iMA Newsletter - internationalmusicacademy.cainternationalmusicacademy.ca/newsletter/December...
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iMA Newsletter Voted top 100 educators in the world by the International Biographical Centre Winner of the Consumers’ Choice Award for best music school in the GTA. Winner of the Royal Conservatory of Music Gold Medal for Teaching Excellence. Winner of the York Region Character Community Award. Markham Board of Trade Business Excellence Award finalist. Year XX, No. 12 December 2016 WELCOMING OUR NEW STUDENTS Devin Radway (violin) Poojitha Sree Korimilli (piano) Natalie Pang (violin) Sami Iskandar (voice) Om Mistry (piano) Jacob Gaochen (piano) Kiana Landry (voice) Carl Cook (piano) Ava Edwards (violin) Claudette Zabsonre (alto saxophone) Karen Thomas (piano) Logan Boutros (piano) Holden Boutros (piano) IMA STUDENTS BIRTHDAYS IN DECEMBER Priyanka R, Daniel Y, Sebastian S, Renee W, Caleb Y, Trevor T, Dante M, Rida A, Shania W, Dhiren P, Evangeline L, Angela Z, Jatynne R, Shreya R, Labros S, Derek P, Aaron D, Aaryan K, John N, Charlotte L, Ella S, Celina M, Poojitha K, Ethan Javier W, Jake X. Catherine J., Ashvika M., Aditya A. HAPPY BIRTHDAY! IMPORTANT DAYS IN DECEMBER Dec 1 Canadian Music Competition registrations deadline Dec 1 Peel Music Festival Registrations deadline Dec 9-10 RCM theory examinations Dec 10-11 IMA Winter Festival Dec 15 RCM April session applications deadline (piano only) Dec 16 IMA Mid-Year Progress reports Dec 17 Kindred Spirits Orchestra: GRAND ROMANTICS. Flato Markham Theatre Dec 24-Jan 8 Winter break (school is open) Dec 24-Jan 1 Hanukkah (school is open) Dec 25 Christmas day. School is closed. Dec 26 Boxing day. School is open. NEWS GET A $30 CREDIT ON YOUR NEXT MONTH TUITION We have been very pleased with the continued success of our students. They have improved a great deal and we share their excitement with their families, friends, neighbors, and schoolmates. We appreciate your interest towards our programs and services. We are always very happy to welcome new students of all ages, levels, and instruments to the iMA. Please tell your friends about your experience with the International Music Academy. Do you know someone who is thinking of taking music lessons or who has children who may be interested in getting their hands on a musical instrument or singing? Do you know a teenager who needs a high school OAC credit? Do you know an adult who has wanted for a long time to learn how to play a musical instrument but has never had the time or inclination? Please tell them about the IMA. As an appreciation for your referral, we will give you a $30 credit for each new student who registers at the International Music Academy as a result of your referral. As we value your friends as much as we value you, we will offer to each referred student a $30 credit as well. PERSONALIZED IMA GIFT CARD The IMA offers personalized Gift Cards that could be used as thoughtful birthday, holiday, bar/bat Mitzvah, graduation gift or for any other occasions as well as to encourage someone to start learning a musical instrument or singing. The card can be used for any products or services. The gift card is available for any amount. As cards are personalized with the name of the person who will receive it as well as with the name of the person who purchase it, requests have to be made 1 day in advance. Cards can be ordered in person, by phone at 905.489.4620 or by e-mail at [email protected]. At the time the card is ordered, a non-refundable $5 deposit is required. The full value International Music Academy 1-4981 Highway 7 Markham ON L3R 1N1 Phone: 905.489.4620 3-50 Innovator Avenue Stouffville ON L4A 0Y2 Phone: 905.640.6363 www.internationalmusicacademy.ca [email protected]
Transcript of iMA Newsletter - internationalmusicacademy.cainternationalmusicacademy.ca/newsletter/December...
