Humanities 100 Sayre ch08

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  • Pieter I Claeissens (?). The Seven Wonders of Bruges. Detail.ca. 1550-60. Oil on wood panel. 34-5/8" x 48-3/8".Private Collection. LUKAS, Art in Flanders, Belgium. [Fig. 8.1]

    Pieter I Claeissens (?). The Seven Wonders of Bruges. Detail.ca. 1550-60. Oil on wood panel. 34-5/8" x 48-3/8".Private Collection. LUKAS, Art in Flanders, Belgium. [Fig. 8.1]*

  • Johannes Stradanus. Oil Painting, or Jan van Eyck's Studio.Late 16th century. Engraving. 8" X 10-1/2".Stedelijke Museum, Bruges. LUKAS, Art in Flanders, Belgium. [Fig. 8.2]

    Johannes Stradanus. Oil Painting, or Jan van Eyck's Studio.Late 16th century. Engraving. 8" X 10-1/2".Stedelijke Museum, Bruges. LUKAS, Art in Flanders, Belgium. [Fig. 8.2]*

  • Robert Campin (Master of Flmalle). Mrode Altarpiece.ca. 1426. Oil on wood panel. Center: 25-5/16" x 24-7/8" Wings: 25-3/8" x 10-7/8".The Metropolitan Museum of Art, New York. 1956 (56.70). [Fig. 8.3]

    Robert Campin (Master of Flmalle). Mrode Altarpiece.ca. 1426. Oil on wood panel. Center: 25-5/16" x 24-7/8" Wings: 25-3/8" x 10-7/8".The Metropolitan Museum of Art, New York. 1956 (56.70). [Fig. 8.3]*

  • Map: Chief financial, commercial, and artistic centers in northern Europe, 15th-16th centuries.[Fig. Map 8.1]

    Map: Chief financial, commercial, and artistic centers in northern Europe, 15th-16th centuries.[Fig. Map 8.1]*

  • Robert Campin (Master of Flmalle). Mrode Altarpiece. Detail. ca. 1426. Oil on wood panel. The Metropolitan Museum of Art, New York. Cloisters Collection. 1956 (56.70). [Fig. 8.4]

    Robert Campin (Master of Flmalle). Mrode Altarpiece. Detail. ca. 1426. Oil on wood panel. The Metropolitan Museum of Art, New York. Cloisters Collection. 1956 (56.70). [Fig. 8.4]*

  • Diagram: Cross-section of 15th-century oil painting demonstrating the luminosity of the oil medium.[Fig. 8.5]

    Diagram: Cross-section of 15th-century oil painting demonstrating the luminosity of the oil medium.[Fig. 8.5]*

  • Jan van Eyck. Giovanni Arnolfini and his Wife Giovanna Cenami (The Arnolfini Wedding Portrait).ca. 1434. Oil on wood panel. 32-1/4" x 23-1/2".National Gallery, London / Art Resource, NY. [Fig. 8.6]

    Jan van Eyck. Giovanni Arnolfini and his Wife Giovanna Cenami (The Arnolfini Wedding Portrait).ca. 1434. Oil on wood panel. 32-1/4" x 23-1/2".National Gallery, London / Art Resource, NY. [Fig. 8.6]*

  • Jan van Eyck. Giovanni Arnolfini and his Wife Giovanna Cenami.(The Arnolfini Wedding Portrait). Detail.ca. 1434. Oil on wood panel. National Gallery, London.[Fig. 8.7]

    Jan van Eyck. Giovanni Arnolfini and his Wife Giovanna Cenami.(The Arnolfini Wedding Portrait). Detail.ca. 1434. Oil on wood panel. National Gallery, London.[Fig. 8.7]*

  • Hieronymus Bosch. Garden of Earthly Delights. Open. Detail, left wing. ca. 1505-10.Oil on wood panel. Museo Nacional del Prado, Madrid.[Fig. 8-CL.1, 8-CL.2]

    Hieronymus Bosch. Garden of Earthly Delights. Open. Detail, left wing. ca. 1505-10.Oil on wood panel. Museo Nacional del Prado, Madrid.[Fig. 8-CL.1, 8-CL.2] *

  • Hieronymus Bosch. Garden of Earthly Delights. Open. Detail, center panel (below).ca. 1505-10. Oil on wood panel. Museo Nacional del Prado, Madrid.[Fig. 8-CL.3]

