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo
DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo
bullbullbull
RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo
ENDS infin INFINITY 3 bull February 2013 bull 6 of 57
SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN
GOT A QUOTE
Have you come across an interesting quote about digital comics Then help
us out and get in touch
contactienglishcom
ndash and please include a source
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo
ndash Spandexless
ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo
ndash Comic Heroes
ldquoTHE GOLD STANDARDrdquondash Four Realities
PANEL NINE
linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist
Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career
The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of
The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes
Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in
CONTINUES INFINITY 3 bull February 2013 bull 8 of 57
Reviews
ATTENTION SEEKING
The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World
The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin
See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize
her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice
While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more
CONTINUES INFINITY 3 bull February 2013 bull 9 of 57
Reviews
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
PETER BAGGE GETS CREEPY WITH DARK HORSE DIGITALJim Warrenrsquos classic horror anthology Creepy has been revived by Dark Horse and good old Uncle Creepy has acquired a family sisters brothers cousins The awful antics of the Creepy family are now being depicted by indie favourite Peter Bagge in some delightful one-page strips See Full story at Comics Alliance
CHLOE NOONAN MONSTER HUNTER GETS DIGITAL OMNIBUSBritish comics creator Marc Ellerby has released a digital omnibus of his acclaimed Chloe Noonan strip Published by Great Beast it costs pound299 for 136 pagesSee Great Beast store
IVERSE MOVES FORWARD WITH LIBRARY SOLUTIONSiVerse is expecting to finally launch its service for libraries in the first quarter of this year according to a still-in-development site that iVerse has now made public
Libraries account for 10 of the US comics and graphic novel market according to Brodart a company providing services to US libraries iVersersquos original announcement from last April noted that the service will allow libraries
to lend comic books for about two weeks Comics will be able to be read on iOS Android PC and any web browser that supports HTML5 In recent months more than 250 libraries have been beta testing the service See Brodart bull iVerse Media
News Roundup
CONTINUES INFINITY 3 bull February 2013 bull 3 of 57
actress-cum-fast food worker ndash possibly the most well-rounded female character in comics todayrsquo The iPad lsquodeluxe digital graphic novelrsquo contains an 80-page VerityFair story audio commentaries on nearly every page production sketches rare extra strips and illustrations and an interview with the author
Due out in March it will be priced at just $499 See Panel Nine website bull RichJohnston on Terry Wiley
PHOENIX FOR THE IPAD LAUNCHEDBritish weekly The Phoenix one of the very few kidsrsquo comics being printed in the UK today has added an iPad edition ndash allowing issues to be automatically delivered to readersrsquo devices each week through Applersquos Newsstand service
Reaction to the launch has been incredibly positive with luminaries such as Neil Gaiman tweeting to help publicise it and user reaction has been exceptional ndash a typical user comment from iTunes reads lsquoThe Phoenix Comic is a brilliant weekly read for kids of all ages ndash great stories matched by excellent art The digital version has been put together with characteristic care and attentionhellip Canrsquot recommend this too highlyrsquo
Russell Willis (publisher at Panel Nine who developed the app) talked about the digital version of The Phoenix with Brigid Alverson at GoodEReaderSee Interview with Russell Willis
TERRY WILEYrsquoS VERITYFAIR FROM PANEL NINE DUE IN MARCHTerry Wiley has been described by Rich Johnston of popular comics website Bleeding Cool as a lsquotrue comic book geniusrsquo
and by Richard Bruton of Forbidden Planet International as an lsquounheralded starrsquo His 90s work on Sleaze Castle is admired by the British comics cognoscenti but his work has yet to break out lsquoWe hope to help change thatrsquo says Russell Willis publisher at Panel Nine lsquoVerityFair is a unique but superbly accessible tale that has the pull of a soap opera whilst mining issues of psychological depth and stars a mostly irrepressible fortysomething
News Roundup
CONTINUES INFINITY 3 bull February 2013 bull 4 of 57
DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list
Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors
The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website
US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN
Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its
name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2
News Roundup
ENDS infin INFINITY 3 bull February 2013 bull 5 of 57
IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare
Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view
In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu
Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013
The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards
Graphicly raised more money from investors and hopes to reach profitability soon
Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans
Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new
Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details
Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives
Have you got news for us If so please send a press release to
contactienglishcom
infin INFINITY NEWS DESK infin
Verbatim
THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo
bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo
bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo
bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo
bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo
DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo
bullbullbull
RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo
ENDS infin INFINITY 3 bull February 2013 bull 6 of 57
SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN
GOT A QUOTE
Have you come across an interesting quote about digital comics Then help
us out and get in touch
contactienglishcom
ndash and please include a source
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo
ndash Spandexless
ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo
ndash Comic Heroes
ldquoTHE GOLD STANDARDrdquondash Four Realities
PANEL NINE
linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist
Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career
The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of
The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes
Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in
CONTINUES INFINITY 3 bull February 2013 bull 8 of 57
Reviews
ATTENTION SEEKING
The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World
The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin
See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize
her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice
While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more
CONTINUES INFINITY 3 bull February 2013 bull 9 of 57
Reviews
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
actress-cum-fast food worker ndash possibly the most well-rounded female character in comics todayrsquo The iPad lsquodeluxe digital graphic novelrsquo contains an 80-page VerityFair story audio commentaries on nearly every page production sketches rare extra strips and illustrations and an interview with the author
Due out in March it will be priced at just $499 See Panel Nine website bull RichJohnston on Terry Wiley
PHOENIX FOR THE IPAD LAUNCHEDBritish weekly The Phoenix one of the very few kidsrsquo comics being printed in the UK today has added an iPad edition ndash allowing issues to be automatically delivered to readersrsquo devices each week through Applersquos Newsstand service
Reaction to the launch has been incredibly positive with luminaries such as Neil Gaiman tweeting to help publicise it and user reaction has been exceptional ndash a typical user comment from iTunes reads lsquoThe Phoenix Comic is a brilliant weekly read for kids of all ages ndash great stories matched by excellent art The digital version has been put together with characteristic care and attentionhellip Canrsquot recommend this too highlyrsquo
Russell Willis (publisher at Panel Nine who developed the app) talked about the digital version of The Phoenix with Brigid Alverson at GoodEReaderSee Interview with Russell Willis
TERRY WILEYrsquoS VERITYFAIR FROM PANEL NINE DUE IN MARCHTerry Wiley has been described by Rich Johnston of popular comics website Bleeding Cool as a lsquotrue comic book geniusrsquo