iMA Newsletter Voted top 100 educators in the world by the International Biographical Centre Winner of the Consumers’ Choice Award for best music school in the GTA. Winner of the Royal Conservatory of Music Gold Medal for Teaching Excellence. Winner of the York Region Character Community Award. Markham Board of Trade Business Excellence Award finalist. Year XX, No. 12 December 2016
WELCOMINGOURNEWSTUDENTSDevinRadway(violin)PoojithaSreeKorimilli(piano)NataliePang(violin)SamiIskandar(voice)OmMistry(piano)JacobGaochen(piano)KianaLandry(voice)CarlCook(piano)AvaEdwards(violin)ClaudetteZabsonre(altosaxophone)KarenThomas(piano)LoganBoutros(piano)HoldenBoutros(piano)
IMASTUDENTSBIRTHDAYSINDECEMBER PriyankaR,DanielY,SebastianS,ReneeW,CalebY,TrevorT,DanteM,RidaA,ShaniaW,DhirenP,EvangelineL,AngelaZ,JatynneR,ShreyaR,LabrosS,DerekP,AaronD,AaryanK,JohnN,CharlotteL,EllaS,CelinaM,PoojithaK,EthanJavierW,JakeX.CatherineJ.,AshvikaM.,AdityaA.
HAPPYBIRTHDAY!IMPORTANTDAYSINDECEMBER
Dec1 CanadianMusicCompetitionregistrationsdeadlineDec1 PeelMusicFestivalRegistrationsdeadlineDec9-10RCMtheoryexaminationsDec10-11IMAWinterFestivalDec15 RCMAprilsessionapplicationsdeadline(pianoonly)Dec16 IMAMid-YearProgressreportsDec17 KindredSpiritsOrchestra:GRANDROMANTICS. FlatoMarkhamTheatreDec24-Jan8 Winterbreak(schoolisopen)Dec24-Jan1 Hanukkah(schoolisopen)Dec25 Christmasday.Schoolisclosed.Dec26 Boxingday.Schoolisopen.
NEWSGETA$30CREDITONYOURNEXTMONTHTUITIONWehavebeenverypleasedwiththecontinuedsuccessofourstudents.Theyhaveimprovedagreatdealandwesharetheirexcitementwiththeirfamilies,friends,neighbors,andschoolmates.Weappreciateyourinteresttowardsourprogramsandservices.Wearealwaysveryhappytowelcomenewstudentsofallages,levels,andinstrumentstotheiMA.PleasetellyourfriendsaboutyourexperiencewiththeInternationalMusicAcademy.Doyouknowsomeonewhoisthinkingoftakingmusiclessonsorwhohaschildrenwhomaybeinterestedingettingtheirhandsonamusicalinstrumentorsinging?DoyouknowateenagerwhoneedsahighschoolOACcredit?Doyouknowanadultwhohaswantedforalongtimetolearnhowtoplayamusicalinstrumentbuthasneverhadthetimeorinclination?PleasetellthemabouttheIMA.Asanappreciationforyourreferral,wewillgiveyoua$30creditforeachnewstudentwhoregistersattheInternationalMusicAcademyasaresultofyourreferral.Aswevalueyourfriendsasmuchaswevalueyou,wewilloffertoeachreferredstudenta$30creditaswell.PERSONALIZEDIMAGIFTCARD
TheIMAofferspersonalizedGiftCardsthatcouldbeusedasthoughtfulbirthday,holiday,bar/batMitzvah,graduationgiftorforanyotheroccasionsaswellastoencouragesomeonetostartlearninga
musicalinstrumentorsinging.Thecardcanbeusedforanyproductsorservices.Thegiftcardisavailableforanyamount.Ascardsarepersonalizedwiththenameofthepersonwhowillreceiveitaswellaswiththenameofthepersonwhopurchaseit,requestshavetobemade1dayinadvance.Cardscanbeorderedinperson,byphoneat905.489.4620orbye-mailatinfo@InternationalMusicAcademy.ca.Atthetimethecardisordered,anon-refundable$5depositisrequired.Thefullvalue
International Music Academy
1-4981 Highway 7
Markham ON L3R 1N1 Phone: 905.489.4620
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Phone: 905.640.6363 www.internationalmusicacademy.ca [email protected]
ofthecardispaiduponpick-up(andthedepositiscreditedtowardsthepurchaseprice).Paymentscanbemadebyanymajorcreditcard,chequeorcashaswellasthroughtheaccountsoftheIMAClients.
