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IMPRESSIONIST AND MODERN
10 JANUARY - 23 FEBRUARY 2013
5 - 7 DOVER ST. LONDON W1S 4LD
Federico Zandomeneghi (1841-1917)
The Bouquet
pastel on paper
35.5 x 44 cm
signed 'Fzandomeneghi' (lower left)
Provenance
François Depeaux (probably purchased from Galerie Durand-Ruel, Paris circa 1895)
Sale: Paris, Galerie Georges Petit, Vente Depeaux, 31 May & 1 June 1906, lot 89
François Depeaux (re-purchased at the above sale)
Private Collection, Europe (by descent from above)
Literature
Marc-Henri Tellier, Francois Depeaux (1853-1920), Le Charbonnier et les Impressionistes, 2010, p.237 (illustrated)
Pierre Bonnard (1867-1947)
Vase de Fleurs
circa 1914
oil on canvas
46.4 x 33.3 cm
signed 'Bonnard' (upper left)
Provenance
The Independent Gallery [Percy Moore Turner], London, probably until 1951
The Lefevre Gallery (Alex. Reid & Lefevre), London
The Hon. Mrs Audrey Evelyn Pleydell-Bouverie, London, from 1954 until 1968
Anonymous sale, Sotheby's, London, 3 July 1968, lot 15
Arthur & Kathryn Murray, New York & Honolulu, by whom acquired at the above sale
Private Collection, USA, by whom acquired in the 1970s, until circa 2003
Berry-Hill Galleries, Inc., New York
Private collection, New York
Jill Newhouse Gallery, New York
Private Collection, New York
Exhibited
London, The Lefevre Gallery, The School of Paris, July 1951, no. 2
London, Tate Gallery, The Pleydell-Bouverie Collection of Impressionist
and Other Paintings, January - April 1954, no. 2
Literature
J. & H. Dauberville, Bonnard, Catalogue raisonné de l'oeuvre peint, vol. IV, 1940-1947
et Supplément 1887-1939, Paris, 1968, no. 2053, p. 345 (illustrated p. 346)
Raoul Dufy (1877-1953)
La Cité, Vue du Quai de l’Hôtel de Ville
1904
oil on canvas
46 x 55 cm
signed ‘RDufy’ (lower right); inscribed on the stretcher: ‘Dufy / la Cité, vue / du
quai de / l’hôtel de ville / (37) / 4. R. Cointreau’
Provenance
Collection Monsieur Cointreau, Paris
Galerie Mouradian – Vallotton, Paris
Private Collection, Paris
Exhibited
Musée Carnavalet, Paris vu par les maîtres de Corot à Utrillo, March - May 1961, n° 28
Literature
Maurice Lafaille, Raoul Dufy, Catalogue raisonné de l’œuvre peint, Genève 1972, Vol I,
n° 82, p. 77, illustrated
Gustave Loiseau (1865-1935)
Place de l' Etoile
1931
oil on canvas
54 x 81.3 cm
Provenance
Durand-Ruel, Paris
Duveen-Graham, New York
Moritz Goodman, New York
Private Collection (acquired from the above in 1955 and sold: Sotheby's, New York, May 18, 1990, lot 379)
Private Collection, New York (acquired at the above sale)
Private Collection, London (acquired in 2007)
This work will be included in the forthcoming catalogue raisonné being prepared by Didier Imbert.
