Humanities 1 Readings: POEMS
Transcript of Humanities 1 Readings: POEMS
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Poetic AppearancesCecil Rajendra
And shall I ruffle my hair
slip into a poetic trance
and mutter aloud to myself?
Or shall I feign absent-
mindedness & sit down on my beer? 5
And shall I walk about town
with a dog-eared copy of Chairil
Anwar in my hip-pocket?
Or shall I give up soccer
Crook my little finger 10
And act vaguely effeminate?
And shall I do my reading
in a Dashiki with a sling-
bag draped around my shoulder?
Or shall I read into a paper bag 15
with a python curled on my lap?
Shall I be weird, eccentric
talk with a limp, walk in a stutter
and when someone asks me
the name of the Prime Minister 20
shall I, shall I answer D.J. Dave?
And is it absolutely necessary
to father illegitimate children?
Contract syphilis, smoke opium
and commit suicide before 25
out of some iambic obligation?
To write a true poem
Is no difficult operation
you simply walk through fire.
To pass off as a poet30
is a more complicated matterthere are so many expectations.
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Morning SongSylvia Plath(1932-1963)
Love set you going like a fat gold watch. 1
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.
Our voices echo, magnifying your arrival. New statue.
In a drafty museum, your nakedness 5
Shadows our safety. We stand round blankly as walls.
I'm no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind's hand.
All night your moth-breath 10
Flickers among the flat pink roses. I wake to listen:
A far sea moves in my ear.
One cry, and I stumble from bed, cow-heavy and floral
In my Victorian nightgown.
Your mouth opens clean as a cat's. The window square 15
Whitens and swallows its dull stars. And now you try
Your handful of notes;
The clear vowels rise like balloons.
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Alone and Drinking Under the Moon
Li Po/Bai(701-762)
Amongst the flowers I 1am alone with my pot of wine
drinking by myself; then liftingmy cup I asked the moon
to drink with me, its reflectionand mine in the wine cup, just 5
the three of us; then I sighfor the moon cannot drink,
and my shadow goes emptily alongwith me never saying a word;
with no other friends here, I can 10but use these two for company;
in the time of happiness, Itoo must be happy with allaround me; I sit and singand it is as if the moon 15
accompanies me; then if I
dance, it is my shadow thatdances along with me; while
still not drunk, I am gladto make the moon and my shadow 20
into friends, but then whenI have drunk too much, we
all part; yet these are
friends I can always count onthese who have no emotion 25
whatsoever; I hope that one daywe three will meet again,deep in the Milky Way.
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The Guerilla Is Like a Poet
Jose Maria Sison
The guerilla is like a poetKeen to the rustle of leaves
The break of twigs
The ripples of the river
The smell of fire
And the ashes of departure.
The guerilla is like a poet.
He has merged with the trees
The bushes and the rocksAmbiguous but precise
Well-versed on the law of motion
And the master of myriad images.
The guerilla is like a poet
Enrhymed with nature
The subtle rhythm of the greenery
The inner silence, the outer innocence
The steel tensile in-graceThat ensnares the enemy.
The guerilla is like a poet.
He moves with the green brown multitude
In bush burning with red flowers
That crown and hearten all
Swarming the terrain as a flood
Marching at last against the stronghold.
An endless movement of strength
Behold the protracted theme:
The people's epic, the people's war.
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The Red Wheelbarrow
William Carlos Williams
so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens.
IN A STATION OF THE METRO
The apparition of these faces in the crowd:
Petals on a wet, black bough.
(Ezra Pound, 1885-1972)
Fame is a beeEmily DickinsonFame is a bee.
It has a song --
It has a sting --
Ah, too, it has a wing.
Faith is a fine invention
Faith is a fine invention
By which Gentlemen can see --
ButMicroscopes are prudent
In an Emergency.
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72. "Death be not proud, though some have called thee"
John Donne (1572-1631)
DEATH be not proud, though some have called thee
Mighty and dreadfull, for, thou art not so,
For, those, whom thou think'st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill me.
From rest and sleepe, which but thy pictures bee,
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Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell,10
And poppie, or charmes can make us sleepe as well,
And better then thy stroake; why swell'st thou then;
One short sleepe past, wee wake eternally,
And death shall be no more; death, thou shalt die.
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FromOmar Khayyams The Rubaiyat*
.
*Omar Khayyam, The Rubayiyat, trans. Peter Avery and John Heath-Stubbs
(London: Penguin Books, 1981), 37-38.
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Ode to Salt
Pablo Neruda
This salt
in the salt cellarI once saw in the salt mines.
I know
you won't5
believe me
but
it sings
salt sings, the skin
of the salt mines 10
sings
with a mouth smothered
by the earth.I shivered in those
solitudes 15
when I heard
the voice
of
the salt
in the desert. 20
Near Antofagasta
the nitrous
pampa
resounds:
a 25
broken
voice,
a mournful
song.
In its caves 30
the salt moans, mountain
of buried light,
translucent cathedral,
crystal of the sea, oblivion
of the waves. 35
And then on every table
in the world,
salt,
we see your piquantpowder 40
sprinkling
vital light
upon
our food.
Preserver 45
of the ancient
holds of ships,
discoverer
on
the high seas, 50
earliest
sailor
of the unknown, shifting
byways of the foam.
Dust of the sea, in you 55
the tongue receives a kiss
from ocean night:
taste imparts to every seasoned
dish your ocean essence;
the smallest, 60
miniature
wave from the saltcellar
reveals to us
more than domestic whiteness;
in it, we taste finitude 65