and by Richard Bruton of Forbidden Planet International as an lsquounheralded starrsquo His 90s work on Sleaze Castle is admired by the British comics cognoscenti but his work has yet to break out lsquoWe hope to help change thatrsquo says Russell Willis publisher at Panel Nine lsquoVerityFair is a unique but superbly accessible tale that has the pull of a soap opera whilst mining issues of psychological depth and stars a mostly irrepressible fortysomething
News Roundup
CONTINUES INFINITY 3 bull February 2013 bull 4 of 57
DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list
Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors
The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website
US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN
Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its
name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2
News Roundup
ENDS infin INFINITY 3 bull February 2013 bull 5 of 57
IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare
Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view
In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu
Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013
The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards
Graphicly raised more money from investors and hopes to reach profitability soon
Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans
Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new
Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details
Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives
Have you got news for us If so please send a press release to
contactienglishcom
infin INFINITY NEWS DESK infin
Verbatim
THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo
bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo
bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo
bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo
bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo
DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo
bullbullbull
RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo
ENDS infin INFINITY 3 bull February 2013 bull 6 of 57
SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN
GOT A QUOTE
Have you come across an interesting quote about digital comics Then help
us out and get in touch
contactienglishcom
ndash and please include a source
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo
ndash Spandexless
ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo
ndash Comic Heroes
ldquoTHE GOLD STANDARDrdquondash Four Realities
PANEL NINE
linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist
Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career
The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of
The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes
Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in
CONTINUES INFINITY 3 bull February 2013 bull 8 of 57
Reviews
ATTENTION SEEKING
The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World
The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin
See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize
her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice
While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more
CONTINUES INFINITY 3 bull February 2013 bull 9 of 57
Reviews
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
DMI CLOSES WHOLESALE OPERATION TO FOCUS ON DIGITAL Digital Manga Inc a publisher known for manga in the yaoi genre and digital delivery is to close Digital Manga Direct its wholesale division This follows DMIrsquos announcement in November last year that it is suspending all print publications until June 2013 while continuing to offer digital editions of its publishing list
Digital Manga Direct was created to sell overstocked and returned items at low prices to libraries conventions and local vendors
The suspension of print for six months was said to have been done to allow the company to focus on building its digital programme See Digital Manga Inc website
US SHONEN JUMP DIGITAL RELEASED CONCURRENTLY WITH JAPAN
Last year Viz Mediarsquos version of Japanrsquos Shonen Jump abandoned print (despite selling over 125000 copies per week) went digital and changed its
name to Shonen Jump Alpha Now it is finally catching up with the material released in Japan and has become simply Shonen Jump Pop culture industry site ICv2 has an interview with Editor-in-Chief of the digital magazine Andy Nakatani See ICv2
News Roundup
ENDS infin INFINITY 3 bull February 2013 bull 5 of 57
IN BRIEFMixing comics journalism and digital Symbolialaunched its first issue in December to some fanfare
Jim Zub writer of Image-published SkullKickers posted about the economics ofdigital comics from a creatorrsquos point of view
In a similar vein Audra Furuichi wrote about the woes of monetizing webcomics such as Nemu Nemu
Commentator Rob Salkowitz listed some things to watch for in transmedia and digital comics in 2013
The National Cartoonists Society fresh from recognising webcomics in 2012 will now recognise both short form and long formwebcomics for its Reuben awards
Graphicly raised more money from investors and hopes to reach profitability soon
Mike Garleyrsquos Dead Roots is an iPad zombieanthology with top-notch content in a slightly odd Newsstand app But first-rate art and writing make this essential for horror fans
Atomic Comic is a digital kidsrsquo comic magazine available through Issuu It features kidsrsquo comics of old (think Vulcan and 40s Beano) and new
Our own PM Buchan has released two horror comics recently BLACKOUT and La Belle Dame Sans Merci Visit Philliprsquos site for details
Ron Perazza formerly of DCrsquos webcomics effort Zuda and (very briefly) Comixology has moved to Marvel to handle their digital publishing initiatives
Have you got news for us If so please send a press release to
contactienglishcom
infin INFINITY NEWS DESK infin
Verbatim
THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo
bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo
bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo
bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo
bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo
DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo
bullbullbull
RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo
ENDS infin INFINITY 3 bull February 2013 bull 6 of 57
SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN
GOT A QUOTE
Have you come across an interesting quote about digital comics Then help
us out and get in touch
contactienglishcom
ndash and please include a source
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo
ndash Spandexless
ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo
ndash Comic Heroes
ldquoTHE GOLD STANDARDrdquondash Four Realities
PANEL NINE
linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist
Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career
The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of
The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes
Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in
CONTINUES INFINITY 3 bull February 2013 bull 8 of 57
Reviews
ATTENTION SEEKING
The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World
The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin
See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize
her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice
While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more
CONTINUES INFINITY 3 bull February 2013 bull 9 of 57
Reviews
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
Verbatim
THE WORD ON DIGITAL COMICSDAVID LLOYDCreator Kickback Aces Weekly bull Via 3 Million YearsldquoAll those digital motion comics that Irsquove seen leave me cold and are neither good animation nor good comic artrdquo
bullbullbullPJ HOLDENArtist 2000AD STRIP Magazine bull Via 3 Million Years ldquoI like digital comics to read but not to collect ndash therersquos almost no satisfaction knowing I have a digital issue of a comic over knowing I have a print versionrdquo
bullbullbullCY DETHANCreator Cancertown bull Via 3 Million YearsldquoIt can be painful to read a digital comic that is ill-suited or poorly formatted for the device Irsquom reading it on You occasionally find that the people responsible for translating a book from print to digital have given no serious thought to how readable the end product is going to berdquo
bullbullbullDANIEL GOVARArtist Comic Book Think Tank bull Via 3 Million Yearsldquo You can go beyond the page ndash do things that print canrsquot Itrsquos largely an unexplored area in comics and many are just starting to touch on what digital comics can berdquo
bullbullbullJOHN FREEMANManaging Editor Rok Comics bull Via 3 Million YearsldquoYou can do things in print that you canrsquot do digitally and vice versa If you are creating a good comic people want to read then the lsquobells and whistlesrsquo as I call them donrsquot matterrdquo