COMPOSERS’ANNIVERSARIESINDECEMBER
14,1719
MOZART,Leopold(fatherofWolfgang)
14,1778 HUMMEL,JohannNepomuk14,1900 COPLAND,Aaron18,1786 WEBER,CarlMariaFriedrichErnst,Freiherrvon18,1860 PADEREWSKI,IgnacyJan22,1710 BACH,WilhelmFriedemann22,1913 BRITTEN,LordBenjaminWhereyoubornordoyouknowsomeonewhowasbornonthesamedayasthesefamouscomposers?Dropuse-mailatinfo@InternationalMusicAcademy.catoletusknow. FEATUREDTEACHEROFTHEMONTHSaraChen,B.F.A.Voicestudiesandinterpretation,SuzukiPiano
Ms.SaraChenhasearnedherBachelordegreeinvocalperformanceandpedagogyfromXingHaiConservatoryofMusic.Asanaccomplishedmusicalartistandover15yearsofteachingexperience,Ms.Chenisabletoperformandteachavarietyofsongsandgenresincludingoperaandartsongs,musicaltheatre,folkandpop
songs.Sheunderstandthetechnicalelementsaswellasthecreativityneededtobesuccessfulinvocalmusic.Sheteachesstudentsofallagesandlevels,andenjoyseeingthemprogressachievingtheirownsuccess,dreamsandgoals.Ms.ChenalsoteachesSuzukipianoaswell.SheisaregisteredteacherwiththeRoyalConservatoryofMusic(RCME61054).Ms.Chenwashappytoanswerafewquestionsforourstudentsandparents:1.Whatdoyoulikemostaboutteaching?Teachingisapleasurebutalsoachallenge.Itrequiresfindingthefinebalancebetweennurturingloveformusic,encouragingconsistentpracticing,buildingupstrongandpropermusictechnique,fosteringanunderstandingofphilosophyoflearningmusic.Wheneverythingisproperlybalanced,thelearning/teachingexperienceisveryrewarding.2.Howdoyouinspirestudentstopracticemore?Itisimportanttoalwaysshowmyloveandpassionformusic.Encouragingstudents’progressandhelpingthemreachtheir
goalsandmaketheirdreamscometrueinspiresstudentsthemost.3.Whatrolesdoesperformanceplayinstudent’sdevelopment?Publicperformancesbuildupstudents’confidenceandself-esteem.Overcomingthestagefrightandgainingperformanceexperienceareintegralpartsofthelearningprocess.4.Whoareyourfavouritecomposers?Somanytolist….
FEATUREDSTUDENTOFTHEMONTH KyraSophieOszlai
Whatinstrumentdoyouplay?-Iplaythepiano.Ibrieflyplayedtheviolin,also,butwantedtoconcentratemoreonthepiano,asIhadmoresuccesswiththisinstrumentandItrulyenjoyplayingit.Howlonghaveyoutakenlessons?-IstartedinSeptember2013atIMAwithMs.AntoniadeWolfe.Ihaven'tplayedthepianobefore.
Antoniaisabrilliantteacherandallowedmetoprogressinawayandatatempomyparentscouldnotevenimagine.IamnowatRCMGrade5,andIlovethatmypiecesgrowincomplexityandbeauty.LastyearIwonattheMarkhamMusicFestivalandalsoattheNorthYorkMusicFestival.TheawardsceremonyattheNorthYorkMusicFestivalwasmyabsolutefavourite. Whoareyourfavouritemusicalartists?-Thisishardtosay,asIlovemostcomposersIamplayingapiecefrom.IfIneededtonarrowdown,herearemyclassicalfavourites:W.A.Mozart,J.S.Bach,G.F.Handel,J.Haydn,L.v.Beethoven,R.Schumann,C.CzernyandA.Vivaldi.FromthejazzstyleIlovetoplaypiecesbyChristopherNortonandMikeSchoenmehl.Fromthemodernartists,IlikethesongsofKatyPerry,asIdancetomanyofthem.Whatareyourotherhobbies,besidesmusic?-Idancecompetitively.Mytrueloveisballet,butIalsoenjoyalottap,jazz,acroandmusicaltheatre.Inaddition,Ilovetheartsandliketodoallkindsofcreativethings:drawing,painting,RainbowLoom,jewelrydesign,writingstories.IhaveapassiontoreadEnglishandFrenchbooks,andIlovetodesignspacesandvillagesinMinecraft.Ialsolovetospendtimewithmyfriends,SamanthaandZaara,andwithmylittlebrother,Darren,andmyfamily.Favoritefood?-Myfavouritefoodisclamchowderandasasnacklychees,andforbreakfast,myfavouritefoodiscrepeswithchocolatefilling.
