Imperial Heartbeats, Pt. I
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The score to "Imperial Heartbeats, Pt. I," track 2 on The Chain Industry (July 2014).
Transcript of Imperial Heartbeats, Pt. I
Copyright July 2014 Ben Norton
Countertenor
Tenor
Baritone
Bass
Electric Guitar
Electric Guitar
Electric Guitar
Electric Guitar
5-string Bass Guitar
Piano
Harpsichord
Synthesizer
Violin I
Violin II
Viola
Violoncello
Drum Set
q = 240
f
f
f
f
Imperial Heartbeats, Pt. I
Ben Norton
from The Chain Industry
P-0
P.M. P.M. 3
Slap
3
3
3
Ben
Stamp
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
9
P.M. P.M.
3
3
3 3
2
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
A18
f
f
P.M. P.M.
3
3
3
3
3
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
27
f
P.M. P.M.
3
3
3
4
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
B37
The glo bal- chain in du- stry- must cap i- tal- ize.- It must con trol- ev 'ry- -
3
P.M. P.M.
3
3
3
5
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
44
The glo bal- chain in du- stry- must a ccum- u- late.- Cap i- tal,-
thing a round- it, lest it sti fle- po ten- tial- pro fit.-
3
P.M. P.M.
3 3
3 3
3
3
6
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
51
la bor,- na ture,- lives.
The glo bal- chain in du- stry- must ex pand- or die. Re sour- ces- might be con fined-
must ex pand- or die.
3 3
R-0
P.M. P.M. 3
Nat. R-0
3
3
7
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
59
in fi- nite- growth,
to a pla net- that is fi nite,- but the chain in du- stry- de mands,- in fi- nite- growth, in fi- nite-
P.M.
P.M. 3 3
3 3
3
3
8
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
C66
in fi nite- gains. the world might lose its chains.
gains. To not heed it commands would prove a most di re- mi stake—-
the world might lose its chains.
3 3
Nat.
9
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
74
3 3 3 3
3 3 3 3
3 3
3 3
10
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
82
Em pi- re- has a heart beat.- You can hear it if you just stay qui et- and
P.M.
Open
P.M. Open
P.M.
Open
3 3 3
3 3 3
3 3
3
11
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Hpsd.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
D89
Em pi- re- has a heart beat.-
li sten.- Em pi- re- has a heart beat.-
f
P.M. Open
P.M. Open
P.M.
Open
3 3 3
3 3 3
Marimba
Marimba
3 3
3
3 3
3
12
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
96
You can hear it if you just stay qui et- and li sten.- Fret not.
You can hear it if you just stay qui et- and li sten.- Fret not.
P.M.
Open
P.M. Open
P.M.
3 3 3 3
3 3 3 3
3 3
3 3 3 3
3 3 3 3
13
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
rit. 103
The glo bal- chain in du- stry- is a con sci- en- tious.- one.
one.
mp
3
Open
P.M. Open
3 3
3 3
3 3
3 3
3 3
14
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
q = 90E110
mp
CleanEsus Bbsus Esus Bbsus3 3
15
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
116
C#sus Esus Bbsus
3
3 3
16
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
119
C#sus Esus Bbsus C#sus Asus
3
3
17
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
124
mp
Esus Bbsus C#sus Asus3 3
3
3
18
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
128
Esus Bbsus C#sus Asus Dsus Ebsus
3 3
19
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
F136
mf
mf
mf
mf
mf
Esus Bbsus Esus Bbsus3 3
20
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
141
C#sus Esus Bbsus
3
3 3
21
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
144
C#sus Esus Bbsus C#sus Asus
3
3
22
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
149
Im
mf
per- i- al- heart beats,- om ni- pre- sent,- al ways-
Esus Bbsus C#sus Asus3 3
3
3
23
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
153
bea ting.- Om ni- vor- ous,- al ways- ea ting.-
Esus Bbsus C#sus Asus Dsus Ebsus
3 3
3 3
24
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
G160
f
f
f
f
f
Esus Bbsus Esus Bbsus3 3
3
25
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
166
C#sus Esus Bbsus
3
3 3
3
3
26
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
169
C#sus Esus Bbsus C#sus Asus
3
3
3 3 3 3
27
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
Im
f
per- - i- al- heart beats,- om ni- pre- -
174
Im
f
per- - i- al- heart beats,- om ni- pre- -
Esus Bbsus C#sus3 3
3
3
28
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
sent,- al ways- bea ting.- - Om ni- vor- ous,-
177
sent,- al ways- bea ting.- - Om ni- vor- ous,-
Asus Esus Bbsus C#sus Asus3
3 3
29
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
al ways- ea ting.- Im per- i- al- heart beats-
182
al ways- ea ting.- Im per- i- al- heart beats- are the sounds of its
f
Im per- i- al- heart
Dsus Ebsus
3 3
3 3
3
30
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
are the sounds of its sub jects- try ing- to live.
molto rit. q = 180H187
sub jects- try ing- to breath, try ing- to live.
beats are the sounds of its sub jects- try ing- to live.
f
f
Distortion
31
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
193
Pal pi- ta- tions- of sti fled- life...
Spoken
32
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
201
33
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
I210
3 3
34
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
219
3
3
35
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
J227
f
RI-0
36
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
237
f
f
RI-0
37
C.
T.
Bar.
B.
E. Gtr.
E. Gtr.
E. Gtr.
E. Gtr.
Bass
Pno.
Mar.
Synth.
Vln. I
Vln. II
Vla.
Vc.
Dr.
248
Re peat- af ter- me:
Spoken
38
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