DAVE GIBBONSCreator Watchmen Madefire bull Via 3 Million Years ldquoI see the way to go is the way Madefire are going which is to make episodes available in the App Store I think thatrsquos the most convenient and easy way to get access to the material Something about having to sit in front of a computer monitor doesnrsquot actually quite feel like a reading experience ndash while holding a phone or an iPad or some other tablet does feel like thatrdquo
bullbullbull
RUSSELL WILLISPublisher Panel Nine bull Via 3 Million Yearsldquo Itrsquos a dead certainty that the lsquolocal comics shoprsquo is going to be hit very hard by digital in the next few years Irsquom not that interested in the fate of the superhero market but I do hope that comic shops see this coming and morph into something that can sustain steadily decreasing sales of print materialrdquo
ENDS infin INFINITY 3 bull February 2013 bull 6 of 57
SPECIAL THANKS TO 3MILLION YEARS FOR THEINTERVIEWS FROMWHICH THESE QUOTES WERE TAKEN
GOT A QUOTE
Have you come across an interesting quote about digital comics Then help
us out and get in touch
contactienglishcom
ndash and please include a source
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo
ndash Spandexless
ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo
ndash Comic Heroes
ldquoTHE GOLD STANDARDrdquondash Four Realities
PANEL NINE
linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist
Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career
The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of
The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes
Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in
CONTINUES INFINITY 3 bull February 2013 bull 8 of 57
Reviews
ATTENTION SEEKING
The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World
The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin
See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize
her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice
While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more
CONTINUES INFINITY 3 bull February 2013 bull 9 of 57
Reviews
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
ldquoSTELLAR ALL DIGITALLY RELEASED GRAPHIC NOVELS SHOULD BE GIVEN THIS AMOUNT OF CARErdquo
ndash Spandexless
ldquoKICKBACK WORKS BEAUTIFULLY AND LOOKS GORGEOUS IT WOULD BE A CRIME NOT TO BUY ITrdquo
ndash Comic Heroes
ldquoTHE GOLD STANDARDrdquondash Four Realities
PANEL NINE
linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist
Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career
The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of
The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes
Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in
CONTINUES INFINITY 3 bull February 2013 bull 8 of 57
Reviews
ATTENTION SEEKING
The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World
The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin
See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize
her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice
While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more
CONTINUES INFINITY 3 bull February 2013 bull 9 of 57
Reviews
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
linear storytelling it more than made up for with sheer enthusiasm While fellow Deadline alumni Jamie Hewlett (Tank Girl Gorillaz) and Phil Bond (Wired World Deadpool) continued to work in mainstream comics Dillon established a career as a storyboard artist
Seventeen years on The Nao of Brown is Dillonrsquos first self-written piece a stunningly beautiful graphic novel which combines the realistic storytelling of European comics with a cinematic sensibility obviously influenced by the artistrsquos second career
The Nao of Brown tells the story of a young Japanese woman Nao living in London and her friends loves and obsessions The book follows her as she lives her life coping with OCD which leaves her battered with violent morbid thoughts In a taxi ride she imagines reaching forward to break the driverrsquos neck cycling through the city she mentally ploughs through children playing in the street working in a toy shop she pictures a scenario in which she stabs a pregnant womanrsquos swollen belly with a pencil Itrsquos a testament to Dillonrsquos writing and expressive art that none of these scenes are anything other than deeply moving The reader experiences the fear that Nao has of
The Nao of BrownGlyn DillonSelf Made HeroRRP pound1699$2495 bull No digital editionReviewed by John Innes
Glyn Dillonrsquos art first reached an audience in the archetypal 1990s comics-and-music magazine Deadline where he drew a strip called Planet Swerve Awash with spaceships in the shape of classical Greek sculpture doped-up aliens and copious genitals like much of the magazinersquos content what it lacked in
CONTINUES INFINITY 3 bull February 2013 bull 8 of 57
Reviews
ATTENTION SEEKING
The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World
The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin
See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize
her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice
While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more
CONTINUES INFINITY 3 bull February 2013 bull 9 of 57
Reviews
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
The Nao of Brown rewards re-reading as nods to influences litter the backgrounds of panels from Hergeacute and Moebius books on shelves to Nao sporting a piece of early Deadline mechandise a t-shirt depicting Bondrsquos Wired World
The greatest recommendation that you can give any book is voting with the cash in your pocket So far Irsquove bought four copies of the book for comic-loving friends Every single one of them has loved it infin
See Audio interview with Glyn Dillon byDan Berry bull The Nao of BrownwinsAngoulecircme prize
her own potential for violence In less subtle hands the character could have been deeply depressing but Dillonrsquos delicate style carries the reader with Nao as she searches for peace through meditation friendship and love alongside a cast of equally well-rounded characters Punctuating Naorsquos story is a surreal Japanese fairytale of a half-man-half-tree boy conscripted into a violent war which runs parallel to the main story and shares common themes of desire and sacrifice
While the ending feels slightly abrupt with a jump forwards in time to show the characters four years later the book does what all good stories do it leaves the reader wanting to know more
CONTINUES INFINITY 3 bull February 2013 bull 9 of 57
Reviews
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
story he tells in this book pretty much Dahmer began killing upon graduation from high school at which point he also dropped out of touch with Backderf and his circle thus closing Derfrsquos window on his darkening world
But while My Friend Dahmer abhors Dahmerrsquos crimes it also does him and his victims the courtesy of never saying what they are No body counts no grim stories of the homophobic cops who returned a nude wounded underage boy whorsquod escaped Dahmerrsquos clutches to his eventual killer before making jokes to their dispatcher about getting de-loused no gruesome accounts of body-part altars and DIY trepanation attempts The endnotes in the backmatter deliver the basic facts but in the comic itself he consigns his old friendrsquos crimes to the void perhaps the most empathetic thing he could possibly do with them
The story Backderf chooses to tell is one of uncontrollable urges At one point he describes them in the purple terms of mass-market true-crime paperback back-cover blurbs as otherizingly and alienatingly as you please lsquoWhat spawned this perverse sexual hunger What deep fetid part of his psyche gurgled up this miscreant desire so powerfully voracious it immediately devoured him wholersquo But immediately before that he makes the direct connection between Dahmerrsquos necrophilia and his own irresistible
My Friend DahmerDerf BackderfAbrams Comic Arts$1199 bull US iTunes onlyReviewed by Sean T Collins
In introductions afterwords and interviews alike Derf Backderf makes it abundantly clear that his sympathy for Jeffrey Dahmer his old high school acquaintance and serial killer of young men and boys ends when Dahmerrsquos murders begin By coincidence so does the
Reviews
CONTINUES INFINITY 3 bull February 2013 bull 10 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
turns out ndash another belongs to Dahmerrsquos mother clenched in unflattering high-waisted trousers as she seizures uncontrollably due to a morass of psychological neurological and pharmaceutical problems Her trembling sweat-soaked jut-jawed body locks into bizarre almost vogue-like positions her neck craned upward at a 90 degree angle like a modernist portrait Shersquos reduced to her body in these moments lsquoThisrsquo Backderf writes lsquois what Jeff came home torsquo Dahmerrsquos mind rapidly reduces all life to mere bodies bodies over which he can exert control In fact itrsquos his imitation of his motherrsquos symptoms (unbeknown to his classmates who think hersquos making fun of someone else) that makes him a legendary character among his classmates