Whatisthecoolestthingyou’velearntinyourlessonsinthepastthreemonths?-IlovemyRCMGrade5syllabus.MyfavouritepiecesareElissaMilne:'NoWorries'andLudwigvanBeethoven:'SonatinainFMajor'.TolearnthesepieceswithAntoniaisatruepleasure.Sheisnotonlyafunteacher,butIalsofeelencouraged,andherguidancetorefinethestyleandtechniqueishelpingmeprogressintherightdirection.Doyouhaveanyperformancecomingup?-IjusthadaChristmasconcertattheendofNovemberinaChurchinMarkham,andmyIMAWinterFestivalconcertiscominguponDecember10.Performinginfrontofpublicstillmakesmeabitnervous,butIfeeltherightpreparationallowsmetobringlotsofcolouranddepthintothepiecesIplay,sothattheaudienceenjoysthemjustasmuchasIdo.AttheendoftheperformancesorexamsIfeelaccomplishedandrewarded.Itisagreatopportunityformetogrow.Inaddition,IwillbedancingwithCanada'sBalletJorgenintheNutcrackerintheMarkhamFlatoTheatreonDecember30inthe2:00pmshow.ThisismysecondyearwiththemandIamveryproudtobepartoftheirproduction.E-mailtoinfo@InternationalMusicAcademy.caaphotoofyourself(oryourchild)togetherwiththeanswersofthequestionsabove.Thedeadlineforsubmissionsisthe15thofeverymonth.Wewillfeatureyouinoneofthenextissuesofthenewsletter.PETOFTHEMONTHSendaphotoofyourpettogetherwithfollowinginformationandwewillpublishitinoneofthenextissuesoftheIMAnewsletter.Whatisthenameofyourpet?Howoldishe/she?Whatkindofbreedourpetis(ifapplicable)?Howlonghaveyouhadhim/herfor?Anyspecialcircumstancesaroundgettingthepet(i.e.agift,fosterpet,etc.)?Thefunnieststoryaboutyoupet?Anyspecialskillsorabilities.
FEATUREDARTICLEMatthewAucoin,a26-year-oldwunderkindcomposer-conductor,hadjustpreviewedexcerptsfromEvidence,awork-in-progressofhiscommissionedbytheLosAngelesChamberOrchestra,orLACO.NowhewasdiscussinghisapproachtocomposingwitharaptaudienceattheSteinwayPianoGalleryinBeverlyHills.“Itendtowriteshortscores,likeplottingpointsonagraph,andthenIfillinthesketch,fleshitout,andorchestrateit,”AucointellsmembersofLACO’sSoundInvestmentprogram.That’sagroupof104investorswhoeachpay$300aseasontofundanewworkand,inexchange,gettofollowitsdevelopment,engagingwiththecomposerfrominceptiontopremiereandenjoyingarareinsider’sviewofthecreativeprocess.RauleeMarcus,apassionatecommissionerofnewclassicalworks,withoneofhersignedscores.Photo:ThomasMichaelAllemanSoundInvestmentandotherprogramsdevotedtocontemporaryclassicalmusichaveturnedLosAngelesintooneofthemostvibrantcitiesformusicalcreativity,andthat,inturn,owesmuchtotheincreasingrolethatindividualaficionadosareplayingbybankrollingnewcommissions.“Thereisreallyashiftinthe
fundingpicturehappeningthere,”saysNormanRyan,vicepresidentofcomposersandrepertoireatpublisherSchottMusic.