    Hieronymus Bosch. Garden of Earthly Delights. Open. Detail, center panel (below).ca. 1505-10. Oil on wood panel. Museo Nacional del Prado, Madrid.[Fig. 8-CL.3]*

  • Hieronymus Bosch. Garden of Earthly Delights. Closed. ca. 1505-10. Oil on wood panel. Each wing 7' 2-1/2" x 38". Museo Nacional del Prado, Madrid.[Fig. 8-CL.4]

    Hieronymus Bosch. Garden of Earthly Delights. Closed. ca. 1505-10. Oil on wood panel. Each wing 7' 2-1/2" x 38". Museo Nacional del Prado, Madrid.[Fig. 8-CL.4]*

  • Hieronymus Bosch. Garden aof Earthly Delights. Open. Entire triptych.ca. 1505-10. Oil on wood panel. Center panel 7' 2-1/2"; each wing 6' 4-3/4".Museo Nacional del Prado, Madrid. [Fig. 8-CL.5]

    Hieronymus Bosch. Garden aof Earthly Delights. Open. Entire triptych.ca. 1505-10. Oil on wood panel. Center panel 7' 2-1/2"; each wing 6' 4-3/4".Museo Nacional del Prado, Madrid. [Fig. 8-CL.5]*

  • Hieronymus Bosch. Garden of Earthly Delights. Open. Detail, center panel (above).ca. 1505-10. Oil on wood panel. Museo Nacional del Prado, Madrid.[Fig. 8-CL.6]

    Hieronymus Bosch. Garden of Earthly Delights. Open. Detail, center panel (above).ca. 1505-10. Oil on wood panel. Museo Nacional del Prado, Madrid.[Fig. 8-CL.6]*

  • Hieronymus Bosch. Garden of Earthly Delights. Open. Detail, right wing (above).ca. 1505-10. Oil on wood panel. Museo Nacional del Prado, Madrid.[Fig. 8-CL.7]

    Hieronymus Bosch. Garden of Earthly Delights. Open. Detail, right wing (above).ca. 1505-10. Oil on wood panel. Museo Nacional del Prado, Madrid.[Fig. 8-CL.7]*

  • Matthias Grnewald. Isenheim Altarpiece. Closed.ca. 1510-15. Oil on wood panel. Center panel: 9' 9-1/2" x 10' 9"; each wing: 8' 2-1/2" x 3-1/2"; base: 2' 5-1/2" x 11' 2".Muse d'Unterlinden, Colmar, France. [Fig. 8.8]

    Matthias Grnewald. Isenheim Altarpiece. Closed.ca. 1510-15. Oil on wood panel. Center panel: 9' 9-1/2" x 10' 9"; each wing: 8' 2-1/2" x 3-1/2"; base: 2' 5-1/2" x 11' 2".Muse d'Unterlinden, Colmar, France. [Fig. 8.8]*

  • Matthias Grnewald. Isenheim Altarpiece. First opening.ca. 1510-15. Oil on wood panel. Center panel: 9' 9-1/2" x 10' 9"; each wing: 9' 9-1/2" x 5' 4-1/2".Muse d'Unterlinden, Colmar, France. [Fig. 8.9]

    Matthias Grnewald. Isenheim Altarpiece. First opening.ca. 1510-15. Oil on wood panel. Center panel: 9' 9-1/2" x 10' 9"; each wing: 9' 9-1/2" x 5' 4-1/2".Muse d'Unterlinden, Colmar, France. [Fig. 8.9]*

  • Albrecht Drer. Self-portrait.1500. Oil on wood panel. 26-1/4" x 19-1/4".Alte Pinakothek, Munich. [Fig. 8.10]

    Albrecht Drer. Self-portrait.1500. Oil on wood panel. 26-1/4" x 19-1/4".Alte Pinakothek, Munich. [Fig. 8.10]*

  • Albrecht Drer. The Four Horsemen of the Apocalypse.1498. Woodcut. 15-1/2" x 11-1/8".The Metropolitan Museum of Art, New York. Gift of Junius S. Morgan, 1919. [Fig. 8.11]

    Albrecht Drer. The Four Horsemen of the Apocalypse.1498. Woodcut. 15-1/2" x 11-1/8".The Metropolitan Museum of Art, New York. Gift of Junius S. Morgan, 1919. [Fig. 8.11]*

  • Albrecht Altdorfer. The Battle of Issus.1529. Oil on panel. 62" x 47".Alte Pinakothek, Munich. [Fig. 8.12]