The implicit connection Backderf draws between all these things is that Dahmer couldnrsquot help how he felt about dead men any more than Derf could help how he felt about pretty girlsrsquo rear ends or than his mother could help having fits What they all could control is how they responded to them or to anything else Thatrsquos where Backderfrsquos real anger is directed at the choice of Dahmerrsquos parents to abandon their son ndash first emotionally and then quite literally leaving him to live by himself in their house as they went their separate ways following an acrimonious divorce ndash and at the apparent choice of high-school teachers and
adolescent lust for his female classmates one of whom he draws walking alluringly down the hall in tight jeans her spherical behind drawing his attention as inexorably as a local jogger commands Dahmerrsquos far more lethal lust
The girlrsquos body points to the great strength of Backderfrsquos resolutely unstylish art Everyonersquos a collection of lumps and bulges moulded into shape by his thick blunt ink line This isnrsquot the only prominent ass we see drawn this way as it
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 11 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
argues Dahmerrsquos lonely life would still have been a sad one but the lives of dozens and dozens of other people would have been far less so The goal of this book is to lead you to the chasm between the potential and the actual and scream into it Between the idea and the reality between the motion and the act falls the shadow infin
(This article first appeared on the authorrsquos blog)
See Interview with Derf Backderf
administrators to ignore the heroic quantities of alcohol Dahmer was consuming during the school day to self-medicate his urges away The moment his parents left and school ended even the minor impediment of negligent adults was removed entirely so the alcohol was no longer enough and the last few tethers holding Dahmer to sanity snapped If some adult had cared enough to wrestle those urges to the ground Backderf
Reviews
ENDS infin INFINITY 3 bull February 2013 bull 12 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CONTINUES INFINITY 3 bull February 2013 bull 13 of 57
Tools of the Trade
PROCREATE ndash A MINI TUTORIALProcreate is an inexpensive fast and fun drawing app for the iPad In this tutorial Irsquoll show you one possible way of using it
I like to use Procreate to take traditionally-drawn pen sketches and colour them In this tutorial Irsquoll take the sketch on the left and turn it into the painted picture on the right (Tap on images with a yellow border to see them full screen)
STARTING OFFStarting with a hand-drawn sketch the first step in the process is to fire up Procreate and place the sketch within it On the iPad with cameras this is easily done by taking a photo and inserting it on to the canvas within Procreate I then scale the image and place it to fill up as much of the canvas as possible
PJrsquos first published work waswith Fantagraphics in 1997 (HolyCross 3) with Malachy Coneyand he provided art for a storywith Mike Carey from Caliber in1997 He started working for2000 AD in 2001 (Judge DreddlsquoSinoMCitrsquo) and has been workingprofessionally since Hissubsequent work has includedfurther sEnts drawing JudgeDredd and The 86ers He hasalso drawn Rogue TrooperJohnny Woo and Thargrsquos FutureShocks Holden broke into theAmerican comic book marketwith the Image Comics miniMseries Fearless
Prior to his comics career hespent 20 years in the IT industry
PJ is on TwiGer and has a blog
PJ HOLDEN
This future soldier type was inspired by the great 2000AD character Rogue Trooper
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CONTINUES INFINITY 3 bull February 2013 bull 14 of 57
One benefit to taking a photo rather than say scanning the image and cleaning it up on a computer is that you end up with lots of lovely texture and shading that can really add a lot to the colours
I set the layer with the photo to be a lsquomultiplyrsquo and ensure that it sits on top of all the other layers Multiply layers overlay
their colours on all of the lower layers (imagine a slightly see-through print on some acetate placed on top of other art) which means that it can darken colours applied below it but also that the black line art stays clear
Having placed the layer I now start with my first colour layer The technique here is to isolate each element of an image on to its own layer To do this I have a simple brush set up that Irsquove called the lsquoflatting brushrsquo
FLATTINGFlatting is the most boring but essential part of this method Irsquoll zoom in and out and work the brush at various sizes deleting paint that moves outside the lines Creating a layer and flatting each element will allow you later on to select those elements and go nuts with textures without them spilling out and ruining any other elements
Procreate allows you to editmany elements of its ownbrushes as well as create yourown Brushes are made up oftwo images ndash the brush shapeand the lsquograinrsquo The combinaIonof these is what gives Procreateits natural media look Mysimple flaMng brush is madeof a circle for the brush shapeplus an untextured square forthe grain
Tools of the Trade bull PJ Holden
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
ENDS infin
Before moving on to the next layer you should now lock the alpha channel This stops you from drawing outside the painted area You do this by tapping the little italicised lsquoarsquo on the layer from the layer drop-down And remember all of these colour flat layers should be below the line art (Yoursquoll figure out as you go that you donrsquot always need to be too careful with the lines depending on how you order the layers I usually build down ndash creating my layers below each previous flat layer)
Here Irsquove flatted the background and added snow ndash coloured red here purely so I can see it (white would leave me unsure of whether Irsquod coloured a bit of snow or just forgotten it) With the flatting done I can start the fun process of adding textures Irsquoll correct the snow from red to white and start to build up texture on the background layer
BUILDING UP As Procreate allows you to create your own sets of brushes (combining built-in brushes your own brushes and brushes built from the built-in set but altered) Irsquove done that with my most commonly used brushes
From here on in itrsquos just a matter of selecting layers
INFINITY 3 bull February 2013 bull 15 of 57
I tend to use a few specific toolsfor textures Procreate has abunch of useful defaults as wellas sets you can buy for $099each While Irsquoll occasionally callon one or two other brushes themain ones I use are
Spla7er ndash a grungy splaVeryeffect part of the ProcreateSpraypaint setCharcoal Block ndash a thickcharcoalXlike brush tool partof the Charcoal setRound Brush ndash a gloppy brushpart of the PainIng tool set(free)6B Pencil ndash part of the Penciltool set (free)
Tools of the Trade bull PJ Holden
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
ENDS infin
(which if yoursquove followed along are actually separate elements of the picture for colouring) applying colours textures etc then moving on to the next layer
FINISHING OFF The final stage usually involves creating a simple layer on top of the line art to allow me to pick out some pure white highlights or in this case add some extra detail to the display on his helmet And thatrsquos it As with any art app there is no right way this is just my current methodology and like most things about drawing experimentation and change are key
Procreate is at the time of writing at version 16 ndash version 17 promises some great new features including many more layers (currently for high-resolution images it is limited to 16 layers 17 increases that to 28) as well as extra features for easy layer manipulation Version 17 will be a free upgrade if you have 16 infin
Next issue PJ will be back with more tools of the trade
ldquoLike most things aboutdrawing experimentaIon
and change are keyrdquo
INFINITY 3 bull February 2013 bull 16 of 57
Adding final textures and details
Procreate costs $499with addiIonal features
at $099 each
Tools of the Trade bull PJ Holden
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
bull Over 200 pages of Hunt Emerson mania
bull 27 individual strips including the full Leviticus 20 with Alan Moore the Freak Brothers Firkin the Cat Calculus the Cat Puss Puss and so much more
bull Audio commentaries by Hunt
bullGallery of illustrations
bullGallery of self-portraits
bullGallery of covers
bullExclusive interview
Available for iPad $999 Tap this page to view the app in the App Store
PANEL NINE
ldquoBritainrsquos Greatest Underground Cartoonistrdquondash 1001 Comics You Must Read Before You Die
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CONTINUES
