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Networked Art: Brazilian experiences of the

Technological Poetics Research Group

INDICATE Final ConferenceDra. Ivani Santana

[email protected], [email protected]

Post Doctorate Sonic Arts Research CentreQueen’s Univesity Belfast(auspices CAPES,Brazil)

Federal University of BahiaMaster and Ph.D. Program of Scenic ArtsInstitute of Humanities, Arts and Sciences

Research Group of Technological Poetics: corpoaudiovisualwww.poeticatecnologica.ufba.br

Map and Program of Digital Dancewww.mapad2.ufba.br

choreographer, dancer, researcher in dance -technologyMaster and Ph.D Communication and Semiotics(Catolic Univerity, PUC SP, Brazil)

Ankara/Turkey 15th,16th October 2012

Research Group ofTechnological Poetics

University of BahiaBrazil

www.poeticatecnologica.ufba.br

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Networked Art: Brazilian experiences of the Technological Poetics Research GroupIvani Santana SARC (Support CAPES 9495-11)

INDICATE Final ConferenceAnkara/Turkey, 15th,16th October 2012

Julio Plaza (apud Prado, 2003): Communication-Art: Aesthetical of Communication.

“it doesn’t produce objects; it thematizes the space-time”.

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“The intimate space of the subject has been invaded in various ways in the digital culture. Globalization, through

telecommunication devices, has promoted telematics exchanges in many spheres: the artistic, the social, the economic and the personal. Binary data are exchanged

through robust routes on the information superhighway, whether monetary, medical, theoretical or conceptual

information in the various areas of knowledge, entertainment, art or of a strictly personal and intimate

nature (which may also be for monetary and professional purposes). The reconfigured intimacy of the subject fosters

a new understanding of presence, proximity, and interpersonal relationships. Telematics is directly

responsible for this reconfiguration, since it promotes technological mediation of a remote presence.”

(Santana, 2010)




"I think there is something expansive about this term, this metaphor for an imaginary space that exists in, on and between ‘computational devices’. I like to corral all kinds of things together in cyberspace; not just computers and software, but also digital devices such as MP3 players, or BlackBerrys, or new medical imaging technologies, cyberpets, digital animations and simulations of all kinds – and so the list goes on. All these things, and many more besides, are connected together, in some way or another."

(David Bell, 2007)




Technological Poetics at/into the Network

Different names used in Art field:

• Telematic Art;• Telematic Dance;• Telepresence Art;

• Comunication Art;• CyberArt;

• Net Art;• Networked Art;

• Networked Performance;• Web Dance;

• etc.

Cyberspace. A consensual hallucination experienced daily by millions of legiti- mate operators. ... A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding. (Gibson 1984: 67)




Network and the Tecnologies of information and communication give new

potentiality for artistis interested in the articulation of art and technology.


My trajectory...

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Corpo AbertoOpen Body

2002




“Close-circuit” - circuito fechado de câmera




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Casa de Nina (2004) Ivani Santana




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e fez o homem sua diferença (2005) Ivani Santana / GDC




“Break” with italian theater.

Stage as “environment” for dancers and audience.




15e fez o homem sua diferença (2005) Ivani Santana / GDC{automatic transition}

2001 The first contact with Telematic Performance in USA, ADaPT: the Association

for Dance and Performance Telematics

In 2005 the Brazilian Network – RNP – invited me to create a telematic dance

piece to open the Ipê Network

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Networked Art: Brazilian experiences of the Technological Poetics Research GroupINDICATE Final ConferenceAnkara/Turkey, 15th,16th October 2012

This backbone is designed to ensure not only the

bandwidth required for usual internet traffic (web

browsing, email, file transfer) but also the use of advanced applications

and services and experimentation. The

infrastructure encompasses 27 Points of

Presence (PoPs), one in each state, plus branches

to serve more than 500 educational and research

institutions across the country, benefiting more

than 3.5 million users.

Ipê Network is the first national optical network academic Latin America, inaugurated in 2005 by RNP.


In 2010, the Ipê network has undergone a qualitative leap, reaching the aggregate

capacity of 233.2 Gbps, an increase of 280% compared to the previous aggregate capacity.

This new network, which is the sixth generation of backbone operated by RNP,

multigigabits speeds (up to 1 Gbps) are available for 24 of the 27 PoPs.

This is a cooperation between RNP and "Oi” telecommunications company for non-

commercial use and Research & Development projects (R & D) of common interest.




