Humanities ch05 Powerpoint

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Viking. Burial ship, from Oseberg, Norway. ca. 800. Vikingskiphuset, Universitets Oldsaksamling, Oslo, Norway. [Fig. 5.1]

description

from Discovering the Humanities

Transcript of Humanities ch05 Powerpoint

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Viking. Burial ship, from Oseberg, Norway.ca. 800.

Vikingskiphuset, Universitets Oldsaksamling, Oslo, Norway. [Fig. 5.1]

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Map: Anglo-Saxon England and Celtic Ireland.[Fig. Map 5.1]

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Anglo-Saxon. Sutton Hoo Burial Ship: Purse cover.ca. 625.

© The Trustees of the British Museum/Art Resource, NY. [Fig. 5.2]

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Bishop Eadfrith of Lindisfarne. The Lindisfarne Gospels, from Northumbria, England: Carpet page.

ca. 698. Manuscript illumination. 13-1/2" x 9-3/4".British Library, London. [Fig. 5.3]

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Hiberno-Saxon. Book of Kells: Chi Rho Iota page in the Book of Matthew. Probably made at Iona, Scotland.

Late eighth or early ninth century. Manuscript illumination. 13" x 9-1/2".Trinity College Library. Dublin, MS. 58 (A.1.6.), fol. 34v. [Fig. 5.4]

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Anglo-Saxon. Vespasian Psalter: David and Court Musicians, now fol. 30b, but likely once the frontispiece. Canterbury, England.First half of eighth century. Manuscript illumination.British Library, MS Cotton Vespasian A.i. [Fig. 5.5]

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Carolingian. Equestrian statue of Charlemagne.Early ninth century. Bronze with traces of gilt. Height: 9-1/2".

Musée du Louvre, Paris. [Fig. 5.6]

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Map: The Empire of Charlemagne to 814.[Fig. Map 5.2]

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Carolingian. Monastery at St. Gall, Switzerland: Plan. Redrawn and translated from the original parchment with red ink.

ca. 820. Drawing on parchment. 28" x 44-1/8".Stiftsbibliothek, St. Gall, Switzerland. [Fig. 5.7]

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Medieval English. Liber scivias: Hildegard's Vision (facsimile of manuscript lost during World War II).ca. 1150-1200. Manuscript illumination (facsimile).

[Fig. 5.8]

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Musical Notation: Dixit Dominus from Psalm 109.[Fig. 5-MN.1]

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Musical Notation: Kyrie Eleison from opening of mass.[Fig. 5-MN.2]

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Ottonian. Gero Crucifix.ca. 970. Oak, painted and gilded. Figure: 6' 2".

Cologne Cathedral, Germany. [Fig. 5.9]

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Norman. The Bayeux Tapestry: King Edward the Confessor talking to Harold, Earl of Wessex.

1070-80. Embroidered wool on linen. Entire length: 231'.Musée de la Tapisserie, Bayeux, France/With special authorisation of the

city of Bayeux/The Bridgeman Art Library. [Fig. 5-CL.1]

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Norman. The Bayeux Tapestry: Harold swears allegiance to William.1070-80. Embroidered wool on linen. Entire length: 231'.

Musée de la Tapisserie, Bayeux, France/With special authorisation of the city of Bayeux/The Bridgeman Art Library. [Fig. 5-CL.2]

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Norman. The Bayeux Tapestry: The Normans sail for England.1070-80. Embroidered wool on linen. Entire length: 231'.

Musée de la Tapisserie, Bayeux, France/With special authorisation of the city of Bayeux/The Bridgeman Art Library. [Fig. 5-CL.3]

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Norman. The Bayeux Tapestry: After assuming the throne, Harold is disturbed by the arrival of a comet.

1070-80. Embroidered wool on linen. Entire length: 231'.Musée de la Tapisserie, Bayeux, France/With special authorisation of the

city of Bayeux/The Bridgeman Art Library. [Fig. 5-CL.4]

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Norman. The Bayeux Tapestry: Harold is hit by an error in the eye and is slain.

1070-80. Embroidered wool on linen. Entire length: 231'.Erich Lessing/Art Resource, NY. [Fig. 5-CL.5]

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Romanesque. Abbey Church of Sainte-Foy, Conques, Auvergne, France.ca. 1050–1120.[Fig. 5.10]

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Map: The Pilgrimage routes.[Fig. Map 5.3]

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Romanesque. Reliquary effigy of Sainte-Foy. Made in the Auvergne region, France, for the Abbey Church of Sainte-Foy, Conques, France.

983-1013, with later additions. Gold and silver over a wooden core, with precious stones and cameos. Height: 34".Church Treasury, Conques. [Fig. 5.11]

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Romanesque. Abbey Church of Sainte-Foy, Conques, Auvergne, France: Nave interior.

ca. 1050-1120.[Fig. 5.12]

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Romanesque. Abbey Church of Sainte-Foy, Conques, Auvergne, France: Plan, with ambulatory and radiating chapels.

ca. 1050-1120.[Fig. 5.13]

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Romanesque. Diagram: Romanesque portal (two-tone drawing).[Fig. 5.14]

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Romanesque. Abbey Church of Sainte-Foy, Conques, Auvergne, France: West portal, tympanum, Last Judgment.

ca. 1065.[Fig. 5.15]

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Romanesque. Abbey Church of Sainte-Foy, Conques, Auvergne, France: West portal, tympanum, Last Judgment. Detail.

ca. 1065.[Fig. 5.16]

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Romanesque. Abbey Church (Cluny III), Cluny, Burgundy, France. View from the east. Reconstruction drawing after Conant.

1088-1130.[Fig. 5.17]

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Musical Notation: Diagram of melismatic organum from Léonin’s “Halleluia, dies sanctificatus".

[Fig. 5.18]

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Romanesque. Krak des Chevaliers, Syria.First occupied 1109.

[Fig. 5.19]

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Romanesque. Reconstruction: Stone Castle (color drawing).Beginning 1078.[Fig. 5.20]

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Romanesque. Casket with scenes of courtly love, from Limoges.ca. 1180. Champlevé enamel. 3-5/8" x 8-1/2" x 6-3/8".

© The Trustees of the British Museum/Art Resource, NY. [Fig. 5.21]

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Gothic. Chrétien de Troyes, Romance of Lancelot: Lancelot Crossing the Sword Bridge and Guinevere in the Tower.

ca. 1300. Manuscript illumination. 13-1/2" x 10".© The Pierpont Morgan Library/Art Resource, NY. [Fig. 5.22]

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Romanesque. Angel Subduing Demon. Decorated column capital in Romanesque style. Church of Sainte-Madeleine, Vézelay, France.

ca. 1089-1206. Stone.[Fig. 5.23]

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Gothic. Angel & Virgin of the Annunciation. Reims Cathedral, Reims, France. West façade, central portal. (Detail of fig. 6.13).

1245-55. Stone.[Fig. 5.24]