Digital Explorer
GOING DIGITALAWARD-WINNING DIGITAL COMICSAfter testing the waters of digital comics for a while now I set myself what should have been a reasonably simple goal read iPad versions of some of 2012rsquos best comics 2012 was the first year of the British Comic Awards but as a UK resident Irsquod already read many of the nominees The big American awards ceremonies on the other hand normally contain an array of obscure titles not readily available in the UK and that sounds like the kind of problem that should have a digital solution My methodology wasnrsquot flawless ndash I scanned through the winners of Ignatz Harvey and Eisner Awards in 2012 picked out the ones that appealed most to me and tried to buy digital copies
The Pterodactyl Hunters is billed as lsquoa story of sibling rivalry and family tradition in a rapidly changing worldrsquo and thatrsquos a pretty succinct description of a charming narrative that says a lot about progress and familial tensions in a setting that could
have degenerated into a joke in lesser hands The sketchy linework greytones and even the intimate setting all reminded me of the work of Dan Berry though Berryrsquos output is generally more heart-warming This tale of two competing brothers hoping to rid New York City of a pterodactyl threat is a compelling read but none of the characters stand out as being particularly likeable Instead this is a poignant story that would have had more punch
PM Buchan is the lead comicMbook columnist for Starburstmagazine and considers himselfto be a vocal advocate for theBriEsh comic book industry
When not culEvaEng hisobsession with comics he writesnovels about the end of theworld watches horror films andreads books about the Mansonfamily He now sincerely hopesthat all his favourite comiccreators will announce their plansto create work with the iPad inmind so that he can ditch hiscolossal collecEon of graduallyMdecaying printed material
PM BUCHAN
INFINITY 3 bull February 2013 bull 18 of 57
THE PTERODACTYL HUNTERSIN THE GILDED CITY
By Brendan Leach
Winner Ignatz Award forOutstanding Comic
Published by Top Shelfthrough Comixology
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CONTINUES
if only Irsquod been able to invest either positively or negatively in the characters Leach is a brilliant illustrator but just a good storyteller so Irsquom surprised to see that this won an Ignatz award My bias towards the British comic-book industry notwithstanding Pterodactyl Hunters was as good as many small press comics that I reviewed in 2012 but certainly not better
Dark Horse Presents won several awards throughout 2012 and rightly so because the eclectic and ambitious range of material contained within each issue would be unlikely to attract enough readers individually to succeed in the direct market of
brick-and-mortar comic-book stores My first thought when reading the anthology digitally however was what an odd stylistic decision Dark Horse have made to shrink their comic pages so that they donrsquot fill the iPad screen This annoying waste of space really detracts from their Comixology-defying app My biggest problem with Dark Horse Presents was that none of the strips gave any concession to new readers so as soon as one strip ended another would begin on the next page sometimes
The Pterodactyl Hunters inthe Gilded City
by Brendan Leach
Dark Horse Presents 18
INFINITY 3 bull February 2013 bull 19 of 57
ldquoDark Horse Presentswon several awards
throughout 2012 [withan] eclecIc and
ambiIous range ofmaterial containedwithin each issuerdquo
The PterodactylHunters full pageplus a panel shownin Guided View
DARK HORSE PRESENTS 18
By Various
Winner Harvey Award for BestAnthology Eisner Award for
Best Anthology
Published by Dark Horse
Digital Explorer bull PM Buchan
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CONTINUES
without obvious titles or credits plunging me midway into a new story without any context or introduction to give me an idea of what Irsquod missed
First up from Dark Horse Presents is Finder Third World by Carla Speed McNeil Itrsquos gorgeous and has a very Spirited Away vibe but being chapter 16 I found the experience pretty baffling Gamma by Ulises Farinas and Erick Freitas tells the surreal tale of the possible redemption of a coward in a Wild West setting populated by garish Pokemon-inspired monsters Phil Stanford and Patric Reynoldsrsquo Crime Does Not Pay is good enough in an Ed Brubaker or Greg Rucka vein that Irsquoll be looking out for collected editions in future Caitlin R Kiernanrsquos Alabaster Boxcar Tales reads like Sandman meets Beasts of Burden with all the positive connotations that both series bring and Irsquod be tempted to buy future issues of Dark Horse Presents just to read more UXB by Colin Lorimer is a macabre dystopian fantasy that appealed to my darker sensibilities though again the lack of context made the story difficult to follow Overall Dark Horse Presents feels like a brilliant idea that loses something in the execution which could easily be fixed with some concession to new readers
At no point in my life has it ever felt like a good idea to confess that Irsquod never read any Love and Rockets so this seemed like a great opportunity to address the problem My feelings after finally reading this much-loved comic series were that I favour Gilbertrsquos stylised characters and cross-
hatching over Jaimersquos clean lines which reminded me Love and Rockets
by the Hernandez Brothers
INFINITY 3 bull February 2013 bull 20 of 57
ldquoDark Horse Presentsfeels like a brilliant ideathat loses something in
the execuIonrdquo
LOVE AND ROCKETSNEW STORIES 4
By the Hernandez Brothers
Winner Ignatz Awards forOutstanding Series OutstandingArtist (Jaime Hernandez) and
Outstanding Story (Return toMe)
Published by Fantagraphicsthrough Comixology
Digital Explorer bull PM Buchan
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CONTINUES
quite a lot of the work of Terry Wiley The themes of family that run through Jaimersquos strips left me feeling like Irsquod arrived during the last series of a long-running soap opera whereas Gilbertrsquos strips about an actor and actress discussing their lives was both accessible and something that I could empathise with Both cartoonists are clearly very talented and Jaimersquos insistence on portraying real people with realistic proportions and believable motivations is to be celebrated but nonetheless itrsquos Gilbert whose work Irsquom going to go and track down in future Itrsquos never easy breaking into such a long-running series but Love and Rockets won me over effortlessly with New Stories 4 even without knowing the charactersrsquo back stories
lsquoThis is the thing about the monkey We have to let it know that wersquore friendly Cats you hang out by the back door and tell them wersquore coolrsquo lsquoOoh Theyrsquore gonna do itrsquo lsquoNope theyrsquore pooping by the back door againrsquo
Reminiscent of the work of Jeffrey Brown Liz Prince or The Monkey in the Basement
by Corrine Mucha
INFINITY 3 bull February 2013 bull 21 of 57
Love and RocketsNew Stories 4 inthe Comixologystore (far lev) andinside the comic
ldquoAt no point in my lifehas it ever felt like agood idea to confessthat Irsquod never read anyLove and Rockets so
this seemed like a greatopportunity to address
the problemrdquo
THEMONKEY IN THE BASEMENT
By Corrine Mucha
Published by Top Shelfthrough Comixology
Winner Ignatz Award forOutstanding MiniMComic
Digital Explorer bull PM Buchan
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
ENDS infin
Lizz Lunney this is a cute witty and offbeat collection of stories about flying dreams reincarnation and a monkey in a basement Tender and sincere these comics are easy to read and enjoy if a little insubstantial with a deceptively simple visual style thatrsquos childish and innocent but never sloppy or hurried I must be getting old because I canrsquot read comics like this now without wondering what exactly makes it so award-winning over everybody else around the world thatrsquos making equally witty and introspective comics Inoffensive suitable for all ages and surprisingly uplifting the monkey in the basement might not be real but that wonrsquot stop Corrine Mucha from believing in it and the power of belief underpins the whole collection Readers less cynical than I am will probably find a lot to love in these strips
I HATE COMIXOLOGYAfter recommending so many comics Irsquod like to end with a little bile What reviewing all of these comics has really taught me more than anything is to loathe Comixology Why with all the money that they rake in do I still have to endure pixilation as I swipe between pages Why must they antagonise me this way Irsquove never spotted a lack of quality when I flick through printed comics in the shop and it doesnrsquot happen when Irsquom reading INFINITY or the new digital Phoenix app so why do Comixology think that this is acceptable Rubbish
