THE PITCH

Problem:Millenials don’t pay for music - they pay for virtual goods in games.

Solution:The first music video network which monetizes through the sale of in-game

virtual goods.

► In-app social network of user-generated videos, running in a game engine.

► Create and consume on all digital platforms, from mobile to VR.

► Outputs to all forms of social media, including Instagram, Twitter, Vine, Facebook, etc.

► Progressing to real-time multiplayer music gameplay.

► Aggregated audience of millions of unique visitors.

► Minority of users CREATE and MONETIZE.

► Rights holders receive a share of total IMEX revenues based on popularity of their

content.

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DISRUPTION

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IMEX ECOSYSTEM

NETWORKCONTENT

& TOOLS

GAME

MECHANICS

IMEX

PLATFORM

3

IMEX NETWORK

4

IMEX CONTENT

- IMEX motion captures musical performances and supplies to users as animations.

- Performances are by professional musicians and dancers, as well as actual musical

artists.

- The performance animations maybe applied to a variety of graphic levels, from

cartoon to photo real, depending on creative and technical specifications (i.e.

platform).

5

IMEX TOOLS

Creators make music videos using supplied assets and tools. They choose characters,

environments, objects, positions, colors, lights and more.

Users can add their own pictures and videos into scenes

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UPSELL PRODUCTS

ADDITIONAL CONTENT

WARDROBESSONGS OBJECTS

CAMERASENVIRONMENTS LIGHTS

NPCsFX MOTIONS

(ANIMATIONS)

USER PICTURES

IN SCENE

USER VIDEO IN

SCENE

RENDER VIDEO

OUTPUT

UPLOAD VIDEO

OUTPUT

ADDITIONAL FUNCTIONS

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EXPANSION PACKS

Famous Music Videos in VR

- Remakes of famous videos for VR,

so that the viewer can “be there”,

part of the video.

- E.g. Michael Jackson’s “Thriller”,

Michael and Janet Jackson

“Scream”, Tom Petty “Don’t come

around here no more”, Madonna

“Like a Prayer”, Billy Idol “Dancing

with Myself”, Beyonce “Single

Ladies”, Psy “Gangnam Style”.

Famous Musicals in VR

- Remakes of famous movies

and theatrical musicals:

- “Flashdance”, “Singing in the

Rain”, “A Chorus Line”, “The

Rocky Horror Picture Show”,

“Saturday Night Fever”, “Mama

mia”, etc.

- Extend to other cultures -

Bollywood, China, etc.

Great Moments in Music

History in VR

- Enter the VR time machine to

go back to great moments of

music:

- E.g. Beatles Rooftop Concert,

Elvis Presley in Las Vegas,

Ramones of CBGBs, the

Doors at the Whiskey, David

Bowie as Ziggy Stardust.

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IMEX NEW PLATFORMS

- IMEX functions across a wide range of platforms, from mobile and desktop to new devices running

Virtual Reality and Augmented Reality.

- For VR Platforms supporting input devices, gameplay will include playing as part of the band.

- Devices determine level of graphics and gameplay modes, but user’s IMEX account works across all

platforms.

- Features include multiplayer, social sharing, contests and competitions.

SONY

PLAYSTATION VROCULUS RIFT HTC HIVE HOLOLENS MAGIC LEAPCARDBOARD

VR

SAMSUNG

GEAR

VR9

IMEX PRODUCT ROADMAP

PLATFORM

MOBILE

2D

VIDEO

VR

VIDEO

VR

Android

IOS

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REVENUE PROJECTIONS 2020

FREMIUM (FREE2PLAY)

• Does not include App Store commissions (30%)

• Does not include advertising and sponsorship revenue

7 MMMonthly Active

Users

700KMonthly Unique

Purchasers

$14ARPPU

$10 MM Monthly Run Rate

Revenue

$120 MM Annual Run Rate

Revenue

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MANAGEMENT

Tony’s music video credits include Madonna, Janet

Jackson, Tom Petty, Sting, Michael Jackson, Paula

Abdul, Bee Gees, George Michael, Tina Turner, Peter

Gabriel and many more. Tony was a co-founder of

Palomar Pictures, one of North America’s largest

music television companies in the 1990s, which

became a division of Warner Music Group. His

interactive music project credits include Executive

Producer of “Virtual Guitar featuring Aerosmith”; EP

“Kiss that Frog” Ride Film for Peter Gabriel (Winner

MTV Best Special Effects); Creator and EP of Video

Mods for MTV2 (2 seasons); Creator and EP of

Yahoo! Music Artist Mods sponsored by GM. Tony

has made dozens of motion captured, animated 3D

videos for artists such as Korn, Lil Wayne, Sean Paul,

Billy Idol, and the Black Eyed Peas. He has been EP

and CEO of a SF Mobile Game studio with credits

including Star Wars, Spongebob, Thomas the Tank

and more. He has multiple top ranking iOS and

Android game credits, including #1 Book App

(Sesame Street) and #1 Kids Game UK (Arthur

Christmas) as well as deep experience with the

technology and business intelligence of DLC.