Salvador

João Pessoa

Brasília

Universidade ligada

a rede GIGA

RNP

REDE GIGA

Fluxo SDTV

Fluxo HDTV

Fluxo dos dançarinos

Audio e Vídeo Multicast

SDTV

26 Megabits UDP

20 Megabits UDP

6 Megabits UDP

12 Megabits UDP ( Multicast )




VERSUS - 2005{automatic transition}



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VERSUS (2005)Brasília/SalvadorJoão Pessoa

First Telematic Dance piece in Brazil through academin network - RNP


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VERSUS (2005)


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VERSUS (2005)


Networked Art: Brazilian experiences of th

e Technological Poetics Research Group

Ivani Santana SARC (Support CAPES 9495-11)


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VERSUS (2005)




“Close-circuit” - circuito fechado de câmera




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2006/2007

Proyecto Paso

Nukonen, Paso ao ChileBrasil, Chile, EUA, Espanha

3 simultaneous images

Brazil

Spain

USA




Proyecto Paso

Nukonen, Paso ao ChileBrazil, Chile, EUA, Spain


Layout and web design exploration



SimultaneityInteraction

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VERSUS (2005)

Brasíia

Salvador

Proyecto Paso (2006)

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Space 1 Layer 2 Dancers in foreground

Layer 1 Videoscenography Dancer in background

Space 2Layer 3Dancer on stage




Por Onde Cruzam Alamedas (2006)

Por Onde Cruzam Alamedas (2006) Space 1

Space 2

Internet




Por Onde Cruzam Alamedas

Space 1

Layer 1 - videoscenography

Layer 2 – dancer background

Layer 3 – dancer foreground

Space 2

layer 4 – dancer on stage




(In)TOQue – 2008

Telematic Dance between São Paulo, Rio de Janeiro and Salvador

Body as screen!




Telematic experience (re) transfered to stage

Le moi, Le cristal et L’eau (2007)

Centre National Choreografica Aix-en Provence, France




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“EU”(2008)

International Theater Festival, Salvador, Brazil

Telematic experience (re) transfered to stage.




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“EU”(2008)

International Theater Festival, Salvador, Brazil

Telematic experience (re) transfered to stage.




Using Arthron for managing networked dance performances

ARTHRON WORK GROUP

OF DIGITAL MEDIA AND ARTSSupport RNP

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Arthron

• Facilitate the set up of the infrastructure needed for supporting distributed performances;

– Set up of connections between video sources and projectors;

– Support for dynamic change of infrastructure configuration, that is, live change of video sources and

destinations;– Monitoring the components of the infrastructure;- Adapt video formats and rates for different network

conditionsSupport for dynamic change of infrastructure configuration, that is, live change of

video sources and destinations;– We developed a tool called "scenario maker" that

allows the definition of the scenarios transition graph;– Arthron runs the graph in the sense it shows what is

happening and triggers the scene transitions for changing the infrastructure configuration in an

automatic or manual way.

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“PELE” (2002)

Ferramenta computacional “ARTHRON” (GTMDA/RNP, 2009-10)

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Technical Support: RNP, i2Cat



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Presence

“e_Pormundos Afeto” (2009,10,11)

Body Space-time







e_Pormundos Afeto (2010, Argentina/Spain)

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Telematic Dance withDance

Theater MusicRobot

Visual ArtsInteractivity

Urban interventionSensors

Tele Dramaturgy

FRAGIL Laboratorium MAPA D2 (2011)



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FRAGIL – Laboratorium MAPA D2 (2011)




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FRAGIL – Laboratorium MAPA D2 (2011)




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LABORATORIUM MAPA D2 DE ARTE TELEMÁTICA




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TELE SONOROUS BODY• The goal: investigate

the possible relationships between

“sonoridades” produced by remote

bodies – the tele-sonorous bodies – into sensible environments in order to construct a Telematic Dramaturgy.



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Targets:• To find Telematic Dramaturgies

through sonorities generated by the remote bodies (at rather than work

with the body image). • The idea is not to see, but to hear the

other body in the other space. • Promote an “aural dance” through

networked performance (sound visualization, at rather than body

visualization)



TELE SONOROUS BODY

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• Other corporalities;

• Other time-space experiences;

• Layers as components

• of the creation.

“(In)TOQue” (2008)

“Por Onde Cruzam Alamedas (2006)

TELEMATIC DRAMATURGY

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TELEMATIC DRAMATURGY FRAGIL (2011)


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Networked Art: Brazilian experiences of the


Ivani Santana UFBA/SARC (Support CAPES 9495-11)

CONCLUSION:_ Art promotes new demands,

give new ideas;_ The networked performance has a specifi way to create

narratives, dramaturgies;_ It’s important to understand Art not just an aesthetical

product by new technology, but a knowledge in itself that can contribute to improve the technology (Art or Artists as not a

“final users”);_ We need more interdisciplinary project to promote new

possibilities of art-science-technology, but understanding the potential of each area.

INDICATE Final ConferenceAnkara/Turkey 15th,16th October 2012

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Thank You!

Ivani [email protected]


UFBA/SARC (Support CAPES 9495-11)

INDICATE Final ConferenceAnkara/Turkey 15th,16th October 2012

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