HW Audio Soundbite May 2013

HWHWsoundbiteMAY 2013

musikmessein this issue:Yamaha Speakers P2-3Fender Pawn Shop P4-7Focusrite Studio P8-9

2-way bass-reflex bi-amplified nearfield studio monitor with 6.5” cone woofer and 1” dome tweeter.

• 2-way bass-reflex bi-amplified nearfield studio monitor with 6.5” cone woofer and 1” dome tweeter

• 43Hz - 30kHz frequency response

• 60W LF plus 35W HF bi-amp system for high-performance 95W power amplification

• ROOM CONTROL and HIGH TRIM response controls

• XLR and TRS phone jack inputs accept balanced or unbalanced signals

HS7

P2 NEWS | HW Audio May 2013

HS7HS7Speaker type 2-way bi-amp powered studio monitorFrequency Range

(-10dB)

43Hz - 30kHz

Components LF 6.5” coneHF 1” domeCrossover 2kHzOutput power 95W (LF:60W, HF:35W)I/O connectors XLR3-31 type (balanced),

PHONE (balanced)Power consumption 55WShape Bass-reflex typeCabinet material MDFDimensions W 210mm (8.3”)H 332mm (13.1”)D 284mm (11.2”)Net weight 8.2kg (18.1 lbs.)Others LEVEL control (+4dB/center click) , EQ:

HIGH TRIM switch (+/- 2dB at HF) / ROOM

CONTROL switch (0/-2/-4 dB under 500Hz)

HW Audio May 2013 | NEWS P3

Players continue to praise the Pawn Shop Series for evoking the more eccentric Fender creations of the mid-’60s to mid-’70s while delivering thoroughly modern sound and quality with a wealth of various Fender elements. New for 2013, the Pawn Shop Series introduces yet another pleasingly unconventional assortment of “guitars that never were but should have been,” in which new models take the stage and long-vanished classics return in modern form.

With a few modern touches, the Pawn Shop Super-Sonic™ model resurrects an unusual, short-lived and increasingly collectible ancestor of the late 1990s, the Squier® Vista Series Super-Sonic guitar. Very little about the Pawn Shop Super-Sonic isn’t highly distinctive—from its diminutive offset “reverse” body (resembling an upside-down Jazzmaster® or Jaguar®) and upside-down headstock to its short scale (24”) and dual canted Atomic™ humbucking pickups (only the bridge pickup was canted on the original Squier models). Then there are the controls—neck pickup volume and bridge pickup volume only (no tone control), which are reverse-wired like the Squier original, meaning that the bridge pickup volume is the one closest to the bridge and the neck pickup volume is the one farthest from it.

Other features include a “C”-shaped maple neck with “bullet”-style truss rod, 9.5”-radius rosewood fingerboard with 22 medium jumbo frets, three-way toggle pickup switching and dual Jazz Bass® control knobs, three-ply parchment pickguard, vintage-style synchronized tremolo bridge, vintage-style tuners and new Super-Sonic four-bolt neck plate. Available in Apple Red Flake, Dark Gun Metal Flake and Sunfire Orange Flake.


Vintage-style

synchronized

tremolo bridge

Neck pickup

volume and

bridge pickup

volume only

(no tone control),

reverse-wired

like the Squier

original

(Jazz Bass®

control knobs)

Comfortable

“C”-shaped

maple neck

with “bullet”-

style truss rod,

9.5”-radius

rosewood

fingerboard

and 22 medium

jumbo frets

Short scale

length (24”)

Three-ply

parchment

pickguard

Small offset

“reverse” body

(resembling

an upside-down

Jazzmaster®

or Jaguar®)

Based on the

seldom-seen

late-1990s

Squier® Vista

Series Super-

Sonic guitar

Upside-down

headstock

Vintage-style

tuners

Super-Sonic™

four-bolt

neck plate

Three-way toggle

pickup switching

Dual-canted

Atomic™

humbucking

pickups (only

the bridge pickup

was canted

on the original

Squier models)

New 2013 Lineup


Pawn Shop Mustang Bass

With its racing stripe and short scale (30”), the new Pawn Shop™ Mustang® Bass authentically evokes the original “competition” Mustang Bass of the early 1970s. This time, though, you get the huge bass sound of a single humbucking pickup (the original had a single-coil pickup) and several classic Fender finish options.

Other features include an alder body, “C”-shaped maple neck, 9.5”-radius rosewood fingerboard with 19 medium jumbo frets, four-ply white pearloid pickguard, two Jazz Bass® control knobs (volume, tone) and a strings-through-body bridge with four adjustable saddles. Available in Three-color Sunburst, Candy Apple Red with stripe and Olympic White with stripe.


String-through-

body bridge with

four adjustable

saddles

Short scale

length (30”)

Four-ply white

pearloid

pickguard

1960s-’70s design

styling imparts

an authentically

“rare bird” pawn

shop look

Competition-style

racing stripe

(on Candy Apple

Red and Olympic

White models)

Comfortable

“C”-shaped

maple neck

with 9.5”-radius

rosewood

fingerboard

and 19 medium

jumbo frets

Single

humbucking

pickupDual Jazz Bass®

control knobs

(volume, tone)

New 2013 Lineup


Focusrite feature the Scarlett Studio Package at MesseMusik 2013Whether you’re just starting out on your musical career or you’re a seasoned professional, Scarlett Studio gives you everything you need to start recording studio-quality music right away – right down to the microphone cable. Just add your computer.

Now you can record guitar, vocals, bass or other instruments directly into your computer, complete your recordings with studio effects and create a master mix.

Focusrite has been making high-end recording systems, used in the world’s top studios, for over 25 years. That same precision engineering is now available in a compact, high-quality system for you to connect to your computer and start recording now – and it’s all inside this box.


The audio interface is the key to making professional recording. At the heart of Scarlett Studio is the Scarlett 2i2. This interface connects to your Mac or PC via the USB port and provides 2-inputs and 2-outputs to your music software. Scarlett 2i2 delivers the superb quality and legendary Focusrite sound that audio industry professionals have relied on for decades. Plug your instrument – bass, guitar, keyboard, synth, you name it – and the included studio microphone straight into the front panel and 2i2 brings them into your computer at the highest possible quality. You can record, edit and mix until you have just the sound you want, with the best possible playback quality so you can hear exactly what you’re doing.


HW Audio Soundbite May 2013

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