I read a lot of great comics to prepare for this column but some publishers still have a long way to go before theyrsquoll win my loyalty and Irsquom waiting for an interface that can search ALL available digital comics not just the ones that the app in question is trying to sell me infin
Do you have digital comics that PM should explore Get in touch
INFINITY 3 bull February 2013 bull 22 of 57
ldquoWhy with all themoney that
[Comixology] rake indo I sIll have to
endure pixilaIon asI swipe betweenpages Why mustthey antagonise me
this wayrdquo
Digital Explorer bull PM Buchan
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CONTINUES
ILYA is the artist name of Ed Hillyer a comic strip writer artist and editorwho has workedwithMarvel DC and Dark Horse in the USA Kodanshain Japan andmany other Publishedworks include Itrsquos Dark in LondonManga Shakespearersquos King Lear (both with Self Made Hero) and theaward_winning graphic novel series The End of the Century Club as wellas a debut prose novel The Clay Dreaming (Myriad Editions) He alsodesigns and tutors workshops and courses on the art of comics andmanga for colleges galleries libraries and schools across the UK andabroad Currently he is working with Joe Kelly ofMan of Action Studios(creators of BEN10) on a brand new concept called Kid Savage as well ason Room4Love a new graphic novel for Self Made Hero
CHERISH
On a recent visit to London INFINITY editor Russell Willis met up with ILYA at his studio and remembered a strip hersquod only read once but that had stayed with him for over 20 yearshellip A love story called Cherishhellip
Revolver RomancePublished in 1991 it includedwork by Brian Bolland Sean
Collins Garth Ennis Glenn Fabryand Cherish by ILYA
Sequential Art
ILYA
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages that follow to view the
strip panelMbyMpanel
INFINITY 3 bull February 2013 bull 23 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CHERISH THE LOVE bull PERISH THE THOUGHT
As any arEst will agree it is alwaysdifficult returning to old work ThisparEcular story however ndash Cherish ndashhas always been one of my favouritesOr at least among those less reviled
In some ways I started out in comicsthrough being known as an art assistantto Eddie Campbell on his DeadfaceBacchus series and the subsequent soloadventures of The Eyeball Kid ndashalthough even before this I was alreadyactually a publisher of his (with BLUESaka Gencomics 2 which includes thefirst prinEng of his Ace story DapperJohn Minds the Baby) Perhaps becauseof this but also because the subjectmaGer and milieu of my stories is ovenlsquoeverydayrsquo many folks have alwaysassumed that much of my output is insome way autobiographical And yetCherish is the only piece of mine thatcould be accurately described as such
Yes readers this happened and to me
The story dates from March 1991 (Iknow this because the original art isdate stamped on the reverse) and wasoriginally published within the pages ofthe seminal Revolver Romance Special(from Fleetway who used to put out2000AD) This singleMissue publicaEon is
CONTINUES INFINITY 3 bull February 2013 bull 32 of 57
ILYA on Cherish
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
a veritable snapshot of the Emes ndash cover from Brian Bolland (one of his best) JohnSmith Sean Phillips Garth Ennis and Glenn Fabry Shaky Kane and Detonator Studiorsquosown Chris Webster among the contributors Frank Wynne was the editor back beforehe ndash and I ndash moved on to the muchMmissed Deadlinemagazine The design work isvintage Rian Hughes Seriously if you ever happen to luck across a copy snap it up
PAGE 1
The events recounted in the storyoccurred some Eme earlier I would havebeen about 17 at the Eme so roughlyhellip1980 The Venue was a realMlife uh venueimmediately across the main road fromthe exits of London Victoriarsquos mainlineterminal ndash long since converted intosomething anonymous
I was always too heavyMhanded for paintand brushes so here in the framing(opening and closing) sequence IrsquomexperimenEng with chalky colour pastelslaid across a foundaEon of feltMEp markerpens ndash almost certainly using an industrialMsized can of hairspray as a cheapo artMstudent alternaEve to fixaEve Theremainder of the art is largely colouredinks and marker pens
It is all relatively primitive to be sure ndash my colour sense was always pretty basic foundedon what I could remember from school about complementary colours (yellow andpurple red and blue) yet still to this day my taste runs hot ersatz South American
The third panel here for instance (with the taxicab) is preGy terrible stuff sEffcluGered perspecEve David Lloyd could ndash and I think did ndash shoot me for But eventhe most embarrassing excesses have their moments
CONTINUES INFINITY 3 bull February 2013 bull 33 of 57
ILYA on Cherish
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
PAGE 2
That cow skull string Ee is for real My senseof style back then was of a NewWavePunkabilly variety (Royal VarietyPerformance) hence the quiff and DA ndashon hang on nohellip Ohmygod Itrsquos more of aHasselhoff sort of mullet Good Lord Let meendorse creaEve licence I swear on myhonour here and now that I never everwore my hair like that Yecch
Animal Magic and headliners ImpossibleDreamers were real bands that I used tofollow around ndash akin to bands from the thenMthriving Norwich scene if I recall correctlythe beGerMknown Higsons and such
PAGE 3
My prospecEve date is a smoker which seemsunlikely Kissing a smoker was always likesnogging an ashtray This then is most likely aninvented ArEsEc Prop (lends tempo to scenesof nothingMmuch doing) A bit like cinema inthe 1940s when everybody smoked because itlooked good on camera
PAGE 4
The start of a wordless sequence thathopefully speaks for itself Note the accurateMtoMperiod Keith HaringMstyle dancing figuresin the panel on the lev
CONTINUES INFINITY 3 bull February 2013 bull 34 of 57
ILYA on Cherish
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
PAGE 5
Another page of vomitMinducing colour choicesIrsquove been browMbeaten so thoroughly since bythe disapproving limitedMpalette desaturationand ochre crowd that Irsquod probably never darecraft a sequence quite like this againhellip and Icanrsquot help but feel that something innocent andvital which can never be reclaimed might havebeen lost into the bargain
Who couldnrsquot fall in love with a girl thatreturns from a potenEal disappearancehellip witha pint of lager in her hands Although itrsquos mostlikely snakebite (half and half cider and lagerhold the black)
PAGE 6
Pretty sure I made up the girlrsquos curious sense ofstyle The original Jo (her real name) did appearto be wearing an outfit that she had sewn herselfndash but not anything like this DocMMartenMLadyMSherlockMJapaneseMtouristMatMLondonMZoo getMup
PAGE 7
I see in the newspaper there an advert aboutsome product presumably to cure baldnessHow very ironic a backMofMtheMhead mullet isabout the only hairstyle my mature futurepresent self could possibly muster Sigh
CONTINUES INFINITY 3 bull February 2013 bull 35 of 57
ILYA on Cherish
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
PAGE 8
Jo as Irsquove said was the girl in quesEonrsquosactual name And thatrsquos my actual thentelephone number in panel 2 Thankfullynobody weird or curious ever tried it Ithink a part of me actually hoped eventhen that she (Jo) would somehow read thisstory and call me so this was a deliberatetrailing breadcrumb
If that had indeed happened I donrsquot knowwhat I or my 1991 partner would have madeof it Thatrsquos ChrisEne Irsquom spooning in the bedbeside me at the end there (and at the startif you look hard enough) She could shouldand did take solace in the fact that I gave herhaircut to the girl of my dreamMreflecEonMmemories I also think a part of me wastoying with a noEon that the gender of my
current partner could perhaps be lev open to doubt ndash thatrsquos quite a boyish haircut fora girl Whichever But thank heavens Irsquove goGen rid of that mullet
In the original script I called then Radio 1 DJ Peter Powell a ct Angry as I obviouslysEll was that was felt to be too strong even if it was funny in the context of a lightromanEc fluff piece At the editorrsquos insistence I downgraded the epithet to tosserWhen it hit print however even that had been transformed into a mere bastard Nowone thing I hope we can all agree on is that whatever else he might have been Radio1 DJ Peter Powell was never a bastard SEll he never read my leGer out and thus mychances of ever meeEng Jo again were dashed for all eternity So tosser it is Thank youto Russell Willis and Panel Nine for giving me this chance to reassert that
And Jo if aver all that Eme yoursquore sEll out there in InternetMland eventhough yoursquod now be 48 years of age to my 50 if you recognise yourselfby the events recorded herein then by all means do feel welcome to getin touch Wersquove a lot to catch up on
ENDS infin INFINITY 3 bull February 2013 bull 36 of 57
ILYA on Cherish
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
ENDS infin
Webcomics
ESSENTIAL WEBCOMICS
Strip
Briefly