TONY SHIFF CEO

Deane has more than 20 years of music industry

senior management experience, encompassing

operations, financial management, financial analysis,

strategic planning, business development and M&A.

Deane joined CBS Inc. as Director, Mergers &

Acquisitions, overseeing Music, Film and Broadcasting

activity. He later moved to Warner Music Group as

SVP, Strategic Planning & Business Development,

investing $500mm in recorded music, music

publishing, digital music services, video games and

video programming. He then moved to Zomba/Jive

Records, a division of BMG Music, functioning as the

COO, responsible for the label’s operations, finance,

business development and administrative functions.

After merging with RCA, Deane became EVP, New

Ventures for BMG Label Group, where he developed

new businesses in merchandising and music

publishing, and launched a direct-to-consumer website

for Zomba Gospel. Most recently, Deane was CFO of

Placewise Media, an operator of digital advertising

networks, responsible for Corporate Development,

Finance and Administration.

DEANE MARCUSPresident

NORMAN

SCHOENFELDSVP Programming & Artist

Relations

Norman began his career working for the legendary

Sugar Hill/Chess Records where he was the Executive

Producer, in charge of reissues for Chess Records.

He was hired at MTV Networks, where he created

television content including “MTV Fashionably Loud”.

As Head of Programming for VH1, he created the

shows “VH1 Honors” and “Behind the Music”. Norman

was recruited by DDB Worldwide Communications to

direct their entertainment and integrated marketing

initiatives for Pepsi, EMI, Hershey and McDonalds. At

Cablevision/Rainbow Media he was the Head of

Programming and Production for the music channels

Much Music USA, Fuse and Rave HD, where his

series included “Fuse Daily Download”, “Fuse Four

Play” and the marketing campaign “Save the Music

Video”. Norman has also served as Founder of Lat34,

an AOL company, and the Kitchen Opera Company, a

marketing concept for food and wine.

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LAUNCH TEAM

Troy has been UI Lead Programmer and Programmer

on many iOS and Android mobile games. Titles

include Atari’s Outlaw (Top 25 App Store Game);

Sesame Street: Another Monster at the End of this

Book (#1 App Store Book); Giant Realms (a resource

management game); Furious Racing (2D racing

game); Yahoo! Bingo; and the original Android port of

the best-selling game, Megajump. Troy has years of

Unity experience, as well as deep knowledge of the

Android operating system and its implementation

across devices since its first release.

TROY VISINEAU

Toby spent several years as an UI/UX Designer at

Zynga as a UI/UX Designer on titles such as Mafia

Wars. He also participated in their quick-start teams,

doing rapid prototyping of new game concepts. Prior

to this, Toby worked for Electronic Arts on the Sims 3

game, where his tasks included designing ways to

make seemingly tedious tasks within the game feel

simple and fun, as well as creating the intro player

tutorial and unique game icons. Toby started his

career as a 3D modeler for the Sims and other games.

TOBY MARVIN FLYING WISDOM

STUDIOS

Started by console industry veterans making an early

transition to mobile in 2010, FWS has developed and

shipped dozens of major titles on iOS and Android.

Partners and clients include Lucasarts (Star Wars);

Sesame Street; Thomas the Tank; Atari; Glu; ngMoco;

Yahoo!; Pepsico; Animal Planet; SGN; Sony Pictures

(Arthur Christmas) and more. Its games include a

variety of genres, from educational to racing to

shooters and resource management, and the

company has been releasing Unity products since

2012. Currently FWS is entering the third year of

supporting Nickelodeon’s flagship game, Spongebob

Moves In (#1 Game worldwide, July 2015) on its

Games-As-A-Service platform, Soaring Wisdom. This

fully customizable system manages the work of OTA

updates, Player Profiles and Inventories, Multiplayer

mode, and many other functions. The platform has

handled over 5 Million unique users to date, across

multiple titles.

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USE OF FUNDS

ANGEL ROUND$750K - 8 Months

SEED ROUND$1.5M - 10 Months

in 000s ANGEL SEED

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Product Development

(Internal)- - - - - - - - $19 $19 $19 $19 $19 $19 $19 $19 $19 $19 $190

Product Development

(External)$40 $53 $53 $99 $10 $132 $118 - - $130 $130 - $195 - - - - - $958

Marketing - - - - $5 $10 $10 $10 $10 $10 $10 $10 $10 $10 $10 $10 $10 $10 $135

Overhead $14 $22 $15 $30 $30 $33 $34 $34 $73 $69 $59 $59 $59 $59 $59 $68 $68 $68 $846

Total Operating

Expenses$54 $74 $67 $128 $45 $175 $161 $44 $102 $228 $218 $88 $283 $88 $88 $97 $97 $97 $2128

Cumulative Spend $54 $128 $195 $323 $368 $542 $703 $747 $848 $1076 $1293 $1381 $1663 $1751 $1838 $1935 $2031 $2128

SERIES A- First Catalog Product Release (Android; iOS; Samsung Gear VR; Google Cardboard).

- R&D Oculus Rift Ports with enhanced gameplay.

- First Major Artist release (Android; iOS; Samsung Gear VR; Google Cardboard).

- Oculus Rift and/or Sony Playstation ports of initial products.

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