Henri Martin (1860-1943)
Matin à la Bastide-du-Vert
oil on canvas
64.4 x 85.3 cm
faintly signed 'H. Martin' (lower right)
Provenance
Private Collection, France
The authenticity of this work has been confirmed by Cyrille Martin
Camille Pissarro (1830-1903)
Juin, Temps Pluvieux, Eragny
1898
oil on canvas
66.7 x 82.7 cm
signed and dated 'C. Pissarro 98' (lower right)
Provenance
R. and C. Gérard Frères, Paris (circa 1930); sale, Crédit municipal, Paris, 20 March 1933
Otto Zieseniss, Paris (by 1934)
Louise Zieseniss, Paris (by descent from the above, 1938)
Private collection, Paris (by descent from the above, until 1962)
Wildenstein & Co., Ltd., London (acquired from the above)
Clive Runnells, Chicago (acquired from the above)
Bequest from the above to the Art Institute of Chicago, 1963
Exhibited
Paris, Musée de l'Orangerie, Centenaire de la naissance de Camille Pissarro, February-March 1930, no. 95
New York, Wildenstein & Co., Inc., Olympia's Progeny, October-November 1965, no. 71
Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June-August 1980, no. 26
Tokyo, Isetan Museum of Art; Fukuoka Art Museum and Kyoto Municipal Museum of Art, Rétrospective Camille Pissarro, March-July 1984, no. 59
Tokyo, The Seibu Museum of Art and Fukuoka Art Museum, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 1985-April
1986, no. 58
Nagaoka, Niigata Prefectural Museum and Nagoya, Aichi Prefectural Museum of Art, Masterpieces of Modern Art from the Art Institute of Chicago, June-
September 1994, no. 18
Literature
F. Neugass, "Camille Pissarro" in Deutsche Kunst und Dekoration, December 1930, p. 161 (illustrated)
L.R. Pissarro and L. Venturi, Camille Pissarro, son art-son oeuvre, Paris, 1939, vol. I, p. 228, no. 1055 (illustrated, vol. II, pl. 212)
C. Kunstler, Pissarro, villes et campagnes, Lausanne, 1967, p. 49 (illustrated in colour, pl. 23)
C. Lloyd, "Camille Pissarro: Towards a Reassessment" in Art International, 1985, p. 65 (illustrated)
R. Brettell, French Impressionists, New York, 1987, pp. 112 and 118 (illustrated in colour, p. 115)
J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Paris, 2005, vol. III, p. 759, no. 1214 (illustrated in colour)
Louis Hayet (1864-1940)
Bord de L'Oise à l'aube, Pontoise
1888
oil on canvas
52 x 71.5 cm
signed and dated 'L. Hayet. 88' (lower right)
Provenance
Private Collection
Exhibited
Pontoise, Musée Tavet, Louis Hayet, oeuvres néo-impressionnistes de 1885 à 1895, 1991
Literature
Guy Dulon & Christophe Duvivier, Louis Hayet: peintre et théoricien du
néo-impressionnisme, Pontoise, 1991, illustrated in colour (p. 139)
Blanche Hoschede-Monet (1865-1947)
Le Pont Japonais à Giverny
oil on canvas
81 x 54 cm
signed 'Blanche Hoschede' (lower left)
Provenance
Private Collection, France
Gustave Loiseau (1865-1935)
Maison en Normandie, Hiver
1931
oil on canvas
65 x 54 cm
Provenance
Durand-Ruel, Paris (photographic archives no.19918)
Private Collection, France
Private Collection, U.S.
Exhibited
Paris, Didier Imbert Fine Art, Gustave Loiseau, November 1985 - January 1986, no.38
This work will be included in the forthcoming catalogue raisonné being prepared by
Didier Imbert.
Maxime Maufra (1863-1918)
Morning in the Oasis of Alkantra
1913
oil on canvas
74 x 92 cm
signed and dated ‘Maufra 1913’ (lower right)
Provenance
Durand Ruel. Stock no. 10369.
David Findlay Galleries, New York
Private Collection, Palm Beach
This work will be featured in the catalogue raisonne of Maufra’s works,
currently being prepared by Caroline Durand-Ruel Godfroy
Emile Othon Friesz (1879-1949)
Automne à Honfleur, la Côte de Grace
circa 1906 - 07
oil on canvas
65.4 x 81.2 cm
signed 'Othon Friesz' (lower left)
Provenance
Galerie Charpentier, Paris (by 1950)
Galerie Daniel Malingue, Paris
Private collection, U.S.