“Youhavethisverystrongcomponentofaveryaggressive,proactive,andenthusiasticgroupofmusicloversreachingouttocomposersinallsortsofways,includinghavingtheabilitytowriteacheck.It’ssomethingthatIdon’tseeanywhereelse.”Fouryearsago,onawhim,JustusSchlichtingcommissionedanewworkfromcomposerJamesMatheson,afterlisteningtohisworkataLosAngelesPhilharmonicrehearsal.“Ididn’tknowwhatIwasdoing,”herecalls.Schlichting,whoalsoplaysthetrombone,hadrecentlysoldhiscompany,S&SDatalink,andwasrenewinghismusicalpassionwithamasterclassattheMusicAcademyoftheWest.“Iwasanaveragemusicconsumerfor40years,”hesays,“butseeingallofthisgreatmusicandnocomposerinsight,itstruckmethatsomethingneededtoberectified.”Sincethatfirststring-quartetcommission,whichdebutedin2014,Schlichtingandhiswife,Elizabeth,havebecomeapotentfundingforce.Theyhavecommittedto135commissions,costing$1,250to$50,000eachandrangingfromviolinsolostooperas,withawho’swhoofmodernandemergingcomposers.Drawntotheentrepreneurialandexperimental,theSchlichtingssingle-handedlyunderwrotelastyear’swildlyinventiveHopscotch,YuvalSharon’srollingoperastagedinsideafleetof24limousines.“WhenIbegandoingthis,”saysSchlichting,“Iwasthinkingabout
thetimeswhenclassicalmusicdependeduponthelargessofthosewithmeanstokeeptheartalive.AndIwasinapositiontopaythatforward.”ThefertiledynamicunderwayinL.A.offersathrowbacktoanearliereraofpatronage,suchasthatof18thcenturyVienna,butwithsomethingofanewandsynergistictwist.Unlikemostcities,wherecontemporaryclassicalmusicisrelegatedtotheossifiedmargins,inLosAngelesthemajormusicinstitutionsarecatalysts,notonlyestablishinganappetitefornewmusicbutalsocultivatingpatronstosupportit.JeffKahane,LACO’smusicdirector,notes,“Thereisawillingnessheretorecognizehowcriticalitistothehealthofanorchestratobeinthebusinessoffosteringnewworks.”
GustavoDudamelleadingtheLosAngelesPhilharmonic.Photo:HiroyukiIto/GettyImagesConsidertheLongBeachOpera,nowinits37thyear,whichhasearnedinternationalacclaimforitsunorthodoxprogramming:Nearlyallofitsofferingseachseasonaredevotedtonewandrarelyperformedworks.OneoftheL.A.Philharmonic’slongest-runningandmostpopularprogramsisitsGreenUmbrellanew-musicseries.ThePhilharmonicannouncedanastonishing21newworksforthe2016-17season,tobeperformedattheFrankGehry–designedWaltDisneyConcertHall,upfromninenewworkscommissionedduringthe2009-10season.ChadSmith,thePhilharmonic’schiefoperatingofficer,says,“Evenablue-chipinstitutioncankeepacertainsenseofexperimentation.”Nosurprise,then,thatcomposersareflockingtotheCityofAngels.AndrewNorman,thefetedPulitzerPrizefinalistwhoseworksareperformedglobally,isoneofthem.“InL.A.,thereisthissenseofwide-openpossibility,”hesays,notingthatunlikemostestablishedmusicalcenters,itisOKtotakerisksinL.A.,eventofail.“Relativelyspeaking,it’smuchmorepossibleheretocomeupwithsomewild,crazyideaandthenfindpeoplewillingtosupportit.”Aucoin,recentlynamedL.A.Opera’snewartist-in-residence,concurs:“Alotofplaceshavewealthypatronsofthearts.Theysupportyoungartists,buttheyaremorelikelytobeahotshotviolinist.InL.A.,donorsgravitatetowardthefunkyandthenew.”Withinthesmallbutinfluentialcommissioningset,RauleeMarcus,founderandpresidentoffinancial-servicesfirmPinnacleManagement,isoneofthemostactive.ThebathroomofMarcus’downtownloftiscoveredinframedandsignedfrontispiecesand
scoresofhermanycommissions.Marcus’loveofmusicwasnurturedbylisteningtotheradioinhergrandmother’sKentuckykitchen,andshesocializeswithcomposers,holdssoiréesinherloft,andintroducesnewpotentialfunderstocomposers.AfterhearingaperformanceofAndrewMcIntosh’s“EtudeIV,”duringaGreenUmbrellaconcert,shesenthimane-mail,stating,“YouareatodayBartók.Iwouldlovetoknowyoubetter.”Shehassincecommissionedseveralofhisworks.“There’salotofengagementwiththeactualcomposersifyou’reinvolvedinnewmusic,”shesays.“IwouldhavelovedtohavemetBeethoven.Igettomeettoday’sBeethovens.”HannahLash,anaward-winningcomposerandharpist,andmemberoftheYaleSchoolofMusicfaculty,isamazedbytheintensityofL.A.’spatrons.“Fromacomposer’sstandpoint,anycommissionisagoodthing,”shesays.“Butthereissomethingsospecialaboutacommissioncomingfromanindividual.Youhavesomeoneinvestedinyou.”
