Humanities 100 Sayre ch11

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Canaletto. London: The Thames and the City of London from Richmond House. Detail. 1747. Oil on canvas. 44-7/8" x 39-3/8". Trustees of the Goodwood House, West Sussex, UK. [Fig. 11.1]

description

Humanities 100, Chapter 11, EBUS, Coastline

Transcript of Humanities 100 Sayre ch11

Page 1: Humanities 100 Sayre ch11

Canaletto. London: The Thames and the City of London from Richmond House. Detail.

1747. Oil on canvas. 44-7/8" x 39-3/8".Trustees of the Goodwood House, West Sussex, UK. [Fig. 11.1]

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Christopher Wren. Saint Paul's Cathedral: Western façade.1675-1710.[Fig. 11.2]

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Illustration from Robert Hooke's Micrographia, London, 1665: A flea.1665

Courtesy the University of Virginia Library. [Fig. 11.3]

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Illustration from Robert Hooke's Micrographia, London, 1665: A slice of cork.1665

Courtesy the University of Virginia Library. [Fig. 11.3]

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Joseph Wright. An Experiment on a Bird in the Air-Pump.1768. Oil on canvas. 6' x 8'.

National Gallery, London. [Fig. 11.4]

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Transfer-printed Queen’s Ware.ca. 1770. Earthenware.

The Wedgwood Museum, Barlaston, England. [Fig. 11.5]

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Thomas Farnolls Pritchard. Iron Bridge, Coalbrookdale, England.1779. Cast iron.

[Fig. 11.6]

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William Hogarth. Gin Lane.1751. Engraving and etching. 14" x 11-7/8".

Copyright The Trustees of the British Museum, London/Art Resource, New York.

[Fig. 11.7]

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Germain Boffrand. Salon de la Princesse de Soubise (Salon ovale), Hôtel de Soubise, Paris.ca. 1740. 33' x 26' ovoid.

Photo: Bulloz. Reunion des Musees Nationaux/Art Resource, New York. [Fig. 11.8]

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Charles-Joseph Natoire. Salon de la Princesse de Soubise, Hôtel de Soubise, Paris:

Cupid and Psyche, painted section of ceiling.1738. Oil on canvas. 5' 7-3/4" x 8' 6-3/8".

Peter Willi/The Bridgeman Art Library. [Fig. 11.9]

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Jean-Antoine Watteau. The Embarkation from Cythera.ca. 1718-19. Oil on canvas. 50-3/4" x 76-3/8".

Staatliche Museen, Schloss Charlottenburg, Berlin. [Fig. 11.10]

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François Boucher. Madame de Pompadour.1756. Oil on canvas. 79-1/8" x 61-7/8".

The Bridgeman Art Library. Bayerische Hypo und Vereinsbank, Alte Pinakothek, Bayerische Staatsgemäldesammlungen, Munich. [Fig. 11.11]

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François Boucher. The Toilet of Venus. Signed and dated lower right: f-Boucher-1751.

1751. Oil on canvas. 42-5/8" x 33-1/8".Bequest of William K. Vanderbilt, 1920 (20.155.9). Photograph © 1. The

Metropolitan Museum of Art, New York. [Fig. 11.12]

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Jean-Antoine Watteau. The Signboard of Gersaint.ca. 1721. Oil on canvas. 5' 4" x 10' 1".

Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Verwaltung der staatl. Schlösser und Gärden Kunstsammlungen. [Fig. 11-CL.1]

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Peter Paul Rubens. The Signboard of Gersaint: The Coronation of Marie de’ Medici by Rubens.1622-25. Oil on canvas. 12' 11" x 23' 10".Musée du Louvre, Paris. [Fig. 11-CL.2]

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Jean-Honoré Fragonard. The Swing.1767. Oil on canvas. 32-5/8" x 26".

Wallace Collection, London. [Fig. 11.13]

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Henry Flitcroft and Henry Hoare. The Park at Stourhead, Wiltshire, England.1744-65.

[Fig. 11.14]

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Claude Lorrain. The Rest on the Flight into Egypt (Noon).1661. Oil on canvas. 45-5/8" x 62-7/8".

Hermitage Museum, Saint Petersburg, Russia. The Bridgeman Art Library. Collection of Empress Josephine, Malmaison, 1815. [Fig. 11.15]

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Jean-Baptiste-Siméon Chardin. The Brioche (The Dessert).1763. Oil on canvas. 18-1/2" x 22".

Photo: Hervé Lewandowski. Musée du Louvre/RMN Reunion des Musées Nationaux, France. SCALA/Art Resource, New York. [Fig. 11.16]

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Jean-Baptiste-Siméon Chardin. A Philosopher Occupied with His Reading.1734. Oil on canvas. 54-3/8" x 41-3/8".

Photo: Hervé Lewandowski/ MusPhoto: Hervé Lewandowski/ Musée du Louvre/RMN Réunion des Musées Nationaux, France. SCALA/Art Resource, New York. [Fig.

11.17]

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Sydney Parkinson. Portrait of a Maori (later engraved and published as Plate XVI in Parkinson's Journal.

1769. Wash drawing. 15-1/2" x 11-5/8".The British Library, London. Add. 23920 f.55. [Fig. 11.18]

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William Marlow. View of the Wilderness at Kew.1763. Watercolor. 11-1/16" x 17-13/16".

Metropolitan Museum of Art, New York. [Fig. 11.19]

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François Boucher. Le Chinois Galant.1742. Oil on canvas. 41" x 57".

The David Collection, inv.B275. Photo: Pernille Klemp. [Fig. 11.20]

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Qing dynasty. Yu the Great Taming the Waters.Completed 1787. Jade carving. 7' 4-1/4" x 3' 1-3/4".Collection of The Palace Museum, Beijing. [Fig. 11.21]

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Jean Denis Attiret. The Presentation of Uigur Captives, within the series Battle Scenes of the Quelling of Rebellions in the Western Regions, with

Imperial Poems.ca. 1765-74; poem dated 1760. Etching mounted in album. 51 x 87 cms.

© The Cleveland Museum of Art, John L. Severance Fund. 1998.103.14. [Fig. 11.22]

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Elisabeth-Louise Vigée-Le Brun. Marie-Antoinette en chemise.1783. Oi on canvas. 33-1/2" x 28-1/4".

Hessische Hausstiftung (Hessian House Foundation) Museum Schloss Fasanerie.

[Fig. 11.23]

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Jacques-Louis David. Marie-Antoinette conduite au supplice (Queen Marie-Antoinette on the way to the guillotine).

1783. Ink drawing.DR 3599 Coll. Rothschild. Musée du Louvre/RMN Réunion des Musées Nationaux,

France. SCALA/Art Resource, New York. [Fig. 11.24]