DANIEL LIESKE
THE WORMWORLD SAGA
A stunningly painted fullMcolourgraphic novel serialized on theweb using an lsquoinfinite verEcalscrollrsquo story technique DanielLieske is a German arEst whohas really pulled out all thestops The Wormworld Sagalsquofollows the life and adventuresof Jonas Berg who at a youngage enters a parallel worldthrough a forgoGen painEng in adusty a|crsquo A lovely iPad app isalso available
Strip
Briefly
GABRIELLE BELL
JULY DIARY
Gabrielle Bell is the author ofThe Voyeurs a true gem ndash andif you havenrsquot come across herwork then July Diary (2012) is agreat place to start Bellrsquos stripsare painfully autobiographicalbut whilst they paint a pictureof an awkward inability tohandle social situaEons thereis a lively impish gentle mindat work which brings anunderstated opEmism toher strips
Strip
Briefly
GAVIN AUNG THAN
MAKE GOOD ART
Neil Gaiman is a big fan of thiscomic strip rendiEon of theinspiraEonal commencementspeech he gave at PhiladelphiarsquosUniversity of the Arts in 2012Itrsquos easy to see why Gavin AungThanrsquos clean clear wellMpacedinterpretaEon delivers adelighul aspect of the speechGavinrsquos Zen Pencils site alsohas a whole host of similarstrips based on famous quotesand speeches
INFINITY 3 bull February 2013 bull 37 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CONTINUES
TheRainbowOrchid$$This$adventure$comic$is$
published$by$Egmont$and$can$be$bought$from$the$official$RainbowOrchidwebsite
Creating Comics
GAREN EWING
INFINITY 3 bull February 2013 bull 38 of 57
Garen3Ewing3is3the3acclaimed3writer3and3artist3of3The$Rainbow$Orchid3an3adventure3comic3set3in3the31920s3and3created3in3the3spirit3of3Arthur3Conan3Doyle3Hergeacute3Jules3Verne3and3L3Rider3Haggard3Garen3also3writes3and3draws3for3various3books3and3magazines3edited3the3comic3strip3anthology3Cosmorama3and3adapted3Shakespearersquos3The$Tempest3into3a3comic3Hes3an3expert3on3the3Second3Anglo_Afghan3War3of31878_18803and3plays3bass3guitar3and3does3karate3(though3not3at3the3same3time)
Here3INFINITY3presents3an3edited3extract3from3Garenrsquos3blog3in3which3he3muses3on3all3things3comics
SOME THOUGHTS ON CREATING COMICS
Here I thought Irsquod offer a few new yearrsquos thoughts on creating stories being a creator and on comics generally
These are extracted from a file Irsquove kept on my desktop over the past three years or so that I add to whenever a thought occurs Some are learned from my own experience and some are from observing fellow creators All of them should be taken with a pinch of salt and none are any kind of gospel or even necessarily true Theyrsquore just notes but perhaps one or two may resonate with you as wellhellip
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
When lsquocharacter developmentrsquo is mentioned many people think of the creation and filling out of a character before they are used in a story but you should rather think of it in terms of the way the character develops because of the story The story should develop the character
In a story for a character to change their mind (or have it changed) something dramatic should happen
I donrsquot like stories that are aimed at kids or aimed at adults I donrsquot like films that claim to be for both but are just slapstick for the kids and double-entendres for the adults I like the story to be true only to itself and not written for some imaginary demographic
When you end a scene you need to end it with a full stop or maybe an ellipsis and when you start a scene you need to start it with a capital letter Not literally (grammar goes without saying) but visually
Writing for kids is difficult which is why I donrsquot bother I write for me and hope that others including kids will like it too
People sometimes seem to think that a strong female character is simply a girl who acts like a boy ndash in which case I think theyrsquore wrong
Irsquom an expert in how to make comics the Garen Way As for how to make comics any other way Irsquom rubbish
As soon as you get a book deal donrsquot sit back and hope the publisher will take care of all the marketing from now on What you actually need to do is double and triple your marketing efforts
Self-depreciation and false modesty are all very well but
CONTINUES
ldquoI like the story to be trueonly to itself and notwriVen for some
imaginary demographicrdquo
INFINITY 3 bull February 2013 bull 39 of 57
Creating Comics bull Garen Ewing
Sketches from The Rainbow Orchid
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
donrsquot forget yoursquore a one-person marketing force on your own behalf so itrsquos best not to constantly put out lsquopress releasesrsquo saying how awful you are
Stop thinking yoursquore important and get on with your work
Stop thinking everyone else is better than you and get on with your work
Stop thinking the world is out to get you and nothingrsquos fair ndash and get on with your work
I donrsquot mind not being original in fact I think that may even be beyond me But I do want to be authentic and true to myself That is very important
How many comic creators does it take to change a light bulb One plus twenty-two to sit around saying how the light bulb industry is dying and if only they made light bulbs like they used to in the 70s then everything would be all right
Therersquos nothing wrong with occasional wordy scenes ndash as long as the words are useful important and serve the story If a comic is light on dialogue it might mean yoursquore just reading lots of running and fighting Either way just make it good
Success can often have more to do with not giving up rather than being brilliant or lucky Itrsquos about not letting obstacles defeat you Itrsquos about overcoming them and carrying on
People who draw only sexy girls draw brilliant sexy girls but not very good telephones Sometimes you need to draw telephones
The UK comics scene is small When someone has a success
CONTINUES
ldquoHow many comiccreators does it take
to change a light bulbOne plus twentyXtwoto sit around sayinghow the light bulbindustry is dyingrdquo
INFINITY 3 bull February 2013 bull 40 of 57
Creating Comics bull Garen Ewing
Volume 3 of The Rainbow Orchid
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
with their comic it is a success for all comics
If fight scenes or extreme situations are too commonplace then they can lose their potency their danger If like in life fights are rare then when they do happen they have greater impact especially if the result on the characters is serious Too much death and it takes on very little meaning
When I make comics I am not a writer when I write the script and I am not an artist when I draw the pictures ndash I am a comic creator with both tasks Making comics is a single discipline with a single end product ndash the comic
Donrsquot sit there sobbing over everything thatrsquos wrong with a drawing yoursquove just done Go and do a new drawing and make it better
You can learn from anyone no matter what their level of expertise no matter what their age is Stay humble and be generous
Donrsquot respond to bad reviews of your work Donrsquot donrsquot donrsquot donrsquot donrsquot
Things in publishing arenrsquot always great When this happens donrsquot withdraw ndash yoursquove got to keep engaged Keeping engaged means opportunities will still come your way and things will improve
Itrsquos very easy to spend all your time writing emails doing interviews attending events dealing with admin ndash and not writing and drawing Donrsquot do that Writing and drawing must come first
People are fond of saying how comics are great for slow readers to hook them into reading Then they complain when comics are seen as dumbed-down kidsrsquo stuff useful only as a stepping stone to lsquoproper booksrsquo
CONTINUES
ldquoDonrsquot respond to badreviews of your workDonrsquot donrsquot donrsquot
donrsquot donrsquotrdquo
INFINITY 3 bull February 2013 bull 41 of 57
Creating Comics bull Garen Ewing
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
If someone says lsquoI could do better than thatrsquo what they usually mean probably without realising is they think they could improve on what they have just seen or read ndash not doing better from a fresh uninfluenced start ndash a blank sheet of paper ndash as the original author did
The best defence against failure and the best ally of inspiration is to make sure yoursquore working on a project that you really love
You donrsquot find the time to draw comics you make the time to draw comics
Everyone thinks therersquos a clique and that theyrsquore not in it
If a gun is used it must have serious consequences A gun must not be used to solve plot situations Guns donrsquot solve problems they make them more complicated
A drawing will lay bare your soul No wonder artists are so sensitive to criticism
When I type a comic script Irsquom writing with words When I draw a comic strip Irsquom writing with pictures
Successful artists suffer from a lack of confidence in their own ability just like every other artist does the difference is that they donrsquot let it rule their lives