TheimpassionedMarcusfrequentlyfundsworkstogetherwithStephenBlock,aretiredgeneralcounselatInternationalFlavorsandFragrances.Theyspendanywherefrom$10,000to$30,000acommission,andoftenbringinLeslieLassiter,amanagingdirectoratJPMorganPrivateBank,orothers,whentheyneedmorefundstogetacommissionofftheground.Blocksayshehasgivenupmostotherphilanthropicactivities,andlastyearspentabout
$50,000bankrollingmusic.“Forme,thedrivingfactorisreallytheopportunitytohelpcomposersandhelpsupportandnurturenewmusic.Bydoingthiswecanmakesureasmanynewcomposers[aspossible]getheard,andhopefullysomeoftheirmusicbecomespartoftherepertoire.”Interested?InadditiontoLACO’sSoundInvestment,therearenumerousworthwhilefestivalsofferingcommissioningopportunities,suchaswildUp,aneventdedicatedtocreatingnewmusicandperformances,andJacaranda,anongoingseriespresentingexperimentalworks.Bothprovideeasyaccesstocomposersandmusicians.ThenonprofitMusicBridgealsocultivatesartisticcollaborationsandcommissions.Ofcourse,reachingoutdirectlytoacomposercanalsoleadtoacommissioningrelationship.ThegranderL.A.Philharmonicrequiresanannualdonationof$15,000foradonorlevelthatletsyousee“thelist,”theworks-in-progresslookingtogetbankrolled.Demandissohotthatanewbreedofbenefactoriselbowingothersasidetogetalegup.“ItalktomyPhilhandlerandsay,‘Youbettergetthatlisttomebeforethecommissionsaregone,’”saysanactivemember.“There’sdefinitelyacompetitionforthebestcomposersandcommissions.”Benefactorsdon’townthemusic,andwhilemanyhopetheircommissionseventuallybecomepartofthecanon,thereisalwaysthechancethatthepiecewillslideintoobscurity.Therewardsarerootedinalustforestablishingalastingmusicalfootprint.SueBienkowski,presidentoftheboardoftheLongBeachOperaandasponsorofunderfundedcomposers,saysshegets“satisfactionfromhelpingthosewhodon’thavetheresourcesordevelopmentdonors.”JustusSchlichtingwouldagree.Twoyearsago,heandhiswifehelpedviolinistJennyKohfinanceherStradivarius.Butinsteadofpayingthembackwithcash,sheaskediftheywouldacceptnewpiecesasrepayment,worksthatothercomposerswoulddonatetoherintheSchlichtings’honor.Intheend,34composers,includingPhilipGlassandEsa-PekkaSalonen,didjustthat.“Ilookatsomethinglikethisandsaytomyself,‘DoIwanttobeapartofthatworld?’”saysSchlichting.“Youbet.”Translation:Youcan’tputadollarfigureonthetotalreturnsearnedfrompassion.TocommentonthisstoryoranythingelseyouhavereadintheNewsletter,headovertotheIMAFacebookpageormessageusonTwitter.
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