    Albrecht Altdorfer. The Battle of Issus.1529. Oil on panel. 62" x 47".Alte Pinakothek, Munich. [Fig. 8.12]*

  • Lucas Cranach. Martin Luther.ca. 1526. Oil on panel. 15" x 9".Uffizi Gallery, Florence. [Fig. 8.13]

    Lucas Cranach. Martin Luther.ca. 1526. Oil on panel. 15" x 9".Uffizi Gallery, Florence. [Fig. 8.13]*

  • Johannes Tetzel, Dominican monk.ca. 1517. Woodcut.Staatliche Lutherhalle, Wittenberg. [Fig. 8.14]

    Johannes Tetzel, Dominican monk.ca. 1517. Woodcut.Staatliche Lutherhalle, Wittenberg. [Fig. 8.14]*

  • Johannes Gutenberg. Gutenberg Bible (p. 162), printed with movable type in Mainz and then decorated by hand with marginalia, initials M and E, the latter enclosing an image of Alexander the Great.1455-56. Printed text decorated by hand. Folio approx. 11" X 15-11/16".Staatsbibliothek zu Berlin, Germany. [Fig. 8.15]

    Johannes Gutenberg. Gutenberg Bible (p. 162), printed with movable type in Mainz and then decorated by hand with marginalia, initials M and E, the latter enclosing an image of Alexander the Great.1455-56. Printed text decorated by hand. Folio approx. 11" X 15-11/16".Staatsbibliothek zu Berlin, Germany. [Fig. 8.15]*

  • Hans Holbein the Younger. Portrait of Henry VIII in Wedding Dress.1540. Oil on wood panel. 32-1/2" x 29".Galleria Barberini, Rome. [Fig. 8.16]

    Hans Holbein the Younger. Portrait of Henry VIII in Wedding Dress.1540. Oil on wood panel. 32-1/2" x 29".Galleria Barberini, Rome. [Fig. 8.16]*

  • Hans Holbein the Younger. The Ambassadors.1533. Oil on oak panel. 81-1/2" x 82".National Gallery, London. [Fig. 8.17]

    Hans Holbein the Younger. The Ambassadors.1533. Oil on oak panel. 81-1/2" x 82".National Gallery, London. [Fig. 8.17]*

  • Federigo Zuccaro, attributed to. The Darnley Portrait of Elizabeth I.ca. 1575. Oil on wood panel. 44-1/2" x 31.National Portrait Gallery, London. [Fig. 8.18]

    Federigo Zuccaro, attributed to. The Darnley Portrait of Elizabeth I.ca. 1575. Oil on wood panel. 44-1/2" x 31.National Portrait Gallery, London. [Fig. 8.18]*

  • Interior of a Calvinist Church.Seventeenth century. Engraving.German National Museum, Nuremberg. [Fig. 8.19]

    Interior of a Calvinist Church.Seventeenth century. Engraving.German National Museum, Nuremberg. [Fig. 8.19]*

  • Gianlorenzo Bernini. Baldacchino.1624-33. Gilt bronze, marble, stucco, glass. Height: approx. 100'.Saint Peter's Basilica, Vatican, Rome. [Fig. 8.20]

    Gianlorenzo Bernini. Baldacchino.1624-33. Gilt bronze, marble, stucco, glass. Height: approx. 100'.Saint Peter's Basilica, Vatican, Rome. [Fig. 8.20]*

    Pieter I Claeissens (?). The Seven Wonders of Bruges. Detail.ca. 1550-60. Oil on wood panel. 34-5/8" x 48-3/8".Private Collection. LUKAS, Art in Flanders, Belgium. [Fig. 8.1]*Johannes Stradanus. Oil Painting, or Jan van Eyck's Studio.Late 16th century. Engraving. 8" X 10-1/2".Stedelijke Museum, Bruges. LUKAS, Art in Flanders, Belgium. [Fig. 8.2]*Robert Campin (Master of Flmalle). Mrode Altarpiece.ca. 1426. Oil on wood panel. Center: 25-5/16" x 24-7/8" Wings: 25-3/8" x 10-7/8".The Metropolitan Museum of Art, New York. 1956 (56.70). [Fig. 8.3]*Map: Chief financial, commercial, and artistic centers in northern Europe, 15th-16th centuries.[Fig. Map 8.1]*Robert Campin (Master of Flmalle). Mrode Altarpiece. Detail. ca. 1426. Oil on wood panel. The Metropolitan Museum of Art, New York. Cloisters Collec