Humanities 1 Readings: POEMS

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    HUMANITIES 1 [POETRY]

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    Poetic AppearancesCecil Rajendra

    And shall I ruffle my hair

    slip into a poetic trance

    and mutter aloud to myself?

    Or shall I feign absent-

    mindedness & sit down on my beer? 5

    And shall I walk about town

    with a dog-eared copy of Chairil

    Anwar in my hip-pocket?

    Or shall I give up soccer

    Crook my little finger 10

    And act vaguely effeminate?

    And shall I do my reading

    in a Dashiki with a sling-

    bag draped around my shoulder?

    Or shall I read into a paper bag 15

    with a python curled on my lap?

    Shall I be weird, eccentric

    talk with a limp, walk in a stutter

    and when someone asks me

    the name of the Prime Minister 20

    shall I, shall I answer D.J. Dave?

    And is it absolutely necessary

    to father illegitimate children?

    Contract syphilis, smoke opium

    and commit suicide before 25

    out of some iambic obligation?

    To write a true poem

    Is no difficult operation

    you simply walk through fire.

    To pass off as a poet30

    is a more complicated matterthere are so many expectations.

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    Morning SongSylvia Plath(1932-1963)

    Love set you going like a fat gold watch. 1

    The midwife slapped your footsoles, and your bald cry

    Took its place among the elements.

    Our voices echo, magnifying your arrival. New statue.

    In a drafty museum, your nakedness 5

    Shadows our safety. We stand round blankly as walls.

    I'm no more your mother

    Than the cloud that distills a mirror to reflect its own slow

    Effacement at the wind's hand.

    All night your moth-breath 10

    Flickers among the flat pink roses. I wake to listen:

    A far sea moves in my ear.

    One cry, and I stumble from bed, cow-heavy and floral

    In my Victorian nightgown.

    Your mouth opens clean as a cat's. The window square 15

    Whitens and swallows its dull stars. And now you try

    Your handful of notes;

    The clear vowels rise like balloons.

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    Alone and Drinking Under the Moon

    Li Po/Bai(701-762)

    Amongst the flowers I 1am alone with my pot of wine

    drinking by myself; then liftingmy cup I asked the moon

    to drink with me, its reflectionand mine in the wine cup, just 5

    the three of us; then I sighfor the moon cannot drink,

    and my shadow goes emptily alongwith me never saying a word;

    with no other friends here, I can 10but use these two for company;

    in the time of happiness, Itoo must be happy with allaround me; I sit and singand it is as if the moon 15

    accompanies me; then if I

    dance, it is my shadow thatdances along with me; while

    still not drunk, I am gladto make the moon and my shadow 20

    into friends, but then whenI have drunk too much, we

    all part; yet these are

    friends I can always count onthese who have no emotion 25

    whatsoever; I hope that one daywe three will meet again,deep in the Milky Way.

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    The Guerilla Is Like a Poet

    Jose Maria Sison

    The guerilla is like a poetKeen to the rustle of leaves

    The break of twigs

    The ripples of the river

    The smell of fire

    And the ashes of departure.

    The guerilla is like a poet.

    He has merged with the trees

    The bushes and the rocksAmbiguous but precise

    Well-versed on the law of motion

    And the master of myriad images.

    The guerilla is like a poet

    Enrhymed with nature

    The subtle rhythm of the greenery

    The inner silence, the outer innocence

    The steel tensile in-graceThat ensnares the enemy.

    The guerilla is like a poet.

    He moves with the green brown multitude

    In bush burning with red flowers

    That crown and hearten all

    Swarming the terrain as a flood

    Marching at last against the stronghold.

    An endless movement of strength

    Behold the protracted theme:

    The people's epic, the people's war.

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    The Red Wheelbarrow

    William Carlos Williams

    so much depends

    upon

    a red wheel

    barrow

    glazed with rain

    water

    beside the white

    chickens.

    IN A STATION OF THE METRO

    The apparition of these faces in the crowd:

    Petals on a wet, black bough.

    (Ezra Pound, 1885-1972)

    Fame is a beeEmily DickinsonFame is a bee.

    It has a song --

    It has a sting --

    Ah, too, it has a wing.

    Faith is a fine invention

    Faith is a fine invention

    By which Gentlemen can see --

    ButMicroscopes are prudent

    In an Emergency.

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    72. "Death be not proud, though some have called thee"

    John Donne (1572-1631)

    DEATH be not proud, though some have called thee

    Mighty and dreadfull, for, thou art not so,

    For, those, whom thou think'st, thou dost overthrow,

    Die not, poore death, nor yet canst thou kill me.

    From rest and sleepe, which but thy pictures bee,

    5

    Much pleasure, then from thee, much more must flow,

    And soonest our best men with thee doe goe,

    Rest of their bones, and soules deliverie.

    Thou art slave to Fate, Chance, kings, and desperate men,

    And dost with poyson, warre, and sicknesse dwell,10

    And poppie, or charmes can make us sleepe as well,

    And better then thy stroake; why swell'st thou then;

    One short sleepe past, wee wake eternally,

    And death shall be no more; death, thou shalt die.

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    FromOmar Khayyams The Rubaiyat*

    .

    *Omar Khayyam, The Rubayiyat, trans. Peter Avery and John Heath-Stubbs

    (London: Penguin Books, 1981), 37-38.

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    Ode to Salt

    Pablo Neruda

    This salt

    in the salt cellarI once saw in the salt mines.

    I know

    you won't5

    believe me

    but

    it sings

    salt sings, the skin

    of the salt mines 10

    sings

    with a mouth smothered

    by the earth.I shivered in those

    solitudes 15

    when I heard

    the voice

    of

    the salt

    in the desert. 20

    Near Antofagasta

    the nitrous

    pampa

    resounds:

    a 25

    broken

    voice,

    a mournful

    song.

    In its caves 30

    the salt moans, mountain

    of buried light,

    translucent cathedral,

    crystal of the sea, oblivion

    of the waves. 35

    And then on every table

    in the world,

    salt,

    we see your piquantpowder 40

    sprinkling

    vital light

    upon

    our food.

    Preserver 45

    of the ancient

    holds of ships,

    discoverer

    on

    the high seas, 50

    earliest

    sailor

    of the unknown, shifting

    byways of the foam.

    Dust of the sea, in you 55

    the tongue receives a kiss

    from ocean night:

    taste imparts to every seasoned

    dish your ocean essence;

    the smallest, 60

    miniature

    wave from the saltcellar

    reveals to us

    more than domestic whiteness;

    in it, we taste finitude 65