Exhibited
Paris, Galerie Charpentier, 1950
Paris, Musée National d'Arte Moderne, Le Fauvisme, 1951
Metz, Evolution de la peinture en France de 1905 à 1914, 1958
Literature
O. Aittouarès and R. Martin, Emile Othon Friesz, L'oeuvre peint, Paris, 1995, vol. I, p. 119, no. 248
(illustrated in colour, p. 111)
Claude Jeancolas, L’Art Fauve, Paris, 2006, p.75 (illustrated)
Emile Othon Friesz (1879-1949)
Le Balcon sur le Port
1929
oil on canvas
92 x 73 cm
signed and dated 'E Othon Friesz 1929' (lower right)
titled, signed with initials and dated 'Le balcon sur le port 29 EOF' (on verso)
Provenance
Private Collection, South of France
Private Collection, Paris
This work will be included in the forthcoming second volume of the Emile Othon
Friesz catalogue raisonné currently being prepared by Odile Aittouarès
Jacques Lipchitz (1891-1973)
The Harpists
bronze with green patina
height: 54 cm
with the artist’s thumbprint, signed and numbered ‘Jlipchitz 4/7’ (on the top of the base)
Provenance
Private Collection, NY (acquired by the family of the owner circa 1960)
Literature
A.G. Wilkinson, The Sculptures of Jacques Lipchitz, A Catalogue Raisonné, The Paris Years 1910-1940,
London 1996, p. 222, no. 254 (another cast illustrated, p.89)
Theo van Rysselberghe (1862-1926)
Pivoines
1910
oil on canvas
66 x 66 cm
signed with the monogram (lower right)
Provenance
Paul Nocard, Neuilly-sur-Seine
Anonymous sale, Christie's, London, 4 July 1980, lot 456
Anonymous sale, Christie's, London, 6 December 1983, lot 332
New Art Centre, London, by whom acquired at the above sale
Private Collection, London (Acquired from the above in February 1984)
Literature
R. Feltkamp, Théo van Rysselberghe, 1862-1926, Brussels, 2003, no. 1910-028 (illustrated p. 390).
Theo van Rysselberghe (1862-1926)
Tulipes
1910
oil on canvas
66 x 66 cm
signed with the monogram (possibly added at a later date by another hand; lower right)
Provenance
Paul Nocard, Neuilly-sur-Seine
Anonymous sale, Christie's, London, 4 July 1980, lot 457
Anonymous sale, Christie's, London, 6 December 1983, lot 333
New Art Centre, London, by whom acquired at the above sale
Acquired from the above by the present owner in February 1984
This painting will be included in the forthcoming Van Rysselberghe catalogue raisonné
prepared by Pascal de Sadeleer and Olivier Bertrand.
Armand Guillaumin (1841-1927)
Barrage de Genetin
circa 1900
oil on canvas
60 x 81.3 cm
signed 'Guillaumin' (lower right)
Provenance
Durand-Ruel, Paris
C. Michael Paul, Palm Beach
Perls Gallery, New York
Montgomery Gallery. San Francisco
Private collection, Beverly Hills
Stephen Silagy, New York
Dominique Fabiani, Paris
Private Collection, London
This work will be included in the forthcoming second volume of the Guillaumin Catalogue Raisonné
being prepared by the Comité Guillaumin with Dominique Fabiani, Stéphanie Chardeau Botteri &
Jacques de la Béraudière
Auguste Rodin (1840-1917)
Etude pour Polypheme
cast in 1987
bronze with dark brown patina
height: 50.5 cm
signed and numbered 'A Rodin no 8' (lower right)
stamped 'E Goddard Fond. C by Musee Rodin 1987' (on the reverse)
Joseph Csaky (1888-1971)
L’Etudiante
conceived in 1928
bronze with green patina
167 x 45 x 46.3 cm
cast at a later date in an edition of 8 and 2 Artist Proofs
signed 'CSAKY' (on left of pillar), numbered and
with foundry mark 'A/C 3/8 BLANCHET FONDEUR' (on rear of the
base)
Provenance
Private Collection, London
Sale Me Loudmer, Paris, November 23, 1991, lot 22
Private Collection, Paris (Acquired at the above sale)
Literature
A. Barré-Despond, UAM Union of modern artists, Paris, 1986, p. 144
(another cast illustrated)
Félix Marcilhac, Joseph Csaky, catalogue raisonné des Sculptures,
Les Éditions de l’Amateur, Paris, 2007, 1928-FM.130/c, p.344 (another
cast illustrated)
Michel Auguste Collé
(1872-1949)
Nancy, Vue de la Cathédrale, Saint Eprve (automne)
1906
oil on canvas
77 x 52 cm
signed 'A M Colle' and dated '1906' (lower right)
Provenance
Corbin Family, France
Michel Auguste Collé
(1872-1949)
Nancy, Vue de la Cathédrale, Saint Eprve (bleu)
1907
oil on canvas
77 x 52 cm
signed 'A M Colle' and dated '07' (lower right)
Provenance
Corbin Family, France
Gustave Loiseau (1865-1935)
Le Village de Triel
1900
oil on canvas
60.6 x 73 cm
signed and dated 'G Loiseau 1900' (lower right)
Provenance
Durand-Ruel, Paris (acquired in 1936)
Hirschl & Adler Galleries, Inc., New York (acquired from the above in 1970)
Sale: Christie's, New York, May 13, 1993, lot 145
The Estate of Finbar Kenny (acquired at the above sale)
This work will be included in the forthcoming catalogue raisonné being prepared by Didier Imbert.