Talking heads are fine if a) the talking is interesting and b) the heads are interesting Oh and it doesnrsquot go on too long
Isnrsquot it time we moved beyond the idea of girlsrsquo or boysrsquo comics
For a villain to be a threat they must be shown to do something with real and serious consequences
CONTINUES
ldquoA drawing will lay bareyour soul No wonderarIsts are so sensiIve
to criIcismrdquo
INFINITY 3 bull February 2013 bull 42 of 57
A model sheet for TheRainbow Orchid
Creating Comics bull Garen Ewing
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
You are not in competition with other cartoonists
No book reviewer has ever found a fault with my work that I wasnrsquot already painfully aware of Where my own work is concerned I am the Critic King
The Three Excitements Action Tension and Comedy Try to use at least one in every scene
There seems to be this idea that therersquos a tiny room called lsquoComicsrsquo and only a few privileged souls can fit in it Actually lsquoComicsrsquo is a universe and itrsquos bigger than all the comic creators in existence many many times over infin
ENDS infin INFINITY 3 bull February 2013 bull 43 of 57
A CRIME-NOIR THRILLER FROM DAVID LLOYD THE ARTIST BEHIND V FOR VENDETTA
ldquoFrankly all digitally released graphic novels shouldbe given this amount of carerdquo
ndash Spandexless
ldquoThe app works beautifully and looks gorgeous It would be a crime not to buy itrdquo
ndash Comic Heroes
ldquoThis app is fantastic Go buy itrdquondash David Hine
THE IPAD GRAPHIC NOVEL bull AVAILABLE ON THE APP STORE
Creating Comics bull Garen Ewing
Character sketches for TheRainbow Orchid
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
CONTINUES INFINITY 3 bull February 2013 bull 44 of 57
THE PHOENIXDigital Comics Sample
THE PHOENIX
iPad bull Free to download
Published by David Fickling Comicsbull Produced by Panel Nine
PANEL MODE ENABLED
DoubleMtap a panel on the comicspages following to view the strip
panelMbyMpanel
THE WEEKLY STORY COMIC FOR KIDSThe Phoenix is the acclaimed kidsrsquo story comic that brings together some of the UKrsquos top comics writers and artists with a host of stories puzzles competitions and prizes featuring pirates dinosaurs monkeys aliens and a whole lot more
In January 2013 The Phoenix was released as a deluxe Newsstand app for the iPad Using Panel Ninersquos lsquogold standardrsquo software each issue features smooth swiping with no pixellation double-tap transition to Panel Mode and a special lsquoSomething Coolrsquo button to access pop-up pages with bonus content and other surprises
The app is available on Newsstand for the iPadndash itrsquos free to download and includes a free full-length sample issue A new issue is released each Friday and issues can be bought via a subscription (currently with a free trial) or individually
INFINITY is proud to present an exclusive sample of story strips from The Phoenix 53 for your enjoyment Thrill to The Pirates of Pangaea gape and gasp in ghoulish delight at Corpse Talk and gargle galactic-sized giggles with Star Cat And this is just a taste of the real thing
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
ENDS infin INFINITY 3 bull February 2013 bull 54 of 57
Events
GET OUTMOCCA ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
MOCCA ARTS FESTIVAL
New York USA
April 6ndash7 2013
TBD
wwwsocietyillustratorsorg
AlternaEve comics
A lively cuttingMedge eventwith exhibitors and attendeesthat treat comics as an artform The event is hosted bythe Society of Illustrators andthis year Bill Griffith (coMeditorof Arcade and creator of Zippy)is the guest of honour Thisyearrsquos event will include anonsite cafe featuring a full barand menu as well as a loungefor networking
STUMPTOWN COMICS FESTIVAL
Where
When
Price
URL
Type
Briefly
STUMPTOWN COMICS FESTIVAL
Portland Oregon USA
April 27ndash28 2013
TBD
wwwstumptowncomicscom
AlternaEve and mainstream
Portland Oregonrsquos vibrantcomics community is hometo collecEves like PeriscopeStudios and Tranquility Basealong with publishers such asDark Horse Comics Top ShelfProductions and Oni Press TheStumptown Comics Festival isa big part of that communitySpecial guests include JamesKochalka John McNaught andBecky Cloonan (below)
TORONTO COMICS ARTS FESTIVAL
Where
When
Price
URL
Type
Briefly
TORONTO COMICS ARTS FESTIVAL
Toronto Canada
May 11ndash12 2013
FREE
torontocomicscom
AlternaEve and mainstream
TCAF is a weekMlong celebrationof comics and graphic novelsculminating in a twoMdayexhibition and vendor fairfeaturing hundreds of comicscreators from around the worldOther events include readingsinterviews panels workshopsgallery shows art installationsandmuchmore Special guestsinclude Art Spiegelman andGlyn Dillon (below)
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
ldquoI READ AND REALLY LOVED EDDIE CAMPBELLrsquoS DAPPER JOHN FOR THE IPADrdquondash Neil Gaiman
PANEL NINE
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
ENDS infin INFINITY 3 bull February 2013 bull 56 of 57
THE LETTERS PAGESYour thoughts and comments are requested
We may be publishing a cutting-edge iPad magazine about digital comics but wersquore going to do the letters column the old-fashioned way Your letters are very welcome and will be considered for inclusion in the Ad Infinitum letters column but please note that wersquoll fix up your grammar and spelling and edit what you write for clarity and length (though we will do our best to keep your intended meaning) Your letter may well have interjections from the editor ( Like this ~ RW ) that hope to clarify praise or criticize your comments Letters will be organised for publication so they run on in a pleasing fashion and make reading the letters column a high point of your monthhellip
Feel free to include observations about anything you like connected to the magazine or comics or life in general
So themrsquos the rules If yoursquore OK with all of that then send us your letter via contactienglishcom and mark it lsquoFor publicationrsquo We ask you to include your real name in full along with the region and country you live in Thanks in advance
Published letters get a free Panel Nine app
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57
BEWARE ADDITIVESTherersquos a widespread view held by comics executives and industryobservers such as ICv2 that digital is lsquoadditiversquo to print sales Thatthe growth of digital will not impact upon physical sales of comicsand comic shops have nothing to fear This flies in the face of theexperience of music and books and is clearly wrong
The lsquoaddiEvesrsquo argue that comics having been gheGoized intocomic shops will react differently than more popular media suchas music and books They argue that making comics easily availablethrough digital (1) adds customers who would have never boughtcomics (2) gets lapsed comics readers back into the fold and theninto comic shops for print ediEons and (3) brings new readers intocomic shops to buy lsquothe real thingrsquo
This argument is seducEve because it is partly true and in theshort term we are seeing a growth of both print and digital But inthe medium term we are looking at the vast majority of exisEngcomics buyers moving to digital exclusively (Every day you read lsquoInever thought Irsquod abandon paper but comics on tablets are socoolrsquo) We will soon see comics periodicals for teenagers and adultsonly available digitally The influx of new buyers will stay exclusivelydigital or will be looking to buy souvenirs and totems notpamphlets and their business will not replace that of the lostcomics reader who used to visit a comic shop each week
The big American comics companies need to keep comic shopowners calm whilst they migrate to what for them is asignificantly beGer and more profitable business model and thelsquoaddiEversquo argument is part of the placaEon effort Donrsquot buy it
DRM-FREE AND DIGITAL ESCROWIf you want the delightful reading experience of apps like ThePhoenix then true DRMMfree is impossible Without Applersquos systemall you have is some weird PDFs and a set of loose media files But asystem could be set up where coherent PDFs of purchased comicsare held in escrow for delivery to a customer when the file is nolonger available from the company that sold it Neat idea huh infin
ENDS infin
Opinion
THE LAST WORDhellip
Russell has worked in publishingfor over 25 years specialising indigital media In 1993 he set upa mulEmedia developmentcompany in Japan whichproduced customised languageMlearning sovware for Canon andpublished a large number ofsuccessful languageMlearningsovware products includingFinding Out a joint venture withMacmillan described byModernEducaIon as the lsquobest languageMlearning sovware for childrenavailablersquo He has createdproducts for TIME the BriEshgovernment Oxford UniversityPress and many more
Russellrsquos audiobooks podcastsand iOS apps have all reachedthe No1 spot in Applersquos iTunescharts in Japan
He is the president of Panel Nine
RUSSELL WILLIS
INFINITY 3 bull February 2013 bull 57 of 57