Sir George Clausen (1852-1944)
A Corner of the Garden
oil on canvas
61 x 50.8 cm
signed 'G CLAUSEN' (lower right)
Provenance
The Artist's Studio Sale (+); Christie's, London, 19 October 1945, lot 160.
Anonymous sale; Christie's, South Kensington, 30 June 2005, lot 86.
Court Gallery, Somerset
Private collection, UK (purchased from the above)
Exhibited
London, Royal Academy, 1937, no. 44.
Literature
Royal Academy, illustrated, 1937. p. 94.
Béla Kádár (1877-1955)
Study of Lovers
circa 1940-1950
gouache on paper
77.5 x 55.5 cm
signed 'Kádár/Béla' (lower right)
Provenance
Paul K. Kovesdy collection, New York.
Béla Kádár (1877-1955)
Couple I
circa 1910
watercolour on paper
28 x 22.5 cm
signed 'KADAR BELA' (lower left)
Provenance
Direct from the artist
Max (Sandor) Hevesi, Vienna
Collection of Sir Jack Baer
Béla Kádár (1877-1955)
Couple III
circa 1910
watercolour on paper
20 x 29 cm
signed 'KADAR BELA' (upper left)
Provenance
Direct from the artist
Max (Sandor) Hevesi, Vienna
Collection of Sir Jack Baer
Béla Kádár (1877-1955)
Couple III
circa 1910
watercolour on paper
22 x 22.5 cm
Provenance
Direct from the artist
Max (Sandor) Hevesi, Vienna
Collection of Sir Jack Baer
Béla Kádár (1877-1955)
Townscape
circa 1910
watercolour on paper
29.5 x 23 cm
Provenance
Direct from the artist
Max (Sandor) Hevesi, Vienna
Collection of Sir Jack Baer
Jean Souverbie (1891-1981)
Deux Femmes Drapées
circa 1929
oil on canvas
91.7cm x 65 cm
signed 'Souverbie' (lower left)
Provenance
Galerie Vavin-Raspail, Paris
Purchased from the above circa 1929
Thence by descent
Sale: Sotheby's London, Impressionist and Modern Art and Ceramics, 24 March 1999, lot 60
Private Collection, Monaco
Andre Dunoyer de Segonzac (1884-1974)
Le Golf de Saint Tropez
circa 1935
oil on canvas
50 x 109 cm
signed ‘A. Dunoyer de Segonzac’ (lower right)
Provenance
Collection Sam Salz, New York
Galerie Charpentier, Paris
Dr Fritz Nathan and Dr Peter Nathan, Zurich
Sale: Christie's New York, Febuary 25, 1992, lot 65
The Estate of Finbar Kenny
Exhibited
Paris, Galerie Carpentier, 50 ans de peinture, 1960, no. 55
The authenticity of this painting has been confirmed by D. De Varine (number 108 in
their archives)
5 - 7 Dover St., London W1S 4LD
30 Cork St., London W1S 3NG
T +44 (0)20 7287 7750
F +44 (0)20 7287 7751
www.alonzakaim.com